#there is so much happening here and literally none of it makes sense

[fatal-blow]

How Does the Neander Foot Cause Pain?

More well-known as Morton's Foot Syndrome, the Royal Toe, or the Greek Foot, and not to be mistaken with Morton's Neuroma. Here, though, I will be calling it the Neander Foot, based on my own theorized origin of this piece of human anatomy.

But basically. Look. Humans are basically just animals that made themselves into towers and started walking around like that. What happens when a tower has a poor base? It falls. But because animals have muscles and crap, WE don't fall, or at least not in the same way a tower might.

But first, why the Neander Foot? Well, plenty of research has come about Neanderthals, how they interbred with us, and how we carried many of their traits with us from those interbreeding events. It stood out to me, however, that Neanderthals had feet made for sprinting--they were ambush hunters, built for explosions of speed rather than the Terminator-esque persistent hunting that we attribute to ancient Sapiens. This difference is notable in their feet, which were narrow, with elongated toes, and, most importantly for this post, had a short first metatarsal--the bone behind the big toe.

And so it seems their foot anatomy has persisted into modern humans, which has drastic effects on our own mobility.

Here is the anatomy of the typical Sapien foot, the one most well-known and referenced by science and especially the medical community:

And this is the Neander Foot:

In medicine, the Neander Foot is known as Morton's Foot Syndrome, flat-feet, and often leads to what is known as overpronation. Many theories have floated about the cause of this, from malnutrition to improper footwear, but none of these explanations never made sense to me.

While well-adapted for sprinting (many runners have the Neander Foot!) it is poorly adapted for walking. The Sapien Foot is well-made to transfer weight across the foot with ease, making standing and walking low energy. For many with the Sapien Foot, they might be so stable that the phrase "falling asleep on your feet" could apply quite literally!

The Neander Foot on the other hand (foot?)...

There are many other ways someone with the Neander Foot might compensate for their lack of balance. Sometimes, the ankles bend outwards. Some use the middle of the foot for push off, which can cause pain and callouses. Some might even turn their feet inwards. The goal is all the same, though: attempting to force the body into a more stable position.

And regardless of the compensation patterns one might have, they all have the potential to form Triggerpoints--the REAL cause of most aches and pains.

And there are many other conditions that are co-morbid with the Neander Foot, which can make symptoms worse. Hypermobility is one I know intimately--loosened ligaments force the muscles to work even harder to maintain balance, and the combination of Neander Foot and hypermobility could disable someone by the time they're 20.

But the real reason I made this post is not only to explain what is wrong, but also to tell you how to fix it. Triggerpoints are the cause of many, if not most, aches and pains, and are very treatable using methods such as self-massage and targeted physio.

Furthermore, you can modify your shoes to help you stand and walk better! A cut rectangle of moleskin padding, from 3.5-6.0mm thick, can be placed inside the shoe underneath the first metatarsal and the big toe, like this:

This extra padding allows the metatarsal to reach the ground, without having to turn your feet outwards. Many with the Neander Foot (so far my entire family, both my partners, and several friends) find that this padding immediately improves their stability, and even without self-massage have found that their pain lessens and standing and walking become much easier.

If you'd like to know more, feel free to send me asks! I'll also reblog this and attach links and resources where I've learned this information, so y'all can check it out yourself. I'll also include a link to a website that sells insoles designed specifically for Neander Foot--commercial insoles DO NOT address it correctly, and many prescription i soles are very expensive and also fail to address it.

And finally, I am not formally trained in medicine. My experience comes from treating my own disability, treating my mother's disability, and the research and work I've done with my medical care team to address my illness.

[breached-containment-script]

So the scarring discourse is still going.

No, characters keeping scars does not automatically equate to that being torture porn. In this context, fans clearly intend it in a way that says "even if you end up with physical marks, it doesn't diminish you". Or is Aang getting scarred torture porn too? Or do you think things like Mortal Engines movie shrinking the female lead's facial damage to a minimum "spared her of physical trauma"? No, it was afraid of depicting something deemed "ugly" and it's a huge disservice to real people who look like she was described in the book.

The topic was not handled super well in ATLA. Katara's wounds got healed leaving no trace on her, on her psyche nor on how she views Aang which is not just unrealistic, but you can literally feel in the show Katara having to go "no Aang it's ok, I'm fine, you don't have to beat yourself up over it, I'm healed, let it go Aang, it's not your fault," it is too much. It would have been much stronger had the burns left some mark, even a tiny one, because then Aang's reluctance to practice firebending would have made more sense and all characters would have gotten a more solid demonstration that the Avatar can be dangerous too. It would have been a wakeup call to Katara that Aang isn't a completely harmless kid she can always shield and protect. That's character development! This would have been a more powerful moment in the progression of their relationship, especially after they sort it out and Aang learns safe firebending later on, because they'd have a more real problem to overcome rather than just Aang's guilt.

Again, show didn't frame things too cleverly - there's no heightened moment of perhaps Katara being extremely happy that she discovered a part of her lost Southern waterbending heritage (just remember her behaviour with Hama, there's none of that here). The show just removes her wounds, she's confused about the ability, and this leads to Jeong Jeong making a point about how fire is wild and destructive. The whole segment ends with removing the source of the problem (wounds) and is about how evil fire is. Aang ends up being traumatized anyway, he isn't less traumatized because Katara's wounds didn't scar.

The point is - Katara gets nothing character-building out of this event, even though it made her cry and cradle her arms for several minutes on screen. Because of this her burns could be considered torture-porn (slightly). Her discovering healing abilities is not a reward she got exclusively because she suffered the burns, she could have discovered it by accidentally hurting herself, or healing someone else. Imagine if Aang hurt himself by being reckless and Katara discovering she could heal him? What she should have gotten out of specifically being burned by Aang, is a changed view of him. I don't mean her viewing him negatively, but taking a step back and both learning they should be more careful. Who said zutara stans want Katara getting scarred by Aang in order to make Aang a villain in this? He literally cannot be a villain here, he made a big mistake by being careless. It's got nothing to do with zutara. It's not helpful to misinterpret some storytelling tools that have nothing to do with shipping, just to prevent them from creating some later story hooks which could potentially be used in shipping a NOTP. Heck, Katara getting scarred could even be used (with skilled writing) in shipping her with Aang - like zutara fans use Katara being angry at Zuko and expecting him to demonstrate that he wouldn't betray or hurt them again.

And if you have a distaste for two happy friendly characters hurting each other on accident, that's fine, but well I have a scar on my arm from my brother's scratch that happened on accident. These things happen and stories shouldn't be scared of portraying it, especially if later on they show how to make ammends and overcome the problem. I'm not saying "Katara should definitely have kept her scars!!!" I am showing narrative weak points and suggestions how things could have been done differently, what benefits it could have had character-wise and what that might have changed.

[shutupandplayasong]

She was a fairy 🧚‍♀️

[pepprs]

it’s actually fucking stupid that journaling actually makes me worse now. like what the hell else am i supposed to do

[yawn-emoji]

[augustinewrites]

yesterday afternoon - after an unsuccessful coffee shop date - you’d decided that dating sucked. it was much too awkward and formal and not at all like it was in the movies, putting too much pressure on the people involved.

last night - after watching shoko flirt her way into free drinks - you’d been tipsy enough to take her advice. 

casual sex! it doesn't have to be with a stranger, just pick someone you know. someone you’re sure you won't fall in love with.

this morning you’d woken up to find gojo laying in bed next to you.

you lay shoulder to shoulder with the one person you should not have picked, staring up at the ceiling, waiting for the other person to speak. 

“did we really–” 

“three times,” satoru confirms happily, rolling onto his side to grin down at you. “i'm surprised we didn't do this sooner, really. our sexual tension has always been off the charts.”

when he leans in to kiss you, his lips meet your palm as your expression wrinkles. “don’t get familiar.”

“we’re naked together in bed– we slept together in more than the literal sense. can’t get more familiar than that.” 

“and this never happen again,” you promise, refusing to look at him. 

“why? because you’re afraid you’ll fall in love with me? it’s okay to admit it. i'm extremely lovable.” 

you’ve seen the way girls fawn over him. how they swoon over his pretty eyes and confident smile. he’s satoru gojo. a legend amongst jujutsu society. you’re no one in comparison, not a user of an otherworldly cursed technique, not from a major clan. 

people like him don’t fall for people like you. you’re afraid of rejection, afraid of being hurt. 

“we’re friends,” you tell him honestly. “i don’t want to risk ruining our friendship over something like this.” 

he tilts his head as your look at him. “shoko told you to try casual sex, didn't she? why not with me?”

“she told you?” you groan, dragging a hand down your face and making a mental note to never ask your roommate for advice for anything ever again. 

“hey, look at me,” he urges, grasping your hand. you do as he says, meeting his earnest gaze. “i can be casual and chill, it’s not like i have a huge crush on you or anything.” 

it’s so hard to say no to him. you really wish you could.  

“i’ll think about it,” you tell him, rolling your eyes when he fist pumps. “but you need to go home before shoko sees you.” 

but you’re dealing with satoru gojo, who almost never does what he’s told. “you’re not getting rid of me that easily. come here.”

he winds an arm around you, pulli my you in so you’re snug against his chest. explicit memories of last night flash through your mind, sending heat through your veins.

 “i can’t.” you tell him (though you’re mostly reminding yourself.) this is insane— satoru, what are you—”

you’re cut off when he shushes you, whispering let’s sleep in for a little while longer. 

he starts to drift off again as you struggle to escape his grasp, but your efforts are futile. even on the throes of sleep, satoru is stronger than you. 

so you give up, resigning yourself to a few more minutes of…cuddling. shoko isn’t a morning person anyways.

after a minute, you find it's not entirely awful. it’s a purely physical reaction. gojo is good looking, even with his hair mussed with sleep and his mouth hanging open. because you know that under the softness of his skin lays defined muscle, and spending the morning in his nicely toned arms isn’t the worst thing in the world. 

(it’s purely physical, is what your head tries to convince your heart, which is beating a little faster than usual.)

a very soft, content sigh slips past your lips. 

then, shoko knocks on your door. 

“hey! don’t tell me you’re too hungover for grocery shopping.” 

“shit!” you whisper harshly, shoving him away from you. “she cannot see you in here.” 

