#this truly was an interesting project

[tathracynart]

I haven't animated in any way, shape or form for at least three years, and I haven't done 2D animation in probably twice that. I haven't used Toon Boom Harmony even once in my life, so this was my first time exploring how it worked. I animated this entirely within the 21-day free trial, which I think is decent for learning/relearning how to animate after so long!

[mando-abs]

Guys, I’ve read the Wild Robot

And let me tell you, if I hadn’t recently taken a Children’s Literature class in college, I would’ve said this was the best middle-grade book I’ve read since elementary/middle school. I almost read this book in one night (I was sleepy 😴) like I couldn’t put it down.

The heart behind this book is astounding and it never shies away from showing complex and difficult concepts. You will fall in love with Roz and her gosling son along with all of the other animal on the island.

If you’ve got younger ones, I highly recommend reading this to them or having a little book club moment with them. However, be prepared for whatever hard questions may come your way (i.e. circle of life and climate issues). You know your child and how much they can handle/understand. If you’re like me and much older, it’s a quick read and a great way to finish off a long day. It’s a part of a trilogy and you bet I’m patiently waiting for my hold on a copy at the library.

If the movie is anything like the book (which, given a rewatch of the trailer, it’s looking like so), we are in for a special treat.

[puppyeared]

isnt it great when u take your adhd meds and instead of using that brainpower for stuff like ASSIGNMENTS. AND PROJECTS. your brain decides the next 6 hours will be brainstorming ponysona names and making oc playlists

[textfromthelookout]

Did you hear of the news?

I have. :(

Everyone else has their tributes so, here, a summary of my experience with Dragon Ball.

I was in fourth grade art class. A kid had the February 2005 issue of Shonen Jump, back when Shonen Jump was still physically printed here. I recognized Atem on the front cover because the Blockbuster around the corner from our house had DVDs (I think they were DVDs and not VHSs then since I distinctly remember it having a menu and special features) of some of the later episodes of Duelist Kingdom and my brother and I watched them on repeat. So I was like oh, hey, what's this? They make books of that stuff? I don't remember the conversation but the kid ended up giving me that issue, and I took it home with me.

There were a LOT of significant, groundwork things happening in that issue, now that I think about it. We were just beginning to see Sanji truly in action against Pearl. The Dark Tournament was in it's early stages still with Roto fucking around and finding out against Kurama. Sakura shears off her hair in a move that rearranged sexualities the world over. The reason Atem was on the cover was because Yu-Gi-Oh Millennium World was just debuting its first and second chapter. Bleach wasn't even serialized yet. And Dragon Ball, of course, was also there, about a hundred and fifty chapters ahead of everybody else.

Keep in mind that this was my first experience with manga, period. So my very first experience with Dragon Ball opened on this:

and ended on this:

Yeah. Truth be told, at the time Yu Yu Hakusho piqued my interest more than Dragon Ball (a guy fighting with plants? how creative!) but I never did forget these chapters. I thought the art style was so different from the others.

At some point after this, probably between several months and a year and a half, the TV happened to be on one evening when Toonami was airing Dragon Ball Z. Oh hey, I said, I recognize that art, I know those characters. So I hung around and watched some of episode 281. Two things about watching that episode stick with absolute crystal clarity in my mind to this day. Firstly: Buu choking Vegeta out with his arm freaked me the FUCK out as a child. I could not tell you why I had a fear reaction to it but hey, there you go. The second is this:

Specifically I remember 'You died once. If anything happens to you now, you won't exist anymore. There'll be nothing I can do to bring you back.' Not precisely word for word over the years, but Schemmel's tone of voice on this particular lineread. If I had to guess I'd say it was because at that point in my life, uh, death was kinda permanent? So wait, what do you mean died ONCE. Doesn't that apply to everyone?

This still wasn't enough to get me super invested in it though, it just didn't seem like something that would appeal to me that much. So a couple years go by, I don't think about it all that much, and then of course, TFS hits the scene and drops DBZ Abridged. So you know. As a shithead middle schooler with a shithead sense of humor I thought it was the best damn thing since sliced bread. (My biggest character flaw is that I still think a lot of Season 1 is genuinely funny)

And that was really the extent of my interaction with the franchise for the next several years. Say what you will about DBZA but they did manage to put it all together such that someone who had a nonexistent concept of what the original context was could grok it with not a lot of effort. Some time in high school, I think I was around 15, I decided to bite the bullet and read all the manga, as much to increase the funny factor of DBZA as sheerly for the sake of being able to say I had. Stick it to the other weebs, y'know. Now they can't say I didn't know anything about good anime. This was unfortunately at a time when all that was available online were dirty poor-quality scans and questionable translations, but read it I did. I went 'yep, that sure is about what I expected', and proceeded to get on with my life. GT came and went, I looked up and saw Battle of Gods coming out and went 'oh hey that's still a thing huh', kinda was peripherally aware of all the divisiveness of Super as it was happening, didn't really pay it much attention, just stuck to DBZA and quite a lot of wiki-ing.

