#this was only supposed to be the first 3 panels:)

[dianagj-art]

Draxum’s rude af kids are making their way through the @tmntaucompetition

The Worsties are back together <3

[captaincolorblob]

finally finished reading the reigen spinoff-manga. i will never emotionally recover from this

[lizkreates]

Reflection ~A Trigun fan comic~ (Comic Script in the Keep Reading)

Context note: This takes place just after the events of TriMax Vol 10 on Brad’s ship going to December. I’m giving them more time on the trip because Livio grew a full-ass beard between pickup and drop-off (prob because of his healing factor, who knows.) Enjoy!

Vash's coffee is a reference to my first comic Black Coffee & Donuts!

Comic Script for Reflection: A Trigun Fan Comic

PAGE 1

Panel 1: Vash, with his hair down and dressed in his black undersuit, wakes up startled in a cold sweat. He clearly slept poorly bags under his eyes. It’s only been a day or two since he laid Wolfwood to rest.

Panel 2: A full body shot of him stepping out of the bed, his Colt weight down his hip, face obscured.

Panel 3: He leans over the counter in front of a mirror, shoulders hunched, head hanging.

Panel 4: He looks up, hand covering the remaining blonde of his hair so it appears full black. Large pale portraits of Rem and Wolfwood flank Vash on each side in the background.

Vash: Rem, Wolfwood, you both sacrificed everything. Funny isn’t it that I’m beginning to look more like you?

PAGE 2

Panel 1: Vash flashes back to a moment when he and Wolfwood walked side by side in the arid desert of No Man’s Land.

Vash: Wolfwood, you were there every day by my side, now I'm alone again. 

Panel 2: Another flashback to a moment Vash and Wolfwood sat on the edge of a rooftop and looked out over the cityscape to the stars pricking the sky.

Vash: There was so much unsaid between us.

Panel 3: A fresh flashback to the couch, where Vash held Wolfwood's hand in his final moments.

Vash: I wish I had known how to tell you that I loved you before it was too late.

Panel 4: A dramatic crop of half of Vash’s lower face, tears streaming down his cheeks as he cries out.

PAGE 3

Panel 1: Livio, a tall, tan, broad-shoulder, white-haired man with a tribal tattoo over his left eye, dressed in a white shirt and black pants, bursts through the bedroom door concerned.

Livio: Mr. Vash, I heard crying, are you okay?!

Panel 2: Vash looks over, a little comically rattled and surprised

Vash: Livio?

Panel 3: Close-up of Vash’s lower face smiling, a tear rolling down his face.

Vash: I’m alright.

Panel 4: A blank Panel, filled with still air

Vash: Actually.

Panel 5: Big Panel, Vash crying into the crook of his arm.

Vash: I'm not... I miss him. I can’t stop missing him.

PAGE 4

Panel 1: Vash rubs the tears from his eyes, Livio grabs his arm shamefully, his body language clearly showing regret and discomfort.

Livio: I’ll uh, leave you to it, and see myself out.

Vash: It’s okay, I just didn’t want anyone to see me like this.

Panel 2: Close-up of Livio looking down.

Livio: It’s better to let yer feelin’s out than to hide ‘em and let ‘em fester, I should know.

Panel 3: Livio turns to the side and a sad snot stream runs down his nose he was trying to keep in. Livio is very much struggling allowing himself to miss Wolfwood. He doesn’t feel like, he should even though he desperately does.

Sounds effects: sniff

Vash: Now who’s keeping in their feelings? Let it out! He was your friend too, wasn’t he? You deserve to cry too.

Panel 4: Livio smiles sheepishly. He wants to make Wolfwood proud of him first.

Livio: Yeah, I suppose he was, all this time. But I don’t think I’ve earned that right yet.

Panel 5: Livio’s stomach growls LOUDLY. Draw in a chibi style, breaking the tension.

Sound effects: grumble

Panel 6: Drawn in chibi style, Vash waves around his noddle arms and Livio’s mood brightens, grinning with excitement.

Vash: Oh, are you hungry?

Livio: Hell yeah, I am!

Vash: What would you like?

Livio: Uh, pancakes!

Vash: Alright, pancakes it is!

PAGE 5

Panel 1: They sit down and eat at a retro 50s-style diner booth in a small nook of the ship. Livio swirls the last of his pancake in syrup on the plate. Vash cradles a black coffee with both hands looking at Livio.

Vash: Hey, Livio, what do you want to do when this is all over?

Livio: Dunno, maybe wander around for a while or return to the orphanage to help make up for what I and the other guy did.

Panel 2: Livio hangs his head, eyebrows worried.

Livio: If I can be honest with ya, I'm scared to face them.

Panel 3: Zoomed out drawn in chibi style to break the tension. Livio shivers.

Vash: Is that scarier than Elendira?

Sound effects: shivers

Panel 4: They laugh.

Livio: Well, when ya put it like, hell no!

Vash: Haha!

Panel 5: Extreme close-up of Livio’s eyes softening as he remembers back to his time at the orphanage.

Livio: I think he’d like that. They were my first real family.

Panel 6: Vash is hit with a sudden realization, Livio has no one right now. In a misty background, he remembers when Razlo cried out after Wolfwood did in Master Chapel.

Vash (internal): Wolfwood, you left Livio in my care... so we wouldn’t be alone.

Razlo (background): ...I’m all alone again!

PAGE 6

Panel 1: Close-up of Vash with the sincerest smile.

Vash: I hope you know you’re not alone. You have me now.

Panel 2: Livio’s face contorts sorrowfully.

Livio/Razlo (internal): I don’t deserve this.

Livio: Mr. Vash I --

Vash: Wait, before you say anything...

Panel 3: Zoom out so we can see both of them and the table. Vash extends his leg as he digs deep into his pants pocket. Livio leans on the table watching him.

Vash: I know that we don’t know each other well yet, but he trusted you with me and I trusted him, wholly and completely, so…

Panel 4: Extreme close-up, Vash pulls out 2 black leather wristbands with silver latches.

PAGE 7

Panel 1: Vash offers Livio a wristband while holding one for himself in the same hand.

Vash: Here. One for you, one for me. I used a strap from his cross to make it, so part of him will always be with us.

Panel 2: Livio puts the wristband on his left hand.

Livio: Thank you.

Panel 3: Extreme close-up of Livio’s non-tattooed eye, tears pricking his lashes.

Livio: I hope one day I can repay yer kindness.

Panel 4: They fist bump wristbands in view.

Vash: Welcome to the family, Livio.

PAGE 8

Panel 1: A large portrait of Wolfwood with his sunglasses and back turned, fills the background, smiling as he holds his cigarette in his hand.

Livio: Hey, Mr. Vash?

Vash: Mm?

Livio: Would you mind tellin’ me a lil more about him… Wolfwood? Ya see, we were close at the orphanage as kids, but I don’t know who he became. I’ll understand if you don’t want to, you owe me absolutely nothin’.

Panel 2: A close-up of Vash’s coffee, Wolfwood’s staple morning drink, Vash’s reflection smiles back, tears in his eyes.

Vash: I’d love to.

PAGE 9

Panel 1: Bonus! Sometime later.  Drawn in chibi style.

Livio: Can I hug ya?

Vash: Sure, buddy!

Panel 2: They hug, Vash smiles, and Livio whimpers as he lets out the waterworks. He’s thankful for Vash’s kindness.

Panel 3: This sets Vash off, who also sobs. They cry in each other’s arms.

[summercomfort]

in my pursuit of ever-increasingly niche comics, I drew a 13 page comic about Tape v Hurley, a court case about Chinese-American school segregation in 1885. The rest of the pages are after the readmore, as well as on AO3 here. More obsure Chinese American court case comics are there, as well.

Historical Notes

Mary and Joseph Tape were not born in America, but their names and identities were very much formed in America. Joseph Tape was born Jeu Dip in Guangdong, China, immigrated the America when he was twelve, and spent his teenage years working as a house servant in an Irish household. Mary arrived in America at the age of eleven, and was found and raised as Mary McGladery in a Protestant orphanage as the only Chinese child amongst ~80 children. Both Mary and Jeu spent their formative years amongst White Christian families, so when Jeu Dip and Mary married in 1875, little wonder that Jeu picked the English name of Joseph Tape -- Joseph to match with Mary, and the German last name Tape as a nod to his former name of Dip.