“afraid you’ll have to share?” he teases, narrowly avoiding being hit with a pillow. “okay, okay! where do you want me?”

“closet!” you instruct, scrambling my around the room to make sure none of his clothes are lying around. you thrust them into his hands, pushing him into your closet. 

he catches the door before you can close it, smiling down at you. “aren’t you glad we’re doing this?”

you shove him inside, slamming the door shut just ask shoko bursts into the room.

“hey,” you greet, trying your best to appear casual as you lean against the door. your heart beats in your throat, as she squints at you, then lets her gaze sweep across the room.

“did you bring someone home last night?”

“no.”

she looks at you. really looks at you, you think. 

“okay,” she finally says, though you can’t tell if she believes you. “i just– i thought i saw you leave with gojo. suguru said you two were flirting all night.”

“gojo and i?” you try to laugh, but it comes out a little strained. “never in a million years.”

shoko only shrugs, and you let yourself relax when she turns to leave…

…only for her to turn around once more, leaning the the doorframe. “well if you really don't like him, just let him down easy, alright? suguru told me he has a huge crush on you.” 

wait–

“gojo?”

you hear a sharp inhale through the door. 

“yeah,” she nods. “you really couldn't tell?”

gojo…has a crush on you. it takes a few seconds to truly sink in. “i had no idea.” 

“of course you didn't. he’s definitely got a really weird way of showing it.”

she turns to leave for real this time, but you wait a couple extra seconds before opening your closet, finding a wide eyed, blushing satoru staring at you. 

you can't help but laugh. at his expression, at shoko’s revelation, at this entire situation.

dating sucks, but maybe it won’t be that bad if it’s with him.

[qualityrain]

I like to think that owl is one of those people who like sending random memes to ana while ana has no idea what they mean cuz of child soldier training, owl would explain in detail about each and every one of them. Surprisingly, ana never got bored of it.

Also, Idt owl had any friends outside of his sister before he met ana. I mean, just look at him.

YOURE SO RIGHT

The untapped comedic potential of owl being like the only guy who knows the real world and not confined to just valkyrie school and honkai which means he knows MEMES. and how i think vine was popular in 2015(idk it still exists to me!!!!) so imagine explaining why road work ahead yeah i sure hope it does is funny. ok unrelated but i think he would use those shortform words too cos iirc in the enemy archives right in cn he says 1 and its translated into ok in english and i was trying to find out what it means because i do not know any chinese slang and i still dont know what it means and i fell into a rabbit hole of like cn number slang or smth like idk 995 is like help me because it sounds like 救救我 ANYWAY yeah owl also explains shortform words in detail 👍 if only he was still alive lmfao the slang nowadays r crazy what is idgafpilled in an okokokokcoded economy he wouldve been so insufferable

i actually think owl had friends LMFAO. I think hes naturally quiet but a good talker and its advantages to know people i think he doesn’t actively reach out to people but doesnt mind being talked too and probably gets included into groups also cos hes funny. hes not a popular kid he has a normal amount of popularity where hes not peoples first choice in a group but maybe like 6th choice yk. idt he was particularly close with anybody tho.

[sparrowlucero]

ik you were joking but I would be genuinely interested to hear about the flux cowriting credits strife if you feel like going into detail on it

So I have a big conspiracy theory about season 13 of Doctor Who ("Flux"), namely that there's a lost episode was scripted and even possibly filmed in near entirety, but ended up being cut and cannibalized in post production due to behind the scenes issues, and the fandom has yet to pick up on it.

For anyone who doesn't watch the show: Flux is a miniseries of Doctor Who; a full season was not commissioned because it was produced during Covid. The most important stuff about it for the purposes of this post are:

It's 6 episodes long (¹). The episodes are all directly continuous and could not be shuffled around. (I should clarify here that, no, the showrunner can't simply choose on a whim to make 10 episodes, or only make 4; they had to stick to 6, as that was the amount they were picked up and scheduled for)

The showrunner, Chris Chibnall , wrote every episode apart from episode 4 (Village of the Angels) which he has a co-writing credit on.

(More subjectively but perhaps relevant) The season is largely considered to be kind of a structural mess and (less subjectively) there appears to some abnormal and consistent production issues (²)

So the first thing I need to evidence here is that Chris Chibnall, aforementioned showrunner and writer of the entire season, was late. Like, really late.

Word of mouth gossip had been circulating for a while that there was some sort of on-set problem involving filming having to be paused because he was still finishing scripts: (³)

This would later be confirmed at a Gallifrey One panel (⁴) with Matt Strevens, the executive producer, who suggests that filming stopped to allow Chris Chibnall to finish scripts; he further implies that large swathes of episode 5/Block 2 weren't written until Episode 4/Block 1 (in which Kevin McNally debuts) was filming:

So with that context, let's talk about that Episode 4, "Village of the Angels", the only episode not attributed solely to Chris Chibnall. Co written by Maxine Alderton.

The filming pics reveal an interesting bit of trivia for Village: namely, the clapperboards show that the story was actually filmed as episode 5, not 4:

As the above tweet suggests, this doesn't make much sense. The miniseries is, again, a single continuous plot. It's not like they flipped Village and the current episode 5, Survivors of the Flux; the latter explicitly takes place chronologically after it. And yet, Village having been intended as the penultimate episode 5 is further evidenced by the original trailer for it, in which a character states that the story takes place on the 28th of November. This line is dubbed over in the final episode and subsequent trailers to instead say the 21st:

Why is this line important enough to dub? Because that's meant to line up with the air date of the episode. Episode 4 aired on the 21st and 5 on the 28th. But something happened in post production, and now it's episode 4 on the 21st instead (⁵):

So if none of these episodes were moved around but it does seem like Village was meant to be episode 5, where and what is the original episode 4?

I have a theory.

Flux has a recurring subplot involving two side characters, a married couple (Bel and Vinder) who have been separated by the titular disaster and are traveling the universe to reunite with each other. This story is told through segments sprinkled throughout the episodes. These have a different writing style (including a diary-esque narration only present in these scenes) and an internally consistent visual style that looks somewhat different to the other parts of the season.

Village of the Angels, for instance, is a moody, dark episode set in a village in the 1960s:

However, Bel and Vinder's segments in the episode have a somewhat different look:

On top of this, they never intersect with the episode's A plot (literally or in any clear thematic way), and the majority of these segments piece together into one single scene that seems to have been cut up.

So, what I think is that the bel and vinder scenes across the middle of the season were originally a single full story, an episode 4 that took a breather from the main plot and characters to follow the lives of these two side characters; the differing visual and writing style is due to it originally having been filmed separately and with a somewhat different artistic intent. I believe Chris Chibnall's cowriting credit on Angels exists because these specific scenes are from a script he wrote, but that otherwise the Angel script can be credited solely to Maxine Alderton by normal cowriting standards.

"But wait," you might say, "I thought there were already 6 episodes that are all plot relevant? If no episodes existing right now can be cut, how could this 7th episode exist?"

Remember this tidbit:

The adventures in question comprise a large amount of the next episode (Episode 5: Survivors of the Flux), nearly 20 minutes of a 50ish minute runtime (and frankly, much of the rest of the episode is somewhat fluffy build up that feels like it's taking advantage of an extended runtime). A version without this added plot would, in my opinion, only warrant one final episode rather than two.

I think the showrunner, still scrambling to finish scripts as the episodes were being filmed, and making a snap decision to include a new major subplot (⁶), wrote a finale script so long and with so many plot threads that the only way to keep all this material of was to split it into two episodes, 5 and 6. And because they only could only make 6, he had to get rid of one of the previous 5 episodes - the already scripted and filmed ones - to make room for this new episode 5. A tough order when it's a plot-heavy miniseries... if not for episode 4 being a standalone divergence from the main plot about the lives of two side characters, one that could, in theory, be cut up and dispersed throughout the season without continuity issues for the main story.

(Some notes and clarifications under the cut)

(1) some sources initially reported the episode count as 8; this wasn't inaccurate - the 2022 new years/easter special were part of the episode order. Flux itself was always meant to be 6 episodes long. (2) A few of the production issues include: - episodes filming without a second draft:

- the fx team that had been on the show since 2005 abruptly leaving midseason (because they "didn't feel like part of the team anymore") and returning as soon as the creative team changed, including the head of the studio implying they weren't properly credited (mild vfx body horror warning in link):

- people working on additional projects such as books not receiving clear information on the characters they were assigned to write:

- and likely a director who was put on hold due to a script being rewritten:

Among other things I can't directly cite at the moment, including vfx artists having to do whole episodes solo in crunch time and writers not being told their work was massively overhauled until it aired due to major changes being extremely late in production.

While I don't wish to pontificate too much here and many of these things are pretty normal by themselves, I do think it could paint a picture of a production where an episode well into filming may genuinely be cut on a whim and without consideration for the crew, artists, etc. working on the show. (3) This reddit post comes from a leaker who was known to be consistently accurate. (4) Gallifrey One does not allow filming of panels. I know Kevin's livetweets of panels to be accurate. (5) It's very, very unlikely the entire season was moved back a week, as the premier is a Halloween special that was certainly always intended to air on Oct. 31st. (6) I don't wish to insinuate Chris Chibnall is, throughout his career, an inherently poor showrunner, but I do think that maybe his jump from police procedural - a genre that doesn't involve quite as much concept art, vfx work, marketing, convention panels, set building, episodic storytelling, and keeping in touch with expanded universe producers - to flagship science fiction adventure show may have contributed to some of these issues, especially when he was already in the mindset that things could be changed on a whim (perhaps not such a major issue when it's broadchurch and no new sets need be built)

(source) Basically I don't really think this is "the showrunner's fault" or anything; more that a perfect storm of a showrunner who was habitually late on scripts, used to writing lowkey cop dramas, covid, an entirely serialized season, etc. may have led to these issues

[theemissuniverse]

i feel like some mk characters would definitely break the bed or headboard during sex.

like not rough fucking either, like they could just be so into it that it happens.

if that makes sense😭

BREAKING THE BED MK MALE CHARACTERS

SUMMARY : Title is obvi

A/N : every single time I see people talking about this, my mind just resorts back to twilight breaking dawn part 1 when Edward broke the headboard LMAO

WARNINGS : (MDNI)! dirty talk, praise, breeding kink, cumming, squirting, unsafe p in v, size kink, probably some other stuff I forgot

MASTERLIST

MORTAL KOMBAT 1 CHARACTERS

Liu Kang hadn’t had sex since he created the timeline. That meant that he hadn’t had sex for eons. It wasn’t like he didn’t want to but Liu Kang was not the type of man to just screw other women randomly just to get his release. He couldn’t do that even if he wanted to. If he were to have intimacy then he had to do it with someone that he loved.

