#thing was a success

[harvestmoth]

tripped into the 3h hole again where nothing i post makes sense for anyone but me

[harbingerofsoup]

there’s death of the author and then there’s whatever the fuck is up with danny phantom

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[livelovecaliforniadreams]

[stewykablooey]

UNFUCKABLE

[tennant-davids]

SUCCESSION 4x01 The Munsters

[louisdelac]

pov you're roman roy, and you have a body that has reactions you can't control, and those reactions are pathetic and freakish and prove just how much you've gotten it wrong. you can't laugh, you can't talk, you can't even cry at your father's funeral without everyone seeing what a failure made flesh you are.

[revvethasmythh]

Thinking about Caleb “I-use-people’s-full-names-to-show-intimacy” Widogast and the way he calls Veth “Veth the Brave.” It’s not all the time—it’s rarely used, actually, saved for specific moments, only when he’s using the fondest of tones, with the most admiration, and how calling her that is more intimate than just “Veth Brenatto.” Because Veth the Brave is both of her identities. It’s Nott and it’s Veth, it’s their co-mingling, it’s her in her entirety. Veth the Brave. That’s why it’s so intimate, because he is speaking to all of who she is

[holly-mckenzie]

You're not a killer. You have to be a killer. But, nowadays, maybe you don't. I don't know.

SUCCESSION S02E10 / S04E10 created by Jessie Armstrong

[avocadosockz]

so i just finished Vol. 2

[nerdpoe]

Danny decides to open a haunted house for Halloween-in Gotham. For kicks. He reserves the opening night for the Bats and only the Bats. The Bats do not have a choice in this.

They all wake up in the haunted house.

Their rogues, who had big plans, also wake up in the haunted house-but they don't get the toned down spooky version Danny's working on for potential customers that he's doing a test-run with via Bat testers.

No, the Rogues are locked in the basement with the ghosts of everyone they've killed.

Danny's got Tucker running the cameras, Sam helping coordinate the Ghosts, and Danny himself is running the actual spooky bits.

In theory, it's the perfect haunted house.

The best way to test it though, he feels, is against heroes that face scary things every day.

So.

Red Hood walking down a hallway, sees feet dangling from the ceiling. But there's a convenient beam blocking their view, so he strides up just as the feet vanish-and that's a solid wooden ceiling.

There's a note with a smiley face.

"Please rate your haunting experience on a scale of one to ten! :)"

Robin sees a shadow, and he chases it. And chases it. And chases it. And foolishly he somehow manages to let it lead him to a dead end-only when he turns around, the shadow is in the door.

And it's just a being made of pure shadow, with elongated limbs, breathing with a horrible wet rasp as it stares down at him.

Then it disappears.

In it's place, there's a note.

"Please rate your haunting experience on a scale of one to ten! :)"

Red Robin hears Batman call out for him to look something over, so he goes into the room.

Batman isn't there.

Batman's voice whispers in his ear from behind.

"Never thought you'd fall for that~"

The door slams shut.

Red Robin turns to open it, but it won't open. Not even if he picks the lock.

The floor creaks, and when he turns around he sees Batman standing right there-only for him to dissolve piece by piece.

In the puddle of weird green goo, there's a note.

"Please rate your haunting experience on a scale of one to ten! :)"

Bruce is in what looks like a child's room.

The temperature drops, and he braces for a supernatural event, because this is clearly what's going on.

The air stands still-and every single toy's head snaps to look at him.

They open their mouths and scream, green goo gargling up and spilling out of their lips.

The lights cut out, then they come back on; and the toys are all arranged around him in a peculiar pattern.

There's a note at his feet.

His lips quirk up against his will.

"Please rate your haunting experience on a scale of one to ten! :)"

Nightwing knows he's being fucked with.

He knows it.

He recognizes the room he's in-it was in the pamphlet for the new haunted house opening in Gotham. He'd really wanted to go, actually, but he was kinda sad he didn't have anyone with him.

He wanted it to be a family outing.

