#totally depends on your interpretation

[corsairspade]

every time i interact with the silmarillion i get weirdly excited about the fact that the authorial intent is that it's a translation of historical accounts. it's a tertiary source! none of it is first hand. it makes it so much more interesting. was the legendarium a mannish tradition? what parts of these were written by pengolodh? by rumil? what loremaster has recorded this? would there be bias in the accounting? can i trust what i'm reading, from this viewpoint, this many years after it would have been written?

what has been mythologised, what has been sanitised, what is third-hand written on rumour? it's such an interesting thing to consider.

[triglycercule]

murder time trio should get to all experiment with dead bodies. why? because they can and it would be cool (okay but seriously i'll provide an explanation). all these freaks are scientists. i think it would be cool and funky if they all got to experiment! except morbidly and bloodily because none of them are right in the head now

killer like has his whole thing with wanting SOULs for some unspecified reason??? i'm just gonna steal the common interpretation that it's so he can find a way to fix his own soul through coding. but like,,,, what does he do with the desd bodies??? all the fellas he stole those souls from??? well this is where dust and horror come in

it's One Panel and i'm ABSOLUTELY reaching here but there's a (single) panel in horrortale where horror's pulling apart some sort of human limb like an arm with a device. why? what for? i dont fucking know at all man like papyrus said why is he always doing something weird in his room. anyways i'm just gonna guess its probably for rationing in horrortale (but it could also be that horror just felt like ripping apart an arm. for scientific purposes. or because he did this after ripping off aliza's arm so maybe he's doing some sort of recollection reflection or something i dunno im not a professional on this man). killer could totally send all the already dead HUMAN bodies horror's way for horrortale's food situation. maybe horror likes to dissect the humans yk maybe he's not just the type of bash (a head open) and dash. monsters dust so you cant see their guts but humans dont so horror gets prime time first hand experience on the human body! and then after he's done poking around in the brain he can give the meat and organs to papyrus for him to do his specific spaghetti confectionery

but but but what about the monsters that killer takes the souls from! surely he doesn't just take from only humans (dude idk if he actually does take from only human or monster. probably not right? he needs to study BOTH types of code so he can be most informed) so he must also take monster souls. and fortunately for dust (i do NOT think he'd quite like handling gore) monsters don't leave behind bodies or blood or allat they leave behind dust. hah. dust experiment with dust. i think its already a headcanon out there that dust likes to study dust. i cant exactly recall WHY exactly but maybe it's for sentimental reasons or just something to do to pass time between resets. so killer can just pass on whatever dust he gets to him and he can put it under his little microscope and be a little nerd what a GEEK. give this guy glasses and remove all his teeth but one i guarantee you he'll look like 🤓

and once again i hear you cry out but but triglycercule! why would killer even give the dead bodies and stuff to horror and dust in the first place??? erm number one because i said so silly. jk. and number two (if we're going in a nightmare's gang context here) it could be as a way for killer to gain horror and dust's trust. a way for them not to tattle on him for stealing souls for some unknown reason. maybe there's somehow important coding information left behind in the bodies/dust (because that's literally what utmv is made of) and killer wants dust and horror to do that work for him for some reason. maybe just a way for him to get rid of evidence maybe if theyre buddy pals and close enough just as a gift. i dunno man there's a bunch of reasons as to why he could possibly do this. i just really liked the thought of the trio all wearing fancy lab coats and goggles and i was like damn how can i make this a real possibility

[benevolenterrancy]

OC Request

i've done this once or twice before and found it very chill, so:

if you'd like your OC drawn, send me a reference picture and description?

i think i'm in the mood to do some oc art in the next day or two... specifically I think I'm in the mood for dnd characters because I haven't had time to be playing my own campaigns lately and I'm feeling a craving... so if you have an oc you'd like drawn hmu

[star-sim]

exe.enhaboy_stopped_working.exe ☆ ot7

☆ non-idol! ot7 enhypen x fem! reader ☆ summary: how to fluster your enhypen boy beyond words! ☆ genre: FLUFFFFF, can be interpreted as established relationship or pining stage lolz ☆ warning(s)? made one (1) chemistry reference, mentions of drinking and throwing up lol ☆ word count: 3k words total ☆ today is lunar new year, year of the dragon. happy new years to anyone that celebrates it, may the spring treat us well! take this as a new year charm.

heeseung ☆ ask him for help

"can you open this for me, hee?"

on it.

"heeseung, can you carry this for me?"

already taking it out of your hands.

"heeseung, how do you do this problem?"

he appreciated that you think he's smart enough to help you with your homework, but truth be told, if you were struggling in this subject, then he'd be drowning.

there's something about the way you look up at him with wide, star-filled eyes, smiling along with your words as you asked him for help.

outwardly, heeseung would shoot you a smirk, maybe even tease you with a, "oh, you need me so bad, don't you?"

but inwardly, he'd be freaking out.

you, the most perfect person in the world, needed his help.

heeseung had always been the baby of his family, and even when he was with his friends, where he was the eldest, he found himself slipping back into the role of being taken care of.

but when it came to you, heeseung was more than eager to be the strong, dependable one.

and you asking him for help meant that you you saw him as reliable, that you could depend on him. it made his chest fill with pride.

but it also made heeseung feel so shy.

did you think of him that highly? he wondered what you thought of him when you asked him to open jars for you. did that mean that you wanted to marry him? you wanted a man that could take care of you right? did that mean that you wanted him?

