#time warner interactive
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retrocgads · 5 months ago
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USA 1993
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found-in-retro-game-mags · 1 year ago
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AEGIS: Guardian of the Fleet
"We regret the appearance of this ad, but the military information in this new game has only recently been declassified." (Computer Gaming World #124, Nov. 1994)
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Handheld Fighting Games of 95/99 - Primal Rage (Game Boy)
The Game Boy version of Primal Rage was ported by Probe Software and released in North America and Europe on August 25, 1995. Due to the hardware limitations of the Game Boy, this port featured reduced character move sets and downgraded visuals. Notably, it omitted Vertigo from the roster, making it the only version of the game without the full set of playable characters.
Despite these limitations, the core gameplay remained intact, with players controlling prehistoric beasts battling for dominance in a post-apocalyptic world called "Urth." Unlike other versions, the Game Boy port had simplified mechanics and scaled-down animations to accommodate the handheld’s processing power. #gaming #videogames #fightinggames
Key Details: • Release Date: August 11, 1995 (Game Boy) • Developer: Atari Games Corporation • Publisher: Time Warner Interactive • Port By: Probe Entertainment • Genre: Fighting • Perspective: Side view, 2D scrolling • Modes: Single-player, Two-player (Game Link Cable) • ESRB Rating: Kids to Adults • ELSPA Rating: 11+ • Notable Characters: Sauron, Diablo, Blizzard, Armadon, Talon
1. Intro 00:00 2. Gameplay & Release Info 00:15 3. Gameplay & Dev/Pub Info 02:37 4. Gameplay & Critic Reception 05:02 5. Outro 08:09
For other Handheld Fighting games released between 1995 and 1999 check out this playlist https://youtube.com/playlist?list=PLFJOZYl1h1CGbhLZhrjW1N_y7vtR2i0se&si=4YyJFjqAEdeSvCNa
For other Handheld Fighting games released between 1989 and 1994 check out this playlist. https://youtube.com/playlist?list=PLFJOZYl1h1CG_uI1-iafuDaV2LXRQTbZH&si=-pbwr-Ew1hIBi9ZJ
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aauuttoomatic · 1 month ago
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Time Warner Interactive
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rapidkirby3000 · 2 months ago
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The Ruins (Chaos' Stage)
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Primal Rage (SNES) (1995)
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galactic-glamour-girl-posts · 10 months ago
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Something Something Animaniacs Headcanons
--Yakko is omnilingual, although he's better at speaking some languages than others (for example his Japanese is better than his Spanish).
--Whatever species the Warners are can breathe both underwater and in space. Any segment where they are shown in scuba gear or space helmets or anything like that is done for show, for S&P, or just because the Warners are goofing around.
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--Clearly Jürgen was not feeding the Warner Clones well, but if he did I think Ditto's favourite food would be strawberries and cream (given that she's already confirmed to like strawberries), Ratto's would be leafy salads, and Saffo's would be sushi.
--Dot's favourite type of flowers are buttercups.
--The Warners consider Scratchansniff, Slappy, and Skippy the closest thing to an extended family they have (their father yes Scratchy being their dad should mean he's part of the nuclear family, but...shut up, aunt, and cousin respectively):
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I was gonna save this for the tags, but nah, you CANNOT convince me they didn't choose to have these three specific characters play the Warners out for what was (for all the staff knew) their final full segment ever for a reason. This is the last shot of the original show (unless you count The Animaniacs Suite, but...come on. That's a clip show.)
The Warners went from only having each other to the size of their family doubling! I won't interpret this shot any other way 😤
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jackie-shitposts · 7 months ago
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CARMEN SANDIEGO: TO STEAL OR NOT TO STEAL UPDATE
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So, Carmen Sandiego’s To Steal or Not to Steal, along with almost all of Netflix’s Interactive specials, will be deleted from the streaming service come December 1st 2024. There's really no changing that, at least for now.
My friends and I had originally planned to archive TSONTS ourselves, but someone had kindly directed me towards this group called The Netflix Interactive Archive. These people are doing AMAZING work to preserve not only Carmen’s interactive special, but EVERY interactive special. These people have far more technical know-how than I could ever begin to understand for this topic.
As of now, they currently have archived every single interactive special in every single available language, and they are working on eventually releasing their archived versions for anyone to play! I’m confident when I say that Carmen Sandiego’s interactive is safe in their hands, so once they are able to release their archival of TSONTS I will definitely be posting about it. Subscribe to their youtube channel to keep tabs on the archive’s progress!
So the actual content of the interactives are as safe as they reasonably can be. But I’d like to talk about WHY Netflix is doing this, as I didn’t explain properly in my first post and many people were confused.
According to a Netflix spokesperson in an article with The Verge, “The [interactive special’s] technology served its purpose, but is now limiting as we focus on technological efforts in other areas.” This, of course, is total bull. There's no reason that keeping already existing content on your platform would limit the capabilities of future content. So what's the REAL reason? Corporate greed, of course! Deleting these interactives from the streaming site would save Netflix money.
Originally, I believed that cutting TSONTS from Netflix would allow them to claim the interactive as a loss and receive a tax break from it; this is what happened to Coyote vs. Acme, a fully-produced movie that Warner Brothers never released, and got an estimated $30 million dollar tax break on (source). While this might play a part in Netflix's decision to cut the interactives, I think that this situation is more alike to what happened to Infinity Train on HBO Max.
In 2022, many beloved animated TV shows, including the acclaimed Infinity Train, were removed from HBO Max. Infinity Train had no other legal home at the time, and now there are very few legal places to access the show. The show's creator, Owen Dennis, had this to say on the matter: "...It’s about saving money somehow. The consensus is that it has something to do with paying animators and artists the residuals that they’re owed for their work. Our pay is not complete without the ongoing residuals." (source).
HBO Max didn't want to pay Infinity Train workers the money they were owed, and now it's likely that Netflix doesn't want to pay Carmen Sandiego workers what they are owed. It doesn't matter to them if these interactives are important pieces of media that matter to many people, and it doesn't matter to them if their workers lose money that they need to survive. Ultimately, Netflix doesn't believe that these interactives are bringing in enough revenue to keep them on the streaming platform.
Right now, animation workers have few ways to protect themselves from these types of business decisions, but it doesn't have to stay this way forever! Right now, The Animation Guild is negotiating with the corporations to receive better pay, working conditions, and to help prevent the conditions that influence corporations to delete shows. You can help them by signing their petition, helping to convince corporations that animation matters! Sign the petition here!
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roxygen22 · 6 months ago
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The Beautiful Boy Bus Stop Story was so cute! Would it be too much to ask for a part 2? The interactions between the pair was adorable! Love your stories. :)
Ask and ye shall receive! What do y'all think?
Bus Stop (Part 2)
Catch up on Part 1 here
Ever the gentleman, Nic held the door to the diner open for you. Once he stepped in after you, he scanned the room.