The Tape family lived about 14 blocks outside of Chinatown, in a primarily white neighborhood. They dressed in Western clothing, spoke English at home, and Mamie grew up playing with non-Chinese kids. Naturally, they wanted their children to attend the local elementary school, a mere 3 blocks from their home. The principal, Ms. Hurley, denied her entrance, claiming that she was “filthy and diseased.” At the time, there was no public school option for Chinese children -- the 1870 state law stipulated separate schools for “African and Indian children” only, not Chinese. The Tape family, with the help of the Chinese Six Companies, their church, and the Chinese consulate, decided to sue, claiming that the 1880 California school code guaranteed everyone a right to public education and that this was a violation of the 14th Amendment.

They won.

But this was 1885, three years after the passage of the Chinese Exclusion Act and six years before Plessy v Ferguson. Regardless of what the California Supreme Court might decide, public sentiment was on the side of the San Francisco school district. Determined to keep out this “invasion of Mongol barbarism”, the California State Legislature passed a law permitting separate schools for Chinese children, which then allowed Principal Hurley to reject Mamie Tape once more.

While Mamie was rejected from the Spring Valley Elementary School for being Chinese, she also had a hard time fitting in to the Chinese public school. The Chinese merchants saw Western education as something primarily for boys. (Their girl children learned from their mothers at home.) Mamie, a girl dressed in Western clothes, would have stood out like a sore thumb. The final panel of the comic was based on a photo from three years later, and even then, Mamie was the only girl.

Places where I fudged the history: Frank, Mamie’s younger brother, was actually six years old and should have been more present in the comic, but I wante to keep the focus on Mamie and Mary. Also, Mamie had actually shown up to her first day of school in Western clothes. An earlier draft of the comic had a separate arc involving Mamie feeling rejected at school and Mary buying her some Chinese clothes, but that got too long and complicated.

Much of this was drawn from Mae Ngai’s book about the Tape family and their experiences as 2nd and 3rd generation Chinese Americans, titled “The Lucky Ones.”

----------

Here is Mary Tape's letter to the San Francisco School Board, 1885:

1769 Green Street. San Francisco, April 8, 1885. To the Board of Education - Dear Sirs: I see that you are going to make all sorts of excuses to keep my child out off the Public schools. Dear sirs, Will you please to tell me! Is it a disgrace to be Born a Chinese? Didn’t God make us all!!! What right have you to bar my children out of the school because she is a chinese Decend. They is no other worldly reason that you could keep her out, except that. I suppose, you all goes to churches on Sundays! Do you call that a Christian act to compell my little children to go so far to a school that is made in purpose for them. My children don’t dress like the other Chinese. They look just as phunny amongst them as the Chinese dress in Chinese look amongst you Caucasians. Besides, if I had any wish to send them to a chinese school I could have sent them two years ago without going to all this trouble. You have expended a lot of the Public money foolishly, all because ofa one poor little Child. Her playmates is all Caucasians ever since she could toddle around. If she is good enough to play with them! Then is she not good enough to be in the same room and studie with them? You had better come and see for yourselves. See if the Tape’s is not same as other Caucasians, except in features. It seems no matter how a Chinese may live and dress so long as you know they Chinese. Then they are hated as one. There is not any right or justice for them. You have seen my husband and child. You told him it wasn’t Mamie Tape you object to. If it were not Mamie Tape you object to, then why didn’t you let her attend the school nearest her home! Instead of first making one pre tense Then another pretense of some kind to keep her out? It seems to me Mr. Moulder has a grudge against this Eight-year-old Mamie Tape. I know they is no other child I mean Chinese child! care to go to your public Chinese school. May you Mr. Moulder, never be persecuted like the way you have persecuted little Mamie Tape. Mamie Tape will never attend any of the Chinese schools of your making! Never!!! I will let the world see sir What justice there is When it is govern by the Race prejudice men! Just because she is of the Chinese decend, not because she don’t dress like you because she does. Just because she is descended of Chinese parents I guess she is more of a American then a good many of you that is going to prewent her being Educated. Mrs. M. Tape

[dcxdpdabbles]

Passion for Fashion Part 3

Danny nervously twirls his thumbs as Dan paces before him, mumbling insults to the Waynes under his breath. They were supposed to go third in the walkway line, as it was supposed to be in alphabetical order, but just as the computation was going to begin, a disaster struck.

Tim Drake-Wayne had been kidnapped. In broad daylight, as the teenage CO-CEO was getting out of his limo, a group of men broke through the crowd, swinging guns around and demanding everyone to get on the ground and give them their valuables.

Of course, there were security who attempted to gain control of the situation, but it seemed that three of their newest hires were traitors and in on the heist. A shoot-out was ensured.

Drake-Wayne had been taken in the chaos, and Bruce Wayne had passed out from worry. He and the rest of his kids were on their way to a hospital- a secret location to deter further kidnappings of the remaining Waynes- and the first runway of the competition was canceled.

Danny hadn't seen anything from the model changing room, but Dan had forgotten his make-up bag in the front entry and had gone back for it while Danny changed. He had been front and center when the whole thing went down.

"Who just lets themselves get taken like that!?" Dan huffs, practically spitting fire. According to the ghost, Tim Drake-Wayne's actions were an act, and the teenager had been able to get away from his kidnappers but didn't.

Dan found his nonaction insulting since it paused his fashion show.

"Um, look around you? Situation awareness." Danny tells him, gesturing to the cage they had been shoved into. While the people had been preoccupied with Tim Drake-Wayne's kidnapping, a second group of men had gone in through the backdoor and taken all the models.

Danny had thought it was the staff moving them until he noticed a few people crying as they were placed into vans. In his defense, most people aren't used to seeing someone armed like he is, so the gun-waving hadn't tipped him off.

Dan had joined him later when he followed the coordinator- another traitor- to the vans, and his counterpart had only gotten upset when they took his make-up bag.

"Please, this is just metal." Dan rolls his eyes, bending the bars and straightening them out again to prove his point. Danny doesn't mention the electric buzz the bars release, as neither is really affected by the shock. It's more of an annoying light show. "Sides, it's not like we're human. Not like them."

He tilts his chin to where other models sob in their cages below. They are all waiting for their new owners to pick them up. At least, that's what Danny was able to gather from the men's taunts. They were taken by human traffickers, who had buyers look at the competition lineup and pick which model they wanted before the actual kidnapping.

Danny and Dan were in such high demand they would be sold at an auction that would take place while the rest of their pals kept the Bats busy. Danny had no idea who the Bats were or why they would save them instead of the police.

"Tell the whole world why don't you?" Danny hisses, twirling his thumbs more " If they found out what we are we could be turned over to this world version of the Guys In White."

"Oh no, I'm shaking in my human boots." Dan rolls his eyes. He resumes his pacing. "If the Waynes had taken this seriously, we could have been seeing the results of the judge's panel already."

"Dan, this is a little more important than your fashion Obsession."

"Excuse you, my Obsession is a medical condition," Dan huffs, sliding down the cage bars, and for a brief second, his hair flickered to white before it settled back into black. A flash of pain crosses his face. "My core is killing me."

Danny winces. "Right, sorry, that was insensitive. How about I steal you some paper and pens so you can design a ball gown?"

"I like that."

Danny turns to the bars, bending them open and closing them behind him. He carefully makes his way across the giant shipping crates, to an office at the top right corner.

They are at the docks, hidden somewhere in a warehouse among many crates that will be shipped out, and Danny is honestly a little offended they have yet to be found. Sure, the kidnappers had driven through the sewers on a strangely built road that led them here, but surely someone would have noticed the apparent fact the van disappeared at a fake dead alley?

Weren't there cameras in almost every corner of the city? Dan had warned Danny about them while doing his Obsession-driven research, and both agreed not to Go Ghost while in public due to them.

Now, they could escape, but Danny wasn't kidding about the Guys in White or whatever their equivalent was here. He would rather know what level of competence they have before he makes any rash moves.

Danny also wants to see his fellow models' buyers, and he would like to have a word with them. His ghost Obsession may not be protection- much to the shock of many- but Danny has always had a moral compass that pointed to protecting others around him.

Dan knew and respected this about him, so his counterpart was willing to sit and wait for the buyers. He's just a little angsty since it disrupted his obsession.

Danny grimly peeks into the office window when he sees the coordinator talking on a phone. There doesn't seem to be anyone else around, so he carefully opens the door and creeps up behind the man.

"-If you ever want to see your son again," The man is saying, smirking. Danny can't see it due to the man facing away from him, but he can hear it in his voice.

On the desk is a laptop that repeats what he said only, the sound sounds robotic and unrecognizable. Is that a voice changer? "I suggest you ask Batman to find your boy before it's too late."

