#there are more actually but i wanted their dynamic to be same

[sototallynormaliswear]

I'm kinda bummed that more people don't care for Isaac and Stiles' canon dynamic

you put them anywhere near each other, they are already fighting, insulting everything about each other, the haircut the trauma the outfit, no bars held. Isaac puts his hand too close to Stiles' face, stiles bites him. they have a staring contest while Isaac slooooowly pushes all of his stuff to the ground

but Isaac is one of the only people to go "hey stiles I think you're really fucked up are you straight up dying??" and stiles refuses to answer so Isaac is immediately more on edge. and Isaac was trusted to finally trap the nogistune, which I imagine stiles would have some pretty heavy sway over.

also, the scene at the lunch table? "you could try being helpful for once" "for half my childhood I was locked in a freezer so being helpful is kinda new to me" "you still milking that?" it's so easy to read this as stiles being a dick (because he kinda is) but watching back season two, Isaac is actually fairly reluctant to talk about his father, even to people that FOR SURE know what happened. further more, stiles just doesn't care in the same way about the pack that other characters do, so the pack isn't trying to justify themselves to him. so Isaac doesn't want to talk about it and stiles isn't pressuring him, but suddenly its four months later and Isaac is bringing it up casually and stiles isn't surprised about ANY of that. and they both refuse to skate around it despite that fact that that is one of their strongest skills. whether or not Isaac actually uses his father's abuse as a way to get out it isn't QUITE as interesting as the way that the two of them seem comfortable talking about it, especially when everyone around them DOES seem visibly uncomfortable

anyway. those two are my favorite pair of angry cats. they would die for each other. last week Isaac ate Stiles' homework. about a month ago stiles broke into his house to hide his spoons. they got each other for secret santa, Isaac got him a box full of pennies and a bottle of his mom's perfume stiles got him bottles of dirt and a handknit scarf

[sepublic]

Hunter is NOT Luz’s brother, he’s not a Noceda, he’s not even that important to her compared to many other relationships Luz has and vice-versa. Like genuinely, go rewatch the show with this consideration in mind, cleanse the fanon for a fresh slate.

People just latched onto them as siblings because they found their Hunting Palismen dynamic funny, but also because they wanted to ward off Lunter. And they couldn’t articulate their dislike for Lunter as stemming from Luz’s longstanding dynamic with another female character being immediately replaced by fans for some white boy who just showed up, so they said they’re actually more siblings. It wasn’t an issue of biphobia it’s just people being tired of fandom thinking everything would be better if a woman was replaced by a guy. It’s the same reason Huntric also sucks because people replace a female character with some dude, it has nothing to do with bi/homophobia.

And FTR I hate Lunter, for the same reason I now hate the Luz & Hunter as Siblings take; It’s the fandom’s obsession with making Hunter more important than he actually is, to the point of replacing Luz’s actual important relationships with him. And hell even replacing Luz herself in her dynamics with her loved ones, because people portray Hunter as more Camila’s child than Luz when Darius is right there.

This fandom has a massive White Favoritism problem with Hunter, and he’s not even a female character he’s another White Boy, the most bland and milquetoast choice to raise as the fandom darling. He’s not THAT interesting and while him and Luz have their parallels and shared trauma and are still friends, what about Hunter and Gus? Or Luz and King, the latter explicitly calls Luz his sister but Hunter sure as hell didn’t! What about explicit on-screen dynamics huh???

ISTFG this fandom is overrun by Hunter content everywhere, he drowns out everyone except the literal main character and even she struggles sometimes! It’s because he’s a White Boy, that’s it. It’s not illegal to like Hunter, but you need to actually appreciate and engage with other characters accordingly instead of acting like that’s illegal. Hunter does the bare minimum and is lauded meanwhile everyone else goes above and beyond and is still overlooked for him.

Stop inserting him into everything we do not need Luz and Hunter angst we can just settle for Luz angst. She has other relationships and priorities you know and there’s so much more to this show than Hunter suffering. Sometimes you’ll even take Luz’s canon angst and give it to Hunter even! And try to make him more of a main character by inserting him into everything but he’s a side character.

So yes, your AU where Hunter is the main protagonist is racist. Especially if it doesn’t even explore Darius as his mentor, and has Eda take his place despite her barely interacting with him. And constantly praising Hunter for being a weird passionate nerd gets aggravating when Luz does the exact same thing but with greater emphasis, but gets ignored in favor of Hunter as she’s relegated to just Lumity.

And all of her additional depth and angst is just ignored for Hunter’s instead, sometimes they’ll even make up angst for him when other characters actually have it; I’ve seen popular fanart of a Luz moment where Hunter is in her place. Because fandom will sooner micro-analyze Hunter’s hands for nothing, than Luz going on a suicidal rant.

They’ll cradle Hunter’s trauma and suffering in their hands as a sacred and delicate subject, gnash at Darius for not being nice; But then sweep over Luz’s trauma and not realize how much certain things affected her, and why it’s fucked up to just ignore that in favor of bad AUs where Luz is a friend to Belos, who prompted a lot of her suicidal depression and scarred her face too.

They’ll insist Hunter should’ve been a bigger part of the finale and that Luz’s nightmare should’ve been her guilt for hurting him, as if it wasn’t already about Flapjack’s death and just her guilt towards ALL of her friends. So you know what, in addition to Hunter not even needing to kill Belos, I’m glad he wasn’t in that final battle and that the show reminded fandom who the actual main characters are (Luz, Eda, and King), which obviously pissed off a lotta people. Because it’s not like Hunter didn’t have major focus in the last two specials and S2B!!!!!!

[elumish]

I talk about what writers should do a lot, so now I'm going to take a break and talk about some reforms that I think agents should make.

A caveat: I am not an agent! Unlike when I talk about writing, I am just talking about this as an author who happens to be in the midst of querying. If I have an followers who are agents who think I'm getting something wrong, please let me know!

That said, here I go:

Trad publishing is, fundamentally, about getting past a whole bunch of layers of gatekeepers, and agents are the first gatekeepers. With some very limited exceptions, you can't be trad published without having an agent. From what I can tell, being an agent is a bit of a thankless job--it's based on commission, so an agent only gets money if they are selling their clients' books. (Remember: the money flows towards the writer. If someone claiming to be an agent is telling you that you need to pay them to represent you, run.)