Luckily for you, you were that someone. He loved you more than anything. More than himself, more than life itself. He’d do anything for you no matter what.

So here he was, in the bed with you. He was on top of you while you laid on your back, looking into his eyes. Liu Kang found that making eye contact while he thrusted in you was more intimate than anything.

Your nails felt good scratching on his back. Your heavy pants filled the room. Liu Kang went slow but efficient. It was your guy’s first time so he didn’t want to over do it by going at such a rough and fast pace.

“Oh, yes. Yes. Liu Kang.”

You saying his name made it one hundred times harder for him to control himself. I mean the man hadn’t had intimacy for eons and now he was having it with you.

Liu Kang would kiss your shoulder and your cheek whispering how much he loved you before placing his hands on the headboard. He continued to go slow but hard into you.

He was hitting all your good spots. Liu Kang was certain that there would be love marks on his back from how you were scratching at it with your nails. (Though he wasn’t complaining.)

“Please don’t stop. I love you.”

Nothing turned Liu Kang on more than you telling him that you loved him. He started to pant himself. He felt uncontrollable fire come through his hands and with that, the headboard broke.

It fell behind the actual bed. Liu Kang stopped and covered you to make sure that none of the remaining pieces would fall on you.

He looked at what he had done and then back to you. He gave you an apologetic look. “I’m so-“

He couldn’t even get it out before you pulled him into a kiss. Liu Kang accepted the kiss.

The two of you pulled away. You gave him a smile. “If I didn’t have sex for literal eons I would’ve broke the bed too.”

Liu Kang chuckled at you. He kissed your neck some before thrusting back into you, making you moan. “You know I can’t control myself when I’m with you, love.”

Bi-Han was always presumed to have multiple women in bed. That was not the case. At all. He did not have time for women. Even if he was feeling really horny some days. He didn’t go out and get a woman to take his frustration out of. He still had traditional values and did not believe that it was okay.

That’s where you come in. Bi-Han wasn’t really concerned with love until he met you. Some days, it was hard for him to show it to you but you knew he meant well.

Bi-Han was on top of you while you laid on your back. He was going at a fast pace but he didn’t do it hard. He actually did care about you so he didn’t want to hurt you.

He wasn’t really affectionate during sex so you didn’t get any kisses or him telling you that he loved you. In fact, you didn’t get much of anything besides a few animalistic grunts. He wasn’t a talker in general when he had intimacy.

“Oh yes. Please. Bi-Han. It feels so good.”

He did love it when you talked though. Bi-Han had an ego so him knowing he was making you feel this good turned him on to no end.

He continued to thrust in you fast. The sound of skin to skin contact was heard along with your moans and his heavy breathing.

“Yes. I need you. Please. I need you.”

Bi-Han grunted at your words and placed his hands on the headboard of the bed. He stopped his such fast pace and went a bit harder this time.

“Right there. Right there. Oh yes.”

Maybe it was because Bi-Han didn’t really have intimacy or maybe it was because your moans were driving him crazy but Bi-Han lost control.

Ice started to freeze the headboard of the bed. Then the headboard broke completely because of that.

Bi-Han stopped thrusting in you and he watched as the pieces fell either behind the bed or on the side.

He sighed, annoyed. “I do not feel like getting that fixed.”

You shrugged with a smirk on your face. “Should’ve controlled yourself more.”

“I’ll show you control..” Bi-Han placed himself back in you making you moan. This time, he really was going to show you no mercy.

Syzoth never had intimacy in his human form for what was obvious reasons. Of course he never felt the need to because he had a wife and she was in her true form. So, what would be the point for him to take on his human form?

Well, now there was you and you were obviously human so Syzoth didn’t feel like having sex in his true form would be the best idea. At least right now.

So, he was going to try it in his human form for you. He had you laying on your back while he was on top of you. He warned you though that with his species, they can become incredibly aggressive and territorial during intimacy. You didn’t believe him.

You should’ve believed him.

Syzoth wasn’t going at a speed where you couldn’t handle it but he was going fast and rough with you. Unlike most men, he was a talker but that was probably just his true nature showing.

“Oh gods. You feel so good, (Y/N).” Syzoth rubbed all over your body as he spoke.

“Mmhm. You feel even better, baby.”

Syzoth bent down to your level and kissed you sloppy. You accepted the sloppy kiss and Syzoth began to tongue kiss you. You were no match for his tongue though. It was useless fighting against him.

His tongue started to lick all over your neck before he sucked on your neck. You moaned at the feeling of his mouth on you. “Mine. All mine.” He told you.

Syzoth felt your breasts and he gave them a good squeeze. He felt himself practically whining at how good you felt around him. It was all too much for him. “Please let me cum inside of you.” He kissed your shoulder and nibbled on it a little. “You’d look so pretty pregnant.”

He could say just about anything and you’d agree to it just because he was fucking you so good. “O-okay.”

Syzoth’s hands went on the headboard. He slowed up on his fast pace and focused more so going hard. You let out short gasps, unable to speak, “Oh, yes love. You look so pretty like that.”

He couldn’t help but go a little bit faster. “Have my babies. Have my babies.”

His nails dug into the headboard. He didn’t even realize it but with all his strength, the board broke.

Syzoth stopped, a little taken back at what he had done. He sighed to himself. “I thought I was controlling myself well.”

You gave him a ‘really’ look. “You call everything you did control?”

“Am I hurting you? Am I going too rough? Because I-“

You cut off his worries with a kiss. Syzoth kissed you back with the same amount of passion before you pulled away. “No, I like it a lot. You’re fine. I’m just teasing.” You grabbed onto Syzoth and pushed him back inside of you, making him hiss out of pleasure. “Now, keep going. I’m almost there.”

MORTAL KOMBAT 11 CHARACTERS

Shao Kahn was a man of many things and having multiple women worship him was one. The great thing about it was he didn’t have to force these women either. They worshiped him by their own free will. It only boosted his ego up.

That didn’t matter anymore now that he had you, his Empress now. None of those other women mattered. He had you and he was content with having just you.

Shao Kahn warned you about having intimacy with him and how big he actually was. You thought it was just that talk men have to hype themselves up.

Oh…you were wrong.

He had you laying on your back while he was on top of you. Shao filled you up completely. You didn’t know if that was a good thing or a bad thing.

Shao made sure to do slow but efficient thrusts. At least for right now as it would take some time for you to adjust to him.

You moaned every time he thrusted in you. Every time it got louder and louder. Shao Kahn was in heaven as he watched you fall apart on him again and again.

Your body twitched from the immense pleasure Shao was giving you. “That’s it. Take all of me.” He told you. He continued to give you slow strokes. “You can do it. You were made for me.”

Moaning at his words, you felt up all over your body. Shao watched you play with your breasts and he couldn’t help himself. He went a little bit faster.

A loud gasp came out your mouth at the change of pace. Your eyes rolled in the back of your head but Shao forced you to look at him. “I need to see those pretty eyes while I make you mine.”

Shao rubbed your stomach soothingly. “You are all mine. You belong to me.”

“Oh my god. Shao please.” You tried to run away from him but Shao grabbed onto your thighs. He picked them up and wrapped your thighs around his waist.

Shao Kahn kept thrusting in and out of you, grunting as he did so. You moaned louder. You tried to keep your eyes on him because you knew if he had to tell you again, it would be bad.

“It feels so good.” You could barely get out.

Telling him how good he was making you feel made his ego boost up. His hands placed on the headboard and he looked down at you. “Are you ready my Empress?”

You knew that meant he was going to go fast but you felt like you were more ready. You nodded to him and Shao Kahn started to go fast into you.

You thought it was going to hurt but it was good. Incredibly good. “Oh my god. Yes. Please. Just like that.”

Shao Kahn continued to fuck you into the bed, grunting while doing so. Usually, he would only care to get himself to cum but you were his Empress so it meant he cared to get you there too.

You were already almost there. “Oh my god. Please. I’m cumming. I’m cumming. Please, Shao.”

Shao Kahn continued to go at his same pace. That’s when he felt hot liquid on his chest. You had squirted on him.

He found this so attractive that he couldn’t contain himself anymore and he broke the headboard to the bed.

It didn’t break in pieces. He had ripped it off straight with his bare hands. He threw the headboard down and you gasped a little at the sight.

Shao Kahn looked at you with a smirk. He stopped thrusting in you. “What was that? Only a minute?”

You rolled his eyes at his cockiness and forced him to go back inside you. “Shut up and cum in me already.”

Kano always had women wanting him. I mean he was attractive, charming, and great in bed. Who wouldn’t want him? He was the perfect catch and he knew this. That was probably the bad thing about it because it made him cocky.

When he met you though? He kissed those other women goodbye. None of them mattered when he had you.

He had you laying on your back. He was on top of you. Kano gave you rough and fast thrusts, making your breasts jiggle up and down.

“Oh Kano. Please don’t stop.”

Kano loved it when you said his name. He typically wasn’t really that affectionate during intimacy but for you? He’ll do about anything.

He kissed you on the lips. His pace didn’t stop. You moaned into his mouth. Kano began to suck all over your bottom lip.

Kano’s kisses went to your neck and he nibbled all around your sensitive areas. You moaned louder. “Please. Kano. You feel so good inside of me.”

“I know, love.” Kano licked all over your neck like he was hungry for you. “How bout you let me cum inside of you? You’d feel even better.”

Kano could tell you to do just almost anything and you’d do it in a heartbeat the way he was fucking you into the bed. “Oh god, yes. Please cum inside me. Please. I need you.”

“That’s what I like to hear.” Kano’s hands went on the headboard and he went even harder inside of you. He watched as your mouth fell open and your eyes roll back into your head.

“Oh yes. Give it to me. Oh, yes. Give it to me.”