Batman? The man they were supposed to help save his humanity?

Danny knows it's a risk, but this is too much of a chance to pass up. He carefully picks up the office chair and brings it down hard on the disgusting man's head. The coordination lets out a chocked grunt of pain, but he's out like a light when he hits the ground. His phone flies across the floor, and a voice is heard speaking urgently.

Danny ties the man to the bolted-down desk using zip ties- the same ones they had used on him and the rest earlier that day, before picking up the phone.

"Hello? Is this Batman?" Danny asks, jumping slightly when the laptop repeats him in a creepy robotic voice. "Wait hold on, I think I can get rid of this voice thingy."

"...what?" A man asks over the phone, but Danny pays him no mind as he tries to click some boxes.

"Hello, testing one two three," Danny says, wincing when the voice changer makes him sound high and unnaturally squeaky. He sounds like he's trying to audition for Alvin and the Chipmunks. "Hello? Hello? Wait, I think I got it."

"Who are you? Where is Tim?" The man asks, and Danny almost rolls his eyes. He hates it when someone interrupts him while he's working with tech.

"Wait-there it is! Can you hear me alright? Do I sound normal?"

"....I can hear you."

"Awesome! Are you Batman, and if so, have you considered the importance of mental health activities? Like hugging your kids once a day? That really boosts your serotonin and dopamine levels." Danny asks, attempting to channel Jazz as much as he can. There is muffled sound across the phone line, like someone is attempting to smother a laugh.

"No, this is Bruce Wayne." Mr. Wayne says after a moment pause, "You have my son?"

"Oh," Danny tries not to sound as disappointed as he feels, but he may have failed. "I'm sorry, Mr. Wayne I don't think your son is here. I think they were using him to distract you and the police of the missing models."

There is a strange lake of sound on the other line before Mr. Wayne responds. "Can you tell me who I am speaking to?"

"Danny Fenton. I was one of the models that was taken." Danny says, then he realizes the cops must be listening in because that always happens in movies; he lowers his voice and tries to sound in shock. "I think we're in a warehouse? I'm not sure, but I was in a cage when I woke up. They said they're going to sell us. I escaped, but there were guards everywhere, so I tried hiding in the office and heard the man you were speaking to come in. I hit him with a chair."

"Mr.Fenton," A new man says suddenly, "I know this is a terrifying situation, and I-"

"Are you Batman?"

"....No, son, I'm Commissioner Gordon"

"Oh."

"Do you want to speak to Batman?"

"Yes."

"Can I ask why?"

"I need to tell him to hug his kids."

Danny waits a few seconds for a response, but he hears nothing, not even the wind. They must have muted themselves. He leans on the desk, mindful to give the kidnapper a solid kick to make sure he's still out, and glancing over to the window to make sure there aren't any guards coming his way.

"Mr. Fenton, did they give you anything strange?" Commissioner Gordon asks

Danny thinks for a moment before humming. "They gave all of us something in a needle. I don't know what it was, but it felt funny. My brother has been acting weird since he got it."

"Okay, you're doing good. " Commissioner Gordon sounds like he is frowning but the words cause something in Danny's core to pur."Okay, son, everything is going to be alright. I need you to do something for me. Every Gotham warehouse has a serial number; you can find it in the main office on the power box. Do you see the box?"

Danny glances around until he sees the small little green box. He hurries over to it, throwing the door open. "I found it."

"Good. Can you read me the number?"

Danny reads them off as quickly as he can. Once all ten digits are within the police's hands he asks again. "Do you know if Batman partakes in his kid's interests?"

"I can ask him for you."

"Would you? That would be great. It's important to let people know you care about them by showing an interest in what they are passionate about. My brother Dan really likes making clothes, and even though I don't think I can model, I do it for him, you know?"

"You're a good brother."

"Thank you.....I'm tired Mr. Gordon." Danny says suddenly eyelids becoming heavy. He slides down the wall a lot like Dan did before.

"I'm sorry to hear that but I need you to keep talking to me, Mr. Fenton."

"Batman should tell his kids he loves them. His love language may be an act of service, but Nightwings' is words of affirmation. Nightwing needs to be told he's loved."

"Mr. Fenton! Stay awake for me! Mr.Fenton!" Danny hears someone yelling, but his core is purring even more now, and the sound is luring him to sleep. Suddenly he thinks of his counterpart in the cage waiting for his paper and pen.

"I have to go. I promised Dan I would get him some stuff so he could design some clothes. Bye-Bye."

"No! Don't hang up-!"

Danny drops the cell phone after pressing the end call button and ignores it when it rings again. He hurries over to the desk, looking for paper, but finds the table lacking. Thankfully, an open suitcase has sheets that he borrowed and a few pens.

He takes them all and runs back over the crates to where Dan is. Once he arrives, he notices many models are no longer distressed. All of them are smiling with a dazed look, and a few are even giggling. He waves at a few as he hurries back to his cage.

Dan is there, muttering under his breath and twisting his fingers in the air as if he were drawing in the sky. Danny bends the bars and holds up his prize. "I got the stuff!"

"Thank the ancients! I was never going to finish Mr. Hot scales suit without it!" Dan cheers, turning one of the sheets over to a clean side. He throws his whole body on the ground, using the smooth surface to start his ball gown.

Danny watches him for a moment before his purring core is too much. Dan reaches out to grip his leg, enclosing it in his warm palm and that's all Danny needs before he's fast asleep.

Dan continues to draw for a few more minutes before he, too, is overcome with sleep. Neither notices Red Hood or Robin bursting into the warehouse, guns and swords blazing, just as the buyers arrive. They or any of the models are unaware of the smackdown that happens until everyone involved with the scheme is behind bars.

Robin finds their cage, stepping through the bent bars and pausing at the sheets of paper scattered across the slumbering teenagers. He flips one incredibly designed ballgown only to have his eyes widen at what's written down.

"Robin to Batman," he says, staring at the paper and pressing his communicator. "I have a complete list of everyone who was buying today and past buyers. We can dismantle an entire ring with this."

"Good work, Robin."

"It wasn't I who found it. It was the Fentons."

".....Are they hurt?"

"Drugged but otherwise unharmed."

"Good."

There is a pause before Nightwing speaks up "Tell me you love me B."

"No"

Danny Fenton's eyes briefly open to stare into a surprised Robin's eyes. "Tell him Batman his humanity is at risk. Says the Ghost King."

"They gave him the good shit," Spolior laughs, having heard Fenton through the coms.

Elsewhere, Tim Drake-Wayne stares at Killer Croc aka Waylon Jones who is replaying the video of Dan Fenton catcalling Waylon from his cage right after the fashion designer was dosed with high levels of morphine.

"Hey Papi, why don't you come up here and let me dress you up in the proper wrapping for a walking gift like you?"

"Hey...hey are you from the EverBurning tribe? Cause those are the hotest legs and tail I have ever seen!"

"Mr.Hot Scales, I promise Danny is the only ally of FarFrozen. I'm team EverBurning all the way! Kiss me!"

"What the actual fuck?" Tim asks, and Waylon nods.

"I have no idea, kid. The first time any of my merchandise flirts with me."

[daedelweiss]

“LIFE MISSION: SAVE MY BROTHERS” 💖 The Red Knight’s Mission (Episode 1: The Buried Memory Page 28-41)

and, finally, the last set for this episode. this was actually harder to get through compared to the rest of the sets, physically and emotionally 😭 drawing leo grieving broke me and i cried like a baby sketching that panel. i wish i could add more panels in but i didn't want to drag out the comic too long and give myself too much work. it was supposed to play out similarly to "E-Turtle Sunshine of the Spotless Mind" where leo's memories pushed back against him to avoid painful memories but i feel like that would've destroyed the vibe and somberness of the softer moments. plus it'll make the episode much MUCH longer. also leo didn't actually lose the colors of his scarf. it was more for symbolic reasons. and if the last panel of page 35 looks familiar, i took inspiration from the movie and imitated the expression mikey had when he tried to open the portal for the third time to save leo. (no, i did not trace it) it may or may not be foreshadowing for later 🤭 and yeah, the comic will be taking a hiatus……. to make more of the comic 😂 dw it's not for mental health or personal life reasons… actually it's partly that because i have an upcoming VISA interview 😭 bUT i'll still be making LM stuff behind the scenes, dw >:3 next episode won't be as drama or action packed as this one but… we will meet raph for the first time 👀 i'm really rEALLY excited to work more on the comic, and that's TWO reallys! i just hope y'all will be patient with me because it is no easy feat working on this. i love it but i'm only one person, after all 😄 thank you so so much for supporting this comic again! comments and shares are very much appreciated! 💖 BEGINNING / PREV / NEXT EPISODE (coming this april) •

( 🌿 please do NOT repost, edit, trace, use, and/or sell 🌿 )

[gentrychild]

BNHA 407 : AFO is a lying liar who lies

Today is a very sad day because I am about to do something I genuinely dislike: I am about to defend All for One. In order to cope, I shall make fun of him the whole time.

