#this record of me and who i am as a person.

[court-jobi]

Hi, lately I came across your blog and I really adore your writting style :3

I was very excited when I saw you have open requests (if I am not wrong, otherwise ignore me hah), so I have request for Bakugou × reader, when they are in established relationship, but lately it got rocky, because he was barely home, trying to climb ranks and just neglecting their relationship, so they barely even talk. Then reader gets kidnapped, due to being Bakugou's SO, but she feels so irrelevant at this point that she starts saying to the kidnapper that they are wasting their time, because Bakugou is not coming for her, whick Katsuki overhears, you know just good old angst with fluff at the end maybe

If this request is too complicated or specific please don't feel pressured to do this, anyway have a lovely day/night

I am very much receptive to asks, and thank you so much for providing one!! super flattered actually and spent my entire afternoon crafting up this bad boy bc I had an instant idea for it

Hopefully I touched all the right notes on this one, enjoy anon! Don't be a stranger~

Do It Scared

Words: 4.9K

Warnings: Pro Hero!Bakugou x reader TW: kidnapping, intimidation, light descriptions of violence, protective Bakugou is protective, language, angst with a happy ending (promise!!) and potential spoiler: Pro Hero!Deku

for my My Hero Academia Masterlist, check it out here!

Read on Ao3

Dynamight is on top of the world– or at least working his ass off to get there.

With Deku back on the leaderboard, he’s got twice the motivation and has never been in love with being a hero more.

“That’s what -heh- nine for you this week, Dynamight?” the newly suited Pro beams at Bakugou- not unlike the five year old version of him did back a lifetime ago.

Only instead of bashing the twerp upside the head with a gloating tease, Bakugou simple smirks and gives Midoriya a stiff push on the shoulder, 

“Ten, but who’s counting, nerd?”

The winded, black-and-blue villain currently under custody finds the heroes’ track records funny. Midoriya doesn’t necessarily take these villain types’ remarks to heart, but hates the attitude of this one today.

“Yer sidekick keepin’ count?! You wanna badge or a chest to pin it on, smartie pants? –AAGH!”

“HEY- THE ONLY GUY CALLIN’ THIS DEKU A NERD IS ME, DUMBASS!! YOU’RE THE SHITHEAD GOING TO JAIL FOR THAT STUNT– AND HE’S HEADING INTO THE TOP TEN!!”

“HO-OKAY, DYNAMIGHT, I think he’s had enough!!” 

Deku corrals the punk’s restraints a bit, but leaves the remaining process of reading rights and detainment for the police who just rolled up. Deku will proudly share that much prefers this ‘thick as thieves’ treatment to the ‘fight me or die’ dynamic they shared in school, and couldn’t be happier to be Pro Heroes once again.

And if Bakugou were completely honest, so was he. He’s in his element and closer to reaching his goal by the day.

Walking out of earshot from the police unit, the two are heading over to Ingenium and Creati who are deeply engrossed with the intelligence officers who just arrived on the scene. 

“Ten it is, then– you really need to start leaving some to me though; I can handle it, you know,” Midoriya slips his facemask down, exposing a pleading grin Bakugou still kinda wants to punch some days. “Might give you a little time to actually take a rest day now and then!”

“Tch, if you were fast enough, you’d do it, ‘Zuku.” Bakugou straightens out his gauntlet, but misses his best friend’s tilt of a frown. “N’ who said I need a rest day, anyway? I’ve never been better!”

“I can think of one person..” Midoriya hinted strongly at something that truly escaped Bakugou’s focus. Every now and then, he couldn’t quite mindread the nerd like normal, if he was deep in work mode.

“Heh?”

Midoriya raised a friendly, tired brow, “How’s your girl been lately, hm?”

Bakugou tenses a touch, but quips back, “Whaddya mean. She’s fine, been working a lot too.”

“Not as much as you. What’s she up to? You haven’t said much about her.”

Which was an oddity, indeed. Your successes, your insights, and even your random memes were common topics of conversation from Bakugou’s lips. But Midoriya did raise a finer point between the lines– you’d been put on something of a backburner, and he knew better that something must be off for the blond porcupine to rarely speak of you. Bakugou sensed it himself, but the more repeated check-in texts he received, the cycle of his non-answers worsened. This must be what the nerd is getting at.

“She’s fine-” Bakugou pressed, assuring himself and no one else, “Look, we’ve got our flow, and it works. I keep her in the loop when I’m busy and she gets it.”

Midoriya heaves a disbelieving breath, and just fixes Bakugou a look.

“What’s that shitty look for, huh? Whaddyou know?!”

“I know when she texted me yesterday that she doesn’t sound thrilled about your overtime…” the freckled sweetheart touched a personal chord within Bakugou. “Or that she hasn’t even heard from you to talk about it? I mean, I-I know it’s not my business, but Ka-”

“Deku, Dynamight!” Iida waved the two over from their aside, and back into work mode- to Bakugou’s drop in spirit, “We have a bit of a time-sensitive mission to take care of~”

Deku turned to the officer, raring to go and and straightening up his shoulders to address their more formal counterparts, “Of course, officer- how can we help?”

“Well sirs, we’ve got an ongoing heist over on the other side of the riverbank, and need a bit of coordination to respond.”

Yauyorozu had just finished off a protein pack of some sort and had demurely crumpled its trash in her hand while navigating an ipad passed to her. She’d welcomed Midoriya over when he took interest in whatever footage she’d been presented.

“Well shit, we supposed to be standin’ around like this when time’s wasting, or what?” Bakugou asked brusquely.

Ingenium -in his formal, helmeted fashion couldn’t hide his practiced patience well with the hothead in his response;

“The need for firepower is necessary, Dynamight– but caution is as well,” Iida reminded dryly. “We are in a heavily populated area, and must exercise control.”

Bakugou merely purred a low growl and turned diplomatic.

“Fine. We got live wires? Hostages?”

“To our knowledge, only a select few- a dozen at most,” the officer answered, “We can see most of the victims through the bank’s glass lobby. It’s a small, petty theft group- or so we thought, but there are some decent quirk users among them. Seems they are after more than funds, but records as well.”

Bakugou refrained from rolling his eyes, but only barely. Surely there were bigger and better missions to be pursuing than this– something a bit flashier, more suited for his skills with higher civilian rescue numbers to add to his count.

“One guest was able to contact via the emergency text line, and reported that someone did pull an emergency trigger and was taken further back into the vaults as a prisoner.”

Iida empathized, “Hardly fair- I’m sure none of these customers were armed, and they were simply acting as any hero would trying to notify the authorities.”

The officer firmed up a smile in agreement and proceeded to share some more info about how far back into the bank the team would need to infiltrate based on proximity to servers. 

“Sure you don’t just wanna call ‘Tape’, bust in there, strap ‘em up, and call it a day? Y’don’t really need a whole evac team, do you.”

A simple rescue in-and-out should be easy enough, or so he assumed- until Yaoyorozu took a bit of a sharp intake of breath in her nose, alerting Deku to fixate on the screen again,

“Bak- erm. Dynamight,” Yaoyorozu interjected gently, “-you need to see this-”

Bored and still half paying attention to the officer, Bakugou only barely looked Momo’s way, and didn’t really feel like a crowd around a tiny screen -in full sun- was warranted.

“What? It’s frickin’ bright out-”

“Kacchan,” Midoriya shot back icily, “get over here.”

Something alarming had struck him in the face, and he was purposefully putting on a front to those not personally connected to the heroes. Sidestepping ‘Legs’, Bakugou was passed the ipad and played back the security footage of the interior of the bank.

