Alicent being ignored as a parent during those first few years. Alicent being expected to take care of aegon, while also allowing Viserys to take him whenever he so pleased, to show off and pass around like a model toy. Alicent being denied her child whenever lords and ladies were around. Alicent only getting him back when she was at her wits end, stressed after being separated from him for so long, watching people hold him wrong, play with him wrong, touch him wrong. Alicent only getting him back when he is fussy and no longer a source of entertainment for Viserys and his guests. Alicent holding her baby close to her chest during outings or events, stiffening when people ask to see him, hesitant to release her grip on him. Alicent biting her tongue when people ask to "give her a break" when she really wants to tell them that it's her baby and she's perfectly capable. Alicent being so exhausted from guests and Aegon being so little and full of energy, and her second pregnancy, causing her to doze with Aegon in her arms, only to nearly lash out when someone tries to slip him from her arms, engulfing him in her arms as if to fend him from hungry wolves. Alicent carrying him around, even as she grows tired, her arms burning and back aching, so she knows he is safe, away from prying hands and acrid whispers, away from his father's attempts to use him for amusement purposes. Alicent feigning a smile, feigning composure and enjoyment, when really, she just wants to be home, in her chambers with her son, where no one can bother them, where they aren't props meant to smile and wave for a man who does not love them.
(inspired by this reblog of my post from earlier. cause yes, @squgs [hope you don't mind me tagging] is right, she would very much go to war for her baby)
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"Jason does it to himself... a tragedy of his own making..."
Yes!
"...He is stubbornly depriving himself of good relationship with his dad and siblings! If only he'd behave at a minimally decent level, then he'd be embraced by his wonderful family. Alas, he has made himself all alone."
Nah, that's the opposite of correct. Could not get any more wrong.
Jason is a tragedy of his own making because he won't let his loved ones go. According to a decent amount of canon evidence and some common sense, he'd be a much healthier, more successful person if he didn't have this family.
Unfortunately, he keeps attempting to find a way to live with them. In varying ways and extents, Jason's loved ones have shown they can accept his death and move on, without his loss compromising their fundamental identity. Jason is the one who rips himself apart, burns himself, hides himself in costume after costume—all to transform himself into a monster too strong to be forced to unhook his claws from the people he loves.
You will pry his loved ones from his cold, dead hands. And after that, he'll come back for them anyway.
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10-year age-gap akeshu AU in which, after an especially bad night, 16-year-old akira’s family situation has degraded so irreparably that he finally runs away to tokyo, like he’s always planned to. still in bad shape from his escape, he gets reluctantly picked up by a woman not that much older than him and recuperates at her apartment, where he meets her very hostile, very overprotective son.
it takes a while for 6-year-old goro to realize that akira isn’t one of his mother’s usual “clients”. despite akira’s flight-or-fight instinct button-mashing RUN out of fear of stagnating in one location for too long, in typical joker fashion, he stays with the akechi family to help them through hard times—praising and pampering goro when his mother is too tired to acknowledge him, and pulling mamakechi back to reality when she teeters between picking her poison: a rope hung from the rickety ceiling fan, a long, cold bath, a step off the balcony… he’d barged into their life a year before things would have broken permanently, and patiently patched up the cracks that would have deepened into permanent fissures.
goro in particular takes a liking to the new addition in their household. akira is the only other person he has met who treats him so nicely and gently and attentively—even more so than his own mother. he always seems genuinely happy to see goro come home from school, and frequently offers to take goro out on “adventures” to tour museums, visit aquariums, pet the alley cats, and so on. with him around, goro doesn’t have to wait at the bathhouse anymore. he grows to revere akira as the darling guardian angel his mother had brought home just for him.
in the end, having satisfied the selfless side of his nature, the selfish side has akira running away once again. he thinks his role has been fulfilled, and that he shouldn’t keep disrupting a family that isn’t his. he couldn’t have been more wrong.
and so, goro grows up with a doting mother and an awful, gaping hole where half of his heart should be. that is, until he meets a familiar stranger in Mementos—then again, in an innocuous coffee shop halfway across tokyo.
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Thinking about Buck and Eddie in a post-coital bliss after fucking hard and rough. Eddie reaching behind him to grab at Buck’s dick loosely, slowly stroking it to hardness again, arching his back and pressing his hips back against Buck’s pushing forward back into him. Having slow, gentle spooning sex and holding hands the entire time. Cumming at the same time and tangling their legs together. Buck forgetting to pull out before they both fall asleep.
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Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?
Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?
Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.
Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?
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Love (cannot emphasis how much sarcasm there is in that word) that an official Canadian government response to high cellphone rates is to switch carriers.
Switch it to what? We basically have three companies since one was allowed to eat the forth (with the government saying it wasn't anti-competition and the company eating the other pinky promising they wouldn't jack rates up). Even the smaller companies have to rent infrastructure from the Big Three so there's only so much they can do if that rent costs an arm and a leg.
And that's not touching on how many "small companies" are actually just subsidiaries of the Big Three. You may save $5 but you're still with Telus/Rogers/Bell.
Or that the actual small companies tend to have shit coverage because they don't have the infrastructure available to them and are prevented from getting it. Or their traffic is throttled in favour of the Big Three's customers. Or both.
Or that they're extremely regional thus aren't an option for a huge chunk of Canada's population.
We have no true options and the government has shown time and again that they're fine with monopolies, in multiple industries, and don't care when said monopolies jack up prices to make shareholders and the c-suite more money at the expense of everyone else. At most there will be a verbal slap on the wrist and a giftcard for $25 that people have to register for, for a decade and a half of price gouging.
It's not talked a whole lot about outside the country from what I've seen and heard but Canada is a country of monopolies. A handful of companies own nearly everything, every province has a family or two that owns a hell of a lot (Nova Scotia is basically owned by one family at this point), and our government ignores it. Even the branch that is supposed to be against monopolies is fine with mergers and takeovers in most cases.
Because, you know, the company said it totally wouldn't use consumers' lack of options to increase prices.
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