#this is for those who don’t want to interact with AI

[8pxl]

PSA 🗣️ another scammer using genAI without disclosing it

pixlgirl has been posting generated AI (targeting fandoms) without disclosing it, passing it off as their genuine art and has apparently scammed at least one person into ‘commissioning’ them. this is a public PSA so yall can block them, and not interact. please do not harass them!

it’s incredibly shitty to be disingenuous while posting AI but even shittier to scam people with it 🤢 stay diligent yall

[threeacttragedy]

Entry 15 – The One Where I Try to Convince You of Just About Anything

“Don’t compromise yourself. Wait for the right person because you’re worth it.”

These were Nicola’s words the night of the London premiere when she was asked what dating advice she had for viewers. This quote has always stuck with me. Not because it’s actually great advice or emits wisdom well beyond Nicola’s years but because I can still remember the odd sense of foreboding that I felt as I listened to her words. They were just as poignant, if not more so, than the words that first invited me aboard this ship (Luke’s comments in Australia about friends-to-lovers).

And, although Luke “agree[d] with all of the above,” Nicola’s comment always struck me as making Luke uncomfortable. That interaction seemed off somehow. Awkward and strange in a way I wasn’t used to after two months of watching a rom-com style World Tour. In hindsight, and in a rather ominous way, the discomfort I felt alluded to what would happen later that evening – Luke “hard launching” Antonia.

As I was scribbling out today’s post and, honestly, struggling with how I wanted to structure it, I realized that it was not necessarily post-Papsmear (a/k/a Hot Boy Summer) people had an issue with. Instead, it seemed many people were having a hard time understanding – and accepting – Antonia’s existence in the Lukola-verse. This confusion, of course, led many to their own internal battlefield of trying to rationalize Luke’s behavior during that relatively short seven-week period. The reality is no one wants Luke to be the “Bad Guy;” therefore, people struggle to look at Hot Boy Summer with neutrality.

Don’t worry, I’m guilty, too.

I mean, Papsmear went down like a guillotine on a French – uh, well, nevermind that part. Let’s just say it did not go over well with the fandom. After months of “Romancing Mr. Bridgerton,” Luke was photographed walking into a hotel with Antonia snapping at his heels, sending the Lukola fandom into convulsions. What made it worse was that this was the night of the London premiere, the last leg of the World Tour. So long, motherfucking London!

The dark side of the fandom painted Luke as a monster – a man who, in less than three minutes, pissed on the Season 3 World Tour and broke Lukola hearts all over the world by seemingly choosing Antonia over Nicola. And, not only choosing Antonia, but flaunting her. People felt betrayed, shadowed by the possibility that Luke and Nicola had hoodwinked them with a fake PR romance and dumbfounded that Mr. I’m-Publicly-Single had a “girlfriend” (yes, that word is always up for speculation in this fandom). But, as with every dismal situation, you had the light bringers – the true-to-heart Lukolas – firing up on all cylinders and calling, “Foul!” in the direction of Antonia. A few of the less classy ones even picked up bits of old salad they’d found in a dumpster and tossed it in her direction (heehee, did you get my Dad Joke?).

And so Hot Boy Summer began…as did the confusion surrounding it.

In the beginning, I absolutely wanted Antonia to be the villain. But I’ve found that the more I write, the more indifferent I have become on the subject. Of course, that didn’t stop me from theorizing with friends. In fact, at one point, I had so many thoughts on the matter, if I had mapped them out on paper, they’d have resembled a spider’s web, with the hub being Papsmear. However, what I’ve discovered is that each of those theories, regardless of how simple or convoluted they were, took root in one of three central ideas.

That’s what I want to discuss today – those three central ideas from which every one of your sub-theories likely takes root (unless, of course, you’re the conspiracy theorist that believes Antonia is AI generated…). I want to lay out why I believe these theories are plausible (yes, prepare yourself to read some shit you almost certainly won’t find entertaining) countered by why I believe they may be out in left field. Maybe, just maybe, they will shed some light on Hot Boy Summer. But, also, maybe they won’t.

Okay, our three central theories are:

A) Luke and Nicola were simply PR-ing the fuck out of Polin.

B) Luke and Nicola were legit in their feels and Antonia became the jilted girlfriend.

C) Antonia was a PR girlfriend because [feel free to insert any reason you please].

We’re going to get the one nobody wants to consider out of the way first.

THEORY A: Nicola and Luke had a PR card up their sleeve the entire time.

I don’t like this theory any more than you do – the idea that Luke and Nicola were merely playing the part of two infatuated costars during the World Tour. However, this theory does exist, so there is no point in pretending that it doesn’t.

The backbone of this theory is that Luke and Nicola came to some kind of agreement to behave in a certain flirtatious manner during the World Tour to promote viewership of the show. As annoying as this theory is to the Lukolas, it is not unrealistic. For example, Glen Powell and Sydney Sweeney recently admitted to using the dating rumors that began while they were filming to build buzz around their movie, “Anyone But You.” Regardless of how reckless I find this behavior to be, I don’t doubt that we will start seeing it utilized more and more because it does help build interest in a project. That said, and although she admittedly leaned into the Powell romance rumors, Sweeney had an easy out once their press tour ended – she was (and still is) engaged to her long-time partner.

Now, let’s apply this PR romance to Luke and Nicola. It is entirely possible that these two simply played into their natural chemistry and allowed the romance rumors to fuel Polin. We could even go as far as to suggest that Netflix & Co. supported this PR romance because more viewers equaled more money. This, to some degree, also fits with the narrative that Luke seemingly kept Antonia out of the spotlight during the World Tour and, although it was terrible timing, launched her at the London premiere because he was tired of the fake PR. We could also make a convincing argument that this theory aligns with Luke and Nicola never addressing the status of their relationship (i.e., by never openly admitting they were “just friends,” they leave room for speculation and shipping).

To be honest, this would be a nice and tidy answer for how the World Tour went down, with Luke stepping in an elephant-sized pile of dog shit on his way out of the London afterparty and Nicola swooping into to play PR Hero by promoting Season 3 throughout the summer. Meaning, Hot Boy Summer was simply what it appeared to be at surface level – Luke running off with his girlfriend while Nicola continued promoting Season 3 on her own. Sure, this theory would leave us all feeling like we had just been kicked in the teeth, but we could absolutely package it up quite nicely and tie it with a little pink bow. However – nothing is ever that simple, is it?

There are some things that make me question the plausibility of this Luke-and-Nicola-PR-Romance theory, namely, (a) Luke and Nicola’s World Tour behavior, (b) comments made by interviewers, (c) the Claddagh ring, (d) the side trip to Galway, and (e) Chaos Week.

Regarding Luke and Nicola’s behavior towards each other during the World Tour, I don’t believe I need to go into too much detail here. Again, we all watched the same World Tour, and we all had the same reaction to their chemistry. Hell, the Jakolas started out on this side of the fandom because they also saw something between Luke and Nicola. However, to play Devil’s advocate, I will suggest that Luke and Nicola could absolutely be the next Daniel Day Lewis and Meryl Streep, method acting their way through the World Tour. But, in my honest opinion, they’re not. They’re both lovely actors but they don’t compare to the two I just named (sorry, but also not sorry).

I honestly debated with myself as to whether I wanted to include interviewer comments under this section. I finally relented and decided to do so because, for me, it was one of those things that made me question the plausibility of Luke and Nicola being strictly PR during the World Tour – because, yes, I did consider that back in May. For example, in response to Luke drinking from Nicola’s tea cup in Australia, when asked about it, the interviewer, Rachael Evren, responded, “They’re in[ ]love it’s fine.” Also in Australia, we listened to the back and forth between podcasters, Laura Brodnik and Em Vernem, debate Luke and Nicola’s real-life relationship:

Em: “I can’t believe you got her to say such juicy things about their chemistry.”

Laura: “They’re best friends and stuff, yeah, people think they’re together. They’re not, they’re just best friends.”

Em: “No, but they are.”

Laura: “Oh, don’t start that rumor. I want it on the record I’m not saying that.”

Em: “Well, I feel like after you watch Bridgerton Season 3 you would be like, ‘Oh yeah, they’re definitely dating.’”

By the time Luke and Nicola reached Canada, you had interviewers being quite obviously taken with their chemistry. For example, The Morning Show in Canada – have you ever watched Carolyn Mackenzie’s face when Luke and Nicola get into that Ryan Gosling discussion? Or, have you listened to the surprise in Karen Koster’s voice (“it’s like the carriage scene”) after witnessing Nicola touch Luke’s forehead on Ireland AM? Then you had Meredith Shaw from BT Canada and Ciara Kelly from Newstalk boldly asking Luke and Nicola about their real-life relationship, and Ben Shepherd from This Morning calling them out about the Carriage Scene (“you’re blaming the soundproof carriage, not the fact you got lost in the moment”).

And, then we had the written print:

On May 16, 2024, Shondaland’s Valentina Valentini wrote: “But throughout the past three seasons, it’s been a slow-burn anticipation for Newton and Coughlan, who have genuinely become real-life best friends in that span of time. Parallel to that, their on-screen characters have given us such a perfect crescendo of what it’s like to fall in love over decades that I’m not entirely convinced that the real-life people sitting in front of me are not actually in love. ‘Yeah! We’ve kept that one really secret!’ Coughlan jests when I hint at the possibility.”

And, in her June 14, 2024 publication, Fashion’s Annika Lautens wrote: “Nicola Coughlan and Luke Newton can’t stop looking at each other. I mean, they really can’t. As I enter their suite in the Four Seasons Hotel Toronto to interview the Bridgerton stars, all I can hear is laughter. Coughlan is leaning over to show Newton something on her phone. He throws his head back, giggling. It feels extremely intimate but, as the world has seen through countless clips on TikTok and on the third season of Bridgerton…this is just your average Tuesday for the two co-stars.”

These third-party reactions alone – in my opinion – debunk the Luke-and-Nicola-PR-Romance theory, but we will keep moving along.

I am not going to reexamine the Claddagh ring or Chaos Week in this entry as I have already gone into extensive detail of both in my blog Entries 6 and 14, respectively. If you’re behind on the significance of the Claddagh ring or Chaos Week, please take a moment and read those for more context. However, I will briefly discuss that special trip to Galway.

I’ve never quite followed why Nicola and Luke took that side trip to Galway. There was no special visit to Brighton – or wherever Luke’s family lives – so why Galway? I often find myself straddling the line between logic and delulu when I put my thoughts about Lukola on paper. I mean, from a logical standpoint, they were in Dublin so visiting Nicola’s hometown while they were on the island isn’t that farfetched. But to film it? Okay, yeah sure, Nicola is Shonda’s alleged favorite child, so I suppose it’s possible Shonda granted Nicola’s wish to flaunt Bridgerton in her hometown. I can honestly see this fitting into the Luke-and-Nicola-PR-Romance narrative. But –

It also doesn’t fit.

Sending Luke and Nicola to Galway was too close to home. It crossed the line between what could be excused as PR and what was clearly personal.

Not only did we have Nicola wearing her Claddagh ring in Galway in a manner that suggested she was in a relationship, but we also had her introducing Luke to her mother for the first time in what appeared to be an emotional moment. I have tried to convince myself this Mother-Meets-Luke thing was perfectly normal costar behavior. I have tried to convince myself that her sister-in-law’s reaction to Mother-Meets-Luke didn’t make me side-eye the entire situation. I have tried to convince myself that the Irish folks I’ve spoken with are exaggerating the significance of the Mother-Meets-Luke moment. I have also tried to convince myself there isn’t additional footage out there of this Galway Gathering just waiting to surface.

But, ugh, I just cannot convince myself that Luke and Nicola were strictly PR. This theory is as confusing as Sanrio telling us that Hello Kitty is really a human girl.

Verdict: NOT GUILTY.

Yes, we are marking this one as debunked.

THEORY B: Antonia became Luke’s jilted ex-girlfriend.

Hey, hey, USS Lutonia! I’ve got your flank.

No, actually I don’t. If the USS Lutonia was ever afloat, it sank somewhere off the coast of Italy. Sorry, but not really because I didn’t mourn you even a teensy bit.

I will preface this section by asserting my opinion that Luke and Antonia are not currently in a romantic relationship. Outside of “insinuation” posts made by Antonia, there is no evidence directly linking Luke to Antonia after July 30. Feel free to try to convince me otherwise but, when you do, make sure to include at least one photograph of Luke and Antonia in the same place at the same time with convincing evidence that it is current and that they are a couple (and, no, I will not accept blurry or Photoshopped images or metadata pulled from Instagram as evidence). That said, I will not argue with the idea that Luke and Antonia could have dated at one time. In fact, for this theory to play out, we have to agree that Luke and Antonia dated at some point.

Let’s pretend for a moment that Luke and Antonia dated before, during, and for a period after the World Tour. In this theory, the chemistry between Luke and Nicola was real (seriously, I think we’ve debunked that PR theory). The Claddagh ring and the side trip to Galway both suggested a romantic relationship between Luke and Nicola. Regardless of how real things were between Luke and Nicola, Luke still had Antonia lurking in the background. Perhaps Luke didn’t know how to break things off with her; maybe his friends and/or family made it difficult; maybe Antonia made things difficult. Everything came to a head at the London premiere, with Luke stepping on a landmine with Papsmear. But, because they can’t help but gravitate towards each other, Luke and Nicola found themselves back together – either immediately after Papsmear or, at the latest, by early August – and have continued their affair since. Oh, and Luke finally got around to breaking things off with Antonia on or after July 30.

This would – in a scorned woman kind of way – explain the “trolling” behavior Antonia was accused of during and after the World Tour. Those random posts that insinuated she was “with Luke,” even though the only evidence that directly linked her to Luke were (1) leaked and/or since-deleted pictures and videos from sources other than Luke, or (2) pictures of Luke’s friend group, which included Antonia, that, from time-to-time, alluded to Luke’s presence. Speaking of the friend group, the fact that Antonia appeared to be part of that group would support the idea that it was difficult for Luke to completely shake Antonia. This theory would also support the cat-and-mouse game played out on social media between Antonia and Nicola, which seemed heightened during and after Hot Boy Summer. Surely, you noticed that pattern by now. At the end of July, Luke’s friend group suffered some kind of catastrophic blow and Luke abandoned ship, officially breaking things off with Antonia as he went. This would explain the continued trolling for which Antonia has been accused; she hates Luke and is jealous of Nicola. Yeah, I can see this theory working. In fact, this is my preferred theory because it is the simplest. However –

For this theory to work, you must accept that Luke and Nicola are not perfect. That the two of them started an affair behind Antonia’s back. That “Nice Guy” Luke isn’t quite as sweet and kind as you have been led to believe; perhaps he’s even a bit of a fool. That “Good Girl” Nicola intervened in someone else’s relationship, making her the “other woman” and a tad disingenuous.  Does this make Luke and Nicola horrible people? No, it makes them two people who found themselves in a situation they didn’t know how to handle properly.

That said, this theory has its flaws.

For starters, it does not explain Luke’s apathy towards Antonia during and after the World Tour. I am not going to deep dive into my thoughts on this as I have already outlined them in “Entry 1: The One About That Weird Ass Cressida Post” and “Entry 13: The One Where the Ashes Blew Towards Us with the Salt Wind from the Sea.” But, I will reiterate that, to date, Luke has never acknowledged a relationship with Antonia, and he has never made an effort to rescue her from the fandom’s jaws of death. The only consistent link between the two of them was the friend group (that seems to have disbanded) and “insinuation” posts made by Antonia. I am sure there are people out there who will disagree with my next statement, but I don’t consider a New Year’s Eve kiss or a date to a tennis match a “relationship.” That would be like saying “I love you” on your first date (I know, I’ve offended at least one person with this remark – I apologize but I’m still leaving it in). It’s the lack of interaction between Luke and Antonia that makes me question whether they were ever in a real relationship; and therefore, I must question the validity of this theory.

And, because I know some of you will bring up those goddamn Instagram likes, the only comment I have is, “Get the fuck over it.” For real, it is far more fun to sit back and laugh at the “obligatory likes” than it is to freak out about them. Those likes are the only visible interaction between Luke and Antonia, and it’s becoming less and less frequent. The sad reality is, when Luke stops throwing a like in Antonia’s direction or unfollows her, she may lose the followers she gained after being linked to him. But, honestly, at this point – almost half a year later! – Antonia losing followers is her problem. And as much as I hate to admit it – this whole “like business” suggests some sort of arrangement was put in place post-breakup.

Verdict: HUNG JURY.

It’s a plausible theory – if I could be convinced Luke and Antonia were ever in a real relationship.

THEORY C: Antonia was the Real PR this whole time.

I hope you’ve read “Entry 1: The One About That Weird Ass Cressida Post” and, at a minimum, the “Mrs. Danvers” section of “Entry 13: The One Where the Ashes Blew Towards Us with the Salt Wind from the Sea” because they both detail my blubbering bullshit thoughts on Luke and Antonia’s “relationship.” I’m not going to rehash them here because I’m confident most of you also find this “relationship” suspicious for the exact same reasons I do.

For the longest time, I believed the absurdly popular “Antonia was the Real PR” [conspiracy] theory to be the fandom’s excuse for not wanting to believe Luke could ever be in a real relationship with Antonia, and that (gasp!) he could have chosen Antonia over Nicola (I mean, what a prick!). In truth, I refused to give this theory much weight until my dad – yes, that guy ­– said to me, “Sounds like PR,” during one of our fireside Lukola chats. My father has a whole sub-theory on this, actually, and yes, I will explain it momentarily.

Honestly, I hate this theory because it’s complicated. And, damn straight, I’m going to throw some Benjamin Franklin at you and say, “Three can keep a secret if two of them are dead.” This theory takes things beyond two celebrities playing into romance rumors to boost interest in their project, and brings in a third wheel, Antonia, to – fuck, I have no idea – blur the lines a bit?!

Alright, time for Dad’s theory…

Per my father, this was not just any PR deal; it was an arrangement struck with a “friend of a friend.” No need for an actual third wheel; just someone who was already part of the friend group that could provide the illusion that Luke might have a girlfriend. All they had to do was plant the seed and let the rumor grow, all while never outwardly confirming or denying it; that way the PR relationship could disappear as easily as it was planted.