Time stamped at just fifteen minutes ago, a civilian in question had tried dipping around the counter to where some clerks had been bullied up to the opposite wall- but one of the employees jerked her head towards one of the registers- a lightning quick gesture. This cued the civvie -a woman, if the hiked up skirt was a correct indication- in the foreground to feel around the bottom lip of the keyboard for something- likely an alarm switch. Once done so, she’d merely knelt back down, hoping to stay low and sneak back to avoid the thug to lash out at the person who’d tipped her off.

But then -comically enough- the thug sneezed and unfortunately whipped to the side to let it fly. Looking up, there she was in his sightline. With something akin to a spider’s web knocking her flat onto her back, she’d been dragged up and back with the others- trying to ground herself with a squatted stance first, tried to force her elbows back, then bashing her head back in an attempt to hit her captor– until she was ultimately slapped and taken back to the far hallway, hunched over.

Bakugou saw red. His heart stopped then set itself on fire, hotter than Hades. He’d known that self defense response from having taught it, himself.

You pulled the alarm. 

For the first time in his career- he knows the target he’s saving. He’s in love with her, after all.

Damn your neck hurts. If your elbows hadn't been glued up to your sides, you woulda used those instead; but now having jerked your head back, you’d given yourself a healthy dose of whiplash.

And got a punch to the gut. And a slap to the face. Joy.

There’s fight, flight, freeze, and fawn. You’d seemingly gone for the fight route, with your body moving before your self-preservation could catch up, but it seems your fawning tactic of remaining calm and quiet wasn’t working out for you now. At least you took the attention off those poor girls in the lobby who were in near hysterics. 

Only now it seemed you’d taken on the role yourself, back here. You try to breathe deep, drop your shoulders, drop your jaw. You’d think this would double to avoid showing any fear that your captors can use against you, but it’s honestly just to help keep you grounded and not panic and curb the intense need to vomit or cry.

Please. As if you’d even call yourself heroic for pulling the theft alarm– but you suppose it’s instincts. Carry-over bravery: osmosis you assume, from hanging around these heroes. Your hero. Katsuki.

You’re stunned– you’re shocked– and you’re scared. 

Katsuki. You want Katsuki. More than the police, more than your mom. 

You want your hero to come for you, over any other in this entire country. The name pounds behind your eyes when you shut them against a wave of pain, the person you want more than anything else in the world.

–And at the same time, that man’s name hurts at the cry for it: given he hasn’t spared you more than a one or two word response in days. Because he’s overworked by his own volition. By his own drive. And you should be angry. You have been, for this is the longest you haven’t seen each other outside of a trip; considering you’ve all but committed your lives together and he’s typically at your place every other night, the drop in communication is a cold bath.

And you’re scared now- it’s a blurry feeling. Time is wonky when you’re stuck in a room with no windows, no visible clock and just waiting. All those tips they tell you about how to react in an emergency to keep calm? The ones you’ve heard over and over again in security briefings and teacher preparedness days before the school year starts? Man, is it easy for those to go out the window when you’re in actual trouble.

You just want Katsuki. And that’s a silly thought, considering how wide the city is. He could be clear across the district right now.

But just saying the name -thinking of any other pleasant time when he had his arms around you play-fighting that could make these bindings feel more bearable- that’s what you want to cling to.

The villains here are pretty pathetic as interrogators go, but that spares you no calm as they taunt you as if you were a captured magistrate or politician. They’re split into two parties; their head honcho trying to tap into the databanks of the servers two doors down while your immediate captors with the creepy quirks are choosing to go through your recovered phone seeking out blackmail like the assholes they are. Your primary apps for insurance and paying your bills are thumbprint protected, so really what could they get to that's confidential? Nothing, to your knowledge. But it seems your camera roll strikes their interest. 

Oh yeah, they hit low. They see your lock screen first- a sweet photo of your harmless, dopey dog who they snark that you won’t be home to feed on time. Then even more, as your home screen displays a picture-perfect selfie of you and your darling man. You picked it because it’s rare proof of him smiling at some wisecrack you made before snapping the shutter.

Your handsome and infuriatingly busy man. 

“Aww, well just look at little miss hero’s cute lil boyfriend! Bet he’ll be awful proud of you playing the savior~”

“Tehehe, too little too late though, yeah? Gotta be quicker than that for us.”

“Geez, how sappy can you get. This guy’s all over her…and can’t blame him, honestly. Makes me feel a little bad for roughing such a pretty thing up.~”

Gross. Just gross. You act like you don’t listen, your simpering pain turns to nausea the more they talk. Until a renewed sense of fear hits:

“Wait- go back. Oh. Ohhh shit, no.”

“Whuh.”

“Fuck, man, that’s DYNAMIGHT!!” the jerk with the copious amounts of tattoos and chains draping off his arms like whips gets nervous real fast, “We have Dynamight’s girlfriend!!”

Your other guard seems to swallow for a split second, but immediately tips to a feigned dominance,

“Well, ain’t that just icing on the cake~”

“THE HELL DO YOU MEAN? He’s gonna come after her!! You know how scary that guy is?! I’m telling the boss-”

“Don’t wimp out already,” he fires back. “Why do that and waste time- when knowing this, we could get paid double? Heroes ransoms can cost him a pretty penny, and you know he’ll do it for her. Those heroes make bank.”

You flatten your brows angrily. 

“Whaddya think, princess? Big man gonna come and save you, huh?  

You really want Katsuki. But you truly have no idea if he’d know or care to come at this point. The spiral downwards in the mind is dizzying along with your headache, and just makes your heart sick for him. 

When you see him next, you’re not sure if you’d hug him or throttle him. Though now, you just wanna see him. 

“Unless.. He doesn’t!” his mood shifts- patronizing, “Too busy makin’ a paycheck and name for himself and all his hero buddies than to settle down and think about the pretty thing at home? Well, I would fix that real quick–”

A muffled boom sounds on your right. Rooms away.

Another, louder. Two beats after, the guards look at each other.

You hear a yell, a harsh one, then another blast that sounds cracklier than the rest. Someone’s close. But you’re honestly not sure if it’s friend or foe.

You’re excited, but get nervous again when the lackeys move into action. Chains loops a rough swing of his appendages around you and starts dragging you back into the adjoining office, while the muscle goes back to type at one of their private laptops that’s downloading something.

You give off a flare of panic in your voice- a sound you hate but can’t control. 

“It’s-s not him–” you force your pitch lower, but it shakes despite your best effort. “Cmon, there’s too many heroes, s’not gonna be him–  n’there gonna come an’- bust yall anyway!! Whaddya want me for?!”

As you’re dragged, you catch a glimpse of shine from above you. In the vent, you see mustard yellow and teal saturated with shadow- all metal. Then, his voice, through a comm on his wrist that flashes in the reflected light:

“Got her. Light it up, on your left.” 

Both lackeys drop what they’re doing and look up to see the vent kicked into the floor– and the wall totally blown in from your right. 

Dynamight -the Symbol of Victory- and Deku -the Symbol of Peace- are dropping in at breakneck speed, though the former is out for blood.

“ALRIGHT, WHICH ONE OF YOU FUCKERS AM I KILLING FIRST??”

Deku’s landing creates a decent wind with his jump, revealing Bakugou behind where the door usually is, and clocking your position almost immediately. 

It’s a powerful thing, to see him in action- you’ve certainly never seen it in person, and you’ve never heard him this mad. To his credit, he never raises his voice enough for you to fear it.

He spots you and the guy who rushes him, but just snarls, evades his whip of weighted chains entirely, grabs him by the calf, and chucks him into the opposing wall with a spinning throw. Then, he sets straight to you.

“DEKU!!” he shouts to Midoriya, “Trash, at your ten!!”

