#they did this specifically for all of us (the people that made their creative blogs sideblogs and then regretted it)

[aureliobooks]

WHO WAS GONNA TELL ME THEY FINALLY LET YOU DO THIS?!,!!:!;?!

[son-of-rap-bear-art]

So, do y'all remember the Adventure Time Mash-Up Pack for Minecraft back in like, 2017? Me and some friends have been messing around with that map lately and revamping some of the areas we consider a bit lacking with creative mode, and for me that was the Treehouse! I got ~100 reference pics from various episodes and tried to put it all together into the most autistically accurate Treehouse I could, and I wanna share it here cause I'm really proud of it!

Feel free to skip the text and just look at the pretty pictures. Cause when I say "autistically accurate" I MEAN IT. It's MY blog and I get to choose the special interest. :p

The exterior is mostly unchanged from the official map, but I added the orange tree from My Two Favorite People, and the pond. Also the log where Finn sits and thinks in Gotcha!

Yes, I will be mentioning specific episodes like this often.

I didn't make the Grotto, because I'm not THAT crazy, but I did make the pond really deep and filled it with the sort of things you see when Finn swims down there in Beyond the Grotto.

The first thing you see when you actually go inside is the treasure room, of course! The official map's treasure room is so small and sad, but I made it more accurate to how it looks in the show, with a ton of ladders and platforms going upwards until you get to the kitchen.

Speaking of, at this point I should show the layout I based the rooms' positions on...

I put this together myself and I THINK it's the most consistently accurate layout... of course, it's a cartoon, sometimes you'll get stuff like the bathroom in the left branch for the sake of a gag in Dentist, and characters will frequently run offscreen and then teleport to another room, BUT this is what I observed to be the most common layout seen when the camera will actually follow the characters through doors and ladders and etc.

Interestingly, the ladder in the trunk actually seems to connect to the kitchen, which is HIGHER than the living room, and then you have to go down a separate ladder to get to the living room. Confusing! But it checks out.

So yeah, climbing up past the treasure room takes you right to the kitchen! Some specific details to call out here are: - The picture of PB with the two spatulas is from Abstract, and I painted it myself in-game via a mod! Unfortunately I didn't get around to other paintings yet, they're a bit annoying to make. - The urn supposedly containing Margaret's ashes, from Conquest of Cuteness, is on one of the shelves. - There isn't a single torch in this whole build! It's carefully lit up with candles, just like the Treehouse should be! - There's actually this easily missable tiny room connected to the kitchen, seen in the last pic, that has another trapdoor and also the door to the bathroom. I believe that first shows up in Incendium and then stays around forever. - The cooler is entirely full of eggs, like how Finn exclusively buys pre-boiled eggs when grocery shopping without Jake, in Temple of Mars.

The bathroom! Funnily enough, the bathroom might be the least consistent room in the whole Treehouse. It's just made up of a toilet, bathtub, and sink, but these three things shuffle around the room entirely at random from episode to episode. In this sort of situation, I consider the most accurate way to handle it to be the same as the show: just put them wherever! So I did that.

That door in the kitchen leads to this room, connected by a bridge. I just called it the "bucket room" because it has a bucket that Finn and Jake ride in in Rainy Day Daydream, although that episode has a pretty wacky Treehouse in general.

I hooked up a hand crank with the Create mod, so you can use it like an elevator kinda.

Down the other ladder in the kitchen gets you to, the living room! This room's just a small round circle in some episodes, but others have it a bit bigger.

That bookshelf is there in Jake Suit, and has Dream Journal of a Boring Man, Vol 12 on it. Since one of the decor mods I'm using lets me place down books, I copied the 3 excerpts we get to see from it down into a written book, so it's even actually there!

A really inconsistent aspect of the living room is this weird platform with a door. I can only remember it appearing in In Your Footsteps and Three Buckets, but maybe I've just always missed it? I made it lead back into the trunk, so you can use it as a shortcut up to the kitchen.

Also over here is this workbench, which to my knowledge suddenly shows up in season 8 and becomes a REALLY REALLY consistent part of the living room?? Seriously, it's in Two Swords, Horse and Ball, Abstract... It's suddenly all over the place!! But I genuinely can't recall it existing before that. Am I crazy or is this an actual thing?

Anyway, connected by bridge to the living room is the den! Surprisingly, even though it barely even shows up in any episodes, the den is SUPER messy and lived in. I tried to reflect this by jamming as many decorative blocks as I could in there.

Also for some reason this fireplace doubles as a pizza oven in Abstract? Yeah, Abstract's got a really silly Treehouse. But it was easy enough to slot in there, so I did!

Way back to the kitchen and upwards: the bedroom! I always thought the bedroom was so tiny and cramped, but a good few episodes actually show it as pretty spacious! I tried to hit a good balance.

The pictures hung up around Finn's bed are a blurry, badly taken picture of Huntress Wizard, and a clearly old picture of Flame Princess. They're both cute choices for Finn's future, and are my girlfriends' respective favorite characters, so I included both :D

I also included the attic, which as far I know ONLY appears in Dad's Dungeon. I think it's neat, though, so I put it here. It'll be nice for survival mode storage.

If you exit through the attic, you can get to the cloud that Finn and Jake have tied down for its rainwater. The dripstone on the underside looks a bit ugly, but it makes it functional! If you scoop water out of any of the cauldrons with a bucket, it'll slowly refill with water from the cloud!

We're nearing the end! Here's a back shot of things. I added the power lines, Neptr's cave, and the farm. For some reason, Holly Jolly Secrets has a second, distinct set of powerlines, but those would be ugly so I didn't include them.

Lastly, the chicken coop, as seen in BMO Noire and mentioned in Three Buckets, featuring Lorraine. Who looks like Boobafina in this texture pack, which is silly.

I'm... honestly not very satisfied with the coop's placement, as BMO Noire shows it being out on a rarely-seen branch, but this is the best I could do without a major facelift on the tree itself.

So, yeah! That's the image limit. There's a good few extra details scattered around here and there, but I'll leave it at that. I hope this is as fun to read as it was for me to write :D

[lucozadehulahoop]

Star-crossed. Lo'ak x fem!human!reader

This was originally posted on my side blog @thankeywa. It's a brand new blog and tumblr thinks it's a bot so it's not giving it visibility. Please go give it some love, I want all my avatar!related stuff to be on there.

PART 2 HERE PART 3 HERE PART 4 HERE

I know that literally nobody asked for this, but I've noticed a disturbing lack of Lo'ak fics out there, so I've decided to give my input. I've had a story in mind for a while now, and I needed to get it out there. It will be a reader insert to make it more accessible, but it's somewhat based around an original f!character, so I apologize for that in advance if it gets too specific.

WARNINGS: Lo'ak is 20 years old in this and so is the reader, I do not write about minor characters. There will be eventual mature themes in this so MINORS DO NOT INTERACT WITH THIS WORK.

For everyone else, if you like my writing, please let me know if you want to be on the tag list for future installments and SEND ME REQUESTS (head canons, imagines, sfw/nsfw, ecc.) ! I love that shit.

words: around 1.200

summary: reader is a human left behind on pandora, she grew up with the remaining humans who'd been aloud to stay on the planet after the war and has been friends with the Sully clan her entire life. She and Lo'ak were best friends until he began to pull away from her in their teen years for seemingly no reason. This story is about them reconnecting on the day of her twentieth birthday, and dealing with the feelings they have for each other and the obstacles that come with them being from two different worlds.

TW for this chapter: angst, smoking (don't do it, ever), brief mentions of alcohol, brief mention of war and death, brief mention of child birth, reader can breathe on pandora.

Y/n looked at the 'birthday cake' made out of cookie rations that Norm and Max had made for her. No matter how many years would pass, her dads always knew how to get creative.

"I'm twenty years old, you guys don't have to keep throwing me a birthday party." She reprimanded them softly, though her heart was filled with joy. Y/n was so thankful to have people in her life who cared enough to make her day special every single year.

"Considering you spent most of your early existence tied to test tubes to stay alive, we're merely celebrating the scientific marvel your continued survival has been." Norm joked, raising a beer, and y/n shoved him, before blowing out the single candle that had been meticulously re-used each year. It was a wonder how there was any wax still left on it.

"What did the birthday girl wish for?" Max asked, reaching for a dried-up cookie and cringing slightly at the taste as he chewed on it slowly. "The whole point of a birthday wish is to keep it to myself... or it won't come true. Honestly, I question your two's knowledge of Earth's traditions." y/n shook her head, before taking a celebratory sip of alcohol.

Norm and Max left eventually, back to the main base. They were more than capable of piloting a helicopter those days, and y/n was all grown up. More than capable of living by herself. What once had been an avatar lab, smack dab in the middle of the forests of Pandora, had been converted into her home. Pandora's rapidly repopulating fauna had surprisingly left her residence alone, well... mostly. There were still some creatures who couldn't help but keep themselves away. And by creatures, she meant Spider. Y/n was also friends with actual people like Neteyam, Kiri, Tuk, and... Lo'ak. Truth be told, she didn't know whether or not she and Lo'ak were even friends anymore. They'd been thick as thieves for as long as she could remember, always getting him out of trouble and fixing him up after a scuffle with his siblings. But then, around her sixteenth birthday, he'd started pulling away, and y/n had never understood why. They'd had a big fight about it, bottom line, he hadn't wanted to be around her anymore and y/n had to accept it.

"Open up! It's fucking freezing out here!" Came Spider's loud voice followed by an incessant banging on the door that immediately pulled y/n out of her reverie. "Alright, alright..." she laughed a little as she went to let them all inside. The Sullys were always insisting on spending birthdays together, even though some of them were now getting too big to even fit inside her 'home'. Neteyam had to walk around with his back bent forward, and Kiri knocked over quite a few things before they made it to y/n's main living space, which was more or less Na've-proof. "Happy birthday!" Tuk hugged her and y/n struggled not to feel crushed by the embrace. Even the littlest Sully was now nearly as tall as her.

Y/n let them all inside, already giving them dirty looks at the sight of gifts. "I told you guys not to..."

She stayed on the doorstep a little longer, gazing out into the night, desperately hoping one last uninvited guest would turn up. She felt Neteyam's hand on her shoulder. "He's not coming. I tried to talk to him but he was being a skxawng as usual..." Y/n blushed, not really wanting Neteyam to know she was pining for his younger brother. "Oh, right! I was—just checking you were all here..." she closed the door and they both went back to join the others.

___

"Alright come on, your mom is going to kill me if you get back late and I don't have enough space in here for all of you. Spider would have to sleep outside." Y/n teased, trying to let Tuk understand it was time to go. "Hey!" Spider protested at her lighthearted jab, but knew it was time for them to get going. Nobody wanted to get on Neytiri's bad side. Y/n hugged them all goodbye and thanked them for the presents: Tuk had made her a lovely drawing, and the others had collectively made her a rather beautiful necklace, which she immediately wore. Y/n waited on her doorstep till she could no longer hear the sounds of her friends chatting, and then proceeded to do two incredibly dangerous things: she sat outside of the protection of her bunker, all alone in the cold Pandora night air, and lit up a cigarette.