"Wow, it's like straight from a 50's TV show," he mused. Before you could respond, a voice rang out from the kitchen.
"Hey, [Y/N]! Have a seat, honey, and we'll be right with you," one of the servers called.
"Sooooo, do you come here often?" Nic joked as he followed you to your usual booth and sat across from you, facing away from the kitchen.
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You shrugged and put on an innocent face. "Sometimes, I get tired of my own cooking." He didn’t need to know [yet] just how domestically challenged you were.
Cheryl, who often waited on you when you stopped by after work, appeared at the end of the table. "I was wondering if I would see you this week! And I see you brought a friend this time." She grinned and winked at you as she set down the menus in front of each of you. "What can I get you two to drink?"
You blushed at her lack of subtlety, hoping Nic wouldn't be put off. "I'll have a Coke."
"I'll just have some water, please," Nic responded politely.
"One water, one Coke, coming right up. I'll give you some time to look over the menu." As she stepped toward the kitchen, Cheryl turned on her heel and waved to get your attention. She pointed at Nic with one hand and signaled a thumbs up with the other. "Nice!" she mouthed.
You dropped your chin to hide the smile pulling at the corners of your lips. Luckily, Nic didn't seem to notice as he browsed the options. Not needing the menu, you took the chance to study his face up close. The way his dark hair curled into perfectly tousled ringlets. The light dusting of freckles across his cheekbones. The small scar just to the left of his no-
Your investigation was cut short when he set down the menu and looked back at you with those gorgeous eyes framed by lush lashes.
"So, uh, do you work downtown? I assumed since you're already on the southbound route when I get on the bus," he inquired.
You shook yourself from your stupor. "Oh, yes, I do. I'm a paralegal at Warner, Fitzgerald, and Associates. But, I'm studying to be a lawyer, though."
"A lawyer, huh? Impressive. How much lo-"
Before he could continue, Cheryl returned and set the drinks down on the table. "Alright, are we ready to order?" Nic gestured for you to speak first.
"I'll just have my usual," you said, handing the menu that you never opened back to her.
"And you, dear?" Cheryl asked, turning to Nic.
"I'll, uh, have the same." He flashed a smile at you before handing over his menu. "Thank you."
After Cheryl turned away, you leaned forward toward him. "You don't even know what my usual is."
Nic shrugged. "Perhaps not, but everything on the menu looked good."
You giggled and sat back. "Well, prepare to be amazed, then." He smiled that gorgeous smile in return that caused you to glitch again. Was there anything not perfect about this guy?
Realizing you were probably all but drooling at this point, you cleared your throat to break the brief awkward silence and regain your composure. "So what about you?"
"Hmm?" He tilted his head to the side like a confused puppy. An adorable one.
"Sorry. What do you do for work?" you clarified.
"I'm, uh...I'm a writer."
"You don't seem too sure about that, Nic," you teased, but then quickly froze, realizing that he probably wasn't yet ready for your brand of humor. To your relief, he chuckled and clasped his hands on the table.
"I am putting it out into the universe that I will be an accomplished author one day. But in the meantime, I am working downtown at the news station while I am going back to school."
"Back?" you ask curiously.
"Well, I didn't finish the first time due to some, uh, complications. I had to figure some things out about life first."
You could tell by the way Nic cast his eyes down to the table that there was more to the story than could be unpacked at present. Without thinking, you reached out and placed your hand on top of his.
"A winding road makes for a much more interesting story than the straight and narrow, Mr. Writer," you replied reassuringly.
Nic glanced up at you and half-smiled before looking down again at your hand. "I suppose you're right." He rotated one palm up to hold yours.
A tiny gasp escaped your lips. ::Is this really happening?:: you thought to yourself. Nic's thumb grazed your knuckles, leaving a trail of fire from his touch. Much to your chagrin, Cheryl cut the moment short by walking up with your plates. Nic cleared his throat and pulled back to make room on the table.
"Here we go," she announced. "Two open-faced cheeseburgers with a fried egg on top and a side of curly fries. Enjoy! I'll check on you again in a bit."
"Wow," Nic exclaimed. "Can't say I've ever had an egg on a burger before."
"Don't knock it 'til you've tried it," you responded before unabashedly taking a huge, ungraceful bite of your own burger, leaving a bit of mustard on the corner of your lip.
"You've, uh, got something right...," he paused to point at his own cheek to demonstrate.
"Oh!" You hurriedly grabbed your napkin to wipe it away, bringing attention to your deep blushing.
Nic laughed. "Hey, it's cool, it's cool! Now, where do I even start with this burger?" He joined the halves and brought it to his mouth, manfully taking a big bite to match yours. He chewed a moment before his face lit up. "Oh man!"
"See?! And you dared doubt me," you teased.
"I vow to never doubt you again." Nic locked eyes with you and blushed with his own admission. He laughed it off, and the two of you continued to chow down, occasionally taking a break to talk about classes, what the other likes to do for fun, and other enjoyable small talk.
Cheryl stopped by to check on you as you both picked at the last of your fries. "Can I get you two anything else? Maybe the usual milkshake?"
"Oh, no, I'm stuffed," you admitted.
"Maybe next time," Nic added as he retrieved his wallet.
::Next time?!:: Your heart raced. Cheryl picked up on it, too, and winked at you again when she returned his card.
Check closed, you and Nic slowly walked out of the diner. "I had fun tonight. Getting asked out on a date was not how I pictured today going, but I'm here for it," he said, hands in his pockets as he walked alongside you down the street toward your place.
"Same. While there was some premeditation on my part," you replied through a laugh, "I didn't dare speculate what would happen after I said hello."
"I'm glad you did. Say hello, I mean."
"Me, too." You slowed to a stop, forcing him to stop and turn back to you. "As much as I don't want this evening to end, this is my street." You jutted your thumb at the street sign at the intersection. "Will I see you on the bus tomorrow?" you asked, hope evident in your tone.
"I have a, uh, standing meeting after class on Wednesdays."
"Oh, right." You visibly deflated. "I forgot today is Tuesday, not Monday. You never get on the bus on my commute home on Wednesdays."
"You notice when I'm not there?" Nic asked in disbelief.
"Always." You smiled as you looked up into his eyes, following his movement as he stepped in closer.
"[Y/N]?" he breathed.
"Yes?"
"Can I kiss you?"