I allowed my dad to carry on with his theory because, as he pointed out, Antonia being part of the friend group explained why (1) Luke didn’t mind her being around over the summer (it wasn’t personal, it was business), and (2) Luke had no romantic interest in Antonia (she was simply a “friend of a friend”). The fact that my father picked up on this “fandom dilemma” intrigued me.

After listening to my dad’s theory (there’s more, I promise), I spent an afternoon researching “PR relationships” and whether they existed or not. Turns out, they do. Well, they do, if we trust Mr. Google’s search results. It’s a bit of a quid pro quo thing. For example, one, usually more famous person, strikes up a “relationship” with a lesser-known person. The lesser-known person receives exposure while the more famous person receives [fill in the blank]; both gain some kind of benefit from the arrangement.

Now, the question of why Luke would need a PR relationship is – seriously – “fill in the blank” material. Some people have suggested it was to keep Luke and Nicola’s real-life relationship private; some have suggested it was Netflix stepping in to protect Polin if Lukola went south; others have suggested it was to bolster Luke’s image. I find the latter reason offensive because it assumes that having Nicola by his side wouldn’t help his image. But the other two sub-theories are reasonable to me (but also don’t really matter in the scheme of things).

The problem with the Luke-and-Antonia-PR-Romance is that it seems to have gone terribly wrong. What very possibly started out as an “illusion” became “real” with Papsmear. What I find interesting is, like the New York City premiere, Antonia was only seen in the background of the London premiere. Even as Luke was leaving the London afterparty, she went to the car while he met with fans. It wasn’t until they were papped at the hotel, that Antonia was suddenly “next to” Luke grabbing at his hand, thus “launching their relationship.”

Ruh-roh.

My dad’s theory goes on to assume that – after Papsmear – whatever “deal” Antonia was given (for example, Luke’s online support of her Instagram page or invitations to attend certain events over the summer) would be carried out as agreed. However, during that time, Antonia would return to her place in the shadows. I will confess that this is what seemed to happen – Luke never acknowledged a relationship with Antonia and evidence of their relationship seemed virtually non-existent. To the general audience, Antonia was simply a “woman in the background,” unrecognizable by most.

Assuming this PR theory is true, I’d like to believe Antonia was simply doing what she had agreed to do – feed into the illusion of a relationship with “insinuation” posts, for which she could later claim plausible deniability. However, I find this hard to believe when leaked photographs and videos started to surface in July and they were always preceded by DeuxMoi (see, I’m starting to support this theory).

At this point in his theory, my dad quoted a line by Paul McCartney, “You took your lucky break and broke it in two.” What he was saying was Antonia was given an opportunity and, due to her own actions, she mucked it up. She became fame hungry and the insinuations of her being in a relationship with Luke became harder to dispel when they were being leaked online by third party sources. However, as I reminded my father, we cannot prove Antonia was involved with any of the pap pictures. We can speculate, sure, but please keep in mind we cannot prove it.

Did I warn you my dad deep dived into this? Because, haha, he sure did.

By mid-July, per my father’s theory, Nicola was fully aware of the game Antonia was playing and recruited (not the right word, but we’ll go with it) JVN to fire subtle insults into Antonia’s camp with the intent of discrediting her.

The game ended after the Italy pap pictures were published, with Luke seemingly cutting ties with his entire friend group, which included Antonia. However, the game didn’t actually end there, at least not for Antonia. Due to whatever agreement Luke and Antonia had in place before Italy, Luke was still obligated to fulfill his part of the deal. We’re just going to speculate here that part of that included those “obligatory likes” of Antonia’s Instagram posts.

Thank you, Dear Dad, for that rather practical theory.

My issue with this is that Antonia’s antics repeatedly bring hate to Luke’s doorstep. Every time Antonia posts something on Instagram and Luke likes the post, the fandom – namely, the Sincerely Ignorant – get riled up and start slinging hate missiles at Luke (at this point, Luke can’t have nice things). And Antonia slipping things in like that balcony from the Spanish resort doesn’t help to dissuade the fandom from believing her to be a petty bitch.

My initial reaction to this theory was, no way, because at this point Antonia would have breached her contract and Luke wouldn’t still be bound by it. But then I realized, in order to breach it, one had to prove Antonia violated it. Okay, fine. But why not negotiate terminating the agreement early? Oh, well, yes, I suppose it is possible that the cost to do that outweighed the benefit. And, since those “obligatory likes” still seem to be in place – even when they bring Luke hate – I’m going to make a wild guess the agreement remains. For now.

In closing, and since I mentioned that Spanish resort nonsense, the fact that Antonia only ever posts things that insinuate she may have been in the same location as Luke supports the idea that Antonia is simply doing what she agreed to do – create an illusion. So, before anyone starts bashing Antonia, recognize she may simply be complying with her end of the arrangement. She may be just as ready to get out of that agreement as we imagine Luke to be. You know what I’d love to see? Antonia unfollow Luke and be like, “I’m out, bitches!” Honestly, I’d probably give her an “atta girl,” if she did that.

Verdict: HUNG JURY BUT WILLING TO CONSIDER A RETRIAL.

I hate to admit it, but I think this is a plausible theory. Not full proof, but strangely (and annoyingly) credible.

***

Alright, so there you have it. The three central theories that act as the spider web’s hub to all your sub-theories – because I’m certain you have them. You’re welcome to spin off in whatever direction you please, and no, you don’t need to loop me in – because, in truth, I don’t care that much anymore. And that’s not in any way meant to be negative.

For the longest time, trying to rationalize how Hot Boy Summer played out was the missing piece of my Lukola puzzle. I mean, I needed the answer. I needed it so badly; I practically presented an entire Lukola documentary to the wisest person I know – my dad – so he could solve it for me.

Dad: “Why does this matter?”

Me: “I don’t know, it just does. I just want to know what happened.”

Dad: “Will it change your opinion about whether Luke and Nicola are together?”

Me: “No.”

Dad: “Then why does it matter?”

Me: “I don’t know. It just does.”

Dad: “But you’re never going to know, are you?”

Goddammit, no, I’m never going to fucking know.

And, that is the reality of this situation. No matter how many hypotheticals we present, no matter how many sub-theories we create, we will never know what happened over Hot Boy Summer. We will never be able to justify Luke’s behavior during that time. We will never be able to explain with certainty Antonia’s role in this whole shebang.

You may not like that answer. In fact, the theories I presented today may have fueled your ambition to continue trying to solve Hot Boy Summer on your own, or with your friends. I admire that determination. But I also admire those who can let go and accept that it is what it is.

And what it is – and what it will almost certainly always be – is unknown.

[soov]

IF YOU ARE AN ENHABLR WRITER, PLEASE READ THIS.

tw : very brief mentions of pedophilia, grooming, homophobia and sexual harassment.

hi! i’m rei and i’ve been writing for enhypen since 2022 (this is my second account revamp), but i’ve been lurking around enhablr since 2021. i’ve noticed some misguided words, especially from new enhypen writers due to recent events, and decided to make this post, so please make sure to read thoroughly.

first of all, i want to painfully break it to the ones who started their accounts in 2024, who thought that enhablr was a safe space, and tell you that it is not one. it has NEVER been one.

now, i’m not saying that to make you disappointed and want to quit, but simply to tell you the truth behind it all. i think there was an illusion created around this community, behind the pretty themes and fluff works, that blinded the people who weren’t actively a part of enhablr, and had just joined us.

in 2021 we had blatant pedophilia with the 02z, brief moments after they debuted, when they were just 18. the community was still a bit messy since enha was a rookie group and fresh out of i-land.

in late 2021, and especially 2022, we began seeing enhablr take some form, but with it, we got a terrible like to reblog ratio and some plagiarism. late 2022 had more pedophilia again, now with sunoo, who had just turned 19, and had adults posting nsfw works for him on the day of his birthday. plagiarism began getting strength and many writers had both their works and banners / layouts copied.

in 2023, during the very start of the year, we had more pedophilia cases. this time, with writers. a grown man with an account named mintchocolatesunoox verbally harassed many minors with sexual asks and threats. we also had a 30yo writer named luna interacting constantly with minors and treating them in a way that crossed boundaries.

we had cases of homophobia with writers avoiding and blocking other lgbtqiap+ writers and reasoning it with their religion. not only that, but we also had another adult jumping into conclusions when a minor blocked them for being uncomfortable, saying the hate anons she was getting were from the minor, when it wasn’t. plagiarism got even worse at this time.

there were also more grown adults writing smut for jungwon when he turned 19, and at the end of the year, their target was ni-ki when the korean law changed the legal age from 19 to 18 years.

this year we had islamophobia, people refusing to acknowledge and share about the ongoing massacres and genocides around the world, more plagiarism, writers using AI to write their works with no shame, and minors consuming smut.

these are only some of the countless problems surrounding enhablr, not including the intern problems that weren’t outed.

many of these situations got worse as the conflicts began leaving tumblr and started going to other apps and group chats. i’m not saying the issue is on making friends and keeping contact outside tumblr (because i even encouraged it creating servers and such). the biggest problem is how so many people aren’t holding their friends and the ones who do these types of things accountable.

it’s not about doing it and apologizing, it’s about apologizing, changing, and holding yourself and others accountable. the memory of some people seems like one of a goldfish, completely ignoring the behavior of those who didn’t even apologize, and moving on.

enhablr was never safe, because we, writers, didn’t make it safe. the ones without morals are finding space to act like this because we are giving them space. if we do want to keep these people at bay and make enhablr a truly nice community we have to start really calling out and educating the ones who are doing and saying horrible things.

start by doing it privately, trying to educate them. if it doesn't work, call them out, no matter who they are. don’t condone their wrong actions and hold them accountable if they don’t post a pronouncement or change their behavior.

don’t let things slide and don’t think mutuals or friends shouldn’t be educated too. we are all still human and commit mistakes, but keeping practice of them is not and will never be normal.

so if you think something is off, say it, talk it out, post it. don’t let it keep happening. the change always starts from inside out.

[crystallizedtwilight]

Hello! This is not meant to be rude or pushy in any way, but why don't you like for your art to be reposted to other platforms? Any time I’ve seen it they always give proper credit. It’s your art and obviously I respect that you don't want it but like why not? It gives exposure to the really cool drawings and art you make.

Many reasons.

1. 9/10 times my artwork is NOT credited. Seeing it credited is truly an anomaly.

2. I’m already on all the social media platforms that I want my art posted on. People on those platforms can share it from there, where the credit stays attached to my account. I don’t want my art on certain platforms for various reasons.

3. I don’t want exposure. I’m a hobby artist and I don’t do this for money or numbers. I want the people who discover my art to find their way to my accounts because they already had an interest in the subject matter. I’ve had my art exposed to large groups/go viral before and found that it attracted people who didn’t understand it and who wanted to be mean.

4. Accounts that “curate” art sometimes take brand deals, and then other artists' work is being monetized against their wishes, with the funds going to the "curator" (reposter). Credit is not enough, artists' permission must also be given and most curating accounts don't bother to ask for it.

5. I’ve had people sell my art before.

6. I've had people repost my gallery and impersonate me before.

7. I've had people edit / trace / re-color my artwork and think that made it theirs.

8. When art is reposted, the artist's comments that originally accompanied the piece are removed, sometimes removing valuable context. Worse, sometimes the reposter adds their own comments/take on the piece, which changes the meaning.

9. In this growing world of AI and theft, I think it is harmful to take the power away from artists by divorcing the content from their accounts against their wishes.

10. I like having control over where my art posted because one of my greatest joys is knowing where I can check for the interactions of those who did find it by way of their passion for the subject, and I love being able to read all of those interactions in the places I expect that art to be.

At the end of the day, I know I can't stop my art from being reposted. And it feels like now, more than ever, artists are fighting to be treated with the simplest respect. If you want artists to keep creating, please do not repost our art without our permission. Thank you.

[purplecritter]

theories/thoughts/analysis about touchstarved 2025 demo

So uh, I did a long analysis post back when the first demo dropped. I won’t repeat things that I already wrote there but I have some more thoughts especially with the changes and additions they made + several of the scattered official tumblr posts that followed the demo release!

Also heads-up, I will edit this with the daily routine posts from the devs' account if they're relevant, since I already commented on Mhin’s, but apart from those I won’t touch this anymore afterwards 🙏

(Spoilers under the cut)

Kuras

His new red choice… Really amps up his association with fire, and it seems to be directly linked with how close we are to him: if you didn’t get the red choice you still feel it, but you’ll miss this line: “I realize it’s more than physical warmth. The sensation calms my nerves and quiets my mind—the closest thing I’ve ever felt to a comforting embrace”. One thing is interesting though: the red choice was unlocked during my Unnamed playthrough, but not during my others even if I picked the same choices. I tried again picking the opposite choices with my Unnamed and still got that red choice, so I’m pretty sure it depends on your origin, not your relationship with him. Since, as of now, Kuras hasn’t yet revealed his true nature to us (I suspect Eridia more or less knows, though), it would make sense that specifically the origin about detecting hidden supernatural presences would notice earlier than the others.

The dev answered a question on their tumblr about Kuras, “Kuras came through the Shroud because he loved humanity. He’s had human friends, colleagues, and lovers… all of whom he’s destined to outlive. Each person he’s loved—and lost—left an indelible stamp on him.” The stamp part caught my attention; since we feel his powers more whenever when get closed (physically, but moreso emotionally), I wonder if he can… channel? That affection into energy. Kind of how deities are fueled by their followers’ faith, perhaps an angelic being like Kuras is fueled by emotions?

A bit of relevant lore was posted on the dev team's tumblr: “Divine Teacher — The Senobium's folklorists note a curious pattern in humanity's oldest tales. Though the details vary, these stories share a common theme: an otherworldly teacher, bringing the divine gift of knowledge. Alchemy and literacy, art and war...supposedly this being shared all that they knew with the earliest civilizations. In some tales, the otherworldly teacher is a loving, benevolent figure. In others, they are a harbinger of chaos and ruin.” as well as the quote “Hope. A strange concept, after so long seeing myself as the agent of ruin.” Prometheus is the obvious parallel, due to his association with fire (though I would hope Kuras still has his liver intact), but there’s many versions of the Theft of Fire; in the Book of Enoch there’s fallen angels who shared knowledge with humans, too; and undoubtedly several more myths about inhuman figures sharing knowledge. Mhin says that “[Kuras]rarely does [take payment from patients]. That just means he’s paying down the debt elsewhere” which could be related to his distaste for dealing with the Senobium… I wouldn’t even be surprised if he had a hand in creating the Senobium (his robes are white too, and he does collaborate often, yet he isn’t afraid of retribution for messing a little with its members from what we can see of his ending scene), and he had all the time in the world to witness how the knowledge he gifted was used for worse things that he could’ve hoped for :(

Kuras, like Ais, keeps on his own for the most part, though they don’t dislike feeling close to people: Ais actually dislikes isolation but he’s probably too jaded to want to bother interacting, while Kuras actively craves closeness (it’s part of the reason he has a free clinic methinks) even if he knows it will hurt him when he loses it.

Leander

Leander’s group is now called The Adderstone. The symbology of an adder stone, aka witch stone, is definitely a bigger hint at Leander’s unique connection to magic, whereas previously the Bloodhounds evoked the feeling of a mercenary group with a penchant for investigations. In the new demo Adderstone is defined as “a semi-precious mineral that draws out poison”, which also makes me think of his constant disposition as a confident protector and his tendency to disregard the riskier aspects (ie, he wouldn’t care about getting poisoned himself). The Adderstone’s meaning is still vaguely reminiscent of my previous thoughts about the Bloodhounds: Hounds are a breed specifically intended to track something specific (or someone specific) by scent, and in the new metaphor that something/someone is the poison that Leander and his mercenaries are drawing out, hunting.

Adder stones are sometimes also symbolically tied to snakes, some sources saying they were created by turning dead snakes into the stone, others say that the ring-like formation was made by a hardened bubble of saliva when snakes joined together… All quite nicely tied to the recurring Ouroboros symbol in Leander’s outfit and merch!

“I’m no prior or curator. I’m not much for paperwork or pencil pushing. And honestly, I don’t even think those robes come in my size.” I am reminded of an old post by user @/toeridiaorbust about how Leander and the Bloodhounds Adderstones clothes are a direct color inversion of the Senobium’s robes.

“If you want nothing but guidelines, improper policies, and needless bureaucracy, you know where to go […] The Senobium won’t help you. They’re more likely to torture you than to lend you a hand.” Now this? Makes me wonder if his prominent scars are connected to his loathing towards the Senobium.

“But I’m not going to wait from word from on high […] These are our streets. We make our own luck here […] I founded the Adderstones to help people like you.” connects to the “as above, so below” tagline that was in his posters in the first demo and first hinted at him creating the Adderstone as an alternative to the Senobium.

The lore snippet about him on the dev’s tumblr doesn’t add anything that we don’t know from the new demo about Leander and the Adderstone, but there’s an interesting part at the end: “Locals speak praise for the charming leader whose seemingly benign reign extends even below the city streets into the shadowed depths of the Silent Crypts.” Considering all of his symbolism about the cycle of rebirth (I went into detail in my old analysis post), the fact that this references a crypt of all places doesn’t feel coincidental… We haven’t heard of the location yet from what I can remember, but I would bet that it’s connected to Leander’s hidden curse / source of power.

In an old post, the devs confirmed that “The magically talented son of an old Hightown family, Leander was expected to join the Senobium when he came of age. Instead, he packed up his bags twelve years ago to chase his own dreams” which matches with his own words in the demo: “I grew up idolizing the Senobium. I wanted nothing more than to join their ranks, to learn magic from the best, to make a real difference. I was young and blinded by the legends and the legacy. I was so damn naive. All it took was one trip here, to Lowtown, to show me the truth.”

“I won’t leave you, and you won’t leave me” + “How would you feel about being on a leash?” + “You can decide how to thank me. Or I can decide for you.” he’s not beating the yandere allegations.

“It’s not every day I find something that truly challenges me” we already knew he likes being challenged, which is pretty much his whole relationship with Ais. It’s interesting because with MC, he tends to prefer when they defer to him, trust him, take the flower and hold hands…. I think both things are a way to reaffirm his confidence: a challenge surpassed is proof that he’s strong enough to face what he has ahead, and having people trust him (in Kuras’ words, even willing to put their lives on the line for him) is a different way to feel that kind of influence.