Because of this structure, agents have a massive amount of power over unagented authors, particularly because unagented authors simply do not have another option if they want to trad publish. It is my opinion that that power dynamic is part of the reason why querying actually sucks so unbelievably much for authors.

Now, part of why querying sucks is that it's a numbers game, which means that most of us will lose. Every writer is competing against a gazillion other writers, some of whom are better or writing things that are seen as more sellable or happen to be eariler or whatever. You are going to get a bunch of rejections, and that's not the fault of agents.

But here's the other problem:

There are, from what I can tell, no true industry standards and somewhat limited professional expectations for agents when it comes to how to deal with querying. Again, this is what it looks like from the outside--agents, if I'm getting this wrong, please let me know.

For example, many agencies and many agents will have different rules about what you can submit to them and how, and in many cases those rules are in somewhat arbitrary places, which means that querying authors have to hunt for them, and it's easy to run afoul of them even when you're trying. It's common for some agencies to say that you can't query two agents from the same agency at the same time, but some say that you can't query two agents from them ever--a rejection from one is a rejection from all.

But most agents' Twitter bios/MSWL pages/personal pages/etc. don't say that--which means that authors need to hunt through every individual agency's webpage and then cross-reference against every agent that they have ever queried previously, which can be arduous when many people are querying dozens or hundreds of agents. It also means needing to keep track of things like when agents switch agencies.

There are also no standard expectations for agents to actually respond to queries in any sort of time span, or at all, which complicates the above issue even more. But it also is just (imho) kind of unprofessional to ghost people who are seeking a professional relationship with you, when you have explicitly asked them to reach out to you seeking that professional relationship.

And to make that worse, many agents don't say whether or not they respond to all queries, meaning that authors are often left wondering if a 6-month or longer wait is a "no" or an "I haven't gotten to this yet but will definitely respond to you."

There are more issues that I could cite, but my overall point in this is that authors have no recourse here. There's not authors' union, no way to go on strike until agents change what they're doing.

And some agents are really awesome about this! But enough are not, and authors don't really know what they're going to get when they query someone.

So all of this is to say that, if you are an agent, here are some fairly easy changes I would love for you to make to your own behavior to make querying a little bit less of a nightmarish hellscape for authors (and thank you so much if you already do some or all of these):

Respond to every query that you receive

Tell people your general response times and be communicative if that changes. It's okay if it regularly takes you six months! Just tell us it regularly takes you six months, so we're not left wondering if we've been ghosted at four months

Outline all submission guidelines on Query Manager or where you accept queries, including things like a) rules about whether a rejection from one is a rejection from all, b) length expectations for things like synopses (I've seen a range), and c) any other expectations you have (e.g., you require trigger warnings). Don't make people hunt through 2-4 websites to find what you want

Stop asking or at least strongly rethink how you ask about Own Voices or why an author feels like they are qualified to write about a marginalized identity--I understand the impulse, but nobody should be expected to disclose medical or other personal information like that in a professional setting

Also, just to say (other than please don't reject my query because of this post), agents: authors really do appreciate the work you all do. I want someone to work with to get published, because I am very well aware that I am not the expert in this situation.

And again, please tell me if I got anything wrong or misrepresented anything.

[i-heart-hxh]

May I ask If " ゴンキル " actually means something other than a ship name ? I've seen a majority of people use this term when they talk about Gon and Killua , but they're not exactly shippers, nor are useing it to imply romance between the two boys.

I can't say the same goes for " キルゴン" ,it makes me wonder, does " ゴンキル " actually means something else ? Is it like an official term or something?? It seems to be the more commonly used in Japan.

Hi!

So, I'm going to explain some things about the Japanese side of the fandom, but I want to say if any of this makes anyone out there uncomfortable, please don't shoot the messenger. I'm just explaining, and there's unfortunately no way around bringing up certain things if I'm going to explain it clearly.

ゴンキル = GonKillu has a few different meanings. For one, it's often just used as general shorthand for the combination of Gon and Killua, whether they see it as a romantic ship or not. You even occasionally see it used by people involved in the series. It's also used as a ship name, however, for Gon/Killua specifically. キルゴン = KilluGon is the ship term for Killua/Gon, but it's much less common to see it used as general shorthand for the two characters, as you noticed. Probably because Gon is the protagonist of the series, so it makes sense to have him listed first if you're just generally talking about the two characters in a non-shipping context.

In Japanese and other Asian fandoms, ship "order" matters and is conveyed by the ship's name. It's used to convey the seme/uke (or top/bottom) of a ship. While clearly this has sexual implications, it also can determine the larger context of how people see a ship as well, so it can affect how the characters are portrayed in even perfectly SFW fanworks. With GonKillu, people tend to see Gon as the more assertive one in the relationship and likely the one initiating romantic things between them more often, and with KilluGon it's the opposite. Shippers often will have strong preferences one way or the other--some people are "fixed" (they only want to see it one way), while others are open to seeing either interpretation.

This is very different from the English-speaking side of the fandom, which tends to just use KilluGon as a blanket term, and there isn't much emphasis placed on ship "order" or differences in interpretations.

When it comes to Japanese and Asian fanworks, I personally tend to feel that GonKillu works are closer to the canon interpretation of the characters, while KilluGon works are a little more removed from the canon and kind of their own thing (though the 1999 anime tended to lean into more of a KilluGon-like dynamic). However, everyone is allowed to have their own preferences and feelings about ship order and whether it's something you even want to consider.

I hope that's helpful!

[howlsofbloodhounds]

You know, I think Killer getting reunited with his brother after his escape with Color would be really interesting, whether it goes well or horribly wrong.

If it goes well, it would be really interesting to see how Something New Paps deals with Killer not really being his brother (though I am of the idea that he'd love Killer for Killer as well. I just also think it would mean him grieving his brother yet again. This time knowing he'll never have his brother back). It would also be cool to see how he'd get along with the Epic Sanses. I also really would love to see explored what his tentative new dynamic with Killer might be, and how that may change Killer's dynamic with the others too (would he be less codependent with Color with Paps in the picture? Or would he just become dependent on both?).

If it goes horribly, well, it would be interesting to see exactly how horribly. Would Killer panic enough to kill him again? How would he react to that after so long? Would Killer even believe that that's his brother? Would he just deny everything and turn away and then be haunted by the possibilities forever?