AFO and Yoichi's backstory is finally out, with AFO narrating it, and there are two possibilities: he is either completely lying about it (boring) or he is lying a little about it (very in-character for him) because he is also lying to himself.

Lie number 1: AFO was born evil.

The narrator (AFO, seriously, it's AFO) says things such as "The baby drained the lifeforce of both his mom and his brother.", "It was born an arrogant baby." and such but it really reads at AFO villifying himself to add to his own legend.

That's what babies do. Children, before they're born, kinda have to take their strength from their mother. That's why pregnant people aren't supposed to do anything taxing.

AFO and Yoichi's mother didn't die because baby AFO drained her like a vampire. She died because she was a homeless woman who had access to nothing and had to go in labor alone.

Same thing here: during twin birth, a twin is often bigger than the other (well, probably not to extent of Yoichi and AFO, but you get my point).

Lie number 2: AFO, as a demon baby, is shown killing for no reason, just because he can.

(First slaughter by Baby AFO shown in that chapter.)

There are two things that are strange in this scene (apart from... you know.... a baby murdering people...)

AFO had no reason to go after them because they don't have any quirks to steal.

It makes no sense for someone to attack a group of people with nothing to gain. I doubt that's the kind of behavior you have when you're in survival mode as you're barely surviving in the street.

However, a previous panel points at some context we might be missing.

The same panel that indicates that those guys don't have a quirk to steal also shows that they are wiling to do some "preventive attack" on a bunch of quirked people who might or might not be those who assaulted a protest group (reminder that in this context, that protest group are protesting the rights for quirked people to exist).

I could be wrong but odds are that they did something to be qualified as a threat to All for One and we are missing the additional context.

(Second slaughter by Baby AFO shown in that chapter.)

Now, the poor souls who just got absolutely wrecked by a toddler wearing what I suspect to be a garbage bag have quirks, which makes more sense than the previous scene.

However (and thank you for @aimportantdragoncollector for pointing that out to me), we also have this panel.)

Yoichi is shown with bruises on his face and might be broken teeth.

Probably because those same people AFO is shown killing attacked him.

Lie number 3: AFO never loved Yoichi because he can't love, he just considered that he was his. That's all. Nothing more.

(Just... Just ignore the rats.)

AFO didn't care about Yoichi so much that the very conscious first act of his life might have been to swim a river upstream while dragging his brother above the surface with what must have been the deathgrip of all deathgrip.

AFO didn't care about his brother so much that Yoichi was fed and clothed by an AFO who was malnourished enough for his ribs to show and who wore what's basically an improvised toga.

But he just keeps sacrificing what little he has for someone he doesn't care about one bit, that's just his first possession. Nothing more.

Okay, I am going to be clear: anyone who sees that panel and thinks that it's the proof AFO didn't like his brother... You just outed yourself as an only child.

Siblings punt each other for no reason. (There is a reason why the first recorded murderer was an older sibling.) In this case, the reason was Yoichi throwing a can at him.

AFO: "You're not inviting me to a fun activity? You're leaving me out, in the cold, unable to partake in brother bonding activity? Oh, vault for Little Brother! Vault for Little Brother for one thousand years!"

AFO: "Nevermind, we're reading together. All is well, I guess."

Lie number 3: AFO killed the glowing baby for power, because he could, or because the Glowing Baby didn't deserve it

Still laughing about AFO's flawless reasoning... "Comic books heroes' life suck. Better to be a villain. I already did the whole struggle thing, I want an easy life."

AFO killed the glowing baby because he was jealous. It's as simple as that. The glowing baby was considered the first official quirked individual (even though it's not true), was protected by his family (if I remember correctly, the mother of quirks was his mom) while AFO and Yoichi had no one but each other (EDIT: I was wrong, the Mother of Quirks was Destro's mother. thanks to the people in the tags), and had a ton of people following him (while, for some strange reason, people start running away screaming when AFO shows his quirk... What a mystery...).

The last panel was basically AFO saying "I want to be loved' but not having the frame of reference to even know what love is.

In conclusion...

While AFO is definitely a bad guy and a monster, he didn't begin his existence as one. He just wants people to believe that. Because his pride and his ego can't allow him to admit that he lived a childhood full of horrible trauma where he was a victim abandoned by society (to an even greater extent than the LOV) or he would probably combust out of rage and mortification.

Ergo facto, AFO is a lying liar who lies, especially to himself.

[bicth-and-in-that-order]

Rambling thoughts of various Yuri manga I’ve read

1. Kase-San and Yamada (Morning Glories sequel series) by Hiromi Takashima

notice how Kase’s name is first, which is representative of her being the main one to cause problems in their relationship

If you asked me what my favorite yuri manga was like 2-3 years ago, I’d say Morning Glories and Kase San everytime. Every avid yuri fan has either read or watched Morning Glories because, at the time in 2010, it was groundbreaking, and I stand by the fact that the original series still holds up to this day. It was cute, sweet, wholesome and only had a few obligatory “we love each other but we’re giRLs😳😳😳” moments. Most of all it wasn’t a pseudo-incest-straight-male-porn-pandering-garbage-fest—also known as “Citrus”. Was it cliche at times? Yes, but they all are lol. Did they add to the dumb ass “blonde femme and dark hair masc” trope? Also yes. But it was adorable and it was my first ever yuri so it holds a special place in my heart.

And it SEEMED like it was only going to get better in Kase San and Yamada, the sequel. The girls would be heading to college and the story could theoretically focus on more mature topics while they navigate their new relationship. Keyword: theoretically. Unfortunately, instead of exploring interesting relationship dynamics and storylines, the plot of each story arc boils down to: Kase is insecure because a man breathed next to Yamada or Kase is being completely insensitive to Yamada’s feelings…again…—> ✨miscommunication drama ✨—>big over dramatic apology scene—>boring makeup sex or other romantic gesture.

Literally that’s how every single plotline goes. Kase is so goddamn dumb and insensitive to Yamada’s feelings and Yamada’s a complete doormat who can only stay mad for 0.2 seconds before getting pussy whipped like a spineless ass bitch. And for all that Yamada sacrifices for Kase; her hometown, her dreams, her apartment, what does she get in return from Kase? Oh that’s right; bare minimum romantic gestures and a neglectful partner who can’t even call her “girlfriend” in front of others:

Like I thought we were over this shit. It’s been THREE years of them together, a whole anime production, and god knows how many irl years and we’re going back to “we love each other but we’re giRLs😳😳😳” WHY???

And then Kase later goes onto bet her entire three year relationship over the ugly bitch in the next panel, so now I’m questioning whether or not Kase even loves Yamada with the amount of bullshit she’s put her through. Which COULD be an interesting plot point, but Kase never gets any consequences for her actions and the creator genuinely thinks this is romantic and full of tension so I’m 10000% positive that this arc, just like all the others, will end with some makeup sex and we’ll be right back to step 1. Sigh.

2. Tamen De Gushi by Tan Jiu

Tamen De Gushi’s problems are interesting but it’s NOT because of the Chinese government💀

So today’s dark haired masc and blonde femme of the day are Sun Jing and Qiu Tong, respectively. Their personalities aren’t anything to write home about, if you read ANY high school yuri romance, then you know exactly what happens in this story beat for beat. But, BUT, however derivative it is, I find their dynamic very endearing and down to earth. Idk maybe it’s just the translation, but other yuri stories often have this very inauthentic “anime” vibe to it. Which is to say the characters act very cutesy, overly dramatic, and have this stilted, caricature-esque acting of how the creator thinks teenage girls are supposed act.