"hee?" your voice broke him out of his thoughts.

shit. by the way your bright eyes gazed at him, a small smile playing on your lips, heeseung knew that you could see right through his smug facade. if not the red color of his face, or the way his hands gripped the hem of his shirt like his life depended on it, it was probably the way his eyes widened a fraction in sheer panic as he realized that you were chuckling at his dazed expression.

"y-yes?" perfect save.

you laughed, handing him one of your hard-to-open chip bags. "can you open this for me?"

"of course."

honestly, that hard-to-open chip bag was kind of hard to open, but heeseung would never admit that to you.

"thank you, heeseung," you gave him another one of your bright smiles, as he handed the bag of chips back to you, popping one of the crisps into your mouth. "love you."

then, you left.

you were so pretty.

wow.

wait...

LOVE?!

jay ☆ pull him by the collar

honestly, jay knew that he was being a bit of an asshole right now. he was tired, and so were you, but he tuned you out as you talked to him.

as the two of you stood under the streetlight, waiting for the pedestrian light to turn on, jay's feet ached. after spending an entire day out with you, his good friend, he was exhausted. even if he liked you a lot (a lot), even he couldn't ignore his fatigue.

"jay, are you even listening to me?"

"hm?" did you just say something? he had no idea, getting lost in the blankness of his tired mind.

"i asked you what you..." jay tuned out the rest of your sentence.

when he only nodded blankly, his eyes very clearly unfocused, you let out a huff.

you grabbed the collar of his shirt, harshly yanking him down so that he was eye-level with you.

"i said," you snapped into his ear, your tone annoyed, "what do you want to eat later?"

oh god.

that forced jay awake immediately. if someone dumped a bucket of iced water on him, he still wouldn't be as alert as he was now.

it was a combination of things: the way you gripped his shirt so harshly, the force at which you jerked him down, the way you looked irritated at him, how close your face was to his now... all of it.

jay heard your question, loud and clear, yet he couldn't register it properly, not when you were so close to him. his eyes were wide like saucers, a sudden wave of embarrassment washing over him. his lips parted, in an attempt to give you an answer, only to let out choked out stutters.

"i— w-well..."

you let out an annoyed sigh. you let go of his shirt, pushing his chest away, as you began walking the intersection, as the stoplight changed.

"whatever," you grumbled, rolling your eyes.

jay stood there stunned, under the streetlight as other pedestrians passed by him, watching your retreating back.

he'd always known that he was attracted to you. but this may have been the turning point.

you were rough with him, aggressive even. it made his heart plummet to his stomach.

when he realized that you were a good distance away from him already, jay snapped back into reality. his feet picked up, running after you.

"w-wait!"

jake ☆ run your nails along him + say he's strong

it was a friendly gesture. because you and jake were friends. and you saw him exclusively as a friend. was what jake told himself.

so why did he feel this way?

the two of you were just hanging out, talking about whatever came to mind, when jake randomly brought up the topic of working out. sure, maybe he was glazing himself a little bit when he was talking about how much he had bulked up in the past few months, especially because he wanted (and needed) to look cool in front of you. he didn't know what he was expecting, but you obviously got curious, asking him with owlish eyes if you could feel his arms.

of course he let you.

you started off with his biceps, feeling the hard muscle under your palms. you gave it a squeeze, giggling when jake flexed his bicep for you. in fact, you now got a good look of his entire arm now.

it was veiny and toned, the type where whenever he did anything you could see the muscle bulging from under his skin. you bit the inside of your lip, before you ran your nails along the length of his arm.

"you're so strong, jakey," you mused into his ear, before your hands trailed up to feel his strong shoulders.

jake froze.

his chest swelled with pride, attempting to bite back a proud grin on his face to stay humble about it, but deep down, he knew that he hoped that you'd say that.

but the worst part was the way your hands had felt on him. when you ran your nails against his arm, a warm chill struck through his entire body. it was such a strange feeling. but he liked it. he wanted more.

feeling the tension in his shoulders, you ran your nails on the back of his neck, fingers brushing up against the muscles on his back.

"relax," you said, and he could feel your breath on his skin.

were you doing it on purpose?

jake felt like he was about to evaporate. you were so close to him, and even if your light touches were friendly, it sure didn't feel like it.

it's safe to say that the moment that you put your fingers in his hair, running your nails against his scalp, jake's soul left his body.

sunghoon ☆ show some love to his moles

sunghoon wasn't always a fan of his moles as a kid. kids liked to tease him, pinching his skin in an 'attempt' to take the 'speck of dirt' that was his mole off his face. and when he was young, his mom took him to some korean fortune teller, and the moment the lady looked at his face, she pointed out the mole below his temple. "bad luck," she said. even in high school, his classmates would point to the dark mole under his eye and call it Avogadro's Number, because it was a mole. ha ha, funny enough, but sunghoon would only frown.

"did you know that moles are where you were kissed the most in your past life?" you asked him one day. his head was lying on your lap, something that sunghoon had to fight himself to not freak out over.

it was a quiet afternoon, just the two of you relishing in each other's presence.

"who told you that?" sunghoon asked, his hands scrunching up the hem of his shirt. it made him a little nervous, the mention of his moles. what if you didn't like them? "what evidence do you have for that?"

"have some fun in your life, sunghoon." you brought your finger up to poke the mole under his eye. then, you dragged your finger across his face, to trace the two moles below his temples, then to the mole on the side of his nose. sunghoon let his eyes fall shut under your gentle finger.