And then, this time of year about three years ago now, in the middle of conversation with @prophecydungeon, Dragon Ball somehow came up. Something to do with 'Even though I'm not hugely into DBZ's story or whatever Toriyama does have some great character designs' (yes I was referring to Vegeta and Future Trunks at the time, no i will not stop being predictable, yes i am a parody of myself). They eventually brought up the DBS Broly movie and said, and i quote: 'that was a solid 1.5h of unbelievably fun and wacky animation'. Having seen the Gogeta vs Broly part of it on twitter and been like 'damn that animation's kinda off the hook actually, good for them good for them', my response was to be like. Oh word? I've got a spare hour and a half to kill, sure, fuck it, why not, time to watch DBS Broly.

I think that movie was precision crafted to hit me in the hyperfixation, if we're being honest. Opening on a solid 20 minutes of Lore and Worldbuilding and then having most of the rest of the runtime being mindless slobberknocker fun by way of some of the hardest animation flexes ever? I was done for.

In summation. I have been aware of Dragon Ball for a lot of my life, in that its presence was pervasive and enduring as I grew up. I may have been late to the game of actually wholeheartedly enjoying it, but enjoy it I do. Dragon Ball is the roots of a vast tree of anime, and in reading it I began to understand why that is. I respect it for that, and I love it for that. My current fixation may have shifted, but as far as time devoted to one individual thing goes... it took me a year and a half to watch my way through all of the anime and read all of the manga. ALL of it. So there's something good in there, I'd say.

[moonssugar]

underrated raven cycle relationship is blue and maura. ‘Then she lay down behind Blue, mother and daughter like spoons in a drawer’ do you know how much i love this. do you know how much. and “you could at least say sorry…pretend like I have some power over you.” and maura talking with calla and persephone about being angry at blue instead of just immediately reacting, blue telling maura if she grounds her she’ll just sneak out the window with a bedsheet rope. theyre just so openly honest with each other like ‘at least blue could still be certain that her mother would never lie to her’ who is doing it like them

[krogerkryptid]

Hello hello new followers of mine (I wish this font was smaller with every fiber in my being I tried coding for an HOUR and alas it would not give me the font I requested) I've decided to do a tag as well since the vote for the project was almost tied. In the meantime have my map of queer Victorian London compiled through all of the fun and funky sources I have been reading for this passion project! No idea why the quality drops but that's CLASSIC social media so! (All the numbers are just in the order I added them and I'll add context/locations for all of them in a later post) There is added context for newbies under the cut to explain this whole thing and what I'm working on!

For those new to the scene and have no context for what this map is or what I am ranting on about I am looking at historical queer culture, specifically in London, and cross referencing it to the Sherlock Holmes canon. Since it is easy for us to say that they seem to be written as queer coded from our lens of literature and life experience, I wanted to see how queer characters were written back then as well as examine the attitudes and understanding of queer behavior in society to see if ACD did things on purpose (my thought is he did my god some of the things cannot be coincidence) or if we are looking back at a Victorian era story with our 21st century glasses.

[blitz0hno]

are Mikoto and John both new splits??

sorry if someone has had this theory before but anyway I feel like Mikoto may have had some level of awareness of his DID before his crime. Like not much, but just enough to know he can dissociate enough to "forget."

If Midokoto (green Mikoto) is real he's part of the very first one we see in MeMe, particularly the "boku WA boku wo"/"I will save Me" line. Not that he "split" on purpose, absolutely not. But if he already knew he tended to forget things, and put his mind to forgetting his first victim, then John and Mikoto both likely came of that. What remains of him, if he existed, is likely dormant, feeling nothing but the weight of the murders.

Splitting typically happens over time, and isn't a one-and-done thing; it's likely that Host Mikoto is there because he himself was fronting before the amnesia walls went up. This is where things get confusing as we don't know how exactly the splitting process is interpreted by Milgram. We're a system and can barely make heads or tails of it. It doesn't make sense that Mikoto would be the only one before John if John formed in adulthood. It would however make sense that Mikoto is the only alter John *knows,* which is why I'm led to believe that at least one more lays dormant.

