#the world lost a real one

[johnemulaney]

[buttercupart]

timeskip Molly concepts - probably when she's around 16-17 ish, maybe even early college? ( I'm not a big fan of the "ooh the bubbly character gets older and is now SUPER SAD" trope so this is more like... Molly is still Molly, she just gets older and faces more hardships/life stressors that come with age, and struggles to maintain the same high level of positivity/resiliency she used to have )

[marypsue]

Because I am literally never not thinking about weird meta, blurring lines between reality and narrative, and the whole concept of actors becoming their characters, I am now entertaining thoughts of a Shadow of the Vampire-style story wherein a late-2010s-style all-female The Lost Boys remake gets derailed when the lead actress suddenly starts not showing up to shooting because she's sleeping all day...

[candycornfrog]

parallel canon

[yasmeensh]

I hope this makes up for all the Octobear days I've missed. Done in gouache. It's been a rough month...

[silverwhittlingknife]

How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth.  But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.  

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  

Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son.  But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  

This is bad behavior!  It is Not Good!  

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

[redrobin-detective]

I keep thinking about how sad and unfair Ice King/Simon's relationship with Fionna and Cake was in the main Adventure Time series. We all made fun of him for writing gender bent fanfiction of Finn and Jake. Characters cringed at how obsessive Ice King got about his fantasies, the lengths he went to so they could be real. He believed so fiercely in those ideas that he acted out in ways that were extreme even for him.

Typical Adventure Time to take a gag and make it into something serious.

Because Fionna and Cake WERE real. Prismo created them and their world and then dropped it into Ice King's head. Yes, he had permission but did IK know the reason? The risks? What even was happening? Or did Prismo take advantage of the fact that Simon was a prisoner in his own mind with little agency to force more confusion into his scattered and incoherent brain. How much of his actions was the result of a godlike being knowing that Ice King's resultant behavior would be written off and dismissed.

In addition to the loss of sanity and identity Simon had to deal with over his years as Ice King, he also had the burden on an entire universe of living people living in his head adding to his delusions. How devastating that must have been for someone who could barely tell what was real on a good day.

[burning-academia-if]

Hi! What are the powers of each ro? what makes them "special" and mc?

I won't give a super detailed explanation since Rhea already went into all of it in Chapter 1 but a quick recap: You're either born with magic or you aren't.

If you are, you're a magician. There's three types; Soul magicians (magic comes from intentions/morals/beliefs, considered the most powerful, magic can have harmful effects on their body), Heart magicians (magic comes from emotions, less powerful, magic can visibly be seen in use), and Luck magicians (have magic in their veins but can't use it, since they still have magic the world seems to like them and 'lucky' things happen to them, hence the term).

BA has a pretty soft magic system, so you can theoretically do w/e you want with magic with certain limits. Soul magicians can't use magic at all if it goes against their beliefs + it can hurt their bodies. Heart magicians magic is as powerful as the emotions they're currently feeling. Heart magicians are also the only ones compatible with Death Creatures (ghosts, wraiths, poltergeists, etc), although that's pretty rare and no one knows why. With all that said:

Soul Magicians: Rook and Rhea

Heart Magicians: Beck and Lars

Luck Magician: Zoe

Not a magician: ??? and MC

Beck and Lars are both special because their magic is compatible with Death, but they're still Heart Magicians and so their magic is seen as weaker. Rook's magic...isn't strong, and Rhea's magic is average. ??? isn't a magician and can't use magic at all. What MC can do is up to you since there are a few options. You can find a magic item to use (making you a mage), you can get into necromancy, or you can pick the terrible decision to make a deal with something to use magic (making you a warlock). You can also not do any of that and remain without magic/death abilities. Each decision has their own unique consequences.

It should also be noted Death and Magic are opposites of each other, so necromancy isn't considered magic in this world. If anything, it's just blasphemy lol

[notsoevilmagistrate]

Nick drives me fucking crazy because the first chapter was literally just “Gatsby’s not like other girls :(“ STOP SUCKING HIS DICK HES IN LOVE WITH YOUR COUSIN!!!! HES DOWN SO BAD ITS PATHETIC!!! Nick stop being a funky gay dude challenge IMPOSSIBLE.