She'd discovered a terrifyingly endless supply of cigarette cartoons back at the base almost a year prior, and as soon as she'd tried her first one, she'd gotten addicted. Y/n hadn't told Norm or Max, of course, as it would have broken their hearts, especially because of how fragile she was. Y/n's mother had gone into labor in the aftermath of the battle for Pandora between the Na'vi and the Sky people. The soldier had lost her life giving birth, but her baby had survived, taking her first breath in the inhospitable Pandora air. Norm was convinced Eywa herself had kept her alive, had given her the ability to take in the air that hadn't previously failed to kill any other human. Sure, it had come at the price of being particularly fragile her entire life. And how was y/n repaying that gift? By cutting her miraculous existence short more and more each day. Thankfully, it was a while since she'd been used as a test rat, or had check ups of any sort. As far as the Sullys were concerned... they were way better off not even knowing what she was doing to herself.

A sudden rustling in the trees instantly made y/n alert and she didn't waste any time getting back inside. She showered, and shamefully hid her smokes somewhere her dads or the Sullys wouldn't look. When she had nothing else left to do, y/n forced herself to crawl into bed, placing a hand over her necklace. Her wish to see Lo'ak hadn't come true in the end, and while not surprising, it still hurt like hell.

"A pack of viperwolves? Seriously, Lo'ak?" Y/n groaned in frustration as she cleared her table for her best friend to lie on.

"I thought I could take them." He hissed as she doused him with disinfectant. "Yeah, well, you know human medical treatment hurts like a bitch, so it's either my way, or you're going to have to fess up to your parents about what you did." Y/n tried to sound cold, but she'd always been too soft on him.

When they were younger, and Lo'ak still hadn't grown to be double her size, they would often fall asleep together in her bed. "You don't have to keep doing this shit to prove something, you know?" She whispered to him one night, turning over to look at him and gently touch his face. "Your parents love you. And so do Neteyam, Kiri, Tuk and Spider. Lo'ak, I— we— don't want to lose you."

Y/n was almost asleep when a loud 'thud' coming from outside woke her. Something was moving on her roof, or rather, someone... Y/n didn't show whether she was dreaming or not as she looked out the window and locked eyes with Lo'ak, because the second she did, he seemed to slide off the top of her bucker, falling down into the grass below with a loud groan.

He'd probably just woken up half of the animals on Pandora.

[the-hydroxian-artblog]

I love your animatronic toy OC guys so much, they have so much personality to them and their colours are really good (especially umbra)

Thank you! The funny thing about Umbra's design was that while I was developing it about two years ago and had some colors in mind, I described in text what I already came up with to an image generator for fun (shitty unconvincing old kind, vs now where it looks like shit but in a somewhat more convincing way) and it produced something so silly that I made her design better than what I would've settled with out of spite.

More details of my process and anti-AI ranting below the cut, so the examples given won't show up on search results. Google Images is getting polluted too much with slop to begin with.

Let's begin.

In 2022 I was drafting up Umbra's design with mostly concrete details. At this time image generators were newer and much less convincing, and I was a bit less aware of just how unethical they were, so I fed one a text description of what I had drafted for her design out of curiosity. Something along the lines of, "doll of an anthropomorphic owl librarian in glasses, blazer/suit jacket, skirt, corset, high heels, sitting on a bookshelf" and probably a few more terms. Really specific, lengthy prompt.

I try to be open-minded and give new things a shot, but the results were Not Great. Ideally, I'd want to not share the AI pictures at all on-principle, but I feel like it's useful, transparent, and necessary to show them. Both as a means of not hiding anything, but also just to appreciate where the design is at in spite of it.

Outside of this particular collage of Weird Owls, no other pictures on this blog are AI-generated. AI Image Generation is harmful, and I am against its usage.

But hey, two of the generated pictures look close, right? The top left is the closest, and bottom right is second.

That's because they started out worse, and I had to actually erase chunks of them and have the generator fill in the blanks to get anything remotely close to what I wanted. Misshapen limbs, unrecognizable anatomy, fever-dream clothing details, etc. They didn't even have a corset or proper legs until I slapped the generator in the face enough times to make it produce them. I was just using it to photobash, which was such an annoying process, I just went "this is dumb" and stopped. They're literally posed like that because I kept erasing and regnerating their limbs until they looked vaguely in-character. It literally only looks passable thanks to STRANGLING it with human input.

Before I used the image generator, I already drafted her to be night-themed with yellow eyes and something like purple, dark blue, or sky-blue as her main color; the generator making one owl yellow-eyed and purple was a happy coincidence, and the only thing the generative AI "came up with" that I didn't already have in mind or included in the prompt was the light blue shirt, which I did adapt into her cyan shirt and stockings/socks as well. That was a good call. You get One Point, Mr. AI.

...Which still meant that at its absolute best, it was a largely redundant step in the creative process if its contribution was worse than what a randomized palette generator or character creator could come up with.

That's already putting the ethics of it aside, like carbon emissions, data pollution, using artists' and photographers' work without credit or permission, the incentive to plagiarize, flooding sites like deviantart with slop, Willy Wonka Shit, etc etc etc. When people say "you can use AI as a tool though", this ordeal was enough to convince me that it's more trouble than its worth, even in its most ethical usage. I feel gross for having even tried. I wish I knew what sources went into the creation of those Weird Owls. It'd be better for research if the right people could be credited.

Nothing else on this blog is AI-generated or ever will be. The art below is purely my own (2022 vs a few weeks ago)):

Actually drawing Umbra and solidifying her design was far more rewarding than having an image generator vaguely approximate my own ideas. I wanted her to look really special, so I used a black cape and pants, gold highlights and buttons, and blue undertones to make something more distinct. Also, neck floof. Very important. I wanted the head in particular to look distinct and original, going with bold black streaks to really help her look distinguished.

I also have certain inevitable Hydroisms for Fancy characters like her; most apparent in these designs for Chasey and Kaita from even longer ago, which were more of an influence than anything else. (Old art of mine from like 2021, Kaita ref looks wonky but Chasey still holds up nicely):

Most of Umbra's other design elements were already commonly used with established ocs like Kaita, like her shape language, corset, skirt, heels, etc. It was my previous work with Chasey that inspired the use of gold buttons and highlights.

Umbra is also now a bluer shade of purple partly to distance the current design from that ordeal. All things considered, I'll probably make her more indigo next time. I already wanted her to have a wide color range from the get-go (Featured below is, again, purely my art from 2022:)

I may use a different colored shirt and stockings in the future. I like to think she has many different shirts and clothes based on the different stages of the night sky, from dusk to dawn, and the painting I made in the top right there was an exploration of her range in different lighting.

All in all, it's frustrating. I'm proud of her design, but explaining all of this is annoying, because it's technically all relevant to showing how her colors were picked and how the design was made. I still technically have AI to """Thank""", in the way you thank a bad experience for encouraging you to make things better out of spite.

[mostlysignssomeportents]

Everything advertised on social media is overpriced junk

In “Behavioral Advertising and Consumer Welfare: An Empirical Investigation,” a trio of business researchers from Carnegie Mellon and Pamplin College investigate the difference between the goods purchased through highly targeted online ads and just plain web-searches, and conclude social media ads push overpriced junk:

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4398428

If you’d like an essay-formatted version of this thread to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/04/08/late-stage-sea-monkeys/#jeremys-razors

Specifically, stuff that’s pushed to you via targeted ads costs an average of 10 percent more, and it significantly more likely to come from a vendor with a poor rating from the Better Business Bureau. This may seem trivial and obvious, but it’s got profound implications for media, commercial surveillance, and the future of the internet.

Writing in the New York Times, Julia Angwin — a legendary, muckraking data journalist — breaks down those implications. Angwin builds a case study around Jeremy’s Razors, a business that advertises itself as a “woke-free” shaving solution for manly men:

https://www.nytimes.com/2023/04/06/opinion/online-advertising-privacy-data-surveillance-consumer-quality.html

Jeremy’s Razors spends a fucking fortune on ads. According to Facebook’s Ad Library, the company spent $800,000 on FB ads in March, targeting fathers of school-age kids who like Hershey’s, ultimate fighting, hunting or Johnny Cash:

https://pluralistic.net/jeremys-targeting

Anti-woke razors are an objectively, hilariously stupid idea, but that’s not the point here. The point is that Jeremy’s has to spend $800K/month to reach its customers, which means that it either has to accept $800K less in profits, or make it up by charging more and/or skimping on quality.

Targeted advertising is incredibly expensive, and incredibly lucrative — for the ad-tech platforms that sit between creative workers and media companies on one side, and audiences on the other. In order to target ads, ad-tech companies have to collect deep, nonconsensual dossiers on every internet user, full of personal, sensitive and potentially compromising information.

The switch to targeted ads was part of the enshittification cycle, whereby companies like Facebook and Google lured in end-users by offering high-quality services — Facebook showed you the things the people you asked to hear from posted, and Google returned the best search results it could find.

Eventually, those users became locked in. Once all our friends were on Facebook, we held each other hostage, each unable to leave because the others were there. Google used its access to the capital markets to snuff out any rival search companies, spending tens of billions every year to be the default on Apple devices, for example.

Once we were locked in, the tech giants made life worse for us in order to make life better for media companies and advertisers. Facebook violated its promise to be the privacy-centric alternative to Myspace, where our data would never be harvested; it switched on mass surveillance and created cheap, accurate ad-targeting:

https://lawcat.berkeley.edu/record/1128876?ln=en

Google fulfilled the prophecy in its founding technical document, the Pagerank paper: “advertising funded search engines will be inherently biased towards the advertisers and away from the needs of the consumers.” They, too, offered cheap, highly targeted ads:

http://infolab.stanford.edu/~backrub/google.html

Facebook and Google weren’t just kind to advertisers — they also gave media companies and creative workers a great deal, funneling vast quantities of traffic to both. Facebook did this by cramming media content into the feeds of people who hadn’t asked to see it, displacing the friends’ posts they had asked to see. Google did it by upranking media posts in search results.

Then we came to the final stage of the enshittification cycle: having hooked both end-users and business customers, Facebook and Google withdrew the surpluses from both groups and handed them to their own shareholders. Advertising costs went up. The share of ad income paid to media companies went down. Users got more ads in their feeds and search results.

