If you ever wanted to find a reason to block me / hate me, there are some:
(also, I'll expand the list if something new comes to my mind)
- I support art, any kind:
-- if you want to draw Sam with crosses, do it
-- if you want to draw Tucker white, do it
-- if you want to draw Danny as a part of a minority - black, Asian, anything what pleases you - do it
I won't have any word in your art if it is that's how you imagine them, it's your imagination - until you don't start a debate about it, claiming that drawing them this or that way is the only right way.
These are fictional characters, everyone is allowed to have their takes on them - until it doesn't hurt people in real life. And it doesn't, we are talking about fictional characters, after all.
(I'll judge you though if you are an ass in real life, but right now it is only about fictional characters. Fiction is fiction, let's not equal it with real life.)
Okay, if you are still here, after the above one and reading this, then I'll go further.
- I won't judge you about what you create, neither when:
-- if it is incest
-- if it is minor with an adult
-- if it is anything that by reading this scandalous list can appear in your mind
I won't judge you, and I won't judge your mind and imagination either until it doesn't affect real people. I repeat: until it doesn't affect real people! It's fiction - until it is fiction!
It doesn't mean I support any of these in real life, because I don't. I straightly don't! But I tend to read anything if I find it well-written, no matter what's in that story.
People, writing (I'll talk about writing because I'm more familiar with writing and reading) something doesn't mean straightaway that they are a bad person and that they support these kind of things or that they are someone of who commit these kind of thing in real life. They are not pedofils or other undescribable people just by creating these kind of contents - some might be, others don't.
(Hopefully, it is mainly about imagination - and everyone can have weird imagination. If someone can't see that people can have weird, messed-up imagination, then they are stupid. After all, writing dissect fics never meant, I think, that the author in their free time cuts others - I really hope, otherwise a main group of the Phantom would be serial killers by now... I, at least, never assumed the authors are murderers. Maybe, I should have. But I never did.)
(Interesting to think about it now though, that while everyone hates certain ships, assuming the worst about anyone who is interested in those, it never occurred to anyone the subject over dissections... I never equalled those kind of absurdity with real life at least, even when I should have seen it as clear triggering for me. But I have always seen that kind of brutality as fiction and never more, something that is apart from reality while reading it.Because it is fiction in this case and not reality and... Anyway.)
Also, if we are at sensitive issues that might bother others and probably upsetting the main core of the Phandom, here is another one:
-- I don't see Danny as trans, but it doesn't mean I'm against trans people or that I judge the fics, writing him as that. I'm okay with your view, reading fics with this intake, but in my mind, in mind AUs he wouldn't ever be trans - even considering Danielle.
With all of these, I would have just liked to be clear about me. And again, I may add more reasons later here to underpin your hated properly and allowing everyone to find something for them in this list.
So, if you feel after reading this that I'm someone who is despisable, then do it, hate me, curse me, whatever you want.
I will allow you have your intakes on fictional characters as you wish to see them, that's all. That's my point. And if it is bothers you, leading to the deduction that I'm a horrible person, you know where to find the block button.
I don't even try to say that I'm not a horrible person in real life, because I don't feel like you'd believe it.
Closure: let your thoughts be my judge.
(addition, 15.12.)
-- I have a 'miraculously' healed disabled character, she is (was?) deaf-mute. I stopped writing her the moment it turned out that it might bother some people but after a year I still think I'll keep her story. And I don't think it does help either that she still uses sign language to communicate and only on 1% speaking (when it is necessary and the situation requires it) or that the character who 'healed' her feels bad about it, even though he just wanted to help. It's rather a long story but I don't think anyone is interested in that, so I'll shut my mouth here.
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Honestly as someone who is partially adopted,
The fact that the doctor didn't go to the biological mother, let her walk away, didn't need to find that information, is so...
My mom was a single mother for a few years, because my bio father didn't stick around. My dad is the one she married, the one who raised me, the one who celebrates adoption day with me.
Ruby has her family. I get wanting to know, wanting to understand, and it's clear she does want that, but she doesn't need that. Her mom makes the point of being glad she didn't find anyone because she's ruby's mom
And there's not enough stories out there where that's just accepted. My biological father tried to get in touch with me when I turned 19 and I told him to fuck off (well, i didn't respond so my mom did with my permission), because he's not my dad. I don't have an interest in seeing him, in getting to know him.
"Aren't you curious?" No, not really!
I get the idea of wanting Ruby to secretly be alien-ish since we dont know her genetics but... there's something special to me, for her to be an ordinary girl. A foundling, adopted. Her biological relations not mattering because her family is the one she HAS
That means a lot to me
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Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.
The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.
Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.
The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.
With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.
For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.
(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)
Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.
It's so interesting to me how they interact here.
Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.
Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.
Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.
When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.
Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).
Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.
They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.
I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).
Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.
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Uh-oh! You are like, SOOO awkward!!
You're so awkward that it is occasionally mildly uncomfortable for people!
You're so awkward that sometimes people are confused by you and then there are awkward silences!
You're so awkward ...... that ultimately no one is harmed!!
Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!
Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!
So you better absolutely hate yourself for it.
Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!
Better accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues should suffer. Better carry on the burden they placed on you. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.
Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.
Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*
Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...
Better not show yourself even a little kindness a little bit at a time.
Better not make a habit out of it after all that practice.
Better not get confident.
Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)
Better not be confident and awkward because then you might confuse and delight people
- you might accidentally end up making other people feel less shame for their social difficulties
- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations
- you might even make them feel they can be themselves around you
- you might start loving the effect you have on a room
- you might enjoy conversations more
- you might forgive yourself and bounce back from shame more easily and frequently
- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations
- you might stop apologizing so much.
- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.
Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!
Why, it would be carnage!!
In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things!
- You might realize that it was never your fault that it took so long to like yourself.
- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.
- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.
- You might know that you deserve to be heard even on bad days when words come slow and blurry.
You might discover that you were always deserving of kindness, first and foremost from yourself.
So. As you can see, it's FAR too much of a risk to take to cut your awkward self some slack for your many heinous and harmless crimes. Better to just leave it there.
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