I just hhhhhhhh. I've been thinking about them so much. I've never see content about them explored, ever, and the possibilities are giving me brainrot

Yes! This is the stuff I want to see with killer from this fandom. Not more of the same! Let me watch these doomed siblings suffer or heal. The angst having to grief the person you never knew you lost while they’re right in front of you, looking at you, looking through you—only it’s something else with your loved one’s face. Uncanny valley im telling you.

I personally think Papyrus will have a difficult time actually accepting that his brother is gone. Hed subconsciously see signs in Killer—same smile, same twist of the corner of the mouth even if the nature of the smile is different from when Sans told an awful pun, because now Killer is smiling like that when he tells horrible stories he seems to think aren’t horrific at all.

I think how this reunion unfolds definitely depends on the exact situation. If Killer is still trapped under Nightmare or not, or if Color has rescued him.

And if Papyrus has any memory of what Killer did to him and everyone else—because Killer did spend years upon years murdering and horrifically torturing Papyrus and all the others as if they were nothing more than toys.

Killer could look at him, and all Papyrus could see is that empty, dead eyed look as he screams and cries while Killer breaks his bones. As if Killer didn’t recognize who Papyrus was, and if he didn’t care who he was.

And Papyrus, how his reactions during those times could’ve affected Killer. He was in unimaginable pain, terror, and confusion. Hatred and anger and spite are understandable reactions. What are some things he might’ve said to Killer during these moments that stuck with Killer? Begging and pleading, cursing and screaming? Attempting to get Sans to “remember who he is”?

As the world Reset around Killer, did others eventually start changing too? Even if only in small easily missed ways, even if they forgot by the next Reset. Chara and Killer were always in search of something new, after all.

Could Killer trust himself at all around Papyrus? Or would he immediately start thinking about how he has killed him before, how Papyrus could be here for revenge or even worse—for Sans.

Would some part of Killer despise Papyrus for being weak enough to forgive him, just like he always did for the human? Would Killer feel the need to kill Papyrus again—believing it’s what it has to do to prevent something even worse (Stage 4), or perhaps out of panic as you mentioned, or even that anger at Papyrus or just the unimaginable confusion and stress and pain that Papyrus’ presence brings (Stage 3).

Would Papyrus’ presence disjoint Killer’s “placement” in time.

Would seeing him make Killer think he’s back in the Underground with Chara, and thus Papyrus is another enemy he has to deal with. Would he be unable to accept that the Papyrus in front of him is his Papyrus, or would he think it’s just one Papyrus out of a gazillion more, and therefore not worth wasting energy on?

I can definitely see Stage 1 being reluctant to actually be around Papyrus. Not because he hates him or is disgusted by his “weakness” and not even because he thinks he has to kill Papyrus—although he’s very aware that some parts of him very likely do think those things—not only because he can’t trust his own mind, his own desires, but also because he just..feels horrible around Papyrus.

He idealized this image of Papyrus and the life he thinks they used to have, but he has changed. He has done a lot of things. He couldn’t even accept a hug from Papyrus for very long without pushing him away in tears. I think he’d definitely benefit from having his brother back in his life, although I doubt it’d be a very frequent thing.

I can see many instances where guilt, fear, and shame just leads to him trying to “hide” from his emotions in Stage 2, which leads to the usual avoidance behaviors. Which may also lead to him subconsciously blaming Papyrus for being able to have any effect on him at all—given how Stage 2 views it when situations and people are able to make him “feel” anything. As if they are attempting to control him.

So many interesting possibilities—especially given how much Papyrus may know. How much knowledge is he working off?

{ @stellocchia }

[intheholler]

just wanted to share my worthless piece on the "if i count" dynamic

lived in appalachia all my life, traveled the south a ways. i think, no matter where you're from, there's a marked difference in those of us who were spend/spent time in rural areas, tiny quiet towns, etc. and those who were raised in big cities - even big cities in the south.

all the rural areas have something in common - sure, the specific cultures and types of people who settled the land may be different, but our ancestors (and even us in modern times) had to come much more to terms with living with the land, making the most out of a little, than those who have only ever known the city, and especially those who look down on rural folks

and once you've gotten a taste of that rural life, and even the types of poverty that come with it... once you've been raised by people who lived with that, it doesn't shake out of you, no matter where you end up finding yourself. it ingrains itself in your soul, to where sometimes personally i feel like an entirely different species to those who have only ever known the concrete jungle, who have never been around anyone who trekked through the holler or hiked the plains or climbed those big mountains.

that type of living, that type of history that gets leeched into you even if you feel you didn't get the full experience of living there, puts that spirit into your soul, and you carry it. whether you got it from a life of personal experience, or you were raised by a country man or woman, or anything between.

even if you find yourself in a metropolis, you're not lookin' at it the same way that people who have always lived there do... even if it seems like them ol' hollers and hills, or plains, or valleys, or mountains are light years away.

you can't abandon it. it can't abandon you. you can try to tamper your accent, you can try to remove all signs of the "negative" stereotypes, but it's the soil that fed your roots. once you've been touched by it, you're as much the holler as the holler itself is, in a way

that's my two cents, anyway

you can't abandon it. it can't abandon you. you can try to tamper your accent, you can try to remove all signs of the "negative" stereotypes, but it's the soil that fed your roots. once you've been touched by it, you're as much the holler as the holler itself is, in a way

THIS is what i have tried n tried to say over the course of dozens of such posts, and you managed to condense it into one neat, poignant paragraph. thank you. i have nothing to add.

this whole ask is beautiful and exactly what i always want to say, actually. i'd wanna pin it to my blog but atp, i simply cannot part with The Sign

thanks so much for this. was definitely not worthless <33

[physalian]

Character Types: The “Fixer”

Oh look it’s another chance to bring exposure to casual traumas in real people thinly disguised as writing advice heyyyyy

The “Fixer” is the character who puts everyone else before themselves, but isn’t quite so self-destructive as the jaded loner—this person’s whole schtick is that everyone else’s needs and emotions come first, which will usually end up with them behaving and appearing very extroverted, fun, and kind.

They have no idea they’re doing it, either, and see nothing wrong with their behavior or what logic there is in saving a little slice of the pie for themselves. They’re not self-loathers or angsty abusers and if there are parts of themselves that they don’t like, they probably think of these aspects as “what can you do? Oh well” with zero motivation to exercise their demons, because they don't see them as demons but something they deserve to suffer with.