Kano groaned at your words but didn’t stop his pace. “You’re such a naughty girl.” One hand went to quickly slap your thigh before placing it back on the headboard. “My naughty girl.”

Your pussy clenching onto him was far too much for him. Kano himself started to pant. Then he felt the headboard break.

It didn’t break drastically. It just broke in half. Kano stopped thrusting in you and looked down at you.

The two of you didn’t say a word. There was silence. And then you two started to laugh. You two laughed like it was the funniest thing in the world.

Kano leaned down and kissed you on the lips. “Oh, you drive me crazy, love.” He told you before going back to thrust into you.

Hanzo didn’t really have it in himself to have intimacy anymore after the death of his wife. He felt there was no purpose in doing it if he wasn’t in love. So, he just didn’t have it.

Then he met you. The now love of his life. Everything changed about him then. Hanzo now had the desire to make love to you.

He was a bit nervous though considering that he hadn’t had intimacy in a long time but you constantly reassured him that it would be fine.

Hanzo had you laying on your back while he was on top of you. He gave you slow but hard thrusts. His eyebrows squinted in pleasure as he made love to you. If you felt like this all this time, he wished he had done it sooner.

He didn’t mind at you clawing at his arms. It barely felt like anything to him. Hanzo made sure you felt comfortable and loved each time he went in and out.

“Hanzo please.” You cried out. “I need you.”

Hanzo groaned at your words before kissing you. As if he would lose you the next day. As he kissed you, he went a little bit faster causing you to moan in his mouth.

“You feel so good, my love.” He told you. He kissed your forehead and focused on his fast pace.

Your moans filled the room along with his panting. Hanzo felt like he could cum at any moment but he would wait until you had gotten there first.

He didn’t think he could wait.

Hanzo’s hands went to the headboard. As much as he loved your moans, he was trying to drown them out. They were just turning him on more to the point where he felt like he was about to cum.

You noticed that his eyes were closed. Probably concentrating. You rubbed all up on his chest. “What’s wrong, Hanzo?”

You were driving him absolutely crazy and he didn’t think he could hold it much longer. “Trying to wait for you, my love.”

Chuckling, you brought him a little closer to kiss him softly on the lips. He accepted the kiss. Then you pulled away. “That’s sweet of you but you do not have to wait for me, darling. You can cum in me now.”

He liked that he had your permission but he still was trying to wait for you. His hands gripped on the headboard even more. He couldn’t hold it. “Oh, (Y/N). Oh my love.”

You knew he was cumming. You rubbed up and down his chest to help him with your soft touches. “That’s right, darling. Cum inside of me.”

Hanzo came hard in you. His hands created fire and it completely broke the headboard.

The two of you gasped at that. Hanzo stopped the fire and he looked at you to make sure you were okay. “Are you alright, (Y/N)?”

“Yeah. I’m okay.”

“I apologize. I did not mean to lose control like that.”

You gave him a quick kiss on the lips before speaking. “It’s okay. It’s was hot.” You decided to joke.

Hanzo shook his head and kissed your cheek. “You and your terrible puns.” He went back inside of you, making you moan. “We’re not done here. I’m not finished until you finish.”

[shanastoryteller]

i'm going to move on from supernatural posting, i swear to god, but first i'm going to talk about ep 9x07 bad boys

the episode itself is fine and good (i mean it's another example of dean having a support network while sam can't have anyone and dean keeping secrets while when sam does it it's the worst betrayal ever but that's not what this is about and sometimes i think about what this show did two earnest, loving traumatized characters by turning them into the most tragic versions of themselves and - ok, this really isn't what this post is about)

but fandom interpretation of this episode actually drives me up a wall because it does a disservice to literally every character

one, john did not leave them without enough money for food. dean gambled it and lost it. there's nothing in canon to say that john was taking longer than expected, that they were running out of money, none of that. dean gambled food money and lost it and then tried to steal to make up for it. he was 16 when this happened and it was a bad decision but i don't think he should be at all vilified for this. he made a dumb mistake and then tried to fix it with another dumb mistake. john was right to be mad and sam was also right to tell him that he shouldn't beat himself up about it. just like with shtriga - yeah, dean was climbing the walls stuck in that hotel room. but you know who else was stuck in that hotel room? sam. and he didn't get a break to go play at the arcade. again, i'm not blaming dean here, he shouldn't have been stuck taking care of his brother that young and he was a kid and john leaving his his children behind while hunting a child eater, whether he was using them for bait or not, is crazy. but dean stealing food wasn't about john's neglect and all the sacrifices dean had to make for sam. it was about him trying to fix his fuck up

two, and this is the one that really gets me, dean didn't go back with john because he had to take care of sam

listen. listen to me. i am speaking from experience when i say this

parentified siblings are still, first and foremost, siblings. especially with only 4 years between them. the show shameless i think did an absolutely excellent job with this and is why i love the first few seasons of it so much. fiona is without a doubt parentified, she is raising those kids, but she's also clearly their sister not their mother

i know later seasons dean and fandom like to make it seem like dean literally raised sam and john was just a background figure but like. that's not realistic, and frankly doesn't even make sense

the reason dean leaves sonny and goes with john isn't because he feels like he has to keep him sam safe. it's isn't because he feels like he has to raise him. it's because he loves him

you are reducing dean to the most pathetic woe is me archetype with this interpretation and ridding him of all his rich loyalty and care and love to saddle him instead with comparatively flat duty. dean is more than sam's caretaker. he's his brother

there's also no reason for dean to feel this way. he just massively fucked up in taking care of sam - that's why he's with sonny in the first place. john has alternate people to take care of sam when he can't do it himself, as he has just proven, and while i don't think we should turn a couple teenage mistakes into making dean incapable, dean absolutely would - and did! he carries every fuck up regarding sam with him! so right now he's really, really low when it comes to his own estimation to take care of sam and leaving sonny because of that doesn't make any sense

but he looks at his brother and is reminded how much he missed him and loves him and realizes staying means he loses his brother. the good and the bad. so he goes, because he loves sam more than anything else

this is also why sam leaving for stanford cuts him so deep. that's why this moment is a parallel to that rather than being unrelated. stanford isn't about sam leaving dean even though he has a duty to care of him, because he doesn't. dean's 22 and at this point is always hunting with their father so there's no reason for sam to believe his presence is necessary for either john or dean's safety

no, dean's mad because he chose his love for his brother over a normal life and sam didn't

(sam didn't want to choose at all but this isn't about him)

anyway. dean fucks up sometimes and john sucks but not quite in the ways fandom thinks and dean loves his brother past reason or sense

[pathologicalreid]

Dude I love ur writing sm!! It’s literally so good and Buried Alive was amazing! If ur down for it (totally no pressure at all) I was wondering if u would eventually write a second part where Spencer helps the reader with the aftermath? Like maybe they struggle with PTSD or severe claustrophobia after that? Idk ur literally amazing enough I’m sure u have great ideas and again, it’s completely up to u, I was just wondering

above ground | S.R.

part one part three

in which spencer helps you cope with the aftermath of your abduction, and you reciprocate

who? spencer reid x fem!BAU!reader

category: hurt/comfort, angst

content warnings: claustrophobia, being buried alive, nightmares/night terrors, ptsd, death, cpr, use of pet names, mentions of drugs, therapy, suffocation

word count: 2.2k

a/n: hello anon! i am absolutely always down for spencer reid hurt/comfort!! thank you so much for asking!!! i've been super overwhelmed with all of the support i've received on buried alive and i'm so so grateful for all of the kind things people have said.

Standing in a dark room, you looked around your surroundings. There was nothing around you that told you where you were. The walls were all blank, the ground was cement, and it was too dark for you to even see the ceiling.

Hesitantly, you reached out your palm, touching the wall just for it to be met with something… damp? You pulled your hand away, and your skin came back dirty. Your stomach churned as you observed the soil that had settled in the creases of your fingerprints. “No,” you breathed, quickly moving to dig at the walls.

You felt it on your elbow next, like the dirt walls were encroaching on you. You turned around to see the dark room was just getting darker, and the walls started to deteriorate. Like an avalanche, the dirt of the walls falls to the ground, covering your feet, “No,” you cried out this time.

Digging at the walls just made your earthly prison bury you faster, so instead, you tried to climb toward the ceiling. You whimpered in defeat as you reached the previously unseen ceiling. The loose earth reached your chest, constricting your breathing. You tilted your head back in an attempt to keep the dirt out of your mouth.

Your face felt cool like a gentle breeze was being blown on it. You choked, but to your surprise, you didn’t choke on dirt.

            There were hands on you, one hand on your shoulder and another on your waist. That didn’t make sense to you, someone hauled you into a sitting position, patting your back in an attempt to help you clear your throat.

            The choking turned to coughing, which then turned to dry heaving off the edge of your bed. Very rarely did anything ever come out, but you kept a trash can there just in case. You blinked as someone reached over and turned on the lamp on your bedside table, the comforting hand remained on your back.

            Desperately, you tried to catch your breath, tilting your head back as you tried to open your airway. “You’re safe. I’m right here, angel,” Spencer whispered from behind you, he leaned his forehead between your shoulder blades and drew hearts on your back with his index finger.

            You took a deep, shuddering breath as you finally filled your lungs, visualizing the air going in and out of your body. Breathing in through your nose and out through your mouth.

            Spencer continued whispering to you, not once did he tell you that your dream wasn’t real because it was real. To you, being buried alive was very real. The suffocation was real, it had happened to you.

            Two months ago, you had been abducted and buried alive by a family, a mother and her two sons. All of whom were in jail awaiting trial. The two agents from the Omaha field office who had left you alone in the funeral home apologized profusely, you had a private meeting with the director of the FBI, and the BAU rallied behind you, it was nice, but none of it made the fear go away.

            The first nightmare came the same night you were back in Virginia, and you had screamed so loud that your neighbors called the police. Spencer handled everything, and when the officers insisted that they needed to speak to you directly, he flashed his FBI credentials, something he really wasn’t supposed to do.

            Your response was to avoid sleeping, at least at night. You stayed awake at night, reading, or watching TV with headphones on, and you slept during the day so that when you opened your eyes, you could feel the sun on your face. The problem was when you needed to go somewhere, you didn’t sleep, or when it rained, you didn’t sleep.