"i love your moles, hoon," you finally said after a moment of silence.

sunghoon choked on his spit, jerking up to cough up a lung.

love? his moles? absolutely no way!

"are you okay...?!" you clutched his arm as he choked on his own coughs.

when he was finally done coughing up a storm, sunghoon whipped his head over to you, his expression painted with sheer horror.

"why do you like my moles?!" he asked, his tone laced with what could only be called offense (even if he wasn't actually offended).

you shrugged. "they're cute."

"cute?!"

sunghoon's world was crashing upon his shoulders. in a good way.

you didn't hate his moles? and you thought they were... cute?!

his cheeks flared with heat, while his chest filled with warmth. he swallowed down hard, before opening his mouth to speak, yet he couldn't form any coherent words. what he spent his whole life hating was something that you loved.

his hands were getting clammy.

"why are you so surprised?" you nudged him with your foot. "doesn't everyone love your moles?"

"not really," sunghoon frowned.

you stared at his face, assessing him, before you clicked your tongue. you grabbed his head, gently pulling him back onto your lap.

"they're clearly blind then," you muttered. "your moles make you so cute."

you continued to trace his face, connecting his moles together like they were constellations, completely oblivious to the fact that sunghoon was both completely fried in the head, yet still somehow consciously planning your marriage.

sunoo ☆ take care of him

you and sunoo were just hanging out in your apartment with a few friends, when someone suggested drinking.

and that's how sunoo found himself sitting in a circle, with five or six empty soju bottles in the middle, with the rest of his friends passed out. you were in the kitchen, grabbing a recycling bag for said empty soju bottles.

sunoo was the only one who didn't drink. not even a drop. even when they reassured him that nothing bad would happen, sunoo's resolve stayed. because he had one reason, and one reason only: he said, looked, and did dumb things when he was drunk. even if he had a relatively high alcohol tolerance, sunoo would rather die than run the risk of embarrassing himself in front of you.

you, on the other hand, had a few shots along with your friends, but remained sober.

you came back to where sunoo was, bag in hand. you muttered a small, "hi," at him, before you began collecting the green, glass bottles. sunoo wanted to say hi back, but his voice came out in an embarrassingly small whisper.

"why didn't you drink?" you asked him suddenly, quickly adding when his face pinched, "sorry, i just feel like i've never seen you drink before."

yup, and there was a reason for that.

"it's okay." sunoo only nodded understandingly, hiding his excitement to finally have alone time with you (as if he wouldn't die on the stop right now). "i do dumb things when i'm drunk, y'know?"

you blinked owlishly. "like what?"

sunoo felt awkward. it wasn't like he never spoke to you at all, but just that he felt so intimidated by you and your beauty. how could he not?

though, he couldn't help the twinge of jealousy that seeped into his chest as you brushed stray hairs out of jake's sleeping face, grabbing a pillow off your couch so that heeseung could sleep peacefully on your living room floor.

"i dunno," sunoo shrugged, his eyes fixed on the way you took care of your friends. "last time i drank..."

he trailed off, causing you to turn your head toward him, watching him for an answer.

"... i threw up all over the kitchen," sunoo grimaced at the memory. "it was nasty."

you smiled. "no shame in that. if you threw up all over my kitchen, i would have cleaned it up happily."

sunoo's ears burned. he loved that about you, how you were so willing to help people.

"my roommate wasn't so happy," sunoo frowned. "jungwon yelled at me, even when i got sick the morning after."

you crawled over to him, putting the bottles aside. "well, that's jungwon. i wouldn't mind."

you poked him, nudging him with your foot. "i'd have no problem taking care of you, sunoo."

you met his gaze, your hands reaching out for his, your lips spreading out into a smile.

sunoo flushed.

you? take care of him?

that would be a dream.

he could imagine you ruffling his hair as you tucked him into bed, pressing a kiss to his forehead as you told him good night. the thought of you petting his head, letting him bury his face into your chest after a bad day made him feel dizzy. the idea of being enveloped by your warmth and perfume had him trifling, fighting for his life as more and more thoughts of your tenderness attacked him.

"r-really?"

you squeezed his hand, you other hand coming up to brush his bangs out of his face. "of course."

sunoo was going to die!

jungwon ☆ eye-contact

jungwon knew that you had a bad habit of looking at people's hair or noses instead of their eyes when you talked, he knew it better than anyone because you'd confided in him about how shy some people made you.

he was happy that you trusted him enough to tell him about your troubles.

and he should now be happy that you felt comfortable enough with him to stare straight into his eyes when you talked to him. and he was. but now he felt like he was going to melt.

were eyes always this beautiful? how come he never noticed the way they shined so brightly, the way they creased into thin crescents as you smiled?

"jungwon, are you okay?" you asked, cocking your head as your eyes innocently blinked at him.

jungwon cleared his throat, sucking in a sharp breath. "y-yeah, i am."

you blinked again, your wide eyes filled with a little concern as they stared straight into his. "are you sure?"

"of course..."

and it was then that jungwon was hit with the realization that he was probably one of, if not the only, the people that got to see your eyes like this.

"w-wait, look at me!" he blurted, and your eyes flickered back to his. jungwon winced at his sudden outburst.

you smiled. "what's up?"

"i.. uhm.." jungwon didn't know what to say. he just needed an excuse to look at your eyes. "you.. uh.. you—"

"what about me?"