<><><><><>
Part 3
Masterlist
@croatianprincess @bluizh @groovy-lady @pmak2002
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angelsdvsts · 11 months ago
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mind tries to wrap around any little piece of information she could to help them, “i mean sometimes when i’m home alone it feels like someone’s watching me, but like i’m pretty sure its just paranoia.” wasn’t sure if it was, but figures it was better to mention it rather than keep it to herself. maybe she was the target after all, suddenly the thought of not being safe in her own household flashes through her mind. mind fills with worries, eyes slowly fluttering over his features — brows knit together. “it’s kinda hard not to, i don’t want anything to happen to you,” after all those years, the care she has for him hasn’t really faded. “good people also get wrongfully blamed sometimes,” and maybe that was what was happening here. the police trying to gather up any information to lock her up for good for something she didn’t do. brown hues tries to remain strong as they meet his — though she cracks, unable to pretend like she wasn’t freaked out any longer. “please stay,” her voice was barely above a whisper — even if she doesn’t sleep a wink, knowing someone else was in the household with her brought her some sort of ease. “warner? i don’t know what they want from me or what they’re after, but i’ve never felt this terrified in my life… maybe i’m not as good of a person as everyone says? i mean after all we stopped being friends for a reason! was i the problem? am i the issue?” it was clear that her brain was overthinking and she was close to breaking down unable to handle all the emotions hitting her at one.
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"i don't... i don't think so." there had been moments, of course, where warner worried people were watching him, but that surely couldn't be the case. he was sure of it, that he would know if there was someone on their tail, but then again there clearly there's someone to worry about. someone who might be targeting them, for some unknown reason. "have you?" warner asks, now suddenly concerned, because it wasn't like it was outside of the realm of possibility considering what iri had already kept from him. his brows furrow together as she begins to talk about hypothetical bad outcomes to this whole thing and he shakes his head, stepping closer to her. "don't think like that, okay? you're a good person. that's what this comes down to and i'd rather you be that good person than a bystander or a coward who leaves someone to die." he points out. at the idea of him being uncomfortable staying over, he brushs off any of his own concern about it, shaking his head firmly as he eyes her. "i'm offering because i know i won't be. seriously, iri, if you want me to, i will. don't bullshit me or pretend, just be honest." he insists, tilting his head as he watches her, trying to discern what it is she needs in this situation.
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mishtiikrishna · 28 days ago
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play 20 questions with me!
except it's one sided and all about ✨me✨
1. hii! what do i call u?
call me mish (as my dear companion @foursixtwonineoh-pizzas-of-lego (evie 😘)) does or mishti.
2. how did u chance upon here and what do u do here everyday?
i came here for #drarry and #tomarry and #merthur fics and arts (they're so out of this world, man) stayed here for the people and my lovely moots and shitposts. left one time to focus on my studies and now i'm back. permanently. hopefully. everyday, i come here for shits and giggles and to interact with the lovely (bi/gay, i don't think none of my friends over here is straight) friends. lol
3. you mentioned #drarry. what fandoms are u in/interested in/know?
1. harry potter (have to admit that I've only seen the movies twice and read only POA and majorly fanfictions. u have no idea omg)
2. heartstopper (i've read the webtoon AND s1 in netflix s1, haven't got the time for the later seasons tbh)
3. sherlock holmes and adj (books and robert downey movies and bbc sherlock)
4. DC (some comics and some warner bros movies am not in deep as some of my dear friends 😭)
5. marvel (..through fanfictions and song edits ONLY)
6. bbc merlin (couldn't finish the whole show, but i do know the ending 😭)
7. mahabharat starplus (haven't seen the whole show but know and love enough)
8. anne with an e
4. fanfictions, you read. do you write in general?
yes! i do! they're all under this tag -> #mishti writes. hoping to write and update on here more, honestly. i write about a lot of stuff mostly independent but not on the level of writing fanfictions yet. i feel pity for myself tbh
5. what're your other creative outlets?
i sing, i can do digital calligraphy and art (not really good at the latter) and painting/colouring! i hope to start this journey too here actually.
6. do you read and write and all only in english? what're some other languages u know?
i enjoy reading and writing creative stuff in english only right now. i can write in hindi too if i tried really hard. i also know malayalam, tamil, kannada, sanskrit, french (duolingo lmao), html, markdown and python.
7. u know python? which level?
i learnt it for school for 2 years (years 11 & 12). i have created a wordle clone that works on NYTimes' wordle logic except pastel colouring and it works offline. planning to make it bigger, actually.
8. computer nerd huh? anyway how do i become friends with u if i want to?
wouldn't call myself a nerd lol. there's nothing much to do if u want to become friend tbh. the ask box is above this post and start a conversation with me, we'll take it from there ♥️
9. do u have any checklist for being ur friend that I should fulfill?
yes, actually. u must be:
[ ] happy talking to me
[ ] ready to tell when i'm doing something wrong
[ ] ready not to force me to do anything
[ ] ready for my countless apologies at any given time (yes i'm serious)
that's all, i think. i don't mind anyone here as long u check these out!
10. what's ur stance on the LGBTQIA+ community?
since almost all my friends here are either bi or gay or on the spectrum here, i really don't mind them. i support the community as long as i don't get hurt. i think i'm aroace myself but i really dunno, i must admit.
11. u keep reiterating 'friends'. may i ask who ur friends are on here? or would that be personal?
i don't mind u asking about my friends. in fact, i've made a friend list, here.
12. time for misc questions!! what's ur favourite thing to do in the rain?
it's been raining for a good few days at the time of writing this post, and my favourite thing to do is lie on my bed on scroll thru..Tumblr. embarassing i know. but that's what i have discovered as of now. but i know that'll change in like 3 days max 😭 i think it'll be sitting at my desk, the one in front of the window, listening to the rain and either sketching or ✨writing✨
13. what about drinks? hot drinks or cold drinks in autumn?
cold drinks throughout the year. even in winters yes. i have cold water everyday 😂
14. would you prefer looking after a toddler or a teenager for a week?
after having a sister, i would pick the baby. they can't talk back or be rude to me or anyone really. and no feelings will be hurt, so no fights 😍
15. cat or a dog person?
neither, i'm so sorry. i am allergic to both, i believe.
16. u mentioned u were a computer nerd before. what're some craziest things u've done related to it?
ok. so i have done quite a few things (you may choose to believe it or not, i don't mind either way!) which i used to think and still think is not that impressive:
jailbroke an iPhone 3g at the age of 12; exorcised macos x lion from a polycarbonate 2009 macbook and proceeded to install 15-20 linux distros at the ages of 14-15 (no arch linux, i just read the documentation and gave up); illegally (maybe) installed and ran windows 11 on a device that shouldn't have ran it from one sketchy youtube tutorial at 15; built wordle (mentioned above) from scratch with python and tkinter in 2 days (that's it lol)
17. how does ur music taste look like?
mainly electropop with epic instrumentals and the occasional sanskrit verse. i suppose.
18. what're ur likes and dislikes?
likes: computer, tech, math, chemistry, some parts of physics, cold stuff, digital stuff, art, fanfics, writing, pastel colours, rain, gold jewellery, fancy af hairstyles, cooking, pens (pentel 🩵), pencils, any sorta stationery, my sister and my family
dislikes: anon asks for help (not in a position, i'm sorry!), hot (as in temperature) stuff, wearing glasses (have been a glass wearer for the 11th year now), chores (to an extent 😂), and romance (i just don't understand it..doesn't matter if it's wlw or mlm or straight or whatever)
19. what're some numbers u love? do u believe in lucky numbers?
i love the number 7 for some reason. also 19th cuz 19th may is my birthday. and 2 and 5, idk why.