[starculler]

strap in for this week's fic flavor: the failsafe episode of season one of the young justice cartoon except the simulation just won't. fuckin. end.

(fics that inspired this at the end)

If I ever did sit down to make my own fic, I'd split it in 3 parts:

The Simulation: bits and pieces of the 40 years Dick lives after most everyone he knows has died

The Return: the immediate aftermath and healing from the trauma of having not-quite-actually lived a whole life only to wake up and find out it was all fake. nothing traumatizing about that whatsoever.

The Unintended Consequence: aka the twist I'd love to add and would hint to in the second part - finding out the simulation, through martian mind fuckery, pulled from the real world (and in many cases, from real minds). Dick meets a bunch of people he didn't think were real outside the confines of his simulated life. A bunch of rowdy, heroism-inclined teens across the years get to meet the sibling/friend/mentor figure they all dreamed up one night.

(actual idea snippets under the cut)

.

Dick Grayson is 14 and most of the world's heroes have died. He planned a suicide mission that left him the sole survivor of a doomed team he helped found. The invasion may have been stopped, but is this really the price he wanted to pay?

The first face he sees in the infirmary is Roy's, and he has to close his eyes and just breathe for a few minutes because for one painful moment he'd thought it was Wally. But this isn't the world where his best friend miraculously survived alongside him. This is the one where he got his best friend killed and didn't even give him the courtesy of following behind him. Behind them.

.

Dick Grayson is 27 and has lived longer without Bruce than with him. The invasion's anniversary is always a tough day for him, but that morning seems especially harrowing. He'll get shit for it later, but can't resist stepping out onto the balcony of the manor's master bedroom (Bruce's old bedroom) for a smoke -- his first since he'd promised to quit if Jason, just 15 then, did too.

"Bad habits tend to pile up," he'd said, a rueful quirk to his tired grin. He'd tapped the cigarette twice on the railing and added, lower, "and this one's especially nasty, huh."

He inhales, watches the sun creep across the horizon, and lets acrid smoke burn through his lungs for a long moment before blowing it out in a small cloud. His eyes water, but he doesn't cough. It tastes just as bad as it did the first time he smoked one, not even a year after the invasion and treading water as Robin proved insufficient.

There hadn't been enough heroes to go around then, and Dick had been trained by one of the best. It hadn't been fair, but it had been his plan that had ultimately stopped the invasion. His shoulders everyone's expectations fell on.

He takes another drag, then smudges the lit end against the rail he's leaned on when he hears a boot scuff purposefully against the roofing above him.

"Todd and Pennyworth will be upset with you."

He doesn't turn around. Damian doesn't jump down to join him.

.

Dick Grayson is 54 and wakes up in a room full of ghosts. He hears his long-dead father-figure tell his long-dead team about a simulation they weren't meant to win. A training exercise gone wrong and only half a day spent under their mentors' careful, if slightly panicked, supervision.

He looks at his hands, watching the way his gloves crease when he flexes them in and out of tight fists. He looks at his team, their eyes a little haunted but shoulders slumped with relief even as they grumble. Batman's heavy, gloved hand settles on his shoulder and the weight of it is a nauseating mix of foreign-familiar.

He opens his mouth. Closes it.

Tears prick his eyes behind his domino mask, and he tells himself the suffocating, acidic void building in his chest is just some leftover side effect of the ordeal and not the grief-guilt of outliving yet another family (no matter that they hadn't been real in the end).

.

Dick Grayson is 16-going-on-56 and well used to the coincidences piling up between his simulated life and the real thing. Some of it -- missions and villains he remembers cropping up -- he's marked for Bruce to review and sort as he pleases. Some -- security for the cave, team building anecdotes, and training regimens -- he's shared with the team. And some he keeps only for himself.

