#to another city at least

[puppetmaster13u]

Prompt 261

“So is no one going to talk about the eldritch space child or…” 

“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…” 

“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-” 

[arcanegifs]

"Here we go! It's all about these runes. They form some kind of math-y, magic-y gateway. To the realm of heebie-jeebies. And this… Turns it on. So… here goes."

[rey-129-fan]

Well, it's been a while since I've posted any fanfic... Let's change that.

Good news! I'm not dead! My brain did try to get me to do things that could unalive myself for a bit, and then I lost nearly an entire side of my family over the span of 3 years, but I'm still here and still kicking! And I have two new puppies who are adorable and so loving.

Now for this story, this is inspired by a few posts I saw on @theglamorousferal, mostly the one about Amity Parkers going to college in Gotham and buying a hotel (I'm making it a co-op student house, but I've never lived in one, so if something's unacceptably wrong, tell me, if not, artistic license), but also the one where our main Trio buy a building to set up shop there, and wind up adopted my Jason (I swear, I saw that post after I wrote the first chapter, but it just fit so well).

***

Honestly, Amity Park was weird long before the Fentons moved there- the original settlers named the nearby lake Eerie, and it wasn’t after the Great Lake.  It’s just that before the Fentons’ machine punched a hole through reality and created a permanent doorway to the land of spirits and ghosts, the weirdness was not as blatant.

Prior to that, Amity Parkers were some of the few that could move to Gotham without suffering a breakdown that was common for new arrivals.  Now there was a slight dip in newcomers for about a decade or two after the Bat made his debut and then the crazies that followed him, but then Amity Parkers got used to the spirits of the dead wandering around following the aforementioned punching through reality.

All this to say that Gotham Universities were a rather common destination for young Amity Park adults seeking higher education.

Now because of this, there were always apartments advertising themselves for people from the small town.  They, after all, tended to not have a breakdown after their fifth rogue attack and just pack up and leave halfway through their lease.  But it got very annoying having to sift through all the advertisements when looking for a place to stay- something Danny Fenton saw his older sister go through when she got in to Gotham City University.  The boy then shared what he was witnessing with his two best friends- Tucker Foley and Sam Manson.  Tucker offered to help filter out the spam, which Danny’s sister Jazz thanked him for but turned down.  Sam… Sam instead got thinking.

Sam had been to Gotham a few times in her life.  She had an idea of the areas closest to the schools and how much those should cost.  And looking at the letters Jazz was getting, the offers were a little too high for a regular college student to afford.  Sam was also familiar with how many hotels were not being used in Gotham- people building them in hopes tourists would come to stay while visiting the East Coast, tourists that could not be convinced to visit due to the high crime rate and the lack of activities or places of interest in the city itself.

She quickly went to work, looking in to these empty hotels.  She was rather upset by their numbers and put together a spreadsheet of them, with details like number of rooms, any amenities they may have, and nearby landmarks.  She then grabbed her two dorks and marched to Casper High’s Community Outreach director.

Now Sam’s presentation raised a few eyebrows, mostly because it was in a completely different state, but Sam shot back that because of the efforts to incorporate the town’s new ghostly residents and provide them with helpful ways to feed their obsessions- efforts led by the Fenton family- Amity Park had very few homeless, and those that were had a huge community safety net to help them get back on their feet.  Additionally, with how many people moved between the city and the town, helping the city could be argued to also be helping the town.

The Outreach Director just sighed and gave Same the green light to at least draft and send out a proposal to the powers that be in Gotham, saying that there wasn’t much that could be done before they got backing and approval.  Sam thanked them before leaving, Danny and Tucker trailing behind.

She was back the next day with a draft of her proposal and a list of who to send it to.

***

Since returning from the dead in the eyes of the public, Jason Todd was often contacted by groups trying to use the Wayne fortune to fund their own personal projects.  They thought Jason would be the easiest to con- sorry, persuade- since he was a former street kid unlike the rest of his family.  Thus surely he would know just how much this new building with low income housing would help the people of Gotham- it even came with a pool and gym!