Facebook and Google illegally colluded to rig the ad-market with a program called Jedi Blue that let the companies steal from both advertisers and media companies:

https://techcrunch.com/2022/03/11/google-meta-jedi-blue-eu-uk-antitrust-probes/

Apple blocked Facebook’s surveillance on its mobile devices, but increased its own surveillance of Iphone and Ipad users in order to target ads to them, even when those users explicitly opted out of spying:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Today, we live in the enshittification end-times, red of tooth and claw, where media companies’ revenues are dwindling and advertisers’ costs are soaring, and the tech giants are raking in hundreds of billions, firing hundreds of thousands of workers, and pissing away tens of billions on stock buybacks:

https://doctorow.medium.com/mass-tech-worker-layoffs-and-the-soft-landing-1ddbb442e608

As Angwin points out, in the era before behavioral advertising, Jeremy’s might have bought an ad in Deer & Deer Hunting or another magazine that caters to he-man types who don’t want woke razors; the same is true for all products and publications. Before mass, non-consensual surveillance, ads were based on content and context, not on the reader’s prior behavior.

There’s no reason that ads today couldn’t return to that regime. Contextual ads operate without surveillance, using the same “real-time bidding” mechanism to place ads based on the content of the article and some basic parameters about the user (rough location based on IP address, time of day, device type):

https://pluralistic.net/2020/08/05/behavioral-v-contextual/#contextual-ads

Context ads perform about as well as behavioral ads — but they have a radically different power-structure. No media company will ever know as much about a given user as an ad-tech giant practicing dragnet surveillance and buying purchase, location and finance data from data-brokers. But no ad-tech giant knows as much about the context and content of an article as the media company that published it.

Context ads are, by definition, centered on the media company or creative worker whose work they appear alongside of. They are much harder for tech giants to enshittify, because enshittification requires lock-in and it’s hard to lock in a publication who knows better than anyone what they’re publishing and what it means.

We should ban surveillance advertising. Period. Companies should not be allowed to collect our data without our meaningful opt-in consent, and if that was the standard, there would be no data-collection:

https://pluralistic.net/2022/03/22/myob/#adtech-considered-harmful

Remember when Apple created an opt out button for tracking, more than 94 percent of users clicked it (the people who clicked “yes” to “can Facebook spy on you?” were either Facebook employees, or confused):

https://www.cnbc.com/2022/02/02/facebook-says-apple-ios-privacy-change-will-cost-10-billion-this-year.html

Ad-targeting enables a host of evils, like paid political disinformation. It also leads to more expensive, lower-quality goods. “A Raw Deal For Consumers,” Sumit Sharma’s new Consumer Reports paper, catalogs the many other costs imposed on Americans due to the lack of tech regulation:

https://advocacy.consumerreports.org/wp-content/uploads/2023/04/A-Raw-Deal-for-US-Consumers_March-2023.pdf

Sharma describes the benefits that Europeans will shortly enjoy thanks to the EU’s Digital Markets Act and Digital Services Act, from lower prices to more privacy to more choice, from cloud gaming on mobile devices to competing app stores.

However, both the EU and the US — as well as Canada and Australia — have focused their news industry legislating on misguided “link taxes,” where tech giants are required to pay license fees to link to and excerpt the news. This is an approach grounded in the mistaken idea that tech giants are stealing media companies’ content — when really, tech giants are stealing their money:

https://pluralistic.net/2022/04/18/news-isnt-secret/#bid-shading

Creating a new pseudocopyright to control who can discuss the news is a terrible idea, one that will make the media companies beholden to the tech giants at a time when we desperately need deep, critical reporting on the tech sector. In Canada, where Bill C-18 is the latest link tax proposal in the running to become law, we’re already seeing that conflict of interest come into play.

As Jesse Brown and Paula Simons — a veteran reporter turned senator — discuss on the latest Canadaland podcast, the Toronto Star’s sharp and well-reported critical series on the tech giants died a swift and unexplained death immediately after the Star began receiving license fees for tech users’ links and excerpts from its reporting:

https://www.canadaland.com/paula-simons-bill-c-18/

Meanwhile, in Australia, the proposed “news bargaining code” stampeded the tech giants into agreeing to enter into “voluntary” negotiations with the media companies, allowing Rupert Murdoch’s Newscorp to claim the lion’s share of the money, and then conduct layoffs across its newsrooms.

While in France, the link tax depends on publishers integrating with Google Showcase, a product that makes Google more money from news content and makes news publishers more dependent on Google:

https://www.politico.eu/article/french-competition-authority-greenlights-google-pledges-over-paying-news-publishers/

A link tax only pays for so long as the tech giants remain dominant and continue to extract the massive profits that make them capable of paying the tax. But legislative action to fix the ad-tech markets, like Senator Mike Lee’s ad-tech breakup bill (cosponsored by both Ted Cruz and Elizabeth Warren!) would shift power to publishers, and with it, money:

https://www.lee.senate.gov/2023/3/the-america-act

With ad-tech intermediaries scooping up 50% or more of every advertising dollar, there is plenty of potential to save news without the need for a link tax. If unrigging the ad-tech market drops the platforms’ share of advertising dollars to a more reasonable 10%, then the advertisers and publishers could split the remainder, with advertisers spending 20% less and publishers netting 20% more.

Passing a federal privacy law would end surveillance advertising at the stroke of a pen, shifting the market to context ads that let publishers, not platforms, call the shots. As an added bonus, the law would stop Tiktok from spying on Americans, and also end Google, Facebook, Apple and Microsoft’s spying to boot:

https://pluralistic.net/2023/03/30/tik-tok-tow/#good-politics-for-electoral-victories

Mandating competition in app stores — as the Europeans are poised to do — would kill Google and Apple’s 30% “app store tax” — the percentage they rake off of every transaction from every app on Android and Ios. Drop that down to the 2–5% that the credit cards charge, and every media outlet’s revenue-per-subscriber would jump by 25%.

Add to that an end-to-end rule for tech giants requiring them to deliver updates from willing receivers to willing senders, so every newsletter you subscribed to would stay out of your spam folder and every post by every media company or creator you followed would show up in your feed:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

That would make it impossible for tech giants to use the sleazy enshittification gambit of forcing creative workers and media companies to pay to “boost” their content (or pay $8/month for a blue tick) just to get it in front of the people who asked to see it:

https://doctorow.medium.com/twiddler-1b5c9690cce6

The point of enshittification is that it’s bad for everyone except the shareholders of tech monopolists. Jeremy’s Razors are bad, winning a 2.7 star rating out of five:

https://www.facebook.com/JeremysRazors/reviews

The company charges more for these substandard razors, and you are more likely to find out about them, because of targeted, behavioral ads. These ads starve media companies and creative workers and make social media and search results terrible.

A link tax is predicated on the idea that we need Big Tech to stay big, and to dribble a few crumbs for media companies, compromising their ability to report on their deep-pocketed beneficiaries, in a way that advantages the biggest media companies and leaves small, local and independent press in the cold.

By contrast, a privacy law, ad-tech breakups, app-store competition and end-to-end delivery would shatter the power of Big Tech and shift power to users, creative workers and media companies. These are solutions that don’t just keep working if Big Tech goes away — they actually hasten that demise! What’s more, they work just as well for big companies as they do for independents.

Whether you’re the New York Times or you’re an ex-Times reporter who’s quit your job and now crowdfunds to cover your local school board and town council meetings, shifting control and the share of income is will benefit you, whether or not Big Tech is still in the picture.

Have you ever wanted to say thank you for these posts? Here’s how you can: I’m kickstarting the audiobook for my next novel, a post-cyberpunk anti-finance finance thriller about Silicon Valley scams called Red Team Blues. Amazon’s Audible refuses to carry my audiobooks because they’re DRM free, but crowdfunding makes them possible.

Image: freeimageslive.co.uk (modified) http://www.freeimageslive.co.uk/free_stock_image/using-mobile-phone-jpg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/

[Image ID: A man's hand holds a mobile phone. Its screen displays an Instagram ad. The ad has been replaced with a slice of a vintage comic book 'small ads' page.]

[gold-rhine]

sub!Diluc x Dom! gn! reader

Warnings: very much not safe for w, edging, overstimulation, praise kink, minors get out of here. But also, some unabashed fluff. Yes, it contains multitudes.

words: 3,2k.

A\n: repost since my previous blog got shadowbanned

Listen, i know everyone hcs Diluc as a dom. And he can be a very nice service dom, but I’m here to convince you that sub!Diluc is actually not OOC.

First of all, he’s more repressed than a catholic nun. Diluc is like on six levels of dissociation at any given moment. He sees his body as a flesh suit he’s piloting that requires an inconvenient maintenance like sleep, food and occasional sexual release. He’ll jerk off by himself like it’s a chore.

Diluc is so touch starved it’s ridiculous, and *he doesn’t even know it*, that’s how much he’s disconnected from his needs.

And like. Helping ppl like that discover what they actually want and watching them come undone in pleasure they didn’t know they desired is so delicious. If you know, you know, there’s nothing quite like it.

But you have to go slow with him

I mean first of all, you shouldn’t mess with Diluc at all if you’re not in for a long haul, this man doesn’t do casual.

Oh, he’ll agree to try if he’s already into you, he’s incredibly indulging to the people he values. But also because at first he’ll be incredibly defensive.

Not because he’s not into it. Just as a defense mechanism, as he thinks he’ll disappoint you and he’s preparing for a failure from the start.

Diluc can see any activity with his important people as a trial where his performance will be evaluated. He is one of these “I need to get a good grade in X which is both normal to want and possible to achieve” people.

Remember the coffeeshop event where he was like “When I was a small child, my father told me to mix my first drink using all of the ingredients in the tavern. In hindsight, it was probably to see how creative I am and I must’ve failed because I just made a fruit punch and my father didn’t say if I did well”?

Like, Diluc. Baby. Honey. Sweetie. Your dad probably just wanted you to have fun in an improvised “take your kid to work” event. He didn’t judge your punch because it was about spending quality time together and letting you play with colorful syrups. Who the fuck would evaluate a small child’s creativity on the first time they mix drinks. You think he expected you to invent Pina Colada?

So yeah, he will see even getting edged as a thing he’s not proficient in, so he’s most likely to fail and disappoint you. And that’s one of the worst things he can imagine.

Because being useful is Diluc’s love language. If you read his voicelines or talk to him in teapot, you can notice how he’s very focused on doing things for you, like he’ll invent a drink specifically for you and keeps repeating that you should tell him if you need anything, but at the same time, he “doesn’t do chit chat” and wants to leave if there’s nothing for him to do.

Because Diluc knows he’s not easygoing or fun to be around. He has his charming brother who makes it seem effortless to compare himself with. He knows he’s kind of awkward, intense, brooding and direct to the point of coming off as rude. So he needs to feel like he’s doing something useful for you to justify spending time with you.