The new scene of him coming into MC’s room with the excuse of having information about the curse, it feels like a contrast with the other characters’ ending scenes. Everyone shows a little about themselves, their attitude or their habits, but Leander feels like he mirrors MC. Even asking him about his relationship with the others, he comments on what we say about them rather than speaking up about them unprompted.

I initially didn’t think much of it so it may be nothing but it’s worth mentioning anyways: while chatting with Leander nearer the ending, he can say “How would you feel about being on a leash?” which is easy to dismiss as just him being a little freaky, but then I recalled after the first encounter with Vere, when the MC remarks that they could share his fate and get “leashed” by the Senobium. I doubt Leander would intentionally let MC in the hands of the Senobium, considering his animosity towards them, but it’s still a chilling thought that feels like foreshadowing...

Vere

re: his bad/secret ending, I appreciate that he shows some restraint this time around. I’m now pretty certain that you can only get the option to “Reach out to him” (red choice) versus “Resist him” (neutral) if you played along with him at least a little bit; while “Surrender” (bad ending) is only unlocked if you don’t have his approval and you say that if you can’t find a cure it’s over for you (rather than “I’ll keep looking”).

In two posts on tumblr (here and here), the devs posted a couple of peeks at Vere’s living space. “Candles flicker in the waning light, illuminating a crowded desk at odds with its gloomy surroundings.” and “Few in living memory know why the Senobium built the secret prison where Vere is kept. What do you think happened to the other prisoners?”. Given it’s described as a secret prison, I’m torn about it being located in the entertainment district where we first found him. One one hand, he was shackled there and it was morning, the Senobium cleric hadn’t yet come to fetch him. On the other hand, it feels like a weirdly dangerous place to put the deathly charming Monster in? No other buildings can be seen from the window, which is either just to not clutter the view or it’s a tall building, a spire taller than the rest, which would only leave the blue sky visible from that angle. The three items that mainly occupy his space are candles (I would’ve thought he would be able to see in the dark, perhaps just not comfortably or perhaps he likes the atmosphere they create... or they're not there for his benefit, but that of his captors), books (I could swear there’s a full picture of his sketchbook somewhere but just considering this sneak peek of it here, I think it’s the one in the middle of the desk… As for the books, he doesn’t like puzzles, I’m not sure he would be the studious type, so my bet is on them being entertainment), and shackles in his bedroom and by the desk. This last detail feels particularly invasive, as the implications are that someone is scheduled to keep an eye on his routine, dictating when he is allowed bedtime and when he can read/draw/brush his tail (there’s a little brush and mirror in the shelves). There’s also some handwritten papers on his desk, I wonder if he’s allowed to send letters or if he just writes them? One additional detail caught my attention: doesn’t the decoration in the chair by his desk look remarkably similar to the design of Kuras’ earrings? Though there’s different additional elements for each, they both are a circle with three drops underneath it… Which makes me even more convinced that Kuras played a significant part in initially capturing Vere. The comment about “What do you think happened to the other prisoners?” brings to mind Vere’s insistence that if the Senobium realized what the MC is, they’d be leashed as well. I don’t doubt that other Monsters have been kept by them in a similar manner, perhaps some of them also were offered a way to end their suffering by Vere, like he did with MC in his secret/bad ending.

In a tumblr post by the dev team about his lore: “Bloodstained Snow — The Senobium's archives hold countless records of stories that defy belief. One ancient report recounts the haunting of a remote village by what is described at first as a god, and then as a demon. Heavily redacted, the papers depict a team of researchers hunted by a self-proclaimed deity that transforms into a malignant entity. After the beast succumbs to freezing conditions, its ultimate fate is unknown-doubtlessly lost with the pages removed from the report.” I would bet that this is (part of) the reason why Vere dislikes snow… Apart from that, it’s interesting that Vere presented as a god first. History is written by the victors, and I wouldn’t take this recounting as the full truth. If he approached the village like he did with us, at first charming (if a bit unnerving, but deities can afford that) and then started preying on people’s trauma/insecurities, it’s not much of a stretch that they’d label him a demon—and to be fair, his monstrous form doesn’t inspire much safety either. I wonder if he first caught Kuras’ attention (or wrath) by proclaiming himself a god?

I’m also still thinking of Vere being a foil for Mhin: both hunt Soulless, he does out of obligation and they do presumably as a choice in line with their ideals; one leans completely on his Monster side and lets it leak through nonchalantly, the other despises Monsters and hides their own unnatural skills; Vere puts on airs to hide his thoughts, overwhelming you with (effective or not) charm, while Mhin is standoffish and avoids opening up by… well, avoiding you.

Ais

The Exile notices “Not many scars, though. Strange. Save for one cut along his brow, Ais is unmarked for how seasoned he acts.” In a post on tumblr the team answered a question about this particular scar: “Ais’s scar serves as a memento of his first day in the human realm, a stark reminder of all that can be lost. His gang imparted a lesson he’ll never forget, and he returned the favor in kind.” What feels more likely to me, is that he passed through the Shroud with his gang, they had a serious disagreement and/or they betrayed him (we already know from the character sheets and other hints that he doesn’t like being alone, I feel like it’d take something serious for him to turn his back on them), fought and he got injured during this confrontation. Then he found (?) Ocudeus, and we can assume from the fact that the red-eyed woman who lead us to the Seaspring still had visible marks of her previous health, that the Seaspring doesn’t restore wounds, so the wound was already there and didn’t get healed. I don’t think it’s likely that Ais has regenerative powers (also, his knuckles are bruised constantly, and he bleeds when MC bites him).

Leander also says that Ais “doesn’t see humans as equals”. Humans, by their very nature, can’t realistically be a match for the power of a Monster, so Ais wouldn’t consider them on the same level as him. In the same line of thinking, he seems to like more when MC can hold their own, and I feel like it’s connected to his trauma about being betrayed: if people can take care of themselves (like Vere, who’s as dangerous as Ais, and Leander, whom he respects), if he gets betrayed by those he likes, then at least he won’t have to hold back and it will be a fair fight.

When Ais says his old gang “took a walk”, the Exile wonders about this “He knows how to scare people, and he expects submission, but it’s uncommon for someone so used to being in power to be so… alone.” The Exile also has the most positive reaction by far to the Soulless in the Seaspring. When talking with Mhin, the Exile says “[Ais’] Soulless seem to like him though […] There’s a big difference between Ais’ Soulless and that many-eyed Soulless [that attacked me].” Being playful (perhaps even being in groups) isn’t a behavior they usually display, and I wonder how much of that is because they share being under the influence of Ocudeus so they're not hostile to what they consider allies, and how much it could be Ais’ doing instead: if he feels so alone, I would bet that he would (subconsciously or not) use the bond with the Groupmind as a way to feel less isolated, and those feelings impact the behaviour of the Soulless.

Ais talks about “a time where Leander’s resolve will be tested, same for anyone in this plane or the next” I think that the Adderstones remind him of what he had, or could have had. He sees something of himself in Leander, but Ais is jaded by his previous experience. I now wonder if the assassination attempts are his way to test him, make sure he’s ready for whatever comes, something that he feels like he lacked when he was left alone?

The lore post about Ais on the official tumblr reads: “Death Knell — Whispers echo about a fearsome Monster within the Shroud, their overwhelming power and authority stretching across the realm’s underworld. Few have seen the face of this infamous ruler. As Monsters continued to abandon the Shroud to seek thrills in the human realm, the being stayed behind, devouring forsaken domains and Monsters alike until no challenges were left. Now, as the being seeks conquest elsewhere, Monsters stir in anticipation of impending carnage.” This also could reference the time where [everyone’s] resolve will be tested; I wonder if it’s a general comment, about Monsters as a whole (Ais himself likes a good challenge), or if Ocudeus specifically is working towards something. In England, there was a tradition to ring the so called passing bell from the church when someone’s death was imminent; then the death knell when they passed away (there’d be additional rings to signify gender, and age, so that people could get an idea of who it was); and finally the corpse bell when the funeral was being held. If we want to read too much into the cool moniker, perhaps Ais is not meant to be the harbinger of chaos, but merely a warning sign.

The Unnamed will comment about hearing a faint heartbeat pulsing underground, when they first approach the land near the Seaspring. Earlier they also comment about feeling a kind of thrumming in Eridia itself, I wonder how far Ocuseus’ influence expands? Is it limited to where its Groupmind members are?

Leander says that he’s known Ais for around six years, which considering Kuras says that Ais is a recent arrival, could be that he’s passed through the Shroud into Eridia for less than a decade even?

Mhin

They’re EVEN MORE of a nerd in this version. Clearly knowledgeable about Soulless’ biology, even though they deny having studied anatomy or medicine. In an older post on the devs' tumblr, “Mhin was forced to apply their anatomical knowledge to violence in order to survive. After years of bitter experience, they learned to fight with agility, elegance, and surgical precision. Even in Eridia, their skills see more use in combat than healing.” which again makes me think they maybe didn’t formally study them, but being an apprentice to someone isn’t out of the equation (perhaps even Kuras, the Divine Teacher?). Them saying to an Alchemist’s red choice “It’s been a while since I had someone answer [my theories]” hints that they weren’t always alone in leading a life like this, before. Like Leander says about them, “Vulnerability doesn’t get you much except heartache.”

“Something about them is strange, unlike any human or Monster I’ve ever met. I can’t quite place my hand on why, and that’s a first” is what an Unnamed says when first encountering them. Not human, not Monster, but a mix of both—Not enough Monster yet too far gone from Human. A post on the devs’ tumblr depicts Mhin (partially?) transformed: they’re still clearly recognizable, it could be they’re just mid transformation but considering the comment from the Unnamed, I don’t think Mhin can become fully a Monster (like, say, Vere’s shadow fox is also kinda incorporeal but more shaped): it is said that Monster gain more control over their human form as time progresses, so Mhin has probably only recently become like this. The description of “a tar-like substance leaking from their eyes and bony extrusions” matches their pin designs as well as their “costume” in the official 2024 Halloween art, and the tar/blood leaking from their eye matches the pastry on the official 2025 Valentine’s Day art (bottom right corner).

Ais calls them “dove” and considering their Monster form seems to be quite the opposite, black ichory feathers and all, makes me believe that Ais has seen them shifted sometime and is poking fun at it. Or I’m just reading into it too much and it’s about them having white hair and Ais defaulting to bird nicknames for some reason.

The Exile comments “It’s one thing to strike down Soulless. They’re creatures of instinct, aggressive and dangerous to everyone. But Monsters are lucid, thinking beings—beings that Mhin seems to loathe.” It feels like their hatred is brought on by how familiar they are: they know the thoughts that compel a Monster (hence their insistence that MC seeks help from someone less dangerous than them) and they hate that they’re their own thoughts.

In a recent post detailing their daily schedule, it seems to me that Mhin doesn’t sleep, or barely does. I’m more inclined to say that it’s a consequence of their nature, that they haven’t accepted (so they still want to sleep, even if they can’t or don’t need it), similar to how Kuras doesn’t really eat.

Since they both compete in the same field, I wonder if Mhin and Vere first met while hunting Soulless? Do they ever meet while on the same contract, or do they run in different circles?

I don’t think they mentioned this in the first demo, but Mhin says they grew up in Eridia. Which really surprised me, because in the pre-release content they’re referred as “outsider” and “outcast”… Unless that’s changed in the rewrite, maybe they were cast off when they were young, or maybe they weren’t physically exiled but rather their family/group of origin estranged them? “Eridia wasn’t perfect, but it used to be a place worth living in” also could be said in a more subjective sense, Mhin didn’t lead a perfect life but they were satisfied with it before. Moreover, Leander says about them “I’ve known them since they arrived here.” Perhaps they grew up in Eridia, left at some point, and came back later? And when asking Kuras about Mhin, he says “Like you, they’re a recent arrival.” though that could just be that Kuras has a different concept of time, considering he’s centuries old. In any case, I highly doubt it’s just an oversight from the team because so far every detail is very curated. There’s something here about Mhin’s timeline that I can’t quite put my hands on yet.

Now the juiciest bit of info about them yet in my opinion, is on their tumblr lore drop from the studio: “Lost Expeditions — In a bygone era, before Eridia became the last beacon of humanity, there was Lovent. Yet where a bustling metropolis once stood, there is now only a blasted crater and empty ruins, blanketed by fog. The inhabitants, and large chunks of the city, had vanished into thin air. Over the following years, scholars flocked to the ruins in search of answers. Like the Loventians, they disappeared without a trace, and none ever returned.” Lovent is also referenced in another post, as “The previous largest city, Lovent, was the epicenter of the first Fogfall. In the century since, Soulless and Monster incursions destroyed most cities, leaving Eridia as the largest remaining one.” It makes me wonder, if Mhin maybe did grow up in Eridia, went to Lovent either in time to be caught in its destruction, or afterwards to investigate it. It’s possible that this is how they became a Monster… In the description of their flower, there’s also a reference to “barren wastelands to ruins perpetually shrouded in Fogfall” which is way too similar to “empty ruins, blanketed by fog” to be a coincidence. It’s possible that they physically entered the Fogfall/Shroud, and what emerged wasn’t fully them anymore.

Thanks if you read so far, as always I’m always happy to read other thoughts about it all or if I missed something 👀

[evilwizard]

I do want to say, my views on AI “art” have changed somewhat. It was wrong of me to claim that it’s not wrong to use it in shitposts… there definitely is some degree of something problematic there.

Personally I feel like it’s one of those problems that’s best solved via lawmaking—specifically, AI generations shouldn’t be copywrite-able, and AI companies should be fined for art theft and “plagiarism”… even though it’s not directly plagiarism in the current legal sense. We definitely need ethical philosophers and lawmakers to spend some time defining exactly what is going on here.

But for civilians, using AI art is bad in the same nebulous sense that buying clothes from H&M or ordering stuff on Amazon is bad… it’s a very spread out, far away kind of badness, which makes it hard to quantify. And there’s no denying that in certain contexts, when applied in certain ways (with actual editing and artistic skill), AI can be a really interesting tool for artists and writers. Which again runs into the copywrite-ability thing. How much distance must be placed between the artist and the AI-generated inspiration in order to allow the artist to say “this work is fully mine?”

I can’t claim to know the answers to these issues. But I will say two things:

Ignoring AI shit isn’t going to make it go away. Our tumblr philosophy is wildly unpopular in the real world and most other places on the internet, and those who do start using AI are unfortunately gonna have a big leg up on those who don’t, especially as it gets better and better at avoiding human detection.

Treating AI as a fundamental, ontological evil is going to prevent us from having these deep conversations which are necessary for us—as a part of society—to figure out the ways to censure AI that are actually helpful to artists. We need strong unions making permanent deals now, we need laws in place that regulate AI use and the replacement of humans, and we need to get this technology out of the hands of huge megacorporations who want nothing more than to profit off our suffering.

I’ve seen the research. I knew AI was going to big years ago, and right now I know that it’s just going to get bigger. Nearly every job is in danger. We need to interact with this issue—sooner rather than later—or we risk losing all of our futures. And unfortunately, just as with many other things under capitalism, for the time being I think we have to allow some concessions. The issue is not 100% black or white. Certainly a dark, stormy grey of some sort.

But please don’t attack middle-aged cat-owners playing around with AI filters. Start a dialogue about the spectrum of morality present in every use of AI—from the good (recognizing cancer cells years in advance, finding awesome new metamaterials) to the bad (megacorporations replacing workers and stealing from artists) to the kinda ambiguous (shitposts, app filter that makes your dog look like a 16th century British royal for some reason).

And if you disagree with me, please don’t be hateful about it. I fully recognize that my current views might be wrong. I’m not a paragon of moral philosophy or anything. I’m just doing my best to live my life in a way that improves the world instead of detracting from it. That’s all any of us can do, in my opinion.

[goodlucktai]

now the darkness comes alive

rise of the tmnt movie canon divergence word count: 10k characters: raph & leo

welcome to a very self-indulgent roleswap au that i started dreaming up in my friend’s turtle discord. big thank you to rem for the song rec that gave me the insp to finish (and name!) the fic, and also to lake, sara and meeks for enabling my insane behavior <3

oh, now the darkness comes alive it comes for me and i come for you

—brother, the rural alberta advantage

read on ao3

x

The Krang’s spike pierces through plastron and flesh with a sickening crunch and Leo makes an awful punched-out sound. Raph is seconds too slow, and seconds is all it takes for his entire world to end. 

For the past two years, they’ve been at constant odds, Leo going out of his way to undermine and annoy him. Every interaction was laced with frustration, hurt, worry, confusion. Why are you being like this? Raph wanted to ask, wanted to grab him by the shoulders and shake until an answer came out. What did I do to you?

It was a miserable way to live. Being angry at someone you love more than anything, having nowhere to put it down, forced to hold onto it and hold onto it and hold onto it. Every day another argument, every night laying awake and hoping that tomorrow would be different. 

He missed Leo. He missed how they used to be. He didn’t know why Pops’ announcement had turned them against each other. He hadn’t thought anything would be able to do that. 

Once or twice Raph had a moment of weakness and imagined what it would be like if he just quit. If he went to Splinter and told him he was done. Let someone else be the oldest, the biggest, the one who carried everyone else. But that thought was always followed instantly by another, louder one—how small would he feel if he didn’t have little turtles climbing on his back and sitting on his shoulders? How empty would his arms be if he didn’t have anyone to carry in them? 

That’s the whole point. That’s why he’s so afraid. That’s why being left alone drives him straight past anxious and into a blackout. He can’t lose them. He can’t lose them. He can’t lose them. 

And now he’s living his worst nightmare. He’s living outside his own body, watching from somewhere else. It doesn’t feel real. 

His little brother, his little Leo, crumpled beneath him, blood staining bright blue an ugly rust color. His chest is heaving as if each breath hurts and his eyes are wide and wet. He’s gazing up at Raph like they’re children again. It’s the way he looked when he was afraid of a thunderstorm or he was about to get in trouble and he needed Raph to make it better. He always looked at Raph first. 

The monsters behind them are laughing. One of them starts talking, the sound coming closer at a leisurely pace. They aren’t safe. Leo is bleeding. Raph is afraid to touch him, shaking hands hovering over his cracked plastron. He doesn’t know what to do. His mind is white with panic. 