I believe the Mikoto we know now is what became of the old host, who split into someone "normal" like he was before the crime, an alter who accepted the "necessity" of violence despite not understanding the crime himself (if John's pitiful but valiant attempts at defending Mikoto in the VD are to be believed), and what's left holds the memory of what really happened, and is now dormant. It's even possible that he or John is a gatekeeper of some sort, meaning it's their job to keep world-shattering memories from the host. Since Mikoto himself is now walled off, but he's the one in Milgram, it's reasonable to assume that John split from him; but since neither can seem to remember what really happened, and memories can't just disappear and are held by other parts in a system, there's got to be someone who has the final piece. And sure, that someone could be Mikoto. He would at least know a motive if he were to kill someone, and whether he admits it out loud or not he himself may think about it, considering it's his job to be Socially Acceptable.

Mikoto CAN be a two-alter system, but I'm not a fan of how Milgram implied that John split in adulthood without really addressing the "lifelong" aspect. While it could be a trick to see who does their research and catches the inconsistencies, there are already far too many misconceptions about DID accepted as fact by the general public. That said, we know what the characters know and from that angle I think it's really cool how it's all so murky and ambiguous, because that's how it feels for systems figuring themselves out in real life. Traumatized people, after all, are more likely to be put into a position of "commiting crime" because they are victims themselves, not because they feel like that behavior is acceptable but because the situations they end up in tend to mimic what they've been exposed to since day one. Obviously this does not count for willful violent crime but for crimes of self-defense, impulsivity or other emotional dysregulation, horrible horrible miscommunication etc.. Milgram seems to understand that much at least so don't take this or any other theory too seriously. I feel like our boys are in good hands because first and foremost the narrative treats both of them like people. This is just one idea of how Mikoto's system could work.

There's also this thing which could mean nothing but I interpreted it as possibly a diagram for how his system works, the circles being literally more rounded parts and the distorted ones being underdeveloped. There is NO textual evidence for this just a cool circle. It would be funny if 009 has 9 parts in total but again nothing else to back this up so far.

[thecryptidzenith]

11 for the fic game ask!

11. Bonus: recommend your favorite fic

Okay, you're getting two answers for this one because my real answer isn't a D20 fic, and seeing as that's my fandom at the moment, I'd be remiss to not rec something from it.

For the past... Jesus, four years, my favorite fic has been The Prestige by black_feather_fiction (also @black-feather-fiction) No contest. I don't do MCU fic or fandom anymore, but this is the one exception. It's just. It's so good. It's demonstrates the best use of the medium of fanfiction I've ever seen (yes, I'm of the opinion that fanfiction is its own distinct medium, but I'm not going to get into it now.)

Now the conceit of The Prestige is similar to a lot of MCU long fics: what if the plot was... good? Between the California-in-the-1840's/50's amount of untapped gold in the movies and whatever any given writer wanted to pull from the comics, there are so many elements to play with when rewriting a truly epic version of the story presented in the Infinity Saga, or even just a small segment of it. There are a lot of these, and I've read a lot of these. It's exactly my kind of thing, I love a good Plot.

The thing that's special about The Prestige is the way it incorporates the conventions of storytelling in its worldbuilding. To put it simply, an all-powerful God does exist in this universe, and he's three old women who terrorize innkeepers. The Norns/the Fates/other Mother-Maiden-Crone mythological archetypes, are real, and they control the threads of fate, so to speak. The entire universe exists as their plaything, and given the chaos and entropy of the universe, they pull stories from it. The laws of storytelling are just as influential, immutable, and important as the laws of physics in this universe. And just like the laws of physics, they can be manipulated towards a particular use.

This is how the fic opens: with Loki attempting to tell the universe a story so perfect and beautiful that the Norns cannot help but let the tale play out in real life. He doesn't quite succeed. However, the rules of storytelling are never forgotten, by the characters and by the author. Having the conventions of storytelling being a part of story's universe is a brilliant move that I have not gotten over after three years. Obviously, real life doesn't play out like a story, so when telling a story there's always some suspension of disbelief involved, because real life isn't that neat. Having an in-world explanation for the existence of story structure is something I'd never seen before and it's brilliant. And it's perfect for a story about two liars, image-crafters, storytellers, whatever you want to call them.

The story structure being built into the world is incredible, but so is the way the characters attempt to manipulate it in their favor. Even beyond the opening tableau, characters work to push the narrative in directions that will serve them. And the narrative pushes back. Every time I think about how the Fall of the Giant plot beat plays out, I fall more and more in love with it. It's the perfect blend of expectation subversion, expectation fulfillment, and effective character beats. It's fucking incredible.