However, I’m happy to report that Tamen De Gushi is a breath of fresh air in this regard. The characters and interactions they have are grounded and feel organic, which makes them feel like real people, not aliens pretending to be human. This really elevates the humor in turn, oh did I mention that Tamen De Gushi is super funny? Because Tamen De Gushi is super funny, here’s one of my favorite panels and it’s all because of Sun Jing’s goofy ahh expression:

Like go girl give us nothing

If you’re wondering why I haven’t spoke much about the actual romantic relationship between the girls, that’s because there isn’t one💀 Which, okay, that’s not a fair assessment, they have a ton of romantic tension and they flirt a lot. It’s certainly building to a great romantic relationship, but it can’t quite get there due to legal/political reasons sadly. 😔

Edit: I received new information in regards to what happened to Tamen De Gushi. While I reached my limit for posting pictures, I want to point out that the Chinese government had nothing to do with Tamen De Gushi getting censored, rather it was a dispute between the author and the publishing company. The prior information I received was false and I prob should’ve looked it up more so sorrrry. The fact still remains though that after their big lesbian kiss towards the middle of the story and maybe a few other moments, that’s just kind of it. You’re stuck waiting for something to develop, but nothing really happens. The comic very quickly becomes a collection of slice of life segments and cute pictures that imply a relationship between the girls, but not really ;) ;).  Now things are just kind of left in purgatory for the foreseeable future and, well, that’s Tamen De Gushi y’all.

Compared to Kase San and Yamada, the characters were much better, which is not saying much, but without an actual romantic storyline, there’s just not a lot for me to comment on to be honest. It’s really pretty though, look at this art :

3. Beauty and the Beast Girl by Neji

my personal favorite and the BEST yuri I ever read

So next on the list is Beauty and the Beast Girl (I’m going to abbreviate to BatBG from here on) , which I already spoiled my feelings on the matter so this will basically be me gushing about this story for several paragraphs straight, enjoy.

Contrary to what the title suggests, it really has nothing to do with Beauty and the Beast’s story except in name. The main girls are Lily Blind, who is actually fucking blind 💀 and Heath the monster girl. Already I’m happy because instead of blonde femme and dark hair butch, it’s blonde femme and of-course-you-have-purple-hair-and-pronouns masc. Lol, all jokes aside, Lily, unlike her blonde femme counterparts is quite assertive and voices her opinions all the time. In fact, she’s the one who pushes Heath to be more open and communicate with her rather than the other way around. This is, in part, due to the story BatBG is trying to tell. I say BatBG is in name only to Beauty and the Beast because Lily isn’t trying to find the “beauty” within Heath or learning to love a beast or whatever, she’s fine just the way she is and her love for Heath is unconditional. Plus the only thing beastly about Heath is her appearance…which I’ll harp on later, but her behavior is in no way different from a regular human except in very rare, specific moments.

At its heart, BatBG is a story about forgiveness (the creator literally says as much) , but it’s also about the cycle of violence that results from being outcasted and deprived of love. BatBG is set in a world of humans and monsters, where the monsters are outcasted and either have to stay away from human society like Heath or assimilate themselves by hiding away their monster like traits, which is a really queer narrative on top of an already queer story. I don’t want to go into too much spoilers, but sometime before the beginning of the story, Heath in-directly hurts Lily before they ever meet. However, it’s not about Lily needing to forgive Heath, or trying to get over the pain she inflicted upon her, rather its Heath learning to forgive herself and in effect, learning to love herself as much as Lily loves her.

Another big aspect of BatBG is disabilities, Lily Blind is in fact Blind lol and while there are times she struggles with her blindness, she never views her disability as something she needs to be ashamed of and never, ever, blames Heath for it or holds it against her unlike what many, many, many, many other stories end up doing. Her blindness isn’t treated like a super power either, it’s a legitimate disability. She just accepts that it’s a part of her and goes onto say that if not for her blindness, she would’ve never met the love of her life, which I found to be an incredibly profound thing to say.

Now that I’ve gotten this far, I suppose I can add a bit of a disclaimer. So BatBG is waaaaay more explicit about the physical affection between the girls than in any of the previous stories I talked about. Heath and Lily are constantly kissing on, hugging, and almost always flirting with each other, and make no mistake, these girls do be fucking. The sex scenes are never perverted or gross, but genuinely super sweet and romantic, which makes it way hotter imo (huh imagine that🤔). And aside from being hot, it also serves a purpose! Lily’s pretty damn horny underneath all her nice girl antics and while it’s not a major part of her character, it does give a slight edge to her personality and, most importantly, balances out the dynamic between Heath and Lily. It would’ve been very easy to fall into that boring trope where Heath is aggressively horny and Lily is the submissive blind girl, but by making Lily be the one to initiate the sexual encounters, it not only compliments Heath’s more reserved nature, but breaks the stereotype that people with disabilities are pure precious being who couldn’t possibly have sex, which is ableist af btw. Many people think the existence of any sex scenes at all is superfluous, but in BatBG, it truly elevates the story, the characters, and the romance in ways that wouldn’t be nearly as satisfying without it.

Now, with as much praise I gave BatBG, there is one criticism I have, but it’s a quibble really, and it can be explained in a single image:

There is a dissonance between the story and the art, the story says: “Heath is a big, ugly scary monster”

The art says:

And like yes, it can be argued that Heath is simply regurgitating the things bigoted people have said to her, but at no point in the story is this ever challenged or brought up in any meaningful way. Lily is blind so she doesn’t know what the hell she looks like and the other characters aren’t any help either. It’s not a big deal or anything, it just would’ve elevated the story if Heath was actually kinda ugly/more monstrous and not incredibly beautiful because right now it’s giving skinny girl who calls herself fat all the time, and it’s like, babe, who tf are you fooling? 😭

Other than that, BatBG is incredibly profound despite its premise being so deceptively simple and I love it to pieces so …yeah! READ IT.

4. Superwomen in Love! Honey Trap and Rapid Rabbit by sometime

Well, at least there are no blondes

So imma just abbreviate to SiL btw

Alright, let’s get started. The premise is that a villainess falls for the super hero girl and then that plotline is dropped in about 16 pages. I’m not even joking, the villainess falls for the hero, loses her job as a villain and then joins the hero all in one chapter. The REAL plot is actually about a council of evil alien-humans who want to destroy humanity because of generic super villain reason #434: the leader of the aliens is sad and misunderstood :( I’m not even going to lie, I had 0 interest in “X” (the generic ass name of the main villain) and her band of useless lesbians. They did literally nothing in the story except be a nuisance and contribute to X’s incel breakdown at the end. Their inclusion actively made SiL worse because the story has this weird tonal problem where in one breath the villains are portrayed as complete jokes and then you turn the page and now they’re shooting children like girl what💀 And these useless lesbians hog sooooo much of SiL that desperately needed to be given to Honey trap and Hayate to develop their relationship.

When the story DOES actually focus on Honey Trap and Hayate, it’s pretty good, even cute at times, there just wasn’t enough time given to them to flesh their relationship out. As it stands, Honey Trap and Hayate don’t have much of a dynamic, or personality for that matter. Honey Trap’s main gimmick is that she’s extremely horny for Hayate and delulu:

Aside from that, she’s a great value version of Heath, but even a watered down character is better than, like, nothing. All I really know about Hayate is that she’s nice, heroic, likes wearing tacky clothes and ….that’s it. She loves Honey Trap because…………they fought together a few times so why not🤷‍♀️ I’d say at least that’s better than Tamen De Gushi, but actually it’s not because these grown ass women don’t even kiss , all we get is a love confession and their gremlin love child and that’s supposed to be satisfying I guess.

And the worst part is that SiL has the audacity to pretend the romance was something that it clearly wasn’t:

Girl…yall were “””enemies””” for 10 panels.

Now, it’s stated they have been rivals for a while, but I guess Honey Trap forgot all of that because the moment she sees Hayate’s face, my good sis is pussy whipped for life. And that’s in spite of apparently being the evilest one out of the evil group because Honey Trap has no grudge or baggage toward Hayate. She immediately turns good with no issues and Hayate is only distrustful of Honey Trap for 1 or 2 speech bubbles and then she’s not. Anything else that happened was off screen, which means it didn’t happen. Ironically, the very next entry on this list will do a MUCH better job at an ex-villain love story, but for SiL, there’s just not much going on.

Another reading of this story is to call it a “parody” but…no, it isn’t. SiL isn’t a comedy, yes there are comedic moments that poke fun of the genre, but the rest of the story genuinely wants you to take it seriously. Except it can’t. X and her league of dimwits are boring as piss and they oscillate between Saturday morning cartoon villains and child murderers seemingly on a whim. So I can neither be endeared to them nor take them as a serious threat. Honey Trap and Hayate are there, but I lament on all the potential lost from what could’ve been an amazing relationship.