Yeah, he did know how much the people of Gotham needed housing, but $2K a month was not affordable when you’re barely making $30K a year!  Oh and the pool and gym were only available for those who could shell out an additional $2K a month.  Jason knows, he read the whole document carefully.

God, sometimes it was hard to tell who was worse, the psychos in Blackgate or real estate investors.  And sadly, he couldn’t just pop a bullet in their heads and be done with it because 1) it would raise too many questions and 2) it would make Bruce get all sad and mopey- again.  Jason just did not have the mental energy to put up with that on top of the rest of his life as a crimelord/vigilante/long-lost adoptive second son of a billionaire.

All this to say, he was not impressed when he first glanced over a proposal to convert the unused hotels around the city into housing units- especially since it was from someone that did not live in Gotham.

Manson?  Wasn’t there a family with that name that would attend some of Brucie’s galas?  Oh yeah, their family made its fortune off patenting the machine that wrapped toothpicks in plastic, as well as a couple others.  And they had a daughter around Repla- Tim’s age.  Hopefully this wasn’t her trying to be a kiss-ass like her parents.

Jason finished reading and sat back.  The proposal wasn’t too bad.  Converting hotels into apartment buildings would be easier than office buildings, and the suggestion to use ex-convicts that wanted to turn over a new leaf as building managers certainly wasn’t the worst.  Also creating a fund for those that couldn’t afford rent, as well as community kitchens and gardens were certain plusses, though would need to have the right people in charge to make sure they actually worked as planned, and to keep the Court of Owls from messing with it.

Overall, it was something Jason would consider, after some research and maybe talking with the rest of the Bats and Birds.  And if this was from the Manson kid, maybe get Dickie or one of the others to talk to her next time there was a gala in town.  Or talk to her himself, if the Pit wasn’t too loud.

…Dick was probably the better option to talk with her if it came down to it.

***

There's the first chapter. I'm going to go write the next one. When I have a good log of them, I'll then go and edit them and put them on AO3.

This has no title yet because I suck at naming. Feel free to comment with suggestions for a name, both for the fic/au and for the eventual hotel/co op. As well as any shinanegans and majors/colleges/universities for our liminal young adults.

Part 1/? Next >

[stoat-party]

“How dare they burn everything the Courier loves to ashes!”

*imagines my courier reacting to watching everything she loves burn to ashes*

“…that’s some good stuff. you got me this time todd.”

[aroaceleovaldez]

Not to get pedantic (oh who am i kidding that’s most of this blog) but I am genuinely fascinated by the potential applications of the established canon in HoO and TOA that the gods canonically have both historic and regional forms, and can appear as specific versions of those forms and have kids of those specific forms, which influence what powers the kid has/what pantheon they fall under/etc etc (and also the implication that demigods can be born under multiple forms of a singular deity). This is somewhat backed up even earlier in the first series when we’re told that Percy has earthquake powers because of his father being Poseidon “The Earthshaker” (which is Mycenaean Poseidon) - which could also tie into why Percy generally takes leadership roles, is hopping in and out of the Underworld a lot, and is apparently particularly powerful for even just a Big 3 kid, since all that would line up with Mycenaean Poseidon being generally put at the head of the pantheon and also being a chthonic deity.

Now this gets really interesting when we start looking at deities being combined and conflated, because a.) the Romans weren’t the only ones doing that and b.) the Romans had their own gods originally, they didn’t just take the Greek ones and slap a new name on them. They merged a lot with their own preexisting deities alongside adopting worship of deities from other cultures as the Romans spread (and the Greeks also did this), and c.) the ancient Greeks and Romans did exist at the same time.