So for his first time, don’t tease him verbally. He’s incredibly teasable, I know. But he’s already very anxious about disappointing you even if he tries to hide it and he was conditioned to clamp up at the first sign of perceived mockery by his troll brother. Show him first how good it can feel before you start playing with him.

also, he obviously has a praise kink that he’s not even aware of. like, it’s not even up for discussion, praise from other people and approval from his dad are literally described as his main motivations

“The praise he received from his comrades and citizens spurred him on. But the words of praise he valued most of all were: "Good job. Now, that's my son." His father's words fueled the fire inside his heart and served as his greatest motivation.“ and sure, after he lost his dad and emotionally closed off, he doesn’t allow himself to rely on approval of others. But it doesn’t mean he doesn’t want it.

You can tie his hands, but honestly I think it’s much more fun to just order him to keep his hands up. He’s so stubborn, it’ll be a matter of pride for him to keep his composure. And it will also make it that much more delicious to see it finally break.

When you tell him that he must ask for permission to finish, he just scoffs. He’s so sure he wouldn’t be reduced to that.

Don’t expect him to dissolve into stereotypical meowling and begging when you first start touching him. Again, he’s much too stubborn. He’s coming into this defensive and he wants to be in control of himself.

But hear me out - it actually makes it more fun to tease him. Diluc tries to keep himself still, but no amount of willpower will make him less sensitive and, again, touch starved to hell and back.

So at first, it’s the little things that betray him. How when you kiss his neck, his throat moves under your lips in a shaky intake of a breath, How the taut muscles of his scarred arms flex when you run your hands over his chest. How he draws in his stomach when you slide your fingers down it, slow, tantalizingly slow, making light patterns with just your fingertips. How he avoids your eyes because you haven’t even touched his cock yet and he’s already so obviously, painfully hard.

He has a beautiful cock, big and with a nice curve, and as for all pale redheads, it becomes brilliantly red when aroused. When you finally touch him, slowly stroking it up from the base to the tip, he draws in a breath through the clenched teeth and squeezes his eyes shut. You watch him struggle as you start pumping his dick faster and faster, his jaw clenching, his breath and heartbeat quickening, sweat beads forming on his forehead, his shoulders and hips flinching as he tries to keep himself from arching up and thrusting into your hand.

He’s fighting a losing battle and both of you know it by now. You could break him right here if you wanted. You squeeze and rub the sensitive tip of his cock, and see him open his mouth in a silent, chocked gasp for air. He manages to keep himself from clenching his fists, but his knuckles whiten when he desperately scraps his fingertips against the bedsheets.

But you don’t want him to feel like he lost a fight, it’s not about that, it was never about that. Even shame should feel good. You caress his high, sculpted cheekbones with your thumb, your other hand still on his cock. “‘Luc, look at me.”

He can’t disobey you, but he has to take a deep breath before he can open his eyes. He meets your gaze, anxious. What’s he going to see, mockery over how pathetically quick he’s breaking down? Disappointment for how bad and inexperienced he is at this? Just a cold, severe rejection?

“You look so beautiful, baby,” you tell him quietly and breath catches in his throat, his pupils widening, his cock twitching in your hand. You kiss the trail from his sharp jawline up to his ear, allowing him to turn away. “Do you enjoy this? Do you want me to keep going?" you smile warmly when he whips his head back to look at you and meet his dazed crimson eyes. “I just want you to feel good.”

This reframes the entire scene for him in a one fell swoop, turning it upside down, leaving him disoriented. It wasn’t a challenge that he was losing, or a trial that he was failing, him giving in to his desires was what you wanted all along? You enjoy seeing his pleasure, even if he’s not being useful to you in return? It seems impossible to him, yet when you look at him like this, when you touch him like this, like he’s precious and wanted, when he knows he’s broken and undeserving… it feels intoxicating and liberating at once, in a way he couldn’t imagine before. He realizes at this moment how badly he wants this, even if he still doesn’t understand how far he’s willing to go for it.

“I… ugh, I… like it,” Diluc swallows harshly, his mouth suddenly dry, and if you thought he was blushing before, now the pink dust on his cheeks turns into a brilliant scarlet glow, covering his face, neck and even top of his shoulders. He clearly wants to look away in embarrassment, but makes himself hold your gaze. “If you… enjoy this too and… want to go on…”

You rake your eyes over him, sprawled in front of you, and smile, meeting his gaze again. “Of course I enjoy it. You look so fucking hot like this.” his eyes widen and his lips part, you can feel his tip leaking in your hand, his entire body strung up like a bowstring. He doesn’t know what to answer and he couldn’t talk even if he did, so when you lower your head down to kiss him he answers eagerly, with passion and gratitude he can’t express in words. You start pumping his cock again, now faster and with a firmer grip, and drink in his abrupt gasp against your mouth, as he freezes for a second and then returns the kiss with twice the abandon. This time he doesn’t try to fight it, his body trembling under you, his hips bucking up to meet your hand, his hands closing into fists, toes curling.

He breaks the kiss when you twist your palm against his pulsing tip, and he cries out, low and strangled, his entire body arching up, but his unfocused eyes find yours immediately, his gaze frantic, almost feverish. He’s going far outside his comfort zone, he’s relinquishing control and he’s so unused to this, he trained himself for years to do the opposite of this, to see it as a failure, so he needs your repeated reassurance to soothe his anxiety, to prove he didn’t imagine your desire few moments ago.

You lean down to him without breaking eye contact. “You’re doing so good, baby. You’re being so good for me.”

It shoots through him, bypassing the brain entirely, through the entire nerve system and right down to the cock, like only discovering a kink you were entirely oblivious to before can. His body goes rigid and he comes, with a choked, shuddering groan.

You stroke him through it, until he limply falls back on the bed, spent and panting. He reaches for you and you let him pull you in, hold him while he’s coming back to his senses, run fingers through his soft hair. When he opens his eyes, he looks at you with a small, almost sheepish smile, and it’s impossible to resist kissing him.

“Are you okay?” you ask, stroking his cheek and he leans into your palm.

“Yes, I’m fine,” he answers immediately, then realizes how it sounds and tries to correct. “I mean, I’m better than fine. I’m... I feel good.”

You chuckle and his eyes flicker to watch your mouth, then throw you a glance from under half-lowered lids. It’s enjoyable seeing him open like this, but what you really want is seeing him come undone. He doesn’t look tired and you know he can go on for much longer, but today it’s more a question of mental state than stamina.

“You want to go for another round?” you ask softly him and he blushes lightly.

“Well, I did technically… um, break a promise to ask for permission in the end,” he says with the same small smile that grows even more sheepish as he tries to avoid admitting he desperately wants more. “So it’s only fair if I remedy that.”

“Oh, of course. Honorable as always. So noble of you, Master Diluc,” you run your fingers over his abs, spreading cum all over them, and his brilliant blush returns in full force. But he doesn’t stop smiling, trusting your good intentions, that you’re mocking the hierarchy of ranks and not him personally. You kiss the corner of his mouth to reassure him, and his smile grows wider.

“Well, you can’t be successful in the commercial trade if you’re not answering for your obligations,” he says, trying and failing to keep a straight face. He really does recover very quickly, you think, if he can already banter. “The Wine Guild would kick me out if they learned I’d backed down on a deal.”

“Well, at least I know I can complain to the Wine Guild if you misbehave then,” your voice is still light, but you catch his chin and lift it up firmly, and he tenses up immediately.

He looks up at you, eyes intense as always, but now glittering in anticipation and tracking your every move, bangs tousled and lips parted for you to claim. You kiss him, messily, greedily, slide your fingers to the back of his head and pull on his hair, forcing him to expose his throat for you. You leave the trail of sloppy kisses and scraped teeth down from his jaw to the collarbones before you let go of his hair and allow him to collapse.

When your hand finds his cock, it’s already half-hard, throbbing. red. This time, you don’t go slowly, you grab it and start pumping it fast. He shudders, still so sensitive after a recent orgasm, and instinctively tries to close his legs.

You don’t force them open, instead, you catch his chin and meet his eyes again. “No,” you say slowly. “Open up for me.”

The thing about Diluc is that he doesn’t do anything by halves if he sets his mind to it. Once he opens up, he burns for you with the same single-minded dedication as he does fighting enemies in the night. He might not know how to ask for help, pleasure or affection, but he sure knows how to give and to give everything he’s got. Do not ask to have him if you want anything less than the whole.

He grits his teeth, his eyes smoldering crimson, and forces himself to spread his legs again, against his basic reflexes. The touch to his overstimulated dick is painful and igniting at the same time, it feels equal parts wrecking and delightful.

You smile and praise him and pump him even harder and faster than before, and he trashes in front of you, muttering a litany of half-choked curses, throwing his head from side to side, hands clawing at the sheets, thighs shaking, but staying open.

You asked for him and you shall have him, no matter what.

It’s still not enough for you, though.

You sprawl on your side against him, circling one arm around his shoulders, still stroking him with the other. The fight goes out of him. He blindly leans into you, trembling, a small whine caught in his throat. When you kiss him, his mouth is soft and pliant, but his hands clutch at you desperately, like a drowning man trying to hold on to the solid ground.

It drives you crazy to watch him writhe under you, completely unravelled, glowing brightly from feverish desire, scarlet silk of his tangled hair sprawled on the sheets, his hips bucking frantically into your hand.

You whisper sweet, tender praises to him, caress his face, neck and shoulders like he’s the most precious and fragile thing in the world, at the same time as your other hand relentlessly winds him up, squeezes his overstimulated, pulsing cock harshly, twists the leaking tip. The pain punctuates desire, a delirious contrast of torturously sweet and deliciously cruel.

His fingers dig into you, holding you close. He presses his face into the crook of your neck, clings to you, seeking comfort and shelter from the same sweet, unbearable torture that is also inflicted by you. The pleasure melts him, but the pain splits him open, wrecks him to the core, he wants this to end, and he wants this to never stop. More than anything, he wants to be yours.

“Fuck, look at you. You’re perfect,” you tell him and you mean it.

He breathes in through his mouth, drawing in your scent. “Please,” he gasps so quietly, you could’ve missed it if not for his lips moving against your neck. “Please, let me…please…”

Next time, you might demand more. Next time, you might make him spell it out completely, what exactly he begs you for. But this is his first time and he was already so brave for you.

“Yes, baby. You’ve been so fucking good. Come for me.”

He comes immediately and so hard, his entire body is shaking, the strangled scream caught in his throat. You keep stroking him, letting him ride it out through increasingly frantic and desperate thrusts, squeeze every last drop out of him until he collapses, limp and shivering, but still clinging to you.

You hold him, stroke his hair and kiss his forehead, whisper to him softly until he stops trembling and his breath evens out. You realize that he’s too weak now to get to the bath, so you stand up to get something to help, but he reaches out, catches your wrist immediately.

