Hey so Strange New Worlds Nurse Chapel is probably the most character of all time
also this show has so many weird women characters. they are all oddballs but Nurse Chapel is... the MOST
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thinking about how kim dokja thinks he's alone in the world and there is no one in the world who understands him or can possibly understand him.
but. there yoo sangah is. yoo sangah who discusses literature with him. yoo sangah who understands kim dokja bc she is very perceptive about people and very empathetic and also bc they have the kind of friendship where words aren't needed. yoo sangah who read every book in the library about kim dokja bc she was genuinely interested in her friend's life and bc she wanted to understand him. yoo sangah who figured out it was 49 and not real kdj and figured out what he did but didn't say a word bc she understood and respected his decision even though she wanted her friend back more than anything.
yoo sangah who witnessed his mundanity and monstrosity both, and loved him either way. loves him despite every irredeemable quality he thinks he has. yoo sangah who wants to be his best friend in every lifetime and live together right next to each other. yoo sangah, his best friend who understands him without words.
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all the critiques of the “male presenting” bit in the star beast are valid and true (patronizing, kind of bioessentialist, etc) however i think we’ve been ignoring the funniest part of the whole thing which is like. he was a woman like three hours ago. you don’t need to give him a lecture about What Women Are Like. he knows. and even when he was a woman he still bottled shit up so your argument is moot anyway
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to me it’s the fact that Imogen sought out Orym first. how she asked about his husband, about “big moon, little moon”, asking if the meaning changed. asking if it was worth the hurt, if it was going to be worth it once it all inevitably goes wrong.
and then she went and found Laudna.
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ok hi tumblr. thought. while i understand that technically yes people have all the freedom to assign clover a gender + pronouns based on personal headcanons… i dont really get WHY people do it
dont get me wrong im all for a little fun and for messing around with pronouns, but… isnt it more fun to let them keep the they/them?? whats the point of taking that away?
iiii dunno. i just think its strange lol
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Silly sketches I did like a week ago.
Idk but the way they’re framing Dark Cacao rn with the whole “a bunch of people broke in tried to my steal my (fake) treasure and called me a fake immortal” backstory for Mystic Flour combined with the whole yin/yang symbolism in that one frame from the trailer and the fact that she still seems to want what’s best for cookiekind added onto the fact that Dark Choco (a character about second chances and forgiveness) is showing up in BY book 4…. Idk makes me think that maybe she’s getting redeemed or something.
Not a serious theory or anything, I’m totally wrong but it’s fun to think about. The beast updates actually being about the 5 heroes Friendship is Magic-ing their way into helping the beasts like come to terms with their situation and learn to coexist with the two halves of their soul jam.
Maybe that could be what the “Awakened” states are- becoming the whole soul jam light thingy. Or maybe just accepting their place as a half. Like I said, not a serious prediction it’s just fun to think about.
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the "big picture" - whether that refers to some detached, calculated greater good; ruthless ambition and progress for the sake of progress; or even the dear listeners' cosmic indifference - as an antagonistic force in wolf 359 is so fascinating to me because of the way eiffel as a protagonist is set up to oppose it, just by nature of who he is. eiffel retains his humanity even under the most inhumane circumstances. his strength is in connection, and with that he's able to reach others who share his core values, but he's operating under a fundamentally different framework from the show's antagonists. he can never understand where they're coming from or be swayed by their points of view because, for better or worse, he can only see the world through a close personal lens.
it's an ideological conflict he has with all of them, but notably with hilbert: "you talk about helping people, but what about the real, live people around you? [...] that's your problem. you're so zoomed out." eiffel will never, ever see that "big picture" because he is so zoomed in. at his best, he puts things into perspective and grounds the people around him. at his worst, his perspective narrows so drastically inwards that he becomes blind to everyone and everything else. his failings are deeply, tragically human - they're personal, they're impulsive, they're self-destructive. they're selfish. no matter how much he might try to narrativize or escape from himself, he's still left with doug eiffel: "it's taken me this long to realize that running from everyone else means that you're alone with yourself." eiffel could never be convinced to harm others on purpose, but he has hurt people, and it's never been because he didn't care. the very fact that he cares so much, that he's incapable of reconciling the hurt he's caused with the things he values, is what keeps him from real growth for so long. where many of the other characters in wolf 359 will justify their cruelty in service of something they consider more important, eiffel is so caught up in vilifying himself and the fear that he's always going to harm the people he cares for without meaning to that he shuts himself off from the people who care about him and perpetuates his own self-fulfilling prophecy.
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i think. for spot being in love is the biggest and most unexpected thing in the world to him he didn't expect it he doesn't quite believe it's real he can't get over it. and for race it's another tuesday. and this means that race says I love you first because it's not hard for him and race says it more often because it's not hard for him and race says it more casually because it's not hard for him but spot says it and feels it from his head to his toes and there are not three words in the English language that mean more to him than "I love you" to say. or to hear.
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All that said though I think there's a lot of room for the ages to be up for interpretation, for the Askr siblings. But the key thing to me is that it was established Book 4 that Sharena has been an adult for some time (for Alfonse to say it like that), meanwhile it's established through Sanaki that Veronica is a young teen or even pre-teen. That's really what matters to me, when it comes to my own discomfort with romantically shipping Veronica with either of them, extending to Thrasir and Lif as well. I also feel like the bridal duo does a good job portraying that Sharena and Veronica's relationship is more of a mentor/role model thing, a family friend or a friend you consider family.
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