Or, they know exactly what they’re doing and cannot see the merit at all in themselves deserving a piece of the pie, as if they’re inherently lesser than everyone around them for Reasons they cannot articulate, Reasons that, if their friends or loved ones share the exact same traits, they’d bend over backwards and make excuses for. They have normalized their existence that there’s nothing left to angst over. “I am lesser” is just. A statement of fact.

These characters come in several flavors:

The parental figure (possibly single) or “mature” one in the family who’s always prepared, always has the big backpack with bandaids and wet-naps, probably the first to say “we’re family, all’s forgiven” in effort to keep the peace.  They’re the person who literally eats last or not at all, even when conserving food isn’t necessary, usually with the smallest, now-cold serving. Also can be the parentified sibling.

The person in a romantic relationship doing a whole lot more giving than receiving, whether it’s physically or emotionally, insisting that they’re fine, that their partner need not go out of their way to do XYZ for them, but is incredibly in tune with anything and everything that their partner might need. They’re likely to be in an abusive relationship, either emotionally or physically, or both, because a sensible partner who loves Fixer as much as the Fixer loves them wouldn’t let Fixer get away with an unfair share of back-breaking emotional labor. The abuser takes full advantage of it and laughs when they’re not looking.

The “mom” of the hero team/friend group, similar to the actual parental figure, but in this dynamic, everyone’s about the same age. The Fixer probably isn’t the leader, but second or third in command, as they don’t think themselves capable of making the Big Decisions and prefer running support. They take the most cramped bedroom, the most undesirable odd jobs, and do far more than their share of the chores and other tasks, probably without the rest of the group realizing it until something happens to them. No one asks this of them, they automatically assume this is their burden and don’t even think to suggest equal shares.

Alternate case:

They’re the “leader” because no one else wants to do the job, pretending to be way less stressed than they are and habitually protecting their team from the worst of it with little white lies, to the point where no one has any idea how much they’re suffering in silence until they eventually break. As opposed to a properly communicative leader who regularly delegates important tasks and is very transparent in all their decisions. They might also be the leader because they don’t think anyone else in their team could perform as well under pressure, pressure they’ve been under their whole life.

I actually wrote two of these, the Original, and then the Original Who Went to Therapy, between two different WIPs.

Original was the second in command of a plucky space crew in the sci-fi WIP I always mention, who was very versatile and OP and thus took it upon himself to take the lion’s share of the work around the ship because he could do it quickly and delegating the tasks to the rest of the crew was, to him, objectively pointless. He was also an empath with an ability he couldn’t turn off, literally stuck doing the emotional labor far and above normal human conditions.

He was a firm believer in “if I can, I must” and repeatedly put himself in dangerous situations because he’s the only one who could escape them alive, and to not act would be selfish, and above all else, he feared looking selfish. This all came to a head when Magical Shenanigans ensued and his own powers turned against him, stressing him to the point of his body going “we are taking a Break” and he got bedridden until he learned how to talk about his feelings and let people in.

While he was sick, him Not Being There for when the rest of the plot carried on without him meant that  his team very badly felt his absence because he did so much without them realizing it, and they did not handle it well, picking a different character to shovel all the labor onto, until they too overstrained themselves, and an intervention was necessary.

He was the friendliest character of the team to their newest member, their only cheerleader when the whole rest of his team was skeptical. He was also quite desperate for validation and approval, to the point where he made a bunch of little white lies that quickly caught up with him, pretending to be something he’s not so people would like him.

—

When I ripped the above character out of that WIP and tossed him and another character into Eternal Night, he got an upgrade and a whole bunch of therapy.

Enter Dorian. The main difference between these two is that Dorian can actually stand up for himself and establish boundaries, and got a friend/girlfriend who went “I can fix him” and actually did. He’s still very much a Fixer with a Martyr complex, a vampire who only turned to make sure the people he was stuck with held up their end of a deal and did not expect to keep living after the deal was done…for about three hundred and fifty more years.

This is a character who was a parentified Fixer, sixteen years older than his oopsie little sibling, and did not handle it well when they were separated. He’s very obvious to everyone who knows him, especially when those people have known him for centuries, and know “yeah give that one a little kid to protect and he will predictably fall on his own stake”.

One of his love interests (he’s poly), the “I can fix him” girlfriend, is not at all afraid to call him out on his martyr bullshit, or when he’s bending over backwards trying to save people who don’t want to be saved, or risking his own sanity, health, and reputation for people who insist they don’t want his help.

I specifically designed and introduced Kymiria to look and act like a stereotypically jealous mean girl who doesn’t want to share her man with the protagonist. Except. She’s right. About everything. She knows Dorian extremely well and got him through some awful shit and isn’t about to stand by and watch him break himself again for someone who she thinks doesn’t deserve him (and she’s also right on that point). How she goes about protecting him is totally different.

But for the mortals who live with his coven, he’s the most popular vampire around and the favorite by all the children for a country mile. No one who hasn’t been living with him for decades has any idea that there’s anything traumatic behind his smiles.

—

I like writing Fixer characters because I don’t get to see enough of them. They’re not as popular as the Angsty Sad Boy and certainly not as popular as My Trauma Excuses My Aggression Boy. People who have suffered tend to fall on either end of two extremes: Either they continue the cycle of hate and abuse or they make absolutely certain no one in their life will ever suffer what they did. I like writing and reading the latter, particularly when they're men as most “fixers” we think of emphasize “womanly” traits of kindness and nurturing.

These characters are also their own worst enemies. Their inability to treat themselves as deserving of respect and forgive themselves continuously gets them into sticky situations that they wouldn’t be in if they were just a little bit more willing to put their own needs first.

—

If you're interested in reading my take on Fixers in a bona fide novel, check out Eternal Night of the Northern Sky!

[violent138]

You guys I'm no expert on shows but the Penguin show is so good. I was a little worried based on some of the changes I'd heard, some due to casting (specifically with Sofia), but I'm actually quite excited to see how it plays out. Gotta say right now my biggest issue is Oswald becoming Oswald Cobb and seeing Gotham in the daylight (shudder, but I love the nighttime very close to Arkhamverse esque vibes otherwise). I do really want to see more of Gotham and its recovery from the flooding.

Not a spoiler, but I think I read the script for a deleted scene with Selina and Oz and I was pleased to see that same energy with the dynamic get reflected in Oz's interactions with the women in the show around him.