“It’s okay, I’ll be back in a second,” you promise. After you clean him up with a wet cloth, he pulls you in and curls around you so possessively and needy, you can’t help but smile. He’s fighting a losing battle to stay awake, the endless sleepless nights finally catching up with him, now that he lowered his guard for a moment and let his body feel alive. But there’s one thing he needs to ask, suddenly apprehensive now that the rush of lust passed.

“Did you… Was I… Ugh, damn. Would you perhaps?..” he stumbles over his words, not knowing how to phrase his concern that he wasn’t good enough for you and you just indulged him. You stop him mercifully.

“I *did* enjoy it. You *were* incredible. And yes, I would very much love to do this again.”

“Oh,” he says, relaxing against you, the same precious small smile appearing on his face again, now more content than sheepish. You chuckle, stroking his face.

“Besides, you did break my order to keep your hands up. You’ll have to suffer the punishment, or the Wine Guild will need to hear about this.”

He snorts indignantly and blushes at the same time. For the first time in many, many nights he falls asleep with a light heart and a smile still tugging at his lips.

[femslashfeb]

HELLO ALL

TLDR

No reblogging from the blog this year - posting prompts tomorrow the 31st

For the past few years I've very much struggled with reblogging everyone's activity in the tag. So this year I will not be doing so.

(OR maybe I will? I just don't want to commit)

Even if I knew how to make a bot that reblogs - a lot of people still use the unique tag to tag outside challenges. So I've always had to hand submit. However it became too stressful for me and for the past few years I ended up avoiding it until later weeks or even months.

If you noticed I didn't finish reblogging last year so- I've just given up on that.

Honestly I've struggled a lot with depression for the last 7 years or so. It's been harder and harder to find my way back to tumblr. It doesn't help that my phone can barely handle the amount of apps it already has.

My main account @puff-pink hardly ever updates because of my big sad. And I don't know if I'll ever get back on the horse in the same way I did before.

Some of you know me as an artist, and tho I still churn out subpar art for my day-job I've struggled a lot to make art for myself during my depression. Partially because one year I overworked my hand - and still deal in continual wrist aches. Even the weeks I don't pick up a drawing tool.

I intended this challenge for myself and maybe the small fandoms I was in at the time. But it took off among writers and creators of all types across all fandoms.

One year I even tried to tally the most popular fandoms but there were honestly too many to keep track of- and I stopped after the first three pages of submissions.

I don't claim to have invented the concept of FemSlash February. Before I started the prompts I swear I had heard the phrase somewhere. Tho not sure where. Perhaps it had been amongst my friends on Skype. Back when I had online friends and Skype(I'm still not sold on Discord🤷‍♀️).

However that January I thought it would be fun to partake in a challenge of some kind. But scouring tumblr and the general internet. I could only find half hearted efforts on fanfiction sites from years past.

I'm so proud of all my Sapphic creators on here that have partaken every year. Even if I've never shown favoritism or awarded anyone. I do notice those that actually complete the challenge AND those that keep coming back each year(looking at you H20 writer(I don't remember your username but there's a mermaid writer that's a writing machine)). I truly am proud of you especially in my shriveled state of creativity. Thank you for your efforts. For your hype. And for your love of women of all kinds across all the universes.

Each year I'm surprised to find even more categories I never thought to include. From mood boards, to doll photography, to ofc the classic art and writing. May your pencils forever be in union with your sister mediums.

On that note. There is a strict NO AI GENERATED ART or writing this year.

Not that I could physically stop anyone who does use AI. But I do not want that sort of thing associated with this challenge. It's become scarily good in 2023 to the point it can't always be identified. So I simply ask for the honor system when it comes to AI generated creations.

That being said. If you've made it to the end of this post:

Prompts will be posted tomorrow.

I usually prefer to give yall more of a buffer, but I've been busy. Both with Big Sad, rescuing some feral cats, my own life, errands, chores and work.

If you're still here- here is a preview of the first three days.

FEB 1 - black

FEB 2 - spring

FEB 3 - cake

The 14th as usual will be some sort of Valentine romance type theme(haven't decided specifically yet) and as always there will be a Rest Day.

Expect some repeat prompts. In the past I tried to avoid them but idc anymore.

It's also a Leap Year this year so expect one extra prompt to throw off the symmetry of what's normally 28 days.

Thanks for coming back this year. And thank you to those that still check on this blog.

❤️🧡🤍💜🩷

Keep loving girls

-PuffPink

[starflungwaddledee]

alright. look, we're going to go into this because i genuinely want to think you didn't mean harm by this, but it's unacceptable to use this sort of manipulative phrasing. especially with strangers, some of whom are kids.

this is not a call-out. i've hidden all names except my own. i just need to address this post i was tagged in, and don't want to add it onto the end of the original post. i could also have done this privately, but i want this to be here for the other folks who were @'d. i won't @ anyone else who was mentioned in this post, but many of us are mutuals, so if you see this post and you're feeling at all stressed out or bad, i recommend just clicking through because i'm going to go into this.

firstly, and i'm going to make this transparent, person who @'d me: i don't think you're being malicious or did anything purposefully bad. i don't think you intended harm or that you are "a bad person". i don't have a single negative thought about you as a person. i don't make this post to be mean. i truly think you made an earnest mistake that could easily have hurt others, and i am stepping in with the hope this can be avoided in the future! per my usual boundaries on reassurance seeking, i will not reassure about this further.

secondly, the post that you tacked this onto IS important and a helpful resource, and it is great to bring attention to it. we should be doing everything we can to not only defend against, but actively fight back against generative AI. many people cannot access the most commonly recommended tools (myself included), so a resource like this is fantastic and i'm glad to learn about it and share it! i don't speak for anyone else, but i've said before that i personally don't mind being tagged in resources that could help me or others and i'm usually happy to share them, especially if i think the latter

but, assuming that you are genuinely well meaning and don't know better, you need to know that this is not the way to go about it. i don't mean mass-tagging, which is fine in times like this imo, i mean your written add-ons that actively guilt trip every single person you tagged.

"if you weren't convinced by the idea of being a good person" and "I do hope anyone I @'d isn't a bad person" in particular.

you may not have realised, but these are profoundly manipulative and cruel things to say. regardless of how you intended them, they are inciting guilt in the reader, and especially in the people who you actively called to come and look at it. here's what it sounds like:

"hey! you! yeah you! come look at this!! come closer! now, do what i ask you to do, or you're a bad person."

there are a million and one reasons someone might not reblog something. being tired, offline, anxious, even needing to run a specifically professional blog with exclusively your art on it for your own financial survival which makes it hard to reblog important posts like this; none of those are bad.

in this case, only one thing makes them a "bad person", and it's "they're pro-generative AI and did not reblog because they want to hide this information to ensure they can continue stealing from creatives".

i'm fairly confident you don't actually think anyone you tagged here has that point of view, or that you really have any doubts about their stances on generative AI. in fact, of the folks i recognise here, they're all independent creatives, sharing artwork with fandom for free on the internet. they are the victims of generative AI, and like most of us, are facing a terrifying future and are already desperate to find a way to defend/fight back.

you do not need to use manipulative language like this to get us to care about this sort of content! this affects us all, content creators and content consumers alike!

in future if you want to direct folks to something like this, which is super helpful and it was good of you to do!, you can just @ them so they see it. you can even say something like "this is important and some reblogs would sure help to boost it!". this is still a call to action, but without the manipulative phrasing, just in case they cannot act for any reason.

in the end, guilt tripping people like this, intentional or otherwise, is dangerous.

at best it will make them feel like shit and they'll feel forced to reblog + share from you out of guilt rather than just believing in the cause. and sometimes it feels like it's most effective, especially when things are urgent; but in my opinion the risk of harm is just too high. because at worst, you could accidentally send someone into a negative thinking spiral. you can never know what people are going through offline, or outside of your spaces, and how something like this will hit them.

[dailyadventureprompts]

I just discovered your blog and I love it a lot! You have such a rich understanding of dnd and a lot of creativity! I was wondering if you could do a monsters reimagined on illithids/mindflayers? They are so iconic and I love them, I think a good idea for them is to keep the weird hivemind and brain eating and psionics, but ditch the tadpole concept. I would also just like to know how they came to be as they are right now, like. How did we get here?? Thanks!!

Monsters Reimagined: Mindflayers

The illithid have been a popular ask for reimaginings but It's taken me a while to get around to them in part because unlike a lot of the other features on monsters reimagined, their lore/execution within the game doesn't rest on a specific problematic trope or inconsistent storytelling. Mindflayers as they stand IMO are one of d&d's great villains, and if anything suffer from being too successful to the point of overexposure.

It took the asker remarking on how much they liked mindflayers for me to give them the onceover they really deserved. Yes, they worked great as antagonists ( being irredeemable slavers who violate the minds and bodies of those they subjugate, working inevitably towards the most awful ends), but their villany was born out of the same shallow bioessentialism as “always evil” orcs,IE inherent to their character. I’m a firm believer in the idea that if something is capable of making decisions, it’s capable of deciding not to be a bastard, so If I was going to overhaul the illithid, I’d need to get to the roots of why the squid headed bastards were the way they were.

TLDR: What we know today as the mindflayers are in fact the remnants of a long dead world, with many of their most monstrous qualities being bioengineered attempts to stave off the inevitable and hold onto their power. The “Elder brains” which rule the illithid are tyrants, the ultimate class parasites, who indoctrinate and mentally dominate the other mindflayers into acting as tools of domination over the peoples they consider chattel. Is possible for an individual illithid to break free of this system, but doing so is difficult, as it requires them to not only break out of any magical compulsion, but to abandon the paradigms that have defined their existence.

Spoiler alert: we’re going to be talking about white supremacy in this one

I think someone described it pretty succinctly that alien invasion stories are something that industrial nations invented when they started imagining what would happen if a more advanced people came along and started doing to them what they’d be doing to everyone else in the world.  Mindflayers (and a few other aberrations) fill that niche in oldschool d&d, with the low levels made up of the feudal heroes largely picking on “uninteligent” tribal brutes, only to hit level 7 or so where all of a sudden they’re fighting creatures who’s intelligence exceeds their own. 

The weird thing is how in the alien invasion stories, the aliens always want to enslave humanity.. Despite imagining the technology required to cross the vastness of space, the authors were unable to conceive of a world outside of the hierarchies of exploitation, even in the case of benign colonization like “day the earth stood still” and “childhood’s end”.

I’ve talked before about how d&d has a lot of baked-in tropes that assumes colonialism and racial supremicy as a default, but today we’re going to look at things form the other angle. Namely: can we use the mindflayers to talk about systems of oppression and how they manipulate us into being complacent tools with colonialism and genocide. 

First though, a detour on illithid biology/feeding, and how I’ve tried to make it make sense:  

In addition to a mostly vestigal digestive system, mindflayers possess adaptations that allow them to turn psychic energy into health and wellbeing, with their feeding being something like running a magnet over a computer screen except that the screen is a brain. This can be done delicately so as to case no long term damage, but sometimes it’s faster to just shuck the brain out and be done with it.