            The exhaustion just made your anxiety worse, and Spencer caught on to it. He sat you down on the couch and held your hands, telling you that he understood that you didn’t want to feel like you were burdening anyone with your nightmares, but he needed you to understand that you were killing yourself at the same time.

            He didn’t do it for everyone, but for you, Spencer took over the role of protector. He found you a therapist in the district that specialized in patients with PTSD and claustrophobia. It was an hour round trip, but Spencer was more than willing to take you the first few times.

            Dr. Montgomery quickly diagnosed you with PTSD and claustrophobia. You hadn’t realized that claustrophobia was something you could be clinically diagnosed with, but the doctor told you that there’s a difference between a fear of enclosed spaces and what you had. He was straightforward, which you liked, and he told you that your claustrophobia was a response to the traumatic event that you had experienced.

            A steady course of treatment that included medication and exposure therapy had slowly been giving you your life back.

            But then there was Spencer.

            Spencer had Morgan help him take the inside doors of your apartment off the hinges so air would flow, and you wouldn’t be afraid of suffocating. He left the ceiling fan in your bedroom on even as the weather cooled so the air never got stale.

            Six weeks ago, you had mentioned offhandedly that you were having a hard time sleeping in total silence, and Spencer had come home later with a white noise machine.

            When you apologized to him for needing the lights on to sleep, he responded by stringing lights around the entire apartment, telling you he read that warm light can help prepare the mind and body for sleep.

            He turned in all of his PTO, even accepting some from David Rossi, who didn’t use his anyway, so he could stay home with you while you were on mandatory medical leave. He tagged along to therapy appointments, to the neurologist, and even to the FBI physician who needed to clear your physical injuries to your ribs before you could return to the field.

            On his nightstand, there was a stack of books all about claustrophobia and loving someone with PTSD.

            Not once through this whole endeavor did you question your relationship with Spencer, he made himself perfectly clear through his actions. He wasn’t going anywhere.

            The FBI physician cleared you two weeks ago, your neurologist faxed Hotch paperwork stating you were without any deficits, and your psychiatrist told you that as long as you felt like you could avoid your triggers, you should be able to go back to work. In fact, Dr. Montgomery thought going back to work could be beneficial.

            You were supposed to go back tomorrow.

            Spencer was now sitting in front of you, and he offered you a small smile as you blinked yourself out of your nightmare-induced stupor and met his eyes, “There’s my girl,” he whispered. For a moment, you focused on his movements, smoothing your hair back with one hand and leaving the other hand resting on your waist. “I love you. You’re safe, you’re at home with me,” he reassured you.

            You narrowed your eyebrows, “It was- I was in the ground again.” Hesitantly, you looked down at your hands, they were perfectly clean, not a speck of dirt to be seen.

            “It was a night terror, angel,” he said, speaking gently to you as he reached over and pulled the strap of your tank top up and over your shoulder from where it had fallen. A night terror, not a nightmare.

            Tears dropped down your face when you closed your eyes. “I couldn’t breathe,” you whimpered. Taking a gasping breath, you looked at Spencer as you tried to draw air into your lungs, “I couldn’t breathe, Spence. I couldn’t breathe.”

            Quickly, Spencer pulled you into his lap and held you, “Shh,” he cooed. “I’ve got you, my love. I’m right here,” he murmured as you set your chin on his shoulder and cried.

            “I suffocated,” you whispered, it was a fact of your life, that you had stopped breathing for a period of time. The doctors estimated you had been down for almost ten minutes.

            His hold on you tightened, “I know,” his voice broke slightly. “I know, baby,” he pressed a gentle kiss to the crown of your head. “What do you need?” He asked, watching you intently as he reached up and used the pads of his thumbs to wipe away your tears.

            You blinked the last of your tears from your eyes before meeting his, “Can we go outside?” You asked him, placing your hands on both of his shoulders.

            Spencer nodded, leaning over to grab his glasses off of his nightstand before standing up and picking you up as he went.

            Instinctively, you yelped, but a laugh escaped your lips. It was a foreign feeling sometimes, but Spencer always knew how to elicit a smile from you. “Put me down,” you said, but your tone was light.

            Once your feet were touching the ground, Spencer looked at you, “I just wanted to see you smile.” He said earnestly.

            Despite yourself, the corner of your mouth quirked up, “Thank you.” You reached over to grab your phone off the charger and slide it into your pocket before you led Spencer out to your apartment’s balcony. He sat down on one of the chairs and pulled you down onto his lap.

            You let him hold you, not moving and just letting your body settle on top of his. The cool autumn air filled your lungs as Spencer held you. You let him hold you because you knew that his fear was just as valid as yours. While you were afraid of confinement because you had been confined, he was afraid of you dying because you had died.

            “I can hear you thinking, honey,” you whispered, leaning your head on his shoulder. “What’s on your mind?” You asked him, taking his hand and intertwining your fingers together.

            He sighed, “I’m worried about you,” he admitted. “I want to tell you not to go back to work yet, even though I know that logically it’s the next step for you,” Spencer said, you watched his honey-colored eyes as they studied your face. “And I know that you need it, you need to return to something dependable.”

            You move your head so you can look him in the eyes better, “But?”

            “But,” he continued, “the BAU isn’t dependable. You have this great routine that we’ve very nearly perfected and I’m so worried about you straying from it. The long hours at work could very well cause you to lose all of the progress you’ve made in the last two months,” he tells you candidly. “What happens when you need to get on an elevator, or when you need to get on the jet, and you can’t? What about when you-“ He cut himself off, swallowing thickly before he said something he couldn’t take back.

            You shifted so you were facing him, shoulder to shoulder, “What is it, Spence?”

            He took a deep breath and cupped your cheek with his hand, “The last case you worked on, you died. I pulled your dead body out of a casket. Fuck, Y/N,” his curse took you aback, he usually strayed from swearing. “I did CPR on you before Morgan took over,” he finished, voice growing hoarse.

            Your lips parted; you couldn’t answer him. You didn’t know how to answer him, but you took his hand and selected his third and index finger before pressing them to the pulse point on your wrist. In response, he sighed and leaned his forehead to yours. You watched his lips move as he silently counted the beats per minute.

            The both of you jumped when your phone went off, and dread filled your stomach when you checked your phone.

            Penelope Garcia: Local case. Round table room in thirty if you’re up for it.

            “If you ask me to stay home, I will,” you told Spencer, sweeping his curls behind his ears. “I won’t hold it against you, I’ll tell Hotch I need more time.”

            Spencer shook his head, “You know I can’t do that. I can’t make that decision for you, and I don’t want you to make the decision for me, you need to choose what you want.”

            You both went, Spencer distracted you for the entire elevator ride up to the BAU, but he was still tense. Even though he insisted he was fine, you knew him better than that.

Spencer followed you up to Hotch’s office and when you told Hotch you wanted to work but you didn’t feel ready to be in the field, your unit chief nodded and told you that you were welcome to stay in the local precinct and work on a geographical profile with Spencer.

            You watched the tension leave Spencer’s body. He tried to tell you that you didn’t need to do that, but you just rolled your eyes and dragged him to the roundtable room.

[yuwuta]

hi 👋 bsf upstaging bf with choso???

ok i’ve gotten asks for pretty much every other jjk boy on this subject and i want to say something as an overarching theme: all of them ain’t shit. not a single one of them. there’s a scale, some (gojo) are worse than others, but in general, none of them really give a fuck, if that means upstaging, sabotaging, or straight up kicking your boyfriend to the curb so that they can be your boyfriend instead then so be it. but they’re not shit, NONE OF THEM!! but there is a hierarchy and different methods of execution and all that, so here’s where they stand 

president and ceo of not being shit: satoru gojo

why would satoru care about your boyfriend? in any and all universes, he is raised in a world where consequences mean nothing to him. so what if he’s a little rude to this guy? so what if he buys you a ridiculously expensive birthday gift that might be seen as romantic? so what if he offers to take you on a vacation that happens to overlap with your boyfriend’s birthday? the worst that will happen to satoru is nothing; the world bends to his whims, never the other way around.

it’s a combination of complete self-confidence + trust in you + getting joy out of bothering people that earns him this number one spot. he’s confident in every sense of the word, so he doesn’t see your boyfriend as a threat. even if satoru didn’t love you romantically, he wouldn’t see a boyfriend as a threat to your friendship either, because he has no doubts in himself—and to the second point, he doesn’t have any in you either: you’ve proven your loyalty to satoru, proven that even when he pisses you off, you still love him, even when you’re dating somebody else, you still make time for him, even when he’s being shitty and stubborn, you don’t kick him to the curb, you just pinch his ear and bring him back down to earth. he’s always chosen you, but you’ve always chosen him, too, so again, what’s to fear when a boyfriend is added to the equation? nothing, because satoru knows this guy can’t earn or replace the loyalty you’ve given him. 

and to top it all off, he likes watching your bf grind his teeth. he likes watching this guy have to hold his breath, because what can he say without sounding like an ass—he won’t ask you to tell satoru to fuck off because he hasn’t done anything wrong. treating your best friend to fancy dinners and exotic getaways and designer clothes is just nice when you have money—your bf would be pretty shitty to deny you that. and he’d sound insecure, too. and satoru knows your bf doesn’t have the balls to confront him, and even if he did he’d lose. it’d be embarrassing. so, satoru wins. he always wins. satoru engages in psychological warfare, and he has the physical strength, social power, and financial security to back it up, so he, literally, can never lose. and, sure, having your bf around is annoying, but it’s so much fun to watch other people lose that he lets the guy stick around for a while. you’ll get tired of him and run back to satoru eventually, and he’ll confess this time… hopefully.

vice president: kento nanami

if you expected kento to be lower on this list, think again, because he is just as bad. he’s only second place because he’s not as overt, nor does he wish to actually taunt your boyfriend like satoru would. for kento, you’re just his number one priority. you always have been, ever since you came into his life; it was confusing at first, for him to care so much about you beyond an objective sense of responsibility, but overtime he came to realize that he way he wants to take care of you is different. he doesn’t just want to ensure your comfort and safety physically, he wants to make sure you’re taken care of emotionally, he wants to bear your burdens for you, not just help you through them.

