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funtimebunnyblog · 3 years

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So! What about the god ok switch-a-roo? The pillarmen are now human and their s/os are pillarmen!

I interpreted this request as body swapping (similar to what we see in a much later part of JoJo) and I hope this is what you meant, my dear Anon! 🙏❤🥰

If not and you meant for me to write this in another way, I am SO sorry I misinterpreted the request and I sincerely hope you still enjoy this nonetheless! 😅😇

Body swapping with the Pillarmen! 😱 🔁

(Under the cut for length!)

Kars:

• Ending up in your body will piss Kars off more than anything really.

• Don't get him wrong, he loves you with all his heart; it's just that he's a man who is rather comfortable in his superiority and status over your race.

• He had worked VERY hard to get himself where he wanted to be afterall...

• Suddenly being reduced to a mere Human is enough to make his (er... your) stomach turn.

• Kars' new "limitations" in your body however didn't stop him from working out how this happened and, more importantly, how to UNDO it ASAP.

• When you happen to come to in Kars' body, the feeling is unsettling and strange to say the least.

• Piloting not only a Pillarmans body but Ultimate lifeform's as well will take you some getting used to for sure.

• For one thing, you'll come to find his hair gets in the way of EVERYTHING.

• If the wind blows or if you happen to turn sharply it's suddenly in your (well... his, but you get the idea) mouth or sticking in your eyes or just plain in your face!

• You can't understand how he stands it at all!

• There's no time for you to ask him to teach you how to wrap it up like he does either to remedy the issue so you have to grin and bear it.

• On the other hand, even the slightest jump in your emotions makes his arm blades spring forth!

• You almost ended up accidentally stabbing Kars (while he was in your body) as a result of getting worked up over the whole matter.

• Kars could only watch you floundering about in his body, frowning and shaking your human head as he told you repeatedly to keep calm and they'll stay put.

• As if you could keep level-headed at all in this situation as it was.

• On the upside ot things however... you learn some interesting things about Kars.

• "...Wait." you paused, peering down at the muscular legs beneath you; your eyes bore into Kars' boots with a critical gaze. There was something cushy sitting just below the heel on the inside.

• "Do you... have cloth wedged into your boots?" A sangria eyebrow raised, ruby eyes falling onto Kars.

• You watched as the features of your own face shifted dramatically, mouth falling open, scandalized. "I--" he began, but your voice fell short as he couldn't find anything to say in defense.

• "Do you do this to make yourself look taller?" A wheeze rose up in the Pillarman's chest, rich barking laughter ringing out as you doubled over in laughter.

• You suddenly came to the realization that you had never once seen Kars without his boots off, the pumps at the very bottom of the boots gave him a little boost as it was but on the inside it quite literally felt like you were wearing a pair of high heels.

• You were starting to wonder just how tall Kars really was. Hell, you were starting to wonder if he even passed Santana in height without these boots on!

• Your laughter fell short as a familiar, much smaller, hand reached up and grabbed your new body by the scarf. You were hauled down to meet the burning and intense gaze of your own eyes, Kars snarling right up into his own face.

• Jeeze, had your face always looked that red when you got angry before?

• "If you speak of this to ANYONE, I will spill each and every one of your own secrets to the others," he growled lowly, giving your voice an uncharacteristically harsh and grating tone. "Am I clear?"

• It took all you had inside not to call him "shortie" once things were finally back to the way they were and you both settled back into your own bodies.

• Despite your curiosity, your question on his exact height would never get answered.

• Kars knew how to put those arm blades to use better than you of course...

Esidisi:

• Oh boy... you have to be VERY careful piloting this one.

• And I mean the absolute definition of careful!

• When your consciousness ends up transfered into Esidisi's body, its no surprise that you feel very warm and fuzzy on the inside.

• It's almost a feeling akin to when you sit just a little too long in a bath that's a little too hot.

• Strangely, it was actually kind of a comforting feeling amongst this whole ordeal.

• However, if you're not careful with your emotions (warm and fuzzy feeling or not) than you might just accidentally end up burning a hole right through the Earth!

• Or worse... end up spraying scalding hot blood and flaying fleshy veins dripping with the stuff in all directions.

• Your core temperature has to constantly be monitored or you'll pay the price.

• It seems like even if you unfocus for one singular second, the Pillarman's entire body starts to smolder like a cake burning in an oven!

• Esidisi, on the other hand, is actually quite enjoying being in your body.

• He's having a much better time than you are for sure. In fact, he's laughing like this is nothing more than a game to him!

• You'll have to keep your eyes on him because he can't keep his (or rather, your) hands off your body.

• "Esidisi!" You barked, the Pillarman's voice was like the clap of thunder as it raised in octave; clearing the air with its power and inevitably startling you (again) even though you were the one wielding it. "Get your hands out of there, right now!"

• Your command was met with laughter, you watched as a wide grin stretched across your own face as Esidisi pried your hands off of your behind (for the 3rd time) and tucked them neatly into your pockets as he continued to giggle to himself.

• "I wasn't doing anything~" he purred, making your voice sound uncannily like a bad child playing innocent, acting wasn't just caught squeezing your cake.

• He was being to curious for his own good.

• That and the fact that he's taking enjoyment out of little ordinary Human things while piloting your body

• Things like feeling actual pain when skin is pinched or when hair is pulled seemed like it could entertain him for hours on end.

• If you don't keep a close eye on him and his shenanigans, you might just end up getting your body back all banged and bruised up if he goes too far with his fun.

• Fair enough, as he might just get his back half-burned into the ground or covered in blood...

Wamuu:

• Wamuu straight up does NOT have a good time dealing with suddenly being Human.

• The fact that it's your body he's in doesn't help that any either.

• 12/10 would NOT do again. 0 STARS!

• Wamuu, always a composed and calculating Warrior and tactician, was now in full panic mode.

• All his life he carried himself with pride, building his little ego off all his strengths and victories because of his status and his incredible unmatchable power.

• Now, with all of that ripped away from him, the Warrior felt too vulnerable and naked for his liking in this Human form.

• "Ow! OW!!!" Wamuu cried, eyes wide as your hands flew to your back. "Why does it hurt there? Do you always have pain like this?" Came the question, it was more than strange (and a little unsettling) to hear your own voice asking you that so desperately.

• "You get used to it." You replied, the deepness of the Pillarman's voice sending deep vibrations through the hardened chest as you spoke.

• "Why-- Why does this body feel so sluggish? I feel so inexplicably weary..." "I know. You get used to that too." "WHY IS EVERYTHING SORE?! WHY IS EVERYTHING CREAKING?!" "It's fine. That's normal."

• On the other hand, your mind suddenly being swapped into Wamuu's body isn't quite as bad as being in the others but... there are still some things to get used to.

• For one thing, it was hard to get used to simply walking around in it.

• Wamuu was so immensely big, muscular and heavy that you felt as if you were shaking the Earth with each step, causing you to lumber and stumble around with no grace to speak of.

• For another, a wirlwind just seemed to follow you wherever you went. It was honestly harder to control than it looked!

• When you wanted it to move one way, it went another. Wind blew up, wind blew down.

• You found yourself standing around, massive hands flying to the loincloth in an attempt to keep it from flinging up and showing too much.

• You wanted to spare least a shred of Wamuu's lost dignity while he wasn't piloting his own body after all.

• His horn is an entirely different matter.

• At one point the breeze blew too strong and the Pillarmen's signature headpiece suddenly flew right off his head and then... out sprang the horn.

• It shot 18 feet into the air, skewering two trees and drilling right through them like an overcharged power drill; a terrifying whir filling the air as chunks of wood flayed in every direction.

• The entire time you screamed in terror (you had no idea Wamuu's voice could go so high until that moment), slicing through an entire plot of trees as Wamuu yelled for you to put it away before it went for something breathing... like your own body that he was currently inhabiting.

• In the end, the relief you both feel to be back in your own bodies once the entire mess is fixed is immeasurable.

• You also both agree to never speak of the experience again for as long as you live.

Santana:

• Much like Kars, Santana is more unimpressed about the whole thing rather than upset or worried.

• Apart from you of course, Santana just barely tolerated Humans (or Primitives as he liked to call them) as it was.

• He often spoke about how fragile and flawed your kind was, honestly the defenselessness of a Human was laughable in his eyes.

• Therefore, he absolutely does NOT like suddenly being reduced to one, even if it is your body.

• The entire time he's practically pouting, the very definition of apathetic, grumbling to himself and following close behind as you tried to chase down the person responsible for the swap.

• "This form is... limiting." Came the low growl, each word sounding so very unlike you despite the fact it was your voice he was using. Santana practically spat as he kept talking, "Flawed. Primal. Defenseless."

• You were handling things admittedly better than Santana but it was still more than overwhelming.

• For one thing, you'll come to find that Santana's senses are extremely heightened.

• You never realized how very unbelieveably strong a sense of smell, taste and hearing could be until now.

• You could smell animals that had passed through the area nearly a fortnight ago just by putting your nose to the air. You could hear the thumping of your own heart from where it sat back in your own chest as Santana followed close at your heels.

• For another thing... Santana's body felt... odd.

• It was a strange and indescribable feeling; it was best put as you felt like a substance that constantly balanced between solid and liquid.

• How on Earth could he stand being a living mass of puddy and sharp deadly bones all the time?!

• As Santana kept grumbling about how very imperfect his new form was, your only hope was to give him that huge bag of gummy bears you had been saving in your bag for later to snack on.

• It would give you a moment of silence to think straight. However, if Santana was himself that would've been a good idea but in this case... not so much.

• "What's wrong?" You questioned, the Pillarman's gravely voice holding a different tone than you were used to as you used it, studying him.

• Santana had suddenly stopped following and was now slumped over, clutching at your stomach. A low whine surfaced, almost a sob, as he spoke through clenched teeth.

• "Do.... not.... feel..... good." Came the whimper. You came rushing to his side, your temorary body dwarfing your real one as you pulled Santana close to see if he had somehow gotten hurt.

• "What--" the question fell short as you spied the now very empty bag of gummy bears laying nearby.

• That bag had been huge, filled to the brim with bright and colourful gushy candy... and Santana had eaten ALL of them.

• It was that day that Santana found out that a Humans biggest flaw was that too much sugar made them sick.

• Good luck with enjoying getting your body back when the time comes as you now suspected you would spend your time kneeled over a bucket with a hot water bottle instead of celebrating...

#funnybunny #pillarmen #pillarmen headcanons #kars #esidisi #wamuu #santana #kars x reader #esidisi x reader #wamuu x reader #santana x reader #anon ask #my writing

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celestialnocturnes · 3 years

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a message to my youth (reply 1988 thought dump)

warning: this isn't meant to be a coherent review or commentary on reply 1988. i literally just finished the kdrama a few moments ago and i want to preserve what i'm feeling through this entry. this is only a cathartic attempt to show how the kdrama had impacted me in so many ways. also, spoilers!

to the things that are already gone. to a time that has already passed, i want to say a belated farewell. goodbye, my youth.

watching a kdrama wasn't in my top priorities this year, but things that used to be a part of you would demand to be revisited sometimes. i'm glad that i did, and i'm thankful that it was reply 1988.

taking a nostalgic look at the year 1988, this kdrama tells about the story of five families in a humble block in ssangmun, seoul. for someone born 12 years after the setting, the plot is something strange, a history lesson in the lens of simple households. for someone in the limbo between careless youth and adulting, and someone born in an asian family, this kdrama will feel like home.

culturally speaking, reply 1988 was a beautiful exposition of how asian households run. what got me hooked to continue the drama was the endless saga of giving dishes to neighbors in the first episode. funnily enough, all families ended up having a feast of each house's dinner on their tables.

from a mouthwatering display of korean side dishes, to the trends of 1988 korea (back when jyp himself was a hit lolz jk), to the endless neighborhood gossips, to the flawed and conservative views on politics, and to the tight-knitted family dynamics — one would find this hilarious and relatable, informative even.

reply 1988 was a lot of things, but its casts hold a special place in my heart. the gang had so much love between them and it was so beautiful to see a pure friendship evolve through the years. i wish i could still have loud dinners and drunken nights with my friends when we get into our careers. I would love that.

sung deok sun, the optimistic figure in the group, was a ray of sunshine to me even as a viewer. i love deok sun because her spirits were never faltered by her failures and her status in life. my personality is sooo far from deok sun's, but she was relatable to me when she said she didn't know what to do in her life. she doesn't have a dream, i have a lot of them. even so, the uncertainty is there. i guess we all figure things out in the end. deok sun became a flight crew and was able to earn money for the family. i can't wait to figure out my own path, too.

dong ryong, being deoksun's self-proclaimed soulmate faced the same journey. despite not getting into a prestigious university, it's amazing how he was able to establish his own restaurant and even expand branches! makes you really think that not everything in life can be solved by good grades. honestly, i wish i have his street smarts and wisdom. what a powerful person i would be, then.

jung hwan was the man of few words in the group. he showed his affections not through words, but through his actions (and teases for deok sun). his love language would definitely be acts of service! i love jung hwan. he was a good son, brother, and friend. i aspire to have the kindness that he has. but oh dear heavens i would kill just to see how his love life would unfold had he faced the courage to confess to deok sun. i mean, come on! just be straightforward! they would honestly make a good pair, the ray of sunshine girl and the cold guy.

choi taek, the professional go-gamer, was the baby of the group. like jung hwan, he was a man of few words, except that taek was actually shy. his growth through the series was perhaps the most apparent. his innocent image was eventually changed by the way he picked up curse words from the gang, to his smoking, and to his openness of affection for his family and later on, deok sun. also, his character made me fall in love with park bo gum and his smile!

before i go to the next two characters that i associate myself with, i would also like to comment on the household parents of the block. the fathers here have different personalities, but their identities as providers of the house defined the way they act. they keep a tough act and may be distant to their children, but the love is there even though they don't really know much about the household.

and the mothers, oh dear, the mothers. my mom is not a working entity, but i've seen her struggle through the years. i think her burdens are even heavier than that of my dad's. the way this kdrama portrayed the stories of the mothers touched my heart so much that i couldn't stop my tears. never underestimate a woman's strength, i tell you.

from these figures, i learned so much about adulting and marriage. our parents miss their parents, too. our parents would always worry about us, no matter how old we are. our parents are trying to keep everything together, so they put up a tough front. our parents' wishes are devoted to their children. our parents just want the best life for us. not only us are growing old, but our parents, too. our parents want our attention, too. our parents do not have the perfect marriage, but they would do anything for their children. our parents love us deeply.

okay, here goes my reflection in the kdrama — sun woo and sung bora. initially, i was planning to write an entry only about bora, but i realized that i am in many ways alike to sun woo as well. both characters are the eldest children of the family and they face a lot of pressure in their respective families. both characters sacrificed their dreams because they are limited to what their families can afford. sung bora took math education despite her dreams as a prosecutor. sun woo took medicine because that was what his mom wanted. as for me, i chose a course that would promise a stable salary. i dreamed to work in the field of science or writing, but both paths have unstable pays in this country. i do not come from a well-off family, so i have to set my dreams aside.

bora and i do not share the same personality. hers was aggressive and frank, mine was the opposite. even so, i found a piece of my soul in her character because she was steadfast in her goals and was very understanding of her family's situation. she was the cream of the crop in the siblings, the only one who became a student in the premier university, the talk of the neighborhood. she had strong political stances that made her own parents almost disown her, but she was never sorry for it. when it comes to little things, bora had so much privacy over her things that she would get mad at the slightest unauthorized touch of it. oh dear, if that wasn't me.

sun woo, on the other hand, was nearing my male counterpart. he cares so much about his mom and his sister that he hated the thought of the former working. he was the model student, the one with the straight a's, and the one who acts professionally even with the internal turmoil of emotions. he never opposed his mother's wishes and he loved his sister dearly. he would always hold his feelings in, but gets weak in the arms of a loved one. based on his upbringing and firm values, you would also see how he respects women. i love it.

these two never worked out at first because they prioritized their dreams above romance, but i'm so, so happy that they got together in the end.

reply 1988 was perhaps one of the best slice of life shows that i've ever seen. i wish i had watched this when i was younger, because it would teach you so much about family, love, dreams, friendship, and growing up. the pacing would feel kind of slow because of its movie-length episodes, but i swear it was worth it.

to the youth that i was, thank you for building the youth that i am.

to the youth that i am, enjoy the uncertainty and strive to be a better version of yourself.

to the youth that will be, may you never lose the spark inside your heart no matter how old you are.

i will hear your reply in time.

most ardently,

grace

#reply 1988 #journal entries #text #kdrama #korean #slice of life #deok sun #jung hwan #sun woo #dong ryong #sung bora #choi taek

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lee-scribbles-and-doodles · 3 years

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My Top Ten Overlooked Movies With Female Leads In No Particular Order

Note: When you see this emoji (⚠️) I will be talking about things people may find triggering, which are spoilery more often then not. I mention things that I think may count as triggers so that people with them will be aware before going in to watch any of these.

Edited: 3/16/21

Hanna (2011)

So, before I get into why you should watch this movie, I just want to take a moment to say why it's near and dear to my heart. Growing up as a queer kid in the early 2000s, seeing portrayals of people like or similar to myself on anything was rare at best. It was mostly in more "adult" movies or shows that my parents would occasionally let me watch with them that I'd see any lgbtq+ rep at all. Often times they were either walking stereotypes, designed to be buried, evil, or all three.

Then here comes this PG-13 action thriller with a wonderfully written main female lead who, at the time, was close to my age, and who got to kiss another girl (her very first friend, Sophie) on screen in an extremely tender and heartwarming scene. To say the least, it was a life changing moment for me personally.