5. Yamujiburo/Kianamaiart’s Hanamusa webcomic

This one is kind of cheating, but I also don’t care let me talk about hot MILFs💀

So the final entry on this list is a webcomic series by one of my fave artist: kianamaiart! And it’s right here on tumblr so check it out!

I stumbled upon this webcomic a few weeks ago, fell in love and now I want to talk about it. This yuri pair thankfully has no blonde femme in sight and instead features two popular Pokémon characters: Jessie from Team Rocket and Delia Ketchum, Ash Ketchum’s mom. What I love about this ship and the world Kiana creates around them is that it’s a very unconventional pairing. There’s just not many romances where a single mom falls in love with an ex gang member and the best part is, Delia being a mom is a big part of her character and she doesn’t ignore Ash in favor of her new relationship with Jessie. She has time for both and doesn’t prioritize one over the other, which many ppl fail to do even irl so good on you Delia!

Now, as for the romance it self, Jessie and Delia are a unique pair. Jessie’s overconfident, brash, drama queen personality doesn’t automatically put her in the “dominant” role and Delia’s sweet, motherly personality doesn’t automatically put her in the “submissive” role. Their dynamic in the webcomic actually plays out in the reverse, Jessie is the one who gets easily flustered and Delia’s…intense, to say the least:

(But Tbf if Delia looked at me like that I’d be at her beck and call too💀)

This subversion of these tropes creates a fun dynamic for the couple and it’s super adorable to see how their energies bounce off each other in each new situation Kiana puts them in. I also love how both Jessie and Delia inspire each other to live out their dreams and they become better versions of themselves by being together.

And one last thing, I don’t have any smart commentary to go along with this, I just really like this drawing of Jessie:

no thoughts, head empty

Final Thoughts

Soooo yeah, that’s the end of my dissertation on yuri comics. I know I ended up dragging a lot of popular yuri, but it wasn’t my intention to make you guys hate any of things I talked about. These were just my thoughts as an avid yuri fan, so let me know your thoughts as well, especially if you read any of the yuri I talked about. And even though I’m super picky about the type of yuri I read, I’d still love to hear any recommendations. Who knows, it might dethrone the undefeated champ that is Beauty and the Beast Girl.

[bonus-links]

Any directors commentary on this update because I loved when you did it before 👀

hell yeah

in the original draft of this chapter, immediately after they get the raft there's a comedic cut to them floating in the ocean, the raft completely destroyed from a storm or just shoddy craftsmanship or something lol. it was followed by a gag where they walk across the ocean using Slate's cryonis blocks, and everyone is confused about how they even work (they're solid but they form only on TOP of the surface of the water???). Also Wolf was a wolf this whole time. I was really sad to cut it because it's actually been on the books since I was making prologue lol but alas

that first page was was supposed to go with the last update. I hope it's clear the deku tree is who's talking for those first two panels lol, I only realized once the pages are done that it might be unclear now with a break between

Some people have pointed it out, but they were at Forest Haven! You can actually see Link's Oasis (Where Wake and Linebeck are stopped) in the distance from there, so they had eyes on the ship the whole time!

Link's Oasis is one part where Wake stores all of his shit and one part where Linebeck just. lives now. Wake gave him the deed. Technically it's Linebeck's Oasis

I love Linebeck. That's not directors commentary but it must be said. I love him

I was fighting for my life not to mike wazowski slate for this whole update. composing 3-5 people in frame around text bubbles is a challenge HAHA. Sorry he and Wolf haven't gotten the spotlight much in the last two updates! We'll get there!

I worry about the pacing of the chapter so far lol I hope things don't feel like they're flying by too fast

Wolf's answer is yes. It is fun being a wolf :-)

The koroks helped build the raft! Probably with some supplies from Slate

wolf has some doubts about the seafaring abilities of the raft. he's like oh okay. so this is how we all die

that's all I've got for now!

[shepscapades]

GOD DAYUM

So the part 5 thing huh? Welp IT'S GOOD I LOVE IT

Because X is my blorbo I just wanted to point out some things here

MMMMMMMM HE HAS LONG HAIR??? I mean *looks at my posts* long hair fits him absolutely [Still not sure if he has long hair or not but looks like he has his hair tied in a ponytail or in a bun, I don't know it just looks like it on the second image]

[oh and also he called him "Doc" again, instead of Docm which I don't know what could mean in this situation yet, but one day it'll probably make sense as we get more parts]

This Etho right here looks either terrified or confused, and I think it's because

X is going to go absolutely crazy and he's scared that X is now in control [based on the "you dropped your crown king'' caption that might refer to Etho who isn't the attacker anymore but could also refer to Xisuma which I'll explain later]

or

2. He finally snapped back into his senses

or

3. he sees X without his helmet for the first time and his good 'ol computer brain is like '??????? Who tf is that"

"you dropped your crown king" could also refer to X as his helmet got destroyed in process [being the crown] and from what I know, we don't know the reason for why X wears helmet in this AU. The most popular headcannon for his armour and helmet is that he's a voidwalker and can't breathe in the overworld, we don't know if it's a thing in this AU but if it is that could mean that now he's powerless, he "dropped his crown" - he became weaker, powerless against his enemy. Also Doc looks kinda scared, or maybe just surprised after seeing X's face for probably first time. [if he's scared, then he's probably aware of Xisuma's condition when it comes to air]

NESTLE CRUNCH

But also poor Doc he looks horrified

ALSO

*looking for lore through old posts* huh these seem familiar... WAIT

AND THE DATE THOSE WERE POSTED

[it's in Polish sorry, but it says 13th October]

SO THE COMIC HAS BEEN SKETCHED OUT SO EARLY?? Damn those really take long to do, I mean I was aware of that fact but It's been like 3 months since those sneak peeks have been posted and WOW THAT'S A WHOLE LOT OF MOTIVATION YOU HAVE HERE SHEP

[also only now noticed how in this panel Etho's body sketch is red as a sign that he's the danger in Doc's eyes and Xisuma's is green/blue. Oh and in the first sketch X didn't have his hair visible in the visor hee hee ]

So yes, loved it, even if there were only 3 images I still think it's amazing ! We got to see your Xisuma a bit [he- he handsome -makes big eyes]

Sorry for the long ask again!! just!! excited!!

Now I'm going into my drawing cave as I'm full of inspiration already bye bye <333

(also also to reiterate, I have no idea how long part 6 will take since I just kinda have rough storyboarding for the rest of the comic, and classes just started up again— this is my exhibition semester so most of my drawing energy will be prioritized for my grad gallery… we will wait to see how much energy I have left by the day for destruction :3)

ALSO ALSO ALSO! “You dropped your crown king” was absolutely me trying to find a silly caption for what’s supposed to be a serious/dramatic part of the story while also referencing the fact that Xisuma’s helmet shattered/fell off— there are many conspiracies and clues to be had here but I just wanted to clarify that that line is not one of them SFKDFGHJ

I will therefore also not directly respond to anything else being discussed here BUT thank you as always for sharing your theories and analysis!! It always makes my day >:D

[cielelyse]

Favourite 5 Saezuru Scenes

I recently reread Saezuru for the umpteenth time and just needed to gush about it like a crazed person who constantly hallucinates about Yashiro being happy and soOooOOooo.................

1. Why now? (Chapter 25)

These 3 panels kill me always... although it's the entire chapter 25 actually, and not just these panels. This broke me when I first read it nearly a decade ago, and it breaks me every time I reread it. I recently just listened to the drama CD for the first time and wanted to hear how this scene played out (a.k.a. wanted to hear Yashiro moan wkegh;ghwle) and I did not expect to start bawling and sobbing uncontrollably when his flashback appeared. WITH THE MUSIC AND EVERYTHING. THEY DID NOT SPARE ME. FUCK. What was supposed to be a tender and gentle and loving and intimate scene between them turned into Yashiro facing the effects of his childhood trauma -- that will never cease to hurt me. Doumeki saying "kashira, kashira, kirei" right before that broke me in a way reading that scene in English couldn't. I WILL NEVER GET OVER THIS and if I keep writing about it I'm gonna cry again so:

2. Car ride back from Kageyama's clinic (Chapter 4)

This is mostly for nostalgic reasons, really. I first read Saezuru in 2013, and I wasn't used to Yashiro at first. I didn't know what to make of him.