[lexithwrites]

love love love the sugar daddy au, do you have any nsfw thoughts to spare?

this is kinda gonna just be their first time together as im not 100% on their dynamic overall,,,,bare with me whilst i figure this couple out:

i feel like their first kiss is when they're drunk at regulus' penthouse, like they're sat on the sofa watching something or listening to music and talking and drinking some nice wine and regulus is looking away as remus stares at him and then just kinda leans a little closer at first

regulus flinches, he's never used to physical touch anymore, and then looks at remus and realises he genuinly wants to kiss him, thats it, and he leans in so their lips touch and its immediate fireworks

both of them feel electric and the soft kiss turns into deep kissing, slow and sensual, then passionate and desperate as they touch and grip and feel and grope and start to moan into each other's mouths but then regulus jumps back because he's scared, he hasn't done this in so long and he doesn't know what to feel and remus is so apologetic about it

then,,,,the sexual tension becomes too much

regulus caves, he goes to remus' flat when james is out with his brother and just,,,he kisses him so desperatley, moaning into his mouth about how horny he is and that he cant stop thinking about remus and he needs to fuck him and remus is all for it, he's been in the same boat

but regulus knows what he wants and he knows how this is going to go, so he lays out ground rules, safe words, dos and donts etc and remus is all for it, its the most safe and seen he's felt having sex EVER

regulus takes the lead, he feels every inch of remus before even taking his clothes off and its the best kind of torture

remus is a pretty submissive guy and he's under his spell straight away, just whimpering and pleading for regulus to let him touch him but he isnt ready, he needs his fill of remus first

regulus is,,,very good at giving head. he doesn't have a lot of experiance with partners but he watches porn, he has toys, he knows what he's doing, and remus' thighs are shaking by the end of it

regulus has never seen this intense look of pleasure ever on a partners face and he's actually flustered, he didnt expect remus to enjoy it so much but then he's being thrown on the bed and its time,,,he has to let remus see him naked

now, im a trans reg truther always, so he's very nervous. remus knows he's trans, they've had this talk, but he's never had sex with someone after transitioning and he's so scared remus will hate the scars and maybe hate the fact that he doesn't have a 'real' dick, remus loves his body so much its crazy

he's never been so attracted to someone and he wants to devour him,,,so he does

remus' sexuality is a bit of a mystery to me, but i feel like he's had experiance with,,,everything that can be down there, and he just gives regulus his fucking all, he's sloppy and messy but so precise and attentive, every time regulus tugs his hair he stays in that spot, every new moan and gasp is what he wants again and again, its amazing,,,he does himself proud

and then the actual fucking,,,its a bit awkward

remus has to get condoms and regulus is lying there watching him and then gets under the sheets so he's comfortable, and then remus is leaning over him just staring into his eyes and saying how beautiful and handsome he is and regulus just blushes and tells him to put it in already, and remus frowns

'i want this to last forever, regulus...dont you?' and regulus melts, plus it makes him wet af to hear that

and god,,,the sex is good guys, its so good

neither has ever felt this good before and its overwhelming in the best way

they're both panting and moaning and gripping at ecah other, begging for more and almost on the verge of tears because they've never felt so connected to another person, and its a mix of hot and fast and hard and slow and deep and loving and its just,,,UGH

they're a hot fucking couple idc

and afterwards when they're both cleaned and showered and the sheets are changed, regulus will NOT sleep in a dirty bed, they're lying together naked, just gently touching each other and holding each other, regulus confesses that he's been so scared to have sex again because he didn't think he'd ever enjoy it, he never did as a woman so why would he as a man? why would people care about his pleasure now?

and remus just kisses his forehead and promises to never let him feel that way again

regulus wakes remus up with a blowjob the next morning and rides him for ages, they basically spend the next three days fucking and going down on each other to make up for lost time until remus has to go back to work and even then he comes home in the afternoon to naked regulus in bed napping, and he's so fucking happy

[bibibbon]

Hi, so I was thinking about and as much I think shig and Izu are underveloped as fuck...I was thinking...what if the saving arc thing was in reverse?

Shig sees how the heroes mistreat Izu, who in his eyes must be the most innocent person in all this mess, and decides to save him?

Sure sure it would need some tweaks as Shig needs to stop being all destruction and be afo's bootlicker.

But imagine the idea

Shiga, a villain, is set to save a hero.

Imagine of the possibilities. And if we want a war...why not Izu and Shig against the hero society and the status quo?

Hi @mikeellee 👋

This is an interesting route to take shigaraki and izukus characters and dynamics in.

While I do perfer the idea that both izuku and shigaraki want to save each other believing that the other needs to be saved and that their method is the best.

This is an equally interesting scenario that would add more development and interest to just izuku wanting to save shigaraki because he saw a crying kid.

For this scenario to occur there will be some adjustments required such as shigaraki coming to the conclusion that he wants to actually save something or someone instead of destroying everything. This can be easily achieved by having izuku and shigaraki interact more with shigaraki coming to know and understand izuku better as a person and vice versa. Shigaraki needs to understand izuku to a deep core level to even understand just how mistreated izuku was in the past and is kind of now.

You can start with shigaraki in the mall going to izuku for advice and have the interactions build up from there. Izuku won't tell anyone due to a variety of factors like not fully trusting adults and believing that its better if he were the one to talk to shigaraki since he isn't being harmed by him.

Ultimately, the closer they grow the more they share to each other and the more they see each others lives in different lenses which has shigaraki helping izuku see that the way he is being treated by bakugo is wrong and that all for one is just manipulating shigaraki.

Obviously, it would take a lot of development to even come to this point and it would be interesting to add obstacles within their paths whether that be the downfall of all for one and all might, the overhaul arc and the rise of the MVA , etc.

Finally, moving back to the first point the series would have an interesting irony in where a villain wants to and is willing to save a hero. Where a villain manipulated for the means of evil breaks that structure because he wants to save a hero, where a villain becomes more humane and heroic than the others, where a villain understands and develops helping change society for the greater good with the resources he has due to the MVA.

The same can apply to izuku but in the opposite way.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 彩香ちゃんは弘子先輩に恋してる / Ayaka-chan wa Hiroko-senpai ni Koishiteru / Ayaka is in Love with Hiroko!

Ayaka is in Love with Hiroko! is a 2024 eight-episode Japanese comedy of errors about what happens when two adorable lesbians continually get in the way of their own relationship.