Now that I've gotten that out of the way, Hanna is a suspenseful movie about a child super-soldier named, you guessed it, Hanna (played by Saoirse Ronan) and her adoptive (?) father Erik Heller (played by Eric Bana) exiting the snowy and isolated wilderness of their home and taking on the shadowy CIA operative, Marissa Wiegler (played by Cate Blanchette) who wants Erik dead and Hanna for herself for mysterious reasons.

It also has an amazing soundtrack by the Chemical Brothers, great action scenes, and it has an over arching fairytale motif, which I'm always a sucker for.

⚠️ Mild blood effects, some painful looking strikes, various character deaths, and child endangerment all feature in this film. However, given its PG-13 rating, a majority of viewers are presumably able to handle this one. Still, be aware of these going in.

Sidenote: It's recently gotten a TV adaptation on Amazon TV, although I have not watched it, and do not know if Hanna and Sophie's romantic/semi-romantic relationship has transferred over.

A Simple Favor

A Simple Favor is a "black-comedy mystery thriller" centered entirely around the relationship between two mothers, the reclusive, rich, mysterious, and regal Emily (played by Blake Lively), and the local recently widowed but plucky mommy blogger, Stephanie (played by Anna Kendrick). When Emily suddenly goes missing, Stephanie takes it upon herself to find out what happened to her new best friend.

It's a fantastic and entertaining movie throughout, with fun, flawed and interesting characters. The relationship between the two female leads is also implied to be at least somewhat romantic in nature, and they even share a kiss.

⚠️ The only major warnings I can think of is that the movie contains an instance of incest and one of the main plotlines revolves around child abuse, although both of these potentially triggering topics are not connected to each other, so there is thankfully no csa going on.

Edit: I legitimately forgot there was drug use in this movie until now. So, yeah, if that's a trigger, be careful of that.

I Am Mother

I became mildly obsessed with this movie when it came out. I Am Mother is a sci-fi film that centers entirely around a cast of two woman, and a female-adjacent robot who is brought to life on screen with absolutely amazing practical effects.

The plot is such, after an extinction-level event, a lone robot known only as Mother tasks herself with replenishing the human race via artifical means. She begins with the film's main protagonist, Daughter. Years go by as Mother raises her human child and the two prepare for Daughter's first sibling (a brother) to be born. However, on Daughter's 16th birthday, the arrival of an outsider known only as Woman shakes Daughter's entire world view. She begins to question Mother's very nature, as well as what's really going on outside the bunker she and her caretaker call home.

⚠️ This movie features child endangerment and reference to child death.

Lilo and Stitch

When I decided to add a single Disney film to this list I initially thought it was going to be hard but almost immediately my brain went to Lilo and Stitch, and specifically about the relationship between Lilo and Nani.

On the surface, this film is about a lonely little girl accidentally adopting a fugitive alien creature as a "dog," but underneath that the story is also about two orphaned sisters and the older sister's attempts to not let social services tear them apart by stepping up as the younger sister's primary guardian. Despite its seemingly goofy premise, Lilo and Stitch has a very emotional and thoughtful center. It's little wonder how this movie managed to spawn an entire franchise.

Despite the franchise it spawned (or possibly because of it), I often find that Lilo and Stitch is overlooked and many people only remember it for the "little girl adopts an alien as a pet" portion of its plot, and I very rarely see it on people's top 10 Disney lists.

⚠️ This movie could be potentially triggering to people who were separated from their siblings or other family members due to social service intervention. There's also a bit of child endangerment, including a scene where Lilo and Stitch both almost drown.

Nausicaä and the Valley of the Wind

Unlike the above entry, I did struggle a little bit with picking a single Studio Ghibli film. Most media of the Ghibli catalogue have strong, well-written, unique, and interesting female leads so selecting just one seemed like quite the task.

However, I eventually settled on this particular film. In recent months, Princess Nausicaä has become my absolute favorite Ghibli protagonist and I'm absolutely enchanted by the world she lives in.

Set in a post-apocalyptic world overun by giant insects and under threat of a toxic forest and its poisoness spores, Nausicaä must try to protect the Valley of the Wind from invaders as she also tries to understand the science behind the toxic forest and attempts to bridge the gap between the insects and the humans.

For those who have never seen the film, I think Nausicaä's personality can best be described as being similar to OT Luke Skywalker. Both are caring, compassionate, and gentle souls who are able to see the best in nearly anyone or anything. She's an absolutely enthralling protagonist and after rewatching the film again for the first time in well over a decade she has easily become one of my all time favorite protagonists.

Whenever I see people talk about Ghibli films, they rarely mention this one, and when they do mention it, it's often in passing. In my opinion it's a must watch.

⚠️ This movie contains some blood, and the folks who either don't like insects or who have entomophobia may not appreciate the giant bugs running about throughout the movie. (Although most insects do not directly relate to real life bugs, and are fantasy creatures).

A Silent Voice

A Silent Voice is an animated movie adaptation of a manga of the same name. While I've never had the pleasure to read the manga, the movie is phenomenal. It covers topics such a bullying, living in the world with a disability, the desire for atonement, social anxiety, and depression in a well thought out manner that ties itself together through the progression of the relationship between its two leads, Shoya and Shouko. It's also beautifully animated. Although very popular among anime viewers, I've noticed that it's often overlooked by people who watch little to no anime. So I suppose this is me urging non-anime viewers to give this film a chance.

⚠️ As mentioned above, the movie deals with bullying, anxiety, and depression (with this last one including suicidal thoughts and behaviour). If discussion of those topics are triggering to you, than you may want to proceed with caution or skip this movie all together.

In This Corner of The World

Another manga adaptation, this one taking place during WWII-era Japan. In This Corner of The World follows the life of a civilian Japanese woman, Suzu Urano, as she navigates simply living and her new marriage as the wartime invades nearly all aspects of everyday life. I think this movie is a good representation of what it must be like to be living as civilian in a country at war where the fight is sometimes fought on one's own soil. It was also an interesting look into pre-50s Japanese culture in my opinion. It's also beautifully animated featuring an art style I don't see often.

Despite it being well known among anime fans, I never really see it be brought up, even among said anime fans themselves.

Side note: I've seen many WWII dramas centering around civilians but they've almost always been about American or UK civilians. This was the first movie I'd seen that features the perspective of a Japanese civilain.

⚠️ Features the death of a child and limb loss. There's also a disturbing scene featuring a victim of one of the atomic bombs near the end.

Wolf Children: Ame and Yuki

This film follows Hana, a Japan-native woman who fell in love with a magical shape-shifting wolf-man, and her trials with raising their children, who can also magically shape-shift into wolves, on her own. It's a very heartfelt movie about a mother's love and the struggles of doing right by your children when you have limited resources to actively guide and care for them. All the characters feel unique and alive in my opinion. Also, the animation is so good that my sister and I initially mistook it for a Ghibli film.

Again, like the previous two anime entries, I don't see it ever brought up outside of anime circles.

⚠️ There's some child endangerment present in the film, although none of it is the fault of Hana as far as I can remember.

Roman Holiday

Roman Holiday is about the fictional Princess Ann (played by Audrey Hepburn), who while on a whirlwind tour of Europe, finally reaches her breaking point over having her entire life be one big schedule and all her words and actions being rehearsed. In the spur of the moment, she runs away in hopes of experiencing what life is like for other women. Unfortunately, she was previously given a sedative, meaning she doesn't get too far before it takes effect. Fortunately, she is found by the kind reporter Joe Bradley (played by Gregory Peck). Believing her to be drunk and unable to get an address from her (because she has none) he ends up taking her home for safety's sake and allows her to sleep off her suppose drunken stupor. The next day, he realizes who she is, and decides to take her on a fun sight seeing trip across Rome in hopes of getting the big scoop. Along the way, they begin to fall for each other.

This is my favorite black and white, old romance film. I think the relationship between the main characters is absolutely beautiful and I have a lot of fun watching it.

⚠️ I'm not entirely sure what kind of warning this film would need. However, it was released in 1953, so values dissonance will probably be at play for many viewers to at least some extent. For example, early in the film Ann is given sedation drugs by her doctor for her behavior, something that is very unlikely to happen today. Also, Mr Bradley deciding to take Ann home to keep her safe rather than call the police or an ambulance is a very pre-90s decision in my opinion.

#hanna 2011 #a simple favor #i am mother #lilo and stitch #nausicaä of the valley of the wind #a silent voice #in this corner of the world #wolf chilren ame and yuki #wolf children #roman holiday #black and white film #anime #disney #studio ghibli #movie recs #top 10

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life-rewritten · 3 years

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Gifts of BL! Aka Christmas Goodies For BL Fans Who Want Important Discussions About Representation.

Oh wow, we're closer to Christmas. Where has the time gone?. So here's a gift for you all—another list of great BLS that will make you have a great time. If you find it fun rewatching and feeling all the emotions from these love stories, then I hope you enjoy these. Today I bring you guys a list of recommendations for our sometimes serious, sometimes heartfelt, sometimes innovative educators in BL that are very much needed.

Ah, The educators, the teachers, the serious topics, the displays, the emotional moments. Some of these shows decided to surprise me when I came in expecting something odd and not realistic; only for them to break my heart but also humble me and teach me and others some of the crucial conversations we need to have about LGBTQ+ representation in BL. We have couples discussing about their sexuality accepting they are gay or bi(Yes not just in love with only one person but they actually embrace their sexuality), we have essential coming out scenes and looks into the mindsets of people who struggle with coming out and being in the closet, we have supportive families that have to learn and show our characters warmth because of their own experiences, and we have metaphorical outlooks of what it feels to have to please society with the result of losing ourselves. These are the great BLs, they break our hearts, but they make it hopeful to see people who go through their issues and come out in love, strong and protected and supported. Their journey is worth it, so if you want to find some shows that give you these feelings, then join me and let's look at these great representations in the BL genre.

BL has a bad rep. How could it not when the reason BLs were created was for straight girls who fangirled about two boys kissing. Not that I even hate fujoshi's, you're allowed to be whatever you want, like whatever you want as long as you don't cross the line and make people uncomfortable with outrageous demands or actions (like the fujoshi's in some BL shows). But BLS has become something more, though some people refuse to take them still seriously and doubt their authenticity, some people refuse to accept some shows as BL, they instead just call it a queer film or tv. But why? BL has become a place for people to run away into a fantasy of stories where there's drama, romance, comedy, mystery, passion and more. BL can be anything, and in 2020 BL showed it could be anything, it could be serious and well produced and not filled with its past problematic enquiries, it could be funny and still tug at the heartstrings, it could be deep and painful and full of lessons but still have a happy, hopeful ending, it could be any genre it wanted, from supernatural, action, thriller and more. BLs improved and also became a source for the representation of LGBTQ+. And I think that's beautiful. It might have a taken a while for people to learn, for own voices to find a way to write new shows, for risks to be made. But 2020 saw the influx of BLS that weren't just fan service but actually art or just good stories with a great message. Here are some of them.

Thai

Dark Blue Kiss

It's weird to say that Dark Blue Kiss is an excellent representation for the qualities needed in this list. But what can I say apart from the overbearing, jealous plotline and some irrational over reactiveness with some of our characters. Dark Blue Kiss and Kiss me again has always been a show that has been worth it. Dark Blue Kiss is one of the first Thai BLs, where we saw a supportive parent, and that's Pete's father. He's incredible; he's everything that's healthy, understanding and helpful. He makes jokes with Pete about his relationship but also supports and gives him advice. He's protective and sweet when it comes to Kao and Pete, and they are themselves when they're with him even daring to speak about things like intercourse etc. It's incredible; he was a breath of fresh air for parents we usually encountered in this genre. He had discussions with his son, and in doing so, we saw his son also have more conversations and discussions with his partner about what their sexuality was, why they should come out as a couple, why they were scared to do so, what was holding them back etc. Pete's dad isn't the only supportive parent with advice and warmth, we later also add Kao's mum to the list, she's always known about Pete and Kao and was waiting patiently for Kao to come on his own and tell her. It's incredible. Dark Blue Kiss brought out conversations that didn't seem meaningless, there was an actual exploration of the fears some people have with coming out, and it was brilliant and wonderful to see on screen. Honestly are we shocked? It's Backaof as the director; all his shows should be on this list, every single show of his explores these topics with care and heart. And it's incredible.

Why it's a gift

Deep conversations and moments where you see two people learn and wonder about their sexuality and how the world may react to it. Supportive parents that are understanding, helpful and sweet. A relationship that's incredible despite its flaw, shown wonderfully and thoughtfully. Even the hurtful moments like when Kao gets outed and also has to struggle with claims of being a predator is done well and leads to Kao finally accepting his fears and coming out to the people he loves. By the end of it, all Pete and Kao are back together, happy, finally healthy and mature. Dark blue kiss also explores these two ambitions, their dreams, their ideas for the future and more. And it also has a great friendship group worth stanning. Pete and Kao aren't the only couple in this show worth praising and noticing you also have Mork who goes through his own acceptance of his sexuality once he falls for Sun, they're also great and also have their own plot revolving around dreams, jobs and character and angst. A great side couple in BL. It's amazing.

Special mention:

My Dear loser: Another Backoaf directing, no words this is incredible, I think everyone knows how great this is despite the BL coupe being a side couple, that may have an ending that feels unfinished. You can watch both this and My sky for a full experience. This deals with everything so well and also has a great support system from friends. Chimon is such an amazing actor in this.

As always I leave a gift:

LINK HERE FOR MY DEAR LOSER IN/SUN CUT

DARK BLUE KISS EDIT FOR PETE KAO THEIR STORY

I told Sunset about You

I mention this show on every list; it's like not even a surprise anymore to see it. There's a reason why this show is incredible why people prefer to see it as a queer film instead of BL. Why people think calling it a BL is an insult (which I think why? A BL should be allowed to be seen as a good form of representation). This show has it all. Honestly, a great production company behind it, acting that's phenomenal, and a story that will blow your minds each time you watch it and try to piece it together. What's even more respectful about ITSAY is that it's a coming of age done well, it showcases feelings of the youth and how feelings are seen as a storm that can't be stopped.

Especially when you are struggling to understand your sexuality, we have two characters, Teh who learns as he grows that he has uncontrollable, addictive and crazy feelings for his best friend, they're drawn to each other, but Teh can't understand what he feels, he doesn't know what this means. He struggles to comprehend it as well with his struggles with ego, pride and selfishness because of his young age. Then we have his best friend Oh Aew he knows what he is, he also is torn apart by feelings when Teh reenters into his life, he also struggles through losing his self, individuality and his confidence because of his feelings for Teh. It's brutal, but one thing stands for sure, these two are meant to be together, these two love each other. Why is this so great? Because the directing and production of this show is serious, every single scene counts, every single action has a meaning, but also this show has incredible moments that show you the struggles of internalized homophobia.

It's something that's always mentioned in BLS as a struggle. Still, this show used scenes to show it, like for example, OH wearing his mother bra because he wished he was born a girl to be with Teh. Still, then he breaks down in self-loathing only to later stand up and embrace who he is, and Teh who finally comes out to his brother in a heart-wrenching scene; another supportive and healthy relationship who understands him and tells him it's okay to be who he is, to be with Oh, to be brave and take a leap to what he wants. His brother's conversation is everything someone who struggles with the same issues wants to hear; it's a healing effect, a hopeful and painful realization that some people don't have someone like Oh and Teh's family who help them and let them accept who they are.

It's a journey of discovering the truth about how so many people have to go through this fear because of what society put in our heads, it's a wake-up call, but the fact that ITSAY has a happy ending despite all the realistic representation and angst is a hopeful meaning for everyone who saw themselves in Oh and Teh. It's incredible.

Why it's a gift:

It's unbelievable; it's not told to you but shown to you the amount of struggle some people can have when they're coming of age and realizing their sexuality. It's a beautiful representation of what it's like to fall in love: the angst, pain, healing but also sabotage, and the growth. It's produced with so much effort and hard-work and research on what would be an excellent story for LGTBQ to see. One of the best made BLs; this is not us being dramatic.

.A Gift for You

GREAT OST PLAYLIST OF ITSAY

An Edit For Teh/OH

He's coming to me

Another Backoaf, directing masterpiece. This show is incredible. Like words can't explain how good this show is. Words can't describe what a gift this show still is. How much a BL like this was needed. First, this show is already unique; it deals with supernatural world-building, with ghosts and mysteries of death/murder, it deals with also coming of age, and falling in love and accepting your sexuality. It has two confirmed gay characters who we see explore and finally reveal who they are, they've both known and as they fall in love, they have to go through the angst of what it means that they love each other.

It's incredible, not just because of the fact that Thun's ability to see ghosts and his need to hide that also mirrors his need to hide his sexuality, the way he breaks down later after realizing that people won't let him just be him or the way people made him feel bad for being who he is. The way that Mes also went through the same thing before he died, and the person who connected them was Thun's mom. She's incredible, and I still believe the coming-out scene of Thun to his mum is one of the best as incredible as his confession on the rooftop to Mes as he breaks down in the rain because he's afraid he's been left.

The amount of repressed feelings these two hides is insane, and when they later confront it, it's like OMG really they knew about their feelings all along? It's incredible, with a show that already has an incredibly well thought out plot about ghosts and supernatural, but it also has two characters that are fleshed out, who both have discussions with everyone around them about what they are and the way they have a happy ending after all the angst and tears. It's worth it thousand times over and over again. This show is just great. And no one else can do it like Backaof he just has the most excellent formulas: supportive family members, supportive friend unit, serious conversations about sexuality and feelings, important relationships and no censorship, unique plotlines and risks. He's incredible. No words.