"you look really pretty today!"

you blinked slowly. in that moment, jungwon saw the way your eyes darted around his face, running away from his eyes as you processed his words.

you didn't meet his gaze when you said, "th-thanks."

no! did he make you uncomfortable? "wait—!"

as you've told him before, when you got shy or nervous, you avoided making eye-contact.

(if he used his critical thinking a little better, jungwon would realize that he, indeed, just made you feel shy. not because he was making you uncomfortable, because he just called you pretty, for goodness's sake!)

riki ☆ be mean to him

riki thought of himself as a fighter, the type of person that never backed down in the face of a challenge. sometimes, he did the exact opposite— he liked to fan the flames, letting the blaze that was his friends' anger rise so high that it burned everything around him, all for a little chuckle and a heightened sense of pride.

but as the two of you sat in class, you (who sat in front of him) sent him a glare, your gaze hardening as it met his, followed by your lips parting to mutter a soft, but venomous, "shut the fuck up," riki's breath caught in his throat.

it was weird and uncomfortable, the way that riki's face began to prickle with heat. his ears burned into a red color. he couldn't bring himself to look you in the eye after that.

at first, he thought he was just embarrassed, embarrassed that someone like you had to reprimand him.

but the more that that scene replayed in his head— the sight of you angry and annoyed at him, as poison laced your sharp tongue— the more he felt queasy inside. you looked so... attractive when you were angry at him. he liked the way your eyes were filled with so much displeasure and dislike for him. it made him feel so small, but it made riki's chest pound.

he squeezed his eyes shut, biting down on his lip to suppress a frustrated groan. alas, he couldn't keep it in, as riki buried his head in his hands, fighting off the warmth that was bleeding onto his face, letting out a loud, exasperated sigh.

your head whipped around to him. your brows crashed together, annoyed and irritated by his loudness.

"i'm serious, riki," you spat, kicking him with your shoe. "shut up."

riki flushed.

all he could do was mutter a soft (and slightly-pathetic), "s-sorry."

[maplewozapi]

Hi, I'm currently writing a story set in the 1800s America, Oklahoma, and one of the characters is a two spirit person.

I was wondering how to best write a character like that, what I should be careful about, the details etc, despite doing extensive research on the history of it all.

I'm also questioning if I, as a non native person, should even be writing characters like that or if it's seen as offensive and it should be best for me to delete the character.

Thank youuu

I always have a hard time answering specific wide open questions because the question has so my layers it’s hard to give an answer that makes sense. Two spirit is a modern term so writing a two spirit character who is from Oklahoma in 1800 is gonna be totally different. And Oklahoma tribes during the 1800s? are you writing about the trail of tears? I’d be really careful about that territory and being mindful of that trauma. I don’t want to tell people no about writing characters because I appreciate the time and research into native history but it comes down to are you representing a people and whether your adding to the pile of negative depictions.

But when it comes to two spirit characters making it clear it’s a gender or sexual identity is important, gender back then was heavily occupational and sexuality when it came down to labels was "they like/are married to the same/opposite sex" we didn’t have "official labels" (like gay or lesbian ex.) and I am coming from a view of someone who is Arikara and Lakota, I have no idea if tribes in Oklahoma or during this time tribes who were forced out of the south had terms for gender or sexual identities. Two spirit originates from a Ojibwe term and that areas beliefs and can be very different or similar depending on how that other tribes interprets their genders or sex.

I don’t have a clear answer or advice for you because it’s hard and is a very loaded topic but when it comes to these topics leave your western ideas of gender at the door.

If theirs any miscommunication please ask or read it again or a couple times

[superectojazzmage]

My Baldur’s Gate 3 hot take is that debates about whether or not Emperor Balduran is trustworthy or or not are a waste of time because a great deal of the point of the character — narratively and gameplay-wise — is that he’s an extension of you. YOU interpret and decide on his personality, nature, and choices the same way you do with your Tav.

If you want him to genuinely be the flawed and odd-thinking but ultimately noble and heroic “token good Mind Flayer” that he presents himself as, then he will be like that simply because you treat him as being such. He’ll be trustworthy and dependable, totally truthful about only wanting what’s best for Baldur’s Gate and about wanting to free the Illithids from Elder Brain control and make ceremorphosis a consensual choice, while also being open to compromise in the name of forging bonds. He’ll be the unlikely hero who, with you by his side, uses the Stones to destroy the Absolute and save his beloved city.

If you want him to be and treat him like a backstabbing, manipulative liar and potentially dangerous monster who is at best disconnected from basic reality, at worst a murderous narcissist trying to bend you to his will, then he’ll act like it. His interactions with be tense, snappish, and uncomfortable. He’ll threaten you, make unreasonable demands, never compromise, and try to assert control over the party while making clear that your alliance is one of convenience and necessity. And ultimately, he’ll either betray you and defect to the Absolute’s side because he can’t control you or, at your urging, hijack things and use the Absolute to take over the world.

His past is designed to be interpreted in massively different manners depending on what kind of person you want him to be. He killed Ansur either out of justified self defense because Ansur wouldn’t admit that Balduran was still himself beneath the changed form, or because Ansur was trying to stop his evil plans. He dominated Stelmane’s mind because she was a bad person and he wanted to turn the Knights of the Shield into something good, or because he’s an evil manipulator who dominates those he can’t charm. He withheld information from you because he was being cautious and wasn’t sure if you were going to be an ally (like your party members), or because he was manipulating you by making himself seem more sympathetic. He never freed Orpheus and doesn’t want to free him because as an Illithid he rightfully fears a Githyanki Prince and that freeing Orpheus will allow the Netherbrain to control him again, or because he’s an malevolent bastard who knows that Orpheus would ruin his plans. It’s up to you to decide.