On their homeworld, the illithid cultivated a form of “thinking fungus” that draws in stray thought energy from the astral sea, the stray equivalent of radio static. This fungus grows around many mindflayer settlements and is one of the dead giveaways that they’ve moved into the region.

 The goal of every illithid is to prove themselves so at the end of their life (or sooner) they can join with the elderbrain, a grotesque amalgamation of all the most bastardly awful mindflayer’s brains that lives in a big tank in the center of their settlements ( or pilots their spelljammer ships) and mentally influences everything in a 5 mile radius. The elder brain creates a reinforcing social pressure: if you’re not doing everything you can to serve it, you’ll be culled, and if you don’t do your absolute best ( or if the elderbrain is just feeling cruel) your whole life will be for nothing. These brains are not a natural part of the illithid lifecycle, and are instead more equivalent to liches: influential mindflayers that learned that they could force others of their kind to tribute psionic energy through thier bonds, extending their life long beyond where their bodies can keep up. By ensuring that only those most useful join the gesthalt, the original ego ensures that no other personality is capable of overtaking their own.

Every so often in their life, mindflayers reproduce by regurgitating a load of parasitic tadpoles into the elderbrain pool where the weak ones get to be its snacks, and the strong ones get implanted into the skulls of promising candidates who’s brains are eaten as they’re transformed into new midnflayers. All of this is super squick, but what’s almost nonsensical is the fact that left to their own devices the tadpoles grow up into colossal, borderline feral worm monsters, meaning that in their natural state no one would be around to put the tadpoles in anyone’s heads. I rationalize this as the result of extensive biomancy augmentations that occured in the illithid’s development, a “cure” for the sterility imposed by their dying world and a handy means of population control/indoctrination for the elder brain, who’s able to etch the basics of its own personality onto each tadpole as it prepares to take a host.

And here we’ll bring the two ideas together, about how illithid can help represent white supremacy:  Like all imperialist or autocratic systems, the society of the mindflayers is self reinforcing, creating a population of desperate individuals and using their desperation to turn them into a tool to benefit those at the system’s top. Every illithid is not only born with the elderbrain’s world view as the foundation of its mind, the society in which it is raised is set up so that the only metric of growth or success is being useful to the elder brain, with any deviancy from expectation ( incluging over ambition) are dealt with harshly to the point of execution.

An indivual illithid could break free, but that would require a depth of personal examination is frowned upon in mindflayer circles, as well as the acceptance that there is a way to live outside the elderbrain’s guidance without going hungry and devouring their own sapience like the pale and wretched creatures that outsiders call “illithid vampires” 

Much like racism,misogyny, imperialism, capitalism and fascism, the society of mindflayers creates a desperate population that are convinced that the only way to be is to be in a particular way that ends up benefiting those at the very top. Breaking free takes a tremendous amount of bravery, and a willingness to alienate yourself from all you thought familiar and true in the process.

Art

[queer-ragnelle]

Hi there, you don't have to post this on the blog, but I wanted to thank you for your earlier post with regard to different interpretations and iterations of Arthuriana. I really admire your work in/thoughts on all things Arthurian, and seeing you say "Each iteration is it's own self-contained world and anything is possible within that framework" was such a freeing thing. I'm currently writing an Arthurian thing where Lancelot falls for/ends up with someone who isn't Guinevere, and I often wrestle with the doubt of "if he isn't in love with Guinevere, am I really being true to the stories and the canon?" But each iteration is its own self-contained world, and I can honor the stories in other ways while still doing my own thing in this particular story/world. Anyway, all this to say, I'm sure it wasn't your intention, but I appreciate your insight and the encouragement it brings. Take care!

Hi there! Sorry for the delay in responding, but I wanted to think about this a bit beforehand. In writing my own Arthurian series, as well as reading and watching absolutely everything I can get ahold of, historical, medieval, and modern, I’ve developed a whole philosophy about it. So my reply got long hehe. Here’s what I think…

In the ask you referenced, I talked about how Arthurian legend lacks a true "canon," and how the stories all build off each other. The inconsistency from text to text and even chapter to chapter within the same story affords us endless opportunities for creative reinterpretation. I can basically be sold on any concept. I’ve read a lot of retellings at this point and I’m not married to any specific “canon.” If the writer can convince me that, in this version of the story, things played out differently, then I’m happy to get invested. For example, in Exiled From Camelot by Cherith Baldry, she develops Lyonors, Gareth’s wife, and makes her into a likable character the reader can easily ship with Gareth. On the other hand, I definitely see why people prefer Lynette with Gareth, as Tennyson did, and the majority of other retellings follow suit. Even so, I think Lynette and Gaheris made an adorable pair in Squire’s Tales #3, and it was a satisfying reveal in Squire’s Tales #7 that the pov character was their daughter, Lunette. It’s indicated through context clues who her parents are when they arrive at the end referring to each other by pet names. In the same vein, while I favor Ragnelle, Gawain can have any number of partners so long as the author writes the chemistry well. And while I still firmly believe Agravaine is gay in essentially every retelling, I do love Sarah Zettel’s romance Camelot’s Blood that she wrote between him and Laurel. I’m an Orkney Wives fan first and an Orkney Bros fan second haha!

That being said, Orkney Bros have always been inconsistent, so changing their love interests isn’t actually that drastic. In the case of Lancelot and Guinevere, severing their romantic connection is a huge departure from the norm. Undoubtedly, some people won’t “get it” or say it’s out of character. But the thing to remember is, there is no singular source for Arthuriana, so how can they ever be out of character? Let’s get into it.

Firstly, you don’t need to rationalize your narrative choices. To anybody. So long as you’re writing something for the sake of authenticity and good storytelling (rather than simply to be contrarian or edgy or quirky etc) it will resonate with your audience. That said, there’s medieval precedence for your concept. In Alliterative Morte Arthure, Lancelot is listed many times as one of Arthur’s knights. He’s there. Yet it is Mordred who adulterously marries Guinevere. In the romance retelling Lancelot by Gwen Rowley, Guinevere is not the love interest, but Elaine. Another similar angle is explored in Port Eternity by CJ Cherryh, which takes place entirely from Elaine’s point of view. Guinevere isn’t even truly in it and her stand in doesn’t fulfill the same role. In The Adventures of Sir Lancelot (1956), Lancelot definitely has A Thing with both the King and Queen, but a potential affair is not explored or even hinted at. He’s their bestie, their confidant, their most trusted person apart from each other. The key here is Lancelot still loves Guinevere (or her stand in), however that manifests. There’s no active dislike or hatred between them. In that circumstance, I don’t think the character would feel like Lancelot anymore. But changing the nature of his love for Guinevere from romantic to something else does not diminish its narrative value, as the above examples prove. Their friendship is the core of their relationship, as the Vulgate proves, and maintaining that is important.

It’s not so much about asking yourself, “Is [narrative choice] true to the ‘canon?’” as asking, “How do I tell a good story containing [narrative choice]?” There are examples of this done poorly, in my opinion. I’ve elaborated many many many times about David Lowery’s fumbling of The Green Knight (2021) and how that particular iteration falls short of a true adaptation (which I don’t think he set out to do anyway, to be fair) but also proved an unsuccessful reimagining of the poem due to mismanaged references and motifs. I didn’t like Once & Future by Cori McCarthy and Amy Rose Capetta or The Winter Knight by Jes Battis for the same reasons—both books felt like shallow, meandering stories lacking narrative integrity with a veneer of Arthuriana over it. Reincarnation AUs are not an excuse to flanderaize characters. Battis writes Wayne (Gawain) acknowledging how drastically he differs from his medieval counterpart, but awareness of it doesn’t negate the facts: the story suffers for it. On the contrary, Camelot 3000 gives an entire character arc surrounding this premise to Tristan, who has reincarnated AFAB and struggles with his gender identity and with accepting Isolde’s love for him, changed though he is. First Knight (1995) really screws up by making Lancelot a misogynistic creeper who relentlessly pursues Guinevere and even forces a kiss on her. King Arthur: Legend of The Sword (2017) is insultingly bad by showcasing just how stupid it thinks its audience is, brutalizing and killing women left and right, giving unnecessary screen time to obnoxious OCs, and bastardizing every aspect of the legend it drew from. Meanwhile the Fate Grand Order anime cuts out Guinevere entirely. Her role exists as a void. It makes no sense, then, that Lancelot and Agravaine clash as “fellow traitors,” because the woman at the center of the conflict is literally never present. Seven Deadly Sins anime has finally gotten around to Lancelot and Guinevere meeting, and she’s a clingy girl Lancelot is disinterested in, trying to flip the script on their roles, and only exacerbating the misogyny problem in shounen in the process.

Fear not! Loving Arthurian legend automatically enshrines anything you create in a glittering anti-garbage shield! So many versions exist that draw on the elements just because they can with no respect for the material nor their audience. You literally can’t do worse than what’s already out there and there are no original ideas! Published retellings love crackships, they love mixing it up, changing the expected, surprising us! So long as Guinevere isn’t made worse to make Lancelot’s alternative love interest better, and Lancelot himself isn’t turned inside out until he’s unrecognizable, you’re golden. Follow your gut and write something you would enjoy, develop it well within your own universe, and there will be an audience for it. I’m certainly among them!

Thanks for the ask. Have a lovely day! :^)

[swearyshera]

Alice,

I've loved being able to read Sweary She-Ra through the years. I happened upon it only a few months after finishing She-Ra (I was late to the party due to not having Netflix, oops), and it gave me so much wonderful content to keep my excitement for the series alive.

The way you explored the characters, especially Catra's mental health and her relationship with Shadow Weaver, helped give me a new understanding and greater appreciation of them. I bring up Catra specifically because, I'll be honest, I wasn't a big Catra fan for awhile. I liked her well enough, then kinda didn't in season 4, but grew fond of her again around season 5. But you helped me understand her thought-process, and I came to like her more because of it. I really like that you also handled her in a nuanced way, where, as you've said many times, you explained her behavior without excusing it, and that made all the difference.

One of the things I really appreciated about your take on She-Ra was how apparent your intelligence was, as well as your writing skill. It wasn't just "Catra says fuck and Glimmer has killed dozens," even though it could have been--you went the extra mile (or kilometer, since you're British :P) and gave us a variety of jokes, as well as mood shifts from comedic to tragic to dramatic to hopeful. All of the characters felt like themselves, even though they were pushed up to 11 and had some creative liberties taken, such as Frosta being a demon and Hordak's Geordie accent. You had a good handle on all of them, which can be very hard to do with a large cast, especially one written by another writer.