Why this is a gift?

The actors are also one of Thailand BLs veterans. Both of them are incredible and nuanced in their scenes; they make you cry, scream, sigh, and swoon. They make you learn, and it's fantastic, they're amazing people. They're worth it both Ohm Pawat and Singto, their performances are incredible. Every character in this show is fleshed out and necessary, the plot makes sense and isn't written haphazardly, and the directing is phenomenal. Watch it.

A gift for You

He’s coming to me the whole show

PINOY

Gaya Sa Pelikula

This time we have the Philippines if Thai isn't your cup of tea I guess. This show is just, so great? It was made with the intention for representation, a love story to the LGBTQ community, actors devoted to researching and learning about the topics presented in the show. This show is outstanding, no words, it's not preachy, but it's still educative. Not one episode goes back when you don't see the effort and brilliance of this show; each message of each episode is so important and needed. The story isn't afraid to explore topics which haven't been shown correctly in this genre, and it's so good they did.

We have two characters, one a gay out guy (Vlad) who is very bitter about everyone and how they treated him, he's dying to be loved for who he is, and he's desperate to find a safe space where he can be himself loud and proud, he falls in love with another (Karl) who is more in the closet, with secrets that you discover later about his circumstance he's not sure of who he is and as the show progresses he and us get educated about everything. He learns to accept that he is gay.

This show is about self-acceptance, love and healing. By falling in love; our characters are forced to question everything about who they are, what they've gone through and how that shaped them, and we realize that both perspectives is right in their own way. The show is for people who feel like the guy who's out, who wants to be proud and tell the world he's in love but also it's for people like his partner who feel guilty for struggling and having anxiety about accepting who they are, but this show doesn't force him out, it doesn't force them to be together, it just becomes a realistic story full of hope about the future of these two. It's a healing show; it makes you question your self, it makes you go through your own journey of how you feel you're perceived in the world, it takes you on a trip of your own self-learning, exploration and discovery. And it ends making you feel grateful for the experience of it all.

Why it's a gift:

I think the best thing about this show is the other extra gifts it brings. It's music playlist, it's like your own gift bundle of new artists to explore and listen to every song is beautiful and needed, with different messages and feelings, you will find one music you love in this playlist, and you'll end up spending hours weeping about them. But it's beautiful, it's euphoric, and the show is worth it. The show has amazing actors and a great team of people behind the scenes. The writer is brilliant, poetic and serious; he knows how to make a plot. He knows how to teach you without you feeling patronized, he knows how to humble you if you didn't know anything before. He's just great.

A gift for You

GSP OST PLAYLIST- THE BEST

Gameboys

I haven't mentioned this show on here before, which is sad because it really should be praised. It's an outstanding show that showed up during a time where the world was on pause. Gameboys provided a gift for everyone who looked for something during the lockdown in the pandemic. The fact it revolves around events in the pandemic, it uses it as a great plot device and has important moments that touch your heart and make you reflect on the situation without being too heavy.

Gameboys is incredible; it also has a unique storyline, a Gameboy and his fanboy who falls in love with him and is confident he can win over his heart. Except, our Gameboy Cairo has to go through some self-exploration first, some self-healing and acceptance, some coming to terms with guilt and self-hatred he feels for things that happened to his past. This show makes you cry, so bring the tissues, I mean every show on this list probably does, but this show has so many moments, we have supportive parents, but even in a more heartbreaking way, we have warnings of what happens when people selfishly out people, the consequences of that, how much anxiety and fear you can have as you deal with internalized homophobia and being in the closet, how it affects family members, and what it means to finally accept who you are and stand up for who you are. It's brilliant, painful, but it also makes you grin from so many heartfelt moments we needed during a dark time. The actors are also amazing, and they make you feel everything they feel so naturally, they're also three dimensional and have exciting character arcs. There's a great support system as well in this show, with the best friend, who makes you smile whenever you see her. This show is worth it.

Why is it a gift?

I feel like without knowing it Gameboys was an actual gift for everyone who was struggling during the pandemic, it showed the reality of what was going on, but it also showed healing and hope and happiness derived from being in quarantine and lockdown. It showed that even in lockdown nothing had to stop, we could still fall in love, grow and learn about our selves if we wanted to. It also had a great love story to follow that was both funny, romantic and heartfelt. The directing was genius also, and it touched many people. It was outstanding.

A gift for You

ALT GAMEBOYS: A SIDE STORY FOR ONE OF THE CHARACTERS

JAPANESE

Cherry Magic

Finally, we come to this gem of a show. What else can we say about Cherry Magic? Oh I know, no one expected this Japanese BL to be so full of heart, joy, magic but also depth. This show is just ridiculously good, it's not as painful as the other shows, it's slower and more softer than the other angst in the other shows, but this show still tugs at your heartstrings and makes you laugh and cry. It deals with everything that has already been mentioned: self-acceptance, questioning of sexuality, trying to please society that you lose your self, being brave and finding your self, loving your self, etc.

It's just so great, it's also unique a story about magic and reading minds that our main character has. As he realizes his person (Kurosawa) loves him, we watch Adachi struggle through self-hate, self-deprecation and anxiety to finally come out of his shell and become who he wants to be. This show has an incredible love interest who's just wonderful, he's the ideal man, but that doesn't mean he's one dimensional or stale.

He's also deep, and has his own flaws and hurts, and the way he loves Adachi is just breathtaking and frankly makes you so jealous. Why is this show for representation? Because it's a slice of life of an office romance, it deals with what people go through in life, the gruels and requirements from work whilst also watching both our characters choose to be brave and come out to each other and pick each other despite their fears about what their environment thinks.

These two are each other's healing, comfort, support system and they both have incredible personalities. This show is also quite deep, you wouldn't think so, but when you listen to the dialogues and watch some of the scenes, you'll see how deep this show can be for its characters whilst still being fluffy. It perfectly represents the fear of coming out and coming to terms of having feelings for someone you weren't expecting. Its message is more hidden, but it's still great for conversations about representation, in my opinion.

Why it's a gift?

It was made as one; the last episode is coming on Christmas haha. This show takes some tropes of BL and chooses a healthier option, it also just fleshes out its characters incredibly, you watch how Adachi and Kurosawa changed each other's life without knowing and how their love keeps being needed by each other in many ways. It also is called Cherry Magic, because this show is magical, it makes you grin, be happy and excited from seeing one episode, it tugs at your heartstrings whilst making you blush and squeal from happiness. Its softness is something to look forward to after a hard day of whatever real life looks like to you, it has a healing effect, a warm effect and it makes you smile and forget your troubles in those few minutes. It's wonderful.

A gift for You

Adachi and Kurosawa EDIT

I hope you enjoy these shows they’re all incredible, they’ll surely make you smile and be happy. They’re all important in their own way, if you haven’t seen any have a go and see which you love. Let me know if I’ve missed some, to be honest I chose the ones that had scenes with important discussions that make you think or scenes that bring out emotions and feelings but also make you learn and realise something. Hope you enjoy the recommendations or if you’ve watched them before hope you enjoy the reviews and commentary. Merry Christmas guys :)

Other recommendations

GIFTS OF BL FOR FANS WHO LOVE ANGST, DRAMA AND PASSION

#thai bl #japanese bl #pinoy bl #itsay #i told sunset about you #bl series #bl drama #gaya sa pelikula #dark blue kiss #he's coming to me #gameboys the series #cherry magic! thirty years of virginity can make you a wizard?!#cherry magic #christmas #wrpup #december

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itsclydebitches · 3 years

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YYH Recaps: Episode 1, Surprised to be Dead

Hello, all you hypothetical readers! It's a beautiful spring day and I have a free afternoon ahead of me, so what better time to start another massive project while I guilty stuff my other WIPs deep into the depths of my hard drive? Yeah. Iffy life choices aside, someone mentioned a few weeks back that they'd love for me to recap a show I have more positive things to say about than negative (RIP RWBY) and ever since Netflix announced that their live-action adaptation of Yu Yu Hakusho is in the works, I've been itching for a re-watch of the anime. With the RWBY hiatus underway, it seemed like the perfect time to fulfill both desires.

Before we begin though, I'd like to touch on a few things that are going to influence this project.

First, YYH is near and dear to my heart. Written by Yoshihiro Togashi in the early 1990s and later adapted for an American audience by Funimation, I had the pleasure of experiencing this story five different ways: as a serialized tale in Shonen Jump, a binge read when I had the money to buy the manga, tiny snippets of the anime on Adult Swim late at night — don't tell my parents ;) — as an after-school treat on Toonami, and then years later as a re-watch when I introduced it to a friend (who, in turn, blessed me by having us watch Fullmetal Alchemist next). I used to keep a Hiei bookmark in everything I was reading, the spirit gun made it into our witch-wolf-space adventures on the playground (middle school was wild), and there was a long period of my life where I tried very hard to teach myself to stand with my hands behind my back, precisely as Genkai does. Spoiler alert: I failed. So to say I love the series is... a little bit of an understatement. I bring this up simply as a way of demonstrating that there's more than a bit of nostalgia attached to YYH for me and that will inevitably cloud my reading of it. How can it not? So that's just something to keep in mind as I work through a series that, like any having hit its 30th birthday, has its outdated, flawed, and other questionable aspects.

Second, but very much connected to the first point, is that these are pretty casual recaps. I summarize and extrapolate, focusing primarily on plot and dialogue (but with the occasional cinematography aspect tossed in). I'm not conducting research on the cultural history here — something that will come up at least once in this episode — I'm not arguing an overarching thesis, and I've never been someone who focuses on the author/production/trivia of a series. I'm here for the story as the story is presented to the viewer. If you've read my RWBY Recaps, this will function precisely the same way, with the only difference being I'm engaging with a finished text as opposed to an ongoing one, so there’s a lot less, “Maybe ___ will happen” theorizing going on.

Third, I obviously recommend that you watch the show yourself (you can find it on YouTube!), but you don't have to know the series to follow along. As these massive paragraphs attest, I tend to be both detailed and verbose, so we'll be covering every major plot point — and most of the smaller ones too.

Finally, I'm working from the dub. I know, I know, the horror. But it's what I grew up on and, honestly, I think it's superior to the sub. YYH's dubbing is in a class all its own and to this day there are very few shows that compare to it. Trust me, it's a good call.

That's enough of the boring chit-chat though. Let's get started!

Our very first episode "Surprised to be Dead" opens on a crowded street. We see lots of traffic, people going about their business, and a pedestrian crossing sign that, crucially, turns red. This is our normality and, like in every genre story, you need to break that normality at some point so that the protagonists can go on their fantastical/supernatural/science fiction journey. YYH eases us into things by first breaking the normality of an everyday afternoon: there's a screech of tires, quick shots of a man pushing a child out of the way of an oncoming car, and then his back is hitting the windshield. We begin this story with a horrible — but otherwise mundane — car crash.

Now, these flashes alone have a fair bit to unpack. Despite later getting a brief shot of the man's scared face right before he's hit, the moment's focus is really on the child. He's the one foregrounded in the initial, slow-mo shot. He's the one who appears in color while the man is kept in shadow. This isn't just a hit, it's a rescue. The camera is also careful to follow the soccer ball this kid was playing with (more on that later in the episode), with it flying through the air as the man is hit and bouncing to a stop in the street, acting as the dramatic finish. It's childhood! It's innocence! It's play on a sunny afternoon! And it's all gone wrong.

This moment is chaotic and even a bit confusing. Not in the sense of what's happening — that is quite obviously a guy being hit by a car — but who the victims are, how precisely this came about, or even why we're meant to care about this beyond a generic capacity to feel for other human (fictional) beings... that's all removed. And it works. As the crash takes place, the camera pans across the stunned crowd and we, the viewer, become a part of that crowd. They don't know what precisely is going on either. We're all just horrified onlookers as a sudden tragedy takes place. We're all watching the same show.

So everyone realizes this guy has been hit. People are staring in shock and someone calls for an ambulance. We see the driver fall to his knees in the street, distraught, shakily saying, "I didn't mean to..." It's a very serious and emotional scene that —

— is immediately tempered by this guy waking up, complete with a cute 'pop!' sound effect when he opens his eyes.

This is YYH's brand, this Very Serious Circumstances skillfully interwoven with casual indifference/comedy. It's admittedly far from a unique brand, but it's an excellent choice given that this is the same attitude that will drive 99% of our protagonist's interaction with the world.

Speaking of said protagonist, our guy wakes up, opens his eyes, and realizes that he's floating. There's a great, disorientating shot from his perspective where everything is upside down, causing him to nearly fall out of the air. Well would you look at that, he's as confused as we are. It's our audience surrogate!

A narrator says, "And so it all begins. This boy's name is Yusuke, he's fourteen years old, and he's supposed to be the hero of this story. But oddly enough, he's dead."

Game of Thrones might have made it popular, but YYH did it better.

(Yeah, yeah, I know one death kick-starts the journey and the other is a shocking twist. Just let me have this.)

Now, it's a weird introduction, right? At least at the end. The announcement that change has occurred, a name, an age... that all checks out. But "supposed to be the hero"? What the hell is that “supposed to” mean? Our narrator gives us the easy, surface answer: "But oddly enough, he's dead." We're capitalizing here on the audience's expectation that death ends a character's journey and though they may have been a hero previously, they can no longer be one moving forward. That function within the story has passed. So it's this intriguing question of, "What kind of hero do you have when that hero is dead from the start?" but as we'll see soon, there's an additional meaning here of, "How can Yusuke be the hero?" As this premiere sets up, Yusuke doesn't act like the hero is “supposed to” act.

Until he saved this kid.

But right now he's just confused: "Okay, this is weird. Stupid weird."

Two EMTs arrive on the scene and are hilariously useless. You know how in any medical drama a doctor will stop CPR after a couple of seconds because obviously you're not going to spend half the episode on realism? Well, that's this only a thousand times worse. One guy just looks at the kid and announces he's fine except for some bumps and bruises. Meanwhile, the kid is sobbing.

"Well, at least one of them is," replies the other EMT, because I guess he can tell Yusuke is beyond hope without taking a pulse or anything? "I hate cleanup," he complains as they load his body onto a stretcher because that's? An empathetic response to have??

Honestly this scene is wild.

Yusuke is understandably upset that he's, you know, dead and all. He starts hounding the EMTs who, unable to hear him, just go about their business of taking the kid and his body to the hospital. "You think you can just do whatever you want because you have that stupid uniform on? You can't just write me off. Listen to me!" and Yusuke tries to punch one of the EMTs in the head, resulting in him floating right through.

What a great way to introduce your protagonist's personality. We see here that when things go wrong Yusuke's default emotion is anger and it starts creeping in even before he thinks the others are ignoring him: "Stupid weird." He has problems with authority — "You think you can just do whatever you want because you have that stupid uniform on?" — is used to others listening when he gets angry — "You can't just write me off!" — and is poised to use violence at the slightest provocation. Yusuke is a guy who, right now at least, is ready to punch first and ask questions later.

As Yusuke floats back up into the air and the ambulance drives away, he finally cools down enough to try and think his way out of this. "It's not like this is the first time you've been in a jam,” he thinks. Yusuke recalls that yeah, something was different about today...

...he actually went to school.

Catch me laughing that this idiot boy equates the weirdness of him dying with going to school. Good lord.

Anyway, this jumpstarts our flashback. We open on a generic, anime middle school (that always feels like a high school to me) where the principal is calling for Yusuke through the loud speaker. Oooo someone’s in trouble! We follow a young girl up to the rooftop and she gets a classic hair-blowing-in-the-wind moment to establish that she's our love interest. Meet Keiko Yukimura.

Keiko finds Yusuke hanging out and immediately starts lecturing him for trying to chew gum and refusing to wear the boys' uniform. "Oh, give me a break, Keiko. I look better in green." Note that it's here we learn her name and it's an easy, casual way to introduce it. I bring this up because Yusuke's introduction via our narrator is very much... not that. It's an on your nose statement about his name, age, and importance to the story, and if you're just starting the show in 2021, it might come across as a rather armature move. Like something out of a kid's show, perhaps. Yet here we see that this was a deliberate choice, considering that YYH is capable of introducing character information naturally when it wants to.

This moment also tells us that Yusuke cares a great deal about his image. More on that in a bit. Because Keiko isn't finished her list of grievances yet, going on to say that his attendance record has hurt their entire class, hurt her as class representative, and if he keeps going down this path he won't even graduate middle school. "Sometimes I think you don't care about anyone but yourself and then you don't even do that right!"

They're legit complaints. Too bad Yusuke is busy looking up Keiko's skirt.

Yeeeeah. Sadly, this is common for anime, particularly a 90s anime like YYH. Even presumably more progressive series like My Hero Academia feature characters like Mineta, whose entire personality is being a pervert, and the creation of abilities that "require" kids/young women to be scantily clad. See: Yaoyorozu. YYH is no different in this regard, with various forms of sexual harassment functioning as a shorthand for how much Yusuke secretly likes Keiko. "Boys will be boys," right? Obviously not.

Like so many others series, the creators get away with it because they’re framing it as a bad thing. It's totally fine because look, Keiko slaps him! This is teaching the viewer how wrong this behavior is. Never mind that this is clearly an established habit between them, that Yusuke laughs off Keiko's discomfort, and that the whole scene is meant to be funny for the viewer. That's the real purpose here; it’s not a PSA on harassment.