20. ask me in the reblogs if u've reached till here! u're obligated to, at this point lol.
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mementomoriwithacherryontop · 5 months ago
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Thoughts literally no one asked for but I want to share anyway: Why I'm still supporting Dead Boy Detectives
And some facts on his connection to a show I've fought for for the last several months
What is being made is as important to me as how something is made. And after I first watched Dead Boy Detectives and later learned what a positive experience it was for literally everyone involved, I knew I had to champion it.
Steve Yockey and Beth Schwartz, the showrunners, took extra care to make sure the set was a safe space for everyone who worked there. Crew members have mentioned on a Reddit thread that they mourned the cancellation not so much because of lost income, but because they wouldn't have the chance to return to a work environment that truly valued them, that respected them, and that made them love coming to work every day.
And Steve and Beth took care to make sure the writers were diverse.* This is important, because they pulled together a team of people from marginalized and diverse backgrounds to tell a story about characters who are also marginalized and from diverse backgrounds. Many of the creatives are members of the LGBTQIA community. They were strategic about casting, too. Only two characters of the main cast are white, and one of them is gay; everyone else is a POC. Niko's character was created from the ground up by Steve and her actress, Yuyu Kitamura.
Steve and Beth were intentional about their choices. I mentioned crew members above, but I want to clarify that writers and cast alike have commented, repeatedly, how safe and respected they felt on set.*
This is not the norm in Hollywood, and the choice to create in that way needs to be recognized.
And in this political climate? Queer media matters now more than ever.
As we sift through discourse regarding social responsibility and accountability when it comes to consuming media and art, the phrase, “don’t throw the baby out with the bathwater” comes to mind. Nuance matters. Details matter.
Of course he-who-shall-not-be-named needs to be held accountable. But the fact remains that he was only very loosely connected to Dead Boy Detectives. He wasn't associated with it at all until it moved to Netflix late in production and incorporated the two cameos from The Sandman. His writing credits total under 11 minutes of the 8 episode series (just those two scenes). He was never on set. He never met the cast in person. He had no creative input on the series, which he has stated multiple times. Additionally, the story isn't even based on his works; it's based on the comics by Toby Litt and Mark Buckingham. Lastly, it's worth noting he does not own the rights to the show. Steve Yockey owns the Dead Boy Detectives, and Warner Brothers has production rights.
His loose connections cannot be allowed to overshadow all the GOOD that this show did, both in it's making and in the story it tells. How art is made matters. And art that is created with kindness and respect for our fellow humans, that gives voices to marginalized people, that allows viewers who are vastly underrepresented in the media to finally see themselves represented on screen?
That's huge. That resonates with people. It's life changing and sometimes even life saving. It's a lantern in the dark, and it gives people hope.
And that matters. Quite a bit, actually. And it deserves to be championed.
It deserves to be saved. ------------------------- *Info regarding writers and set culture is largely gleaned from creators social media accounts, posts/public fan interaction, director interviews, and gameos/gameodens. For more nitty gritty on exactly what his involvement looks like in Dead Boy Detectives, this link has a ton of solid info:
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retrocgads · 7 months ago
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USA 1993
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iwoulddieforher · 6 months ago
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Pondering Temperature | Casey Novak//&Alex Cabot
Author's Note:
First post ... I have absolutely no clue how tumblr works or how the tumblr social interaction is supposed to be, however, I am so obsessive about these two dumb gay lawyers I had to show up anyway.
No warnings & this is also partially a character study experiment for Casey ... I wanted it to feel like it was vaguely possible a scene like this could exist in canon.
Summary: One dumb gay lawyer has a rough time of it and the other dumb gay lawyer takes her for coffee and then they proceed to have a casual conversation with very gay overtones.
4.4k words, I think?
//Images stolen from either here or Pinterest
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Like a breeze that exasperates an already cold New York winter, Alex Cabot made Casey Novak uncomfortable. Not outright agitated or irritable, but just enough of a nuisance that she couldn't push it out of her mind, and if she managed, she would be inevitably reminded of it shortly as the wind picked back up again, scattering snowflakes across her face.
For around a month, she and Cabot had been “sharing” SVU. She had returned from suspension, and Cabot had returned from wherever the hell she was, and the precinct wanted both of them so they just kept sharing caseloads. It should have made her thrilled- another ADA meant she could be even more hands-on in the active cases, be able to study each argument until she could perform all of her movements flawlessly. But with Cabot, it just didn't work right.
They said less than fifty words to each other per day, and none of them were ever in sentences. A quick, “another case came in- mine, or yours?”, “Olivia needs a warrant filled, so I’m going to the courthouse- did you need anything from a judge?” “Warner asked to see you,” “Olivia asked to see you,” “Cragen’s looking for you,” God. People were always looking.
The person giving the curt notice would never expect a response- if anything, a nod or a short “Yeah, on it”, and then exit immediately.
It felt ridiculously awkward. Warmer than greeting a defense counsel, because at least they were fighting the same fight, but compared to the warmth of connection shared by the rest of the squad- yes, okay, bickering was constant, but they cared about each other on a level hard for any outsider to understand- it felt cold.
Cold reminded Casey immediately of the teasing nickname the squad referred to Cabot with- ‘Ice Queen'. It didn't help that for the first months of becoming the Special Victims counselor, Casey was constantly fighting to fill the shoes of Cabot in the squad member's eyes- and now, that legendary blonde was perched casually in the office somewhere near her’s, her annoyingly cooperative naturally blonde hair flowing down her annoyingly straight, always squared back shoulders.
Fighting the squad's fiery rejection with her own fire of determination, setting everything ablaze in a stupid, unnecessary, inefficient inferno that Alexandra Cabot would never struggle with. Amazing.
“Earth to Casey.” Olivia broke through her thoughts, piquing an eyebrow at her and settling down at the chair across from Casey’s desk. The ADA casually slid her eyes down to the detective’s face, having mastered the art of not startling when people try to snap her back to active consciousness.
“Casey’s on Earth,” She hummed, tapping her pen idly on the desk.
"Sure you are." The detective snorted, shaking her head. "If you still had that red hair, I'd make a joke about you being a homesick martian."
Casey didn't have red hair anymore. She had blonde hair, like Alex. Except Alex's hair was a toned, icy blonde, while her own remained stubbornly warm no matter how much toner she tried to use to mask her original dark copper- at some point she quit trying, settling for a blonde so dirty it could possibly pass as light brown. That thought made her internally sigh with the level of rumination over that woman.
"What do you need?"
Benson dropped a case file on her desk, a grimace that reads of determined resignation on her face. "Could you get a warrant?"
Casey's brain clicked back over to work mode, sliding her finger along the side of the case file out of habit before freeing the pages from the bounds of a paperclip and skimming over the words. "This seems straightforward.. oh."
She blinked, slowly, glancing up at Liv without breathing. The police officer doesn't seem to notice anything wrong with her- thank god, sometimes Liv can be very unobservant- although she's very observant where it counts, so perhaps that's a rude musing to make- so she doesn't move to cover her hesitation.
"So, you want to pop the shrink?" She says, tracing the word 'schizophrenic' with the pad of her index finger.
Olivia nods, stiffening her shoulders in the sort of half-shrug motion that thinned her lips that Casey had come to identify with her. "We want to know more about his delusions to see if that matches up with what happened to this woman, but the good doctor just doesn't want to talk. He's also suspicious as hell, so..."
Casey huffs, squinting at a page. "I'll see what I can do."
"Well, that's your job, isn't it?" Olivia snarks, feisty but not overtly mean, just.. Liv-like. The toll of being a detective, Casey supposed, was her sense of urgency overriding politeness. That's fine. That's what she's grown used to, anyway. It doesn't stop Casey from gritting her teeth with a twitched eyebrow as Olivia stalks off.
It takes her a bit longer than she would've liked to prepare to take this into the judge on rotation's chambers. The affidavit was written, and sat unassumingly on her desk, while she tried to steel her nerves. If she's honest, she wished Olivia had chosen to take this to Cabot instead of her. Donnelly's leering eyes as she squinted at Casey around any mention of mental illness in perps made her immensely thrilled said judge was not likely to be inside said court today.
The judge who was inside the building, however, was not very sympathetic to the issue.
In all honesty, Casey doesn't really even understand how the argument happened. One moment she was walking up the steps into the polished, posh building and then she was walking down them, barely contained fury in her eyes and in the way she clenched her jaw.
"But you have to understand," she replays her own voice in her mind, the schooled, smooth tone, "doctor-patient confidentiality does not extend this far. If this man is genuinely a danger to himself and everyone around him, there's no reason this psychiatrist should be permitted to without vital information-"
The way the judge had raised a finger in her face, silencing her as one might a little irritated kid, "If this doctor thought that there was a genuine concern, then of course he would have. But these cases are sensitive, and I will not stand for the usage of these very personal admissions as shock value-"
"I assure you, any information found using this warrant will not be abused, Your Honor, and the detectives-"
"You don't have enough on him to guarantee him as a prime suspect, and could easily lead to a misdirection in the investigation and therefore in this court. Granting this warrant right now would be premature and lead too-"
"I understand and acknowledge what you're wary of, but I can assure you-"
"I don't think you can assure me of anything with a case like this, Novak." The judge had snapped, just shy of a scoff- but they followed it up quickly so it didn't come off too much like a personal jab with a "I see no reason why this is necessary."
Casey internally flared in response, standing utterly still for a moment as it felt like an engine ignition fumbled in her stomach, before exhaling and nodding. "Thank you for your time, Your Honor." She replied as a rehearsed courtesy and nothing more, turning to leave the judge's chambers.
The judge had raised an almost withered looking finger, denying her exit. "Novak, I want you to know, I'm watching your movements on this case. It's not your job to carry out personal justice as you see fit. I don't want a repeat of-"
"I'm aware I've made mistakes in the past, Your Honor, but I assure you I will not repeat prior incidents." Her voice had cracked almost imperceptibly at the end, a motion neither had acknowledged- perhaps the judge hadn't noticed, but Casey had- a sound like a wooden block in a fireplace.
The judge stared at her for a moment, and she had stared back, disguising the fire behind her green eyes with the practiced blanket of professionalism. The judge had then nodded, looking away from her, and she was finally released from the interaction. The sharp, curt sound of her heels on the marble floors as she stalked away had been her tether, fixated on the sound while schooling herself away from obsessing over the blazing anger.
And that led her to the stairs again, on the way out, where she stopped and stood blankly for a moment, staring into the street without registering anything. She ground her teeth against each other, trying her best to wrangle in her fiery temper before she impulsively sunk her teeth into something she could control-
"Casey?"
She jerked her head to the side, where a composed if not a bit concerned Alex Cabot stood, her head tilted just the slightest. Her cold blue eyes bore into Casey's face in a way that strangely was not uncomfortable.
When she didn't immediately grant that with any real response, Cabot followed it up with, "You okay?"
The beast of adrenaline-filled fire in her stomach flared out of her control again, pouncing and writhing in her organs. She wasn't exactly sure what about Alex at this moment had her infuriated, but god, she was.
Her years of experience in court, especially her time with SVU where she'd needed to control her emotions with an iron fist if not to fumble her arguments out of anger and easily-placed personal attachment, had taught her enough to respond in a way that didn't indicate her fury.
To the average person.
Unfortunately, Alex Cabot was not an average person, and her own years of experience allowed her to see right through the younger attorney, which did absolutely nothing for Casey's misplaced anger.
"Peachy," Casey started, before realizing she didn't have anything to follow that up with, so she left it with a curt, overtly controlled nod.
"Sure you are." Alex smiled, jerking her eyebrows up to indicate her sarcasm that definitely didn't need to be further emphasized, and Casey felt like she could deck her. She briefly wondered what Alex would look like beneath her on her floor, pale skin on cold concrete, before deciding that's not exactly an appropriate pondering of her coworker.
Cabot clearly intended for her successor-turned-ally to elaborate on the source of her grievance, but Casey did not particularly feel like explaining herself, so she simply bit the corner of her lip out of habit and looked away from her, tucking her hands in her coat pockets and squaring her shoulders.
If she was honest to herself, she didn't really know what to explain, anyway. She knew that after returning from something as appalling as her Brady-violation-censure, she'd need to work five times as hard to regain the respect she had thus lost, and it was in no way surprising she had gained a reputation for being loose with cases that could relate to her more personally. Alex could understand that, but saying that out loud was not only pathetic but also did not accurately encompass the feeling swirling in the pit of her stomach. And part of her anger, now, was simply due to the presence of the other woman, which she definitely could not verbalize either.
Alex was cool, calm, composed, and her demeanor reminded Casey of the layer of ice built by cold weather on the surface of a lake. Glassy and honest, and in all ways beautiful, but in a way that concealed whatever lurked beneath all that. You could look through it, sure, see the color of the water, but until it melted what you were really standing above was something you could only wonder about.
Standing next to her made Casey feel rather inferior. She had always felt things more strongly than peers, always pictured her anger and her righteousness as altruistic flame, and in the beginning of her career this untethered drive to fight for justice had been a valuable asset, something that drove her to snarl at wrongdoers in white collar in a way other attorneys simply could not. But in special victims? Where everything was so personal, so connected, so intrinsically human? Every spark became an inferno, every morning harder to struggle to leash herself than the last. Once the wildfire was over, everything was laid bare and burnt on the floor of whatever hill Casey had so chosen to die on. And cold, ever-composed Alex Cabot knew nothing of that.
The roar of fire in Casey's heart had no similarity to the tranquility of ice displayed exclusively by Alex. Perhaps that's why Casey would never be able to live up to the legend Cabot was regarded as. It made her feel disgustingly human- something this job did not allow her room for.
"We're getting coffee," Alex says suddenly, snapping Casey out of her internal monologue to herself for the second time. The natural blonde's words were snipped but not unkind, but that didn't stop Casey from raising her eyebrows, trying to muster the icy attitude she just didn't really have in her.
Before she can retort with anything of sustenance, she feels Alex's slim fingers on the back of her coat, right on the curve of her shoulder blade, and the taller woman beginning to lead her in firm strides that she without thinking copied.
"Alex-"
"Are we going to a cafe- perhaps the one down the street, the one with all the monsteras in the windows, so we can sit down, or are we going to the coffee cart over there so we can continue this discussion in the office?"
"What are we continuing, exactly?" Casey bristled, shooting her a look, which Alex met without her proper smile faltering in the slightest.
"My vote," Cabot says casually, "is for the cafe. I like the atmosphere there."
Casey can feel her anger ebbing, but just for the sake of spiting her she indicated with her jaw towards the shape of the coffee cart a hundred meters or so down the street.
She internally groans when she reads through the lines of Alex's brisk side-smirk and behavior to realize the blonde had, in fact, also preferred the coffee cart and knew Casey was going to try to jab in like that- but Novak doesn't change her decision, nor does that realization add to any sort of negative emotion. The fire-monster in her heart growled a soft, "well played," before creeping back into a crevice in her ribcage.
They walk in an odd silence, Alex's hand on Casey's back never relenting despite her now willingness to follow the older woman's direction. Casey doesn't want to admit to herself how she's started easing into the touch.
She misses it just slightly when Alex finally does let her hand slide back to her own side as they approach the coffee cart salesman, but she focuses on reading and contemplating the menu, reaching for her purse before being rewarded with the feeling of Alex's finger brushing her wrist in a way that firmly dismissed the assumption Cabot was going to allow Casey to pay for herself. She raises her eyes in mild surprise, only to find Alex already looking at her, eyes showing a degree of knowingness that makes Casey's insides turn with mild discomfort. In an effort to resolve that, she resigns to allow Alex to cover her.
"I'll have an iced caffé mocha, please," Alex starts, then turning to Casey, who after a blank pause finishes with "and I'll take a cappuccino."
After Alex finds her wallet with a significant lack of fumbling that makes Casey again irritated at her inability to have the most basic human struggles, and after the salesman hands over two paper cups, Casey spins on her heel and begins back towards the DA's office.
"Iced coffee? Really? We live in New York, Alex, it's freezing already." She critiques, although more so simply because it's the only thing she can formulate to say. She finds that she doesn't regret starting with that, though, as Alex wrinkles the tip of her refined nose playfully.
"God knows with our job I need the sugar," Cabot takes a sip, then gestures at the steam rising from the mouthpiece of Casey's coffee's lid, "and I don't have the patience to wait for my coffee to cool enough for me to drink it."
Casey snorts. "You? Without patience? And I just sacrifice my throat."
With that, she takes a defiant sip, soothed in an odd way by the feeling of the too-hot coffee in her throat, although as she was already aware of from the feeling of it in her palm it wasn't really *that* hot. Alex responds with a furrowed brow.
"I'm- I'm not quite sure you should do that, Casey."
"I'm not sure you're in a position to question what I do, Cabot," she snarked, riled up again, before catching herself with a huff and then a slightly shameful, "Sorry."
"It's okay-" Alex starts, and then immediately echoes at Casey's scoff, "no, seriously, it's okay. I snapped at you when I was literally your client, back when you prosecuted my case- remember? So I'll let that one go now. And besides, I do sometimes question what you do, so that's not unfair regardless."
Casey turns her head briskly, an indignant almost-glare of confusion on her face, which Alex responds to with a puff of air that almost sounds like a giggle.
"Not in the way you're thinking, Casey."
The younger woman pauses in her steps, and Alex looks up in mild surprise to realize they've already reached the DA's office. A twinge of fear signals in her heart at Casey's silence, especially because the woman is facing straight and thus Alex could not read her expression, but then Novak briskly says,
"Well, lucky for you, you actually have started a discussion I want to continue. So as per your previous suggestions, we can take this to my office if that-" she turns, and Alex is met with an unreadable expression that doesn't exactly soothe her nerves yet replaces said anxiety with the momentary stun that comes from meeting the eyes of someone beautiful, "is still acceptable with you."
Alex takes an extra millisecond to respond which causes a small crease to appear between Casey's eyebrows, but when she hears the older woman's, "gladly", she visibly relaxes and continues on her path.
They remain in silence, Alex allowing Casey to pave the way ahead of her despite knowing where her office was, until the door had clicked behind both attorneys and Casey was seated on the couch in her office with Alex perched across from her, mirroring the way they had composed themselves years ago when Casey was preparing Alex for trial.
"You said you question me," Casey began bluntly, prodding, "what did you mean by that?"
The younger attorney leans forward, elbow on her knee, short of entering Alex's space but enough that Alex's spine leans automatically backwards.
Alex clears her throat, rather enjoying the way Casey approached the given situation like a courtroom exchange, crossing one lithe leg over the other. Casey pretends like she didn't trace the motion over in her mind, keeping her eyes schooled on Alex's face.
"When you hear about the details of a case, your eyes light up. And I don't mean in the normal expression of, say, 'her eyes lit up in excitement', but your eyes look like a spark ignite behind them and it doesn't go away until you hear that guilty verdict."
"Alright, smooth-talker, that doesn't answer my question-"
"And I question that," Alex cuts in with a tilt of her head, "in the sense that I question how one can be that driven."
With that, the dynamic is suddenly shifted, Alex leaning forward intently while Casey, who is momentarily caught off guard, leans in the opposite direction, her back pressed against the couch, sharp eyes studying Alex's face.
"You sink your teeth into every case you prosecute like a lioness holding out for her own and there's something gorgeous about watching you pace in that courtroom landing blow after blow, until the jury is so sure of your own authenticity it makes every defense counsel seem subpar." Alex continues seamlessly, encouraged by the faintest flush on Casey's cheekbones.
Cabot lets out a sigh, then, "When I go out with the detectives to celebrate a case, I see something similar in their faces- that sort of fierceness, that... that fire. And if I'm honest, I.. I just don't relate."
Casey blinks blankly at her, and Alex shakes her head with a twitched eyebrow. "I'm driven to succeed, obviously. I'm not selling myself short, I really will do everything possible to ensure justice is served. But we're not only prosecutors, we also need to be politicians, and I know that especially because of my uncle being a judge- I ended up working in SVU as a strategic decision. I learned to love working here, to get invested on a deeper level that matters, but... somehow, in maintaining all of that in my head, I just- that personal enrapture with each case you have, I wish I had that. I question that- how you have that, when I can't. I think it makes you an exceptional prosecutor."