Tim is one of those. He knows it's not fair to the kid (so much smaller now than he ever was when Dick lived his simulated life), but he can't help being selfish just for this. Tim is the one kid he's sure he didn't make up, and if Dick's taken to babysitting the kid just to be near at least one member of the family he built for himself in the wake of the worst days of his life .... Well, anyone who says shit about it can happily stand in line to have their teeth kicked in.

Despite this, it still catches him off-guard when he sees a familiar face pop up in one of Bruce's reports.

Jason Todd, caught boosting tires off the batmobile, is nearly the same age now as he was when Dick met him. He stares at the words, but none of them really sink in beyond the kid's name and address. He's moving before he's even made the decision.

He's used to the world kicking him when he's down - lived it for 40 frustrating years. But he has Bruce again. And things with Tim have been so good. And he's always been selfish when it comes to family. If he could just see Jason. If he could just meet him. If he could talk to him.

If if if if if--

.

Inspirations:

Circles in Shattered Mirrors by InfinityIllusion

Fine (But Not Okay) by CharlotteDaBookworm

Verisimilitude by mutemelody

[itspileofgoodthings]

obsessed with Jane Austen for never describing a sunset in her novels even one time.

[rubia-peregrinart]

decided to make more navi refs and naturally, the Gender Icons are first 🙏

[axewchao]

Space Orcs AU yet again, because I wanted to tweak Dal a little bit, wanted to draw his dog again, and draw B-Junes again, all in one go owo)b

And also wanted to make another space background, thanks to Mario RPG. Stars are pretty...

Anyway more tidbits under a readmore, here we go!

Bowser Junior

During an experiment that Iggy and Ludwig were performing in hopes of improving the travel speeds of their spaceships, an accident caused all eight members of the Royal Brood to be pulled into multiple wormholes and scattered across the cosmos. Junior ended up on a planet filled with Dino Piranhas, and struggled to survive until a trio of strange, squishy creatures found and seemingly adopted him.

While Junior tried keeping his distance out of fear that these squishy folk were actually kidnappers, it didn't take long for his curiosity and need for comfort to overpower any of his fears. He bonded fastest with the purple-maned one; often riding piggyback around the ship or curling up next to him and his fuzzy friend when it's time to sleep. He turns out to be a quick learner when it comes to their languages, easily figuring out short sentences in English and, by courtesy of the red-clad one, several curse words in Italian.

Dalex

A fifteen-year-old human who was snatched in the dead of night while taking his dog out for a late-night bathroom break. Despite his near-overwhelming fear, he teamed up with Mario and Luigi to hijack the ship the three of them were imprisoned on, successfully taking control of the newly-dubbed Starship Mario. It takes a while for Dal to actually warm up to the Bros., but regularly talking about their respective families helps him avoid cracking from under the stress and homesickness.

After rescuing Bowser Jr., Dal becomes the turtle kid's primary caretaker, along with some of the younger Koopalings once they too are found. Before meeting Iggy and subsequently getting a translator built, Dal taught Junior how to speak bits and pieces of English, and can understand his words better than Mario or Luigi. Think of it like "babysitter learning a kid's speech patterns while other people still hear gibberish."

Viridi

Dal's loyal companion and fuzzy baby child. He was abducted alongside his owner and stayed as close to Dal as possible during both their confinement and eventual starship takeover. 'Distraction' was the name of this dog's game, barking at their captors with varying degrees of success during the fight. Hard to tell if they'd never heard a dog bark before or they were actually scared by it, but they got an old-fashioned Mario Bros. Beatdown regardless.

Compared to all the other "crewmembers," Viridi's the most calm, even excited about what awaits them on their new journey. He likes the odd scaly child; those claws give the greatest scritches he's ever gotten in his life (sorry Dally). Of course, being excited and curious isn't always a good thing, as Viridi's go-to method of following his nose can lead to trouble. Of all the times to lose the leash, it had to be during a space adventure... =_="

[coquelicoq]

raksura for the ask meme?