kento is a good friend, a trusted confidant, a reliable person overall, and over the years, he’s inadvertently raised your standards. casual situationships and relationships where you’re not the priority become unappealing when you’ve had someone by your side for so long who’s treated you better than that. if your best friend can buy you flowers, and make reservations at new restaurants, and drive an hour to pick you up in the rain, and cook for you when you’re feeling sick, then why would you tolerate anything less in a romantic partner? these things are the bare minimum to kento, but most other men fall far below average; it’s hard for them to compete where they cannot compare. 

so when you do accept a partner, kento is skeptical at best. he knows that what he does for the people in his life isn’t necessarily special, but he doubts that your boyfriend is capable of doing even that—and even if he does meet the standards, he’ll be outclassed anyway. because kento is a good person, but he’ gotten really good at how to be good to you. your boyfriend might get you flowers, but kento already knows your favorites. your boyfriend might send chocolates, but he doesn’t know which ones you’re allergic to, and the brand you prefer; kento does, which is why the ones he bought for you are gone within the week, and the generic box sent over by your boyfriend was re-gifted to satoru. when you voice your doubts about a date your boyfriend mentioned wanting to plan, kento feigns interest, and then innocence when he asks if you’re busy a few days later, if you’d like to help him bake something instead—something he knows you’d much rather do. the short version is—kento knows you, and he uses it to his advantage. he uses the knowledge gained during your friendship to outclass anybody in your dating pool, and he does it so smoothly that it hardly seems intentional or harmful, but it is. which is why he’s just as bad, if not worse, than satoru. 

treasurer: megumi fushiguro 

there’s actually no au in which megumi isn’t shit because no matter how you square it, he gets it from his daddy. whether he’s raised by just satoru, just toji, or some au where he has them both in his life—the common denominator is that they’re there. if megumi ever did confide in either of them about hating your boyfriend, both satoru and toji would offer the same advice: “can’t you just get rid of him? what’s he got on you?” which is absolutely not how you should parent a child...

megumi might have his doubts about his personality, but he’s never been insecure about his appearance. it’s hard to be when he looks like that, but also when he’s had either toji or satoru (or god forbid, both) in his ear his entire life. he might have some fucked up attachment issues and skepticisms about the general population, but he has a very secure view of himself. so, to start, he’s not impressed by your boyfriend, and is honestly a little offended that you think this guy is objectively more attractive, or that you’re more romantically/sexually attracted to him that you are to megumi—or even, any of your other friends. he’d rather you start dating nobara or yuuji, at least he could live with that because those are pretty people, but your choice in boyfriends… he’s not trying to be mean but you could do better. you’ve done better. 

secondly, megumi…. doesn’t care about him. at all. he’s not like satoru in that it brings him happiness to tease your boyfriend, he’s not like kento in that he skews your standards in his favor to nudge your boyfriend out of the picture; megumi literally does not care if this guy lives or dies. your boyfriend could drop dead and megumi would be like damn… that’s crazy… and move on with his life. which is a wild view to have of your best friend’s partner; and it also drives said partner to madness because why the fuck won’t your childhood friend acknowledge his existence?? but again, megumi doesn’t care that his apathy towards your boyfriend bothers him—megumi doesn’t see him, doesn’t know him, doesn’t care to know him, and it drives a wedge in your relationship. 

thirdly, megumi is, canonically, a bully to people he doesn’t like. if your boyfriend gets angered enough to the point of confronting megumi, or whining to you, then it’s inconsequential to megumi to hurt him, and he won’t hold back. also on the reverse side, if there was a situation in which your boyfriend was getting hurt or needed help, then megumi is not helping. he’d probably just watch, or join in. 

after a while, megumi grows past apathy into exhaustion. he thinks you should do better, he thinks you should know better, he thinks he’s better. and he is. he’ll show you that. (also, he is most likely to try to seduce you into infidelity because he doesn’t care about your boyfriend, so you’re single to him). 

first secretary of not giving a fuck: yuuji itadori 

jealousy is something that yuuji used to feel guilty about, guilty enough to drive him to confiding in satoru/nanami about his feelings and seeking advice for how to deal with it, because he thought being jealous meant that he was being a bad friend to you. but neither of his mentors are shit, so yuuji learns to adopt the age old mantra: all is far in love and war. 

he’s better than satoru in the sense that he doesn’t antagonize your boyfriend, he’s better than kento in the sense that he doesn’t outwardly outclass your boyfriend’s efforts, he’s better than megumi in the sense that he does care about people outside of his immediate circle of friends, and as long as your boyfriend is a human, then yuuji will care about his life; but in all other senses, yuuji is surprisingly neutral, and in some cases, actually worse. 

yuuji has two things to his advantage that he absolutely abuses: his likability, and his strength. when it comes to likability, he can just play the friendly, nice guy card. wrapping his arm around your shoulder, twirling you around in a hug, pinching your cheeks, playing with your hair, laying on your lap—he’s just yuuji, he’s just being friendly, he’s just being nice. it’d be pretty shitty of your boyfriend to tell him to be meaner to you, no? ^.^ yuuji is also sneaky with this in that he uses it to say otherwise mean things under the guise of a friendly disguise, and people rarely think otherwise of it. (“it’s fine if you go to the club with us if your bf doesn’t want you to. it’s not like you’re gonna marry him” “are those boxes giving you trouble, man? not surprising, haha!” “you guys didn’t break up yet? aw... i mean... well, no i meant that, but come on, let’s take shots!” all said with a smile that looks like this 😇😇 on his face)

in terms of strength, it’s an unbeatable challenge for your boyfriend—because even if he gets pissed off at yuuji being too close to you, too affectionate with you, too sweet to you, what’s he gonna do? because he certainly can’t beat yuuji in a fight—he couldn’t even beat yuuji in a race, he couldn’t even beat yuuji at mario kart, so there’s nothing for your boyfriend to do but shutup and wallow.  

second secretary: yuuta okkotsu

does he need an explanation… does mr. “how rude, this is pure love” need an explanation… does mr. “i will kill itadori yuuji myself” need an explanation… does mr. “i won’t let sensei kill his best friend again, [i’ll do it myself]” need an explanation… hasn’t he already proved himself as the single most loyal and contently insane person on the planet… 

once you have yuuta’s loyalty, you have it forever. not even for life, because he’d find a way to transcend space and time to protect you in the next one. even if, for some reason, you didn’t want it anymore, you have it; yuuta’s love is final sale, no exchanges or returns. the only reason he’s not ranked to be worse than megumi or yuuji is because yuuta has one grave disadvantage: he is not normally confrontational, and is the definition of anxious LOL. he’d feel bad if he didn’t make an effort to get to know your boyfriend, but that doesn’t mean he has to like him...

yuuta might know that he has feelings for you, but he’s honestly content with a platonic relationship if that’s how you choose to express it towards him. if you want to be friends, then he’s your friend; your love is that pure and vital to him, that he takes it in whatever form he gets it. he’s desperate for you in a way that has him completely at your whim; he doesn’t need reciprocity to love you, just knowing you, and knowing you accept his love is more than enough. keeping him around as friend, keeping him in your life, keeping him in your mind—that’s all yuuta could truly ever want. so, even when you have a boyfriend, it stings a bit at first, but as long as you still have the same amount of room in your life for yuuta, then he won’t do any harm to this guy. 

unless: (a) your boyfriend makes it difficult for yuuta to have access to you, (b) your boyfriend outrightly ticks yuuta off, or (c) the worst option, your boyfriend does something to hurt you or make you sad, then he’s off yuuta’s radar completely. he won’t confront, and he won’t intervene. but if any of those conditions are not met, even for a second, then your boyfriend is as good as gone and there’s little anyone, yourself included, can do to stop him. 

honorable board members: choso kamo, toji fushiguro, toge inumaki

everything about choso is on sight. it takes one wrong move, the slightest misstep, even a breath out of place and he will end your relationship and your boyfriend’s life if he has to. choso does not play when it comes to the people he loves, he won’t stand for you being hurt or mistreated in any way. there’s no subtle psychological warfare, there’s no shovel talk, there’s no blame game: choso sees something wrong, and he takes it upon himself to correct it. your partners have one chance to treat you right, or they’ll wish they hadn’t met choso to begin with.

toji doesn’t really chase people, but you have always been the exception. he hates to admit it, but he’ll follow you anywhere you go, not caring for whoever else you decide to bring along. if the journey of your life is a car ride, toji always calls shotgun, and he doesn’t really care who else gets in the backseat, until they ask him to get out of his—then there’s a problem. and he’s never once felt bad about turning some guy into a hitchhiker. 

the greater good should be thankful that toge takes a voluntary vow of silence, because if he said even half of the things that were on his mind, the world might, quite literally, be set on fire. toge doesn’t care—not like megumi, him not caring isn’t apathy towards the life or death of other people, he just doesn’t care what reaction his actions pull out of people. you’ve told him it’s annoying when he pinches your cheeks and steals your boba, but that won’t stop him from doing it, esp not when you look so cute when you’re angry. yeah, he knows people get annoyed by his pranks, but that’s whatever. he knows your boyfriend hates when toge’s around you, but he doesn’t care. if it brings toge joy, he’ll do it. honestly, even if it doesn’t bring him joy, he’ll do it because he wants to. he’s not immune to consequences like satoru, he simply doesn’t care about them! he’ll just deal with it, he’s got a high tolerance for it—your boyfriend, however, seems like a weakling, so toge will simply outlast him. he’s outlasted all the others :) 

[merowkittie]

request: “Ні!!

Im not sure if your taking requests for writing, but if you are I was wondering if you could do a Wolverine and Deadpool x S/O who is very strong but doesn't look it?

If that makes sense...

Like the S/O is very sweet and shorter than them. But she is a total powerhouse! She can easily lift extremely heavy things, or can punch really hard.

Like even harder or stronger than the them!”

