#they have to have control

[getvalentined]

Can I gush for a second about the use of pokeballs in Pokemon Scarlet/Violet to indicate characterization? I'm sure this has been brought up many times before by people more dedicated to the series as a whole than me, but I'm really delighted by this particular detail, so: let's talk about Team Star.

—

Mela is only seen with a quick ball, which works better when used immediately during an encounter with a wild pokemon. It's what you use if you want to get it over with. Mela is hotheaded, impatient, and prone to jumping the gun. She likes to gets things over with fast so she can get back to he own life before she gets too annoyed.

—

Atticus is seen using a repeat ball, which works best on pokemon that have been caught by the trainer multiple times before. This is for people who like to have make sure that they have the best pokemon for a given situation, perfecting their choice over time through a combination of training and selection. Atticus is patient and detail-oriented, and he works in the design and creation of clothing, which requires dozens of mockups and modifications to get right. He'll go through a hundred shirt designs that aren't quite right before finally producing the one that is.

—

Ortega is shown with a luxury ball, which is extremely expensive but immediately increases the friendship of any pokemon caught with it. This is for people that like to work with the "hard customers" of the pokedex without necessarily having to go through all the hard work to get those pokemon to like them. Ortega is extremely wealthy, but he very clearly values his friends more than his position: he's not a classic spoiled brat, using what he has to make things easier for the people he cares about. If I had to guess, I'd say his love language is gift giving.

—

Giacomo uses a timer ball, which works better the more turns have elapsed in a given encounter. This is for trainers that don't give up when they want to catch a specific monster, those who are willing to wait take their time if it means they get what they want. Giacomo is patient, has an excellent concept of strategy, and is willing to take as long as he has to in order to get where he wants to be.

—

Eri uses a heal ball, which instantly heals any pokemon put in it. This is for trainers that focus really heavily on the health of their pokemon, those who want to make sure that they're always at their best. Eri is fiercely protective of the people she cares about, to the point of standing guard at the gate of her base herself so that none of her people are put in danger. Her biggest concern is the health and safety of the people around her, regardless of the toll protecting that might take on her own.

—

In contrast to these five, the Big Boss of Team Star uses normal pokeballs. Because they're nothing special, and at first glance the boss isn't either—but when it all comes down to it, this is a character that is dedicated, steadfast and reliable, the one that started everything for Team Star and the one that everyone comes back to in the end. Out of context, them using normal pokeballs doesn't seem to mean anything, but when put against the backdrop of the rest of the team, it's as indicative of character as all the rest.

[rotationalsymmetry]

Rent control is on the ballot for California voters this November.

I uh, get that tumblr isn't exactly sorted by geography, but this is a huge deal.

It's a huge deal even for people who don't expect to be personally affected by it -- rent control is a protection against the poorest people living in a city being forced out, and that's just bad for everyone. When you have a city where only medium well off to rich people live, you get their service employees coming in from a suburb an hour and a half away (blech) or else you get people stacked three to a room. Or people holding down a job or three while trying to earn enough to get off the street or, well, out of their parents' place or away from the abusive partner they can't afford to break up with. Point is, a lack of housing that people can just keep living in at the same price, means a lot of bad things for society, and we probably aren't going to socialize housing within the next ten years but maybe we can get rent control back.

[virluce]

captain. wake up. we're in the new episode

[appaeve]

twilight princess sillies

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[deep-space-lines]

IT'S FINALLY FUCKING DONE. I'M FINALLY FREE

UNTIL FRAUD COMES OUT

Tumblr shrinks it down pretty bad so please. please. I am begging you. look at the full sized image and zoom in. This art piece made my friends worried for my mental health I need someone to witness the amount of detail and effort I put into this

also the original sketch under the cut bc I think comparing them is really funny

[thetetra]

[mumblesplash]

i know it’s like years old at this point but i love that one collab mumbo and grian did with tommyinnit bc it’s like the single most concentrated example i’ve seen of mumbo’s Chaos Nullification Powers

you get to see a bit of it on hermitcraft, mostly via his interactions with grian, but until seeing that collab it didn’t really hit me just how completely mumbo can no-sell other people’s attempts to control a situation. tommyinnit is possibly the single shoutiest, most chaotic minecraft youtuber out there, and in most videos i’ve seen he pretty much overwhelms everyone else and sets the tone for interactions because of this. but mumbo just. doesn’t let him. no matter how much tommy escalates in intensity, mumbo reacts with *exactly* the same energy he always does. grian largely comes across in the whole video as annoyed and reluctant to engage with the whole thing, but mumbo’s not even affected. he just rolls with anything he finds funny and basically ignores anything he disapproves of, only seeming more and more unflappable the harder anyone tries to get a rise out of him.

AND imo, this is the key to my favorite interpretation of him as a character

see, when the people around him are being more reasonable/calm, i think mumbo often comes across as anxious and a bit easily overwhelmed. the thing is, his nervous wet cat vibes do not scale. he has one setting. his responses to the last life ‘ah-ha!’ jokes and to hermitcraft 8 starting to crumble to pieces under a falling moon are almost identical.

mumbo jumbo is inexorably and eternally Just Some Guy, but that gets stranger and stranger the weirder his surroundings become. the giggly incredulousness that makes him an easy target for goofy puns looks Very different when it’s also his reaction to the impending end of the world.

[ultravioletness]

I’ve been making gay knights (and ladies) collages on my phone at work

(Part two)

[strawlessandbraless]

Jensen Ackles saw this early script draft and made the choice that Dean would NOT make Cas feel bad for hugging him after the angel thought him dead

In fact, he let Dean be fully embraced by Cas, let him melt into the hug with a soft smile. Dean got to proudly Introduce his angel to Mary without shame or embarrassment, and that’s beautiful

[bet-on-me-13]

Danny commits to the Bit a bit too hard...

So! For the first few weeks after his accident, whenever Danny would try to help the people of Amity Park, he would be treated as a Villain.

No matter if he had just defeated the Big Bad of the Week or saved a Cat from a tree, everybody in town only saw him as a Monster or Villain to he feared and hunted down. Danny was really getting sick of trying to get them on his side, until Sam made a suggestion.

"Why not just...play into it?" She said, barely looking up from painting her nails.

It was just an offhand suggestion, but it stuck with Danny. Why shouldn't he lean into it? The people of Amity Park already saw Ghosts as Evil, and they already assumed he was in cahoots with the Ghosts attacking the town. Why shouldn't he just...play into it?

So he does just that.

From that day on, whenever Phantom was spotted he would dramatically monologue about his Evil Plans, or claim that another Rogues attack on the City was his own act of terror.

Box Ghost destroys the towns Warehouses? It was on his orders.

Ember mind controls masses of Teenagers? All part of his Plans somehow.

Every Adult in Town is kidnapped by Young Blood? Danny gave them over to a friend as a Gift.

He crafts an identity for himself as the most Vile and Horrible Ghost that has ever attacked the City, using his own infamy to cement his legend even more firmly. The town only sees a Monsterous Villain, who has eveded capture near effortlessly for months on end, who constantly attacks their City and gets away with it.

Of course he still needs an excuse for how his plans keep getting stopped, and he gets it when his girlfriend Valerie becomes the Red Huntress. Before that, he just claimed infighting or the Fentons getting lucky, but Valerie becoming the Town's Hero meant he had a plausible excuse for how he kept getting "Foiled".

Val was suspicious, because she was not as involved as Phantom painted her to be, but in the end she had no proof of him faking his defeats. And she couldn't come up with any explanations for why he would do that in the first place. I mean, who would fake being a Supervillain? It had to he something else.

This did come back to bite him a while later, when the Justice League decided that enough was enough, and dispatched Justice League Dark to recruit Red Huntress and help Deal with him.

Coincidentally, that was the same day Pariah Dark attacked the Mortal Realm and sucked Amity Park into the Ghost Zone.

And honestly? Danny had spent over a Year proclaiming himself as a Villain who commanded Ghosts to attack the Human Realm, and he had heard about the Right of Conquest being Absolute in the Ghost Zone, so why not make it official? Why not overthrow the Ghost King, become the Ghost King, and cement his identity as a Villain while also forbidding Ghosts from entering the Human Realm without his permission?

He may have gotten a bit carried away and forgotten that the Villain thing was a disguise...but hey! He was still preventing Ghost Attacks! ...mostly. That's got to count for something right?

He may have let the Bit run a bit too far...

...

Check the tags for more context!

[egberts]

and this is why when i told some teenagers they could have as much as they want and they took half the bowl i didn't get mad. teens are still kids too and some of them are more childish than others, some of them want to go have fun and get free candy too. i was a trick or treating teen! i was a poor teen that wanted free candy! i really looked forward to trick or treating every year! thankfully i had a young brother to help but my point still stands. if you're giving fucking candy away for free why does it matter if it goes to a 9 year old or a 16 year old?

[spirk-trek]

I ALMOST SPIT OUT MY DRINK HE REALLY WENT "aww... anyway bye!"

[entertainment]

choose your friend (no fighters here :)

📸: @overchers

[wifii]

Jmart? Jmart.

[shigayokagayama]

mob psycho is the greatest show ever made because reigen being cancelled on twitter is one of the most important moments for his character as well as one of the most emotionally heavy episodes of the show but him being trapped in alone in a purgatory dimension slowly starving to death is treated as a gag and never mentioned again