YAY

blorbo (favorite character, character I think about the most) moon was designed in a lab to appeal to me personally, so. it's about the trust issues!

scrunkly (my "baby”, character that gives me cuteness aggression, character that is So Shaped) the sky copper clutch!! traumatized children imprinting on a guy with baby fever is usually what i go to fanfic for so to have it right there in canon? incredible. i love all of frost's little tantrums and idk, just the way that she claims moon as her family in a way that has nothing to do with court politics? she's like, we're your clutch, obviously. and this is our court because it's your court, and all the other jabronis who live here are on thin ice. she's ready to throw down with moon's wife/the government at all hours of the day and she's like six years old. i love that moon has that energy in his life even though he personally is pretty confused and exhausted by it lol.

scrimblo bimblo (underrated/underappreciated fave) it's hard out here for an ember stan because he is in so few scenes relative to the space he occupies in my psyche! i need 5000% more interactions between him and moon. him and stone. him and shade. him and river. him and the teachers. him and the clutches. him and jade and balm and chime. oh my god him and malachite? him and celadon? him and delin??

glup shitto (obscure fave, character that can appear in the background for 0.2 seconds and I won’t shut up about it for a week) niran. i'm always up for a "longsuffering ship captain resigns himself to another restless night of hearing gigantic shapeshifters with incredible stamina fuck nasty on the roof of his cabin" moment. technically i have never been in that exact situation, but i feel like i can relate.

poor little meow meow (“problematic”/unpopular/controversial/otherwise pathetic fave) river who is CLASSIC poor little meow meow territory like yes his whole personality is being a grade A asshole and sure he tries to kill my blorbo a few times, but once you get to know him he's so sad and pathetic that i'm kind of like okay where can i sign up to defend him from the largely factual aspersions of his dozens of quite frankly justified haters? he'd hate that. the good shit 👌

horse plinko (character I would torment for fun, for whatever reason) stone. every time he crankily says "why did i ever reproduce" upon finding himself entangled in yet another ridiculous clusterfuck thanks to one of his hundreds of idiot great-great-great-great-great grandchildren, an angel gets its wings. he's depressed and antisocial but he can't totally check out because he has to mediate relationship issues between his dumbass relatives. love that for him.

eeby deeby (character I would send to superhell) malachite but specifically because malachite would not be scared of superhell. she'd skulk around being invisible, maybe fuck some shit up if she felt like it, and leave when she got bored. she probably makes it like. opal night's sister city or something. and nobody in the court is at all phased. yeah that's our reigning queen who recently got back from vacation in superhell. she does that. she says it's relaxing.

[fanfic-lover-girl]

That chicory person you linked is not only a proud incest shipper (ew) but also amenable to fascist ideology in a way that far exceeds tastes in fiction. Of course, I don't expect better from Draco Malfoy likers. Honestly, I pity the lot of you. I can't imagine being grown adult women who are THIS bad at reading a children's series.

Unlike my boy Draco, I don't waste time engaging with people who degrade my personal character.

PS. I'm not a Draco liker, I'm a Draco lover. Do your research!

[sing-me-under]

Take the idea that “Bruce Wayne is friends with most of his Rogue Gallery”

and shift it into “Batman doesn’t kill because he believes in second chances”

and then you get something along the lines of “Even when everyone believes they are irredeemable, Bruce personally knows his Rogue Gallery and genuinely cares about them and their well-being, so he’s willing to give the benefit of the doubt and second chances to even the worst of the worst because he can’t be biased and believe the best only of the people he is friends with. Everyone has the potential to do better and do good and be kind even when it’s not obvious because Bruce personally knows the Rogues that have that potential.”

And also “Bruce’s goal later in his career isn’t to pursue revenge but to prevent crime and save as many people as possible, including his rogues. He can’t reverse the damage and the lives taken, but he can try to make things as livable as possible. Batman is a symbol of fear, a deterrent of crime, and a front-line first responder, but Bruce Wayne is the one actively helping Gotham.”

But I also raise you “Gotham is legitimately cursed” and “Joker is the only Rogue who Batman doesn’t know the real identity of. Batman is partly convinced that Joker isn’t even a real person but the physical manifestation of a curse that will forever plague Gotham”