That, and to establish the long-suffering love Keiko has for Yusuke in turn, largely stemming from a life-long friendship. "Dumb boy! He hasn't grown up a bit since he was four years old." We see that Keiko's early interactions with Yusuke have given her insight that others lack. As she heads down from the roof she runs into two girls hiding around the corner, too scared to come out lest "the great Urameshi" set his sights on them. Isn't Keiko terrified of what he might do to her? "Or worse, what others might say of it?" Like any classic high school middle school setting, one's reputation is king. Yusuke cares about how others see him — maintaining that tough boy attitude — and the girls care more about what the rest of the school might think of Keiko's interactions with him than the presumed harm Yusuke could do to her. They heard he can summon 2,000 men with just a whistle and that he "kills for fun!" But that means nothing in the face of people talking about you. Despite being one of the most popular girls in school, Keiko is the outsider here via her disinterest in what other people think.

The animation changes here, giving us a good look at how the girls picture Yusuke: tough, scowling, surrounded by shadows, and backed by an entire army.

In contrast, we've already seen what Yusuke is really like.

Keiko laughs the image off too. Yusuke is more like a "lamb" than a killer and besides, he couldn't order around two people, let alone two hundred. "He doesn't have many friends."

"That's not what I heard," says one of the girls.

"Yeah," goes the other. "I think we would know."

Again, rumors rule here, with whispers in the hall considered more reliable than someone who interacts with Yusuke on a daily basis. Keiko doesn’t have a hope of changing their minds.

Oh, as a side note, I love that they gave Keiko Miyazaki-esque hair. It's very emotive.

Yusuke escapes outside where the principal is still calling for him to report to his office. He overhears a conversation around the corner and we cut to two boys, one of which is showing a wallet off to the other. He explains that some bully tried to rough him up, but he said he was Urameshi's cousin and the bully took off, dropping his wallet in the process. The guy's friend is impressed, but what is he going to do if Yusuke ever finds out he lied? Not to worry, he says, that "blockhead" would probably think it's true even if he did somehow hear.

Yusuke, obviously, does hear about this and he, also obviously, does not believe this guy is his cousin. He looms ominously and they scurry up against a wall, terrified and offering him the wallet as an apology.

"You think I want your money?" Yusuke yells.

YYH is, in many respects, a rather simple story, but I appreciate the hints of complexity in these otherwise straightforward interactions. It's not that this guy used Yusuke's name to steal a wallet, he used it as a form of protection against another bully — a far more sympathetic motivation. It's not that Yusuke's fearsome reputation has resulted in any genuine respect because once people think they're safe they reveal how little they think of his intelligence — he's a "blockhead." And Yusuke, though intimidating and violent, is not your average, schoolyard bully. He doesn't care about money, only the insult and the damage this guy using his name might have done to his reputation. There's a little more nuance here than you might otherwise expect.

Also, note how dark the boys' standard uniforms are and how much they blend into the rest of the world. Yusuke, as our protagonist, stands out in his bright clothing. He was right, he does look better in green!

So he's ready to clobber this kid when one of the teachers arrive: Mr. Iwamoto.

Iwamoto demands to know what's going on, but the boys are too terrified to rat Yusuke out. Noticing the wallet on the ground, he assumes that Yusuke was after their money, something that greatly offends him: "Whatever!" Iwamoto goes on to say that, "No good weeds like you should have been plucked a long time ago," making it clear that he considers Yusuke a hopeless case. The positive aspects that Keiko sees, as well as the complexity the viewer sees — to say nothing of his introduction of saving a kid — aren’t considered here.

Notably, Iwamoto exists in part to show us what Yusuke could become. Not a teacher (he's obviously not attending school enough for that!), but a cynical man who is cruel for cruelty's sake. Yusuke is already barreling down that path, ignoring Keiko's advice, terrorizing other students, trying to punch EMTs, etc. If his life (or afterlife...) hadn't changed through that accident, this is the kind of person Yusuke might have grown up to be, and we can see that clearly in the visual parallels between them. Dark haired men dressed in green who scowl with ease and toss out cutting insults. Yusuke is staring his future in the face.

For now he walks off with a final shot, "You shouldn't talk. It makes you sound stupid." This time Yusuke makes it to the school's entrance and tries to enjoy his second attempt at chewing gum, but someone hits him in the back of the head.

"Okay, somebody's DEAD — ah. Sorry, old man."

"That's Mr. Takenaka to you."

Our principal has finally left the office and hunted down Yusuke for himself! Putting this interaction immediately after the one with Iwamoto allows the viewer to compare them. Yusuke might be irreverent towards his principal, but it's clear there's still some kind of respect between them. Yusuke only starts threatening because he doesn’t realize who hit him and once he does realize it's Takenaka, he immediately apologizes. That "old man" comes across as a teasing insult and Yusuke allows himself to be briefly dragged back towards school, rather than throwing a now classic punch. In turn, Takenaka cares enough about Yusuke to try and keep him on the straight and narrow. He utilizes Yusuke's preferred language — violence — but in a casual way, nonthreatening way: slight hit to the back of his head, noogie, pulling him along by the ear.

It's the sort of physicality we're used to seeing in media between a parent and child who are outwardly antagonistic, but actually share a deep bond. Takenaka is also careful to frame their return to his office as a "discussion," not a punishment, and offers Yusuke tea along with the conversation. Whereas Iwamoto considers Yusuke to be a "weed" that should have been plucked from their school long ago, Takenaka is determined to help Yusuke bloom.

If we're continuing the flower metaphor :D

Yusuke isn't in the mood to play along though. He gets away by using a fake ear, startling Takenaka when it unexpectedly pulls free. Yusuke escapes the school grounds and Takenaka, suffering a back twinge from his fall, can't chase after him. Poor guy. I understand that pain lol.

Yusuke heads home where we're introduced to his mother, Atsuko. Most notable in her first shot is the soft lighting that highlights her looks. We're not told how old she is here, but I believe she's around 28 — and she looks it, if not younger. Given that Yusuke is 14, that means Atsuko was a mom at his age. This is a quick and subtle way to tell us about Yusuke's home life. There are more overt details in this scene — it's at least lunchtime and Atsuko hasn't left her bed yet, she demands that Yusuke make her coffee instead of greeting him, it's all meant to imply (before we actually see) that she's an alcoholic — but her age is another way to highlight the broken household here. There's no partner in sight and she clearly had Yusuke as a teenager. He hasn't had a strong parental figure to take care of him. If anything, Yusuke is taking care of Atsuko here.

"Oh great, mother of the year!" basically sums things up.

Atsuko wants to know why Yusuke isn't in school and he says that everyone is pissing him off today, particularly with their preaching. "Dear, if you hate preaching so much you should live on your own... but you can't do that, can you?" Alongside a rough upbringing, Yusuke is suffering from the common problem of being trapped in a dead-end life. He hates his school, his town, and coming home to find his mom hungover. Yusuke has no prospects and, outside of one principal, no one who is actively working to help him find some. Even the little things he hates, like being preached to, are unavoidable because if you want to live on your own, that requires money. Good luck pulling that off as a middle schooler whose only skill is street fighting!

Yusuke walks off in a huff, literally shouting in a street about what a bad day he's having (and hilariously scaring off pedestrians in the process). His shout brings trouble though. A couple guys appear to ambush him, their boss close behind. The music increases the tension, Yusuke's expression is serious, and we even get a Dutch angle thrown into the mix.

For any who don't know, the Dutch angle is a popular film technique to establish that something is wrong. There's tension in the scene, something uneasy is at play, and the world is now literally off center. It's perhaps most famously used in Do The Right Thing to establish the friction between an Italian-American pizzeria and the predominantly African American neighborhood it's based in.

But it's also used a great deal in horror as a way to say: yup, shit just got real. Scary real.

This Dutch angle introduces a character you may not appreciate at first, but absolutely should: Kazuma Kuwabara.

He's initially the comic relief and that's clear in his introduction. Within seconds we move from that intimidating arrival to, well, seeing him. To be clear, I've got nothing against redheads with big chins, but compared to Yusuke's design, Kuwabara is meant to be the funny looking one. His threat level plummets the moment we get a look at his face, especially in a series that will occasionally use looks as a (supposed) measure of intelligence.

Also, Kuwabara is dressed in light blue so, like Yusuke, we know he's important!

Any assumptions that his appearance isn’t meant to imply a goofy, embarrassing personality are put to rest when Kuwabara starts rambling about how they last time they fought Yusuke just got a cheap shot in and he'll definitely win this time. Yeah, he won't. Yusuke is thrilled by this diversion though and we get a shot of him looking almost as creepy as Keiko's friends think he is. Whatever else might be said about Yusuke, he is absolutely a monster in a fight.

Which we see here. If anyone picked up the series without knowing this was a fighting anime, they'll realize it now. Yusuke's choreography is stylized to show off his skill: he disappears with a 'whoosh' and dark lines to suggest inhuman speed,

attacking Kuwabara with a knee to the face, utilizes flying kicks, lands perfect, precision punches, and ends it all with the toe-tip landing we've come to expect of all powerful fighters. Kuwabara never even got a hit in.

Happy as a clam now, Yusuke wanders off whistling and Kuwabara's friends are left to pick up the pieces. AKA, his likely broken bones. I love that they're legit friends though and not just nameless goons for the sake of giving Kuwabara a small gang (though their names won't come up until later). "That makes 0 wins an 156 loses!" one of them cries, trying to get Kuwabara to stop ending up in the hospital, probably. We establish that Kuwabara is The Most Dramatic Ever when he pulls his broken body into a seated position, shouting, "No! I almost had him that time!"

Then he passes out.

Kuwabara, honey, you obviously did not almost have him, but god bless you for the outlook. The most optimistic thing on this Earth is a well-loved Golden Retriever, but Kuwabara comes in at a very close second.

With his dream to one day beat Yusuke in combat established, we cut to Yusuke wandering the street where the episode opened. "Okay, I'm remembering" he says in a voiceover. "After that I met the kid."

The soccer ball reappears as it rolls to a stop at Yusuke's feet. He grabs it and immediately starts yelling at the kid. Horrible protagonist, right? Well, Yusuke is trying to instill in him the danger of using this street as a playground, a worry the viewer already knows is 100% justified. “Listen, kid, that’s dangerous! There are cars going by that will splatter you into the pavement!” It's one of those quick moments where we get to enjoy Yusuke's duality: he's someone who is nearly making a toddler cry, but for rather understandable reasons. He's got the right idea, but needs to go about it in a more mature manner.

Which is precisely what he attempts to do. Sort of. Yusuke changes gears, though whether it's a more "mature" route is certainly up for debate lol. He tries entertaining the kid instead, raising and lowering the soccer ball to reveal goofy faces.

When these fail to impress, Yusuke goes full out by stuffing the ball into his pants, pushing his nose up with a pair of chopsticks he got from god knows where, and generally just putting on a display.

So Yusuke cares very deeply about his reputation... but only when it comes to those who are an established part of his life. Keiko, Mr. Takenaka, and the other kids at school all need to maintain a particular image of Yusuke, one that he's carefully cultivated. But random pedestrians on the street? Who cares about them? Let them talk.

This shows us that Yusuke does indeed have priorities over his own, selfish goals. Namely, the happiness of some kid is more important to him than looking "cool" for a bunch of strangers. Lots of characters with Yusuke's surface attitude would sneer at the idea of degrading themselves for — their words — some brat. But Yusuke, as we constantly see, actually does have that heart of gold. “Well, if all else fails I can still make kids happy.”

Although... I'm not sure what to make of his display itself. I have the distinct sense that there's something prejudiced here that I'm not able to fully articulate, what with the chopsticks, slanted eyes, bald head, and the like, though to be entirely frank I don't have enough knowledge of Japan's history to say precisely what it might be. Or, really, whether it exists at all. Just something to chew on.

What I am sure about though is the importance of having the child label Yusuke as monster — "Yeah, monster! — but in a delighted manner. Yusuke is indeed some kind a monster, someone who disappoints adults and terrifies his classmates, a demon fighter on the streets too, but here that identity is reworked into something positive.

Having successful secured a laugh, Yusuke tells the kid — calmly this time — to go play elsewhere. The toddler stares up at him with the blank expression only kids can manage.

Well, kids and whatever headspace I'm in after writing these metas.

To absolutely no one's surprise except Yusuke's, the kid does not go elsewhere. Instead, he continues kicking the ball down the street, causing Yusuke to exclaim, “Dammit, what’s the use? The kid can get smashed by a car for all I care!” Liar, liar.

The picture becomes desaturated as the kid kicks the ball and it flies into the street, time slowing down to show it landing precisely in the middle of the road. Yusuke again yells for him to stay put, but when has a toddler ever listened? He begins to walk into the road as our driver arrives, speeding, swerving, and paying more attention to the girl at his side than what's in front of him.

This time, we see the accident from the front with both Yusuke and the kid presented equally.

There's a cut to black and when we return we're in the present, Yusuke floating above the policemen now investigating the scene. “So that’s it? I’m roadkill?” As Yusuke realizes he's dead, specifically that he's a ghost, a voice goes,

"Bingo! Bingo! You win the prize!"

A woman has appeared who is quite obviously othered by the standards of the episode so far. Unlike the greens, blues, and browns of the series' modern clothes, she's dressed in hot pink kimono with blue hair to match. She's also, you know, floating on an oar.

“I didn’t expect you to figure it out so quickly," she says, referring to Yusuke's revelation that he's dead. Apparently, those who meet unexpected and/or violent ends tend to take some time coming to terms with their demise. It's a nice acknowledgment of Yusuke's intelligence in an interaction that's otherwise... not great for his self-esteem.

Meaning, this woman is about to drag him lol.

She introduces herself as Botan, pilot of the River Styx and guider of souls to the afterlife. You might also know her as the Grim Reaper.

(Hey, RWBY fans: I originally wrote that as Grimm Reaper 🤦‍♀️)

It's an claim Yusuke takes issue with because 1. Botan is too pretty to be the Grim Reaper and 2. If she was really some god of death she'd be taking this much more seriously, not laughing and saying, "Bingo!" For the audience this does two things. First, it acknowledges our own expectations and validates them. Yusuke's world isn't so far removed from our own that he takes Botan's looks and personality at face value, he also expected a skeleton with a scythe. So don't worry, all the weird stuff in this series is weird to our protagonist too. They'll be explanations. Or, even if there’s not, you’re not wrong for being surprised.

Second, it sets up the very common theme in YYH of undermining those common assumptions again and again and again. We've already seen it with Yusuke, wherein characters who look and act a certain way are, supposedly, destined to be that person and nothing more. Yusuke is meant to be just a "weed," a dumb, violent, angry loser who goes nowhere in life... but we already know he's more than that. Botan is supposed to be scary and serious, but she says nah, I want to be cute and bubbly instead. No character in YYH embodies who they're "supposed" to be when you look past those surface characterizations. They play the part of archetypes — and do keep certain parts of their expected personalities — but they're also far more well-rounded than that. Which yeah, is something most people expect from any story nowadays, but YYH is particularly adept at making you think you're watching Simple Show A only to turn around and surprise you with More Complex Show B.

It's great, trust me.

So Yusuke is pissed that Botan isn't adhering to those expectations, in the same way that he works hard to validate others expectations of him. He doesn't know how to deal with someone challenging his world view yet. Rather than angering Botan though, she just nods and says that this response makes sense for him. “Rather than being scared, or surprised, you yell a lot and tell me I don’t know what I’m talking about." Taking out a notebook, she quickly summarizes everything we learned in the flashback — minus Yusuke's complexities: he's fourteen, in middle school, is ill-tempered, violent, hates authority, and is a horrible student.

Typically, Yusuke responds by getting angry and trying to snatch the booklet out of her hands, only for Botan to pull it out of his reach, laughing. The tables have turned! Rather than being surrounded by people who cower at Yusuke's imposed authority, he now finds himself faced with someone who laughs at his transparent attempts to take control of the situation.

Calming down, Yusuke wants to know if the kid he saved is really alright and Botan offers to let him see for himself. That offer produces Yusuke's first, genuine smile.

They fly to the hospital where a doctor is in the process of giving the kid a clean bill of health, his mother crying with relief.

That's enough for Yusuke. “Alright, Botan, I’ve got no regrets, so you can take me to hell or wherever it is I’m going.”

That tells you all you need to know about Yusuke's self-worth, despite his bad boy attitude. His life is a dead-end as far as he can see and most of those around him haven't done anything to dissuade him of that idea. He says he doesn't care if the kid lives or dies, but then instinctively saves him. Post his death, Yusuke doesn't have anything he considers a regret, or anything he'd like to do before he leaves, like saying goodbye to a loved one. Oh, he's also pretty sure he's going to hell and has resigned himself to that without a fight.

Uplifting!

Botan just laughs though, saying that she's actually here to offer Yusuke an "ordeal" that could bring him back to life. See, he wasn't supposed to die today — let alone die saving a kid — and frankly they don't know what to do with him. It's another neat summary of what we've already learned: Yusuke is a far more complicated case than the afterlife assumed and now, when push comes to shove, deciding whether he belongs in heaven or hell is... muddled.

There's a fantastic story there about the problems with an afterlife that reduces a person's entire life to a few surface characteristics recorded in a book, refusing to acknowledge the context of their situation, or their capacity for change. “Run someone with your credentials a thousand times and they never would have saved a kid like that." Except, of course, Yusuke did save him, so those "credentials" are suspect, to say the least. However, YYH is not a story that explores these issues. Instead, I recommend you watch this!

Rather than being upset at the afterlife's low opinion of him (because let's be real, Yusuke shares it), he latches onto a little detail Botan let slip. If he wasn't supposed to die today... then was the kid?