He can change tune on a dime, make self-contradictory choices and statements, abruptly do things just because of something you decided to say because you wanted to see what would happen. Just like you do as a player, because he’s as much your PC as Tav. It’s why you get to customize the form he appears in your dreams with. The Emperor is good or evil or whatever depending on what you WANT or MAKE him to be.

[eightyonekilograms]

It is making me crazy how bullshitting has become totally normalized and uncontroversial in progressive spaces . And not just among the Terminally Online.

There's a kerfuffle on Twitter today about some new sociology book. It doesn't even matter what it is, but the author includes this sentence:

We now spend a smaller percentage of our GDP on social programs than we have at any point in US history, with the percentage projected to fall even further in the years ahead.

This sentence is false, and not even by a little bit. It's completely false, it's outrageously false, it is not even in the same postal code as true. It's not true after adjusting for inflation, it's not true depending on which programs you count, it's not true on any time scale, it's not true under any possible interpretation. It's just utterly fucking wrong.

And the thing is, I don't know for sure, but I strongly suspect the author of this book doesn't even care if the sentence is true (the classic "lying" versus "bullshitting" dichotomy). Because "we spend a smaller percentage of GDP on social programs than ever before" is just something you have to gurgle out your mouthpipe to remain in Good Standing in their social and professional spaces. And if you were to point out that "this false sentence is false" in those spaces, you'd get a malestrom of the same tired cliches about how it doesn't matter if it's actually true.

Well, I care if it's actually true.

And it would be one thing if this sentence came from some rando with a rose avatar on Twitter, but the author is an associate professor at the University of Wisconsin.

What am I supposed to feel about higher education and the university system in general when it is completely normal to just lie like this? Why should I come to the defense of such a system? This is exactly the shit that gets people on board with just burning it to the ground.

[lxmelle]

Gojo was once described by Gege as a “man of resignation”.

It is a facet of enlightenment - in which the concept of “non-attachment” is a big part of (attachment is viewed as the root of suffering).

We can interpret “resignation” in so many ways, as it explains so much about his immense capacity for love / acceptance, but also his tendency to... simply resign himself to an outcome / fate I guess - a form of passivity that can be either considered positive or negative, perhaps depending on outcome.

Going with the flow, neither chasing nor halting anything in particular with his immense might and potential. He swayed things to gently influence an outcome. Followed a designated path trying to rebuild the sorcerer world through being a teacher... which he couldn’t fully commit too either, because he had a role as a special grade who had to keep working.

That’s not to say he didn’t achieve anything - because of course he did. But nothing revolutionary. He said so himself to Geto: he didn’t see a point in it. There were just some things he didn’t think would change - someone else would replace the higher-ups.

And thus. Despite his massive strength, he never did ever manage to go all out. Perhaps this is symbolic of an inherently gentle/accepting nature? But there was indeed a monster inside him too - the one that thrived on the thrill of killing and defeating. It was a beast he seldom let out. It was a beast with a thirst.

I’ve said it before, and I’ll paraphrase: like a sprinter limited to go at 8kmph, like a singer who is only allowed to whisper her song, a painter unable to use any paints for their desired masterpiece - how dreadfully, painfully unfulfilling.

So of course it was FUN to have this final brawl with Sukuna - to give it his very best, especially when he also didn’t feel lonely anymore with a bunch of monsters he can pass the gauntlet (his body and his will) onto in the worst case scenario.

But of course Gojo doesn’t have the ability to predict the future, so how can anyone expect that he make decisions and judgements perfectly or accurately? All he can do is consider based on his own judgement. Alone. As the only other person who help him plug those holes in his judgement, Geto, had left him.

It is up to interpretation whether Geto was left behind first, but this really isn’t a competition or about assigning blame… because where do we even start?

One cannot hold Gojo totally accountable for things that happen around him or how others interpret his actions. He was born different to everyone else. Probably treated as if he had this role to fill where people had an idea of what they wanted or needed him to be, but never gave much thought over what it would feel like for him.

Gojo, Shoko, and those left behind have had to suffer the same resignation. After all: What else are you supposed to do but resign yourself, in the face of a reality where even to things you don’t wish to happen, have to happen? All you can do is what you can... and if you can, you wield it with all your might.

Geto tried it to the best of his ability.

He wasn’t Gojo, who could do it if he wanted to.

Understanding that Gojo wasn’t, and accepting that he (Geto) shouldn’t change that about him (Gojo), as he was likely more suited to be at the school - essentially following nanami’s words and “leaving it to him” as Gojo was in his element / thrived on it, but Geto couldn’t be complicit in the system that would lead them to watch their own kind die one by one — Geto left to follow his ideals.

Gojo was referred to as the only one who can take that curse into his own hands. I used to see it as “the only one to kill Geto” after he failed and almost lost his humanity for the sake of power (killing Yuta would go against his principles) but now it also has a new meaning: the only one who can take charge and pursue the ideals to actually change the world.

The curse is the sh*t that is in the world of sorcery in jjk. Gojo seemed to (imho) now feel the need to catch up and hold the reins this time.

It is the end of Resignation Man Gojo Satoru. The emergence of The Monster Gojo Satoru (who Geto assisted in helping Gojo keep at bay through being the “model of humanity” that Gojo could follow) who was then fully ready to take the stand. Like Geto on that stage.