I think the poster gives a somewhat wrong impression: Hiroko (in black) is not a straight girl horrified that she is being hugged by a lesbian; she is a lesbian horrified that she is being hugged by her crush, whom she perceives to be an oblivious straight girl. But as the title of the show would suggest, Ayaka (in pink) is very much not a straight girl, and is instead a determined young woman with sapphic designs on the hot older woman at her job.

And they are both so, so stupid about it.

The whole wacky, wonderful series will take up a mere three hours and twelve minutes of your life, so here, as was the case with Otoko Meshi, is a correspondingly quick list of five reasons to watch it.

1. Clueless Lesbian 4 Clueless Lesbian

Have you ever seen someone have a crush and proceed to be normal about it? Well, you won't find that here. Ayaka is going to con this beautiful, competent woman into topping her if she has to kill everyone in this office to do it.

Hiroko refuses to believe that Ayaka might actually mean what she's saying, choosing instead to believe that Ayaka's actions are pure platonic displays of admiration, even when Ayaka outright says what she's after. Meanwhile, Ayaka simply cannot imagine why her very targeted overtures are always being rebuffed, interpreting Hiroko's continued resistance as a sign that Ayaka is simply not doing a good enough job of seducing her. She's got to up her game, dammit!

If you like the type of business where it takes multiple dates for two women to figure out they are in fact girlfriends, this is for you. Every oblivious lesbian trope in the book is on display here. It's a war of attrition between a woman who feels obligated to say no because she doesn't believe the person asking understands what she's asking for, and a woman who won't take "no" for an answer because she's certain that as soon as she figures out how to ask the question correctly, the answer will be "yes."

And will it be? Well, of course it will, because you know how this genre works. But not before some adorable wlw wackiness ensues!

2. Harold, they're (actually) lesbians

Often in both BL and GL properties, characters are presented as mostly straight with only plot-related same-sex leanings, usually having moments of going, I can't believe I'm falling for a wo|man!

The main lady-loving characters in this show have no trouble believing they're falling for women, because one's been out to herself as a lesbian since she was in middle school, one's just coming to terms with her desire for women but has acknowledged that it probably indicates she's a lesbian, and one honestly just never stopped to consider that being a woman desperately in love with another woman is pretty gosh darn lesbian behavior.

And I like that, you know? As much as I love a good Gay For You plot, I appreciate one that acknowledges that there's a whole very real community out there of people who feel the same way! You are not the only girl in the world who wants to kiss other girls! Lesbians have their own networks, hangouts, stereotypes, relationships, and even aesthetics that are distinctly lesbian. You can find them in real life, and I like it when you can find them in fiction too.

These aren't just straight relationships with incidentally matching genitals. There aren't even any strict butch/femme dynamics or demands that lesbianism equal gender-nonconformity. Sure, Hiroko is slightly more toward the masculine side of the gender slider than most of the other women in the show, but she's definitely not outright masc. While she's real into Ayaka's girly looks, as we see from flashbacks, Hiroko's not what you'd call picky about the gender presentation of her female partners.

They even go to a lesbian bar! The world's tiniest, most brightly lit lesbian bar! A magical place where you can always meet a beautiful red-clad femme, a cute little tomboy, and...

3. That hot bartender

It's like a good fairy granted a lion one wish, and the lion said it wanted to be turned into a beautiful Japanese lesbian, and the good fairy was like, wow, that's such a good wish, I'm going to make sure it turns out really great for you.

We are all the big-titty lesbian in red here.

4. Ayaka's outfits!

A major conceit of the show is that Ayaka, in response to her crush on Hiroko, has given herself a complete makeover, choosing outfits and hairstyles that (accurately) reflect Hiroko's tastes.

Even if you don't like her outfits -- and let's be real, some of them are a bit much for me -- they're still very cute and a lot of fun to see worn.

I do want to note that this isn't just a story about Girl Changes Entire Personality For Boy Girl She Likes. Ayaka's pre-transformation self is severe and almost robotic, and ... well, it doesn't seem to make her particularly happy to be like that. It seems less like her older persona is her "real" personality, and more like it's one that she'd just settled on because she'd been told it's what being an adult means.

There, that's what she used to dress like.

When she decides to change her style, she initially steers way too hard in the other direction, to the point where it feels like she went home and binge-watched fifty romcoms to learn how to be a person. (I'm just saying, if you wanted, you could choose to read Ayaka as an interesting flavor of autistic.) Over the course of the show, though, she gently settles into her new mode, which winds up suiting her so much better! So it's less about the nerdy girl having to leave her nerdy self behind to earn the attention of her crush, and more about how having a crush gives a girl the incentive to stop dressing the same way her parents dressed her in the second grade.

Also very cute: Some elements of her wardrobe get reused! She doesn't just magically wear several whole new things every episode! We see her apartment, and it's not large. She doesn't have room for a million different complete outfits, so she has to mix and match.

So yeah, if you, like Hiroko, like to see a cute girl wearing cute things, this show has just what the lesbian doctor ordered. (It's me, I'm the lesbian doctor.) (No, seriously, I am.)

5. A weirdly thoughtful take on the complexities of queer workplace relationships!

The show knows it can't keep up the absolute lesbian obliviousness the whole time, so feelings start to become clear about halfway through -- at which point the conflict that fuels the drama stops being about mistakenly thinking people are straight, and becomes more about why a lesbian office romance might not be the smartest career move for either of them.

After all, by the time you're in your mid-thirties and you've been working in the same place for over a decade, you're pretty well-established in your position -- but not so much that your job is completely safe from gossip or disapproving looks from your higher-ups. Meanwhile, when you're in your early twenties and just getting started, it won't do you any good to have everyone suspecting any future success is just a result of your sleeping with the (girl)boss.

So the goofy lesbian misunderstandings are fun and funny, but their worries about how dating will affect their jobs are real.

You find out eventually why Hiroko is particularly touchy about workplace relationships, and it's a very good reason! But at the same time the show explains this very good reason, it also points out that Japanese culture is slowly becoming more accepting of out gay people. Ten years can make a pretty big difference! Older generations might still be regressive about open queerness, but there's growing support from the youth.

Like these supportive coworkers! Aren't they precious?

I will admit, I am not the biggest fan of boss/underling romance dynamics. However, that never bothered me in this series, because Hiroko never feels quite like Ayaka's boss. She's Ayaka's sempai, sure, but she feels more like a senior colleague than an actual supervisor -- and Ayaka is 100% the one pursuing her, not the other way around. Still, if the idea of any hierarchy-crossing workplace relationship is an absolute dealbreaker for you ... well, you probably stopped reading this rec several paragraphs ago, so I'm not going to worry about it!