So what happened was that I read "Don't Stay Gold" first and was like... there's a manga about this mildly threatening and unreadable yakuza dude who's Kage's friend…? Who played cupid for him in a weird way? HMMMMM dubious, dubious. Would I even like him? It took me a while, but I finally gave Saezuru a shot anyway, and I remember feeling uncertain about Yashiro up until those panels. I remember it so starkly, because this was the instant I fell in love with him. I think it was because this was the first time I understood the depth of his loneliness (since I hadn't read his high school oneshot yet at this point).

There's just something about how Yoneda Kou-sensei draws these kinds of pages that just resonates with me so well. I CAN'T EVEN DESCRIBE IT. It just connects with me the way Yashiro connects with me, and that was pretty much it for me. Obsession sealed. Life signed away. For the next 10 years I would follow the story closely and routinely check every few months for updates. Yashiro became one of my only 3 comfort characters, and rereading Saezuru always gives me a catharsis and sense of peace that I didn't know how to find elsewhere.

3. "To go on living this strained existence... no longer holds any meaning to me." (Chapter 34)

This scene is one that I come back to every time I'm down. AM I A MASOCHIST? I really like the June translation too: "To go on living this strained existence no longer holds any meaning to me." I think the way the panels divided up those thoughts were brilliant!

This especially hurt me because for the entire manga up to this point, Yashiro has stated that he completely accepts himself and he's happy with who he is. It wasn't until his realization during the sex scene with Doumeki and how much he's said/done hurtful things to Doumeki afterwards -- who he considers pure and sweet and good -- that he thinks this.

4. "Falling in love feels like this" (Chapter 33)

The first time I read this, I had to set my PC down, go out to my apartment balcony, and just silently stare out into the night and resist the urge to smoke (that was half a joke) (I did feel a pang in my chest though) (and I did have to fight very hard not to smoke lwkehg;hge). I love the dialogue right after these panels too, when Yashiro said, "Your sister was lucky that you were there." That, along with Doumeki's reaction, hurt.

This was such an intimate scene between them. Yashiro was so vulnerable. So was Doumeki. I hadn't realized this until I reread Saezuru this year, but these two have always had such intimate scenes right from the start. It was a slow burn, yes, but they had always been instantly drawn to each other: Doumeki thinking Yashiro was beautiful and captivating, and Yashiro doing something he doesn't normally do with his subordinates the first time he met Doumeki. And it didn't clue in for me back in 2013, but their conversations with each other were much more intimate than the conversations they'd have with anyone else, right from chapter 1. I find that so precious.

5. Dream (Chapter 40)

I couldn't not include a scene from post-timeskip, BECAUSE I LOVE POST-TIMESKIP. I love Darkmeki and I love Yashiro and I love that the theme of post-timeskip centers around "change". Wish I could include that conversation Yashiro had with Tsunakawa about it, because I thought that drive-home was brilliant. I really appreciate that Yoneda Kou didn't have Yashiro and Doumeki get together right away after they have sex, and I really appreciate that the question was raised of: Do people change? Can people change on their own, or would you have to force them? Or are we always the same at our core? And I think the answer is of course a mixture of all of it, and that it's very much circumstantial and subjective, but I love how we're able to see the shifts in both Yashiro and Doumeki. How both men aren't quite the same people we knew pre-timeskip. Ten years ago I didn't think I would meet a version of Yashiro that wouldn't talk about sex 24/7, but here we are.

(Not to say that they're completely different now. They're still our Yashiro and Doumeki of course; I just wanted to gush about how well Yoneda Kou were able to flesh out her characters in such a complex, multidimensional way.)

ANYWAYS, I went on a rant without even mentioning these panels of Yashiro's dream. I love everything about it: Doumeki's face not showing, Yashiro running away and turning back to see Doumeki not there anymore, and that last panel of him standing in the middle of nowhere, lost and empty and lonely -- all of that was so incredibly told in pages of no words. UGH YONEDA KOU IS A GENIUS. It reminds me of that page of Yashiro looking at a mother and child in the rain; it's one of my favourite scenes too.

Honourary Mention (Chapter 4):

I should end with a more light-hearted one. THIS WAS CUTEEEE. I remember reading this for the first time and thinking Yashiro was just salty that his roleplay got ruined. But upon second reread (and maybe I'm delusional here), I thought he might've been happy to hear Doumeki say that.

We know Yashiro gets angry and irritated whenever he's happy to hear something sweet from Doumeki (like that extra when they ate together LOL), and that he had the same reaction of kicking the chair when Doumeki said he can't touch Yashiro's hair anymore. Which was cute to say. So I thought Yashiro might've lashed out in annoyance because he was glad that Doumeki doesn't mind. (I tried putting myself in Yashiro's shoes so many times trying to imagine how I would feel if Doumeki had said this............. and somehow came up with "happy" xD)

...........or maybe this was obvious to everyone and I've just been clueless. AAAAAAAA THIS IS WHY I LOVE ABOUT SAEZURU SO MUCH. It never spoon-feeds you information and lets its readers interpret :")

[ask-whitepearl-and-steven]

You put a lot small visual elements and details in that I never seem to notice on my first read, and it always makes rereading exciting. What’s a detail from the comic that nobody ever seemed to notice? I’m sure there are things that nobody has mentioned, especially from the early chapters, that you’d want to talk about

Oh man.........that's a great question.

The thing is, there are a lot of details that people don't pick up, but there are definitely eagle-eyed readers that also do! There are also details which most didn't pick up until someone posted about it, and now everyone knows!

There are also details which are actually... yet to be revealed as relevant! That's a secret tool that'll help us later. :)

But most of it is plot relevant decisions I make which make the story more full, but are not necessarily NECESSARY for full enjoyment.

For example, in the very first comic, when Earl approaches Steven....

Her eye isn't white! That was a fully deliberate decision. She didn't actually approach Steven because he wanted her to. That was a decision she made on her own!

Most of the white eye shenanigans in Season 1 were deliberate, albeit not very explicit. I suppose that worked out okay, though. Plus, many people DID catch on!

Also, this part in the Kindergarten comic:

...which people assumed was a power separate from everything, is actually just the first instance of Steven's Command power. The thing is, I hadn't settled into how to portray it at the time, and also - the gem is Corrupted! It doesn't respond to Steven's commands the same way normal gems do. I planned to explore that earlier initially, but in the end, decided to tie it into much later plot.

In Season 1, EP 38, Steven asks Earl to write her name.... and she does! But in gem, not English, because she doesn't know how to write in English.

She designates herself as White Pearl, putting the dash over the top diamond. It was at the time when she was still anxious about making Steven - White Diamond - angry with her.

And to add to the eye thing - during the Season finale of Season 2, when Steven wondered if Earl only came to see him because he forced her to - the comic where she finds him in the water proves otherwise!

Immediately when she grabs him and swims up, her eyes aren't white! She's doing it of her own accord.

Also, in Season 3's opening, when Rose is angry at what she THINKS is White Diamond, she almost has a slip of the tongue when talking about the past.

There's a very pointed reason that panel of Earl is right there next to Rose's cut-off 'My...'

Also, when Rose leaves Steven in the Containment Sphere - the Baby Jail Bubble - she unlocks it to leave, and you can pretty clearly see an interesting detail.

(which Steven, of course, doesn't notice.)

There's also a bit of a narrative tongue in cheek line-up which is accidental on Steven's part but still rings true:

(TVTropes editors caught this one! Hey TVTrope editors!)

Also, this very famous Seaglass foreshadowing:

The first instance of Steven connecting to tech was in the beginning of this season!

When Steven has a bad dream after fusing with Earl and forming Bleached Coral, there's a hidden detail in this reflective text from Nightmare Rose:

(It might be easier to read if you mirror-flip it.)

Another fun thing I enjoyed doing before I got busy with other stuff is gem language! Earl writes Steven notes in it to help him learn, and now signs with her English name,

In the Cluster Experiments comic, if you look at the panels before stuff starts to Happen, you can find a few Experiments hiding in the background. :)

In Amethyst's room, there is a Japanese stopsign and a d20 in the background.

In episode 25 of season 4, Steven is playing Moonlight Sonata!

In episode 33, the ship Steven connects to displays a bisection of the earth which showcases its lumpy core! Or rather, the megastructures that are hidden deep inside the mantle.

It also showcases a few geothermal coring sites made during the colonization.

And by the way, the drill Pearl built was actually a repurposed ship hull which was used for the Space Race ship in the original show!

And man there are actually... many more! But I had to skip over them because they are alluding to things which have not yet been explicitly revealed! :D

But even with this, I'm sure there are other ones I'm missing. If you think you have one that should be listed - throw it on a reblog or in the comments!