The younger ADA's jaw opened as if to respond, but then she bit down on empty air, eyes narrowing as she processed Alex's almost random confession.
"And, to my understanding," Alex started again, "in the beginning, you didn't even want this job. And yet you devour every hardship you encounter now regardless. So I watch you, what you do, how you approach things, and I question that, because I really want to understand."
They sit in silence for a short moment, Casey's eyes so harsh that anyone else would prickle, uncomfortable with the examination, but Alex barely shifts, still leaning forward.
"Jesus, Alex." Casey huffs, finally. "Here I was, jealous as hell of your ability to seem so... unfazed. Nonchalant, even."
Alex offers a small, apologetic smile. "Unfortunately that couldn't be further from the truth. I am very chalant- well, not as much as you, but I wish that I was. That I could be. Lose myself in the case and forget all about the facade."
"The fact that you don't," Novak murmurs, "is what makes you so admirable to me, though." Casey bites the corner of her lip, her eyes dropping to somewhere near Alex's knee, although it's obvious she's neglecting her sense of sight to focus on the mental weight of the conversation. Her voice, normally either curt or rough, sounds like a low hum that Alex decides she wouldn't mind hearing a lot more of.
Casey has the odd urge to divulge her struggles now onto Alex. Tell her about the constant comparison between them she had been faced with, tell her about the way exactly what Alex found interesting in her was what made her be known as a liability or a hazard, whine and ramble and lay herself bare. The last of the indulgent flames flickered to an end as she eased, the air she breathed out heavier as she felt tension leave her spine.
She doesn't really want to verbalize all that, though. And thankfully she doesn't have too, because stupidly attractive Alex Cabot is so perceptive that it's apparent to Casey the older woman had sensed not only the original stress but also the release of it, and Alex's demeanour shifted just slightly to reveal her own satisfaction with eliciting such a reaction from her compliments alone. It's enough, for Casey, though, to know now that perhaps her own scrutinizing comparisons may be more self critical than necessary- or, at least, that Alex seems to believe in her.
They sit there, in silence, for a bit longer than they could ever explain to anyone else, Casey still staring blankly off into space but in the direction of Alex while the latter woman stares very bluntly at Casey.
"So, the next time you get all fired up," Alex says slowly, watching Casey's eyes as they faze back into focus, "I hope you know that's something I appreciate about you. And if you wish, you can come find me, and we'll get coffee again."
"I'll pay, next time," Casey says hurriedly, glancing towards the coffee cups that had been more or less completely forgotten about on her side table. She hesitates, squinting as she tries to figure out which one of them had contained her's.
Alex picks up on the confusion and then becomes similarly conflicted on the coffee cup ownership, tentatively picking up the one closest to her and taking a sip before quickly shaking her head and putting it back down. "Sorry- the cup felt cold, so I thought it was mine. This one's yours, it must have just cooled while we were talking."
She slides it on the table towards Casey, who accepts it, taking a swig. Alex is right- her's had cooled down till it was room temperature, while Alex's had warmed up to meet it.
"You did that." Casey says softly, almost accusingly, using the coffee as an allegory for herself that Alex apparently does not understand based on the furrowed brow she got in response.
Novak waves her hand vaguely, and Alex shrugs to herself, choosing to resign herself from the confusion and instead internally celebrate the fact Casey had just agreed on a 'next time'.
"I've got arraignment, soon," Alex breathed, although something in her itched to stay just the slightest bit longer, to watch Casey's features for just an extra couple seconds, "but I'm glad we had this talk."
"It's given me a lot to think about," Casey responded smoothly, standing with a nod to herself. "Alex... thank you."
A small hint of rosy color graced Alex's smooth skin, and she smiled warmly in a way Casey would have previously doubted she was capable of. The older woman followed Casey to her feet, her hand finding Casey's shoulder again briefly as a goodbye, before Alex nodded kindly and turned to disappear out into the world once more, collecting her coffee cup before she left.
Casey watched her leave, green eyes studying her lithe figure for as long as possible before she really did vanish entirely.
In the back of her mind, she vaguely hoped that this arrangement would continue 'till the summer, because she could bet the cold breeze she had come to associate with Alex Cabot would feel wonderful in warmer weather.
And for now, apparently, she could count on her gorgeous coworker to warm up her day's experience with coffee.
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Handheld Fighting Games of 95/99 - Primal Rage (Game Gear)
The Game Gear version of Primal Rage was ported by Probe Software and was released in 1995, alongside other home console versions. It closely resembles the Game Boy port but with colour graphics and retains much of the blood and gore, including the infamous "urination" fatality.
However, the Game Gear version features smaller sprites, less vibrant colours, and a cheat code that replaces Diablo’s followers with Fergus McGovern, the founder of Probe Software. Additionally, a limited version of the Game Gear port was made available to Sega Channel subscribers before its full release. While visually better looking than the Game Boy version both versions were similarly received by critics.
While the game did sell well, the majority of the games success came from merchandise sales with a range of action figures released in 1996. Primal Rage was a major commercial success, however since the games release in 1994 the series has largely been dormant with a planned sequel cancelled. Outside of video games Primal Rage received a 4-issue comic book mini-series between 1996 and 1998. #gaming #videogames #fightinggames
Key Details: • Release Date: 1995 (Game Gear) • Developer: Atari Games Corporation • Publisher: Time Warner Interactive • Port By: Probe Entertainment • Genre: Fighting • Perspective: Side view, 2D scrolling • Modes: Single-player, Two-player • ESRB Rating: Teen • ELSPA Rating: 15+ • Notable Characters: Sauron, Diablo, Blizzard, Armadon, Talon
1. Intro 00:00 2. Gameplay & Release Info 00:15 3. Gameplay & Dev/Pub Info 02:36 4. Gameplay & Critic Reception 05:09 5. Outro 07:30
For other Handheld Fighting games released between 1995 and 1999 check out this playlist https://youtube.com/playlist?list=PLFJOZYl1h1CGbhLZhrjW1N_y7vtR2i0se&si=4YyJFjqAEdeSvCNa
For other Handheld Fighting games released between 1989 and 1994 check out this playlist. https://youtube.com/playlist?list=PLFJOZYl1h1CG_uI1-iafuDaV2LXRQTbZH&si=-pbwr-Ew1hIBi9ZJ
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twopoppies · 3 months ago
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https://www.tumblr.com/twopoppies/779120652808536064/hi-gina-im-already-sick-of-myself-typing-this?source=share
War flashbacks…
I read Daisie’s timeline, and I realized that the way Shia quit the movie and Harry came in to replace him happened almost one right after the other. I’d say it was a rushed negotiation, and no one really thought through the consequences, plus I doubt anyone saw it coming.
I think Harry was trying to be as professional as possible with her, but there were moments where he definitely seemed upset: like during one of the Boston shows (before Harryween), then the whole yachtgate situation, and when he found out the nightmare was going to last another year and was seen at Sony office. You could also tell he didn't want to do pda with her until they probably told him to put in more effort.