I also really appreciated that you took the time to answer asks and build a community here. It gave us lovely jokes such as Bob (that's right, I haven't forgotten about him), Catra's age, and Entrapta reading our comments. I've always been very shy online, but seeing you having such nice interactions with fans helped me open up, and I'm glad I did! I used to ask anonymously from time to time (yes, my first ask was about DT, all the way back during your start on season one, what else would it be? XD), and I'm glad I've gotten to chat and joke with you, as have the rest of us.

I'm so glad that you stuck with this and created such a wonderful fan-series. We never got a movie, but this was just as good, in my opinion. It was like watching SPOP for the first time all over again. I'm excited to see what you create next, be it SPOP-related or not. I hope the future has great things in store for you.

You brought us laughs, tears, and spectacular Glimmer-swears, and your blog means so much to so many people. You mean so much to so many people. I hope you find success in your future endeavors!

FOR THE HONOR OF GAYSKULL!

What can I say, it's truly been an honour (of Gayskull) to write something that I had no idea brought so much to many people. I'm genuinely quite humbled by the reaction.

I always wanted to be fair to all the characters, to show their reasons without necessarily validating the invalid stuff that they've done, and that particularly came across with Catra. It's no secret that I see a lot of parallels between her and my own history, but I've applied the same take-no-shit but be kind approach that I took with myself over the years. And I've learned a lot about mental health during that time, so I could give that sometimes painful realism, but also know just how to make fun of it in the right way.

In some ways, I feel like the characters I've written have taken on their own personality that's very distinct from the original, and that's probably why I think there's a little more mileage in them yet. Both in terms of original stuff (my pilot script Snowflakes has almost 1:1 versions of DT and Perfuma!), but also in the possibility for creating more Sweary stuff, and that is slowly taking shape - although I am taking it easy for a bit, I've already outlined a story which I'd love to make into an audio drama. Currently workshopping it with a couple of people, so watch this space...

It has been a joy to get so many asks from people, yourself included, and my inbox will always be open. I'm not going anywhere for a while! You were very much my DT-asker-in-chief, and I'm super glad you enjoyed their scenes (heck, you even got them a cameo at the end!). So thank you immensely for the support.

I'm happy I've been able to contribute to a wonderful fandom in such a way, and I'm eager to keep on giving back to a community that has given me so many amazing friends.

FOR THE HONOR OF GAYSKULL!

[aceofwhump]

Dear Ace,

I need some advice. I’ve been a whump lover for as long as I can remember and I’ve been lurking around this community for some time now but I’m still having some trouble with feeling the need to hide my love of whump. I like to write but hardly ever do because all my ideas center heavily around physical whump scenarios. I have the hardest time putting pen to paper because once I do, it’s out there….and what if someone accidentally reads it and realizes how dark my mind is?!?

Intellectually I know that’s ridiculous. I live alone and the chances of someone accidentally stumbling over my writing are practically zero and even if they somehow do, it’s a creative outlet right?

But I still can’t seem to manage actually writing any of it down.

Any words of wisdom about how to get over this hold up and be able to write the stories in my head? Thanks in advanced.

Signed,

Anxious Writer.

Hi nonny <3 Sorry for my slow response.

What you feel is incredibly common amongst the whump community. Incredibly common. You are not alone in these feelings. And just like you're not alone in feeling weird or uncomfortable about your love of whump you're also not alone in loving whump. There's sooooo many of us here with you and you are welcome in this community. Your work would be welcomed in this space. It really helped me finding out that there are sooo many people out there who love the same kind of stuff I do. So know you're not alone.

It took me a while to become comfortable with sharing my writing and my rambles and general love of whump as well. One thing that helped me is knowing I sharing it in a loving space of fellow whump lovers. So I made sure to tag it so that other whump lovers found it and that non whump lovers who have the tag blocked won't see it. Tagging is a really great way to get your work into the right fandom spaces (both with AO3 and tumblr).

I also share the fear that someone I know will find my writing. My mom especially can NEVER find it because she will not understand it at all. So when I do write I make sure I'm doing in the safety and seclusion of my bedroom where no one can see my computer screen. I don't write when I'm in the same room as my family. Not unless I'm 100% sure they can't see my screen. So another piece of advice I can offer is to create a secluded space for yourself where you can write without worry that someone will see it. I don't know if that's the best advice but it's something that makes me feel more comfortable when I write whump. My sister knows I write whump fanfics just like I know she writes smut but we've made an agreement to never go seeking each others profiles or reading each others fics. Just for our own comfort levels. We don't judge each other but knowing the other wont see what our minds come up with makes us feel better.

And I know it's hard to get over the hump of thinking what you want to write is dark and bad but I promise it is not bad to want to write whump. Tons and tons of people write whump. And not just the hundreds aof fanfic writers either! Look at the stuff written by Stephen King or Mike Flanagan. They're praised for their whump writing.

Another piece of advice I can offer that helped me start to share my work is to create a blog/space made specifically for your whump. As soon as I made this blog I immediately felt more at ease sharing my love of whump because I knew I could keep it separate from my real life and keep it as anonymous as I'd like. If you'd like you could create a whump sideblog and post your work there. Try with something small like a drabble in answer to a prompt post. I did that. I wrote a short little thing that fit a prompt post I liked and i got such a nice response from the community it made me feel more confident with sharing more of my writing. Is there a prompt you've seen that gave some inspiration? Go ahead and try sharing your response! See how it feels!

I hope something here helps you nonny. I know it can be hard but we'd love to read your work! Everyone has something unique to offer and teh more whump the better! This community is really nice and we'd love to have you <3

[words-from-the-coast]

audly’s favourite (free) d&d resources

d&d books are really expensive. for beginners, that can be daunting if trying to get into playing. some people are under the impression that you have to have all the books (or at least one or two) to be a good dm or player. 

so i’m here to compile my favourite resources! 

5etools

literally my favourite. it has sections divided by what you’re looking for, and a super easy filtering system. it’s got stuff from most books (except the critical roll ones) and dm screen resources! also has the ua (unearthed arcana) playtest materials. 

D&D wiki

also has pretty much everything! not really divided by books (as far as i can find), which may make it a bit tricky. but if you know what you’re doing, you’re set. especially helpful for spells. 

Fantasy Name Generators

in my opinion, naming things is one of the hardest things to do. like you’ve got this cool axe weapon thing that glows but you don’t want to just call it the “glowy axe”. or a super badass elf character that has a pet raccoon. or a city where your campaign will be. so you go through your brain for a good name and it’s empty. names give things meaning and importance. choosing one is hard. if the name generator doesn’t give you a name, it should at least get the ball rolling. they have one for pretty much everything.

Roll20

basically a dnd specific discord! you can host games, display maps, and have access to all your player’s sheets in one place. i find this one a lil tricky to navigate without a mouse, but i’ve managed with just my trackpad. roll20 also has a fairly extensive compilation of resources like class descriptions, weapons, etc. etc. i use it a lot when making magic items and worldbuilding. 

DnD Disability 

all about incorporating disabilities into dnd! i really enjoy this site. they offer some creative mechanics for varieties of neurodivergence, chronic pain, and mobility aids. a super amazing resource to make your game more accessible. 

Hero Forge

great for making character designs and has the option to buy a 3d print of your mini. some of the race options are little limiting (read: i tried to make a pigeon aarakocra out of a ravenfolk and it did not work), but overall is functional. 

D&D Beyond 

at this point i think everyone and their mother has heard of D&D beyond. it’s essentially the “official” dnd site, with all the official content and boundless homebrew. it has a character creator option too, which is useful for people who need some extra support. the issue is that it exists behind a paywall. if you want to add anything other than the “standard” options or use someone else’s homebrew in your game, you have to buy a membership. you can browse homebrew just fine without one, but can’t put it on your character sheet. for all it’s costly negatives, i do find joy in the unhinged and unbalanced home made things people conjure. worth at least looking at. 

Pinterest 

great for character and setting inspiration! also has some homebrew monsters, items, and weapons which can be meh. if you’re looking for nifty mechanics, pinterest may be your place as well. i have seen both phenomenally cool things i’ve incorporated into my games and the Most Questionable Things Ever.  

Arcane Eye

more of a blog, but does contain exceptionally useful knowledge. much like roll20, arcane eye has resources that can inform you as a player or dm. they have guides to different things.

D&D Compendium 

it sure is a compendium! it’s got the whole kitten caboodle, “how to dm” and “how to play” sections if you need some extra help, map tools, and a bunch of other how-to’s. they have links to other dnd resource sites as well, so if you can’t get it on the compendium, you can get it from one of those. you can also network and find a group to play with via the compendium. (but be careful with strangers from the internet, said the stranger from the internet.)

The Official D&D Site 

has a bunch of free pdfs for character sheets and whatnot, as well as some pre-generated characters and basic rules. they don’t have a huge amount of content for free, but who can blame them with all the pirated content out there. 

donjon

so many free generators. a dm’s best friend. they have map makers for dungeons, towns, npc’s, etc. so much stuff. so much. less useful for beginner players, more for dm’s. also good if you’re super into worldbuilding and want something to help. 

Azggar’s Fantasy Map Generator

again, more for dm’s than players. also just really good for worldbuiling. if you want a unique and comprehensive overview of a world, continent, or country, azggar’s is a good place. when i saw comprehensive, i mean comprehensive. it’s got political state lines, capital cities, ports, trade routes, population densities, distribution of regional ethnic groups, religions, government styles, the whole works - all fully editable. the tools can be a lil confusing at first but they do get easier with practice. 

Kassoon Puzzle Generator 

puzzles and riddles for your players! some are simple, some are more complex, depending on the skill level and knowledge-base of your players. can be worked into dungeons or given as a one off in an encounter. 

NPC Generator 

the title says it all. gives a basic name, occupation, class, race, etc. for an npc. all of which can be edited and randomly generated. 

The Homebrewery

a place to format your homebrews into an official-looking style. requires a smidgen of coding, but they have things that teach you that. it’s mostly for different headings and dispersion of sections. 

Podcasts 

if you’re just starting in dnd, listening to other people play can be informative, and hopefully entertaining. some shows are intended to be listened to as stories, rather than actual-play, other as wholly normal dnd, some a mix of both. they can spark inspiration for characters, settings, etc. i’ll give a mini list of my personal favourites (maybe a longer list later): 

- dames and dragons: so lovely. i’ve been listening since high school, and at this point it feels like listening to old friends. top of my list, highly recommend. 

- girls who don’t dnd: a group of girls who’ve never player dnd before playing dnd. this one is great for beginners who need more clarification on mechanics. 

- dungeons and daddies: it’s about literal dads from earth transported to a magic realm. so so so funny. 

and yeah! that concludes my list of my favourite resources for dnd for dm’s and players of all levels! happy playing! 