“On it!” Your angel from the ceiling ducts is currently laying into the other guy, but keeps the reeling villain in his sights before he can get up and strike again. You imagine the sucker has more than a few broken bones (or truly is dead, as promised)… he doesn’t move from his figure on the floor.

While you’re still coughing up a storm from the drywall throwing dust everywhere, Bakugou comes to your side and immediately picks your bound body up in a rush from the chair you were perched on.

“C’mere you-” 

He sounds rushed and spent, huffs it out of the room and into a separate office down the hall. 

You spot Ingenium and Creati moving on to the other end of the hall where you know the final villain remains, but you can already hear the squeals of said wimp once Iida bursts in. This will be quick work for the rest of them, so you weren’t worried Dynamight would be needed anymore.

Inside an executive’s office, Bakugou kicks the door behind him shut with his heel and sets you on the dearest flat surface- a decently sized desk.

“Hey you- you still with me?”

You don’t realize you’re breathing so fast until he’s looking you square in the face with split concern. It’s night and day from when he burst in after one of his more gusty explosions, his voice all cracked and high in pitch.

“Cmon, baby look at me- here, let’s get this crap off of you..”

Your gasps for air turn wet and you can’t keep yourself from crying anymore. It would be notably sweet that he still tries his hardest not to curse wildly around you, but right now you don’t care what font his expletives are in. Every bit of stress leaving your body all at once is a rush for your senses and your emotions.

“Kats~”

After his pocketed knife’s quick, careful work separating your arms from your waistline covered in a still-sticky webbing, he sheaths the blade again and collects you up when you launch yourself at him. 

Bakugou holds you hard and fast and you can’t even be bothered to worry about how his shoulder pauldrons are nearly choking you. He’s got you back in his arms, and he’s just saved your life.

“I’m here,” he grunts to you, relieved beyond measure, “I’m here, sweet’eart. You’re safe.”

You’re so thankful. You’re so happy-

“N’d I am so sorry.

-You’re so confused.

In a flippy tone that betrays what heightened nerves you’d just gone through, you ask, 

“Huh?”

Bakugou’s fingers thread into your hair when you try and pull back-

“Don’t. S’the first.” His iron-sure voice wavers, “I- I haven't hugged you all week.”

Then, you’re both crying into each other, and it’s a healing thing. 

Dragging careful nails across the back of his hero suit, you try to offer a tiny bit of comfort to this mass of man cradling you on this desk. You know you’re still in dire need to talk about his recent absence, but what a reunion this was. Feeling him after a seven or eight day stretch of near radio silence changes the degree of flame you hold against him. Honestly now, you’re in the mind to think he deserves a pass entirely. 

Bakugou finally lifts enough to press a kiss to your head, but makes no move to let go of you. “I’ve missed you, baby.”

Has he? He’s barely texted you past the ‘I’m heading out’ and ‘I’ve gotta sleep’ with no room to offer or reciprocate any form of love between you; so much so, it threatened to make you doubt. 

“Have you? I haven’t heard.”

“No, you haven’t. And that’s all on me.”

You turn your head very slowly- your entire neck is still tender, but you'd rather listen to him with an ear to his chest, where you belong. 

“I’ve missed you too,” you settle on the truth. You might have more to say when you’re not so exhausted, but the truth is you’ll still love him no matter what, and you do always miss him.

You miss every moment, big and small. His wins and losses. Nights where he’s high off a victory or the ones where he’s bone-tired and in his head about how weak he must seem. Nights where he takes out his hearing aids and just wants to fall into your silence to sleep safely, and the mornings where he’s up and ready to go take on the day after he has your kiss and hug to charge him up. Whether he has your chapstick smeared up on his cheek, or the promise of your arms to hold him in whatever state he greets you when he comes home, you just miss him. You notice when he’s not there. The house seeks him out, with lights on for him to find his way inside, and low music to soothe what anger might have followed him home.

You take a few moments to just soak each other in. You hope and pray he’ll come home with you after this.

And thank the Maker, your prayers might just be answered.

“This was a wake-up call, sweetheart.” Bakugou sounds a bit bolder, but still talks softly to you and the dust mites around you, “I’m takin’ a leave. A long one.”

The way he promises time off is something he’s toyed with before, but never followed through on.

“You can’t do that, Kats,” there’s no coldness to the words, but you mean it.

“Yes I can. It’s my race; I can step away.”

You sigh against his pec, “I’m.. I’m not asking you to. I can’t, that wouldn’t be fair.”

To you, sure. But not for his dream. Not the dream he’s worked and fought and lived for since before you met, and long before he fell in love with you. You’d supported him in this chase to save everyone and be the best at what he does from day 1, and you’ve never wavered on that– you still wouldn’t, even if someone asked you now feeling as dejected as you do by his absences–

“Tch. Y’know what's not fair?”

Bakugou finally loosens his grip on you to lift your chin up to him with thick, strong fingers, 

“Leavin’ you for days on end; waiting up, worried sick. Leaving, and just assuming you’ll still be there when I get back. And now you’re getting fuckin’ snatched the minute I turn my back on what we have. That isn’t right.”

The correlation is irrational- this incident today was a freak accident. You couldn’t have planned it- or certainly hope that your identity as his significant other is not going to be weaponized. Shuffle in the hallway beyond tells you that the possibility of that information leaking is sufficiently locked up along with them. 

Surely Izuku would have grabbed your phone– and maybe set you up a new lock screen with a mean mug to poke some fun at ‘Kacchan’.

You slump against him, at the sound that he’s being too hard on himself, and that’s not what you want for him either.

“I just miss you, Katsuki. And I want to see you succeed.” you study the bold ‘X’ across his chest with fondness and heartache mixed, “I want both those things. I just can’t help but wonder if you have to go at it so fast? And so hard, where I never see you? Like you’re racing against the clock to be #1? I just want you there in one piece; I don’t care how long it takes.”

You have no doubt he’s going to land the spot before he’s thirty. You just hope for a balanced ascension to the height of his power and ability. And selfishly… you hope you’re in the picture of his life when he does.

Bakugou hears and you do believe he listens, as he smooths a calming hand up and down your arm all the while.

“And today..” you clam up a bit with an uncontrollable shake, “Today was- scary. But you couldn’t help that. Any more that you can help it from happening t’ anyone. I know that,”

And you look up at him despite the burn it causes you. And -a funny contrast to your still teary eyes- you smile.

“-but you did save me. And that was- honestly one of the coolest things I’ve ever seen in my life.”

The comment strikes him as funny, too, since he gives a little chuckle.

“Me blastin’ in and causing you to choke on my smoke?”

You nodded briefly.

“Kinda hot, all things considered.”

Unbelievable, his headshake and eyeroll at how easily you can -and will- make jokes. Perhaps it is the shock still, deflecting with humor. 

You do realize how fragile it is because when you laugh at the absurdity, you catch his eye again and you look just a little too long before you’re sniffling. 

The reality is that you could lose him at any time: whether by his end or yours. He’s got the more dangerous job by far, but if today was any indication on your part, you shouldn’t just think yourself as a shoe-in for safety.

Bakugou cups your face in his hands to make himself perfectly clear.

“You’re the hero today, angel. Watched you in 16-bit as you snuck back there, taking that bastard into next week. You saved every- single- one of them.” he placed a kiss on each word as he praised you. “I am so damn proud of you.”

Your hands still skipped, limbs jumpy. 

“I don’t feel like a hero.”

His lashes lured you in as he gazed at you through them, “Doesn’t mean you aren’t one. You did it scared. That’s pretty hot, too.”

You huffed your amusement as he thanked you in his own way. Best to let him carry on before he’s whisked away again. 