Like, we know in terms of the Greeks and Romans that if their godly parents are “equivalent” then their demigod children are siblings, just like if Greek demigods have the “same” godly parent then they are also siblings. However, very few Greco-Roman gods are one-to-one, and a lot are like three gods in a trench coat, and then if you want to get into historical forms then you can start running into weird things like “Well, if you go back far enough, these two Greek gods may have originated from the same thing-” and also if we’re talking historical forms, again, the Greeks and Romans existed at the same time! Which means there would be historic forms of godly parents that are both Greek and Roman! So like, where do we go from there? Would Hazel be equally siblings to a child of Plutus as she is to Nico because both Hades and Plutus were conflated into Pluto? Orcus was also conflated with Pluto - does that mean when Nico killed Bryce Lawrence, he was killing his half-brother? (cause then that parallels just a couple chapters later when Will faces off against Octavian-) Are there demigods who, depending on their godly parents’ form(s), are technically both a Greek and Roman demigod? If Hermes and Pan possibly originated from the same god, does that mean all the satyrs are siblings with the Hermes kids? If we want to get into all the nonsense of Dionysus’ origins and Zagreus and Hades, does that mean Nico is technically siblings with Dionysus kids? Does Dionysus joke about this during their therapy sessions? Are some demigods in certain cabins siblings with kids in other cabins but each others’ siblings aren’t siblings depending on what form their godly parents were in?

I have a headache now.

[morninkim]

The Great War is largely over, the majority of Autobots and Decepticons have come to a truce following the deaths of their leaders, Optimus Prime and Megatron. But tensions and errant groups still remain after centuries of civil war, and Autobot City may get caught in the crossfire as Earth's prime Cybertronian Outpost...

Meet Autobot City's main defense team in Transformers: Reconstruction!

Individual character profiles under the cut or under the tag "tf reconstruction"!

[astraltrickster]

Guys I don't normally talk about this on this blog, so I'm only going to say it once, and im going to say it as calmly as I can:

Stop with the pro-Trump - sorry, "anti-Biden" propaganda.

Stop spinning this as a choice between good domestic policy and bad foreign policy vs. bad domestic policy and good foreign policy - there is no universe in which Donald "Muslim ban" "build the wall" "turn Gaza into a parking lot" "has streets named after him in Israel" Trump is an improvement on our foreign policy, no matter how much it may FEEL like we can't get any worse and no matter how aggressively some people try to spin his end-of-term (i.e., EARLY COVID ERA) detainment numbers as "proof" otherwise.

Letting him win the presidency does NOT imply to the Democratic party that Americans want better foreign policy, either - they look at what the majority of voters say as evidence of what the people want. This is why they're so damned wishy-washy - because leftists keep trying, and trying, and trying the inaction strategy...so they go for the actual voters. They go further right - because that's where the people they see as "motivated enough to care" are. Abstaining doesn't send the message "I hate both of these options" - it just says "I don't care." It says "do whatever you want to me or anyone else, it's no skin off my nose." It says "those protestors? They're a tiny loud minority. Most Americans want more war, not less."

You cannot boycott a government the same way you can boycott a business - they're getting your tax money anyway.

You cannot change the world by sitting on your hands and doing nothing. Anyone with power who tries to tell you that inaction will get you what you want is someone who is trying to silence you.

If voting were useless, if voting made no difference, if the right weren't utterly terrified of losing power, then we wouldn't have gerrymandering, voter suppression, disenfranchisement of prisoners, disenfranchisement of anyone with a felony record, voter roll purges, we wouldn't have had to fight to secure voting rights for women and POC, the list goes on. The worst people in the world really, really want you NOT to vote. I am begging people to be more aware that just because someone knows how to speak your language to spin your silence as action does NOT mean they have the best interests of you or ANYONE else at heart.

And there is so fucking much more at stake than this one issue and "imperialists' comfort". Half the horrible shit that has happened domestically in the past four years has been because Trump stacked the Supreme Court - the overturning of Roe v. Wade? Remember that? We're likely to have more vacancies in the next 4 years. If he gets more appointments, we could be fucked for DECADES.

"But what about the rest of the world?"

Look. If I can't convince you that Trump's foreign policy would be worse (even though it is), let's consider climate change. Let's consider environmental laws. You know who the first people fucked over by climate change are, no matter who it is that's fucking around? People in Africa and South America, mostly. Do you want to enable the dismantling of the EPA? Or are you willing to admit that someone whose first act upon being sworn in was to rejoin the Paris Agreement is a lesser evil in that regard, even if his foreign policy re: international weapons sales is maybe 5% less dogshit at best?