Bye higher ups.

Before, despite his immense strength, he didn’t force his way through. Perhaps this was the outcome of having been forced to be born and live with no choice but to be the six eyes + limitless. You do not actually have freedom.

Unless, you’re willing to become a pariah. To wield these cards that were dealt to you and completely become the extraordinary.

And now, Yuta embraces the same resigned acceptance of becoming a monster. After all... only a few will be able and willing to turn into a Monster.

Out of love. A Monstrous love indeed.

Geto had monstrous motherhood in him. I guess this extends to others now too. To cast away humanity because nobody else will. Nobody else can. So they have to wield it. Become it.

Yuta represents both the old and new world... in some way, he is like Gojo and Geto combined... power / strength + sincerity / kindness. Of course, like the yin and yang, each half has a bit of the other in it - so Gojo and Geto had a combination of power and compassion, but they symbolically represent each,

Arguably, had Geto someone else by his side, things may have been different.

All of this mess… ugh.

It didn’t have to come to this, right? Nor did it have to be the extermination of humans, but it could’ve been a collaboration of the special grades (Yuki, Gojo, Geto) all trying to solve the 3 different factors to the problem: humans as the origin of curses (research), the old-fashioned higher ups + clans, and the elimination of the curses. There may be others, but you get my gist.

But alas, this is the jjk world.

Just some thoughts, I’ll end it here before it’s more word vom.

[toskarin]

going on the twine rant again, lads. fair warning.

-

the twine editor is theoretically great software

which is to say, twine editor is far and away the best execution of "a text game maker for people who mostly make text and not games" that presently exists. it's notable for making wholly self-contained (read: does not require interpreter software) text games with functioning mechanics at about the level of code literacy you could feasibly ask from people who brushed off of other more complicated software

this is in large part because the text adventure and IF ecosystem has the same problem as the (similarly insular and incestuous) scorewriting ecosystem: all of the software is made to be used by a group of like 50 people who don't use anything else, so they just settle for whatever exists

twine solves a lot of these problems by simply existing as an html game maker that can automate all of the functions of a gamebook out of the box. the editor has features which (to me) seem to be inspired by scrivener, which is my favourite WYSIWYG writing software for longform fiction on the market (I prefer writing in LaTeX but I can acknowledge that's a habit I picked up and not an endorsement of LaTeX)

that being said, even though there's an obvious utility to being able to prototype out rpgs and such in twine incredibly quickly, I can't really recommend people... use twine for that. because of the problems.

the twine editor is also kind of beautiful for all the ways in which it issoftware designed to torture the user

twine exists with one foot in "games" and one foot in "writing" and this overlap is the totality of its intended use. this space of compromise is still the best that's been made for this specific scene, but it means that edge cases are (at absolute best) operating twine in much the way that someone being hanging onto the edge of a shattered cockpit is operating an airliner

I could go on and on about the specific elements of twine's design that drive me insane, and in how it punishes you both for making too much of a book and for making too much of a game, but there's one problem that kind of sticks out as a simulacrum of this whole issue

by design, twine organises its projects as a story map. this is kind of like the middle point between scrivener's storyboard and a whiteboard, but specialised for use in making text games. this means that each node on it is one screen, called a card, that you can open and edit

doing this opens a window for text input, and the exact contents of this window kind of depend on which format you're writing your story in, but as a rule, you write everything into these sub-windows and that's the game

because twine runs in one window, these cards open more like menus than true windows. you can have one open at a time, and when you need to test something, you close the window and press the button to test the game. simple as

now, for making software, it's helpful to have a versioning function of some sort in case, among other reasons, you fuck something up in a way you don't immediately notice

for writing, you usually want some sort of undo function, in case you accidentally delete something or edit over it

at the intersection of these two, twine does have an undo function. which works differently depending on which version of the editor you're using. in the web version, you get multiple layers of undo. that makes sense.

in the downloaded version, which is the version you have to use if you don't want to use your browser's local storage (?? you shouldn't be doing this) you get

one layer of undo.

in a modern text editor.

that you are expected to write in.

this is on top of the browser-hosted version of twine editor being significantly more stable than the desktop version, so that's obviously the version you're meant to use, which runs in stark contrast to like... how that should work. this should already be raising your blood pressure a little bit if you remember that the browser version of twine saves your project files to your browser's local storage

now, common to both versions is another important feature which seemingly exists to prevent data loss: twine automatically saves your changes when you exit out of a card

this means that, the moment you close a card to go test the changes you just made to your game, they are saved over the previous version of the game with no way to undo them

but there IS a way to get around this without having to write in an entirely separate word processor! several ways even. you can even use the downloaded version if you do this

duplicate the full project every single time you make changes that could necessitate an undo function

make a copy of every card you edit in case you need to revert to it after testing, then remember to delete it afterwards

if you're editing the cards themselves, see option 1, because there is no way to undo deletion of cards in the story map

and like... that's not good. it's kind of the hell machine for killing all human beings, actually

it's also not a problem remotely unique to twine, because this is the kind of thing you see in most niche-specialised software where there isn't really a distinction made between "this is an expected frustration of working on any artistic project" and "this is something completely insane that absolutely should not be the case and isn't tolerated in immediately adjacent comparable creative fields"

twine can be used to make longer projects, but at the point where you're recommending two layers of supporting software that overlap so hard with the editor that they should be redundancies, it becomes clear that the only thing it's really fit-for-purpose to do is non-linear fiction consisting of two or three paragraphs per card

and that's generally not what it's used for! because that sort of thing is almost universally understood as a stepping stone towards using twine for making either longform non-linear fiction or full-featured rpgs

twine could be really useful software, and in fairness it's generally better than the alternatives it supplanted in its niche (people making little interactive poems probably shouldn't be trying to use Inform or TADS), but it really seems like it was designed with as a cursed amulet meant to cause as much grief as possible while being difficult to justify throwing away

[boinin]

Blue Lock volume cover analysis

An examination of unusual features and chains among the 28 volumes released to date. Subject to revision.