Just as you thought he might release you in ushering you out of the office, Bakugou takes you by the hands so that you can stand, then keeps you in place by his immovable stance.

“Things are gonna change,” he vows, “because none of this shit matters if I don’t have you. Yeah I want you now, but I’m gonna want you after my fire’s burnt out. Which means, I gotta pay attention. I have to set ‘who matters’ just as high as ‘what matters’ and remember why.”

Touched by every word, your trembling lessens. You take in his warmth and his care and his explosive loyalty with confidence and nod in agreement.

Taking one last selfish hug, you sink into your hero again, standing more as equals than you usually feel being held by him. He’s lifted you up in more ways than one. Enough to let safety back into your heart, enough to tease,

“That can’t be your line. When did ‘Zuzu’ give you that one?”

“Hey,” Bakugou flicked you in the temple lightly, “I can be nice too, dammit.”

“Sure you can,” you kiss the dip of his neck in apology.

“You’re just always nice, you can’t appreciate the difference.” he pouts, taking your hand and leading you out of the office.

“...Sure I can.”

You have to give him a solid shot– he’s nothing if not insistent with what he wants.

Outside the room, there are a host of officers, photographers, medics and heroes aiding in the recovery efforts, so you relax your hand in his to let go,

–only he doesn’t let you.

Bakugou glances to you, “You’re in shock, extra. You need to get checked out.”

“I’m fine, Mr. Dynamight,” you chortle with a little head bobble like you would have normally done, only now the movement makes you wince.

“That’s what I thought. OI, Deku- where’s her sh-phone?”

The iron hero stands with the receptionists, looks to you both and smiles gratefully, before nodding off to his company and joins you-

“This, I believe, belongs to you, maam~” he perks up as he comes around to your other side. It’s not so much that you have to pretend to be strangers, but in this high-traffic place, it seems easier to fall into roles of ‘heroes’ and ‘thankful public’.

“How kind, Mr. Symbol of Peace~ I’d be missing this!”

Double checking your lock screen, he did -in fact- change your cover screen to a playful selfie: pointing at the crumbled remains of the wall they’d broken into, with the caption:

>>Whatever Kacchan wants, Kacchan gets <3<<

Muting your laugh, you simply tilt your phone Bakugou’s way and catch Midoriya’s quick wink back to you, before he sets off running with a screaming boyfriend sprinting after him.

At least Katsuki showed up back at your place at 6:30PM on the dot, fixed you both a salmon dinner, and started getting your baseline of support back on track. With his next two weeks off and barely keeping his hands off of you so far, you believed he was making good on remembering his why.

[cosmerelists]

Lift Hands Out Nicknames

As requested by @onlymollygibson :)

Lift calls Dalinar "Tightbutt," Nale "Darkness," and Wyndle "Voidbringer" -- she seems to assign nicknames based on her personal impression of a guy (gender neutral). So if Lift assigned nicknames to other characters, what might those nicknames be?

Lift: Attention, everyone! I have decided to assign ALL of you nicknames.

Dalinar: Uh, Lift? This is actually a very important strategy meeting about--

Lift: Hush, Tightbutt!

Navani: [covers her mouth quickly to hold in a laugh]

Lift (turning dramatically toward Navani): And as for you!

Lift: In my head, I WAS calling you Mrs. Tightbutt, but I heard plenty of people talkin' during the invasion.

Lift: You are now The Mad Scientist.

Navani: With the "The"?

Lift: With the "The."

Lift: That's how you know you've storming made it.

Lift: (points at Kaladin) You're Longlegs.

Lift: Because you are very tall.

Kaladin: ...

Shallan: I am literally always saying that!

Lift: Thank you for your contribution! You are Strawberry.

Shallan: Because of my...hair?

Lift: Yes.

Lift: And you also have a general "jam-loving" aura about you.

Shallan: ...That's a strange thing to be able to tell at a glance.

Lift: Is it though?

Adolin: Do me! Do me!

Lift: Can do, Horse Girl.

Adolin (nodding sagely): It feels right.

Lift: Venli ain't here, but for the record, I call her Freedom.

Lift: Not allowed to talk about why.

Lift: You! (Points at Szeth, who was barely visible in the corner)

Lift: You're Shadows and your sword is Munchies.

Nightblood: Yessssss I get a nickname!!

Szeth: I know you are wise, small one, but....why?

Lift: You're always following someone else around like their shadow. You like to be in the shadow. You're dark but not dark like Darkness is dark.

Lift: It's stormin' layered.

Szeth: I had no reservations about your designation for me.

Szeth: I was more questioning Munchies.

Lift: She likes to eat. What can I say?

Lift: [To Renarin] You're Four-Eyes.

Renarin: ...Because of my...glasses? That I...no longer wear?

Lift: What? No!

Lift: Because you can see the present, the past, the future, and the truth. That's four things!

Renarin: Oh...that's, uh, actually very deep.

Lift: I don't only look at butts.

Lift: By the way, Tightbutt--the fact that you still have the best butt in the room remains highly suspicious.

Dalinar: ...

Dalinar: Can we get back to our meeting now?

Lift (shrugs): I was never stopping you.

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[cityofmeliora]

notes / thoughts on the Papas' (lack of) involvement in the songwriting process and their connections to the concepts / themes of their albums

thanks for the kind words and thanks for the ask! these were great questions and really enjoyed writing this response. your questions really made me think! (and when i start thinking i always think too hard and take forever to answer– sorry this took so long!)

i'm putting these questions together because i feel they are closely related. this is a topic i've recently been thinking about a lot, actually.

A Ghoul Writer was first mentioned in that 2010 interview with Primo. the Ghoul Writer is Special Ghoul, the Nameless Ghoul character who gave interviews in Eras 2 and 3. in interviews with him, either he himself or the interviewers would usually mention he's the Writer. i'm not linking anything specific here because you can find this happening in pretty much any Era 2 / 3 interview. (though there's one Era 2 Nameless Ghoul interview that refers to the Writer as a separate character.)

the only Papa who wrote his own music was Nihil. the music video for The Future Is A Foreign Land shows that he and his Nameless Ghouls wrote the song together, and he's credited as a writer on Seven Inches Of Satanic Panic. (pic: back of the SIOSP record)

after Nihil, none of the Papas were involved in the songwriting process. everything after Nihil was written by A Ghoul Writer.

PITCHFORK: On the new album, the songs/lyrics are credited to "A Ghoul Writer." Are you this "Ghoul Writer"? If so, what inspired the words? PAPA EMERITUS: I am not the Ghoul Writer. Pitchfork (April 2013)

Does Papa contribute to the composing process? NAMELESS GHOUL: No, Papa doesn’t contribute to the song-writing. Metal Paths (August 2015)

so the later Papas were interpreters of the music, not writers.

as for the question of whether the Papas embody the sins of society or criticize the sins of society by parodying them, i think it's a bit of both– and i think it depends on which perspective we're looking from.

obviously from a real-world perspective, Ghost as a whole is meant to criticize and parody the issues the music is about, and the personality and characterization of each Papa is closely tied to the themes of his album.

from an in-universe lore perspective, as interpreters of the music, each Papa has his own relationship with the themes of his album. i think the Ghoul Writer writes each album for / about the Papa who's going to perform it. however, this is not necessarily a positive gesture.

here are my notes / thoughts on how each Papa relates to the themes of his album:

(trigger warning for mentions of misogynistic violence / rape / forced pregnancy)

Opus Eponymous and Primo: Primo refuses to comment on his interpretation of Opus Eponymous, but it's pretty clear what he thinks. Primo is a misanthrope who believes humans are “vermin” that have doomed themselves due to their “intellectual decline”. in his eyes, humanity is unworthy of life and will eventually be destroyed. Opus Eponymous has been described as an "orthodox devil-worshipping" album, and it is a very violent album, which is great for Primo because he's an orthodox devil worshiper and he loves violence and murder and wants everyone to die. 'Elizabeth' celebrates an alleged serial killer who is said to have killed hundreds of women / girls. 'Stand By Him' is about a woman being raped by a priest, who then accuses her of witchcraft and has her burned at the stake in order to cover up the assault. and the overall narrative of Opus Eponymous is about a woman being raped and forced to carry + birth the Antichrist, which will eventually kill her. this is something Primo thinks is good and anticipates happening because he believes in the cult very literally and agrees with its message / mission of human extinction. Primo is definitely a villain.