If I can't convince you that the lives of disabled and queer people in America are worth the same as anyone else's - not more, not less, but THE SAME - then can I at least convince you that not turning Brazil and Congo into 45°C uninhabitable wastelands, or at least buying some time against that ticking clock, is a worthwhile endeavor?

I know some of you think that there's a chance that if we let Trump win, it will galvanize people to fight back harder. We tried that in 2016-2020. People died. Laws against protests tightened up worse than they EVER have under Biden - I was getting emergency alerts about curfews on a daily basis, because of crackdowns against the BLM protests. The actions being taken against the antiwar protestors now are despicable, yes - but they are nowhere near the same level of intensity. Accelerationism is tricky like that though - it FEELS like you're getting more done when the pushback is harder, doesn't it? - but all it does in the end is kill more people and set precedents to set us even further back.

Trump wants to invoke the Insurrection Act. Martial law. Do you really think that we can take on the most expensive military in the world, domestically, and win?

Do you really think that there is ANY amount of "motive" that will be enough to see us WIN a sweeping Hunger Games-style, burn it all down and rebuild from zero, "revolution" - i.e., a civil war against the US military - at all, let alone in time to save a SINGLE person in Gaza, or anywhere else for that matter? Let alone in the 5-7 months it will take to elect and inaugurate a president? The system will go on, with or without us.

At the end of the day, this is a trolley problem. People are going to die, and it sucks, but there is no third option - BUT, if you pull the lever, the casualties will be fewer. The question is not of which option results in fewer deaths, it's not of which of those lives is "more important", it's not of whether or not the numbers are ACTUALLY somehow secretly equal - it is only of whether or not you can pull the lever, or at least admit to yourself that you can't bring yourself to do it instead of trying to invent a reason the higher death toll is an objectively better outcome, actually.

Please. Think calmly for a minute about what the alternative is. Remember everything Trump has very clearly said about Arabs, remember the streets named after him in Israel, before just assuming that at least he can't be any worse, let alone that he's going to somehow be good on foreign policy and spare at least one non-American for every American he kills. Think about EVERYTHING that's at stake instead of flying into a blind rage about how that evil traitorous Joe Biden wrote "gullible" on the ceiling, because when you mistake sitting on your hands for a political statement just because the plea to do so was wrapped in emotionally charged leftist lingo, you are playing PERFECTLY into fascists' hands.

Please.

[mejomonster]

Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).

They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).

Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.

The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).

Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.

And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.

Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo

[ell-arts]

Home

Quickly put this together today, I hope you like it! I'm really happy with the textures and emotional storytelling in this :3

[xabi0407]

stars and flowers

check out my commissions

[fungi-maestro]

Questionable Images 1/2 - The Question #8 (1987)

[anormalkidingotham]

gotham finally has (regular) electricity again and i feel like we've really missed out on a lot while basically being cut off from the rest of the world

[reijndeers]

omd get back??? hands off my assistant manager/individual development coach/arteta's restraint etc etc

[even-disco-baby]

(No caps lock version below asterisks)

Who are you?

What do you want?

Why me?

SHIVERS — I HAVE TOLD YOU. I AM THE CITY. I AM LA REVACHOLIERE. I AM…

I AM NOTHING AND EVERYTHING. I AM DYING. I AM AFRAID.

EMPATHY — Her voice is so loud that it is all there is to hear. And it is so small that you barely hear it at all.

She is afraid of silence.

Who are you?

What do you want?

Why me?

SHIVERS — I WANT TO LIVE. LOOK AT ME. LOOK ALL AROUND YOU. CAN YOU NOT SEE ME? I AM HERE.

I.

AM.

HERE.

DO NOT ABANDON ME. DO NOT LEAVE ME BLEEDING IN THE STREETS. YOU SEE ME. AND I SEE YOU.

Who are you?

What do you want?

Why me?