He has the escape pod in his hand, not yet activated. He doesn’t know if it’s safe to use it. Leo is skewered to the ground, pinned like a butterfly to corkboard. Donnie’s tech is highly intuitive, all of it programmed into S.H.E.L.L.D.O.N.’s AI infrastructure, and maybe the pod would know to account for the particulars of the situation, but there almost definitely isn’t a way to remove Leo safely in the seconds they don’t really have to work with. 

Leo blinks, and the wetness in his eyes spills out, and Raph just wants to pick him up. Carry him somewhere safe. Leo has always been larger than life, but right now he looks impossibly small. 

“Hey, hey,” Raphael soothes, the same way he has a thousand times before, after bad dreams and skinned knees, “you’re okay. Raph’s here, you’re okay.”

Those gold eyes slide to the side, looking at a point behind Raph. Leo’s arm moves, and something cold and solid presses against Raph’s chest. It’s the key, and Leo’s hand is trembling so hard that Raph’s closes around it instinctively, taking the weight of it from him. 

Because he’s Leo, the corners of his mouth quirk into a smile. 

“I told you,” he says hoarsely. It somehow manages to sound wry, like they’re in on a joke together. “I got it.”

Then he uses the hand that Raph isn’t holding to activate the escape pod lingering between them and pushes it those scant few fatal inches forward. Raph doesn’t realize what the beep means until the pod unfolds in front of him and yanks him unceremoniously away from his brother.

“No,” Raph says, light-headed with fear, “no!” 

But a machine couldn’t possibly understand the wrong it was doing. What it was leaving behind. Raph pummels the inside of the pod hysterically but without his ninpo he can’t do enough to damage something Donnie built specifically to safeguard their family. It lifts him up and away and Leo’s crooked little smile gets smaller and smaller until it’s gone.  

——

When the pod touches down in the lair and releases him, the world around Raph is strangely muffled. There’s a ringing in his ears. He thinks he can hear voices but it’s all just noise. Nothing fully clears the chaos in his own head. 

Donatello is directly in front of him, and his hands are white-knuckled on the side of an empty blue pod. He looks like he already knows something went very wrong. His eyes are bright gold, a mirror of his twin’s, and the quiet fear in them places Raph directly back inside the warehouse, surrounded by monsters, too late to protect anyone, Leo’s blood on his hands, Leo looking up at him— 

Raph’s stomach lurches and he turns sharply away. His gaze lands on Casey Jones instead, who appraises him warily in turn, slim shoulders going stiff beneath the battered Genius Built armor. 

“Leo went back for the key,” Raph says, his voice a deep growling thing that cuts through the noise and brings down a curtain of stillness. He holds the stupid thing out, and if it were made of anything less than strange alien stone, his grip would have crushed it into pieces. Casey’s eyes drop to it and brighten, like it’s a good thing that it’s here even though Leo’s not. Relief floods every inch of his face until he looks even younger than he did already. 

“He got it,” the boy says reverently, taking it in both hands. “I knew he would.”

Raphael wants to scream. He wants to step back and let some other version of himself take the reins while he finds a hole to cry in. He doesn’t want to turn at his father’s firm call of his name or force himself to lift his chin until Splinter can meet his eyes and find all the miserable failure festering inside him, but he does. 

April is looking around and behind Raph, her eyes jumping to the red pod still standing open and then back again, as if finally noticing that Leo wasn’t tucked in there, too. As if it is only just occurring to her that there is a universe that exists where Raphael leaves Leonardo behind, and it’s this one, and it’s horrible. 

Donnie might as well be carved from stone, but Mikey is starting to get worked up, looking between everyone else with huge red eyes, trying to hear the thing they’re all not saying.

“He went back for the key,” Raphael says again, choking the words out. “I couldn’t—I wasn’t fast enough to—”

He clenches his fists and it drags his siblings’ attention to the blood on them. April covers her mouth and Mikey takes in a breath so sharp it must cut and Donnie starts to flap his hands. Splinter closes his eyes, looking as though he’s aged about a hundred years in the last few minutes. 

“What? That’s not possible,” Casey interjects as if he can’t help it. The young soldier glances around the room, like Leo is going to pop up from behind the turnstiles and rib them all for being so gullible. “Master Leonardo is the greatest ninja the world has ever seen, he wouldn’t just—”

“He’s not master anything!” Raph only barely manages not to roar. “He’s a sixteen-year-old kid!”

Casey flinches away from his anger and Raphael brutally wrestles it into submission. It’s not doing any good here. Casey is a kid, too. 

“Raph,” Mikey blurts, too loud and too fast, “is Leo dead?”

The word sucks the air out of the room and Donnie makes a noise like he’s been kicked in the stomach and Raph says, “No. No, Angie, he’s alive.” 

Even though their ninpo is locked away, and with it that subconscious knowledge of each other always lingering comfortably in the back of their minds like a warm afterthought, Raph knows they would know if Leo was gone. They would be able to tell. The world would be fundamentally changed, nothing would ever be the same again. 

He puts his hands on Mikey’s shoulders and adds, “We’re gonna bring him home.” 

The plan isn’t much of one, but their resident schemer is very much not present, and no one questions Raph when he lays it out. Donnie robotically admits that he has the means to track Leo, so the turtles and Future Boy are going to head that way and retrieve him, while Splinter and April babysit the key. 

“Use the shell hogs and just keep moving for now,” Raph says. “They have something we want, we have something they want.”

April nods, grimly understanding. If the only Hail Mary shot they have of getting their brother back is handing over the key and finding an opening to steal it back later, that’s just what they’ll have to do. 

Pops abandoned the Hamato Clan’s teachings in the first place because he didn’t agree with their preachings of self-sacrifice and martyrdom. He handed over the final piece of the dark armor without flinching when his sons’ lives hung in the balance. Even if the rest of their ancestors wouldn’t understand, Raphael does. 

He remembers the jar of oozesquitos he held onto once, trying—and failing—to call Draxum’s bluff. He may be a slow learner, but he only needs to be taught the lesson once. 

Leo risked his life to return this key to his family, so Raph is going to fight for it like an insane person for as long as it makes sense to. But if it comes down to abandoning one to save the other…

He’s his father’s son. He knows which choice he’ll make. 

——

In the Turtle Tank, Mikey and Donnie distract themselves on the trip to Metro Tower station by peppering Casey with questions about the future. The human answers readily, describing Master Donatello’s technological genius—holding out his arms so the entirety of his battered, cyberpunk-style kit is on display—and going on at length about Master Michelangelo’s mystic prowess. 

“I could fly?” Mikey squeaks, drumming his hands on the dash rapidly. “Was it cool?” 

“The coolest,” Casey is quick to agree. “And you opened a portal that sent me through time.”

But the warmth in Casey’s eyes doesn’t last very long, fading into something that looks uncomfortably like grief instead. He tends to look at all of them like that, like he’s in a room full of ghosts. 

He darts a sidelong glance in Raph’s direction and quickly faces forward again, staring out the windshield from Leo’s seat. He’s avoided speaking to him as much as possible, and Raphael can, unfortunately, put two and two together. 

Casey is familiar with everyone else—even April and Splinter—but he dances around Raph as if he’s a stranger. He didn’t know Raph in the future, he knew of him—someone to be respectful of and fall in line for, but certainly not one of the uncles he could brag about to their younger selves. 

When the Tank has gone as far through the tunnels as possible, drawn to a stop at a massive tangle of alien vines, they get out and continue on foot. Raph can feel his little brothers walking as close to him as they can without outright admitting that they’re unnerved, all of their guards completely up, senses dialed to eleven. 

The underground is home to them, always has been, and generally speaking if you’ve seen one subway tunnel you’ve seen them all. But the floodlights from Donnie’s battleshell illuminate a scene that looks like it belongs on another planet. Impossible masses of pink-purple mess dangle everywhere like Halloween store decorations, and the subway cars have been upended off the rails and twisted out of shape. 

Casey’s mask is down, the lenses glowing green as he prowls forward without missing a beat. If he came here from a future where the Krang won, Raph can only imagine what the New York City he grew up in looked like. 

“I hate to be painfully obvious, but since my other half isn’t present, I suppose it falls on my shoulders,” Donatello says after a moment, the sardonic tone of voice at odds with his very low register. “Something feels off.” 

He’s barely got the words out when hundreds of little lights blink at them from the jungle of purple vines—not lights, glowing eyes. The silent tunnel explodes into chaos a second later as they’re ambushed by parasite-controlled people and creatures and even objects. 

Raph and Casey are neatly separated from Donnie and Mikey within a manner of minutes. Raph’s heart is in his throat as he pummels through wave after wave of the infected, and it doesn’t settle until he hears on the comms that his little brothers have taken shelter in the Tank. 

He and Casey are pushed farther and farther away, chased down one of the tunnels by an animated subway car on what looks like spidery crab legs, towards a dead end. When Raphael feels the ground start to give beneath them, he acts on seventeen years of big brother instinct and very little else, seizing Casey around the middle and curling around him completely as they fall. 

It’s a dizzying, topsy-turvy couple of minutes, falling from the subway tracks into a maintenance tunnel underneath, and it takes awhile for his ears to stop ringing. He glances down at the human in his arms and notes with relief that Casey seems to be okay–tucked up small and compact against Raph’s plastron, all limbs accounted for, in such a practiced way that Raph thinks he’s been protected in exactly this manner more than once before. 

Neither of them speak right away, coming down from the rush of adrenaline and waiting for the shifting of crumbled concrete to stop and the dust to clear. Raph’s shell was made of sturdy stuff even before he became a chaotic alchemists’s bioengineering experiment, so when he’s certain they’re relatively safe, he pushes off the ground with his hands and lets the debris roll harmlessly off his back and shoulders. 

“Are you hurt?” Raph asks, sitting back to give Casey room to collect himself. 

“Um, no,” Casey says, tugging his cape down from where it had caught around one of his pauldrons. He doesn’t look uncomfortable, but more like he doesn’t really know what to do with himself now that it’s just the two of them, looking up at Raph and then away again. 

Raph can’t help it. He says, “I died, didn’t I? In the future.”

Casey jerks, as if he was surprised to be asked so plainly. Then his shoulders hunch, and he nods. 

“You all did,” he says haltingly. “Uncle Tello when I was thirteen, and sensei and Uncle Angie just… just before I got sent back.” 

Cold dread slams into Raph’s stomach. He doesn’t want to believe he and his siblings could ever truly be divided, but the proof is sitting in front of him. It’s hard to hear that the end of the world managed to take Raph from his little siblings. Donnie from his twin. That Leo and Mikey were left all alone, with a kid to take care of, and a losing war to fight. 

Casey swallows hard, and curls his hands into fists, visibly forcing himself past the loss that probably sits in his stomach and throat like barbed wire. 

“But you—it happened when I was little. I wasn’t really old enough to remember you.” Each word mincing and careful, he goes on, “Growing up, sensei talked about you all the time. He used to say you were the best—best brother, best leader. And he was so afraid when Master Splinter put him in charge, because he had no idea how to be as good as you. He didn’t want things to change, he was happy being your right-hand man. Sensei made it sound like he was really childish about the whole thing. He said he must have been a real disappointment.”

Raphael absorbs the words like a blow. 

Leo, his little brother, his little star, outshining everyone and pulling the world into his orbit, earnestly giving them the light and warmth they needed to live and grow and flourish, a disappointment?

Raph has been angry with him more times than he can count. Hurt by him, even, because that’s what people tend to do when they don’t understand each other. Frustrated and antagonized and fed-up, sure. But disappointed?

He has a shining, crystalized memory of being a child, no more than eight years old, crying over a picture book because the monster in the book looked like him. It was big and hulking, with dangerous-looking spikes and an alligator tail. Raph hadn’t realized Leo had found him until tiny hands took the book away and a serious little face, not yet grown into its stripes, assessed the situation. 

Even back then, Leo was too clever for his own good. He tossed the book on the floor and said, “They got it wrong. That author must not have ever seen any real monsters if they can mess up that bad. Who let them write a book?”

Raph was hardly able to see through his tears, making a distressed rumble in his chest, but his arms opened automatically. Mikey was in a phase where he had decided he was too big to be carried and Donnie had a hot-and-cold relationship with touch that his siblings all knew to maneuver carefully, but Leo absorbed any and all affection like a hungry little plant soaking up sunlight. He climbed right into Raph’s hug and his arms looped around Raph’s neck and hung on fiercely. 

“My Raphie is a better hero than all those knights and princes and wizards anyway,” Leo had said with conviction so huge it was better suited to someone five times his size. “I have the real deal. I should be the one writing books!”

From then on, Leo vetted any and all shared reading material that made it down to the lair before allowing it to be distributed with a very grown-up gravitas. Some things went straight to Donnie or Mikey’s rooms, or back into the garbage if Leo was feeling vicious about it that day, and no one ever said a word about it. 

About three months ago, April had brought them a bundle of the subscriptions they got mailed to her apartment, and Leo picked up a comic that came for Raph and started to flip through it like they were seven and eight years old again. He caught himself too late and looked embarrassed, sliding it across the counter and quickly making his escape, but Raph felt warm all the way down to his bones. That was proof his Leo was still in there, that he still cared, despite doing his best, for some reason, to convince everyone he didn’t. 

His Leo, who always cared. Who cared too much. 

Casey gives Raph another one of those searching, sideways glances, there and gone again. 

“Sensei said he let you down once and he never wanted to do that again. He said he would live the rest of his life making up for it, making you proud. Is—is this what he was talking about?”

Raph looks at the boy in front of him, Leo’s kid from a future that doesn’t exist yet, wearing tech his Uncle Tello must have meticulously built to outlast everything else, Uncle Angie’s smiley faces etched into the knee guards in a pop of silliness that somehow still existed in the apocalypse, his sensei’s red stripes painted proudly front and center on his mask. He carries his family with him with every step he takes.

It’s no wonder Casey is so cagey around him. If he was raised even in part by Leo, then he was probably raised on stories of Raph that only painted the good and the funny parts of the bad, because that’s how Leo loves. And it left Casey to reconcile how everyone’s hero Raphael could have ever thought poorly of Casey’s hero Leonardo. 

“Sounds like that sensei of yours had no clue what he was talking about half the time,” Raph say gruffly. “Raph may wanna pick up him and rattle him like a snowglobe about a hundred times a day but that’s just the Leo Effect. Ask anybody.” 

Casey blinks up at him, one corner of his mouth giving into a reluctant smile. “Commander O’Neil said that before,” he admits. 

“Now her you can listen to any time of day or night, because she’s never wrong,” Raph says, pushing himself upright and offering Casey a hand up, too. “Leo could never do anything to make me love him less. It kind of seems impossible after a lifetime together, but I actually only keep finding reasons to love him more.”

Sliding his much smaller hand into Raph’s huge one, Casey lets himself be tugged to his feet. He’s gazing up at Raph with wide eyes, tugging on the wrist of one glove absently. 

“Leo is as silly as they come,” Raph says. “He needs practical people like you and me in his life to set him straight.”

All at once, Casey’s face brightens, glowing from the inside out. His spine straightens, shoulders going back. It’s every inch Leo’s expression when he receives honest praise from his family in any direction. And Raph realizes abruptly that at least part of the reason Casey has been so nervous around him is because he doesn’t want to disappoint his father’s hero, either. 

——

They find a maintenance shaft and climb the rest of the way out of the tunnels, regrouping with the whole clan in the Metro Tower station. Donnie brings Leo’s location up on a screen and they all huddle around him—falling silent after a moment as they take in what the tracker is telling them. 

“He’s right—right on top of us,” Donnie says haltingly. “He should be—”

April seizes his arm and he cuts himself off mid-word. With a sense of dread, Raph follows her wide eyes across the room. 

Leo is standing there, watching them. He’s been standing there the whole time. Unmoving, completely silent, and covered in the same squishy, fleshy pink parasitic slime that every other infected they’ve encountered up until now has been manipulated by. There’s a mass of it concealing the lower half of his face like one of the respirators Mikey wears for his spray paint projects, baring dozens of large serrated teeth in a sneer. 

Leo’s eyes are pink, the pupils slitted. If Raph couldn’t see him breathing, he wouldn’t know for sure if he was even alive. 

“Leo?” Mikey calls out in a warbling voice, hands trembling. “Can you hear us?” 

It doesn’t get a reaction. 

Raph takes one slow, careful step towards him.

That gets a reaction. 

Leo explodes into motion so quickly it doesn’t make sense, going from zero to a hundred in seconds. He slams into Raphael with the force of a freight train, sparks flying from where his blades meet the sai Raph only barely manages to throw up in time. 

Their siblings scatter, Donnie yanking Mikey firmly behind him, April putting out an arm to keep Casey back, too. Splinter dives in to help his oldest son, the two of them fighting to subdue but not to injure, hyper-aware of the cracks in Leo’s plastron and the matching wound on his shoulder. The last thing Leo’s father and big brother want to do is hurt him any more. 

Leo doesn’t give them an inch of the same consideration, as cold and methodical as a knife. His swords are fully in action, a very present danger to the rest of them, singing and sweeping with fatal precision. 

They’re only fighting for minutes, even though it feels like hours, when Raphael feels it. An insistent tugging on the front of his mind. He and Leo are locked together, swords caught for a moment in the guards of Raph’s sai, and Raph spares a daring second to look into his possessed brother’s pink eyes. 

They glow white instantly, a successful connection. Leo’s mind pours into Raph’s like a flood. 

Take them take them TAKE THEM TAKE THEM TAKE THEM 

As if moving on autopilot, Raph’s hands fly to Leo’s wrists and wrench—not hard enough to sprain, but hard enough that the slider’s grip flies open and the katana clatter to the ground. Leo rips himself free and darts back to give himself room for the next attack. He makes no move to recover the swords and Raph scoops them up a second later, heart pounding. 

It was so quick, so clean, that no one watching from the outside would be able to guess what had just happened. Leo surrendered his weapons to his family in the only way he possibly could, begging with his whole body to be disarmed before he hurt anyone, so desperate for Raph to hear him that he triggered a mind meld for the first time in two years.  

The room comes alive, infected creatures spilling inside and surrounding them all, punching up through the floor from the tunnels they had just escaped from. A subway car covered in pink slime rears back and roars like a beast. Leo moves through the crowd of Hamato like water. The only one he touches is April, a brush of their shoulders together.

She makes a distressed noise in the back of her throat, hand flying to her bag where the key is. Where it was.  