Mmm... no. Actually, without the chaos of Yusuke jumping into the road, the driver would have swerved at the last second and the kid would have not only lived, but actually come out with one less scrape.

So Yusuke is obviously upset by this news! I would be too!! Holy shit, hang onto the "it's the thought that counts" message with everything you've got.

Also, don't think too much about the fact that the afterlife apparently knows exactly what will happen to people, down to how many cuts they accumulate in an accident. Also, don't think too much about where the afterlife foreseeing the crash begins and the unexpectedness of Yusuke interfering ends. That way lies madness. This will never come up again, so just let it go.

Sorry, 2013 me hijacked the post for a second.

As said, Yusuke is understandably upset by this revelation and as he fumes I'm reminded that this series likes to pull some amazing expressions.

Botan reiterates that it's all fine because Yusuke can come back to life. Weren't you listening? He should feel honored, in fact, considering that an offer like this only arrives every 100 years or so. Well, that explains why all of humanity isn't grappling with people coming back to life on the daily. One person every generation isn't going to cause much of a stir.

However, instead of jumping at the chance Yusuke announces that Botan is just like the teachers at school: she doesn't know what she's talking about. “You said yourself my life was kind of pathetic, right?” he says, going on to explain that everyone will be happier now that he's dead. His school won't have to deal with his behavior, Keiko won't have to nag him, and his mom will be able to party whenever she wants. It's a win-win for everyone involved.

Hmm, this feels familiar.

Don't worry, Yusuke doesn't need to experience a whole alternate reality to get the message.

“I’m sorry you feel that way at such an early age," Botan says and she is sorry, because despite her teasing nature that's a legitimately horrifying thing to believe. Yusuke won't budge though and after a little back-and-forth Botan leaves, telling Yusuke he should think it over while visiting his wake. She'll come back once he decides what to do.

“Do you have worms in your ears, lady? I did decide!” but Botan is long gone.

We cut to that night where Yusuke has indeed decided to attend his own wake. Maybe because of Botan's advice, maybe because he's just morbidly curious. We’re not given insight into the decision.

Atsuko is a mess, to put it mildly, not dressed for the occasion and sitting slumped against the way, staring vacantly as the guests offer their condolences. Yusuke is surprised by the fact that his entire class is here, but quickly writes them off when he sees two of the boys laughing. I'm on the fence about this detail, which I'll unpack in just a second.

First though, Yusuke sees Keiko exiting the house, inconsolable in her grief. She collapses on the ground with her two friends trying to offer comfort, despite the fact that they had nothing good to say about Yusuke himself. Good on them.

Before he can think too long on this though, Yusuke is distracted by Kuwabara's arrival. Unlike Keiko's crying, he expresses his grief through yelling. Specifically, yelling at Yusuke. For dying. For daring to "run away." His own friends are physically holding him back as he charges into the wake, screaming, “Who am I gonna fight now, huh? Who am I gonna fight?" It's not really about the fighting, of course. At least, not the fighting alone. "You’re supposed to be here for me," Kuwabara finishes, the punch he's thrown at Yusuke's photo going limp and catching his first tear.

You know, for all the goofy expressions, this show really is gorgeous. Just wait until we get to the fight animations.

Kuwabara's reaction is why I hesitate to write off the classmates like Yusuke has. Granted, we have no reason to believe that they care for him as Kuwabara does — they're nameless background characters defined only by their terror of "the great Urameshi" — but it's still a split second taken out of context. We don't know what they were laughing at, or if laughing is a part of their grief. God knows I personally laugh at the most inappropriate moments. If you tell me someone has just died there is a very good chance I will laugh awkwardly as I try to process that. It’s just a reflex. All of which I bring up not because these side characters are important, but because Yusuke's perception of his own worth is. The point of each of these moments is to show that those around him have always cared for him, even if Yusuke didn't notice. It's nice to think that extends to his classmates too. The variety likewise exists to show us how people grieve differently, with Kuwabara's friends not understanding that this is how he's working through the trauma: “This place is for mourning!” He is mourning, even if his way of mourning isn't as socially acceptable as Keiko's. So if screaming and throwing punches is valid, crying is valid, staring stoically in a drunk stupor is valid... why not laughter too?

Not likely, perhaps, but possible.

As an additional possibility to chew on, watching this premier again, it struck me how more emotional Kuwabara's scene is compared to Keiko's. Don't get me wrong, crying and calling Yusuke’s name gets the point across, but it's two seconds of generic grief compared to a much longer scene rife with intensity. When Kuwabara arrives the music swells and everyone is forced to pay attention to him. His grief is loud, violent, and given symbolism with his fist and the photo. There's more effort put into his reaction, frankly, so it wouldn't surprise me if fans started shipping them after this. That grief combined with an "enemies to lovers" possibility is a pretty potent mix. To be clear, Yusuke/Keiko is the (oh so obvious) canonical endgame and in the fandom Yusuke/Kuwabara can't compare to another slash ship that will turn up later, but this is a good example of how writers can craft some Very Gay Scenes without realizing it. When you have the girl crying prettily for a second and the guy absolutely losing his mind over Yusuke's death, questioning his purpose now, his support network, and then collapsing in grief... don't be surprised if your audience goes, "Oh hey, maybe they'd be a good couple instead."

But I digress.

The only people who are unquestioningly happy about Yusuke's passing are Mr. Iwamoto and his co-conspirator, Mr. Akashi. You know Akashi is another bad guy because he has bucked teeth and "ugliness" is an easy way to code for evilness. YYH is not immune to those mistakes :/

These two are really something else though, standing in the middle of a wake and claiming it's “too bad that car wasn’t big enough for them too," referring to Kuwabara and his friends. Wow! What stellar members of the academic community. Iwamoto goes on to say that Yusuke dying at least accomplished something good. Not, mind you, saving the life of a child, but rather looking good for their school's reputation. Akashi agrees, but says it's likely Yusuke only accidentally saved him while trying to steal the kid's lunch money. Remember, that accusation of theft is the one thing Yusuke has said outright that he does not do.

He's pissed listening to all this — wouldn't you be? — but knows by now he can't do anything about it. In another fantastic shot, Yusuke hovers his hand over Iwamoto's shoulder, desperate to grab him, when Takenaka's arrives there instead.

“What do you suppose is more disgraceful? That boy showing his misery, or your insensitive and idiotic words!”

HELL YEAH. You tell 'em, Mr. Takenaka.

Yusuke gets his third shock of the night at this passionate defense. Takenaka leaves the teachers to go pay his respects, but admits to Yusuke's picture that he just can't speak well of him. He was surprised to hear that Yusuke gave up his life for another and it's a fact that he acted selfishly. Though he doesn't say it in as many words, Takenaka explains that he's not grieving because Yusuke was a good person, but because it's so clear to him that he might have been. “Why didn’t you stay? You could have made something great out of yourself.”

Normally, "Why didn't you stay?" is just something for the living to grapple with, as the dead obviously don't have any say in what happens to them. But Yusuke does. It's here that the lighting grows soft again and Yusuke considers Takenaka's words. Keiko and Kuwabara grieve for who he was, but Takenaka grieves for who Yusuke could have been — someone that might still exist if Yusuke decides to undergo this ordeal.

Atsuko adds fuel to the emotional fire, breaking down and hiding her face in her knees.

Finally, the kid Yusuke saved arrives with his mother. Because yes, Yusuke saved him in every way that matters, considering no one else knows — or will know — that he'd have lived anyway. I like that the show doesn't allow that knowledge to undermine the emotion of their arrival, or what Yusuke’s act meant to them.

The mom tells her son to pay his respects and the kid thanks Yusuke for saving him, and for "making faces." He clearly doesn't get what's going on here. This is confirmed as the two leave and he asks his mom if he can play with Yusuke again tomorrow. “I know some people sounded angry at him, but he’s really nice!"

They're probably just crying because they want to play with him too, he thinks, which just makes his mom join in. Everyone is crying in this club tonight.

Those words are the cincher for Yusuke and with a brief montage of all the grief he's witnessed, he makes his decision.

We cut to later that night where Yusuke floats above the city, admiring the moon. Botan reappears and he asks, “Have you ever not known about something that seemed obvious to everyone else?” Yes, everyone has experienced that at one point or another. She asks if he's made his decision and Yusuke agrees to try and come back to life.

Emotional revelations out of the way, we're allowed another tone shift as Botan yells with joy, speeding off and causing Yusuke to grab hold of the end of her oar, lest he be left behind. Cranky as always, he demands to know where they're going. "To the spirit world, of course!" They're off to see someone who can explain the ordeal and give Yusuke the tool needed to complete it. Just hang on and enjoy the ride.

Thus ends our very first episode! Ah, the nostalgia. This is part one of a four arc series, with the anime cutting out a lot of the filler stories found at the start of the manga — a smart decision, I think. They primarily do the work of teaching Yusuke what he learned at the wake, so if you can accomplish that as quickly as the adaptation did, all the better. Especially since Yusuke needs to grow a great deal beyond the basic understanding that people might, sort of care for him, and that work will occur primarily through a job he's going to take on. The series isn't really about his death and it's not about an attempt to come back either — it's about what happens once you get that second chance. So this is the setup, but it's important setup all the same.

No need to skip ahead though. I've blathered enough for one recap. I hope you enjoyed and I'll see you when the writing gods next bless me with energy! 💜

#YYH #Yu Yu Hakusho #YYH recaps #mymetas

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theolympusfiles · 3 years

Text

rereading the PJO and HoO - part one: the lightning thief

before i start, all italicized parts are from the lightning thief by rick riordan. they're not my words and these are not my characters. my thoughts are the only thing that are mine :)

• "mom, you're coming too." her face was pale, her eyes as sad as when she looked at the ocean. "no!" i shouted, you are coming with me. help me carry grover". - the first(ish) appearance of percy's fatal flaw! i love the early establisment, especially because it helps foreshadow to the sea of monsters when fatal flaws are formally introduced.

• "that's -" "pasiphae's son," my mother said. "i wish i'd known how badly they wanted to kill you." - sally is underappreciated. she's smart as hell and clearly took the time to research demigods. yes, she was a little bit selfish with keeping percy out of the loop and not sending him to camp. but can you blame her? she lost all of her family and if she sent percy to CHB at an early age, that most nearly means she won't see him often (he'll attract monsters because he's aware of his status as a demigod and will most likely be at camp full-time). but sally ensured that she knew enough about the demigod world to protect percy because she knew that her selfishness would come with consequences. best mom.

• i was crying, calling for my mother, but i held on to grover - i wasn't going to let him go. - percy's first loss as a demigod and i am broken. honestly, so sad to think of, especially knowing all the losses he'll face in the future books. this line is also his fatal flaw showing once again (refer to first bulletpoint)

• "it (america) is the great power of the west. and so olympus is here. and we are here." - if olympus follows the west, where would the next location be? obviously, america is still a big powerhouse in terms of western civilization but that's not going to last. my bet is south korea but who knows? would love a fanfic on this tbh

• "the truth is, i can't be dead. you see, eons ago the gods granted my wish. i could continue the work i loved. i could be a teacher of heroes as long as humanity needed me. i gained so much from that wish... and i gave up so much. but i'm still here, so i can only assume i'm still needed." - how will it be decided that he's not needed? honestly, can't imagine CHB without him but chiron also deserves retirement

• i started to understand luke's bitterness and how he seemed to resent his father, hermes so okay, maybe gods had important things to do. but couldn't they call once in a while, or thunder or something? - percy has always showed some hesitance when accepting the demigod world, so i wasn't really surprised to see doubts like this pop up, especially with luke's influence. i'd think most demigods feel this way, luke and percy are just the ones who exhibit it the most in the series. i'm really interested in the parallels between the two and i'm looking forward to reading more and examining them

• "during the winter solstice, at the last council of the gods, zeus and poseidon had an argument. the usual nonsense: 'mother rhea always liked you best', 'air disasters are more spectacular than sea disasters', etc. - despite the fact that the gods are all-powerful beings, i appreciate the petty sibling spats that are mentioned briefly

• "so let me get this straight," i said. "i'm supposed to go to the underworld and confront the world of the dead." "check," chiron said. "find the most powerful weapon in the universe." "check." "and get it back to olympus before the summer solstice in ten days." "that's about right." i looked at grover, who gulped down the ace of heaers. "did i mention that maine is very nice this time of year?" he asked weakly. - this would be perfect for those 30 second trailers

• "gee," i said feigning surprise. "who else would be stupid enough to volunteer for a q uest like this?" the air shimmered behind chiron. annabeth became visible, stuffing her yankees cap into her back pocket. - the way he knows her pretty well already, i-

• the truth was, i didn't care about retrieving zeus' lightning bolt, or saving the world, or even helping my father out of trouble. - early on, we see from the get go that percy has a dislike for the gods. it's small mentions like this that really gets me thinking. he never really showed any dislike of the gods when he first arrived at camp (understandable) but he was hopeful for his father. it wasn't until luke planted the seed into his head that these thoughts came to light. i love this little detail, especially as we know that towards the end, luke does seem to think he can turn percy against the gods. his plan backfired a little bit on him in the end but like i said before, the parallels between luke and percy are so glaring. riordan definitely thought it out extensively

• do not be a pawn of the olympians, my dear. you would be better off as a statue - this is said to percy by medusa and again, feeds into his dislike of the gods. i wonder if monsters have some opinion on this. most would probably hate the gods but i wonder what their stance is on demigods. we know that they work with them (see kronos' army). the real enemy for monsters are the gods, the demigods killing them are just pawns to the gods so maybe that's how some monsters see them

• "so, what's your status?" luke asked me. "chiron will be sorry he missed you." i told him pretty much everything, including my dreams. it felt so good to see him, to feel like i was back at camp even for a few minutes, that i didn't even realize how long i had talked to him until the beeper went off on the spray machine. - there's no doubt that percy really considered luke a friend. he wasn't hesitant to tell luke about his dreams, something that he didn't share with annabeth or grover until later on the book. luke was a sort of mentor to percy and it was conveyed pretty well through their interactions, which makes his betrayal even more heartbreaking

• "you think you'll ever try living with your dad again?" she wouldn't meet my eyes. "please. i'm not into self-inflicted pain." - my heart breaks for annabeth and her relationship with her father. i've read most of the riordanverse books and the growth in annabeth's relationship with her family is definitely something i'm looking forward to watch grow as i make my way through the books again

• i looked over at the desk and saw a girl sitting there, also wearing a straitjacket - so i never paid the dreams any mind but now that i think about it, they're really good for analysis. for example, the straitjacket could mean something like the gods are keeping them restrained. maybe i'm overthinking it or have been analyzing text too much in AP english but i think that the dreams are worth some deeper thinking

• i pretended not to see annabeth wipe a tear from her cheek as she listened to the mournful keening of cerberus in the distance, longing for his new friend - i need to see annabeth play with cerberus again D:

• i turned and faced my mother. i desperately wanted to sacrifice myself and the last pearl on her, but i knew what she would say. she would never allow it. i had to get the bolt back to olympus and tell zeus the truth. i had to stop the war. - percy's growth as a character really shines through here. the lightning thief is a pretty short book and the journey they took was less than 2 weeks but despite that percy's grown immensely as a character. his goal was always to save his mother but in the end, he sacrificed her because he knew it was his duty to save olympus and i respect that

• "you have made an enemy, godling," he told me. "you have sealed your fate. every time you raise your blade in battle, everytime you hope for success, you will feel my curse. beware, perseus jackson. beware." - ares cursed percy to be unsuccesful in battle but does his curse ever take effect? i don't recall any mention of this curse later on the series. obviously, percy is the main character and a really good swordfighter but the curse might have affected some battles right? but then again riordan has a lot of plotholes so i wouldn't put too much thought in it

• i knew dionysus must've filled it out, because he stubbornly insisted on getting my name wrong. - i've always accepted the fact that dionysus called the demigods by their wrong name for humor. but what if it's deeper? what if it's a way to put some space between him and the demigods, just as an extra precaution so he won't get attached. or it could be a ploy to showcase that he's more powerful than them and that they are beneath him, which is why he doesn't need to know their name. i like the former headcanon more though :P

• i opened my eyes. i was propped up in bed in the sickroom of the big house, my right hand bandaged like a club. argus stood guard in the corner. annabeth sat next to me, holding my nectar glass and dabbing a washcloth on my forehead. "here we are again," i said. - the parallel

well, that's everything i had notes on. overall, i liked rereading it. i really do miss this series and i'm finding my love for it be rekindled by rereading. i miss the humor of the early books (i could literally make a whole post of underrated lines). the last time i read the series in its whole was when i was 7 and now that i'm 16, i have more thoughts and can analyze the story better. also loved seeing baby percabeth as they're my OTP. i'm excited to continue with the series. to the sea of monsters!

#Percy Jackson and the Olympians #PJO #Pjato/hoo #reading #rereading #books #Greek Mythology #percy jackson #annabeth chase #luke castellan #Grover underwood #analysis #the lightning thief #pjo series

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moonlightreal · 3 years

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This is the “author’s note” I found on the amazon pages for the pretty hardcover Night World books. My memory is that it was just there, the book-blurb at the top by the cover picture, was this.

Like a bonehead I just copied the text without grabbing a screencap or noting the date. The amazon page now has the publication date is December 2016 so this bit of optimism was just before Ms. Smith vanished. Of course we don’t know when it was written or whose idea it was. Was Strange Fate really finished or was someone just feeling hopeful?

