Explore Tumblr blogs with no restrictions, modern design and the best experience.
Fun Fact
Kazakhstan’s Minister of Communications and Informatics has blocked the Tumblr site because it contained 60 sites of terrorism, extremism, and pornography in 2015.
comic about v2 and the goal they'll never fully reach alongside a dissatisfying conclusion. intimate rivalry and all
(alternative ending comic. V1 dies instead of V2 during 4-4. V2 is narrating. V1 is dead.)
color accuracy is lost bc of lighting but this was the start of the granny blanket project, I gotta take another progress picture when I knock out a significant amount
You mentioned before that the people who would have access to Machete's bedchamber would likely already know about Vasco. How did that come up in your mind? Did they get caught in the act or was the subject broached with enough trust? How did those people handle it? Sorry if this is a bit vague but I thought about it today and I'm very interested. :)
I think it just has to be the case, I can't imagine how they could manage to hide the fact Vasco is bunking with him from everyone, for years and years. Machete doesn't live alone, he has staff and servants who do his housekeeping and run his errands. Even if Vasco didn't stay there for any extended periods of time and snuck out the back door to avoid attention, I'm assuming at least the people who do his laundry and change his sheets would eventually detect that some sort of funny business had happened. But the number of people who are in on it is still very very small and tightly controlled. His assistant Vittorio definitely knows and helps to manage this situation, so does his personal doctor, and on top of that maybe a handful of most trusted high-ranking emplyees, which he has vetted extremely carefully and pays handsomely for their discreetness and prudence.
I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?
I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.
Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.
Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.
tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.
but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-
don't get me wrong Ezran not always being great at social cues is a consistent part of his character BUT Ezran also has great intuition about what people need to hear and he was 100% in the right to think Callum was talking about Rayla in 4x05 considering that throughout the season Callum literally has an easier time (not easy time) opening up about the possession to both Ez and Rayla than he does in even talking about his big complicated feelings for Rayla ("[Big sigh] You're right though. I know it's silly with everything going on, but..."); he'd had two years worth of pain to process > just one day with the possession. And although Rayla's delivery can be imperfect, she ALSO told Callum exactly what he needed to hear in 4x07. From the second he says "I need you to kill me" she heartily internally (and then externally disagrees) but she lets him talk out his rationality anyway, then refuses to entertain it bc it's horrific and him trying to take away his own choice(s)/life ahead of time, she reaffirms his identity and his agency, and he finds enough inspiration in it that he immediately tries to take her advice by throwing away the cube; he just can't do it. That doesn't mean Ez or Rayla know exactly what's going on in his head (they don't) but no one's a mind reader, and he loves them so dearly; "Rayla made me feel better, like she always does" from Callum's Spellbook lives in my mind rent free (aka why he runs right to her in 6x01 when he's stressed about Aaravos then, too), and Ezran has clearly become his brother's main confidant in her absence. Just because they're imperfect doesn't mean he doesn't recognize and appreciate what they're trying to do (and that they're not successful at it, to a degree, either)
Sparkstember Day 16: Gratuitous Sax & Senseless Violins (When Do I Get To Sing "My Way")
So, well, what an era this was, right. Comeback of the century! Gratsax just has that certain *something*. It's brilliant! One of the best albums ever made if you ask me. The fully electronic style is so perfect for Sparks and they just do it here like it's nothing and like they've been at it for many years. Of course there's the hiatus that took place in the years before it to keep in mind but even then, this album is a HUGE accomplishment and an incredible standout in a catalog of releases that's already full of standouts of all sorts. And it's definitely a personal standout for me too, thinking about how it's been almost a year since I first heard it really freaks me out! It was such a different time for me I feel like, but many things are also exactly the same as back then. It's weird to feel nostalgic about it now but there's really no better word to describe what this feeling is like exactly.
I think this album is meant for vinyl listening in a way. It just fits it so well!! And it's not just the quality to the sound that it has this way (and I don't mean that it sounds necessarily "better", more like just, different and that somehow complements the music even more), but also the ability to have an actual good view of this wonderful album cover that's among my top favourite Sparks things ever. So cool looking! So funny and memorable! One of the finest instances of the music sounding exactly like what the cover looks like. (and learning that the cover is a homage to a SPECIFIC magazine rather than just tabloids in general, that only made it more amazing because it really does look so alike, stuff like this is really cool to me for whatever reason lol)
Also I like the fact that I bought this silly little "disco" lamp around this time last year, so plugging it in for extra vibes during listening makes it all just kind of perfect. And another thing on the visual aspect of it all: this is such a good era for music videos, they're all SO GOOD! Some of my very big favourites for sure and the My Way video might really be one of the best music videos EVER MADE.
But ok, let's get to the point now. Something that stood out to me right away is that every song here is so unique but they fit together so well anyway (not first instance of such thing happening either). There's really lots of variety! I also remember this album fondly because of how it was the first one I listened to with my parents and when my Sparks obsession truly started to become one of the most noticeable things about me to other people, lol. But finally feeling more free and confident with sharing my favourite things that mean so much to me with others is such a wonderful thing anyway, I'd even argue that it helped me live my life more fully than before! And yeah, it's mostly a remark they (my parents) made, that this album nails the balance between keeping to a certain style and offering something new with each song. It's such a wonderful journey!
Alright, once again getting carried away a bit here even though I had no ideas earlier for what to say today. Highlights time then, which is also a bit of a problem because besides one special favourite this album has no spectacularly outstanding highs or any lows, it's all just equally amazing. But I'll try anyway, as I always do.
Favourite songs (and other highlights):
When Do I Get To Sing "My Way": my parents absolutely love this song and well, I do too. No suprise that it's among their most beloved and well-known songs, it really has it all, and it's one of Ron's very best when it comes to lyrics, without a doubt
Frankly, Scarlett, I Don't Give A Damn: so so atmospheric and special, I really like the vocal filter of sorts that's used here, it's just, so cool sounding all around!!
I Thought I Told You To Wait In The Car: this was my LEAST favourite at first but I grew to really like its unhingedness and the part with all "the CAR!!"s on top of each other is just peak of it all and funny as heck
Hear No Evil, See No Evil, Speak No Evil: one of my favourite of Russell's vocal performances! This one and Scarlett are a bit of a duo to me, both simply beautiful songs
Tsui Hark: I LOVE the sound of this one, the piano plus the synth and the spoken word lyrics make this kind of combo that makes it feel like I've already known this one for years and it's just... always existed (which is a term that will apply to a lot of 21st Sparks material anyway, so, that's something to look forward to)
The Ghost Of Liberace: such a big comfort listen to me, I just love this one, makes me feel so at home!!
Gratuitous Sax & Senseless Violins: shoutout to these too because I feel like they might be easy to overlook as these very brief pieces, but they're that extra element that just, really cements this album as a wonderful whole with something to unify all of it into this package of wonder of all sorts
...And then there's the many bonus tracks also, which I'll just mention briefly since I almost forgot about them and because, yeah. I love them all, but the closest to my heart are Love Can Conquer All, She's An Anchorman, She's Beautiful (So What), Mid-Atlantic & This Angry Young Man (Ain't Angry No More) ((and the RON VOCAL VERSIONS OF THEM)) and Katherine Hepburn (love the whole Christi Haydon EP (and Christi is so cool and awesome I need to say that too today) and I should listen to it more, the Boris The Spider cover is fun as heck also)
And now bonus video for no reason from (almost) a year ago, because again, the nostalgiaaaa. (Back when I didn't have a shelf for my record player yet so it took up half of the space on my desk lol)