Leo has it in his hand, facing them with unseeing eyes. The grotesque, fleshy mask covering his mouth twists into a stranger’s ugly smile. 

Raph thinks, No wait. It’s not supposed to happen like this. 

They’re not supposed to lose. 

April uses her bat to knock the rest of the deforestation chemicals toward the Krang, causing an explosion that stalls the hoard of infected just long enough to create an escape route. Donnie scoops Mikey’s shell into his arms and Splinter has to tuck a hand around both Casey and Raphael’s elbows and yank to get them moving. Casey doesn’t make it easy.

He must know a losing fight when he sees one. He must be familiar with this scene from the world he came here from. But he struggles anyway, eyes locked without blinking on the shape of a Leo they’re leaving behind. 

Raph wants to struggle, too. He wants to stay behind and fight until he can’t lift his arms or stay on his feet. He wants his lost little brother to know someone’s fighting for him, that someone will keep fighting for him for as long as it takes. 

But responsibility perches heavy on his shoulders. More than one person is depending on him. It’s the hardest thing he’s ever done to let himself be pulled one step away, then another. It hurts more than every single other thing he’s survived. 

“Raph’s coming back for you,” he calls out, voice thick, swords weighing a hundred pounds each in his hands. “Hear me, Leo? Raph’s coming back.”

Leo doesn’t give any impression that he heard. He turns at some silent command and walks away, taking the key with him. The Krang got what they came for. 

——

Kneeling on a rooftop, watching the Technodrome come through a hole in the sky and rain destruction down on their city, Raph finds himself thinking I wish Leo was here. 

It’s a stupid thought to have, because Leo being there would solve a very large part of the whole problem. But specifically, Raph finds himself wishing he had his clever, charming brother at his side, who always knew what to say. Who always had an idea. Who understood exactly how to reach out to people and lift their spirits, rekindle their hope. Leo isn’t the strongest of his brothers, or the fastest without his ninpo, or the smartest next to Donatello, but that doesn’t mean he can’t outshine the rest of them in his own way. 

He’s always been the one they followed, really. It just so happened he was always going the same way Raph was. 

“He was happy being your right-hand man,” Casey said. 

How could Raph have misunderstood him so completely? How could he have just left him behind, twice now? What if it becomes a pattern? What if Leo thinks this is all he can expect from them? 

Raph’s family is arguing behind him, unwilling to accept their failure but unable to see any path ahead to victory. It certainly looks hopeless. New York City is burning, people are screaming, parasites and infected are filling the streets by the dozens. 

A familiar hand lands on his arm. Raph feels like he’s wading chest-deep through mud, but he manages to turn his head and look down into Mikey’s big red eyes. 

“What did Leo say earlier?” Mikey asks in a small voice. “I sort of felt it when you connected but I couldn’t hear either of you.”

“It was like being aware of people talking in another room,” Donnie adds, leaning into Raph from the opposite side. “You can just make out the cadence of their conversation but no words come through clearly.”

Raph looks down at his hands, the katana he’s still holding. He rubs his thumb over the guard on one, remembering Leo’s glowing pride the first time he manifested them. He felt so buoyed by Leo’s smile in that moment that he could have fought the Shredder a hundred times over and won. 

I miss you, he thinks. I miss having you on my team. 

“He wanted me to take these,” Raph says. “He was really scared of what he might do with them.”

Donnie’s golden eyes are very sharp, staring without blinking at the only proof of his twin with them here on the outskirts of the apocalypse. Behind the turtles, Splinter and April are still going back and forth with each other, but Casey’s voice has tapered into silence. 

“What else did he tell you?” Donnie asks abruptly. 

“Nothing,” Raph replies, numb.

“C’mon, Raphie,” Mikey says, mustering a sweet smile for him, even though smiling is probably the last thing in the world he feels like doing. “Our Leo? Keeping it brief? I’ll bet he had a hundred things he was trying to say.”

“Let us in,” Donnie says, pressing his head a little harder into Raph’s arm. Dogged and determined, fully ready to dig in with his teeth and not let up until he gets his way. “Let us see.”

Raphael is exhausted, and hurting, and missing the absent piece of their whole so keenly that he could lay down right here and cry for days. But the one thing he’s never been able to do is deny his little brothers anything they care enough about to ask for this earnestly. 

“Okay,” he says and sets Leo’s swords in front of him carefully. With his hands open, Donnie and Mikey each seize one in both of their own, and Raph tries to center himself. 

The first time Raph and Leo did this, it was well before they had fully realized their ninpo. He doesn’t need the mystic powers they’ve come to rely so much on to recognize the brilliant purple lightning and laughing orange bonfire on the fringes of his mind and let them both in. 

The lightning and the bonfire both skirt familiarly over the steadfast red mountain that makes up their eldest brother, at home together. They all feel the painful absence of a mischievous blue wind so strongly that it takes their collective breath away. 

The mountain guides them to the things the wind had given him. Above everything else, fear—of what’s happened and what hasn’t happened yet, fear of the parasite wriggling inside him, fear of his own two hands, fear of failing his family even more than he already has—

Stop, the bonfire says, burning warm and bright. Focus. 

The lightning strikes forward, knowing the wind better than the rest of them from a lifetime of sharing the same sky. It follows the wind’s twists and turns unerringly, illuminating the way in thunderclaps until it’s possible to break past the dark storm of fear entirely.

Behind it there are a hundred other things. Stubbornness and bitterness, a familiar grit that comes from being on the losing side and refusing to give up anyway. Anxiety that his efforts won’t be enough. Love, as deep and rich and unknowable as an ocean. Regret. Loneliness. Hope. 

Take them, the wind had said in the fleeting seconds it had to say anything at all, shoving as many secrets forward as it could. Take this and this and this and this. 

Leon, you devious little creature, the lightning says, with scorching pride and mean-spirited glee. 

It goes both ways, the bonfire cackles. The Krang can see into Lee’s head, but Lee can see into the Krang’s head, too!

This is it, the mountain realizes. This is how we win.  

——

Galvanized, the Hamatos split up one more time. Casey, April and Splinter to get the key back and keep the Krang occupied, and Raph, Mikey and Donnie to save Leo. 

Once Raph and his brothers are inside the Technodrome, they all understand exactly where to go. Everything the Krang knows about how to operate his ship, Leo knows, through that unwanted window between their minds. And everything Leo knows, he shunted as hard and fast as he could into Raph’s brain, hidden in a tangle of emotion so thick that it went entirely undetected by the parasite riding along. And since Raph shared the knowledge with the other two, Donatello could probably pilot this weird spacecraft blindfolded with one hand tied behind his back.   

Mikey is swinging one of his ‘chucks restlessly, ready for whatever fight comes his way first. He’s already a force to be reckoned with on a good day. He’s a walking natural disaster on a bad one, up there with hurricanes and tornadoes. 

And this is definitely a bad one. It’s the worst day they’ve ever had. 

“Dee’s got the ship and I’ve got Dee,” Mikey says firmly, sounding much older than he did this time yesterday. “You get Leo.”

Raphael moves with ninja stealth and speed, picking his way through the halls. It smells awful, like raw meat left out in the sun, and in the gloom it almost seems as though the walls and floors are squirming. 

From what Leo gave him, Raph knows better than to hope he and his siblings can go undetected for very long. The ship is almost a living organism itself, and can probably feel each step of progress Raph is making toward the bridge. 

It doesn’t slow him down. Every second Leo spends here is a second too long already. 

The maze-like halls open up into a cavernous dome, where a catwalk stretches toward a huge bulbous window. Outside, Raph can see a panoramic view of Manhattan engulfed in fire. It looks like a warzone. The air leaves his lungs in a rush. 

It’s Raph’s city, the place that raised him, and for the first time in his life it’s hard to look at. 

His hindbrain pings to awareness a split-second before he hears the movement of metal against metal, and Raph spins around to look up at General Krang. 

He’s seated in a throne on a dias, a smug, toothy smile on his face. Leo is standing like a statue at his feet, this tiny slip of green and pink and muddied blue. His discolored eyes gaze listlessly forward into nothing. 

Little Leo, who always wanted to be carried. Little Leo, who hunted down each and every opportunity to make his brothers laugh. Little Leo, who wanted so badly to be even just half as important to them as they were to him. Little Leo, who Raph wouldn’t know how to begin to live without. 

“You again,” the Krang says. “Nothing smart to say? This one wouldn’t shut up until I improved him. And here I thought it was just an unfortunate hallmark of your species.”

Raphael sees red at the way the wicked metallic fingertips of the Krang’s armor cage Leo’s head and jostle it carelessly, like he’s nothing but a cheap toy. Raph bares his teeth, a furious rumble in his chest, but doesn’t dare to say a single hateful word while Leo’s life is literally held in the Krang’s hand. 

“You probably would have made a much more impressive puppet, with all that brute strength,” the Krang goes on. “Oh well. All in due time.”

The alien must give a nonverbal order, because he retracts his hand and Leo springs forward. 

He doesn’t have his swords anymore, since they’re strapped to Raph’s shell for the time being, but the pink slime has trailed down his arms and tapered into two sharp points that he wields like knives instead. 

They meet in a ringing clash, Raph catching the pink knives with his sai. 

“I know you’re in there,” Raph says. “I know you don’t want to hurt me. It’s okay, Leo. I’m gonna make it okay.” 

The way Leo fights is vicious. He’s fast and he knows where to hit. There’s no joy in his body, no cocky gleam in his eye. Raph can’t help bu remember the way his mind felt when they connected so briefly earlier—the surround-sound of wailing panic and self-hatred, confined behind a stranger’s cold expression. 

Bearing down on his little brother, forcing him to his knees, Raph chokes out, “I’m not leavin’ you behind this time. I’m not goin’ anywhere without you ever again.”

“Empty promises seem to run in your family,” the Krang sneers. 

“He doesn’t know what he’s talkin’ about,” Raph says through gritted teeth. “Don’t listen to him. Just listen to me.”

“Don’t I? Let’s ask the others, shall we?”

Black vines shoot up from the organic mass that makes up the floor of the bridge. Donnie and Mikey are suspended inside them, fighting like animals—Mikey in particular is using language that there is no way Splinter knows he knows. 

“You thought I wouldn’t notice vermin slinking around in my ship?” the General asks. “Is this really the best the three of you can do?”

Leo is scratching and clawing at Raph’s hands, trying to break free of him at any cost. Raph is much bigger and much stronger than he is, and it hurts to hold him down like this, but he knows it would be so much worse to let him go. 

“This whole time, we just weren’t listening to each other,” Raph says, lowering his voice. Everyone else can probably still hear, but he wants Leo to know Raph is talking to him. “Somehow, I convinced myself you didn’t care, when I know better. You care so much it makes the inside of your head a nightmare to live in. The only thing you think about is being good enough for us.”

Leo finally manages to twist free, Raph releasing his arms at the last second when it becomes clear the parasite doesn’t care if its host’s elbow or shoulder gets dislocated. Leo rolls away and comes up on one knee, hand braced beneath him, the other white-knuckled around a knife. 

He can hear the Krang becoming agitated, because Mikey and Donnie refuse to be still. The vines holding them snap and give one after another, faster than they can be replaced. There’s something stirring inside of Raph, too, a fire in his chest that wants to roar to life. 

Leo strikes again. Despite everything, even with all the horrors they’re surrounded by, Raphael wants to smile. 

When they started training together, Leo was the first of the four of them to perfect a technique. Raph lifted him up onto his shoulders in victory and let him crow about it for the better part of an hour, flushed with joy and pride. Since then, Leo has never once landed that particular move wrong. 

An outsider wouldn’t clock that he placed his hand nearly four inches too far to the left, but Raphael knows those four inches made a fatal difference between a bad puncture wound and a severed artery. 

Leo has no true autonomy left but there’s a sliver of him awake behind the wheel. He’s still fighting tooth and nail in there. 

There isn’t any force in the entire goddamn universe prepared for how tricky and stubborn Raph’s little brothers can be. 

“I’m listening now, Leo,” Raph says, alight with how much he loves him. “I’m here. You’re not alone. You’ll never, ever be alone.”

Leo strains forward, dropping the knife and grabbing at Raph’s arm instead. Between one blink and the next, his eyes go from pink to shining gold. 

Raph seizes him, holding his face in the cradle of both hands, his heart soaring around in his chest like a bird. 

“Yes! That’s it! Come on back, big man, Raphie’s got you!”

With a slam, Leo goes to his knees, scrabbling desperately at the fleshy mass on his face. His fingers dig into the slime, but he can’t get a solid enough grasp to tear himself free. His chest is heaving, whole body shaking. He’s fighting so hard but it’s not quite enough. 

And Raph’s ninpo reacts to a sibling in distress the way it did when Raph used it for the first time, breaking past the Krang’s seal like it’s nothing. It surges forward in the shape of a river, finding the familiar place inside of Leo where his connection to their ancestors lives, and making a temporary home there. Raph’s armor limns his brother in rosy red, swelling from underneath his skin in a powerful flood and pushing the parasite out. It loses every inch it had to cling to while Leo continues to pull. 

Finally the worm is ripped completely away, shrieking as it goes, and Leo gasps. He drops the squirming creature and scuttles away from it, gulping in unobstructed air. The corner of his mouth is torn deep and bleeding sluggishly, and his face looks pale and hollow. 

But his eyes are the color they’re supposed to be, and they’re looking right at Raph and seeing him, a connection as meaningful and important as any mind meld.

Because he’s Leo, the first thing he says is, in a croaky, exhausted voice, “Do you have a sword I can borrow?”

Raph barks out a laugh, tears in his eyes. Earlier today he had reached a point where he thought he’d never smile again.

In this moment, he feels like he could hold up the whole sky and grin while he’s doing it. 

Purple and orange spark madly all around them, a lightning storm and a forest fire ready to rain merry hell upon any unfortunate soul in their path, just enough to keep the General busy while Leo finds his footing. 

Raph wants to scoop them all into his arms and carry them someplace safe from all of this, but he knows he can’t. That place doesn’t exist yet. They have to fight for it. 

Leo breathes in deep and lets it go, takes the swords that Raph passes him in hands that don’t shake, and reaches out for his brothers’ light with a light of his own. 

A gale rushes down from the mountain, leading the charge.

“Hey, ugly,” Leo calls out hoarsely, pointing a blade at the Krang. “I’ve been dying to tell you this all day. The decor in here fucking sucks.”

“Oh my god,” Raph says, half despair, half delight. 

Landing beside him, twirling a glowing bo, Donnie stands shoulder to shoulder with his twin and says, “I would cite you ‘time and place’, Nardo, but honestly you have a point.”

“No because it’s so distracting,” Mikey pipes up, dropping weightlessly into a crouch on Raph’s carapace, narrowed eyes glinting in the dim light like a smug cat’s. “Presentation matters! Zero out of ten, would not be held hostage here again.”

“At least it matches the Six Flags Fright Fest he's got going on upstairs.” Leo indicates his own temple with the hilt of one sword. “There’s something to be said for consistency, am I right?”

It’s as much of a hint as it needs to be. The Krang isn’t stupid, which is a big part of the reason why he’s been such a difficult opponent. He understands within the space of a few seconds what Leonardo is saying—what it means for him to have any idea what the Krang’s headspace looks like. This whole time, there has been a subtle, calculative undermining at play right under his nose. 

He clenches those claws into fists that have enough power to bring down skyscrapers. 

“You really don’t know,” the Krang intones ominously, “when to shut your mouth.”

“Says you and everybody else I know,” Leo replies, unflinching and fearless. “Get some new material.”

Raphael gets it now. Maybe he always has. He understands what Splinter was thinking when he looked at Leo, still growing up but ready at sixteen for the beginning of something greater, and decided he should be the one to lead. 

His brothers would follow him anywhere. Raph would walk straight into hell without looking back if that’s where Leo decided to go. 

——

It’s an instant relief to have those singing silver blades back on their side. Leo’s portals open and close with dizzying speed, moving his brothers like chess pieces around a board, somehow keeping track of it all. For a moment, it’s easy to think they might win. 

And then the Krang blows them all away with the flick of his finger. 

Raph thought his world had ended when he was too late to save his brother in the warehouse. Then he realized the world was actually ending in slow stages all around him when he had to leave his brother behind again at the mercy of a monster. 

It turns out the end of the world happens here. On the quiet, abandoned expanse of Staten Island, listening to his little brother’s wrecked voice over the comms say, “Casey, get ready to close the door.”

“I’m ready, sensei!” Casey reports, prompt and reliable. “Tell me when you’re home free!”

There is a split-second of hesitation from Leo—the barest pause, practically nothing—that sends Raph’s heart straight into his throat. Donatello jerks all the way upright from where he was nursing what’s almost definitely a broken wrist, and Mikey goes dangerously still. They heard it, too. 

“Yeah,” Leo says, just barely too late to be believable to the siblings who know him inside and out, “I’ll tell you.”

“Belay that order, Casey,” April cuts in sharply, every inch the Commander she was in another world. “Leonardo, think twice before you lie to me. What’s your play?”

There’s another pause, and Raph can imagine in crystal-clear detail the way Leo’s throat works when he thinks he’s in trouble with their sister, the way he’s probably clenching and unclenching his hands while he wars with that stupid self-inflicted mission to never make himself vulnerable to anyone for anything. 

The little brother need to be liked wins out. Leo admits, “I can’t think of how else to make him stay there.”

The ground falls out from beneath Raph’s feet. 

“No!” Mikey shrieks, fully at his limit of shit he’s willing to deal with. “No no no no!”

“Sensei I can’t just—I won’t just trap you in the Prison Dimension!” Casey says, horrified at what he was almost tricked into. “There has to be another way!”

“We’ve tried everything,” Leo rasps. “I don’t know what else to do. I can’t let him—let him get you. Any of you. I have to stop him while there’s still a chance.”

“It’ll be a real shame if you save the world from the Krang this way, only for me to destroy it myself when I rip the universe apart to drag your sorry self back here,” Donnie bites out. “And I will, Nardo. I swear to every imaginary higher power you can think of, I will.”

“Leonardo,” Splinter says sternly from April’s end, the leaping panic in his tone well-hidden from everyone but his two eldest, “you will not sacrifice yourself for us today even if it means the world ends tomorrow. That is not what our family does. We are taking you home one way or another, Baby Blue.”