NIGHT WORLD Dear Readers, It’s hard to tell you how much the re-release of the Night World books means to me. It has allowed me to come full circle, to complete a cycle that began with Secret Vampire. It has allowed me to finish Strange Fate, which grew into an epic that included roles for almost every Night World character. And Strange Fate allowed me to show the origins of the Night World, the apocalypse that threatens to destroy it, and even a possible future in which the evil side of the Night World prevails. I am often asked how I conceived the idea for the Night World series. It began when I wanted to write stand-alone novels that would combine horror and romance. But I wanted more: I wanted to do a series in which this Night World—a vast, secret world that exists within the everyday world—would slowly reveal itself to readers. That’s why the first book is called Secret Vampire: the inhabitants of the Night World, composed of vampires, shapeshifters, witches, and other supernatural creatures I wanted to invent, are hidden from humans. A vampire is necessarily a secret vampire … because of the laws. I also wanted to write about a new kind of forbidden love. That’s not easy—most good forbidden love topics were old by Shakespeare’s time. But with this series, I could create the possibility of forbidden love simply by saying that the laws of the Night World prohibit a Night Person from falling in love with a human. But I still needed one more ingredient. I needed the rise of the soulmate principle to actively force Night People to fall in love with humans, no matter how hard they fought against it. Voilà! Then it was just a matter of making up interesting characters and setting them loose in my head to see what they would do. I often begin like that: sitting in a quiet room and searching for a sparkle in my mind that could become my new heroine. Sometimes it’s easy and a whole character shimmers before me. Sometimes I only get the faintest firefly glimmer of a new girl, and I have to hold my breath and see if that glimmer will materialize into a three-dimensional person. Heroes and anti-heroes are easier. It’s just a matter of picking one that will be a true soulmate for my heroine. I have a whole collection of these characters in my mind, all trying to crash the party. And they’re usually bad boys. The settings and in-depth plot development are another layer of work. But often the characters just run off and do what they want, and I have trouble keeping up with their antics on my keyboard. One thing I always do is look carefully at my characters and plot from all angles to make sure I’m not plagiarizing a book or series that I may have read before. That’s just normal procedure for ethical authors: we make sure our stories aren’t too much like another story we might have read. Of course, there are many ideas that have been around since the Babylonian myths, and many characters that are archetypal. But, really, it’s almost impossible to take many things from the body of another author’s work—say, someone else’s character(s) or plot or story device—without actually intending to do so. I can’t imagine wanting to do that. I wish I could say every author felt the same. Poppy North is a character I examined very carefully. I wanted to make sure she wasn’t too much like Bonnie McCullough, another petite character of mine from The Vampire Diaries. I didn’t even want to plagiarize myself ! But Poppy convinced me that she was a tough little squirt who by high school had already planned out her future, which is very unlike Bonnie. Poppy was going to marry her mysterious friend James—she just hadn’t informed him yet. Also, unlike Bonnie, she had a fatal flaw in her small body. In Secret Vampire, I knew I was dealing with a serious issue: terminal cancer in a high school girl. So I did a lot of research before deciding on a type of cancer that would be truly inoperable and give Poppy only a month or two to live. I went to several hospitals to talk to nurses in oncology wards. I always brought toys for the hospitalized children, but the whole subject was so heartbreaking I was almost afraid to tackle it. Once I did, though, I found that Poppy was even stronger than I had imagined. In the book, she makes the only choice she can to go on living, and she never looks back. Poppy is one of my favorite girls, and she ushers in Ash Redfern, who quickly became one of my favorite bad boys. Ash has a murky past of womanizing and … well, more womanizing. Ash returns in Daughters of Darkness because he has been ordered by the leader of all vampires, Hunter Redfern, to bring his three runaway sisters back to their cloistered vampire island. But when Ash locates his sisters, he runs straight into the human stargazer Mary-Lynnette, and the sparks begin flying—literally. Mary-Lynnette is a character I made up when I was a kid, and I’m always surprised by how many people like her and Ash together. Mary-Lynnette spends most of the time expressing her feelings for Ash by kicking him in the shins, but their dialogues are some of my favorite passages in the whole series. Ash, in turn, escorts Quinn into the series. And Quinn (who does have a first name, though he rarely uses it) is one really scary guy. A vampire since 1639 A.D., Quinn is sharp, cold, humorless, and heartless. Unlike Ash, who is mainly guilty of an incredibly long series of one-night stands, Quinn enters the series as a human slave trader. That is, he provides vampires with young girls, and he doesn’t ask questions about what happens to the girls afterward. This led to a problem: How on earth was I going to redeem this villain enough to make him someone’s soulmate in The Chosen? I really sweated over that. My first task was to make Quinn more sympathetic. The best way to do it seemed to be by telling a bit of Quinn’s own tragic story: how he falls in love with sweet Dove Redfern, and how her vampire father decides to make Quinn his heir. Dove’s father is Hunter Redfern, one of the most important vampire leaders in Night World history. This is the same Hunter Redfern who, nearly half a millennium later, sends Ash to drag his sisters back home. The same Hunter Redfern who sends his daughter, Lily, after Jez in Huntress. The same Hunter Redfern who tries to turn Delos into a merciless killer in Black Dawn. But, as a boy, Quinn doesn’t know anything about the Night World, and he is deeply in love with gentle Dove. When Hunter makes him a vampire by force and then when Quinn can’t save Dove from being killed, Quinn’s heart freezes over. For four hundred years it accumulates ice—until he meets Rashel. That’s another favorite scene of mine: when Rashel, a dedicated vampire hunter since (guess who?) Hunter Redfern killed her mother, encounters Quinn. A group of Rashel’s fellow vampire slayers have captured Quinn and plan to torture him, and Rashel is left alone to guard him. Quinn, feeling old and tired despite his youthful appearance and great power, gives himself up for dead—and is a little glad to do so. Rashel, however, can’t stomach the idea of torture. When Rashel talks to this most-hated vampire and hears his story, she deliberately sets him free. And that astonishes him. But it’s the soulmate principle working its magic. I loved making two such strong-willed enemies succumb to the silver cord that connects them. I especially loved hearing Quinn warning Rashel not to let him go—and then protecting her when her comrades arrive back in time to see that she’s let him loose. I really loved writing about Quinn and Rashel’s soulmate sequences. As Rashel enters Quinn’s mind, she sees “thorny scary parts” but also “rainbow places that were aching to grow” and “other parts that seemed to quiver with light, desperate to be awakened.” She begins to think that people ask so little of themselves. If the mind of a slave trader can look like this, an ordinary person must have the power to become a saint. It is with this revelation (and much penance on Quinn’s part) that Quinn is redeemed. That’s the thread that binds all the novels together: redemption. The possibility of a second chance. Everyone has choices to make, but even the most evil of vampires can choose to atone and be redeemed. It may not necessarily stave off punishment in this world or the next, but redemption is possible. I’ve been asked who my favorite characters are, and the answer always changes because it depends on the book I’m writing. Right now my favorites are three characters from Strange Fate. As for my favorite couples in the published books? Morgead and Jez—I suppose. Who would find themselves at greater odds than a vampire gang leader and his onetime superior, a vampire who finds out she is half human? I learned some cool martial arts moves as a bonus for writing about them. Then there is Keller, one of my all-time favorite heroines, and Iliana, the beautiful Witch Child, and Galen, ruler of the shapeshifters: the love triangle in Witchlight. Keller starts out seeming brusque and businesslike, but the love of Galen and of the unselfish Iliana help to heal her inner wounds. And I can’t forget Thierry and Hannah, and Circle Daybreak. I created Circle Daybreak because the Night World witches had only two clans: Circle Twilight and Circle Midnight. Those, like Thea in Spellbinder, who belong to Circle Twilight are not-so-wicked witches (that is, they don’t want to exterminate all humans like the darkest witches, those who belong to Circle Midnight), but they are still wicked enough. So what was to be done with all these new soulmates, when Night World law said that they must be put to death? Someone had to make a place for them where they would be safe, and I decided it was Thierry, one of the oldest vampires, and Hannah, his Old Soul soulmate, who has lived hundreds of lifetimes without ever reaching the age of seventeen. They are the ones who revive Circle Daybreak, where humans and Night People can forget about past tragedies and concentrate on a brighter future together. Although Thierry is an old vampire, he isn’t the oldest vampire. There is one older, the one who Changed him. She provides another thread that binds the series: the pitiless Maya. Maya is the first vampire, the witch who finds the secret of eternal life—and chooses to use it for evil. But there will be plenty more about her, including a look at the young Maya, her sister Hellewise, and their mother, Hecate Witch-Queen, in the upcoming Strange Fate. And so now I’ve come full circle, back to Strange Fate. But I can’t finish until I add the other joy that the re-release of Night World has brought me. It’s brought me into contact with you by e-mail. Night World fans write so many intelligent, articulate, courteous, exciting e-mails! I love to get messages from “old” fans, who say my works “got them through high school.” Thank you for them! And messages from new fans, who say they have just read all my reissued books—and are impatient for more. Thank you! And the messages that simply demand: “When is Strange Fate coming out?” Thank you, too! With a full heart, all I can say is thank you, thank you, and thank you again! I never thought I would have a chance to write an open letter to all Night World fans, and I can only wish that you knew how grateful I am … for this second chance. Sincerely, (LJ Smith signature image) P.S. I love to get e-mail, letters, and messages. Visit me at ljanesmith.net!

#nightworld #ljsmith strangefate #strange fate #LJ Smith

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fandom-collective-writers · 3 years

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Love letters (Victor x MC)

Fandom: MLQC

Pairing: Victor x MC

Genre: Fluff

Word count: 1262

Author: @rikumorimachisgirl

A/N: Thank you, @voltage-vixen for the vote of confidence and for reading through this first.

Disclaimer: I do not own MLQC or its characters, but I own the idea for this fic.

Victor Li

CEO

Loveland Financial Group

February 14th

Dear Mr. 27-year-old CEO,

Please consider this as my intent to resign as a business partner. I no longer wish to produce shows under your portfolio nor do I require your financial assistance to fund my company effective immediately. Now, before you start rolling your eyes and call me an dummy (which I resent, by the way), I'd like to tell you that I've thought this over, and I'm positive that this is for the best.

You are the worst person I've ever partnered with - you ask me to work under tight deadlines, only to order me to rest and take it easy after working me into a frenzy in the first place. You also don’t even spend five minutes reviewing the reports I spent days writing only to nitpick the most minute of flaws. On top of everything, you are always waking up at odd hours of the night to hear my voice, then turn around and insist I fall back to sleep….how do you honestly expect me to fall back to sleep after being woken up by you?

You have no respect for privacy - you grab my notes without permission, read through my diary, and even check my emails when you think I don't notice. Thanks to that, you now know my favorite restaurants, my dream destinations, and my honest opinion of your work ethic. So much for secrecy!

You have no concept of work-life balance - you send me emails and ask for reports even while you're supposed to be off work, you join my conference calls while you're with your family, and you sometimes drag me to have dinner with them just so we could continue talking about work.

In the last twelve months, I have worked more hours than five regular employees in your company have. I have foregone days off in favor of accompanying you on your trips and scouting for possible locations to shoot for new episodes to meet your ridiculous deadlines. I have also blurred the lines between work and personal time so I can anticipate your calls, which could happen anytime between the time I step out of your line of sight to the time I make my morning coffee. I am exhausted from a lack of rest and sleep as you invade my every thought.

Yes, my every thought. Day and night!

I'm not even sure when it started, but somewhere between you walking me home in the rain, teaching me how to dance, and cooking for me at Souvenir, my heart started to feel funny. At first, I thought it was just a case of nerves because I always get nervous when you boss me around; however, the feeling I've been getting lately is far different from that. It happened a lot more frequently after - when you held me in your arms in the dark hotel room to keep me safe while the rain raged outside, and that time you picked me up at the airport because there was a snowstorm and you knew I had nowhere to sleep, and the skillful way you dove after me when I slipped and fell in the pool because of my drunkenness. You've made my heart pound faster and harder than it should more times than I can count, but I think the worst incident of all was when you invited me to your aunt's wedding rehearsal, not as a guest, but as a bride. Your bride. I bet you had no idea how breathtaking you looked in your three-piece suit, or how hard my heart pounded when you reached out to me that my whole body shook. I'm positive you had no idea how you've kept me up all night after the rehearsal, replaying everything that happened in my head - from the way you held me like I was a delicate piece of China, to the way you looked at me like I was the most beautiful girl you've ever laid eyes on. I also realized after that incident that I simply can't start or end my day without seeing you - or even hearing from you at the very least. I have come to look forward to waking up to your calls or text messages and find that I can't sleep without hearing your voice, too. I realize that I have fallen in love with you, and that, for me, is a big problem.

I can't continue to work with you in the light of these new circumstances. I maintain a strong work ethic and believe that it is impossible and improper to mix business and pleasure. Having said that, I'd like you to please accept my resignation as your business partner effective immediately. And once you've approved of my resignation, please accept my invitation to go out on a date this Valentine's day.

Yours truly,

(Y/N)

--------

(Y/N)

Miracle Finder Producer

February 14th

Dear Dummy,

I'm writing this in response to the letter that Goldman handed to me right before I stepped into the boardroom for the Quarterly Business Review. I had intended to read it after the meeting, however, my assistant wore a cheeky smirk on his face that meant your letter was probably worth spending a minute or two to read. And while I was hoping to be entertained by whatever was written on your note, I certainly wasn't expecting you'd be so bold as to confess your feelings on paper. Your courage, I feel, should be rewarded, which is why you're receiving this note.

I have to admit that you have given me a ton of headache since we first met. I knew, right when I laid eyes on you again after, that you would be nothing but trouble. I was hoping to be wrong about my intuition for once, but the more we spend time together, the more I knew I was right.

You have all the right attributes for someone in the wrong field of expertise - you are too kind-hearted, too considerate, too trusting, and too easy-going for your good. It's hard for me to understand how you could be so forgiving, and how you always choose to see the good in other people even when they have the meanest intentions towards you. You always barely meet the deadline, and your reports are always poorly written despite my constant corrections and advice, it's a wonder your own company hasn't fired you yet. Your decision-making skills are highly questionable, I would've been bankrupt if I relied on you to call the shots.

Yet, despite all these, I couldn't take my eyes away from you even for a minute. I know when you're nearby and I scan the room the minute I step in to find you. Your smile is so silly, I find myself smiling at you when you're not looking. Your messages are often nonsensical, yet I don't mind receiving and reading them over and over. I close my eyes and picture the rest of my life, and I see you in it - with me.

That said, I can't accept your resignation as my business partner. I feel you've still got a lot to learn about me and LFG, since I intend to keep this within the family. And if you get my meaning, I'd like to also say that I accept your invitation to go out tonight and would like to ask you to bring a change of clothes with you. After all, it seems we've got a lot of time to get to know each other better tonight.

Yours always,

Victor

#mr love queen’s choice victor #mr love queen's choice #mlqc #mlqc fanfic #mr love fanfic #mr love victor x reader #mlqc victor x reader #mr love victor x mc #mlqc victor x mc

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ladyopinior · 3 years

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FATE: THE WINX SAGA – review

Fate: The Winx Saga is a teen drama inspired by the animated series Winx Club. The series is aimed at an audience of young adults and features a darker story than that of the cartoon (Wikipedia). In order to watch the show, you have to have to leave out of the picture most of your previous knowledge about the Winx Club. Although the show is inspired by the cartoon version, it is clear within the first few minutes of the first episode that most of the events do not match the Winx Club’s story. Now, I know that a lot of people are angry and disappointed at the fact that both Flora and Tecna do not appear in the show, that The Trix are nowhere to be seen, and that the story does not correspond with its source of inspiration. However, I think that this adaptation has potential (this will be discussed later on) - although it can bit a little bit cringy at times. Like it was said before, Winx club is merely the source of inspiration for this show, but that does not mean that Fate: The Winx Saga was going to follow the original storyline step by step as it was. If we take Winx Club as our object of comparison, I do think that the characters are fairly well matched, although some of them are lacking certain characteristics (and being honest, I am still salty about what they did with Stella):

Bloom, for example, has the same personality traits as the Original Bloom. First, let’s recap Winx Club’s Bloom’s personality: Bloom started off as an insecure girl at the beginning of the series because of her ignorance of her true origins and her strange, yet surprisingly potent powers. Later on, as she learned more about magic and herself, she grew increasingly curious about her past and whom her biological parents are. An escapist by nature, she has a tendency to run away when things get too hard or confusing for her, and can also be impatient and stubborn, with a short temper. Bloom was also impulsive at times, which led to some very bad experiences for both her and her friends. Her greatest strength and greatest weakness was her status as the guardian of the Dragon's Flame. While the Dragon Flame made her arguably the most powerful fairy in the Magic Dimension, it also consistently drew numerous enemies to her such as the Trix, Darkar, Valtor, and the Ancestral Witches. Despite her flaws, Bloom still has a heart of gold. She cares for all of her friends, allies, and families (both adopted and biological) deeply, and is always willing to help and fight for a good cause. She has shown herself to be selfless, caring, brave and a true capable leader. Bloom is tough when needed to be and always lends a helping hand to people in need (Wiki). Now that we have checked Original Bloom’s personality let’s compare it with Fate: The Winx Saga’s Bloom: she also has the same insecurities as the original Bloom - also caused by her lack of knowledge when it comes to her true origins and the fact that she is a changeling (Aisha tells her this in Episode 1). In this show we see a Bloom that is willing to learn more about her powers and magic, and that is also curious about who her biological parents are. She is also an escapist and has a tendency to run away when things get too hard or confusing for her - this is told in Episode 1 when she tells Aisha about how she lost control and nearly burnt her parents alive “Every night after that, I… I snuck out. I was so… scared that I’d hurt them again… that I slept in this… creepy-ass… warehouse near my house until Miss Dowling found me”. In this case, it is also her status as the guardian of the Dragon’s Flame that attracted the Burned Ones to her. This Bloom is also impatient, stubborn, and has a short temper. Bloom was also impulsive at times, which led to some very bad experiences for both her, her friends and the rest of students at Alfea - her decision of freeing Rosalind and letting her recharge her powers weakened the protective barrier and allowed the Burned Ones to enter Alfea risking all the teachers and student’s lives. The Original Bloom is said to be selfless, caring, brave and a true capable leader, however we can say that this Bloom is overall selfish and thinks about her interests first instead of worrying about the consequences of her acts. Although it is still too early to assume that she will be a good leader, we can’t deny that she is brave, tough and caring towards her friends and parents. Overall, I am happy with this Bloom: she matches the original one’s personality pretty accurately and in terms of physical appearance she does resemble the Original Bloom.

