I just want to reflect how much the Loki show ruined Loki as a character for me and how much disheartened I was with it.
I had always wanted a spinoff on him, which explored him more. And the Loki show did anything but that.
Do you guys remember how Loki was in Infinity War for like 5 minutes, yet Tom Hiddleston was at almost every media interaction the cast had? The same thing happened in the show as well. They used him to market the show, then sidelined him in his own show. I think that was unacceptable, because they used Loki as a bait to promote a character that I held no emotions for.
Sylvie.
The argument that one does not like Sylvie because they “hate a strong female character/a character with complex arcs” is so pathetic. I don’t think I would’ve liked Sylvie even if she had the most elaborate arc in the MCU (which she doesn’t) because it just wasn’t meant to be about her.
I wanted to see Loki’s story, his journey, and if you take this moment to interject with the statement that “she’s Loki too, just different”, then I say that I wanted to see our Loki, the one who was broken when he found out that he was the monster parents told their children about at night, the one who had plethora of iconic dialogues while fighting the avengers, who was killed only for us to realize that he wasn’t.
Everytime I said that we needed a Loki spinoff before it was announced was not because I wanted new characters, it was because I wanted to see more of the character that was already there, very much beloved by the fans. I wanted them to explore his character in a deeper sense and maybe dip a little into mythology as well.
I think Loki was one of those characters that neither needed a love interest nor was ready for one. I don’t ship him with either Sylvie or Mobius, because it feels like neither of them genuinely like Loki for who he is.
Loki had far more compelling things they could have explored like his jotun heritage, his trauma from the time with Thanos and his magic that is the only memory he has of Frigga instead of his love life.
The whole show felt like it was written by someone who wasn’t the least bit interested in Loki and barely looked into him before creating his female counterpart.
It feels like a disrespect for the fans who were connected to Loki on an emotional level.
Why am I saying this now, after like 2 years since the show came out?
I don’t know, after hearing the news about season 2 releasing in October, I just feel so upset. Tired. I hate this show much because it made Loki so irrelevant to me. A sidepiece in his own show. He went around in ugly costumes and all the regal vibes I had from him just disappeared.
I still remember a time when Loki was on the top of my favorite characters, and I loved him so much. I still do, but I’m not sure if I’ll watch the 2nd season and my 13 y/o self would hate me for this.
I’ve gotten detached from his character and I hate myself for it because Loki was someone whom I adored more than anything else in the fandom world.
Loki is that one character who is loved by the fanon but absolutely despised by the canon.
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speedrun of things that cause me agony in the wondla tv series trailer:
whyyy did they have to make the sanctuary so sterile and minimalistic? the book sanctuaries had this charming clunky 70s sci-fi design to them – they were blocky and durable and Eva's was tangibly lived-in, even worn in some places, because that was the point! they were an experiment that outlived their usefulness, but people kept living in them & they felt like it. this feels like Kim Kardashian's creepy white torture house.
"this... is me." has this line not become extremely passé in trailers, like almost to the point of parody?
that is NOT Muthr. idk who that is, but she is not mothering. it's like they took her book design and stripped away anything that may have been even slightly challenging to the cocomelon-smoothed zeitgeist of current animation. she's just so... nothing. she doesn't even look like a robot so much as like.. the lame soul design from pixar's soul. book Muthr looked WEIRD, but you can see the ways in which she's literally a synthetic + superhuman recreation of a Mother Figure: her head shape mirrors the beehive hairdo, her big eyes are saccharine sweet, she has four arms bc she always needs to do a million things at once, etc. i get that this version of Muthr was probably way easier to animate, and i don't even think they had to stick to the original design 100% as long as they still did something interesting for her, but. they didn't.
rip Eva's sick as hell hairstyle. :( seriously, her complicated braids were so important. bc 1) they were an homage to Dorothy's braids in the wizard of oz, the book to which the whole trilogy is a love letter. 2) they immediately gave her a unique visual identity as a character. 3) they contributed to the world of Wondla feeling genuinely strange and foreign to our current one. 4) they subtly spoke to things like Eva's boredom and loneliness and all the time she had to herself.
