You’re walking down a long quiet road. It’s winter, snow covers the ground, the sky fades gray. All around you are trees that have long since dropped their leaves, cold and dead, waiting for spring. You stop beneath one, eye caught by a striking sight. Amid the bare branches you see a round bundle of stunning green leaves. Hanging down above you are dozens of beautiful little pearly white berries. The fruit tempts you, but you don’t dare touch. Instead you simply admire them. Life among the dead of winter. Mistletoe.
@slocotion Hi, here is my design for slocotion's patreon dyo doll contest. Her name is Haustoria of the Pale. I was very excited to put this together once it struck me. I thought of all my favorite fruits I could have used but then inspiration hit me as I was considering less common fruits and fungi. Mistletoe is used medicinally by some but the entire plant, including its cute white berries, is toxic. Since this is a longer post, I’ll include more notes on my design under a cut but to point out the most important thing, I’ve combined the nature of the toxic berries with some historical+mythological inspiration that I think echoes it nicely.
In Norse mythology, a well known story is that of the death of Baldr. Baldr was the most loved god of the Aesir, so when a vision of his death reached his parents Odin and Frigga, they did all they could to protect him. Frigga sent her servants all over the world to make every creature and thing vow to never harm a hair on Baldr’s head. All but mistletoe promised, too insignificant or too young to make the vow. After it was done, Bladr seemed invincible. Since nothing was willing to hurt him, the gods would sometimes gather around and throw things at him, watching everything bounce off without injuring him. Loki, jealous of the love and affection that was always paid to Baldr, came up with a plan to get rid of him. He had an arrow made of mistletoe and brought it to Baldr’s blind brother Hodr. He gave it to him to throw at Baldr as all the gods pelted him with objects and weapons. Hodr threw the arrow and, since mistletoe had never promised not to harm him, it pierced his chest, killing him instantly... And so Baldr was delivered to the depths of the land of the dead, looked over by Hel.
specific design notes under the cut thank you for looking!
Mistletoe is a very interesting plant to me. It’s not a tree or vine or bush, but instead its an evergreen parasite. The sticky seeds attach themselves to the branches and grow into it with a haustorium, which is a structure that lets them sap nutrients from the host plant. Haustoria’s name is a reference to this structure. “of the Pale” is a reference to not only the color of the berries but the pale gray and white landscape of winter.
Mistletoe berries are heavily toxic but also exist in winter, when other plants may be barren and “dead.” Because of that and their parasitic nature I see them as a sweet little balance of life and death. In addition to that, I use the split colors of the face/mask of Haustoria to reference the goddess of the land of the dead, Hel, who is described as having a body that is half black as death, split down the middle.
The structure of the outfit is inspired by Scandinavian and specifically Norwegian folk dresses, since I’m borrowing old Norse history for more inspiration, it seemed fitting. I also felt the style would be good to accompany the botanical and berry designs attractively.
The twin peaked hood is to further split the design down the middle, with little charms to show life and death.
I included white beads all over the outfit to represent the mistletoe berries themselves so they could stand out.
The dark side of her face is adorned with thorns and has three mournful black tears leaking down from her eye, as well as a hollow half of the center heart.
The light side is blushed and lively with shiny eyes, leaves shaped like the mistletoe leaves, red petals like the mistletoe blooms, three white dots to be the mistletoe fruit, and the center heart is full.
Her cape is white on the inside to represent the white of the berries and also the white of snow.
To cap it off, I do believe mistletoe is fitting for a plague doctor as they are still used medicinally to this day. :)
Thank you for reading everything and looking at my design! I’m very proud of her and I hope she doesn’t stretch the theme. And definitely more than anything else I hope you enjoy looking at her!
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The (Not) Normal One...
So
I LOVE the stories where Danny is deaged and later found by one of the bats and taken in as a son or he's Bruce's bio son and is either Damian's twin or half brother or little/big brother BUT I don't see a lot of reborn/reincarnated Danny into the batfamily (I can think of two but one of them he is Dick's son?clone?somewhat clone? And the other is an amazing story where Danny is reborn as Jazz and Jason's kid and I love it to bits)
So let's change that a bit and have some fun.
Here's the idea
Danny, either from finally aging to his death (it was slow and long aging but he is still partly human too don't forget that) or dying at the hands of GIW (or by his parents if we go the Bad!Fentons route), is reborn into the batfamily.
He could either be Bruce and Selina's kid after they finally tie the knot, or be a one more attempt by Ra's or Talia to get the heir they want but is immediately found out when Tim notices certain labs active and they find baby Danny. OR Danny can be an oops baby to Bruce's one night stands OR one of the batboys baby. EITHER WAY, Danny is reborn into the family from the start.
And he has his memories. (He has little hints of his powers btw, they dont fully come in until his 14th bday)
And his new family all swear to give him a proper and happy childhood (as best as they can seeing how it's Gotham)
Only I want Danny milking being a baby then toddler/kid and later a teen for all its worth. He's going to enjoy this new life with everything he gots.