Infestissumam and Secondo: interestingly, there is actually an instance of Papa telling us about his interpretation of this album. in Secondo's own words, "the new album is about the presence of the Devil. The title, Infestissumam, means 'the biggest threat' and refers literally to the arrival of the Antichrist, but what it is also is about is what man has traditionally regarded as diabolical presence– namely female form and swagger." Infestissumam is about how humanity can connect to the presence of the Devil, both physically and spiritually. i think this theme really shows through Secondo. to him, all the things traditionally regarded as sin –especially sexuality– are good things. to him, Satan is the way to freedom and enlightenment. on the flipside, all the things promoted by christianity –holiness and virtue and repression– are stupid and stifling. Secondo is a jerk and he loves to have sex and party and he just doesn't care. Secondo, more than any other Papa, is dedicated to indulging in sin and saying "fuck you" to christianity.

Meliora and Terzo: it's complicated. i don't want to give a detailed explanation right now because i already have a separate post in my drafts about my analysis of Terzo's relationship with the themes of Meliora (it will be long). for now, this is what i'll say: Meliora is about the absence of god, and it's described as futuristic and "pre-apocalyptic." the title "Meliora" means "for the pursuit of better", but it's meant to be ironic. it's about the mistakes people make / the bad things people do in pursuit of better. so as your ask states, it criticizes ambition, greed, and abuse of power. i think Terzo wants to criticize those sins. but i think that he also embodies them, to a certain extent, and i think Meliora is also criticizing him.

Prequelle and Cardinal Copia: we don't really have any canon material that indicates Cardi's personal opinions on the album, but there is certainly a connection between the character and the concept / themes of the album. Prequelle is described as a "positive" album about the plague. it's an album about society falling apart during the apocalypse. it's also an album about celebration and survival in spite of being faced with the inevitability of death. i think Cardi certainly embodies this. Cardi is surrounded by death. Prequelle Era begins with Papas I, II, and III being murdered in order to promote Cardi's success, and it ends with Papa Nihil dying, which allows Cardi to ascend and become Papa IV. in a way, Cardi is both a plague rat and a survivor. it's not his fault they died. he didn't ask for them to be killed, and he was not their killer. but he is the herald and the carrier of the true killer, the actual driving force behind everything (Sister Imperator). through all this, Cardi is having a good time! he's dancing the night away! he's glad everyone standing in his way has dropped dead! he is a rising star and he feels invincible! and he is certain he will survive this.

IMPERA and Papa Emeritus IV: the main themes of IMPERA are "spiritual annihilation", reactionary sentiment, and regression. it's about how people who fear progress are afraid of losing their sense of meaning / purpose and their place in the world, so they turn to misogyny, violence, religious dogma, and fascism. they cling to the idea of having a cause to fight for. i think Cardi is certainly criticizing these issues. he doesn't agree with any of this at all. however, there's still a connection between the narrative of IMPERA and Cardi's character arc in this Era. narratively, IMPERA is a concentrated / condensed version of the apocalyptic narrative that plays out through the first 4 albums. it's about the cyclical nature of the rise and fall of empires. IMPERA Era begins with Cardi ascending to the title of Papa. but after the feeling of triumph wore off, Cardi became very aware of and very fearful of his own inevitable end. he knew that no matter how great his achievements were, he would be forced to step down so his successor could take his place, just like his predecessors had for him. Rite Here Rite Now is about Cardi struggling to make peace with this idea. as a side note: i really like the irony of the fact that Cardi was never actually the leader of his own empire– he was a puppet emperor who got his marching orders from his mother. it connects to IMPERA's theme of political manipulation.

[meraki-yao]

RWRB Full-Cast Audiobook Imaginations

So with the sequel on the horizon, we’re not that far from a full-cast re-recording of the audiobook, right?

I listen to the audiobook more than I read the book, mostly because I can listen to it while doing other stuff, and no offence to the original narrator, but while it’s good, it’s not the best. I kind of cringe at his British accent for Henry.

So I have a lot of thoughts.

The thing is with an audiobook, we can get both the wonderful vocal performance of the movie cast, and the iconic book lines, the ones that didn’t, and frankly, could never have made it into the movie due to format restrictions:

Sexy explicit sex scenes

Sexy explicit sex lines “For fuck’s sake, man, you just had my dick in your mouth, you can kiss me good-night”, “I want you to fuck me”, “I’ve been thinking about your mouth on me all well”

Emails in their entirety

Email openings and endings “Huge Raging Heache Prince Henry of Who Cares”, “First Son of Shirking Responsibilities”, “Horrible Revolting Heir”, “First Son of Founding Father Sacrilege”, “Haplessly Romantic Heretic Prince Henry the Utterly Daft”

Email historical quotes “The whole is a mass of fools and knaves; I could almost except you”, “I meet you in every dream”

Swearing and explicit language “fucking shit” “I fucking love you, okay?”

Internal Struggle

Iconic lines that didn’t make it into the movie for adaptation and story purposes “I’m never gonna love anybody in the world like I love you” “I love him on purpose”, “America, he is my choice”

Like, imagine hearing all of this in Taylor, in Nick, in Sarah and Uma and Ellie and Rachel and Thomas and Aneesh and Cfiton etc etc 's voice. Just imagine it!!!

Another thing to add is that to put it in simple terms, the current version of the audiobook does the dialogue lines closer to theatre acting: more enunciated, more inflection, and slower. Which is fine in its own right (I’m a theatre kid). But with the cast audiobook, hopefully, we can get them to do something closer to film acting, i.e. closer to reality, reading the lines as they would if they were to shoot those scenes.

Which is gonna make big moments like sexy times and confrontations a lot of fun :D

And something really entertaining to think about is now that we also know the cast and their dynamic is thinking about how much fun they would have while recording the book, especially when they have scenes together. And it’s not necessarily just Taynick, it’s group scenes with the whole Super Six, like the karaoke scene in chapter seven, or the Texas Holiday Scenes with Firstprince and Junora.

Like, Imagine it, the actors in the same recording studio, maybe even on the same couch:

Taylor and Nick laughing while reading off the insults from the earlier frienemies days of their relationship

Taylor and Nick squirming and playfully hitting each other when recording lines for sexy scenes like the first night, or the tack room, or Wimbledon

The cast shouting and booing (playfully) whenever someone messes up a line in their group scenes

The chaotic fun that is the LA karaoke scene, everybody’s laughing, Ellie gets to be the singular sober person while everyone else acts drunk, Nick singing Don’t Stop Me Now shittier (Nick has the voice of an angel but book Henry can’t sing for shit),

Taylor and Nick giving each other hugs after screaming at each other for the Kensington confrontation

Nick grinning smugly at every book height difference mention (:<

More of Taylor speaking Spanish!!!