Besides the rules of storytelling, The Prestige also makes reference to a lot of stories in the cultural zeitgeist in a way that's as delightful as it is earnest. The primary benefit of fic as a storytelling medium is that the audience already has a shared set of knowledge. We know who the characters are. We know how canon goes, and authors already have prepackaged tools to tell their stories with. Less needs to be established in fanfic compared to other kinds of fiction because the audience has a shared knowledge base. The Prestige takes this intertextuality further by pulling from more than just the MCU canon, but from works as varied as Mystery Science Theater 3000, Gremlins, and Alice in Wonderland. These cultural touchstones are in meaningful conversation with the contents of The Prestige and efficiently add depth in a really interesting and engaging way. Hel, even the title is taken from a Nolan movie. This fic is so deeply tied to the culture it's a part of, and I adore it.

Beyond the elements of the story that are inseparably tied to its in-universe use of narrative, the plot is very well put together. I find the bit with Ozymandias (yes, like the Percy Shelly poem) particularly clever, but it's all very good. Despite it's length, I find The Prestige compulsively readable, its writing is excellent. The characterization is excellent, the worldbuilding is engaging, the character dynamics are delightful to read about and devastating for the characters involved. I think this fic may genuinely have everything: Plot, romance, action, adventure, whump, angst, parent/child relationships, (explored from both sides) familial trauma, sexual trauma, self-destruction, sibling relationships, eating disorders--I'm really just listing tags here, but there's So Much, and I love every bit of it. I have loved every bit of it for years, and I don't care how long updates take, I Will Read It. It's the only MCU fic I've been able to read in years, and honestly? I'm not that mad about it, it's fucking incredible.

Now with all that being said, my favorite D20 fic is a lot harder to pick. I've not been in the fandom that long, I haven't read a ton of fic, and my tastes skew towards the Epic, Plot-focused, and Looooooong. Which is a bit difficult to come by (as is time to read.) There are, however, a lot of excellent fics, out there, though I think I have the most to say about The Properties of Adaine by Tangerine_Blast (also @20dimensionsoftangerine) (and by extension its predecessor, but we don't need to get into it.)

The conceit is that because of Oracle reasons, Adaine gets kidnapped by Kalvaxus as a kid and grows older thinking of him as a great paternal figure even though he sucks because her only points of comparison are Arianwen & Angywn. The interesting part is only really discussed and addressed in The Properties of Adaine, which is that she's technically an object! Legally, magically, an object--a dragon's thrall to be more specific. It's a fascinating exploration of the ramifications of DnD worldbuilding, as well as an exploration of identity, security, trauma, etc. It's a bit of a thorny subject to tackle, but so far as I can tell, it's handled with grace and sensitivity. It's doing a lot of very interesting things with the Themes, plus Aelwyn is absolutely insane (she's adopted/kidnapped by Aguefort.) which I get a kick out of. Overall, a striking story (and also one that's still being updated, which is probably why it sticks with me.)

[dashiellqvverty]

like yeah maybe tlj would have been subversive or whatever if finn and poe had been completely different characters. and also white men. but finn and poe already WERE subverting what was typical of star wars (and like pop culture in general) by being men of color in these hero roles. like okay a han solo type getting too confident and fucking up and learning he was wrong WOULD be flipping our expectations but poe never WAS a han solo type, at least not in the way tlj/rian johnson framed him to be.

it is just so clear that rian johnson had this idea in his head for a ~different/unexpected/whatever~ take on star wars but he had to force every single existing character into a new shape to fit what they needed to be for his story with NO regard for who they already were and absolutely no care for how he was stereotyping, demonizing, and humiliating men of color in order to fit his ~vision~

[when-wax-wings-melt]

oh my god I'm just thinking about how Sophie sees the world in black and white good and evil... for someone to be redeemed they must be hiding a true self and that true self must be kind... there is no change, only layers to unpeel to find who you really are

[trashcanwithsprinkles]

Hi, I'm sorry to keep bugging you, but I enjoy reading your rambles about things you're interested in. Also, your BitA fic is really good so far.

I have thought of another question.