Anyway, don't get me wrong and assume this is something deep and serious about how perceptions of queerness can hinder professional success, because it's not. It's a goofy little comedy with cute outfits and dumb lesbians. But it's also a goofy little comedy that also occasionally makes some smart observations, and I like that about it.

bonus: Of course there's an adorable manga!

And you can read it here! It's a bit wackier and it makes some choices that wouldn't have worked in a live-action drama, but they're quite entertaining on the page. Here's the MangaDex summary:

Soft and bubbly office lady Ayaka is madly in love with her senior at work, Hiroko! Two lovestruck coworkers who both think the other is straight totally crush on each other… popular Twitter artist Sal Jiang’s latest office rom-com!

If anything, it handles Ayaka's transformation better than the show does, because it makes clearer that even after the makeover, she's still as intense and tough to crack as she was before -- around everyone but Hiroko. It even says in so many words that sometimes Ayaka's smiling demeanor is just masking.

The manga also knows a lot better what their job actually is, while the drama is more along the lines of, we work in an office! we do events! we have meetings! we create things for clients! It's basically the same Generic Company, LLC that every character in a modern AU fanfic does endless paperwork at.

Beside that, the series is a pretty darn faithful adaptation of the manga! Three volumes and eight episodes seem to be enough to carry about the same amount of story.

Want to watch the cute lesbians?

Sure you do! And the most reliable place to get them appears to be GagaOOLala, though I've found the whole series uploaded by various people on Dailymotion (here's episode 1 from one account, though you can find others).

It's a laugh-out-loud romp smart enough to know to get in there, tell a cute little bite of a story, and get out before the joke gets old. If you believe in the truth and goodness of lesbian love, treat yourself with this cheerful little romance that's only a slight exaggeration of how oblivious real-life lesbians can be.

Attagirl.

[starlightiing]

i just need a fellow esteban fan to talk to about this. do you really ACTUALLY think he will be happier or do better at haas? i feel like a bad fan for thinking this but i don't know that he will be any happier and it scares me

Hi anon! Sorry I sat on this for a little bit, my fiance is in America right now and I've been spending a lot of time with him.

I do genuinely think that Esteban will be happier and do better at Haas! I'm not saying like, ASTRONOMICALLY better, but better. Happier, more than anything. He will be on a team that wants him and working with a man that was his first race engineer and that loves him. I think the change of pace after YEARS on the same team will be good for him.

Ollie will be really good as a teammate too. He's already come out and said that technically Ollie has more experience in the Haas car than he does and that he's proven himself and won't need too much from Esteban haha. So I think they will have an interesting dynamic for sure.

Haas is really doing better and better and I think they will continue to improve. And I hope that they do! But I'm not expecting them to like suddenly be a top team or anything like that, I try to be as realistic as possible. I can't make too many predictions on what next year will be like because I simply don't know. I wish I had a crystal ball but I don't. I just hope that Haas continues to do well and that Esteban will be happy someplace he's wanted.

When Esteban is involved, I try to stay as positive as is realistically possible and right now I see no reason not to trust in Haas and Esteban's move. He signed with them for a reason, I think he believes in them too and hopefully they can live up to that! :)

[myun-saidthoughts]

12th House Synastry: The Darker Themes That May Manifest

I made a post about Neptune and 12th house synastry awhile ago (here is the link to that: Understanding 12th house synastry)

In that post, I explained how this synastry can manifest between partners, but I didn't discuss the darker side of it or discuss why those darker themes are present in the first place.

To start off, some of the more common dark themes associated with this synastry include deception, lies, addiction, and hidden agendas. This synastry also can indicate being the other woman in a relationship or one party may have a commitment to another person that the other party isn't aware of (such as one partner is married, engaged, or involved with someone else). If there is 8th house synastry involved (like Pluto aspecting inner planets or 8th house overlays), power dynamics may emerge, with one person holding an authoritative position. Age gaps or factors such as work hierarchies, status, reputation, social circles, or cultural influences may also prevent the two parties from publicly showcasing their relationship.

The reason these dark themes manifest is influenced by many factors, the primary one being the person's core nature. If they are spiritually awakened, aware, compassionate, or empathetic, the themes mentioned above are less likely to arise within the connection. Ultimately, who a person is at their core will dictate how these connections manifest.

I have read many 12th house/Neptune synastry stories, and one major red flag that stands out is what is often 'hidden' within the relationship. While this synastry can evoke profound, otherworldly feelings, there’s a risk that the person you’re pouring your love into may only be a projection of your perception of them. This is tied to how you view yourself, your understanding of love, and your willingness to be vulnerable.

This synastry naturally clouds and confuses the relationship dynamic, if you have natal 12th house placements, Pisces placements or Neptune aspecting your own inner planets then the influence of falling into the web of what you think is, instead of what actually is; is more likely.

For example, the reason you may be drawn to, influenced by, or dealing with these dark themes has to do with the level of commitment or love you're ready to process. You may consciously state that you desire a deep love, but if you look at your past patterns, you might notice that you often fall for the people you claim you want to stay away from. You may say, 'I deserve better,' or recognize that the type of love you're offering is not being reciprocated. While you may be consciously aware of this, you still find yourself in connections that reinforce the image of love you say you want to change.

This has to do with the fact that there are still subconscious self beliefs that are operating within you; these beliefs may be so deeply rooted in your subconscious to the point where you are not even aware of it, and the reason why these dark themes are able to manifest within your life is because the people you are choosing are reiterating the self belief you're "comfortable" with. I say comfortable because it's what feels known within you, this person creates a feeling within you and though they may logically be wrong for you in so many objective manners, the fact that you can feel drawn towards them is what is causing you to want them, especially if you struggle with emotional vulnerability, or if you find it hard to actually form feelings towards another. This person is (in essence) allowing you to form feelings because their presence/actions reaffirm the same self beliefs you've been dealing with throughout your life.

Another thing I want to note is that with this synastry, you might feel an intense draw toward the other person, as if you’ve known them in a past life (because how could someone create such deep longing within you if that wasn't the case?) This might create the connection to be very thought-provoking, and the longing you experience can manifest instantly in moments when you're not with them; this might lead you to believe that you share a deep, once-in-a-lifetime connection. However, the person you are drawn to may actually be a projection of your own desires for emotional fulfillment, especially if they are an objectively lost soul struggling with personal battles such as addiction or ongoing affairs.