Thomas gets to be a proper asshole villain who later turns into awkward older brother who's trying

Ellie gets to do the pie metaphor grief monologue  

Taylor gets to do another speech (he’s really good at delivering speeches)

 I want to quickly reiterate that I am in no way unhappy with what we got in the end for the movie; I love it to pieces. However, as Matthew and Casey said, there are two “canonical” versions of the story now, and since audiobooks are an option, it would be really nice to connect this aspect of the movie verse with the book verse in some sort of middle ground.

So yeah Audible? Amazon? Get on with it!!!

@almightaylor this was the long post I mentioned, I literally started this in July lol

[mercurygray]

A few thoughts this evening on writers and prompt culture:

I am trying to get better about leaving prompts for others, because I know that when I am asking for prompts, it is because I am bored, or I am feeling lonely, or because my brain just can't sit still and it needs something to play with.

Giving prompts and receiving prompts, for me, is a way to remind myself that I am part of a community. It is a way for me to reach out, and for other people to reach out to me.

When I give prompts, they are an invitation to write, not an obligation. I treat the prompts I am given in the same way. And I am going to gently suggest to all of my fandom neighbors that anyone who treats the filling of their prompts like it is an obligation and that they are somehow owed the products of your time and your mental energy… probably isn't someone you should be doing writing for.

If taking that time to fill that prompt is not going to bring you joy or is not in line with the person you are now or the writing goals you have for yourself now, release it and let it go. Thank it for the service it has done telling you that someone values your work. It is so kind of that person to ask you for this thing, and you are also being kind to yourself by saying no. You do not value or esteem that person any less because you are choosing not to fill their prompt. If the sight of unfilled prompts in your inbox is causing you stress, this is a permission slip to delete them. If it would make you feel better, you can screenshot the prompts, or record them in a spreadsheet, and perhaps return to them at another time.

[jeanmoreaue]

okay sharing how i picture aftg characters below bc I feel like it lol

Neil Josten - i am most unsure about how i picture him lmao but this little boy from the lord of the flies movie has young Neil vibes + this dude in an outfit Neil would not wear on the right has Neil vibes as well

also I've said this before but tennis us open winner Jannik Sinner serves Neil Josten

Kevin is who i have the most definite idea of bc he’s easy to find pinterest references for bc all pinterest references are gonna be unrealistically hot and with Kevin that works perfectly so here’s that hot hockey player everyone thirsts after Michal Mrazik

and then I also am convinced that Shohei Ohtani serves Kevin Day vibes (record-breaking baseball player/arguably top player of all time, hot, he even had a career changing arm injury and made a massive comeback + had a very public drama with his "lifelong best friend" who stole a ton of his money lol sorry Shohei) and bonus: Shohei Ohtani with his equally talented basketball player wife Mamiko Tanaka (Thea)

for Jeremy this random dude from a Yale ad is a little too hot, but very close to how i picture Jeremy but yes also i’ve been convinced by everyone’s Damon Albarn idea lmao

i can’t find one person in particular who looks like Jean, but here is a "actors who if all combined would probably look like Jean to me" moodboard:

[marimayscarlett]

A very nice post by wir.sehen.euch//rammwiki:

30 YEARS OF RAMMSTEIN - 2014: When the MIG era came to a close after the 2013 tour leg, Rammstein took another break. For Richard Kruspe, that meant post-tour depression, which made him start writing more music for his side project Emigrate.

«I just came out of a Rammstein tour and I was really down», the guitarist said to Ultimate Guitar. «So I’m constantly writing and I remember about two and a half years ago I was going through the folder of all the stuff I had written and it got quite inspired and it brought me out of the mood I was in.»

Kruspe brought his Emigrate family together, and the band recorded their second album, Silent So Long. For Richard, that was a very different experience compared to being in the studio with Rammstein.

«I love Rammstein and the way we work is the only way it works and I understand that. But especially being in Emigrate and realizing what kind of person I am, I like to be the one who is in control and has the last say on things. It makes me a better team player at the end of the day. Rammstein is so democratic and often decisions are being made because of the egos, not because of the music and I don’t have that in Emigrate. It makes the studio experience so much more pleasurable in Emigrate than in Rammstein. But there is a responsibility that we have, being in a band like Rammstein.»

The guitarist did reveal that Rammstein had met up in Till Lindemann’s village to check up on each other, even though no plans came out of it. «Till was cooking all the time. We had a lot of meat. It was really about sitting, eating and talking. We didn’t play any instruments - not even a drum beat, nothing. We were just talking», Kruspe told Kerrang. «In Rammstein, we talk a lot. It’s the biggest therapy that I’ve been through. I learned a lot about myself, but now it’s time to move on…»

📷: Bryan Adams, Alexander Gnädinger 2014, Emigrate 2014

[jung-koook]

are you making those gifs just from the yt shorts/ig reels of I AM STILL that they are posting? it doesn't even look like it bc the quality of the gifs is so good D:

If you want to talk about quality you've come to the right person! LAKSKSALKS everyone loves high quality files but sometimes I do crazy things for files that not even my friends can do. such as my paid weverse files. I always want the original quality and with screen record we don't have that, so I literally gave my email and password to someone on a forum so they can download my files from my weverse account in the original quality. this person just said "hi, I know how to download paid files from weverse using codes, do you want me to do it for you?" and I, who don't know this person, said "omg please, thank you so much for doing this for me". 😅😭 also download torrent files from suspicious websites. the list is long LKASKLAKSAS but I can give you some tips on how to always find good quality files, at least files that are free or easier to find.

try to join in exclusive forums like kpop24hrs or a harder like jpopsuki and avistaz. I had an account on jpopsuki, but maintaining an account there is very hard for me, I am someone who doesn't keep files saved on my laptop. there is a forum called "torrent invites" where some people go there and offer invitations or even exclusive forum accounts. I got a jpopsuki invitation account for a friend there. check torrent invites forum if you want an invitation to another forum! now youtube videos. to download youtube videos I use 4k video downloader. but before downloading the videos you can also try to change the format of the video to see if the quality changes too. sometimes videos in mkv format have better quality, so it's always good to check if the quality changes.

I always do that on bangtantv like bangtanbomb or the episodes videos which most of the time are always only uploaded on youtube. BUT we have some videos that are not only uploaded on yt but also on instagram and tiktok~~~~ and this is where we win heheheh~~ if a video is uploaded on these three platforms ALWAYS download it from tiktok. 99% of the time, videos on tiktok have a thousand times better quality than those on youtube and instagram. or you can also download the video on these three platforms so you can compare and see which quality is better, but I'm sure that tiktok's quality will always be the best. here's an amazing example, jin video that I giffed earlier.

first i only saw people sharing the instagram link but i went and searched if the instagram account also had a tiktok account and BAM they did 🥹 I downloaded the video from instagram and the quality was poor:

but when i download the tiktok video the quality was:

damn... this is sexy🫦

when instagram doesn't always make videos available in 1080p, most videos on tiktok are 1080p. just go and search "where to download instagram videos online" "where to download tiktok videos online" and open a website that does that and that's it.

another example, my tae and jeongguk recent gifset that you talk about here in this ask.

the quality of the video uploaded on youtube and instagram is very similar.

yt:

instagram:

but look how the quality is a thousand times better on tiktok:

🥹🥹🥹🥹🥹 so beautiful that I almost got emotional LAKSKASKASKA

my advice is to always look for other platforms they may have uploaded the files to! like for example jeongguk vogue photoshoot. many people thought that the videos were only uploaded on twitter and instagram but no, they were also uploaded on facebook! always look for accounts on facebook as well. but facebook is weird… from what I understand they won't upload all the quality at the same time so sometimes it takes a while for a video to be in 1080p there. another thing, sometimes they will also change the quality lol. for example, when I downloaded jeongguk photoshoot there the highest quality available was 2k but now it only has 1080p.

now:

😭😭😭😭😭😭

now torrent files~ I don't recommend the websites I download my files from because I'm not sure they are trustworthy but as I have a good program to protect my laptop so I feel safer lakskas. for torrent files I use eztvx, kpkuang, 1lou. "are you sure" files I had to search for jung kook or jimin to find the files on some of these websites.

and now free websites where we can download high quality bangtan files are namuspromised, sharemania, soowoozoooo and ouranxingg.

there are others but I feel like these are the ones who always share high quality files.

this was me trying to explain to you guys how to always find high quality files with my bad english LAKSKSKASK I just love helping people find good quality files ♡

EDIT: I forgot to talk about vimeo but @galatariel reminded me of them too ♡ many photoshoot are uploaded there with high quality so also check vimeo when a photoshoot comes out! I downloaded most of my recent tae photoshoot there~

[fruitgummies01]

So I managed to get time tonight to see Jung Kook's 'I Am Still' documentary, and I have many thoughts lol.