Now Stella… Dear God, what did they do with her… I know I said that Fate: The Winx Saga was not meant to follow the original Winx Club, but I did expect the characters to at least have the same personalities. This is where I am most disappointed. The Original Stella is said to be proud and self-centered, Stella also cares deeply about her friends and family, not just herself. She will stick to the people she loves and do anything to keep them safe. Stella is not always seen wearing a smile on her face, but she does crack jokes to cheer her friends when they are depressed. Basically, Stella has a cheerful and optimistic personality. Besides that, she is totally obsessed with fashion, which clothes look best on her, and which dresses match her face the best. Stella often gives fashion advice to people in Alfea, but this advice is often not taken well. She would rather flirt with Brandon than study and do work, which sometimes annoys the other girls. The most intuitive of all the members, Stella likes to match make but has often had problems with understanding why her friends do not always like getting set up. However, despite her intuitions, Stella can be rather oblivious at times. She was sent to Alfea to become a stronger fairy, but this did not mean so much to her, though she did effectively become a fully accomplished fairy and a powerful one by fighting the first three season villains with the Winx. She uses her magic for anything, but she mostly wants to help her friends as deep inside she is a generous and helpful girl. Although she might disagree with her friends, Stella is very supportive and protective and will not hesitate to help them. She learns to accept that love and friendship are far more important than royalty, fashion, and shopping. Sometimes she hides her true personality because of her upbringing. In short, her cheerful exterior masks great sorrow (Wiki). Well… Where do I start analyzing Fate: The Winx Saga’s Stella… I guess I will take a shot at the similarities first. This Stella is proud and self-centered - which the original one was - and she does like fashion (although I would not label her “obsessed” with it) and gives advice to Alfea’s students… kind of… she mostly critics their outfits - specially Terra’s. Like the original one, Stella was sent to Alfea to become a stronger fairy and rehabilitate from the incident that took place the previous year (meaning that she had to retake the first year again) - in Winx Club, Stella accidentally destroyed the potions laboratory but it is not stated what happened exactly; in Episode 5 of Fate: The Winx Saga, Stella tells Musa the truth of what happened the previous year - that her magic is erratic because of her mother and that that day she lost control and blinded her best friend unintentionally. And that’s about it in terms of similarities… This Stella is dependent on Sky, her ex-boyfriend (still angry at the fact that there is no Brandon, and still creeped out by these two being a couple in the past) and seeks his attention all the time. The Original Stella is the most intuitive of all the members, but to be honest I do not see that trait in this Stella. This Stella is not shown to be a helpful girl nor someone that wants to help her friends, at least not until the end of the season when she tells the others that Bloom deserves to know her truth and that she supports her “I have an opinion. Everyone in this damn suite is so black or white. Bloom is a pain in the ass, but she deserves to know who she is, not the stories the faculty is telling her. Now we can worry about being right, or we can help our friend. Which is it?” (Episode 5). Stella is not a very supportive nor protective friend and only cares about herself… and Sky, and we do not get to see that cheerful exterior the Original Stella showed. This Stella is full of sorrow and sadness, and sometimes this eclipses any other trait she might have. To be honest this Stella is just a bitch most of the time and treats the rest of the people in Alfea like her mother treats her. However, if I put aside the Original Stella for a second, I do think that this version of her can be quite enchanting: she has all the characteristics needed for a great character development in this series, in fact, you can see some change in her towards the end of the season.

Aisha is one of the characters whose personality does not bother me too much, and I do see similarities with the Original Aisha. Winx Club’s Aisha is extremely opinionated and open minded. She is as intuitive and when asked to, gives practical and pragmatic advice. She is also a talented dancer, athlete and speaks many different languages. Aisha gives practical advice and always provides a shoulder to cry on. She continuously shows this caring nature throughout the show, comforting Musa after her conflict with her father, and calming Flora's nerves when she experiences qualms about her feelings for Helia. However, besides the other girls, she might even be the most sensitive of the crew. She has also been shown to be rather stubborn and impatient, something that can get her into trouble by making her hold grudges and jump to conclusions. This could be the result of her isolated upbringing growing up, as she didn't really have many friends, making her come off as a little anti-social at times when she first appeared. Over the course of the seasons Aisha lost her tomboyish side possibly due to her opening up to the Winx and Nabu, but yet she still loves sports and still determined and energetic (Wiki). The Aisha from Fate: The Winx Saga is highly opinionated and she does not shy away from telling the rest her thoughts. She is also quite judgmental when meeting new people: in Episode 1 she helps Bloom end the call with her parents, they engage in a conversation about why Bloom’s parents do not know she is a fairy and when Bloom tells her that the idea of being a fairy is ridiculous, Aisha asks her if she has never read Harry Potter, and the conversation follows like this: B - “Please. If you knew how many hours I have wasted taking Sorting Hat quizzes…” // A - “Ravenclaw?” // B - “Sometimes Slytherin, yeah” // A - “That explains the lies then” // B - “Hm. Let me guess. Gryffindor [silence] Explains the judgment”. She is intuitive, tries to help as much as she can while being truthful (even if sometimes she ends up hurting people) and gives advice - sometimes uncalled for. But, unlike the original one, this Aisha can also seem a bit meddlesome at times. Like the Original Aisha, this one is also sporty and is shown in the series - she goes swimming every morning. Now, what I miss the most in her character is the lack of background… we know the Original Aisha is the princess of Andros, but we know nothing about this Aisha - Who are her parents? Where does she come from? What worries her? Also, we never new why the is unable to control small masses of water… we are just shown that she has trouble with it and that’s it, no more development for her. I think we should have been given more information about her and not just shown the same four traits of her personality all the time.

The next one is Musa and being honest I don’t know what to feel about her. I am not bothered by the changes made but at the same time I am (being honest there is just one change they made that deeply bothers me)… For example, the Original Musa was a fairy of music and now she is a mind fairy - a fairy who feels other people’s emotions (Wikipedia). This is not a big deal, Winx Club’s Musa was able to feels nature’s emotions thanks to the sounds it made and was very in tune with her musical side, this Musa is also linked to music but in a different way - she uses it to scape her overwhelming surroundings - and she is also able to feel emotions, it’s just that instead of natures’s it’s people’s. I guess what bothers me the most is that the Original Musa was Asian and this one is not, I do not get the need to change that about the character… I have nothing against Elisha Applebaum, the actress that plays Musa, but why couldn’t they cast an Asian actress instead? It would have brought more diversity to the show. Now that I have that out of the way, let’s focus on her personality. Winx Club’s Musa loves music, dancing, singing, and playing all instruments, but her favorite instrument is the concert flute, the first instrument she ever learned to play. Musa usually plays amazing music but plays best when she is alone by herself in Alfea in a quiet spot. Despite being the most tomboyish of the Winx, she is perhaps the most emotionally vulnerable, and she balances this by putting up a tough front. Surprisingly, Musa gets the best grades of her friends, as mentioned. Her emotional weakness is the result of her mother's death and her father is far away. She is also a bit of a loner and had a crush on Riven, but they do not admit they like each other until the end of season two when they had their first kiss, which then starts dating (Wiki). When talking about Fate: The Winx Saga’s Musa I feel like we should first address the elephant in the room… no, there is nothing going on between this Musa and Riven, in fact, they’ve had like two interactions in the whole show - I can’t say I am mad about this, we all know Winx Club’s Musa and Riven had a very toxic relationship so maybe this is a good move for this adaptation, and also, Sam seems to be good for her. Now, this Musa has said since Episode 1 that she used to dance and that she loved it just like the Original Musa, but unlike her she doesn’t seem to play any instruments. However, she likes to listen to music alone by herself in her room or a quiet spot. She is also emotionally vulnerable and puts on a tough front. Just like Winx Club’s Musa, this Musa’s emotional weakness is the result of her mother's death which she tells Terra in Episode 6 after she asks her to help Sam ease the pain he is feeling after having been infected by a Burned One: T - “You can’t just run away. He’s in pain. And dad’s trying, but—” // M - “Please just leave me alone” // T - “I know you care about him” // M - “That’s the problem. I can’t feel it. I can’t feel somebody I care about die. Not again” // T - “What? … Musa…” // M - “My mum died last year, Terra. And I was with her, and I felt it, the moment it happened. I felt everything she felt. That’s why I can’t talk about my family, and that’s way I can’t be with Sam now. I can’t feel it. Please don’t make me feel it again”. One thing we don’t know about is wether she gets the best grades out of the group because we have never seen her study. Also, we know that she hates not being able to fight along with the Specialists and she is bother by the idea of having weak powers. Being honest, I am not disappointed with this Musa, in fact, I quite like this character but there are a couple of things I would like to know: once again I would have loved to see the moments she shares with the rest of the group because I can only remember her being open with Terra, maybe if they had included a couple of scenes of her bonding with the rest the friendship would have made more sense. I also wish that in season 2 (if they make it) they focus more on her, she has great potential to expand her powers… maybe let her fight with the rest of the fairies and the Specialists, getting to know more about her family and background, and also giving her more bonding time with other members of the group and not just Terra (but I get why they chose her to be her closest friend, I mean, she is her roommate and is dating her brother).

Now, now, now… let’s talk about probably the most “controversial” character: Terra, not Flora but Terra. This the character that people where most disappointed with when the trailer was released, mostly because she is not Flora. Now, another elephant in the room: a lot of people who had watched Winx Club did not like the idea of having a plus sized character, especially when it was supposed to be a Winx. However, I think it is a great move including a plus size girl - the show being inclusive in this aspect is showcasing that anyone can be a Winx, because your size does not matter at all with the strengths you may have, so I approve this change, I applaud it. Another thing that disappointed fans was the fact that Terra is white - now, we don’t now Flora’s ethnic because it was never stated in Winx Club but many people believe that because of her skin color she had to be Latina… I don’t know about this because Miele, her sister, is white so… I guess you can believe what you want in this case but taking into account that Miele is white, and that Terra is just a cousin then the change made there it’s not that horrible (except that it narrows down the diversity in the main cast of the show). Also, another thing that left audiences speechless was that Flora was in fact mention in the show, but as Terra’s cousin “Shocking. Earth fairy called Terra likes plants. It’s a family thing. I’ve got this cousin called Flora” (Terra in Episode 1), I guess everyone though that the producers making an adaptation from an already existing show would mean that at least the names of the main characters would remain the same, but clearly that was not the case. All of that being addressed, I am still going to compare Terra with Flora, mainly because they are supposed to be “the same” person. So, Flora is shown to be a very calm, soft-spoken, caring, sweet, shy and genuine girl who loves plants and vegetation of all kinds. Being interested in experimenting with her plants, Flora became the potion master of the group who specializes in brewing and creating remedies and medicines from the uses of her magical plants. Due to her gentle and caring personality, Flora is strongly connected to nature and loves helping people. She is shown to have a sensitive personality to the point where she would instinctively care for her friends as well as her plants when they are in distress. Flora is the most mature member of the Winx as she possesses a deep sense of love, peace, happiness and tranquility. However, it is shown that Flora has an insecure side to her personality as she would have problems believing in herself at times. Her insecurity would sometimes cause her to hide most of her feelings to the point where she would have problems expressing them. Flora is one of the most diligent student at Alfea and is cautious of her actions. Although she has a kind-hearted side, she at times gets very angry at her enemies which can cause her to act quickly and show a more aggressive side of herself. As an older sister, she is shown to be quite overprotective who often forgets that people do mature and can protect themselves. Miele often has to deal with this side of Flora whenever the latter suspects a mission to be too dangerous. In this case, Flora has demonstrated some level of ignorance as this attitude tends to hurt Miele's feelings (Wiki). If you have read Flora’s personality, then you would have realized that Terra is just the same. Literally, there is very little I can add here… both of them are very calm, soft-spoken, caring, sweet, shy and genuine girls with sensitive personalities; both of them love plants and vegetation of all kinds; both are interested in experimenting with plants and their properties and creating potions; both love helping people; both have shown signs of insecurity and would have problems believing in themself at times. Terra’s insecurity would also sometimes cause her to hide most of her feelings to the point where she would have problems expressing them. Terra also shows quick responses when it comes to protecting her friends and herself and becomes more aggressive. I guess the biggest difference between them would be that Terra is insecure about her body, in Episode 2 this is clearly seen when she is unable to change in front of the rest of her friends. Overall, I do like Terra, in fact, I think is the best character of them all. I literally have no complains when it comes to her. I declare myself a big fan of Terra.

The next character I am going to talk about is the new addition to the Winx World: Beatrix, who is supposed to embody The Trix in one person. Beatrix is an air fairy who can manipulate electricity (Wikipedia). Now, we all know that The Trix are a trio of witches who act as the main antagonists of the Winx Club series. The group is made up of three direct descendants of the Ancestral Witches, the most powerful and evil witches to have ever existed. They focus on what they are best at: acting maliciously and joining forces with the darkest villains the Magic Dimension has to offer (Wiki). These three witches are Icy, Darcy and Stormy and if my interpretation is correct, Beatrix would have the “looks” of Darcy, the evilness of Icy and the powers of Stormy, however as it was said before she is an air fairy which means that she can manipulate many aspects of the weather spectrum, so her actual powers can be a combination of Icy and Stormy’s. I still don’t know if she is evil or not… I mean, she helped Rosalind but that’s because she saved her when she was a baby so… I don’t know, we’ll see what happens with her in season 2 (if we get one). What we know about her is that she is a troublemaker, and she does not hesitate to kill if it’s needed. She is also a very powerful witch, powerful enough to temporarily damage the protection veil placed by Luna (queen on Solaria) upon Aster Dell and also powerful enough to control other people with electricity. Although we don’t have enough information about her or her background, I think she is a great addition to the adaptation and I’m hoping to see more of her.

Now that I have these characters out of the way I would like to talk about the plot. I actually watched the show trying to forget any knowledge I had about the Winx Club - which was not easy because I breathed Winx when I was a child, and after getting pass the fact that the storylines are completely different, I actually found myself enjoying the show. The plot is definitely a lot darker than Winx Club, but I guess it’s normal, after all this is aimed for young adults and not kids. As I said at the beginning of this post, I do think the show has potential: the plot is interesting and by the end of the show you find yourself seeking answers to all the open questions left. For example: Who is Rosalind and what does she want from Bloom? Why did she take her to Earth? What is going to happen between Stella and her mother? And Sky and his now-I am-not-dead-but-you thought-I was father? And what is going to happen with Silva? What is going to happen to the students of Alfea with Rosalind as Headmistress of the school? What is this war - mentioned by Rosalind in Episode 6 to Farah Dowling - that is about to come? Is Headmistress Dowling really dead? Will we be hearing more about blood witches? Who sent the Burned Ones after Bloom? And many more. I also think that having the Burned Ones as the monsters of this season is a great throwback tho the end of Winx Club’s season 1: if you remember in the war between The Trix and the Magic World, the three witches invoke the dark army to fight for them - these creatures are made purely of dark magic and slightly resemble the Burned Ones, although I am aware of the fact that they are not the same - Burned Ones are zombie-like figures that appear to be able to infect others by cutting them, in addition to possessing superhuman speed and strength.

I have to make a comment here, and that is that I think that the storyline was way too rushed, although I get that there’s so much one can show in 6 episodes of 40 minutes each. Still, I would have liked them to cut down the horny scenes between the characters and showed us more scenes of the main characters backgrounds, their stories, etc. I guess what I missed the most in this series was the friendship that characterized Winx Club. Although by the end of the first season the five girls are friends (in Episode 6 all of them go with Bloom to California to tell her parents that she is a fairy - emotional support - and stayed a few days there, and when they came back to Alfea they did it together laughing and smiling while reaching the school’s entrance), most of the journey that allowed the girls to reach that point was not shown - specially how they get along with Stella and the moments they shared prior to her leaving Alfea at the end of Episode 4. I would have liked to know the moments they shared, because all we got was the same bitchy Stella doing her own thing while the rest shared their moments, so when Stella tells her mother in the car “You could’ve let me say goodbye to my friends” I was left deeply confused and thinking ‘what friends?’… It was a missed opportunity and if there is a season 2 I would like them to show the moments the girls share and how their bond strengthens. Overall, I did like the show and would like to have more seasons with more episodes - 6 were not enough for me. I hope that, if the show gets picked up for another season, that the producers consider focusing more on the girls’ friendship and their stories. I also would like for the Winx to transform like Bloom did and that their wings improve (honestly Bloom’s wings were cool but a little bit meh, I actually think the trailer’s wings were better).

And that’s all my beautiful people, my review on Fate: The Winx Saga.

(Fun fact: Fate in Italian means fairies).