If being in trouble with April is bad, being in trouble with Splinter is cataclysmic. Leo is a daddy’s boy through and through. 

He hesitates again, seconds they don’t have to spare inching by, then says, “How?”

Before anyone can answer there’s a ring of metal and a heavy slam, and his line goes silent. Leo is fighting for his life a thousand feet above their heads, but at least he’s fighting. At least he’s willing to wait for help.

He sounded afraid, Raph can’t help but think. He doesn’t want to go, but he will if he has to. 

“I’ll get him down,” Mikey says, planting his feet, ready to move mountains. “I become a badass mystic warrior at some point, right? Might as well be now.”

“Wait, Uncle—Michelangelo,” Casey blurts, self-correcting a beat too late, “you can’t, when you did it last time, you didn’t survive.”

“If future me can open a portal through time and space and send my entire nephew through safe and sound, all by myself,” Mikey says, “then this me can do at least half of that with my brothers here to help.”

“The math is sound,” Donnie says, eyes trained unblinkingly upwards. “We haven’t met a single universal constant that we haven’t been able to turn upside down and inside out just for fun.”

“I’ve got ‘em, Casey,” Raph adds, his heart going out to the kid who stands to lose his whole family all over again if the wind blows the wrong way. “I’m the biggest, big enough to carry everybody if I have to. Nothing bad’s gonna happen while Raph is here.”

“Oh,” the boy says, very soft. “I remember you saying that.”

“Whatever you’re going to do, do it now!” Leo shouts suddenly, his comm coming back on with a burst of static and a strange ambient whine that must be what the inside of the portal sounds like. “Now, please, now!”

Mikey lights up, a tiny self-made sun of burning, shining gold. He grits his teeth and lifts his hands, trembling under the pressure of the cosmic forces he’s wrestling into submission. Donnie wraps both arms around him and braces his little brother with his entire body, absorbing as much as he can. The feedback is halved instantly, and when Raph steps in and holds them both, it’s reduced even more. 

With a little huff, Mikey works his shoulders, like this is nothing more complicated than the tricky recipe he once found for an eight layer Doberge cake on one of those unreadable walls-of-text baking blogs. If he can figure out that, he can do anything. 

Lightning and fire and rock-solid, steady earth stretch out their hands, reaching past the open gateway and through empty space, searching for the windy blue thing that doesn’t belong in this darkness. 

The wind reaches back eagerly, desperate to be grabbed up and taken home and held forever. 

Inside the Prison Dimension, bright chains flare into existence—some to tangle around the Krang and immobilize him, still more to wrap around Leo’s chest and haul him back through the door while it’s still open, at a reckless, break-neck speed. 

It would have been dangerous for a squishy human, but Leo lands on the surface of the Technodrome in a roll and manages to find his feet. 

“I don’t have a sword,” he blurts, panicked. “I don’t know how to get down.”

Mikey clenches his fists. Ready to open up the portal that killed him in another world, after all, if that’s what it takes to get his big brother down here where he belongs. 

Then Donnie says, “You don’t need to have a sword, dumb-dumb. I have one.” 

It materializes in his hand, a purple construct of one of the matching lightsabers he made for his and Leo’s eleventh birthday. They were very quickly confiscated but Leo laughed like a maniac for the three minutes they had them, and Donnie kept the schematics for a rainy day. 

“Will that work?” Mikey asks, too breathless to sound as terrified as he probably is. 

“It’ll work,” Donnie says shortly. “A sword is a sword. Now’s not the right time to be a snob, Leon. Come here.”

Leo makes a sound halfway between a laugh and a groan and feels for the shared space between them where their ninpo lives, where the mountain and the bonfire and the lightning and the wind all live. Raphael can feel it when that mischievous blue energy finds a brand new rule to bend and decides sure, that sounds fun.  

Runes etch themselves into the handle of the Genius Built lightsaber. 

Raphael shouts, “Casey, now!”

At the same time the looming portal above their heads sends a shockwave over New York City, popping and sparking along the edges like a downed transformer as it shrinks and shrinks until it closes around the Technodrome, a flash of bright cyan heralds the abrupt head-on collision of Leo into Donnie when he swaps places with the sword construct his twin was holding. 

They go down in a haphazard pile of limbs, groaning where they lay on the concrete, and then groaning again when a hundred pounds of little brother gleefully joins the pile with an enthusiastic flop. 

The explosion above them is an afterthought. April and Splinter and Casey are all talking over each other on the comms, frantic for confirmation that they all came out of this alive. That they haven’t lost anything they won’t survive losing. 

“We’re all here!” Mikey says, crowing it to the wide-open, smoke-filled sky. “We won!”

Raph should probably elaborate on that for his dad, sister and nephew’s sake—let them know that everyone’s really okay, describe the little miracles Mikey and Donnie just pulled out of thin air like it was nothing, tell them about Leo trembling like a leaf in the wind but tucked securely into his twin’s side and absorbing the warmth of another living person like it was something he’d always taken for granted before— 

But there’s something else he needs to do first. 

“Noooooooo,” three little turtles protest as their biggest brother rounds out the turtle pile, flattening them to the ground. 

“Tough luck, bozos,” Raph rumbles. “I ain’t lettin’ a single one of you out of my sight ever again.”

Mikey giggles, half-hysterical, a contagious, familiar sound. Donnie shuts his eyes to hear it better. Leo hides his cold face in Raph’s neck and doesn’t say anything else at all. Raph holds them all tight, and imagines a universe where he’s strong enough to never lose them.

Maybe it’s this one. 

��—

Casey, who is both medically trained by Leonardo’s future self and entirely immune to the slider’s particular brand of treatment-avoidant bullshit, turns out to be a godsend. Leo uses every trick in the book and still winds up in a bed in the infirmary. 

For someone who craves attention as much as he does, it would make more sense for him to milk a hospital stay for all he’s worth. But it’s always been exactly the opposite, Leo escaping at the first possible opportunity and hiding out somewhere until negotiations are made. 

After all these years, Raph finally has him figured out. 

Leo’s face is still puffy and red where it’s healing, but it’s inevitably going to scar—through the right side of his mouth and down his chin, where the parasite clung the hardest. And for the three days that they’ve been home, Leo ducks his head when anyone looks at him, talking to his hands or his knees instead of to their faces. 

Don’t look at me, Leonardo is screaming with his whole body. Raph doesn’t need a mind meld to hear that, loud and clear. 

Too bad, he thinks, not unkindly. His heart aches as he sits on the side of Leo’s bed and watches his brother tuck his chin immediately. 

“Where do you think you’re going?” he says, lifting Leo’s face again in one large hand, gentle and implacable. Leo resists briefly, but gives it up for a bad job when Raph rumbles at him.  

“Don’t,” Leo manages. 

“Why shouldn’t I?” Raph challenges. “I missed you.”

Leo’s eyes are downcast and wet, his mouth screwed stubbornly to one side in a manner that probably hurts, given the stitches. Raphael is a professional at outlasting moody little turtles, and he’ll sit here until the next apocalypse if that’s what it takes. 

Eventually, Raph’s patience pays off. Slowly, gingerly, Leo opens his hands. He lets Raph take them and squeeze strength and warmth into them, and clings back for as long as it takes to cobble together the remarkable courage he needs to look his big brother in the eye. 

“I lost the key,” Leo starts damningly.

“You got it back,” Raph says, ignoring the nauseous lurch in his stomach at the memory of the warehouse, Leo pinned to the floor, the escape pod activating and leaving him there alone. His nightmares always start right there these days. “We’re the ones who couldn’t keep hold of it.”

“I almost hurt you,” Leo says, a note of desperation entering his tone. “I almost—”

“You didn’t,” Raph counters firmly. “You have no idea how much more incredible it is that you didn’t.”

“I was so mean.” Tears drip down his face as he finally loses the battle not to cry. “When the Krang was in my head he saw everything and he said—said you must hate me, and he did all of you a favor getting rid of me, and I thought—I thought that makes sense, because I was so mean, and I’m nothing but trouble, and I don’t contribute, and even when dad gave me the chance to step up and be something I still wanted—I just wanted—”

Little Leo, who invented games of make-believe so Raph could feel like a hero. Little Leo, forever finding ways to make recalcitrant Donnie play, pleased as punch every time he pulled it off. Little Leo, who could listen to Mikey ramble for hours without getting bored or short-tempered, his bedroom walls an ever-evolving art collage of his little brother’s best work. Little Leo, who just wanted to be held and held and held. 

Raph lifts Leo into his arms, as easy now as it was when he was three and nine and twelve, and holds him. Leo shakes with how hard he’s crying, even though he’s not really making any noise. His hands scramble to grab onto Raph’s shell and he lets Raph squeeze him into something young and small and hurt and loved. 

As a general concept, Raph disagrees with murder—but he thinks he could make an exception for the monster who forced his way into Leo’s brain and turned it into an echo chamber of all the worst things he had ever thought about himself. 

An eternity alone in the dark with nothing but his failures is as close to justice as they’ll get. It’s kind of poetic, right? is all Mikey will have to say about it when it comes up a week from now, a mean-spirited little smile on his face. 

“I’m sorry,” Leo chokes out. “I’m sorry, Raphie. I’ll do—I’ll do whatever you want. I’ll be better, I swear. I’ll never let you down again.”

“He said he would live the rest of his life making up for it, making you proud,” Casey said.

“Blue, this thing you think you gotta make up for—this price you think you gotta pay for existing—it doesn’t exist,” Raph tells him in a tone that brooks no room for argument, barely managing not to grind his teeth together. If anyone else had said anything even half as bad as Leo had said about Leo, he would’ve punched them straight through a wall by now. “You mean more to me than what you contribute to the team. Even if you brought nothing to the table, which is not true, you’d still be stuck with us forever. Non-negotiable. You could be a hateful little brat every single day of your life and I would still take a bullet for you, no questions asked. Are you hearing me?”

“Hearing you,” Leo mutters, knowing better to disagree with that tone.

“All I want from you is you. All I need is my Leo. Whether he’s feeling goofy or annoying or pissed off or scared—I want every shape of him. Every version. Don’t you dare,” Raph adds, punctuating this by a little rattle of the Leo he’s holding, “make me go a single day without him ever again.”

Leo is fully hidden beneath his chin, so there’s no way for Raph to tell what his face is doing. But he hears the little punched-out breath, and feels it a second later when Leo’s white-knuckled grip on his shell loosens, just a bit. No longer convinced he’ll be ripped away for some imaginary offense.

It’ll take more than one conversation to fix everything, but they’ve got more than one. They’ve got a million. They have the whole rest of their lives on each other’s team. 

“I missed you, too,” Leo whispers, like they’re four and five years old again, huddled under the blankets after bedtime and telling each other secrets. 

Back then, monsters were easy to conquer. Nothing scary or sad dared to follow little brothers to Raphie’s room. A warm nest and a turtle pile was the answer to every heartache. 

Some things stay exactly the same, Raph thinks fondly, amused by the way Leo’s already drifting off. He settles in for a nap on his plastron, Leo tucked securely under one arm. He gives it about thirty seconds before Mikey and Donnie stop listening outside the door and sneak inside to complete the pile, and starts the count in his head. 

He makes it to twenty-seven before the mattress gives tellingly beneath two pairs of hands, and he smiles. 

[buryustogether]

lilac - chapter 4

miguel o’hara x f!reader

summary: you accidentally overhear a conversation between miguel and his ai at work.

wc: 4.5k

warnings/tags: domestic lifestyle, mentions of violence, mentions of choking and death, swearing, mentions of office sex, strippers, sex workers, strip club, private dances, cuddling

author’s note: he’s so lana del rey coded guys

Anybody with experience knew that trying to keep twenty third graders together was like herding cats. Anybody with further experience knew that keeping twenty third graders together in a sharp, sleek, trillion-dollar facility like Alchemax was like herding cats who were soaking wet and high on all the catnip they could have stuffed their stupid little faces with in the span of five minutes.

“Alexander,” you snapped as you helped your coworker count little bodies as they piled off the bus. “If I have to tell you one more time to keep your hands off James, I’m going to drive this bus myself back to school and give you a fifty-page packet while everyone else here has fun.”

While your words had the effect you hoped they did, you wouldn’t exactly classify a field trip to Alchemax as fun. It was a megacorporation that dabbled in exploits from clean energy to genetics to god knew whatever else they did in there between those fancy metal walls. The building looked as though it should have come straight from a sci-fi film compared to the other foundations on the block, all floor-to-ceiling windows and fifty-some floors and armed guards that stood at the front doors. Certainly not a place to take a field trip with a bunch of nine year olds. Again, you would have thought some place like the zoo or even an interactive museum would have been better, but when the principal wanted something, she got it.

To be honest, you had a suspicion she was hooking up with one of the guards here, but you had nothing to prove your theory.

Like the pack of raging little animals that they were, your students filed across the front way of the building and up the stone stairs to the doors, where they waited in a mass of wiggles and excited spasms. Each of them held their partner’s hand, a rule you pressed with each field trip. Going into a freaky building like this, you almost wished you had a hand to hold yourself.

“That’s all of them,” said your coworkers, one of the three teachers who had come to chaperone the trip. She looked up from her clipboard of names, double checking each kid as you both followed the crowd of children up the steps. “Christ, this is going to be a shitshow. I just know we’re going to be escorted out of here after… I don’t know, a molecular leveler gets demolished by tiny, sticky hands.”

You snuffed out a little snort, reaching up to adjust the necklace perched about your collarbones. In your free hand, you carried a coffee cup that still had the tab in; it wasn’t for you. “I think it’ll be alright,” you said, but not nearly as confidently as you would have liked. “We had an entire assembly over this.”

“And since when has that ever helped?” She followed your movements, her eyes trailing over your form. You blinked at her. “Are you wearing lipstick?”

“Hah! No…!” Quickly, before she could ask any more questions, you turned away and pressed your lips to your sleeve, trying to wipe off some of the excess lipstick you’d applied right before leaving the school. Fuck, it was too much, wasn’t it?

Definitely too much for popping in to visit during a school field trip when you should have been watching your kids.

After passing through multiple tall, sleek-looking metal detectors (and scolding a few kids for bringing their phones when they were specifically told to leave them at school), you met the man who would be giving the tour of the facility in the lobby. Overhead, modern-art-classified light fixtures hung from the ceiling like someone had captured starlight and crammed it into bulbs. A cafeteria filled with scientists and researchers and everyone in between stood to your left, each of them donned in a stark white lab coat. Some of them spoke on phones, others clacked away on laptops and futuristic-looking tablets with such an intensity you would have thought they were taking a test for their lives. A few of them spared a glace or two at your group, but they didn’t last long. Apparently field trips to designated areas in the building were normal.

You heard the tour guide talking animatedly to the kids, but his words didn’t quite register as you kept your head on a swivel, searching out something specific. After a moment, when you leaned back on the heels of your feet, you found what you were looking for; the elevators.

“Hey,” you said to your coworker as the kids began to move deeper into the lobby, “will you cover for me? I’ve got to run to the restroom real quick.”

After they had moved along to where they couldn’t see you, you grasped the coffee cup tighter in your grasp and made a beeline for the elevators. Your footsteps against the polished marble seemed deafening as you quickened your pace, realizing the cup wasn’t as hot as it had been earlier. How fucking humiliating would it be if you brought him cold coffee? There was a part of you that knew, really, he wouldn’t mind, but the larger, more insecure bit insisted he would mentally cringe and throw it out the second you left.

Fuck, you thought. This man had you whipped.

You had just reached the elevators, reaching out to tap the call button, when a voice called out to you from your left. “Excuse me,” said a woman sitting behind a large metal desk you hadn’t seen in your haste. She eyed you from behind thick lenses, brow quirked over the top of her monitor. “We do ask that you stay with your group, if you’re here for a tour.”

“Oh! Uhm…” Gripping the cup tight enough that you felt the cardboard bend ever so slightly against your fingers, you padded closer to the desk and put on your best tight-lipped smile. “I’m sorry. I was just bringing a drink to someone who worked here. He’s, uhm… he’s -”

Before you could force your tongue to get out some kind of excuse, some kind of title, the woman was pulling out a small paper sheet from a drawer beside her leg. “Are you a significant other?” she asked, pulling a visitor sticker from the sheet and leaning forward to press it to your shirt. She didn’t seem to want to wait for an answer before sitting back down and clicking away at her screen. “Just a security question before you go; name and floor number?”

Goddamn; suddenly you were so fucking glad some people sucked at their jobs.

Taking a breath, you inhaled and plastered on a grin. “O’Hara,” you replied. “Floor seven.”

“Alright,” she said without looking up again. “You’re free to go up. Please stay in the public hallways.”

The entire elevator ride up to the third floor, you were unable to keep a goofy, surely stupid-looking smile from your face. You liked the idea of being called Miguel’s ‘significant other.’ It made your stomach clench, made your pulse race and your heart thunder and your core throb with a dull ache. For just a moment, you allowed yourself to imagine that kind of role, being deserving of such a title.

Coming home from your teaching job not to immediately race to do your makeup in loud, flashy colors, but to stay in the warm, basking glow of a house or a roomy apartment each evening. The keys would always fit just right in the lock, never click or jump. The air would be filled with the sound of a little girl’s quiet giggles from her bedroom, along with the smell of dinner cooking on the stove. Small soccer cleats by the door. Trinkets and photographs and everything else that made the house a home strewn about the rooms. And a tall, sinewy figure that towered over you there to greet you when you walked inside, all warm smiles and wide, calloused hands on your hips and full lips to press against yours with enough gentleness and passion and adoration to keep you on your toes the rest of the night.

A bed big enough for the both of you, with enough blankets and comforters that you wouldn’t be cold even if you couldn’t afford to keep the heat on. Sheets and pillows that knew your white-knuckled grip, that would mold to your hands as you laid out bare for him and allowed him to worship the very ground you walked on with his mouth, his fingers, what lay beneath his slim, narrow hips…

By the time the elevator reached the seventh floor and the doors opened with a gentle chime, your cheeks were hot and your palms were sweaty enough you were sure you’d heated the coffee back up to steaming.

Wandering through the halls of Alechmax’s third floor and feeling incredibly out of place amongst the scientists flipping through reports and chattering on calls, you shuffled from office to office, searching for that familiar name that made your stomach flip. It seemed an awkwardly insane amount of time before you finally spotted his name on a plate beside a door left slightly ajar. You approached and smoothed out your shirt, preparing to present the coffee, when you heard voices inside.