Spoiler Free Review

JK is so ridiculously talented. I'm sure it was already obvious. but seeing him in the studio, recording his first album, was amazing. He has such a unique ear for music, and it was impressive to hear him in the studio with his English-speaking producers in the U.S. JK repeatedly talked about how nervous he was whenever he was doing something new, and the astounding thing is you could never tell. His nervousness never showed. He was always delivering at such a high level, that you could never tell in any of his performances. Hearing his luscious vocals and tone in surround sound in a loud theater was worth the price of admission alone.

Spoiler Filled Review Below

There's honestly not too much to spoil. If you watched many of JK's performances during his promo run, you probably have already seen like 80% of the documentary. The TSX performance in Times Square, GMA, Global Citizens Festival, the Golden Live on Stage Showcase, and one of the performances he did in the UK were all highlighted. It's crazy that JK was sick through so much of his promo run. One of the only times he mentioned in the documentary that he was feeling in good condition was for the TSX performance. It was also very obvious how much JK's staff loves him. The fact that they were always taking care of him and asking how he slept, and would cheer if he slept well was sweet.

The behind-the-scenes of Jung Kook recording Standing Next to You, going to the doctor before his GMA performance, and the cutting of his hair all felt like the most significant scenes to me that were actually new. JK recording SNTY really showcased his genius as a musically gifted artist. I mentioned this earlier in my spoiler-free section but JK has a remarkable ear for music, and the fact he could hear a note sung by a producer, immediately knew what they wanted and how to sing it, and deliver it back despite the language barrier was insane. Even though JK was too humble to admit it in the documentary, he 1000% is a musical genius with an innate natural ability that can't be taught.

In terms of appearances by other members, there was not much. While rehearsing Permission to Dance for Global Citizen Festival (I think lol) JK mentioned that Jin and Jimin drive him crazy because of how high their parts are in the song, and that fact he had to sing their parts 😅. He visited Barnes and Noble and saw all the members albums. Tae made a suuuuuper awkward appearance while JK was recording lol. JK's one-arm sideways half hug (with his other hand still in his pocket) made me laugh. Next, Jimin. I have no idea if JK had any input on how the documentary was put together, but Jimin making an appearance at the very end, being one of the last things included, actually felt so meaningful. JK had just buzzed off the rest of his hair, had finished recording Never Let Go, and went to find Jimin. Seeing Jimin's full body reaction to seeing JK's hair for the first time felt equal parts funny and emotional. JK leaned into Jimin as Jimin rubbed his head and then asked him how it looked, like he needed his encouragement at that moment. I thought it was really touching. The scene with Jimin and the scene with his barber/hairstylist who cried after cutting JK's hair felt like two of the most personal scenes in the film that didn't have to do with JK as the artist, but with Jung Kook the person.

This leads me to a few of my issues. While I loved it, I did at times find myself wishing it was a little more personal. A lot of time was spent on interviews with his English-speaking producers who worked on Golden and their thoughts, but thankfully PDogg and Son Sung Deuk were also included to add some much-needed insight into Jung Kook as a person. (I don't want to get flamed for mentioning it, but I really hated seeing Scooter appear, but thankfully he remained in the background during Seven's recording.) The jumping around in time didn't really work for me either, but maybe it's because I was crazy locked in during that time and know the exact order in which his performances happened lol. I also wonder why they didn't include more rehearsal or practice dance footage. They included sooo many full performances from Golden Live on Stage and so much hard work and preparation had to have gone into pulling that off, so it was a little surprising not to see much behind-the-scenes content from it. Or maybe BigHit is saving that footage to use at a later time, which would be very like them lol.

Overall, I would HIGHLY recommend everyone watch 'I Am Still' to see Jung Kook's genius at work on the big screen!!! For a 1 hour and 33 minute documentary , it was time very well spent. Again thank you again to the anon who messaged me asking for my review, this very very long review is really all your fault haha. 😅

[pleasantspark]

Jeffy's 20th Birthday vs Masquerade: How one message failed and another one fixed it.

Cw // CSA, SA, ABUSE, Child Abuse

Note: I am aware that SML has in the past did tasteless shit, but in this entire video, it has handled it properly. SML is capable of handling serious topics in which Hazbin failed to do.

SuperMarioLogan is a puppet indie tv webseries where Logan Thirtyacre and a bunch of his friends record videos that were originally for adults but has somehow catered to kids.

These videos are true edgy, and inapproperiate and somewhat even NSFW. Today we'll be talking about Jeffy's Birthday. Which was uploaded 10 days after my 20th birthday.

Jeffy's 20th Birthday comprised heavily of flashbacks abour Jeffy's childhood, and compared to Masquerade was handled better than what the message was about, it didn't have the main villain act all goofy and menacing and it showed that the person being abused did not like it.

In J2B, Feebee was sexually assaulted by CJ, and we see the mental toll it took on both her and Jeffy. Jeffy was obviously traumatized due to his guilt of not protecting his sister. Even mentions of the guy flies Feebee into fear.

Fear.

In which Val lacks to put into Angel Dust, to me, Angel Dust seems like he wants the poison. I know some victims go back to their abusers, but Angel Dust only did because it was for plot reasons and a major disagreement with Husk. It seems forced and almost for the sake of people wanting HuskerDust.

Angel compared to Feebee feels no genuine fear, other than having a panic attack at the end of Poison, he for the most part spends his time listening to Val's abuse. If anything, it seems like Angel tolerates being yelled. Which is a form of abuse.

Feebee reacting negatively to being SA by CJ coupled with the fact of Jeffy bearing witness to his sister's abuse caused him to hurt CJ, what has Husk done in order to stop Val?

Nothing.

He has done nothing to stop Val, other than to babysit Angel Dust at the "consent" club, Husk is NOT suitable to be Angel Dust's partner, he's just babysitting a grown man who Made his choices and every now and then he's living like there's no tommorrow.

Angel Dust's poor characterization and sudden switchup seems forced, and unlike Feebee was "able" to stick up to his abuser, Feebee never had the chance to do so.

She died after getting hit by a truck (more precisely Woody's truck.), by the end of the video, Jeffy advenges his sister and kills CJ.

So in conclusion, Jeffy's 20th Birthday showcases actual trauma and reactions by a victim of abuse. Rather than Angel Dust, who we see is being babysat by Husk in Episode 6. It's ridiculous to think he's supposed to represent a victim of abuse when its giving me mixed signals.