But from what it looks like, this is probably a test run. No ones emergency beacons have gone off, and there's only swearing in the comms cut through with mild amusement on Bruce's part.

Ugh, he doesn't want spoilers! He wants to go through it for the first time with everyone else!

"Hey, um, I was actually planning to come here with my family! I don't really want to be spoiled on anything, so can I skip this? And can I have anyone you haven't tested it on skip it too? Cuz they're probably friends or family and I want to be on the same knowledge level of what to expect."

The air itself seems to pause.

"Ah, shit, I'm sorry man. I didn't even think of that; I'll pull Spoiler and Signal before we start their runs."

Nightwing turns towards the intercom and waves cheerfully.

"I mean, we'd definitely be down to walk through the house tonight, but I want to do it in a group so we can laugh at each other."

"Oh, for sure, I just got too caught up in the 'creepy' part of the haunted house. The exit is hidden in the wall to your left, just pick up the rotary phone and it should pop out."

"Alright, I'll be waiting for them at the front!"

@simplestoryteller

[venuslilgirl]

I am worthy of all the good things that are happening to me

[in-a-continuous-daydream]

I can't fathom the fact that some people watch a movie, show or read a book they like and they just go: "I liked it :)" and that's it....girl how?? Whenever I like a movie, tv show, book or musical I need to inhale that piece of media like it's air, I need to self insert myself in it and create an elaborate plot line for my character in it, then I listen to music that reminds me of the piece of media and think of it 24/7, while obsessively rewatching scenes and analyzing every bit of it till I notice details nobody has seen, finally, I try to convince people to watch it with me so that I can experience it for the first time through them. Then my obsession dies and I feel empty until the next one comes along..... and you're telling me people can enjoy something and just...go to sleep and not think of it again????

[dollsome-does-tumblr]

i may have forgotten some because they were too traumatic, but here is my definitive list as i could think of it this morning. oh, how i've suffered! 😢

[brookheimer]

shiv was not being altruistic nor intellectually self-interested when she voted against kendall. that was pure raw visceral desperation to maintain some semblance of dignity that she felt kendall being ceo would shred her of. sometimes people do not act in other people’s best interests or their own best interests. sometimes people do the wrong thing for the wrong reasons just because it feels like the right, the only, thing to do. shiv could not let kendall be ceo. she just couldn’t. not because she wanted to sacrifice herself to “stop the cycle,” not because she made a calculation and decided tom was her best interest — because the thought of kendall being ceo and acting like That the rest of their lives when shiv earned that job, she fucking earned it, that was too much to fucking bear. watching him sit in dad’s chair, conduct that vote, grin with entitlement and cockiness and certainty — seeing that elicited a visceral painful all-consuming sensation not dissimilar to overwhelming nausea that, summed up in two words, would simply be: fuck. no. she couldn’t live with that. she just couldn’t. it’s not kind. it’s not smart. it’s just human. painfully, destructively human. because sometimes, that’s all there is to it. not just for shiv, but for everyone. god knows roman and kendall have had those same feelings, made those same self-destructing yet necessary-feeling decisions throughout the show. why does it have to be different for shiv? why can’t she be painfully destructively human, prone to impulsive ill-conceived viscerally felt actions, like everyone else? why are we incapable of allotting her the same nuance and humanity (the good and the bad), the same trauma-informed self-destructive life-ruining hamartias, as we do her brothers? why can’t we fit a whole woman in our heads?

[stewykablooey]

ok but stewy being canonically bi really makes everything about his relationship with kendall so much funnier like imagine being a beautiful bisexual stallion and your fate is to become best friends with and develop a 30 year crush on logan ‘homophobia’ roy’s prodigal son like. imagine having to do deal with kendall’s ‘no homo but my tongue is down your throat’ repressed bullshit for 30 years whilst also dodging the beam of mixed flavor racism homophobia his father directs at you every time he sees you within 5 feet of said prodigal son but also you feel a strange solidarity with this old man because he at least has also accurately clocked and acknowledges that his prodigal son is queer