As for the tattoo, we’ll never know what made him get it, but I think she wanted an engagement—there were even rumors, I believe—but I guess at that point he said 'I’ll just get your name tattooed instead.' I wouldn’t be surprised.
The only positive thing is that Harry—because I truly believe it was more him than his team—was able to negotiate keeping her separate from the album and didn’t let her mention him outside of the movie promo. I feel like that was a last-minute negotiation too, because it really seemed like they were going to link the album to her, but thank God that didn’t happen.
Nothing will make me believe that relationship was real, even without considering larry—things just didn’t add up, and Harry showed his frustration in many ways.
And for those who use the excuse that she interacted with his family and friends, believe me, if Harry were my friend, I’d try to protect him and help however I could (because that’s what friends do). And if that means going to her birthday just to keep up appearances and prevent my friend from another pap walk with her, I’d do it.
I absolutely agree with you about friends and family helping to keep him from suffering through more interaction with her.
I think the leak of the video of her begging Shia to stay, while also shading Florence, probably enraged Harry. I would bet she was covering all her bases and doing all of that while also courting Harry to be in the film (and we already know she lied about Shia being fired, and lied about his behavior on set, when he actually quit because the script for the film was terrible and there wasn't enough rehearsal time).
I think the tattoo exchange for an engagement was a fan theory originally (because I know I had that theory, and I saw others saying it, too). We really have no idea, but it seems like a logical leap to make.
Frankly, I think she was thrilled for it to last a second year and probably didn't fight it for one second. It was originally supposed to be released at the end of 2021. Then, in early 2022. It kept get pushed later and later (I wouldn't be surprised if she didn't please her case with WB that she could drum up more excitement for it the longer she played the PR relationship game as Harry was becoming more and more popular as his tour continued and as Harry's House was released).
The shoot went a full month longer than expected (partially due to Covid, but I wouldn't be surprised if it was due to the mess that everything was because of her). Then she literally checked out completely in terms of post-production and was so busy being a rock star girlfriend that the movie needed to be re-edited and shown to test audiences at least three times (with all reports being leaked pointing toward a disaster). Then, somehow Warner Bros decided to cancel every single movie it was making except DWD (and some movie starring the Rock that I can't even remember the name of now) and pushed its premiere to the fall when all the big Oscar contenders are released (as if. LMAO!) and somehow got it to the Venice Film Festival.
I very much think Harry's House was originally meant to be linked to her (the same way Fine Line was linked to Camille). The fact that it seems as though the Zane Lowe interview was shot and edited by January 2022 and then re-shot at Coachella in April of that year tells me everything I need to know about that. He swerved hard and cut her out of the narrative completely (THANK GOD).
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gazemaizeisdead · 3 months ago
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why i'm deleting chili and the chocolate factory: fudge revelation
this is not easy for me.
friends and dedicated chili fans will know that early 2021 was an especially difficult period in my life; in addition to the general struggles of that time we were all facing i was attempting to manage pre-production of the film that ended up becoming wonka. paul king had already spoken to me regarding a chili adaptation before the story had even finished its serialization and we started working together essentially as soon as it was finished. (this had, i'm ashamed to say, more than a little negative impact on the second half on the story; it's difficult not to let the knowledge of inevitable adaptation color the creation of a work. the oft-panned avengers-esque fight scene at the end was very cynically included with the knowledge that whatever literary failings it created would be justified once it was translated to the big screen. i added more than a few extra i vapes knowing that it'd be a cheap crowdpleaser... it's hard to fight this impulse.)
i still consider paul a friend and wish him all the best of luck in the future; he's a talented man and paddington 3: paddington in peru is worse for his lessened involvement. that said i won't sugarcoat that our time together on the project was horrible. this isn't a callout post, this was my fault more than his, but we did not gel creatively (to put it lightly). while our initial interactions were lovely, early on in the project i complimented paddington 2 as a phenomenal film (a masterwork, in fact!) but said in confidence that i thought the film would have been better if mr. brown was violently killed at the end and paul's behavior towards me changed dramatically after this. his interactions with me became coldly professional and i began receiving unmarked letters nightly from a man i cannot definitively prove was hugh bonneville; these were not strictly speaking threats but they were not kind letters either, let me tell you.
worse than any specific incident with paul was dealing with the executive producers, who had a laundry list of requested changes, among them:
the addition of themed musical numbers to mark the children's deaths, all of which would be raps performed by oompa loompas voiced by iggy azalea and james corden
i could keep the pun only on the condition that we include a 12 minute flashback to roald dahl's time in the RAF
removal of the potato joke
multiple new lines implying direct continuity with the tim burton universe (i'm told that burton at the time was blackmailing various warner bros. executives but has since been "appeased", i do not know the details and was strongly advised not to push on this)
lim would at several points would make references to his love of bugs bunny; this was meant to tie into an extended voiced cameo appearance in space jam: a new legacy and as a playable character in multiversus
tie-in promotional short to go with the platinum jubilee where mahuika would have vaped with the queen
the addition of a real ending to the story
after softly pushing back on some of these changes i was eventually removed from the project after a series of false accusations of stealing other people's lunches were manufactured against me (oh how they loved the poetry of the accusation, that added chili oil in his burrito would be what ended up "bringing me down"); i ended up parting with the movie rights in a court settlement. i wanted to fight but i was still dealing with numerous health issues at the time and simply did not have the energy for a protracted court battle, and to be frank i needed the immediate funds the (very unsubstantial) settlement provided for my own survival.
they tried to make chili work without my input but (not to toot my own horn!) were unable to pull through and ended up dumping the whole project and scrubbing my involvement almost entirely (it was my idea to bring chalamet on as mr. bucket, and i think had he been allowed to play a role that allowed him to reveal the depths of his ability to portray cruelty, he might have won that oscar). what you see in wonka is the cynical remnants. for whatever i think of the movie i'm glad it still exists, even if it's no longer mine in any way.
that would have been the end of it, but warner bros. recently sent me a cease and desist letter in the mail; it turns out there were clauses in the settlement contract that i misread, and i simply do not have the means to fight back. in three months time chili will be rereleased on steam as "chili and the chocolate factory: couverture edition" with new microtransactions but please understand that i will receive NOTHING from it. please do not support this; this is the theft of my life's work. i currently live under a bridge in madison wisconsin where i subsist on beans and a thin edible paste i derive from old copper wire. i do not need money, i like the paste, but it is infuriating to have been stolen from nonetheless. if not for me please reject this for the precedent it sets and all the others like me in similar situations.
an additional note: the eight other game studios/collectives/micronations claiming chili's artistic heritage are all liars and only MINE in real. tomorrow i will be releasing a forty-thousand word political manifesto which includes a digression about my feelings about "art", a well-designed graph delineating how our studio's copper is divided, and a reaffirmation of my proud commitment to never releasing a real story ever again.
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