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[hinamie]

theyre soft your honour

[essektheylyss]

I have to wonder about the order of the arrival of the gods' avatars in Exandria, in particular Ayden. Because he's so young. He feels older than his years, but he also feels young in the sense that he is still experiencing the world—he intervenes as often as he is able and is not shy about ending with the small community that they are soon leaving, he is most affected by suffering and injustice. There is a pity borne of his divine point of view, yes, but even comparing him to Trist, who has obviously embraced the mortal world and ingrained herself within it, or S.I.L.A.H.A., who has gone out of his way to experience the wonders of the city that has driven them to such drastic lengths but who seems distantly resigned to its destruction, Ayden feels impressed upon by the circumstances of the world in a way that is much more youthful.

It seems that there was some amount of plan around who arrived when, but it wasn't all that specific beyond Ioun scouting ahead in Aeor, and was otherwise based on their own decision or whim. Why did Pelor wait so long to go? Had he hoped that perhaps the issue would be resolved before it became necessary—before the light of Exandria was sequestered away in a mortal form? Was he wary of growing too used to being mortal, to becoming attached to his life even beyond Trist, who leaves her family ruefully but resolutely all the same?

Ayden walks as though he cannot help but let the world touch him, but he doesn't seem to have companions of his own, instead traveling with Trist's family. They have left their home recently enough that Trist is still wearing her husband's overcoat rather than her own, and he goes without, suggesting that they have fled recently and with haste. In contrast, Ayden makes no mention of parents or a family, though he is young enough that he should still be with them. In this time of war, it is simple to wonder if they've been killed in its path, perhaps before Ayden was aware of the hand he'd had in its making. He carries little, and the shield he has seems to be—at least looks—worn and broken. It's quite likely that it too was created in response to this war, as much as Ayden himself. He looks to his sister and her mercy like a north star.

He feels both new to and impressed upon by the world, and I have to wonder how forcefully he is holding himself apart from its suffering, even as he intervenes often enough that he risks giving himself and his family away—not because he is afraid to experience it, but because he already has. He understands that he is fighting for this world even as he and his family is the cause of its strife. Aeor may offer the gods the mechanism by which to separate themselves from the world they've shaped, but I wonder if having the perspective of Ayden will give Pelor the resolve and the reason to choose it.

[taiyami]

This might be kind of a loaded question but I'm genuinely curious. Mostly for my mutuals who self ship but obviously you're welcome to vote even if you don't self-ship.

There is absolutely no shame or malice directed in voting no, I'm trying to gauge how universal my own experiences are!

[starwikia]

suicide cw

look i have been in this area before mentally. it sucks and i wouldn’t wish this on anyone. but, and this is going to sound callous, but i don’t feel any sympathy for james somerton. even if i hope he’s like. not dead. But thats all the amount of goodwill im willing to give him. The more i think about this really, the more angry i am. 

ngl this entire situation is another example of how white people weaponize their mental illness to avoid consequences. Im seeing it in real time.

this man has a continuous habit of using self-harm as a get-out-of-jail-for-free card. in both of his apologies, he has worded his supposed attempts in ways that were clearly meant to guilt people who displayed his plagiarism and overall horrendous history of racism and misogyny. i say supposed because, while i’m not saying those are lies and this would he such a fucked up thing to lie about that i don’t want to think he has, unfortunately, it’s been proven again and again that his word can’t be trusted, as he’s known to lie to try get out of consequences. Hes a proven liar. him lying about this is actually the best case scenario, because no one should go through this entire situation, wouldnt wish this on anyone, but you can only do this so often before people stop sympathizing with you. is this callous? Yeah, but like. I’m actually fucking angry he cant straight up take no as an answer. that this is how he reacts realizing he cant be one of the Cool Kidz™️ on youtube anymore. he acts like he DESERVES a career, like its not a privilege hes lost due to his own actions.

He lied about apologizing and forgiving people, he lied about giving the money to hbomberguy to give to ppl he ripped off (yknow, instead of doing it himself), he lied about the jessie gender situation and rewrote the narrative to make it so he isnt the bad guy, and hes the victim all along actually!

you can’t tell me that supposed last message of his isn’t meant to be a 13 reasons why esq attempt to deflect the blame “look i’m going to kill myself and it’s all YOUR PEOPLES FAULT for not letting me achieve my DREAM of being filmmaker IN PEACE!!! I just wanted Nick’s (the guy who I have thrown under the bus again and again) portfolio up!! Im just being a good friend dont you all FEEL BAD” he refuses to take ANY ACCOUNTABILITY of any of his actions and he IS STILL trying to shove the blame over to other people again.

it’s also pretty ironic people are like “uhhh well hbomber’s fans harassed him!!!” like hbomber outright told people NOT to HARASS JAMES!!! ALSO acting as if james doesn’t have a very real documented history of STRAIGHT UP sending his fans to harass and threaten smaller creators, more notably women, trans, and bipoc creators. especially after he’s stolen typically very personal anecdotes so he could profit from them. so why can he do it but the second people are like “hey this guys an actual piece of shit.” and he can’t handle it suddenly people are trying to white knight his shit? like no he doesn’t get that. he doesn’t get that at all just because he couldn’t handle the consequences of his actions. 

what? were supposed to stay quiet about a man profiting off of other minorities because he wanted to be the spokesman for all gay people? people tried to solve this on a smaller, more private scales for YEARS and he kept doing it. it was clear that the giant public video was the ONLY way to get people to notice. HE WOULDVE GOTTEN AWAY WITH STEALING 87 FUCKING THOUSANDS WORTH OF DOLLARS. HE CANT HANDLE THE FACT HE CANT GET AWAY WITH IT. 

am i supposed to feel bad for the guy who basically threatened a trans woman with the police? i don’t care what anyone says, it’s so fucking obvious that he threatened jessie by implying he was getting the police involved in their conflict. what am i supposed to act like that didn’t happen? are we supposed to pretend like he didn’t glorify nazi’s and outright said that gay people made up a good chunk of the nazis? That he didnt say america joined ww2 bc they were jealous of the NAZIS. WHAT WOULD POSSESS YOU TO FUCKING SAY THAT. but then? He gives women (not even women most of the time, he misgenders nonbinary ppl constantly) shit for writing mlm. are we supposed to act like he doesn’t straight-up sees himself superior and better than people of color and steals their works to put himself on a pedestal? Are we supposed to act like he didnt spit on our elders by saying “only the boring gays survived aids” like man! Fuck you! He BLANTANTLY MAKES UP HISTORY TO PUT HIMSELF ON A PEDESTAL!! HE ACTIVELY TRIED TO REWRITE LGBT HISTORY TO SUIT HIS FUCKED UP NARRATIVES!

yes this sucks ! no one deserves this but no one should be making him a martyr. Thats what he fucking WANTS! He wants to be immortalized as a victim!! (again, supposedly, it was reported hes alive but its not confirmed).

The shit he got isnt near the amount of fucking callous behavior hes done again and again. Again, to drill this point, EVEN IF HE DIDNT CALL THE POLICE HE THREATENED A TRANS WOMAN INTO THINKING HE DID!!! The fact he tried to use a head injury to justify years of the outright ghoulish shit fucking astounds me. Why the fuck did anyone in his life thought it was a good idea to let him TRY to come back. in the end, he had options. he didn’t need to try to make a comeback. HE DIDNT NEED TO FUCKING LIE OR IGNORE THE SHIT HE WAS CALLED OUT ON the reality is, he wanted to come back thinking he could shove it under the rug, was told that no dude, you’re not allowed to be a youtuber anymore. you’re done. you need to move on and went full nuclear. it’s not on anyone’s hands but his own. HES BEEN DOING THIS TO HIMSELF!! But nah man we cant call his shit out bc hell may or may not kill himself. Fuck the other minorities who have the same issues but worse and sometimes BECAUSE of him. This is going to SUCKKKK so bad when other ppl, specifically white gays, are going to weaponize this shit to get away with their stuff.