[twomiddlefingersforthehaters]

This is how we get to see Naruto noticing Sakura with her heart eyes on Sasuke. What he did after that was accidentally kiss Sasuke. All she cared about was stealing the first kiss from Sasuke... but Naruto took it right in front of her eyes.

Remember what Sakura said, "He always getting in the way when I do something important".

Naruto always got in her way because it was always related to Sasuke.

1. Sakura asking Sasuke for a date... Instantly Naruto following with it.

2. When Sakura asks to train together with Sasuke, he rejects her again. As usual Naruto asked the same thing Sakura asked Sasuke.

3. The same thing happens here

So, what is common to all the above scenes? It's Sasuke. What is special about it? Because Naruto never really cared about what was going on around Sakura, but he only paid attention when Sasuke was involved.

Naruto was also there when Sakura tried to flirt with Sasuke. But he didn't respond when someone else tried to flirt with Sakura or didn't care if someone showed interest in her. For this plot, Lee is introduced as having a crush on Sakura.

Naruto was also present in this panel when Lee introduced himself to Sakura.

After that Lee throws romantic lines at her...but we don't get a reaction from Naruto but we do see him laughing....maybe because he found the way Sakura rejected him and the look Lee was giving feels funny.

On the same page....when someone asked Sasuke's name... Naruto's eyes were burning. Wasn't this the reaction Naruto was supposed to give Sakura when she got the attention from another boy?

So, Kishi put Naruto between Lee and Sakura to show that he didn't mind someone else flirting with Sakura and being romantic towards her. But, It annoys Naruto when anyone takes an interest in Sasuke and his Skills.

Yet again Lee is back with his flirting skills. This time he was flirting with Sakura in front of Sasuke and Naruto... but, both are not interested in what is happening in front of them or react to anything.

As the flirting continues, the panel shows Naruto's irritated face when Lee asks for a fight with Sasuke.

Here Lee openly shows his affection for Sakura, and the panel shows that Naruto doesn't really care about the attention Sakura gets from the same boy who flirts with her before their Chūnin Exams. And he looks pretty clueless here too. Kishi wants to show us that Lee's crush on Sakura has no reaction from Sasuke or Naruto.

[vincentbriggs]

Hello! I'm trying to draw something for a friend. Both of our characters live in the late 1720s. They both have regular outfits, but I want to draw them wearing something fancy. My friend has described his character as having a very bad sense of fashion. I can't really picture what a bad outfit back then would look like. Do you?

Hello! Well I haven't got all that much of a feel for what might have been considered a bad outfit back then, but there is one image that immediately comes to mind of someone who's very definitely badly dressed, and it's this guy. From the 4th panel of Hogarth's Marriage A la Mode (1743-45).

His individual garments look fine to me, but they're horribly mismatched! (And a bit old fashioned for the mid 40's.) You'll note that the coat cuffs are made of a large brocade that contrasts with the main body of the coat, which was very popular in the first half of the century, but that style was meant to be worn with a matching waistcoat in the same brocade. Instead he's got a completely plain waistcoat that doesn't match at all.

And the breeches should match the main coat fabric, but his don't! The black and brown and beige clash awfully. He's also got a lot more rings and a much bigger & sparklier earring than I've seen on any other guy from the era, which I speculate might have been tack and/or un-masculine, but I have no sources so don't quote me on that. I just know that when 18th century guys are wearing rings in a portrait it's usually just one, and I've only ever seen simple little hoop earrings in a very few portraits. But again, emphasis on the "speculate" part of that sentence.

(And I've just noticed that the guy next to him has curling papers in his hair, which I think is probably also meant to make him look silly and not properly dressed. No idea what the opinion would have been about the folding fan dangling from the wrist of the next guy over, but it is intriguing. The very large beauty spot on his lip is probably meant to look bad though.)

That painting is a bit later than what you're asking about, but the style of matching cuffs & waistcoat was popular in the 20's too, so here are some examples of what it's supposed to look like. A lot of them are very elaborate brocades paired with a solid dark coloured velvet, but sometimes it's a contrasting plain fabric with a ton of metal embroidery.

(1725)

(1723)

And an extant c. 1730's example from the NMS collection.

You might also look at 1710's images, because being a decade behind the current fashions would certainly make you badly dressed for the era.

(c. 1715-20)

So, I guess just put them in clashing parts of 2 or 3 different matched suits? (I am assuming you're asking about suits, since this ask was sent to me and I do not know very many things about dresses. Mostly only what I absorb from other costumers who post about it, and barely anyone does early 18th century.)

Please note that this does not apply to the 1780's-90's, fashion plates from those decades are incredibly full of clashing and mismatched suits. (Though it would probably still be bad to wear those ones on a very formal occasion.)

[starwrighter]

I am not a baby! (Yes you are)

Part one of my  Dpxdc Subnautica au from this post   Next part

Alarms blared, red lights flashing in his face as he bolted from his bunk. It was supposed to be educational; a three month trip then back home now all he could hear were screams of terror. Flames licked his arms as he ran around panicked desperate for an adult who wasn’t screaming or telling him to “Piss off” The smell of burnt plastic burnt his nostrils; him being here at all had to be breaking all types of child labor laws.

The floor trembled beneath him and Danny tried his hardest to float. His feet levitated an inch off the ground before his power fizzled out at the tips of his toes sending him crashing to the floor. His head pounded; he couldn’t go ghost, he couldn’t use any of his powers!

He was just fourteen and he was going to die...again, in a spaceship of all places.

Danny loved space, the planets and stars all so beautiful but still out of his grasp. This was supposed to be a chance for him to see the universe. It was supposed to be his dream come true. His one and only chance at exploring the galaxy!

“Attention. Hull damage Imminent. All personnel abandon ship.” A robotic voice speaks over the intercom but all Danny can do is lay there as people rush by practically stepping on him.

Suddenly he’s grabbed by the scruff of his suit the sound of heavy footfall and electricity crackling making his head spin. If this were any other situation he might’ve made a sarcastic comment to the stranger who tossed him over their shoulder like a sack of potatoes. But again, they were in space, and currently about to crash! Plus any snarky remark would likely be drowned out by crowds of panicked people. 

It’s not long until the stranger tosses him into a life pod with Danny scrambling to strap himself in. Slamming his hand down on the remote he forces his shoulder belts down and braces his head against a seat too big for him.

“Launch in 3...”

Wait... It’s launching already?

“2...″ 

“Wait, Stop!” He screamed, he didn’t want to be alone!

“1...” 

His body lurched everything was shaking, he couldn’t even hear himself think over the sounds of blaring alarms and roaring machinery. It felt like the air around him was squeezing his skull like a stress ball. Metal shrieked as a side panel tore off the wall and went flying toward him.

“Schunk!”

Pain. Unbearable pain. A scream died on his split lip only the strangled gurgles of blood pouring out his throat. The panel had embedded itself a perfect split down his face and neck. His vison blurred and all he could see was red. 

So this is how it ended for him?

Face bisected by a flimsy metal sheet...

A cruelly anticlimactic death compared to his first but at least he got to die in space. Closing his eyes, Danny felt a familiar numbness spread throughout his body. 

Once again he was gone.

[southern-gothic-comic]

Page 35

Next 💜 Back 🖤 First

(Author Notes)

Panel 1: Getting into the spirit of the maze, Laudna continues to shift her appearance, letting her hair straggle over her face so that only her (very wide) smile is visible.

Laudna: (singsong) Oh, friieennd? Where are you hiiidingggg? Come play with us.

Panel 2: Rounding a corner, she comes face to face with a stern-looking Dolores Garrod and her terrified child.

Laudna: Gotcha--! Oh. Oh no.

Imogen: Run!

Panel 3: Overhead view of the maze. People are fleeing the maze in fear from Laudna, who is holding hands with Imogen running further into the maze from Dolores, who is lost.

Panel 4: They hide in an alcove. Imogen is muffling a nervous giggle while Laudna, returned to her normal shape, fidgets with a bit of fleece, making something. As she works she mutters to herself internally.

Laudna: Was it four legs? Six? Two? And the jaw, which way did it open? Did it have a jaw? I don’t suppose it matters

Panel 5: Dolores throws herself backwards, knocking over bales of hay, as an illusion of Laudna’s springs out of the darkness. (A part-skeletal dog with a horizontally and vertically hinging jaw.) Some other maze-goers, assuming this is part of the festival, start to cheer.

Dolores: Gods above!

Girl: Best. Haunted. Maze. Ever!!!

Girl 2: Is that dog okay