the paltry mini braids and single low bun they gave her instead are WEAK. again, they didn't have to follow the books to the letter, but. they did kinda need to give us something more memorable and distinctive than this.
i mean... there is ofc the obvious question of why'd they make her 16 instead of going on 13 like she was in the books? but also, perhaps even more crucially, why does she look like a whole ass adult woman? wondla is very much a coming of age story, and it's really good at capturing the messiness of that experience in every way down to its character design. this Eva doesn't look messy, she looks like an influencer. also i hate that current disneyesque cgi character design.
her outfit's like... fine. but it was so fucking cute in the books. cute and ultra utilitarian, and unlike anything i'd ever really seen before. can't a girl have a vest with a funky collar, cool billowy balloon sleeves, and scrunchy knee socks? do yknow how many kids would want to be Eva for halloween if they simply gave her an outfit that looked cuter? they're leaving money on the damn table.
she wasn't done with her training for life on the surface in the books, and that was important. :/ not that anything could've really prepared her, but the fact that she was so young made her terror and anger all the more palpable. i guess i don't think it's inherently terrible for her to be a bit older in adaptation, but idk, at least let her retain that trial by fire/still kind of a scared kid quality that's integral to her arc.
the placement of the 'wondla' letters on the page makes no sense. it's meant to be the wonderful wizard of oz (or the wonderful wizard of oz by l. frank baum. i forget which, but ONE of those for sure), so by all accounts the l and a shouldn't be right next to each other like that, there should be more space between those two letters.
now i don't fully remember, but i super don't think that 'Eva find me' note was in the books. Eva would've been way more obsessed with it if it was. in the books, she doesn't know the 'wondla' page was actually left for her, it's just this strange anomaly she finds that gives her hope, but she sort of creates that hope herself. its origin is an honest to god mystery until the second book, and therefore, the meaning that Eva gives it is what really comes to define it.
it's not just that no one had seen a human in a long time, most aliens on Orbona had never seen a human at all until Eva came along. that's a big difference! though, this audio does sound chopped up from multiple sentences, so maybe disregard this.
i don't like that they gave away the 'Orbona was once Earth' twist right off the bat. i know it's not a wholly original trope in sci-fi, but this is a middle-grade/family series, and it straight up blew my mind to see as a kid that hadn't ever really read true sci-fi before. and Orbona is SO bizarre, and Eva is SO desperate to find other humans, that the reveal is extra jarring and bleak, and it creates such powerful tension. why give the impact of that away in the trailer?? why not just let people think she's stuck on an alien planet until they get the full emotional gut punch when they actually watch it for themselves?
where's the lake in Lacus? :/ that was... kinda the basis of Lacus' culture and design and all. like ok i see some water, but Lacus should be almost more water than village.
Otto's design!! why god why.
why is Otto furry, why are his eyes Like That, etc.
nooo, don't show the ruins of New York in the trailer, that's for the audience to discover in horror along with Eva.
also why does Otto (i think that's him talking at least?) sound like that? thumbs down.
what are the. uh. shark tale-looking creatures running on water. they're very shark tale-looking (derogatory). they don't look like they belong in this series?? like did this footage just get misfiled?
egads it's coming out at the end of this month. i'm gonna watch it of course. but the whole time i'll be thinking about what could've been. and i'll reread the books, too. >:|
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the more I think about it the more I love the idea of House x Cuddy x Wilson, all three in a polycule together, bc like... it plays off perfectly for all three of them.
House gets to receive double the love he feels he's not made for, gets two people to actually trust and lean on, and Cuddy and Wilson hold each other back from enabling him.
Cuddy doesn't have to be 'superwoman' anymore, she has two... eccentric but loving partners to lean on and share the workload, and, let's be real, be convinced to take a break now and again. Especially after she gets Rachel!
And Wilson has two people that he trusts to show him that he matters, that they'll be there if he breaks down and he won't have to just pretend he's fine when he's not, that he's not alone.
And all three of them can cuddle together! It's perfect!
They're one of the best ot3s in fandom history because they just all work so well together, from chemistry to dynamics to personality, it all just meshes together for them perfectly.
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