“This isn’t like you, boss,” a woman was saying, her voice slightly warped from speaking over a computer. “You’re always preaching to the others that messing with canon events and triggering changes that aren’t meant to happen is wrong. You know it’s wrong.”

From across the room, a voice you recognized as Miguel’s scoffed. “This one is different. I’m balancing out the changes. I’ve got it under control.”

“Some control you’ve got. You do realize you’ve already altered enough canon events that even this universe itself doesn’t know where it’s going anymore? The bad guys here aren’t supposed to be in jail. Things aren’t supposed to get better. You know why? Because here, there is no Spiderman.”

Spiderman? Your gut clenched slightly as you inched closer to the gap between the door and the frame. If they were talking about Spiderman, then surely - he must have come from here. Some of those conspiracy theorists were right.

“Like I said, Lyla,” Miguel replied, his voice a touch deeper than it had been just a moment ago, “I have it under control.”

The woman named Lyla went on despite the dangerous rumble in Miguel’s throat you’d never heard before. “Here’s another one. That friend of yours? She was supposed to be engaged by now to her boyfriend. Her actual boyfriend. They’re supposed to have the whole angsty proposal thing, go back and forth for another three months, then end things. When he ends her. Asphyxiation by choking for approximately seven minutes, by the way.”

For a long, long while, there was silence. You realized you had been holding your breath, trying desperately to connect these pieces that just refused to fit together. What on earth were they talking about? Universes? Spiderman? Someone getting choked to death by their fiance? It sounded like a bad movie plot.

“Lyla?” came Miguel’s voice.

“Yeah, boss?”

“...Shut down and mute all alerts.”

Again, there came that horrible, palpable silence. Lyla seemed to be in some kind of shock. “Boss, I’m not sure that’s really what you want. You’re in a state of denial. Maybe you should take a break there, come back to headquarters. Jessica’s tried reaching out. Peter and Ben, too. I advise spending time with friends to decrease levels of -”

“Shut down. Now. I’m not going to tell you again.”

“...Yes, boss.”

When you heard his footsteps crossing the room, you took a small step back and clutched the surely-lukewarm coffee to your stomach. You’d never heard him take such a tone before, always used to that warm, content baritone that rumbled comfortably from deep within his throat. This kind of voice you’d just heard was cold and emotionless, without an ounce of feeling in a single one of his words.

You took a breath and exhaled it softly.

Then, as if he heard it from inside his office, the door was opened at an alarming rate to reveal Miguel on the other side. His brow was furrowed and a line had appeared at the corner of his mouth with his frown, obviously expecting one of his coworkers to be intruding at his door. Yet when his gaze met yours, when his frame towered over your smaller one, he realized just who you were, recognized that gleam in your eyes when you locked stares. His gaze softened like an airbag deflating. That line by his mouth disappeared. His tensed figure slowly relaxed, his shoulders coming down from where they’d been set.

For a short moment, you simply stared at one another. You were forced to admit to yourself that tone he’d spoken with had intimidated you.

It reminded you of the one Ferris used when he cornered you and threatened to take off for good.

Finally, Miguel’s lips parted. “Hey,” he breathed out, like he was trying his damn fucking best not to let that tone leak through to you.

You swallowed and slowly allowed yourself to relax. He wouldn’t ever speak to you like that. You didn’t know how you knew. You could just sense it in the warmth that poured from him, from the gentle honey of his dark eyes, from the way he held himself and carried his weight and set down each step like he knew the outcome of each and every movement he made. “Hi.”

Miguel inhaled, as if he were relieved you decided to speak. “Sorry about that,” he said and gestured over his shoulder into his office. “We’ve been testing out some new AI lately. Throwing it curveballs to see if it can keep up.” A small smile graced his face, close-lipped and sweet. Again, you realized - he never smiled with his teeth. “It hasn’t been going well.”

Like a dam breaking and letting a flood of water into a canal, relief rocketed through your systems and worked to ease your stress. Of course he had been talking to a computer. You doubted he could ever speak to a woman like that, much less anyone else. And that also explained all the wild things they had been discussing. Universes? Some poor chick getting murdered by her fiance?

Just the complicated workings of an out of sorts AI.

“I have to admit, I was wondering,” you let yourself laugh. “But, you know… who am I to question Alchemax’s best geneticist?” You watched in fascination as the corner of his mouth quirked upward and one eye squinted with the smile. God, you could watch him do that all damn day. Suddenly remembering the coffee in your hands, you held it up to him with an embarrassed grin. “I meant to bring you this while it was still hot, but I guess you know how hellish it can be getting a bunch of third graders on a bus.”

He took the cup with a rather confused expression.

“The field trip,” you said and folded your hands in front of you, because you knew if you didn’t, you would surely reach out and touch his face. “It’s today. You signed the permission slip about a month ago.”

Miguel blinked a few times, then took a breath and lifted his face. “Right. Right, sorry. Must have slipped my mind. I’ve - heh.” He shook his head and reached up to scratch at the delicate skin of his throat in that way he did when he spoke to you. “More going on than you would know.”

“Believe me,” you said softly, looking down at your shoes. You thought of dishes still in the sink, and band practices in your living room, and threats of leaving you all on your own because, really, that was truly your worst fear. “I know.”

You thought from there you would smile and turn, say something like, ‘Well, just thought I’d stop by,’ and leave him in the doorway of his office so that he wouldn’t see the yearning swimming in your irises. Maybe if you were feeling bold, you’d reach out and touch his wrist for just a moment before pulling away and practically sprinting back to the elevators.

But when you went to turn, he beat you to all of that. He reached out to touch your upper arm, the tips of his calloused fingers brushing along the fabric of your shirt, and he asked if you’d like to come inside, sit down for a minute. And inside his office, he told you what his department was working on, explained it in ways he knew you would understand. He spoke of a molecular collider that, in theory, would open a doorway to parallel universes.

You could have spent hours sitting in that office that smelled like his cologne, listening to him talk.

But life moved on. You were forced to pull yourself away, travel back downstairs and hold Gabriella’s hand like you hadn’t just thought about Miguel folding you over his desk, hushing your desperate cries, and gripping onto your hips with a hold that would bruise. You were forced to drive home and argue with Ferris about dirty laundry and his new keyboard girl constantly texting him. You were forced to land in the dressing room at The Menagerie, carefully dotting rhinestones to your collarbones in the mirror while the other girls buzzed around you.

“And he brought you flowers, too?” asked Shawna from where she was spread out on the couch across the room. She sighed deeply and hung her head over the armrest. “Girl. When are you going to stop playing and give that little girl of his a new mom?”

“You know why I can’t,” you replied as you pressed a small plastic rhinestone to your skin.

Zara met your eyes in the mirror as she grabbed the back of your chair, already dressed in her colorful, skimpy outfit and her mask. “We know why,” she hissed, but not at you. “That Ferris dude has got you held under the water, babe. Serious ball and chain kind of deal here. You really need to do something.”

If you could have found the strength to, you would have rolled your eyes at their words. But you really couldn’t. You were nothing short of exhausted after the field trip today, so much that you wouldn’t be surprised if you were unable to keep your eyes open while you were on stage. God, you loved your teaching gig, but sometimes it was so, so stressful. And so was this job. Teaching, dancing, disciplining, teasing. They all collided into one big, neverending hurricane of fatigue.

“Maybe in another universe,” you found yourself mumbling under your breath, remembering everything Miguel had told you about this morning, “I could have been a flower shop keeper.”

Behind you in the mirror, a few of the girls looked at you with strange expressions.

Before you could go back to applying your rhinestones, one of the newer girls entered the room and pushed her mask up so that her face was visible. She looked to you. “Boss said you’re canceled on the stage,” she said, and you hoped for a moment you were going to go home early, before she added, “Guy paid for a private dance in Room 7.”

“Goddammit.” You groaned and leaned forward to rest your forehead on your arms. You were way too fucking tired to do a private dance right now.

“M’sure he won’t be that bad,” said Shawna as she let herself slip further over the arm of the couch.

Grumbling beneath your breath, you stood, finished off your rhinestones the best you could, and slipped your cold porcelain mask over your features. At least like this, your customer wouldn’t be able to see your exhausted eyes and lost expression.

The beating, thrumming music of the club seemed to vibrate your very soul in your chest as you wound your way past patrons and around the stage, sure to throw half-assed smiles at the people you were forced to wiggle past just a bit too close. The short corridor leading to the private rooms were lit with neons, playing with shadows across your costumed form as you found Room 7 and gently knocked on the door. You blinked a few times to clear the blur from your eyes, then cleared your throat and stepped inside.

“Hi, handsome,” you said as you turned to shut the door - your classic line, no matter who the buyer. “How are you doing tonight?” You turned around to face your customer, then came to a complete stop. Even your heart jumped a beat or two.

The man you’d seen in the shadows that night of the robbery, the man with the little scar on his collarbone, had gotten to his feet from his chair when you entered the room. He wore that same spider mask, still had his dark hair slicked back over his head.

You swallowed thick as you felt his eyes traveling over your form behind the gaps in his mask. “Hello… Spiderman.”

He hesitated for a moment, like he was lost on just what to do. “Hey,” he said in an equally soft voice. It was muted in the same way it was behind his spandex mask.

You placed your hands behind your back as you leaned up against the door - and locked it. “I didn’t think you’d come.”

“...You asked.”

“Did I?” Putting on your best flirty, coy smile, you slowly crossed the room to meet him. “I thought all I said was… if you stopped by, to ask for me.” You reached out to touch the edge of his shirt, past his dress jacket, and skim your knuckle over the tan skin of his exposed collarbone. That scar sat just where you’d seen it before. “But you’re here.”

“...I’m here.”

There was a soft lilt to his voice, one that you had not heard before. Then again, you hadn’t spoken to him much, just in the bank and on the rooftop. But it seemed long enough to know that it wasn’t normal.

“What’s wrong, Spiderman?” you asked gently, taking a step closer. Your knees brushed against his, and when you gave him a gentle push on the shoulder, he sat back in the chair positioned in the center of the room. You gingerly climbed up so that your knees rested on either side of his thighs, so that your center was just inches above his. You didn’t miss the slight hitch in his breath, the way his eyes widened ever just so behind that spider mask. “Have a bad day? Some criminals get the better of you?”

You knew, in a way, that he wasn’t going to do it himself, so you took his wide, warm hands in your own and rested them on your hips. They stayed there for a long, long moment. Then they moved not down, toward your ass and your core, but up. They felt tentatively along your middle, his thumb tickling your stomach just a bit, and stopped just below your breasts before sliding back down again.

“No,” he replied in a low, raspy voice. He paused when you slowly lowered yourself so that you were seated on his lap now, your hips pressed against his. You felt his thigh twitch beneath your ass. “Pretty good day, actually. Just… heard some bad news.”

“Yeah?”

“Yeah.”

You hummed, letting your fingers drag along the delicate skin of his throat, just barely shaded with stubble. “What can I do to make you feel better?”

You expected him to hesitate, then make a request. Strip for him. Dance. Whisper in his ear all the things you wanted to do to him.

But there came none of that. Instead of touching you like you were used to, his hands - which were still respectfully resting against your middle - slowly slid across to your back and gently, gingerly, pulled you against him so that you were lying against his front. So that your chests were pressed together. So that you were slumped comfortably in his lap. He held you there against him, one hand on the small of your back and the other on the base of your neck.

“Just this,” he murmured.

You were stunned, to say the least. This was not the first time a customer just wanted to hold, or be held, or anything of the sort. But even then, those touches were desperate and needy, clingy and awkward. But this was everything they were not. This was gentle and considerate, kind and… romantic. Like he didn’t just need to be touched, he needed to be touched by you.

When you inhaled you thought you recognized the scent you breathed in. But with his body so close and his hands holding you so securely, you dismissed it like a runaway thought.

“Here.” Spiderman pulled you back for just a second, raising his fingers up to pull at the ribbon keeping your mask on your face, mindful not to catch any hair. Your breath hitched when he set the monarch mask aside, your face now bare as you stared down at him. This was against the rules. You were not supposed to do this. Customers were not supposed to see your face, know you like this.

But this?

This was far beyond any rules.

Your lips parted and your heart thundering in your chest so loud you were sure he could hear it, you found your own fingers slowly reaching up to graze at his porcelain mask. Your fingertips grazed the edge, began to hitch it up…

He caught your wrist in a hold that was so gentle, yet so commanding, that you immediately let your hand drop. But there was no venomous feeling there, no edge. Just a warning. A soft, quiet warning.

Exhaling, you wrapped your arms around his neck and settled yourself against his wide, powerful frame. Your face nestled itself into the crook of his neck, your chin resting atop his shoulder, as his hands came back to hold your form against his. One of his thumbs glided across your shoulder blade, sending goosebumps rising across your skin.

Gripping onto his jacket collar, you opened your eyes to look at yourself in the mirror that faced the back of the chair. Here you couldn’t see the mask over Spiderman’s face, just his slicked-back hair and his broad shoulders keeping you caged against him. His head tilted toward yours, your temples resting together.

For a moment, in your exhaustion and fatigue, you thought he resembled someone else you knew. But you let the thought pass, instead shutting your eyes and basking in his soft, gentle, perfect touch.

tags: @mooomeadows @twentysomethingwereyote @screamforyani @fangirlreice7 @axdjelx @ornamentalnecromancy @faust-pda @ilikethemoon28 @mrm-pachypoda @wadafrick @natthernandez @bakgoktski @soupsexsunsalutationsss @roxannarichie @lovagirlxxx @soggyeyeballsss @yoyoyoyoyo55555 @sophipet @quaintii @lavnderluv @cookiezxx @euphorica @its-a-polyglot @nicalysm @maxi-ride @exzidss @crappwr0m @femme-is-dead @bitch-onthemoon @hier—soir @takayomi @kirke-is-my-name @d1lf-loverrr @might-be-a-rat @brooks-lin @maki-z @bookfreakk @act1839 @dollscircus @sleepingaway @anxietybutterfly @bioticboot @mxkn @freeingrebels @digitalcreature404 @aimee777 @hunnaye @blahbahed @cyanide-mustard @impettywhenyouare @mental-illness-is-my-friend @bobfood

[mariacallous]

The email arrived unexpectedly last week :

We will finish what remains of the project contract, but then we are ending doing business with Americans and American business. I know it’s not your fault, but your president just started a war. We still love the American people but good luck.

And that, as they say, is that.

There goes 20% of my cash flow.

It’s my first time being boycotted — my first time canceled.

I’m a voice-over actor. I provide the intelligent, trustworthy and engaging voice you hear narrating a TV commercial, a medical device explainer or a YouTube mini-documentary. I’m the voice on those annoying requisite training webinars you likely arrow-through quickly. I’m the aural comfort and security that helps relay information or nudges you toward trusting a brand or message.

But the trust in “that American sound” has been shattered. My client — an international organization that interacts with countries on every continent — no longer wants money going to American individuals or industry, and no longer wants an American-sounding voice to be associated with its hope-filled endeavors.

This isn’t a Ukrainian client. This isn’t some retaliatory Chinese, Iranian or North Korean company’s move. The company isn’t based in the European Union. Instead, it’s friendly Canadians, who are justifiably and patriotically uniting against our now-enemy nation led by a mad king.

And this is how our former allies are reacting. I can’t wait to see the actions from nations that have always hated us.

When the email arrived, I wanted to protest the decision — to upload proof of my entire-adult-life voting record or share links to my vast writings on LGBTQ issues and left-leaning initiatives.

Look! See! I’m just as pissed off as you are! We’re on the same side! I agree with you!

But it doesn’t matter. Everyone in the United States is guilty by association. The world has lost patience with us, even if we didn’t vote for Donald Trump. We are lumped together — whether we actually support the bad guys or we’re just lost causes suffering under them — and there will be economic consequences for all of us.

Rejection is part of any creative person’s life. We’re prepared for the “we’re taking a change in direction” speech. New CEOs, creative directors or VPs come in and tinker with existing contractor relationships. Decision-makers are replaced by new blood. It’s part of the gig, and I’ve endured such losses over the years.

But this email — this loss — stung. Any freelancer will tell you that when you succeed in finding that elusive client — the one who respects boundaries, appreciates your work without micromanaging or requesting changes, and then (gasp!) always pays you on time — you want to hold onto them for dear life.

Things were going so well.

Now this precious gift of a dependable income stream vanished, thanks to Trump’s ridiculous tariffs and “let’s make Canada the 51st state” trash talk. It’s a devastating blow while I’m already worrying about more and more companies using AI to write their scripts, edit their videos and even narrate the damn video, too.

Still, when the initial shock and hurt of losing this contract wore off, I had to tip my hat to those Canadians. I get it. I don’t blame them. Enough is enough. Someone has to have the balls to take a stand. And I have great respect for my Canadian friends and colleagues.

At least my former employer had the integrity to tell me the truth. He could’ve said my work wasn’t meeting their standards, claimed they wanted a new sound, or blamed it on budgetary tweaks. He could’ve just ghosted me.

Instead he wanted me to hear — and thought it was important for me to know — that our fearless leader’s words and actions will have consequences.

So, I’m being boycotted… by friendly Canadians.

I guess I’ll go commiserate with the former U.S. government employees who’ve also been tossed aside with violent, willy-nilly abandon. I have an inkling we’re going to be hearing similar accounts from average and not-so-average Americans feeling the pinch in the coming months, as the more forward-looking nations wash their hands of us (and our nonsense) and make harsh retaliatory and defensive moves.

The most daunting questions remain. With so many bridges burned — when all of our former allies have turned away from us and stepped forward as new global powers led by reliable and mature leaders — what will happen to the citizens of this country and this American experiment?

Blue state or red state, we’re all in the same bucket. We’re the bad guys to everyone — and anyone on the right side of history doesn’t come to save the bad guys. It will be up to us to save ourselves. But can democracy win in the face of so many actively rooting for it to fail?

I don’t know.

But I will keep fighting by using my voice and my writing, because what else can I do?

Brush up on my military contractor sound, since that’s where we’re headed? Or just adopt a British accent and acquire a new mailing address?

Right now I’m in mourning — over all of it.

