#this counts as a

[martinijordan]

I watched this cat video and it made me think of armand wanting to bite a reluctant Lestat

[pop-squeak]

you guys i didnt get to say goodbye to any of my cats this morning and now i geniunely think i might cry over that 😭😭

[chronic-pessimist0b]

Regulus and Pandora are literally the mitski and aurora duo no I will not be taking any criticisms

[pizzacrustdisposal]

Fuck I think I forgot to actually send you what I was talking about

https://www.tumblr.com/pizzacrustdisposal/733203046318931969

I meant this post,,the one from your cool wip animatic dealio

oh lol i was so confused its Ghosts by Jacob Tillberg :3 link to post for convenience

[enneamage]

Not directly to Generation Loss, but I've been given a lot of thoughts to the younger generation of minecraft streamers and their attempts to do big projects to "break out of" the minecraft mold: obviously, with Ranboo, we have Generation Loss, which seemed to go over well with his fanbase (enough so that he's stated he's thinking of quitting MCC, which is really the only tie he's had to the game for about a year atp), with Tommy, we have his New York vlog series and now his liveshows, and with Tubbo, while still Minecraft-adjacent, we have Tubnet. I'm wondering if you have any thoughts about what would make a cc successful at shifting their core audience into a brand new project that isn't necessarily the type of content that they got famous for. Do the audiences of all three ccs differ enough that they would need different strategies to shift their content? My running theory is that Generation Loss was mostly successful among his fanbase because it played on the tropes that were apparent in his minecraft lore from the beginning: mind control, a protagonist forced to do awful things against his will, a base npc type character that occasionally has overwrought freakouts over their lack of control, etc. It was just in a medium outside of Minecraft.

Meanwhile, Tommy is finding himself in a rut because he can't fully apply his storytelling skills to a non-Minecraft setting (in part because he's focusing more on comedy, and while his fans like his sense of humor, I think, in his lore, they also liked the Marvel-esque main character energy, which doesn't translate when it's just the cc having a huge ego, and the angst) and his vlogs, when they aren't completely on the backburner, seem too formulaic to have their early charm. As for Tubbo, while obviously a minecraft server is, well, minecraft, there wasn't enough "entertainment"/lore/a connection to the streamer to encourage his core audience to play Tubnet, at least not in the form it was released as. In short, I feel traditional mcyt-ers are looking for narratives or entertainment value from these bunch of ccs. Although maybe Lovejoy's success goes against this theory. It just seems like all the younger minecraft streamers have attempted to release a large project within the last year or so, and while that might not be indicative of them trying to leave the fandom, I sense a restlessness in all of them and a wish to move on.

(Okay so this is going under a readmore because it is a long’un)

As of 2023 in a post-lockdown and post-DSMP world I got the sense that a lot of people were restless regarding what to do and where to go next, CC and audience alike. I think that because the DSMP was such a specific time and place in people’s lives it’s inevitable that the majority of people (because those numbers were huge) will have moved on to watching/wanting other things, so retention through sameness may not work, but you’re onto something with the feeling like there’s no in-character story to follow anymore. The thing I poke at from time to time is that there’s no out-of-character plot to follow anymore either, most of the irl narratives have been resolved or brought off-camera so even the RPF people have to scavenge for food.

Lovejoy has a rising star narrative that people can invest in if they want; with them breaking free of associations with mcyt to be treated like serious musicians, and I think it also serves a purpose ofpeople trying to wash off post-mcyt shame in themselves. (“this is Wilbur Soot and this is WILL GOLD” they tweet, as though that is not a literal man onstage performing, but they’ve already decided what they want to believe in.) I’m sensing some misguided stabs to try and not be treated like the bottom of the food chain in the vocal fanbase by desperately trying to push away from the MCYT association, which is probably where those peoples heads are at all around. Most lovenjoyers are fine with it and just enjoy the music because it’s obviously how they got there, but there’s clearly a friction going on.

Ranboo has a kind of watered-down version of that following them. I remember when I first saw someone say very defensively that Ranboo wasn’t an MCYT, they were a variety streamer. Ranboo has been drifting away from MC for a long time, both moving into the variety realm and daydreaming about Genloss. When people win the internet lottery young it makes sense to want to put the money towards a project that they would only be stuck imagining otherwise, and Genloss very much feels like that kind of dream. I would say that Ranboo has successfully pivoted to variety and even completed their first big project, but they’ll need to re-capture that audience every time they make a Generation from now on, which could be hard to do with breaks in between.

Tubbo has also moved into variety streaming, which is kind of a necessity for the hours he keeps. He also has an ongoing love for big projects like Recipe for Disaster. Tubbo’s longterm investment and labor of love was Tubnet, which would have established him as the owner of a server like the one that he used to play on when he was younger. I don’t know what Tubbo’s relationship to storytelling is, I’ve heard he does it on a small scale but he also has a unique love of engineering, which Tubnet was more about. As far as I know there were a lot of things that eventually led to Tubnet’s low player turnout, but one of them had to have been low demand; I remember people saying that there was no use re-inventing Hypixel when Hypixel already had all the Hypixel players. Regardless of if this was fair or not, Tubnet didn’t wind up developing a large player base from his fame, which unfortunately shows that not all attention rolls over equally.

Tommy has been pouring his storytelling skills into writing his live show, which he’s advertising as the best thing he’s ever written as well as his biggest self-disclosure. It’s autobiographical theatre, but also a puppet musical-- we will see what the audience reviews think. Tommy’s been experimenting the most to see that he wants to do next, I know he’s stated that 2022 was a big ‘try’ year for him and he’s also talked about focusing on the quality of viewers over the quantity because focusing on hard statistics made him miserable. I know Tommy doesn’t want to move away from Minecraft, he’s actually very tightly holding on and trying to find ways to love it again, as well as make it worthwhile for audiences. Some of the things Tommy has been saying lately make it sound like he wants to turn back time a bit, recapture what streaming and video gamed used to feel like for him when he was younger, so we’ll see what resonates with the others. There’s a lot of really dense nostalgia around Minecraft (look at these comment sections they’re haunting) and judging from his current taste in video essays he’s got a moderate case of it.

I think the pattern here is marrying the thing that you want to with what audiences want, which is infinitely harder to do than it is to say. Human motivation is fluid and weird, and not many people are going to be able to say what it is they’ll want or like until something or someone is put in front of them. What people want also changes over time, so it can be a bit like chasing the wind or catching an updraft to get in the air when it comes to getting an audience. There’s a formula for the YouTube algorithm, but there’s not a clear map for the less cheap or predictable parts of the psyche. 

Even when you’ve got an audience, when it’s time to pivot over to something completely new it’s kind of time to be a whole new person to them; your function and role in someone’s life is changing. It’s rolling the dice and seeing if you can do and be something that resonates in a new form. People fall out of love with other people all the time, and I think that CCs get the same effect as the seasons change-- sometimes people change and cause a split, sometimes people stay the same and get stale over time. For the same reason that people can be ride or die because a CC is themselves, when someone falls out of love with a cc there’s not much that can make them stay if the rest of the content doesn’t deliver. I don’t see people talk about it at length, but I have seen this image make the rounds so it’s a shared thing.  

Shortest answer is I think there’s no formula that can be divined outside of a retroactive twelve hour video essay breakdown of each individual’s creators strengths and weaknesses, and a matching breakdown of where the audience’s head was at. It’s much easier to look back on something specific and say ‘this is why this worked / didn’t work’ than grind out guidelines beyond ‘avoid making the audience feel completely alienated or betrayed.’ It can really come down to the audience, who can be attracted and put off by people for reasons that seem borderline intangible, like ‘authenticity.’

The good news is audiences need change and newness even if the content they like has a pattern, otherwise they would keep watching the same video. Even channels that make ‘more of the same’ put out a continuation of what they did last time, moving things along or adding to the collection somehow. Whether it’s in-character or out of character or a kind of abstract “I show up to this channel and things I like are on it,” I think people like to be able to make sense of what they’re clicking on so that they keep doing it. As long as the core remains intact, the people who are sufficiently invested in the creator tend to stick around unless life gets in the way.

As for the restlessness, I think that being on the frontier is kind of addictive. Not long ago someone pointed out to me that I had started wondering what the next big thing would be on behalf of the CCs because it’s an interesting question, especially coming off the back of the DSMP blowing up. I think that online can be a very punishing place if you don’t keep up with trends and frontiers since things change so fast, it’s rewarding if you get in early but you’re in danger if you’re left behind. This is actually as true for regular internet users as it is for CCs, think of the strangely potent social shame of using an out of date meme or not being up on the state of The Discourse, you’ll genuinely get punished if you’re too far out of sync with things. We’re in a year that is both hung over on lockdown and desperately trying to get moving again, right in the moment before the answer to what happens next is ‘obvious.’  

[leviabeat]

[leaveamessageafterthescream]

webp hack is to copy the image into pureref and export that to a jpeg

[bakedbeanchan]

random fire nation diplomat #492 will never understand the complex and fucked up relationship between the water siblings like I do 🙄

[onefey]

you're going about your normal day when, suddenly, surprise! you've been pokémon mystery dungeon'd!

unfortunately, due to budget cuts, the pokémon assigning quiz has been canceled. instead, you must spin THE WHEEL, assigning you a random, unevolved, non-legendary and non-mythical pokémon. you must now go on some sort of world-saving adventure as this pokémon. good luck!

tell me in the tags what you rolled, and how you feel about it - for bonus points, you can spin the wheel again for (or just take your pick of) a pokémon to be your partner.

bonus rules:

you're not shiny unless the wheel tells you you're shiny

take your pick of regional forms and evolutions (for example, if you roll vulpix, it's up to you whether that means normal or alolan vulpix)

apply whatever logic you like with regards to gender

have fun and be yourself!

[53v3nfrn5]

Shearing half a sheep seemed a simple way to show a season's growth of wool, but photographer Cary Wolinsky was wrong. The half-shorn sheep tended to lose their balance and topple to wool-ward. It took many tries before merino sheep number 30 “became our hero," Wolinsky said.

[everythingwasnormalhere]

pls rb if you think cuddling doesn't have to be s3xual

im tryna prove a point to my bf's mother help me out

[bungcar]

[pearwaldorf]

This is some cold-ass shit. As President, Biden has to say something. But he can say it in a way that says nothing and everything.

I want to shake the hand of the staffer that wrote this because this is absolutely fucking superb.

I know we (in general but especially neuroatypicals) prefer things to be clear and straightforward. But occasionally, you can do things in full view of the world like this. And that's kind of incredible.

[pignk]

[noknowshame]

why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?