Like this? Want to reference these points in your own analysis on Reddit, YouTube, wherever? Go ahead! A shout out to this post is appreciated. Straight up plagiarism isn’t.

Volume 8: Mikage Reo

Reo's chains are noticeably shaded green. Guess whose eyes glow green when they're fired up...

In addition, @thyandrawrites has a theory that Reo ties/reties his hair up as a way to maintain emotional composure. The volume covers tend to represent the character's personality or struggles in some sense. If so, this is an early nod to the emotional trials Reo endures during the series.

Volume 10: Tokmitsu Aoshi

No chain weirdness here, but Tokimitsu is surrounded by black gunk in his cover. This may be a visualisation of his anxiety and the way he copes with it: running at speed and bulldozing through his opponents.

Volume 11: Ego Jinpachi

Ego's cover depicts him totally immobilised by the four chains bound to his neck. To date, no other character has been more restrained by the chains. This likely represents that Ego's fate is utterly dependent on the outcome of Blue Lock. His cover also suggests that Blue Lock (and football) consume Ego's life.

Volume 12: Shidou Ryuusei

Shidou's chains have a blue glow, much like Sendou's in volume 27. This glow is far closer to Shidou's collar however. It could imply that Blue Lock is the beginning of Shidou's pursuit of football.

He's also depicted with demon wings. The collar or chains don't impede his movement significantly, unlike other characters. In addition to portraying his incredible physicality, this could also visually represent how Blue Lock has failed to subdue Shidou.

Volume 16: Oliver Aiku

Aiku's chains are wrapped tightly around his arm and he's pulling them taut. The chains themselves appear rusted and cracked, most notably on his collar. This could represent Aiku's relationship with football. He grew jaded with being a striker in high school. Becoming a defender, then the match against Blue Lock, revitalised his enthusiasm. Hence, the chain is holding fast: he's just as ensnared by football (and Blue Lock) as the others.

Volume 17: Itoshi Sae

Sae and his chains are bathed in radiant gold light, which is associated with both divinity and wealth. His chains crumble in one place, and remain barely intact. I offer two interpretations for this. Firstly: unlike the others, Blue Lock does not have a strong impact on Sae—his success as a footballer is completely independent of it.

Secondly: if we take the chain to represent Sae's footballing career, the crumbling chain could allude to a time when football negatively impacted him. Perhaps whatever happened in Madrid? But he came back stronger, as the rest of his chains appear even more golden.

Volume 18: Teieri Anri

Anri is the only character depicted without chains or a collar. While working with Ego is a prison sentence in its own right, the artwork suggests that her ambition and future isn't connected to the outcome of Blue Lock. It can also be interpreted as a nod to the hierarchy within Blue Lock. Anri is Ego's boss and thus, she is free while he is constrained. However...

Zoom in on the reflection on her phone screen. It appears to reflect a wide grin—which can only be one person's. Taking into account her passivity in chapter 247, this detail positions Anri as Ego's accomplice: willing to do his bidding, no matter how amoral.

Volume 19: Michael Kaiser

Kaiser's collar and chains are made of glass, through which his blue rose tattoo is visible. As chapter 243 told us, a blue rose represents the impossible to Kaiser. Glass chains suggests that his ego or ties to football are fragile, and could be broken easily. Symbolically, glass can also represent transparency. As a character, Kaiser is upfront about his talent and desires. Nobody is in doubt about his footballing mantra or his intent to undermine Isagi.

Volume 20: Alexis Ness

Ness's chains are entwined with blue rose brambles, all but for a short length to the top right of the image. While Ness came to love football independently, seeing it as magical, the rose brambles show that his connection to football is now inseparable from his devotion to Kaiser. It also reflects that Ness would not be a professional footballer without Kaiser, as per chapter 242/243.

Volume 24: Hiori Yo

Hiori is the only character shown holding the end of his chain, which is secured by a football-shaped weight. This suggests that Hiori himself is the one in control of his career, rather than external forces. Football is a burden to him, albeit something he can carry. Therefore, Hiori is not ensnared by the chains (or Blue Lock) to the same extent as other characters. Appropriate for a character guaranteed to succeed as a footballer, but who ultimately may not choose to pursue it.

Volume 25: Niko Ikki

Niko's volume cover is hilarious. I'll leave the explaining to Tomo-tan, who lays out the humour and genius of Niko's cover in this great Reddit post.

Volume 26: Don Lorenzo

Members of the New Generation World XI have no chill when it comes to their covers, and Don Lorenzo is no exception. His collar shows bite marks, as though chewed through. Gold teeth are good for more than caramel popcorn, apparently.

Lorenzo's chains are accompanied by what looks like electricity. This suggests that football reanimated Lorenzo from near death, as per chapter 216. It's a visual nod to his playstyle, which resembles the incessant pursuit of a zombie. Guess we can call him Snuffy's Monster.