[monakisu]

I want you to know that I came across a random post of your Death Note art, went "Awww, oh my gosh, with the way this person draws Light I think Akechi would look fantastic in the same style!", clicked onto your profile, and then saw your newest artwork was Akechi. I'm still kind of cackling over it and thought maybe you'd find it funny too. Your art is SO cute, I'm very happy I found it <333

HAHA THAT’S AMAZING (<< was an akechi artist wayyyy before i fell head over heels for light)

but rlly… theyre so similar:

- brunet

- asshole

- pretty boy

- mass murderer

- black-haired homoerotic rival

at the end of the day, the key difference is one is a top and the other is a bottom.

ok but seriously, they’re vastly different characters on a fundamental level:

- light was handed everything him on a silver platter: family, friends, looks, intellect, a comfortable life… as a bastard child of a sex worker and now an orphan, goro had to fight his way to his current position and will always harbor a terrible sense of inferiority (light is completely confident in his absolute superiority, Always (that’s why the challenge of L sent him off the deep end of obsession lol))

- light genuinely sees himself as a hero, while goro would like to feel the same but is nonetheless depressingly aware of his villain’s journey (his undesirable position as the detective vs the underdog phantom thieves, his string of assassinations, his ultimate dirty bloody goal, etc.).

- light’s motive is about the world’s salvation, cleansing, the birth of his ideal reality (very messianic of him with the slightest loving tinge of mary cradling her lamb hahaha) while goro is laser-focused on ruining this one asshole’s life in particular, vengeance and revenge at once! one’s focused on rebirth, and the other gunning straight for death! they both use murder to get what they want but light probably floats around thinking himself so clean and divine as mother of the world (ignorance is bliss) while goro is constantly desperately trying to cover up his suspiciously red hands with his gloves hehehe… they’re both constantly striving for perfection, just with varying levels of self-awareness!!

- goro is a canonical loner; light has a horde of friends; this is probably due to a difference in public persona! goro is an untouchable idea of what he thinks a human should be and is completely out of the loop when it comes to normal social interactions (believes opening with hegel will instantly endear himself to the average person (luckily he inflicted that upon akira who is decidedly not average in the slightest)), light is implied to be more down-to-earth and even slightly goofy (he’s gaming decorum like an advanced speedrunner)! it’s probably good how distant goro is, because getting any closer to him will allow you to see how off-putting and uncanny he is, sorta like an AI-generated image—seams in the wrong places and far too much teeth LOL. meanwhile light has this whole shebang so thoroughly figured out that he’s BORED with it all! he’d like to move on to the next game (with L), thank you!! light definitely still exudes uncanny creepiness (it’s his natural state of being) especially when he zones out or starts hysterically cackling out of nowhere at his own thoughts, but he’s a hundred times better at masking compared to goro due to a better upbringing. goro is starved for the adoring friends he sees akira easily picking up one after another; light couldn’t give less of a shit because he’s always had those trivial luxuries! he’d much rather prefer an adoring WORLD!!

- then there’s the difference in how they die… one started out surrounded with company but ultimately died alone, while it’s the opposite for the other (if you count the de-realization of maruki’s reality as goro’s “death” (which i don’t)).

- in conclusion, light and goro are like funhouse mirror reflections of each other!!! one is a pampered lapdog getting a taste of rabies and letting loose, while the other is a starving wolf trying to domesticate itself for treats and headpats!! and i <3 them both!!!!!

anyways i may be wrong about light because im going purely off of fics, tumblr shitposts, and my own imagination :] feel free to school me in a way that won’t destroy my delusions!

[the-white-void]

THOSE LOST IN TIME SEARCHING FOR WHAT CANNOT BE

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Caged little bird - You, who once held so much power, abandoned it all for freedom from the one who loved you most, yet, they still crawl from the death of your mind to drag you back.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Escape of the Burdened Oni - one unworthy of such treatment, you grant them the presence of your benevolence (date).

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Mine Mother - One favoured by the world's sentience

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Divine Mischief - Oh, mischievous god toys around with their little followers.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Little Bird, why do you Sing such a sad Tune - those of the dive favour their pet, until it runs away and meets its one look-alike from another world.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Bloody Mary - Blood of gold stained the soil of the world that was supposed to revere your name, yet, you treated like a vile villain that plagued this world. And when the world knew the truth, only carnage filled your eyes.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ "O Divine Creator, we humbly bow to you whilst you're on your throne-" I'M ON MY TOILETTE!!! - As you innocently play Genshin on your phone, the seven Archons that are known in the game claim you as their creator. All while you were releasing the remains of the sustenance you had from the past two days.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ You are my only Haven -  A little girl watches over a human that she has waited so long to meet “Will you please wake up? I’m really lonely” she whispers hoping to see your eyes and hear your voice.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Teyvat's Diary - Teyvat, a small oblivious creature, only sees the world formed on her by humans through eyes that do not belong to her. All her thoughts were written in her diary.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Teyvat's opinion about the children - what the sentience of teyvat thinks about the children.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Unbounded by the trivial - You are an imposter but you don’t really care about anything anymore so you just let it be, it’s not like if you try hard enough you could change it.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ "Who are you? Wait, there's TWO?!" - simple texts between what was supposed to be nothing but an AI, yet, how did casual texting two Tsaritsa's end up with both coming to your world.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Moving On - You're moving away. We want you back.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ My Momma - little scenarios with a child’s mother figure

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Otherworldly Things *Part 2- The archons come to your world but cannot return to theirs, so they start getting to know yours.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ La Seine (Monster in Paris AU) - Running away from the captors along with a friend, you find yourselves in a bar where you end up dancing together to hide from the guards.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Let the Play Begin - The Imposter is caught. How shall the play end?

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Life, Death, Rebirth - “Thee hadst been thrown into teyvat wh��re i did rule. Thou art mine own heir, mine own physical f'rm, yet those daws besmirch t by leaving thee with scars and wounds. And i shall nay longeth'r standeth aside while those imbeciles taketh our headeth”

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ "The Story" 1 2 3 4 5 - This story is a Samsara, one you cannot control. *WARNING* this work may contain topics or language that may make some audiences uncomfortable.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ Scriptor De Re - The Traveler is known for their grand accomplishment throughout Teyvat, but who pulls the strings behind the scenes.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ I Miss Home – You miss someone special to you, someone very special to you. Voided of memories of them to fill the emptiness you feel, only a bare hole of the love you have for them. Yet sharing such things to a child that knows all too well feels warming.

Special

⋆౨ৎ˚⟡˖₊˚⊹ Interactive Player AU - A story you build. You decide each choice [name] makes. And each choice could change how the story progresses and ends.

✧˖°. How it works - You send an ask of who your character is and where they start. The story begins until you need to make the choice again, there, the fic will stop until you decide what happens next. Long story short, a role-playing game.

Works

Dès le Début: Noraa 1 by: @udretlnea

[bookscandlesnbts]

Breaking the Fourth Wall

I’ve seen this opinion floating around on socials regarding AYS and how much we see the staff/Jikook interacting with the staff on AYS and how some people expressed that it took them out of the moment. It “broke the fourth wall” aka it reminded us that there was a crew there filming them so Jikook weren’t alone.

I sat with this notion of breaking the fourth wall and if it actually bothered me. It obviously didn’t in the moment because this was not a sentiment that I drew on my own accord, but that’s the thing. Sometimes someone says something and before automatically agreeing with them, we should pause and examine how we actually feel.

And the thing is, after sitting with it, I don’t agree that it was annoying. I actually find it the opposite. How long have we seen BTS filmed at this point and we almost NEVER see the staff interacting with them in content like Run BTS/Bon Voyage/ITS take your pick honestly. So the fact that staff were sometimes in Jikook’s convos and giving suggestions tells me that they liked being there. They are comfortable with them. Makes you wonder if Jikook have favorites and had some say in who they wanted to be apart of the show. My guess is yes. And my guess is that those same staff members might (I can dream okay) even be like us and melt a little bit when they see those two. Maybe Jikook also tug on their heartstrings. It just makes sense to me that way. And for that reason, I find it rather endearing. I don’t know just some pillow thoughts before I sleep.

[ryuichirou]

Why is Ortho included in ship art? He died as a child, and although he was rebuilt, his emotional intelligence and maturity level stayed the same as that of a child. Although I fully disagree, I do want to understand your reasoning. Especially since Ortho and Idia are related and I saw your art of them kissing. I am genuinely confused.

I’ll be honest, Anon: the amount of people who message us pretending to be genuinely confused while having ill intentions are more than I care to admit, and this is very tiring; this is why I might sound a little dry in my reply. But I don’t mind explaining it if you genuinely want to understand it. That being said, let this be the last time I am ranting about this topic because there is nothing new I can say.

Here is the short answer: Ortho is included in ship art because we ship him with other characters. Ortho having a maturity level, mentality and/or intelligence of a child is a myth that contradicts canon and only exists to antagonise people who view Ortho as anything other than Idia’s baby mascot with zero agency. The fact that Idia and Ortho are related is not a reason not to ship them: shipping is fictional and doesn’t reflect one’s views on irl matters. Exploring taboo and problematic dynamics and tropes in fiction is a part of natural human experience. What I care most about in shipping is characters’ dynamic that I find fun for shipping. Their relation to each other comes second, but I won’t pretend it doesn’t exist if it does exist.

Now I’ll give you a long answer. Starting with “Ortho is a child/8-year-old/5-year-old/toddler” argument.

We actually saw real 8 yo Ortho before his death in Idia’s flashback and, wow, we can see that AI!Ortho and flashback!Ortho aren’t the same Ortho. "My largest amount of birthday data comes from eleven years ago, when I was five” is the line that Ortho says in one of his Birthday vignettes, which indicates that even though he does have memories of dead!Ortho, he is not stuck in the age of 8 – he thinks and feels that his fifth birthday happened eleven years ago.

But also just in general, if you listen to him talk and compare it to how he talked in Idia’s flashback (both the voice and the manner of speech), it becomes pretty clear that he is older. He is younger-looking and has a high-pitched voice but it’s due to the fact that Idia designed him to look that way, and there are a lot of potential reasons why he could’ve done it (all non-canon and theoretical, so we won’t dive into them today), but he is definitely not 8 years old. Ortho’s AI constantly learns new information, learns more about being a human – he is clearly maturing as the story goes, thus showing that he is in fact capable of aging mentally, and he’s been doing it from the moment Idia first created him. He is naive and inexperienced, but that doesn’t make him an infant.

Plus, post ch.6 he is always being grouped with other freshmen who are also sixteen years old. This is his age group. This is how old Ortho would’ve been if he was still alive, and this is how old AI!Ortho feels. He’s a proper first year student just like Ace, Deuce and the rest of the boys, and the story keeps highlighting it in all the events that happened post ch.6.

Speaking of post ch.6. At the end of the story AI!Ortho and real/blot!Ortho actually merged a little, as far as you can remember. Blot!Ortho, wow, is also 16. He’s been stuck in the Underworld since he was 8 and he existed all those years and grew up as well despite his terrible situation and more than unusual company, so we can safely assume his age. His merging with AI!Ortho also influenced him (AI!Ortho) in a way, making him more human as a result as well.

Not to sound mean, but I think the majority of people who still insist that Ortho is mentally 8 either don’t pay attention to his character, his story and how he interacts with others at all, or straight-up choose to believe that lie because it makes it easier to attack shippers or anyone who likes Ortho in general.

But also guess what, none of that matters actually because ultimately he is a fictional boy, and fictional characters’ ages are irrelevant. Just like fictional characters’ family relations are irrelevant. Even if you don’t think it’s right, that doesn’t change the fact that it is irrelevant, and the only thing that could be done about it is that you can block people and/or tags that make you upset. There is no shame about it: I avoid a lot of ships and tropes that make me upset.

I would prefer people to stop accusing me, a real person, of actual vile crimes (or having dark thoughts about them? What the fuck is wrong with you?) because of fictional, made-up things. If I want to, I can unrelate Ortho and Idia, and my fanart would stop being incestuous with a snap of my fingers. I can make them enemies, I can make them kill each other over and over again, I can kill Idia instead of Ortho. I say this to show how little it matters, and no, ~the implications~ don’t count. People make them up and choose to believe that instead of listening to the person in question. About a real person, let me repeat myself. You (plural/neutral you, not you, Anon) cannot make shit up about another person’s thoughts, ideas, and views just because you find it convenient.

As for why I personally ship Ortho with Idia despite them being siblings, you’re in luck because in addition to this already long post I have an even longer post for you to read if you’re interested! It’s been more than a year since I’ve written that post my reasoning is still pretty much the same, so I think it’s a pretty good one to read if you genuinely want to understand us better.

But if you don’t want to read another long post but are still interested, here is a TL;DR:

I love their deep love for each other and don’t want to just explore the platonic aspect of it – there are a lot of other scenarios that I want to play with;

there are a lot of tropes related to this ship that we love (us two against the world; AI in love; causing an apocalypse for the sake of your loved one; unhealthy and codependent relationship; obsession, etc);

their story has a lot of motifs that could be read as romantic (i.e. Orpheus and Eurydice analogy) that we really enjoy;

personal reasons; relatability (not elaborating on that; not related to incest though lol);

they’re sexy lol I love robot parts, size difference and a lot of other aspects that I won’t mention here.

I hope that explained some stuff. Just to be clear: I don’t want to force anyone ship Shroudcest, in fact I don’t care if we are the only people in the world shipping them (that will never be the case though lol). I just love Ortho very much, and I think he is a very fun character that has a lot to offer, and I really don’t like that people want to create this aura of “he’s just baby don’t touch him” that stops people for getting to know his character better. He is cunning, he is smart, he is caring, he is psychopathic, he is a lot of things, and all of those things make me want to see him bossing Idia around, acting cute around Vil, bonding with Malleus over their differences and similarities, all of those things.

[tobey-mccallister-iii]

OOC Post:

Uh, hey guys, just saying that there is still a living human being (me) on the other side of this account who reads all of your anonymous asks.

Sending completely random insults is really weird; I do understand that you’re trying to interact with a character, but I am not some AI chatbot.

I do read everything you send me, including various slurs you’ve called me, you telling me to kms, and it’s weird as hell.

Just to clarify; I am specifically talking about like two or three anons who spam my inbox with their shit every day.

I’m genuinely considering turning off my anonymous asks because of those few anons.

———

Another (kinda unrelated) thing I want to address is starting “events”.

Yes, the blender thing was funny, but so many people had so much power over the situation.

Not to mention that with the recent burst of mingcallister shipping in the rp (which I don’t have a problem with the ship itself, just the way some of you are going about it), there have been a bunch of people trying to start events (confessions, dates, etc).

It’s fine if you want to send these kinds of asks, but I’m unlikely to answer them unless they’re really entertaining to me (like people getting mad over me “destroying their homes” and threatening me over that).

As always, you’re allowed to make an account and join, but as per joining any rp, don’t make yourself a “main character” and try to take over the existing storyline too much. (Not trying to have another Cerulean situation, iykyk)

[thatnonameuser]

Can you create an AI chat on Character.ai with the story? If you do, I would be very thankful, and I love your stories.

No. And I never will.

Look, I don’t want to lecture you guys, but if you're interested in seeing what I have to say, you know where to click.

I appreciate you guys loving my work. I appreciate you coming in and sending me asks, replying, reblogging and liking me. Everyone, even lurkers, I appreciate all of you!

But...

I will NEVER, EVER will feed my work into any AI in ANY WAY, SHAPE OR FORM. Additionally, I DO NOT CONSENT TO HAVING MY WORK USED BY ANY AI SOFTWARE.

AI like Character.AI is not a creation software that writes stories on demand, it is a theft software that plagiarizes other people's works to generate, not create, works based on some phrases. Not only do I think it is soulless, I think it's a horrible tool that takes from hard-working people.

Additionally, AI can't CREATE anything, because it doesn't have human creativity and can't take inspiration from other works to make a unique idea. All it can generate is stolen ideas from other works as it is ordered.

I am sorry if you or any others were interested in this, but AI steals from creators. Whether it's a paragraph or the complete work, it's theft and people can use that theft to pass off someone's long painful hours of writing as their own. And THAT is offensive to me and any other writer, when we work so hard only for a computer to steal our ideas without crediting us, the original creators, who slaved over our work for someone else's enjoyment. Even more to those who rely on their work as an income. 

And because I feel so strongly about this, I refuse on principle to feed my thoughts into an AI. Because if I endorse it through doing that, I am also saying it's okay to have other people's work stolen, because it won't just be me having my work poached. If the internet is forever, AI is eternal and it will continue to use my work in other AI generated works no matter what I create after it without even letting me know or crediting.

And there are even more disadvantages AI has but this isn't the blog for that.

Look, if you want content from a creator, just ask and if they can't give you what you want, just open Google Docs and write it yourself. I would rather you ask me and let me slave away for your enjoyment than feed my work into the idea-thief that is AI. There are many more creators you can support who will give you the stories you like to read that aren't built on theft. Their hard work was the reason you even like stories like mine to begin with.

Do not take offense to this, I'm not mad at you, just the way AI generators like C.ai use other people's intellectual property and creativity without their consent, sending them notice or CREDITING THEM!!! I love you guys and appreciate how much you interact with me. I put so much hard work into this because I love you guys as much as I love this series. But I would rather never write again than willingly put my work into AI.

Please don't ask me to do this again.

[robot-confessional]

Welcome to the robot confessional booth.

> I made this side blog as a confessions page for anything fictional ai related. This includes any fictional robots/machines and AI. (I don’t support real AI so don’t even bother.)

> Feel free to submit anything about any robot/AI from any media you want. I’ll tag as such. It doesn’t have to be a robot/machine specifically, either. AI in devices, (EX; Monika, Cain, Giffany—) all count.

> Keep in mind the person running this is a minor. I don’t mind 18+ blogs interacting, just keep confessions appropriate.

> Anon names are fine. I’ll make a list below for those who wish to check availability. [EX; if someone wanted to be “(emoji combo) anon” or “AM anon”]

📼—————📼

Rules

> Proshippers, comshippers, and basic criteria is a DNI. This isn’t for you.

> Again, keep it appropriate. A little bit of tuggin’ on wires is fine, but be civil.

> Don’t start drama. Just don’t.

> Namedropping is fine, as long as you’re kind.

] I might make more rules overtime.

📼—————📼

Anon list

🪽 anon

🍓 anon

📺🍓 anon

The mod of this blog is @thecake-isalie ; and I go by they/them.