[divorcedwife]

hi! i love your art SO MUCH and i check your blog like the morning newspaper to see if you’ve uploaded anything new (you always have and I LOVE IT!!! thank u for keeping us fed) anyway i was just wondering if you had any advice for actively creating so much? i used to draw all of the time but i find it so hard lately to make even one tiny thing, especially something that i like…..but when i look at your work and how much you create i am always so inspired! i hope this makes sense eeeek anyway have an amazing day and thank you for sharing your incredible work with us!!!!

thank youuuu thank you so much!!! ;___;

i totally get that, and it used to be my number one problem, creating at all. i remember being in art school surrounded by people who were always drawing, and me, i just couldn't, and i couldn't explain what made drawing so difficult for me

and i think what blocked me is that i was paralyzed by indecision - too afraid to waste my time making "bad art" to do anything, or the wrong type of art, art that' won't look good in my portfolio, art that's too silly and specific to me. so in the end i made nothing

what's really been helping me lately is that i have dramatically lowered my standards for myself. i sketch every idea i have, even if it's just putting down three lines, even if it's self-indulgent and silly. anything that excites me and makes me want to draw, i follow that excitement as far as it will take me. maybe that's a fully completely illustration, maybe just a sketch, or maybe somewhere in between

if the goal is to have fun and not making a masterpiece, i feel less pressure and i end up drawing more. and drawing more leads to drawing better! if you make 10 sketches and really pressure yourself to make them great, that's torture. if you draw 1000 sketches, some of them will turn out amazing

when i have ideas i sketch, and when im low on ideas, i have all these already made sketches to revisit, and as i draw i find new ideas! this avoids me having to face a blank canvas and desperately scratch around my brain for ideas. creativity does not like being scrutinized like a bug, it vanishes under pressure in my experience

i find that creativity can be a negative or a virtuous circle. not drawing leads to less ideas and more pressure to deliver something good which will keep someone not drawing. but if you find something that gets you excited enough to draw again and keep going, then you will get more ideas along the way. follow them! draw the same character 1000 times in a row. i tend to focus on mostly one of my characters at a time - i draw her, i think about her, so i want to draw her more, and so on. that's fine

if there's any part of drawing that you like more than others, maybe try leaning on that more, and remember you don't need to do anything you don't want to do. if doing lineart sucks, don't do that. if coloring makes you want to stop drawing, use black and white

but also, where i've also been very lucky is having people like you around! :-) having people respond and connect to my art with such enthusiasm and such kindness, it's incredible

genuinely i owe more to people online who like my art than anyone does to me for making it. i would probably still make art if i had no one to show it too (which is what i did in middle school lol), but it's very lonely. it's harder to create something if it feels like no one will care. and i've been there, i spent years on deviantart having zero followers and attention. so i think every artist needs supportive friends they can show their art to for encouragement

some people feel shame that they don't do art just for its sake, that they want followers and likes and all, so i just want to say it's normal to want that :-) like i do make my art for an audience, if it was just for myself, i'd look at it in my head

i hope any of that helps!! in conclusion, i think any kind of art is worth making. and it should be fun. i also hope this makes any sense - i have to go to work soon but i wanted to reply before that. and thank you again for your kind words!!!!! <33333333

[scribefindegil]

authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Let’s spread the self-love❤

Yayy! Thanks Mary! <3 After agonizing it for a while, my top 5:

The Real World (Mob Psycho 100, post-Mogami arc) is absolutely my favorite fic I've ever written. It's some of my best prose, I'm really pleased with how concise and focused I was able to keep it despite touching on so many characters, and it let me distill down a lot of my thoughts on the themes of the show and why it's so important to me. And I wrote it during the absolute worst stretch of the curse, painstaking sentence by painstaking sentence over the course of half a year. I am so so so proud of it.

Fisherman's Knot (Gravity Falls, post-canon fic focusing on the Stans, their deeply-entrenched mental health issues, and their eventual recovery. Also there are selkies.) At 104k words, the longest piece of writing I've ever finished. Writing it was a journey; I took a long break but I'm so happy and proud that I managed to come back and finish it and that there were still people who were as excited as I was to get to the end. The response to this fic blew me away; it started out largely as a coping mechanism to deal with my own poorly-treated mental illness and I feel really honored that my writing resonated with so many people dealing with similar things. I grew so much as a writer over the course of it. Both the big moments of catharsis--Stan's glitter and Ford's realization by the harbor--were things that were so powerful and electric in my head that I worried I wouldn't be able to put them down in words that did the feelings justice, but I did!

Bloom (Discworld, a Glorious 25th of May fic set a few years after Night Watch) Everyone who sets out to write a Discworld fic is undertaking an extreme act of hubris, because not only are you trying to emulate a specific writing style, you're trying to write like Terry Pratchett, which as we all know is basically impossible. Still, I think I hit some good resonant Discworldy notes in this little piece and really nailed the Themes I was going for. Periodically the Tumblr post version gets a little burst of notes and it always makes me really happy that people are enjoying it.

First And Final Orders (Mob Psycho 100, Dimple character study) Hi. Have you heard of ring composition? I love ring composition. It is my single favorite literary device (and I love a LOT of literary devices), so I had to include one of my fics that makes heavy use of it. I also love pointing at a piece of media and going "Hey. Hey have you thought about how there's kind of some Discworld themes here? What if we thought about the Discworld themes together?" And ALSO i love DIMPLE!!! I hope this fic helps explain why.

Casualties (Gravity Falls, missing scene from the finale) So the reason this fic makes this list isn't so much its quality (though I do still really like it!) but the fact that it was my first-ever completed fanfiction. I'd idly poked at the idea of writing fic a couple times before but never made much progress. I hadn't actually done any creative writing for years at that point. I came to fandom late due to a combination of being scared of the internet and, when I did check out my real-life friends' fandom blogs, feeling like everything was so focused on shipping that there would be no place for me and the kinds of stories I cared about. Gravity Falls changed that. I'd made friends and felt like part of a community for the first time. I'd read fanfic that I loved and that focused on the sorts of relationships I really cared about. And so finally I decided that even though it still felt really scary, maybe I would try my hand at actually writing and posting a fic of my own.

360,000 words and 54 works later, I still think it was a pretty good idea.

[nostalgebraist]

IMO, generative ML models are overhyped right now.

(Generative ML models are things like GPT, PaLM, DALLE-2, Imagen, etc. -- the models that make what people call “AI generated” content.)

I find myself almost wanting to “short” them, in the financial sense.  Maybe I should?  Like, on prediction markets, or just in personal bets.

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These models tend to have a large “impressiveness-to-usefulness gap.”

Remember the GPT-2 staged release?  OpenAI claimed they were worried about people using it to automatically generate disinformation, and things like that.  And other people worried about this too.

But when it finally did get released, even the scary full GPT-2 just . . . wasn’t very useful for anything?

It was really cool, and did get used for lots of internet art-and/or-comedy projects.

But those are exceptions that prove the rule, because they always hinge on “hey, look at this thing that an ‘AI’ made!”  If you stop caring whether the text was machine-generated or not, and just ask whether it works on its own for some practical purpose -- then the magic disappears.

Likewise for GPT-3.  For the amount of buzz it got when it came out, it’s pretty striking how little effect it’s had on the world in the two years since then.  There are a bunch of GPT-3 startups, but unless you use one of their relatively niche products (you probably don’t), none of the text you read in your everyday life was written by GPT-3.  Except the stuff where the point is that it was written by GPT-3.

(And even some of those startups are doing the “hey, an AI made this!” approach, like AI Dungeon.  In OpenAI’s 2021 blog post about GPT-3 apps, one of the two examples they chose to highlight was Fable Studio, a company making AI for VR characters -- an application where “wow, this AI is so advanced!” can do a lot of the work.

...and where is Fable Studio now?  They’ve, uh, pivoted to NFTs.  Specifically AI for NFTs, and more specifically a behavioral, non-linguistic kind of AI inspired by The Sims.   “GPT-3 is frustratingly useless” is a core part of their pitch for the new project.)

And now people are freaking out about the idea that DALLE-2 will replace human artists, and it just feels like the same story again.

The pictures are pretty.  They’re technically competent by human standards,  as GPT-3 output often is.  Yet they’re rarely actually good by human standards: I haven’t seen a single one that would make me click “follow” if it had been posted by a human artist on tumblr.

And as with GPT-3, it’s virtually impossible to tell the system what to create in the fine-grained way you would expect when collaborating with another human.  Mostly, it just makes a competent version of whatever thing it randomly happens to end up making.

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Most of the impressiveness-to-usefulness gap is about that last point.  Collaboration is crucial in creative work, and these models can only collaborate with us in a very primitive way.

You can’t impose a house style on them.  You can’t tell them “this is a good start, now here’s what I want in the next draft.”  (Although you kinda can with GPT-3 now, but that raises the meta version of the issue -- can you rely on it to respond to your feedback in a predictable way?)

You can’t ask them to make 500 different video game objects that all look the way the objects in your game are supposed to look.  They can only make 500 objects that look convincingly like they’re from some video game.

If models like DALLE-2 could be told “this is a great art style, now hold it fixed,” and then told to generate many pictures in the same style, then IMO they would be much closer to doing the work of human artists.

But it’s hard to do this kind of thing with generative models without spoiling their magic.

The models get their magic by learning from immense amounts of data, mostly scraped from the internet.  What they are good at is imitating the structure of information that already exists ubiquitously on the internet.

When we “tell them to do things,” what we’re really doing is filling in a piece of some kind of information-structure that can be found all over the internet.  When you prompt DALLE-2 or Imagen, you’re saying something like “make a picture that would have this alt-text,” or “make a picture that would have this caption on Instagram.”

The reason you get such coarse-grained control is because real stuff-on-the-internet is only coarsely predictable from its constituent pieces.

And what’s on the internet is simply what it is.  You can’t just go out and tell millions of Instagrammers to write captions that are more informative in some specific way.  If people are making the data with you in mind, the data isn’t big enough to be relevant.

So with something like varying the style and content independently, there are 2 basic approaches:

- Reify “style” as some specific thing about the image that can be computed automatically, as in the style transfer literature.  This works reliably, but loses the magic: you can control “style” very precisely, but at the cost of using a limited, hardcoded notion of “style” that can’t make itself less limited by learning from massive data.

- Use the model’s innate conditioning mechanism, adding “in the style of Salvidor Dali” or whatever to your prompt.  This gets you a much more nuanced, impressive concept of “style” that gets only more so with more data . . . except that you can’t put anything in that wasn’t in the data to begin with.  You get the information-structures that the Instagrammers (et. al.) gave you, and you get only that, and no more.

I think some narrow versions of the problem will get resolved over time, like the one that is the topic of the Scott-Vitor bet.

But the “Instagram bound,” so to speak, seems like a fundamental limit.  We might overcome it, but only by doing something fundamentally different from anything you’ve seen yet.