What is your favorite video game/game series? Why?

i thrive on BitA appreciation tysm,,, and no worries! you're not bugging me hahah

favorite videogame series would have to be a tossup between pokemon and fire emblem. pretty basic answers i think but what can you do. for pokemon is the world, and for fire emblem are the characters. sometimes the story, when it's good. idk i've been playing both since a long long time ago, so they might be nostalgia picks tbh, but i really can't think of anything else atm for single videogames i'd have to go with either ib or the gray garden (or undertale). i had my indie rpg heydays back in highschool and the gray garden and ib both rewired my brain in ways you can't even imagine. and undertale is just Good, what's not to love about that game,,

i wish there tgg fandom was bigger on this side of the globe, afaik it's mostly confined to japan (or i haven't been looking in the right places). i do think it had a lot to do with the creator's ban on streaming/making lets-plays of the games. which- i mean sure? but like.......... seeing how streaming brings light to so many small games nowadays i feel like it was a badly-timed decision on their part. but who am i to judge,,

anyway- thank you for the question! the pokemon answer you probably could've guessed from my fanart of the genshin crew as pokemon trainers hahah that one should've been no surprise,,

[unma]

POV: You're the last uncontained breaching abnormality and stumble into a particularly focused employee.

SO I recently found out about @trainingdummyrabbit's Cocoa through their long post about how she came to be and ever since I've been unable to get her out of my mind. I absolutely adore her story and wanted to try and draw this nugget that is totally 100% normal and sane.

[werebutch]

WSBH chara q’s: (you don’t have to answer all the numbers, just whatever you want to 𖢘)

16/35/51 for Scotch

1/6/55 for Atlas

I LOVE YOU

16. What kinds of people do they have arguments with in their head?

okay i truly think scotch argues with seraph in his head all the time. ALL the time. scotch largely ignores them, and vice versa, because he dislikes them and they know it. seraph is very conflict avoidant lol, and as long as hes not a "threat" they dont care to talk to him about their problems. he probably argues with atlas and jacob (his older brother) too, atlas about more stupid small stuff, and jacob about childhood and life stuff :p

im trying to think of more general groups he would argue with but i cant come up with anything BAHAH. hes not exactly conflict avoidant in the annoying libra way that seraph is, he more just ignores conflict for his friends’ (mostly atlas’) sake. idk if that makes sense LOL

35. What is the smallest, morally questionable choice they’ve made?

hmmm.. smallest? i mean scotch strings eloise along for most of the time pre timeskip. its not a main focus but its definitely important in order to understand scotch as a whole. she and scotch go out for a while, and mid way through that he realizes hes GAY gay. lol. and obviously lying to her about that is pretty questionable after a while. especially since he and atlas have been 👉👌 like the whole time. but she kind of knows. well

something a little bigger would be him encouraging or otherwise turning a blind eye to all the weird stuff atlas is up to. he doesn't know what it's like to be a werewolf, he can't say anything, right? lol.... murder is okay if its a talking dog doing it. scotch enabler supreme. actually when seraph is introduced, he and atlas have a 'joke' (kind of starts being real) about luring seraph somewhere to kill them. obviously doesnt happen and gets abandoned. but i think its important to know about their dynamic LOL

51. What’s a phrase they say a lot?

this guy is kind of goofy. i cant think of phrases rn but he has a specific way of speaking.. you could watch pretty much any old pop punk band interview and kind of get the idea. HAHAH

1. What’s the lie your character says most often?

atlas is a big fan of saying 'its fine' for all situations ever. family in mortal danger? its fine. completely splitting? its fine. arthritis excruciating? its fine. hes one of those people that dont like to deal with the fawning of others unless hes feeling real special. Ends up putting people in more danger a lot of the time. i think eloise is the only fan of communication in this friend group to be honest. i should have made her the main character

he tends to make promises he cant keep as well, but thats more general..

6. What’s their favorite [insert anything] that they’ve never recommended to anyone before?

i have NO idea. i feel like atlas would be a music snob, so maybe his favorite 'super underground' bands. otherwise he'd probably never recommend raw human meat to another human (no matter how much scotch asks -__-).. (he would chicken out anyway)

55. What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?

um. so atlas hates working out. he especially hates running, you know, the thing that wolves are known for doing a lot of? unfortunately the lycanthropy came with a side effect of pretty bad arthritis, so that doesnt exactly encourage him. he DOES exercise, a lot since hes pretty much required for his ermm "side job", but he hates it 😸 besides the arthritis it’s mostly because I think it’s silly that he hates it. yay

[mutalune]

me when people hate on aos trek:

[fipindustries]

And the protagonist got to live pampered and idolized by an alien planet after saving earth and spend the rest of his days teaching about relativity to a class of alien children

Is that is not the happiest ending ive ever seen in a book i dont know what is

[carlysky815]

First image: 5:36 AM day of cat’s release

Second image: 8:12 AM day of cat’s release

Third image: 8:16 AM day of cat’s release

It’ll probably (no it will) change again within the next couple of hours. But with how it’s going the 50/50 is leaning more towards forgiven, because as of 8:30 AM (as of posting this) he’s inching close to a 52% forgiven.