#winx #fate: the winx saga #netflix #winx bloom #winx stella #winx aisha #winx musa #winx terra #fate beatrix #winx sky #winx riven #winx club #winx saga

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juminsqrincess · 3 years

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RFA + saeran’s petnames headcannons

GENDER NEUTRAL

something small to start the blog off hehe~ here are the RFA’s and saeran’s (minus v because i literally haven’t played his route or looked at him HJGHGJ sorry-) favourite pet names to call you: (minor spoilers for saeran)

yoosung:

not gonna lie, poor baby yoosung is probably the one *being* called the pet names most of the time; but after a while he does start to get more comfortable and less anxious and flusterable (is that word? LMAO) when giving affection to the MC. he starts off very slowly, calling you the pet names when you’re both sleepy, or when you’re focused on a game with him, so you don’t notice it too much (though his face still reddens in anticipation to your reaction) and then pet names become a more natural thing for him, and just start slipping out- especially if you give him a positive reaction because he just wants to see you happy!

pet names include: - honey (delivered with a cheesy grin, he thinks he’s all smooth and classy) - bubby (literally just baby but with extra yoosung sweetness added - it started out as something he used in his sleepy voice and then you picked up a liking to it- it still kind of embarrasses him) - birdie (likes the concept of you being all small and fluffy- *is small and fluffy*- yoosung’s version of the classic pet name ‘dove’) - snuggles (definitely WAS NOT the name of his old teddy bear that he MAYBE still keeps as a SECRET to cuddle when he misses you-) - his little pogchamp

zen:

pet name GOD - shamelessly started using pet names as SOON as you two hit it off, this man is a pet name machine he has TRICKS UP HIS SLEEVE. bro. he uses as many pet names as he can to figure out your weak spots and then TAKES ADVANTAGE OF THIS KNOWLEDGE. it boosts his ego to see you flustered because of him of course - though he wants you to feel special too! he has a few favourites listed here with special meaning~

pet name include: - babe/jagi/jagiya (duh bro?? its like canon or sum) - beautiful/handsome/gorgeous - whatever suits you most~ (NEED I SAY MORE? SOMEONE AS BEAUTIFUL AS HIM WILL ONLY BE WITH SOMEONE EQUALLY AS GOOD-LOOKING?? he also give constant compliments be warned) - cutie (wholesome zen moment) - good-lookin’ (said as he casually pulls you in by the waist to kiss your forehead, wow zen you’re so smoo0th) - sexy (IT’S THE BEAST BRO)

jaehee:

unfortunately none of us have really seen jaehee’s more lovey-dovey side in the game - she probably prefers calling you by your name the most, and she speaks it almost like it’s a praise, but the odd time she calls you pet names just as a way to appreciate you, or to remind you that she cherishes you. does it very casually and naturally, she’s quite a steady-paced girl so she needn’t force pet names to come, they just do whenever the moment calls for it really.

pet names incluude: - love - darling (you are dear to herr!! she’s so busy all the time - moments with you are cherished and precious - you’re like a pocket of hope and sunshine in such a grey world full of deadlines and schedules... someone she can truly relax with!) - beloved - dear(est) - sweetheart (BCS. YOU. ARE. SO SWEET! you’re always looking out for her and being so patient with her as she works - you have a heart of gold, and she admires how kind you are to the RFA members - she’s truly lucky to have won a place in your heart <3)

jumin:

this man. this man is so nonchalantly smooth. he doesn’t even know it - or maybe he does - you can’t tell because he’ll just slip in a pet name mid-convo and make you mELT. when he gets soft... pet names are maybe one of his favourite things to tell you, because he gets to show you his more vulnerable and affectionate sides. he uses pet names as a way to spoil you - and spoil you he does because HIS VOICE *IS HEAVEN*, and the light kisses and touches he places on you as he speaks to you so fondly are a BIIG BONUSS. it takes him a while to start using more ‘personalized’ pet names - he sticks to the generic ones at first, they’re classy and simple - but after a while he conjures up newer ones out of his sheer emotion for you - only to be used in private though.

pet names include: - the usual at first, dear, beloved, honey, love - AND THEN BOOM: precious (you are the most precious thing in his life HANDS DOWN. gets so sentimental when he uses it aswell - will whisper it to you before bed or when he’s trying to comfort you - nothing in this world compares to how much you mean to him) - kitten (yeah you thought i would stop myself - no.) - mr/mrs/mx* han (after you get married he does this a lot in public - maybe to show off a little bit and see everyone’s surprised faces as he follows it with ‘dear’ or something - he isn’t big into PDA but he has his smug sneaky ways of letting you know that he is thankful to have you) - HIS prince/princess/your majesty/highness: (DUUUDE... he wants the BEST for you - you’ve finally shown him what the wonderful feelings of love do! you hold that power over him at least! ...will kiss your hand when he uses this)

saeyoung:

saeyoung has... stranger more unique ways to show you affection, and the pet names he uses do not escape his whacky tendencies - uses pet names as a way to put a smile on your face and to make you laugh, to see that cute bright smile on your face! of course though, saeyoung has a (small) share of pet names that are more sensical and have some sort of more obvious meaning behind them. he starts off using dumb pet names, then as he gets emotionally attached stops, then he accepts he loves you and starts using really cheesey pet names, theenn he regains some of his happiness with you and becomes more jokey again (WHEW!).

pet names include: (besides the normal boooring ones /j) - his star (you guided him to his happiness... you shone for him brightly when he had no shine himself - you cheered him up with your beauty and warmth - and you guys did kick ass stuff in his good end like it was a MOVIE or something – also spaaace??) - weird food names - starts off as honey and sweetie pie - gets weird fast... will call you his chip and his nurse pepper ( doctor is reserved for the drink - otherwise it gets confusing) - LOWKEY MAKES FUN OF YOU... if you’re short he’ll call you shortie - if you’re tall he calls you tallie (haha funny.) if you’re blonde he calls you blondie, and if you have freckles or dimples OR GLASSES - consider it your new name. also starts calling you after the things you wear - if you wear chains, he calls you chains, if you wear dramatic makeup, he starts calling you a diva - will call you noob i’m sorry - sweet cheeks (SEVEN WHICH CHEEKS-) - boople snoot (yes.) - his galaxy (the seven alternative to my world)

saeran:

okay so - it’s assumed that saeran is actually a DID system but i’m writing for good end saeran because um - lets be honest the alters were not the most healthy and probably wouldn’t have been doing any pet name calling (ray being too insecure, black suit saeran and unknown... being black suit saeran and unknown? it would have been sarcastic and mean)

after all of the hardships you guys had gone through... saeran was TERRIFIED that you would leave because why on earth would you want to stick by with him i mean?? all he had known his whole life is literally mistreatment he thought you were too good to be true. but you stuck by and you gave him what he had needed for so long - you always made him feel safe and he finally belonged somewhere, felt like the world wasn’t ALWAYS out for him, he could breathe easier now. very reluctant at first - messing up with you especially gave him paralyzing fear. but then you showed him such loyalty, he looked at you and saw that yes you made mistakes, that you were human, and you reminded him that it was okay to be human too. so slowly he trusted that you would accept him being affectionate back - he wanted to appreciate you like you appreciated him - despite all of the flaws he saw in himself constantly. (WHOO I LOVE SAERAN SO MUCH OMG CAN YOU TELL??)

pet names include: - angel (do i need to explain this?? you’ve saved his life - his future, everything. he sees you with a halo around your head constantly, even at your darkest moments, because he’s been there before too!) - flower (at first glance may seem like a cute thing because ray liked gardening - which sure part of it is that - but moreover he talks about your beauty when he uses this pet name, about how happy you make him, he sees you as someone delicate and gentle yet at the same time someone bold and bright - someone that the world NEEDS) - sunshine (you brighten his day, his month, his year, his life - aaand well a garden does need sunshine doesn’t it? you keep him going when he feels like giving up) - love and dear (too classic not to be included with a man that wore fancy suits JHGH) - sweetheart/sweetie/honey (along with his big sweet tooth - he thinks you’re the sweetest person he’s ever met) - sugarplum (pls let me have this)

*mx is like m(r)s and mr but for non-binary folks :)

#imsorryvlovers #imtryingokay #mysticmessenger #mysmes #mysticmessengerheadcannons #mysticmessengerheacanons #mysticmessengerhcs #mysmeshc #mystic messenger #mystic messenger headcannons #mystic messenger 707 #mystic messenger seven #mystic messenger zen #mystic messenger jumin #mystic messenger saeran #mystic messenger ray

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bts-ficrecs · 4 years

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Hi! Can you recommend a few Jungkook marriage fics please! Open to all genres. Thanks! ❤️

(header cr: guwoljk)

y’know this ask made me realize how rare married fics -- that aren’t drabbles -- are lol. outside of arranged marriage aus 😂

but no worries. i did find a good amount for you anon! thanks for this lovely request :”)

If anyone has any other husband!Jk fics that I didn’t include on this list, let me know!! (cause I need it too😂)

Sorry if this clogs your feed. idk why whenever I answer an ask, my “read more” is always stuck in the actual ask where i cannot edit it out at all

KEY: (☆) = arranged marriage / ( F ) = fluff / ( A ) = angst / ( S ) = smut

The Brat by obiwrites (F)

» Summary: It was now you and him against the world. There was just one thing…

Bunny Bigot by obiwrites (F)

» Summary: “Hey babe,” you call, startling the boy hunched down in a corner, “is there a reason you’re hiding in our closet?”

» Sequel: Baby Bun & The Little Gardener

Child's Play by obiwrites (F)

» Summary: Jungkook's always had a ... unique approach to parenting

Concealed Weapon by @gimmesumsuga (M)

» Summary: Jungkook turns out not to be quite who you thought he was, and your reaction takes you both by surprise.

Cloudy With a Chance of Meatballs by obiwrites (F)

» Summary: The plot of cloudy with a chance... but with Jungkook

» Sequel: Part 2

Desiderium by @jeonggukingdom (M)

» Summary: “We’ve been at it like rabbits, how are you still so horny?”

Home is Where You Are by @sweetbunnykook (F A)

» Summary: Madness and love grows from the same root in the Jeon family.

I Can’t Help Myself, I Don’t Want Anyone Else by obiwrites (F)

» Summary: A follow up piece to Just The Girl. A glimpse at the wedding, life after marriage and then some!

» More spinoffs: Life is Good (pregnant!OC) & The Kids Are Alright (1st day of school)

It’s Enough by @dark-muse-iris (A)

» Summary: Preparing dinner reminds you of all the struggles you’ve experienced in your marriage. Your husband Jungkook, ever your anchor, tries to cheer you up with gentle words.

Late Night Cravings by erifish14 (F)

» Summary: Imagine having a child with Jungkook

Meet the Jeon-Son’s by obiwrites (F A)

» Summary: The little girl studies your face for a long time, like she’s trying to put together the pieces of a puzzle that haven’t for a long time.

Stress Relief by @hobidreams (S)

» Summary: “What the hell do you think you’re doing?” “Kissing my wife?”

Sweater Weather by @bangtanstanst (F)

» Summary: When Jungkook comes back from a run and you have the audacity to laugh at his admittedly bad decision to go outside in the rain, he makes sure to take his revenge.

The Next by @kpopfanfictrash (F)

» Summary: No matter the fact that this is your fourth child, nor that every other pregnancy was fine – sitting in this seat, awaiting the news is always incredibly nerve-wracking. This is the moment you determine if your baby is healthy, or not.

Things You Said At 1 AM by @foreverpark (F M)

» Summary: More often than not, you spend around one to two hours in bed, watching the clock tick with the dialogue of a feel-good movie or drama keeping you company, waiting for your husband to come back from his never-ending dance practices.

After All Night by @btsracket (M)

» Summary: “Your mom has the baby so let’s make good use of the time.”

All in My Head by @fatrainbowmermaidunicorn (☆ F A)

» Summary: Jeon Jungkook’s wife. Something you have always wanted to be. Something you have always dream of. But it's something you know won't ever come true. Until today.

Always and Forever by @joonglows (F)

» Summary: From childhood friends to boyfriend and girlfriend, it’s time for an upgrade. Now, you are living a happily ever after with your dear husband, Jungkook, with three loving kids and one on it’s way.

Black Card by @minsprings (F A S)

» Summary: A long night at another one of your obligatory high society functions has you desperate to relieve some stress with your husband Jungkook, who’s been apparently hiding a kink from you for some time.

» Status: complete two-shot

Desperate Housewife by @kimnjss (M)

» Summary: Bored with your husband gone all the time, you decide to take up a new hobby… Jungkook can only seem to focus on one thing when it comes to your new pastime.

Fierce and Delicate by @mintseesaw (F A)

» Summary: Jungkook and y/n had been brought in two different worlds. Jungkook living an unfortunate life and y/n being controlled by her parents all her life. Despite the imperfect relationship, they completed each other like a puzzle there is. Jungkook has one promise he intends to keep: to always make you happy. In the process of fulfilling your wish he had once declined you of, he kept a secret from you. And unintentionally, he has done more damages than expected…Every action, and every decision… could be blamed by the flawed past.

» Sequel: Felicity (F A S)

From What Stars Have We Fallen to Meet Each Other Here by muhammie (☆ F A)

» Summary: Yoongi and Jungkook learn how to love in a marriage they never wanted to be in.

» Note: yes, this is mxm

Holiday Blunder by obiwrites (F A)

» Summary: The one where it’s the worst Thanksgiving in the world but your husband makes it mildly better.

Lumière by @taehyung-me-down (series) (☆ F A S)

» Status: ongoing series

» Summary: Fate has a way of bringing together two souls meant to be, but to a princess like you, soulmates are out of the question. As the sole heir of the throne, it is your duty to create a strong allegiance, one that will protect your reign. Your marriage with a prince from a neighboring kingdom was sealed from the moment you entered this world, two destinies intertwining. All you yearn for is a love that will ignite your soul. One that will have your head spinning in the clouds and your heart drowning in desire. Soulmates will meet, regardless of time, location, or circumstances, but it’s up to you. There’s one thing you must do. Seek the light, and find the love of a lifetime.

Mafia Arranged Marriage by @leahsockhead01 (☆ F A)

» Summary: You knew your parents had secrets but, you never realized they went as deep as the mafia. Your father was apparently a secret Consigliere. A “close friend” to the leader of Seoul’s mafia crime group. In order to officially blend your family into the mafia, you had been elected to marry the leader’s son. Upon meeting your betrothed, you run. Then something happens… to bring you back.

Money, Power, Respect by @minnpd (A S)

» Summary: You catch his eye the moment you walk through the door, low-cut dress doing its job like you knew it would.

Of Caresses And Promises by @ditttiii (F A S)

» Summary: You love your husband and you know that he loves you just as much, if not more. But sometimes, you can’t help but feel like he could do better—better than you.

Put Your Head on My Shoulder by koorara (F A S)

» Summary: You were worried to bring Jungkook along to your hometown and grandma has never met Jungkook, and yes, she is lovely but what if she suddenly doesn’t approve of him? That would break his heart.

Second Chances by @parkhabits (F A S)

» Summary: Work. One of the most important things to him. It kept him company at night, it was all he thought about, all he put his attention to. His work had become the mistress within your marriage. Years after you left him you’re back with only one goal in mind. Get him to sign the damn divorce papers. Yet you should’ve known that your husband wouldn’t let you go that easily.

Smitten by @megahwn (☆ F S)

» Summary: You live in a world where loving another is criminal. Partners are chosen by your elders to produce the best offspring and to help the economy thrive. Living in this world, you feel broken. You feel broken because you have accidentally fallen for your new husband, Jeon Jungkook.

Taking Chances by @neonlights92 (☆ F A S)

» Status: complete series

» Summary: “Jeon Jungkook is an asshole.”

The Pitter-Patter of the Heart by koorara (F)

» Status: ongoing series

» Summary: Pieces of newlywed domestic moments with Jungkook, your husband. The young Film and Literature lecturer and his wife, you, who works as a journalist of a web magazine. Both of you managing the career, the time for each other and the new house. Not to forget the cat that has been with you for years.

» Drabble: Valentine (S)

The Husband She Didn't Want by MyTime2Shine (☆ A S)

» Status: ongoing series

» Summary: Kim Mi Cha life was a miserable one since her mother had died at a young age. By 22 she was taking care of her alcoholic father who was often abusive to her. Her only respite would be when he'd leave her to go gamble as his addiction was getting out of control. She dreamed and believed in true love despite her upbringing. Her spoiled brat of a neighbor across the way from her was Jeon Jungkook. // Jeon Jungkook's life was happy and privileged one. He lived the life of a rich and only child to both of his parents who gave him whatever he wanted. Age at 23 Jungkook had become CEO Jeon Jungkook when his parents were killed in a car accident. He thought love was for the weak. His neighbor across the way from him was the shy and timid Kim Mi Cha. // Kim Mi Cha's father ends up at a poker game with CEO Jungkook and Jungkook ends up winning the game but the prize was Kim Mi Cha?

The Lie Untold by @54daysormore (☆ F A S)

» Status: complete series

» Summary: In a world where everyone has their secrets, Jung-Kook, young and naïve, wants nothing more than his marriage to a stranger to be open and honest. His new bride, young yet experienced, knows how many lies people tell every day, but hopes her new husband never sees through her own.

Untitled by @lamourche (F A)

» Summary: “I lost our baby”

Your First Time by @nitaescence (F S)

» Summary: Your child performs for the first time in the school's end of year show.

#bts fic recs #jungkook fan fic #jungkook fic recs #jungkook smut #husband jungkook #jungkook fluff #jungkook angst #reposted cause tumblr is a binch #anon #g recs #g replies #f:jjk

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