@klerns-birdie

thank you for your request! since i did write something similar to this before, i tried to switch it up as best as i can, sorry it’s a bit short =]!

warnings: none / not proofread =,]

wade testing your strength:

“holy shit, peanut! that actually hurt!” wade whined and held his bicep, looking at the blossoming bruise forming, only for it to disappear in a minute.

huffing, you rolled your eyes and kissed your teeth.

prior to you punching your boyfriend in his huge biceps, he was continuously bothering you. literally riling you up because in his words,

“it just turns me on whenever you or logan are angry.”

which prompted a glare from said man, and a scoff from you since you were pretty well tempered and only got angry on missions really. so he kept poking at your arms, tickling your neck, play fighting your legs, and when he LICKED your cheek, all mercy went out of the window.

so you reeled your arm and in a flash brought it down into his arm. logan applauded you for it, saying a gruff, “atta girl.”

usually, you’d let wade or logan do whatever! you truly didn’t mind, it’s just sometimes the constant nagging (as much as you love him) gets a bit too much!

“what happened to my sweetheart??” wade asked, putting your hair that’s fallen in your face behind your ear.

“still here.. just stop bothering me so much. we can cuddle if that’s what you want?” you looked up at him, and he swore he could’ve died at that moment.

you looked so sincere and adorable with huge eyes looking up at him, and a hand tugging on his shirt.

he folded instantly into your side, mumbling a little sorry even though he didn’t really mean it.

logan also testing your strength:

unfortunately this wasn’t your fault! compared to these two hunks, you’re tiny. so of course you’re going to struggle to sleep at night with wades heavy leg and arm strewn across you.

but what really tied the knot here was the fact that logan slowly started to lay on top of you. logan, who’s skeleton was made out of metal. metal that was HEAVY.

so as soon as half of him fell on top of you, squirming as quietly and gently as you could, you tried to squeeze out of that position.

and honestly, it was working until logan threw his own arm over you to secure you in the spot you found yourself in.

both men were knocked out in dreamland, where you wanted to be but couldn’t because of the weight on top of you. at the point, you wouldn’t be surprised if you died due to lack of airflow or something!

calling for help wasn’t even a liable option because blind al would be sleeping by now since it’s damn near 1AM, wade is knocked out drooling on your neck, and logan… he sleeps like someone’s grandfather!

there was one last option, but you didn’t think you were that strong for it..

as best as you could, you turned a bit in logan’s grasp and began to pick him up as much as you could to put him to the side. you literally didn’t understand how a person could be THAT heavy. but given the fact he is basically made of adamantium that obviously explains it.

but jesus… cuddles with him just end up deadly!

after a huff and one more push, logan was off of you and you silently cheered and clapped your hands together in praise. he groaned on the side, as much as he is a heavy sleeper, he always knows when you or wade are trying to slip out of bed or move around which disrupts his sleep and causes him to wake up and glare very very menacingly at you.

"bub?" he grunted as he turned back to you, squinting in the dark.

a sheepish smile made it's way to your face and you mouthed a sorry at him. "you kind of heavy y'know.."

he just rolled his eyes at you, and wrapped an arm around your waist, cuddling up to you like a cat.

with a sigh you just thanked whoever above for your mutation because as much as it's hot to suffocate under a sexy man, no.

the end is a bit abrupt.. sorryz!! hope you enjoyed <3

[casscainmainly]

Cassandra Cain and Asian Stereotypes

So I've seen people debating whether Cass is a racist character or not because she falls into certain Asian stereotypes. While this discussion is valid and important, a lot of the conversation (on this website and beyond) is steered by White/non-Asian people, or people who haven't read a lot of Cass' stuff. This is my take on Cass and Asian stereotypes as a Chinese Cass fan. I do not speak for all Asians, or even all Chinese people, who are absolutely free to disagree with any of these arguments.

Stereotypes I will cover here: Silent Asian, Model Minority, and Hypersexuality.

The Silent Asian Stereotype

The most obvious stereotype Cass runs into is the Silent Asian. I would recommend reading the linked article for more information. Silent Asian characters are Asians who are part of a core cast, but rarely speak. Kimiko Miyashiro in The Boys, Lilly in Pitch Perfect, and Katana in Suicide Squad are all examples of this. The article also mentions Ben from Umbrella Academy, who can only communicate with one character, thus limiting his dialogue.

Why does this happen? Removing Asian characters' dialogue reflects the Western conception of Asians as demure, rule-following, and meek, never speaking up or acting out. It also means writers don't have to spend as much time writing these Asian characters, who are secondary to White protagonists.

The problem with the Silent Asian, then, is not the silence itself, but the consequences of silence. Mute Asians exist, as do Asians who don't speak much; in media, Silent Asians are harmful because they indicate an unwillingness to focus on the Asian character.

This is why Cass, even before she learns to speak longer sentences, is not a Silent Asian. While her conception undoubtedly has unfortunate echoes of this trope, she defies it by being the protagonist of the story. A protagonist cannot be a Silent Asian, because a requirement of the trope is being a secondary character. Cass' feelings and actions are the center of Batgirl (2000), so allegations of this stereotype don't actually make sense.

Furthermore, the trope is about passivity and acquiescence to a White authority. From her introduction, Cass is neither passive nor acquiescent - her origin story is literally about defying David Cain, a White male authority figure. Beyond her not speaking much, she ticks none of the boxes for this stereotype. I think it's time for people to stop mentioning this stereotype in conjunction with Cass, who in every possible way subverts it.

The Model Minority Stereotype

The model minority myth is the belief that Asians are more successful and talented than others, particularly other minoritised groups. Like the Silent Asian, the model minority myth paints Asians as obedient and submissive. This is, in many ways, more insidious than the Silent Asian - there are still people who believe this stereotype (and jokes like 'of course you're good at math, you're Asian') is somehow not racist.

Though this myth seems positive, make no mistake that White people invented this tale for two reasons: to put down Black and Brown communities, and to prevent Asians from ever fully assimilating into White culture.

Cass plays on this myth very interestingly. I've discussed in this post how David Cain and Bruce's assertion that she's 'perfect' is a blatant reference to the model minority myth - by describing her as 'perfect' to them, they are centering their own desires, erasing Cass' individuality.

This is partially why I don't like 'Cass is Bruce's favourite' and 'Cass is an angel who can do no wrong' interpretations when people are just saying it without context. Cass being Bruce's favourite, or Bruce seeing her as an angel, is not a good thing - it is a representation of his biased attitude towards her. He is unable to accept her being a murderer because he is trapped within the model minority mindset. This is not saying Bruce is a full-on racist, but that his actions and perspectives are coloured by his Whiteness.

Cass' abrasive personality, willingness to defy Bruce and David, and very real flaws (her inability to see grey areas, communication difficulties, etc.) make her avoid this stereotype. Additionally, her close relationships with Black characters like Onyx and Duke are essential to combating the anti-Blackness at the core of the model minority myth. Her character evokes the stereotype (perfect martial arts silent fighter), but ultimately defies it through being the star of her own story (and also not being good at math. The fact she doesn't have anything to do with tech is actually one of my favourite aspects of her character, because I am TIRED of tech Asian characters).

The Hypersexual Asian Woman Stereotype

Asian women are often exoticised and fetishised as the ideal sexual partner; think of the term 'yellow fever', which describes men lusting after Asian women. The hypersexualisation of Asian women in media once again goes hand-in-hand with Asians being submissive. They are seen as innocent and child-like, while simultaneously being seductive and sexually experienced.

This stereotype is genuinely perpetuated in Batgirl (2000), mainly by the art in Horrocks' run. Where in Puckett's run there is refreshingly little sexualisation of Cass, once you hit Horrocks' run you get a LOT more shots of her lying down, sexually suggestive covers, etc. People have discussed this already, probably to more effect than I will do here.

However, as I wrote in my Gender and Sexuality posts, the writing is actually fairly defiant of this trope. Cass is vocally uncomfortable with hypersexualisation, and neither of her male love interests stick around. The problem with the Hypersexual Asian Woman is the focus on White sexual interests, where the woman is objectified for the White male gaze. Simply because Cass is the protagonist, the writing focuses on her sexual interests, and in the end it's about gaining control of her gender presentation and sexuality.

Cassandra Cain Vs. Asian Stereotypes

The through-line that connects all these Asian stereotypes is a lack of agency. There's a reason passiveness is the main trait for all of these tropes- the Asian body must be weaker than their White counterparts, in order to be tools or weapons against other minoritised groups.

Cassandra Cain, a character born from a choice that defies White male authority, rises above this passiveness with flying colours. The details of her character certainly fall into some of the above tropes, and the way her character is handled later (evil Cass, New 52), is certainly racist. However, the reason she means so much to me is because at its core, her story is a story of Asian agency. And that in itself is unstereotypical.

[poisonlove]

Stay with me | t.c

Pairing: Tara Carpenter X reader

Summary: Tara had a nightmare and the first person she thought of calling is y/n.

Words: 7.6 K

Warning: Post-traumatic trauma

"Tara! What the hell happened?" I tighten my grip on the phone, wondering why Tara was calling me at 4 in the morning. Sleep fades away as anxiety takes over.

I had met Tara Carpenter weeks ago almost by chance, arriving late to class. At that moment, I saw an empty seat next to a girl with brown hair and without a second thought, I headed in that direction

.Later on, we exchanged pleasantries, but over time those exchanges became more frequent, with added walks along the corridors and chats after school.

"Are you okay?" I ask quickly, feeling a deafening silence from the other end.

"Tara?" I inquire, feeling the worry growing inside me.

I was bitten by anxiety, my lower lip trapped between my teeth as a thousand thoughts, none of them encouraging, raced through my mind. Recently, Tara had told me about the horrible experience she had in Woodsboro with her friends and sister because of two psychopaths disguised as Ghostface. She literally went through hell... losing friends, suffering horrible injuries, and the growing anxiety of being pursued.At that moment,

I had hugged her to try to convey my support. Tara had buried her head in the crook of my neck, returning the gesture almost hesitantly. I knew she was scared, terrified of the idea of trusting someone again and reliving that horrible experience.

But despite everything, she trusted me.

"Y/n?" Tara's voice was broken, her nose sniffling as she sobbed. "Tara!" I say with my heart pounding, waiting for Carpenter's words.

"Can you come over?" Her voice becomes weak as she speaks, sobs threatening to escape any moment. "Are you hurt?" I ask, terrified, anxiety threatening to drive me insane.

Tara sniffs, the sound of her breath making me even more anxious. Should I run? Take the bus? Call an ambulance and rush to her apartment with a weapon? But would I be able to kill to defend her? A thousand questions assail me, and just the thought of having to kill sends shivers down my spine.