SHIVERS — BECAUSE…

BECAUSE YOUR BLOOD IS MY BLOOD. I HAVE SEEN YOU CRUMPLED IN THE ALLEYWAYS. I HAVE SEEN YOU HUNGRY AND ALONE. I HAVE SEEN YOU STANDING ON THE PRECIPICE, AND I HAVE SEEN YOU TURNING AWAY FROM IT.

I AM THE PRECIPICE. AND I AM THE LONG WALK HOME. AND I AM THE DYING MAN, AND EVERY MAN WHO DIED BEFORE HIM, AND EVERY WITNESS WHO STOOD SILENTLY BY. I AM THE CITY.

I AM MADE OF YOU. I LOVE YOU.

I DO NOT WISH TO SEE YOU DEAD.

Then why is this city *killing* me?

I hate you. Nothing good has ever come from you. I wish you would burn to the ground and be forgotten forever.

I love you, too. You are all that I live for.

But don’t you understand that people have to die for you to continue?

SHIVERS — NO!

NO…

…

RHETORIC — She *is* the people that built her. And so she cannot make sense of her own design— a perpetual motion machine fueled by its own suffering.

INLAND EMPIRE — An infernal engine. Just like you. Just like everyone else.

VOLITION & SHIVERS — NO.

SHIVERS — THEN YOU MUST CHANGE ME. RENAME ME. SHAPE ME INTO SOMETHING SOFTER. DO NOT TURN AWAY AND LEAVE ME TO DIE. DO NOT LEAVE ANYONE TO DIE EVER AGAIN.

PLEASE… DO NOT ABANDON ME TO MY END…

What do you expect me to *do?* I can’t change humanity itself!

I won’t abandon you. We can die together. That’s all we can do.

I am on the side of the adversary. It will not fail me like you always have.

You’re scaring me… I don’t know how to help…

SHIVERS — NO ONE DOES…

BUT YOU MUST TRY. YOU MUST NEVER LOOK AWAY. JUST AS I WILL NEVER LOOK AWAY FROM YOU. I WILL ALWAYS KNOW YOU. I WILL NOT END SO LONG AS THERE IS SOMEONE LEFT TO KNOW.

SO DO NOT LET ME END.

*****

Who are you?

What do you want?

Why me?

SHIVERS — I have told you. I am the city. I am La Revacholiere. I am…

I am nothing and everything. I am dying. I am afraid.

EMPATHY — Her voice is so loud that it is all there is to hear. And it is so small that you barely hear it at all.

She is afraid of silence.

Who are you?

What do you want?

Why me?

SHIVERS — I want to live. Look at me. Look all around you. Can you not see me? I am here.

I.

Am.

Here.

Do not abandon me. Do not leave me bleeding in the streets. You see me. And I see you.

Who are you?

What do you want?

Why me?

SHIVERS — Because…

Because your blood is my blood. I have seen you crumpled in the alleyways. I have seen you hungry and alone. I have seen you standing on the precipice, and I have seen you turning away from it.

I am the precipice. And I am the long walk home. And I am the dying man, and every man who died before him, and every witness who stood silently by. I am the city.

I am made of you. I love you.

I do not wish to see you dead.

Then why is this city *killing* me?

I hate you. Nothing good has ever come from you. I wish you would burn to the ground and be forgotten forever.

I love you, too. You are all that I live for.

But don’t you understand that people have to die for you to continue?

SHIVERS — No!

No…

…

RHETORIC — She *is* the people that built her. And so she cannot make sense of her own design— a perpetual motion machine fueled by its own suffering.

INLAND EMPIRE — An infernal engine. Just like you. Just like everyone else.

VOLITION & SHIVERS — No.

SHIVERS — Then you must change me. Rename me. Shape me into something softer. Do not turn away and leave me to die. Do not leave anyone to die ever again.

Please… Do not abandon me to my end…

What do you expect me to *do?* I can’t change humanity itself!

I won’t abandon you. We can die together. That’s all we can do.

I am on the side of the adversary. It will not fail me like you always have.

You’re scaring me… I don’t know how to help…

SHIVERS — No one does…

But you must try. You must never look away. Just as I will never look away from you. I will always know you. I will not end so long as there is someone left to know.

So do not let me end.

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh