#this game... is worse

[mokeonn]

Hey quick question, why the fuck was everyone angry at sword and shield for being ugly, rushed pokemon games but was pretty much completely fine with Scarlett and Violet being worse?

[captainjonnitkessler]

You know I used to think "tumblr's absolute refusal to actually engage with the Trolley Problem in favor of insisting that there must be a third, morally pure option that doesn't require them to make a hard decision and anyone who asks them to make a binary choice is just a short-sighted idiot is really fucking annoying, but I guess it's not actually doing any harm".

Anyway that was before we asked tumblr at large to decide between "guy aiding a genocide but making progress elsewhere" and "guy who would actively and enthusiastically participate in a genocide and would also make everything else much, much worse for everyone elsewhere" and the response was that there must be a third, morally pure option that doesn't require them to make a hard decision and that anyone who asks them to make a binary choice is a short-sighted idiot.

[wildflowercryptid]

black cat bitches, we've finally won.

[agoddamnrayofsunshine]

Aftg being set in university is objectively hilarious can you IMAGINE being in a group project with Andrew fucking Minyard

[kumzorg]

All the arguments online about Vivian's trans identity used old japanese version as a reference point, so I wanted to see what japanese community has to say about it, and was suprised to see that it's in fact the game's original text that was rewritten.

Original japanese text:

" "Three Shadow Sisters"? Where did you get that!? You're not even a girl!"

"I'm sorry, sister..."

Rewritten japanese text:

"It's not "Three Shadow Sisters", its "Three Shadows Crew"! I'm always telling you that, damnit!"

"I'm sorry... it's just, in my heart I'm your sister as well..."

And checking the currect remake translation i t is very much exactly the same text, it makes it less as direct hatred for her identity and more like dismissal of her as a part of the family. Compare to Gamecube english version, where she is instead mocked for her looks, but not gender identity. This is so interesting to me, because in modern political scene the most annoying opinion is how "localizers are erasing culture and trying to push their own narative", when in this same game the older english translation erased character's whole identity, opting to instead make it less obvious and in a way going againts the original intent. And seeing that the modern remake is even more progressive even without english intervention makes me so happy, although I do admit it's not AS clear about it as original text. It's not bad of course, later on she directly says that "Even if my body is male, my heart is of a pretty girl." I don't know if you can be any more clear about it than that.

If anything, japanese people are at the worst neutral, and at the best are just as excited that a character that they love gets proper recognition from game's text.

What 90% of comments were more focused on is when naked invisible Peach walks on the ground and you can hear her bare feet slapping sounds, they have different priorities.

[jibril-thelibraryangel]

Hot take but… “Gale was a teen soldier who got brainwashed, by a manipulative dictator, into the idea that sacrificing a small number of troops was worth it to definitively stop the government that had spent years ruining the lives of him and his people” and “Gale’s gross disregard for human life directly led to the death of Prim and thousands of other civilians including children, and Katniss is justified in her anger and has no obligation to ever forgive him” are two statements that can and should coexist together.

[jame7t]

Seeing Bungie ostensibly collapse via layoffs is sad but like. The wildest part is the CEO has been apparently pretty publicly spending & bragging about his car collection the past few years

And like. Hey Pete, you don’t think that money could’ve gone anywhere else? Maybe to some jobs? Are you stupid?

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[thisisdes]

*after Odysseus and Athena are reunited*

Athena: oh, one last thing. I promised Ares that you will kill every visitor in your castle

Odysseus: oook? Why though?

Athena: they punched your son and called your wife a tramp while trying to marry her

Odysseus:

Athena:

Odysseus: *deep voice* bring it

[mumblesplash]

the rest of the minecraft discord when we reset the server: progressing, getting started on farms and bases, upgrading gear, exploring new 1.20 features

me tunneling straight down to y -51 with stone gear, 10 wood, and a stack of bread i stole from the nearest village:

[ladycatofwinterfell]

Thoughts on totk so far

1. wtf do you mean that’s ms. zelda’s house, THAT’S MY HOUSE THAT I BOUGHT WITH MY MONEY

2. wtf do you mean sidon is engaged, THAT’S MY GIANT FISH BOY THAT I COURTED THROUGH MY MUTE SWAG AND SAVING HIS SISTER’S SOUL

3. wtf do you mean kass is nowhere to be found, THAT’S MY BARD THAT I GREW ATTACHED TO BECAUSE HE WAS AROUND WHERE THERE WAS NO ONE ELSE AND SERVED ABSOLUTE BANGERS

4. wtf do you mean there’s a yiga hideout on the great plateau, THAT’S MY PLATEAU WHERE I WAS ASLEEP FOR 100 YEARS

[fence-time]

Do you ever feel like you’re being watched??

[bertolts]

“ ℝ𝕚𝕘𝕙𝕥 𝕪𝕠𝕦 𝕒𝕣𝕖, 𝕃𝕦𝕧! 𝕀 𝕙𝕒𝕧𝕖𝕟’𝕥 𝕔𝕙𝕒𝕟𝕘𝕖𝕕. ℕ𝕠𝕥 𝕒 𝕝𝕚𝕔𝕜! “ Spike • BTVS S7E2

[tomaturtles]

HAPPY SONIC FRONTIERS FIRST ANNIVERSARY TO THOSE WHO CELEBRATE (inspired by this)

[conscydraws]

My first 15 hours in Death Stranding

[jeanmoreaux]

people have pointed out the many different ways in which the snowbaird dynamics foils the everlark one but i think nothing captures the fundamental difference between them better than the fact that katniss and peeta kept choosing each other's survival DESPITE the threat of death whereas coriolanus and lucy gray chose their own survival BECAUSE of the threat of death