"No..." she says hoarsely, and a sense of relief washes over me.

"Has he... come back?" I timidly ask, biting my lower lip.

I didn't know what the term Ghostface would provoke in Tara, so I just asked if her fear had followed her to New York.

"No" Tara says timidly, her sobs threatening to escape from her lips.

I relax and look out the window, seeing the city shrouded in silence, the light from some lampposts illuminating bits of the street, and cars passing by occasionally.

"What's going on?" I ask calmly, knowing the brown-haired girl was safe."I need you..." she whispers weakly, her nose sniffling. "I had a horrible nightmare," she concludes with a faint voice, her voice still broken.

"Tara..." I respond gently, my heart squeezing at so much tenderness. "Is Sam not there?" I ask as I get out of bed, searching for my clothes.

"No... She'll be back from work at 7," she says timidly.

"Is it really that urgent?" I ask, biting my lower lip, sighing. "Yes..." Tara replies hoarsely, and I know the only way out of this situation is to go to the brown-haired girl's apartment.

"What did you dream about?" I ask timidly as I put on my pants, the phone between my ear and shoulder to keep it up. "I... I dreamt of him again... He was killing you in front of my eyes, laughing," she says with terror in her voice, sighing loudly. "I felt so powerless and scared," she sobs.

"I'm here," I say gently.

I put the phone on speaker as I put on the sweatshirt Tara had given me. "When I woke up, I was crying, and not seeing Sam panicked me," she confesses quickly, and I smile at her words.

I was glad she called me because she wanted my company.

"I'm coming, okay? Just give me 10 minutes," I say gently, wanting to reassure Tara, and the brown-haired girl mumbles in response. "10 minutes," she says timidly.

She had woken me up in the middle of the night, but when it came to Tara, I didn't mind.

(...)

"Hey! sorry for being late, I thought some chocolate might..." I start to apologize for being late, but Tara's arms around my neck freeze me in surprise.

A smile spreads across my face as I let myself be enveloped by her warm embrace, responding to her need for contact. Tara seemed to have developed a particular affection in the last few weeks, perhaps she was scared to be alone. It was entirely understandable considering what poor Carpenter had been through.

I sigh and leave a kiss on her forehead.

"You're here," Tara whispers against my neck, the sound of her voice muffled but full of meaning, and I can only smile in response.

Her arms tighten slightly around me

"always," I whisper timidly.

Tara pulls away from my neck but her arms remain around my waist. Her eyes look at me sweetly, chin up and a dazzling smile showing her dimples "you're my friend, that and more for you" I confess a bit bitterly for the word friend.

Why deny it? I liked Tara, a lot.

Tara continues to look at me without blinking, a shy smile on her lips. I could see the freckles dusted along her face. "So... Did you bring the chocolate?" Tara clears her throat, her eyes pointing to the chocolate in my hands.

"Oh yeah," I say and chuckle timidly, cheeks reddened with embarrassment."Thank you, you're adorable," Tara smiles widely and takes the chocolate.

The brunette puts the chocolate on the glass table.

Then her arms found purchase around my shoulders, her nose brushing against the weak point of my neck. "Why did you want me here?" I ask timidly, my voice just a whisper against Tara's ear.

Tara sighs loudly and presses her face more against my chest

"I feel safe with you" she murmurs weakly and my cheeks flush red.

Tara looks at me and her cheeks were flushed.

I raise an eyebrow seeing how Tara's eyes were slowly closing due to sleep. Tara mumbles and yawns."You're sleepy huh? I could keep you company on call until you fall asleep" I chuckle timidly and Tara yawns again.

"No," Tara whines with a cute pout, and I feel her body curl up even more against mine "I was really scared... I needed a hug."

I sigh deeply, feeling the weight of her vulnerability and without hesitation, I pull her into my arms, trying to convey all my support.

"I... felt like that night when I was attacked," Tara continues, shuddering against my body as her words pierce my heart. "Alone at home... vulnerable... but terrified because I knew there was someone who wanted to hurt me," she confesses, and my heart breaks for her.

"I'm here," I whisper gently, placing my lips on her forehead hoping that my gesture can somehow soothe her suffering.

Tara sighs against my chest.

"Come on... Let me take you to bed," I say timidly, my arms around her waist. "Sam is coming," I whisper, and Tara nods against my chest.

"Will you take me?" she asks weakly, yawning, and I smile when I notice her firm grip on my neck.

I bend down to gather her into my arms, and we head towards the bed where Tara emits a small sigh of satisfaction at the contact with the mattress.

"Goodnight," I say timidly, leaning down to give her a kiss on the cheek. "No... Stay with me," the brunette says determinedly, her hands clinging to my hoodie."But Sam..." I begin, trying to express my concerns about her sister's reaction, but Tara interrupts me with a pout.

"Sam won't say anything, stay with me please," Tara whispers sweetly, looking at me with eyes full of hope and vulnerability like a deer in need of comfort.

Faced with her tender request, I find myself unable to resist.

I sigh and settle down next to her, feeling the warmth of her body close to mine and a smile graces Tara's face. "When Sam arrives, I'll go home," I whisper gently, feeling her hands wrap around my arm as if I were a plush toy to cling to.

"Yeah..." Tara responds briefly, resting her head against my chest, and my heart skips a beat at her response.

I sigh with contentment, allowing myself to be completely enveloped by her embrace, smiling weakly as I reflect on the evening (or rather, morning) we've spent together.

In the end, Tara doesn't let me go, and I wouldn't want to be anywhere else.

[meanbossart]

How did your DU drow react when he got told he had to kill his spouse? and then when he went to wake up Astarion and get tied up? I think I just wanna know how your DU drow mentally/emotionally is doing during and after that part, and when talking to Astarion afterward, I'm a sucker for hearing about those deep kinds of moments (hopefully that makes sense?) Also, how did your DU react when you met Kressa Bonedaughter and learned all about what was done to him (again, I know none of the companions really comment on literally something horrible being told such a shame, honestly) but how would you say or think that Astarion and Shadowheart might have reacted hearing that info? Again, thank you for all your art and for answering these questions! PS: (I really don't care if your answer is super long; I WILL EAT IT UP)

Sooo for the first question, I wanna preface by saying that I personally don't think their relationship was that in depth yet, at that point. Yes, DU drow enjoyed Astarion's company and relied on him in a similar way which he relied on Shadowheart. And also yes, Astarion saw DU drow as the first person who ever took him and his agency seriously - but I think feelings were still in their infancy. DU drow's mind was a mess through and through; he drank constantly to keep his urge at bay, he kept his distance from everyone most of the time, and when he did seek out comfort in either Shadowheart or Astarion (the non-sexual kind, they didn't really fuck at all), it was a kind of primal instinct and desperate longing for companionship - if you asked him if he was in love with anyone, however, he would have said no.

Similarly, while I think Astarion's act 2 confession is sincere, I also think that he's being sincere when he says that he doesn't know what you are yet. You're not really a lover, but you aren't a victim, either; what you are is a person who he would rather not have to murder eventually, and as someone who has had their empathy squeezed out throughout the course of two centuries, that's meaningful enough. He may fantasize about the best case scenario for you two - but he has no expectations that whatever this is will last. But it is nice, for the time being.

So the "murder your darling" scene, rather than a proof of love and trust, is to me the turning point where:

A) DU drow has to come to terms with the fact that he doesn't have as much control over the Urge as he thought, and B) When Astarion snaps out of his care-free, just-go-with-the-flow nature around his plan and this relationship. They both realize they bit off more than they could chew and are now caught in each other's crossfire.

Which is to say that I don't read Astarion's words of comfort to him as entirely honest - specially when you compare it to certain dialogue deliveries later in the game. I think he's still, to a degree, telling you what you need to hear so that you hold out for just a bit longer and kill Cazador. You probably can't be together forever as he idly fantasized about once or twice, when he let his mind wander - but god damn it, he needs to at least be free, and it seems like you have bloodlust to spare to make that happen.

Meanwhile, DU drow finally comes to confront the fact that he is not in control. Doesn't matter how hard he tries or how much he drinks, the urge will do to him as it will, and when it wishes. It stops being fun and it gets scary, from that moment on.

But here's who did stop it: Astarion. Where alcohol fell short and his willpower failed, Astarion stepped in.

So, more interesting than the scene itself to me, is how from that point on DU drow would have no choice but put his trust entirely on the vampire to control him. He ties him up, he keeps an eye on him, he has full spoken-word permission to kill him if necessary - he is forced to be as vulnerable at humanly possible under his hand, every night. Regardless of whether or not DU drow realizes that Astarion is doing it for his own reasons, he doesnt care, because Astarion has now become his rock and his bondage - hell, if Astarion does have a reason to keep him alive that's all the better; someone else might just slit DU drow's throat and be done with the concern altogether.

And so, it's only from that point on that DU drow truly starts to see Astarion as an equal, and even a partner. He's thinking that, if his whole life has to be like this, at least he has someone who can handle it.

Astarion, meanwhile, I believe only comes to truly consider (and wish for) DU drow's freedom after he's free from Cazador - and after he bestows that freedom upon his siblings and the other spawn. That's when he finally understands the length of DU drow's devotion to him and the value of freewill as a concept- and how he wants it for both of them, instead of being content with his own.

Not to mention... I think in Astarion's mind he was 100% not going to survive Cazador LOL so when he succeeds he's like "oh shit I guess anything is fucking possible huh. Yeah fuck it lets go fight your dad, also I've decided I want you for realsies, now."

Anyways, can you believe I thought this was gonna be a short ask. Here have a doodle I made while thinking about all this bullshit:

As for Kressa, I got an ask about that before but I can't find it now LOL to summarize; he was pissed, angered, and in a far more personal level embarrassed to have had his dirty laundry aired (AKA, victimized) in that way in front of the others - but this isn't something he would have expressed outwardly, and I think both Shadowheart and Astarion would have known better than to inquire him about it. It's not really something he would have sought out comfort for in anyone, so, I think the subject died as soon as Kressa did. In this case, their lack of commentary was completely appropriate - If they had reached out in any way (which would have been, in my opinion, completely out of character) DU drow would have shut them out with a quickness.