Like imagine the chaos and shenanigans he gets into as a toddler. He's the king of hide-and-seek. He uses his tears to get away from whoever annoys him. He's mastered the puppy dog look to get away with things (it holds no effect on Alfred though, man is immune to all tricks).
But then of course there's the... odd things that happen around him. Sometimes they catch him talking to no one. Sometimes they spot a ball or a toy rolling to Danny despite him not touching it. Sometimes they think they see or hear someone in the room with Danny only to go busting in to find nothing. (One time someone busted his nursery door down they heard on his baby/toddler monitor the distorted voice of a woman singing him a lullaby (it was Martha who was soothing him to sleep after a tiny nightmare, boy was Bruce not ready for one of his kids to hum the tune in the morning)).
Danny asking for an extra drink and the newspaper after Bruce is done before he runs off to one of the many sitting rooms the manor has. There he leaves the drink and the newspaper near a chair, hops into another chair nearby and chats to someone (they all think its his imaginary friend but that honestly doesn't explain why the drink seems to slowly disappear without anyone touching it. (btw its Thomas, Danny is talking to they like chatting in the morning)
OR when Danny gives hints to cases his family is working on, how he knows? No one knows. Sometimes they chalk it up to a kid randomly saying stuff or seeing it from a different simple outlook but sometimes it seems a little too on the nose and they think Danny might know about their night jobs... (He does know, but he gets some info from Lady Gotham who visits him and gives him little hints to pass onto her fav Knights)
Basically what I want is a reborn Danny trying to get a decent childhood/teenage years before his powers kick in full swing, his family trying the same but they got no idea about the powers (maybe), and ghosts like to visit Danny. The shenanigans that follow will be amazing.
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"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!
The first thing to note is that she does think highly of him
In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…
She does love a brooding mysterious guy who closes himself to love.
But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.
And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…
And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter.
And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.
Sit your ass back DOWN you are in no state, self-sacrifical hero much damn
And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says.
This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.
^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.
All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.
But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.
And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.
And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.
Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him"
"If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"
He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for
And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It.
With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????
She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room
Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait
There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol
Going off a bit more under read bc it’s my fave topic
Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst
Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.
He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!
He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks.
Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.
Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay
Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-
Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing.
And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts
A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy
Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god??
This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw
To quote a friend, truly the shiny secret unlockable dating sim capture target :
THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER
HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY
SHES LIKE. WIDE EYED
FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀
And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)
So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees
……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu
So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending.
Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……
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how do you clone a fey? that's trick question; and fey love those!
@the-navistar-carol (<333) brought up a good point while I was talking about my changeling danny au with her -- Dani! How would she exist in this au? Danny's a changeling - a fae. How would Dani, a clone of him, be created? How do you make a fey? Not through any means that Vlad is doing; you can't make a fey through unnatural means, considering the Fair Folk are nature. And Vlad's not a fey himself -- he's a halfa, even if he could make a fey, it's not in his best interest too. He's a powerful ghost, but even the weakest fae can overpower the strongest ghost. He won't want a clone of Daniel to be more powerful than him.
(In a three tier hierarchy it goes Ancients -> Fae/Mythos -> Ghosts. They all live in the Infinite Realms, but on different Planes. The fae live above the Ghost Zone in the Fey Wild, while the Mythos live beside the Wilds or down in the ghost zone depending on where they are. Places like the Frozone, the Athens Acropolis, and other such large islands climb throughout all three Planes.)
(While Ghosts can travel into the Fey Wild, its generally advised against as the ectoplasm tends to manifest differently there due to close contact magic. It can make it rather disorientating for a ghost, and as human spirits, the Fae living there would jump them faster than they could blink. So unless you're willing to play mind games with 'steal thy name eat thy face' fae, most ghosts keep out of the way of the Wilds. Fey can travel down into the Ghost Zone, they just don't bother.)
That's of course, not taking into account if Vlad even knows Danny's a fae himself. Vlad doesn't ring me as someone who really cares much about ghost culture or the going ons of the GZ. He might be aware that fae exist, but the moment he realizes he can't use them for personal gain he just doesn't bother with them. The risk is greater than the reward, and he'd rather not get eaten. But lets assume he's aware by now that Danny is fey, and has to take that into account while cloning him.
So, how does Dani exist? Good question! Honestly; i'm not sure. She might not exist at all, or if she does, she's more halfa than fey. Vlad would need a lot of human dna and ectoplasm to balance out all that fae magic. He manages to steal DNA from Jack and Maddie to do it, and since Jack's fey ancestry is very dormant its much easier to use alongside Danny's DNA.
In turn, it results in a little girl whose more human-ghost hybrid than clone. With that little extra boost in fey magic making her not a fey, but still relatively powerful. Dani is less of a clone and more of a lab-grown little sister. It's a rather tedious, complex process that has Vlad tearing his hair out trying to figure out. But he does eventually figure it out.
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