The reason why individuals often state that 12th house and Neptune synastry can indicate past life connections is that this type of synastry evokes similar feelings of longing, wishes, and desires. In my experience with both, I understand why people associate Neptune/12th house synastry with past life connections. However, this synastry often creates a sense of longing while leaving more questions than answers.

With past life connections, you may instantly feel a deep longing for someone you’ve just met—their eyes seem familiar, and their touch feels sacred. In contrast, when Neptune and the 12th house are involved, there’s a crucial difference. Instead of a sense of certainty, there’s more wondering, thinking, analyzing, and fixating. You might convince yourself that you know them by creating intense, otherworldly feelings within you.

In genuine past life connections, there’s an unexplainable, intuitive sense that you’ve met before, without needing proof or logical understanding. You feel deeply connected without questioning it. This is a key difference that more people should recognize. If there are more questions than an immediate intuitive knowing, the likelihood of it being a past life connection is much less.

In summary, the main difference with Neptune/12th house synastry vs past life connections is there's a "without a doubt" mentality that you've known them before. The main reason why theres an association with 12th house synastry and past life connections is because this synastry genuinely mimics the same deep rooted feeling of longing or what if scenario's. This synastry causes you to create feelings within where it'll feel like you two have been together before but that doesn't mean these feelings are rooted in the deep seated knowing of "I've met you before" like true past life connections are like.

(which is why it's very difficult to differentiate and I can understand why but within, you will have moments with them and if out of no where you feel "this has happened before" or "it's so easy with you" or if 5 hours feel like 10 minutes, then the chances of them being a part of your past life is more likely; and you can feel this way without even having any intense 12th house synastry with them, you don't have to have 12th house synastry with someone to showcase a past life connection).

That said, there can be times when you may be dealing with 12th house or Neptune synastry and you may consider yourself an open or healthy lover, yet still encounter these themes. You might fall for someone who isn't who they appear to be. Stories like 'We have been dating for two years, and he is an addict' or 'I am engaged, but he has another wife' illustrate this. These examples are extreme, but I believe can occur because this synastry can cloud judgment. That's why it's important to evaluate the relationship at its core rather than relying solely on your perceptions.

If you find yourself dealing with these themes or have dealt with them in the past, it's important to recognize that the other partner may not have any real love for you. This is why the 12th house is often associated with 'hidden enemies.' These individuals may not be hiding their true selves, but in your perception, the person they actually are is someone you haven't been able to see. Or in another sense this individual just held and hid parts of them from you, and because of how clouded this synastry can be, falling victim towards these connections is more likely (but like I always say entire natal charts and who the person is at their core dictates the severity of what can occur within these connections).

Another intriguing pattern in this synastry is the tendency to be drawn to darker themes, often finding yourself attracted to someone who seems in need of saving or fixing. The spiritual connection you feel may arise from a deep longing to help them, as their internal struggles compel you to give endlessly. Their internal struggles causes you to give and give which ultimately keeps you at arms distance within the connection. Especially since they can't formally give you the same love you are giving them, and this stems from the fact a part of you doesn't believe you deserve the type of love you fantasize or long for. That being said, the dreams you have about them or with them, and the coincidences that keep occurring could very well be reflections of the emotional fulfillment you desire, and doesn't paint the fact that you two are "meant to be"

This pattern can also be linked to unrequited love. When this occurs, it mirrors what I’ve mentioned before: you find yourself falling for someone you can't truly have. You become infatuated with the person you imagine them to be, rather than who they actually are. You create scenarios in your mind where you’re together, longing for a connection that has never existed. All of these patterns stem from a fear of embracing reciprocal love.

It often feels easier to desire someone rather than truly have them; it's more comfortable to long for the idea of a partner than to actively choose someone who can choose you in return. Such dynamics are more prevalent when you struggle with emotional closeness and vulnerability. Selecting someone whom you subconsciously know won’t or can’t choose you can feel like a safer option.

I explore this concept further in my original 12th house synastry post, so feel free to check that out for more insights.

The main point of this post is to remain aware of your own wounds, self-undoing patterns, and emotional fears regarding romance. The self-giving nature you choose to engage in can create a block to receiving the kind of love you’re capable of giving to others, often stemming from a fear of being in a reciprocal loving relationship. If you stay aware and offer yourself inner healing then the chances of falling in relationships where these dark themes can occur is less likely.

Note: I believe that if you have strong Pisces placements, 12th house natal placements, or Neptune aspecting your inner planets, as well as a broken attachment style or a tumultuous relationship with your mother, you may be more susceptible to experiencing these dark themes in your reality. If you fear love yet simultaneously long for it, these factors can be significant indicators. Conversely, if you do not have these characteristics, the intensity of such themes is less likely.

[klonnieshippersclub]

Since we're on the subject of Klonnie and their canonical parental dynamics. How would they bond over their parents with each other in your opinion (talking about Mikael/Ansel when it comes to their fathers)?

Also, how would that present itself in how they'd be parents if they were to have children together?

Love your blog and reading your thoughts

Bonnie and Klaus would bond over how little they actually knew their fathers. Ansel didn't even know Klaus since Esther was hiding his wolf identity. Rudy was always gone so Bonnie doesn't really know him. He's more like a roommate that's always busy than a father.

Bonnie’s direct as is Klaus so I imagine them wanting to have the tough conversation during Bonnie’s pregnancy. Bonnie’s parents all failed her in some way. Grams never told the truth about their heritage, Rudy loves her but struggles with the supernatural side and Abby never tried. Esther loves Klaus in her own way but not more than protecting her lies to stop Mikael from hurting him. Point is, both have been burned by their parents and would want to ensure that they’re on the same page. Their child would deserve unconditional love and should be protected at all costs. I never liked how Hope became everyone’s child or responsibility in canon. I think Bonnie would set that boundary early that at the end of the day their daughter would be at the responsibility of her and Klaus.

Thank you! I appreciate having fans to share them with.

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[teddybeartoji]

wolf!suguru pretending to bite reader's neck just to feel you tremble and squirm in his arms... pushing at his chest... maybe letting out a quiet little whimper..... all that for him to pull away with a sly grin, his teeth on full display as he coos at you teasingly,, telling you that he would never hurt you.....................