Volume 27: Sendou Shuuto

A blue glow appears on Sendou’s chains, halted from travelling further by his fist. This may represent the threat Blue Lock poses to Sendou's footballing career. He's already been kicked as the striker of the national team; now in the Neo Egoist League, he must battle for a place on the new U20 line-up. No easy feat, as his sweaty face implies.

Another detail worth mentioning is that the trajectory of one of Sendou's chains appear to align with the chain Aiku's pulling in his cover. This similarity, and the fact that they're both holding their chains, may be interpreted as a nod to their status as former U20 teammates—likely the only ones that will make the new team, going off the latest NEL auction table.

[flickering-nightfall]

Hey, I was just wondering, how would the iterators' puppets leave their cans if they discovered a way? I'm asking because I wanted to maybe have the iterators' puppet leave their can sometimes.

Love your art.

Thank you!

I think that depends on how you interpret the iterators. Some people see them as mostly or totally contained within their puppet, while others see them as the entire superstructure. Rain World has a lot of inconsistencies and a lot is open to interpretation. So either way could work.

If you see the iterators as their puppets, there's a lot of options. A couple of them are:

You can straight up sever their umbilical (wires and arm). But then you have to make sure they don't die in the same cycle. How physically suited are your puppets to walking? How dangerous are their surroundings? Do they need to eat and drink, and if they do, how do they do it? How dependent on their neurons are they, if they need them at all? What are the short term and long term consequences of the severance? Is the severance permanent?

You can make the puppet detachable. Pop 'em right off like a lego piece. The rest of the superstructure could run passively while they're gone. That'd probably work better for you if you just wanted to them to leave the can sometimes.

I see iterators as their entire superstructures, which makes the puppet problem a bit harder. You could:

Make a mobile or detachable puppet with a wireless connection (this could also apply to "iterator-is-puppet" but in the opposite direction). The range is up to you. Could be limited to short range or made longer range through... communication arrays, I guess? Could be pretty funny if the signal gets cut too. Five Pebbles loses connection and ragdolls mid-conversation.

Somehow stuff a being that is several cubic miles large into its finger puppet (what I did, but it comes with several drawbacks, and most of them didn't have a choice)

That last one might be more or less believable depending how much you say the iterator's consciousness is dependent on its superstructure. Can they be contained within the puppet? Human brains are three pounds of flesh. Can you cram a whole superstructure's worth of processing in there? No, but if our personalities can be contained within that, an iterator's probably could too.

So what are the costs? An iterator in a puppet is still a walking calculator person, but it isn't a god anymore, you know? What kind of sacrifices do they have to make? Imperfect and limited memory, vulnerable body, nutrient requirements, slower processing, loss of their powers, dissonance of moving between vastly different bodies… lots of stuff to play with!

[pomrania]

Smaugust: "from a book"

For Smaugust I am drawing cats as dragons. If you want me to draw your cat as a dragon, reblog this post with a photo of your cat, as well as the cat's name included in the body of the post. Read below the cut for full details; it's the same as in previous years.

This particular post is accepting requests so long as it's still 1 August 2024 somewhere in the world. If it's no longer that date, check my blog to see if there's a current post.

If there's a particular dragon (other than Smaug) from a book, which you'd like me to draw your cat as, tell me what it is, giving enough information that I can look up what that dragon looks like. Otherwise, I shall interpret the prompt ("from a book") however seems best for the image at hand.

One request per person per day, and only one cat per request. It is acceptable, and even encouraged, to make a request for every day of Smaugust.

Cats will be dragonified in accordance with the theme for the day, given in the post's title. I'm using the prompts from @pencilcat's list, although not necessarily in the given order.

Non-cats are allowed so long as you provide reasons why the animal in question is actually totally a cat.

Check the date given at the top of the post, to see if requests are open for it. Unless it's literally impossible, I'll be drawing and then posting every valid request I've received; however, sometimes that gets done once requests are closed for a post. So just because I reblog this post and add art to it, that doesn't necessarily mean it's okay to make your own request (doesn't necessarily mean that it's not okay, either).

One thing that's changed from last year: there won't be a post for every day in August. I'll be deciding each day whether I feel up to making a new post (and thus taking requests) at the moment, or if I need to work on the requests I still have, or take a rest. Since I can't guarantee that requests will be open for any given day, if you know ahead of time that you're not going to be available on certain days but you'd still like to see your cat drawn as a dragon, get in touch with me ahead of time, because I'd hate for anyone to have to miss out.

The deadline for requests on a particular post is "when it's no longer that day anywhere in the world". This is because I hate fiddling with time zones. If you're in the Americas, this means anywhere from a couple to a bunch of hours past midnight, depending on where you live; in Europe, it's longer than that; for the rest of the world, listen I don't actually know where the international date line is (if that's what it's called) and I don't care enough to look it up. In practice, the deadline is "whenever I get online the next day", unless I'm sufficiently annoyed or particular that I'll actually check the date stamps.

I'd prefer for you to only give me one picture per request that you want drawn as a dragon, because then I don't have to choose. However, it's perfectly okay to include extra photos if you just want to show off your cat; I'd just ask that if there's more than two of them, that you put them under a cut so they won't take up too much room on anyone's dash.

[khaire-traveler]

The Nine Muses

This is a very simple post about the Muses in hopes of explaining who they are, what their domains are, and some things they may be able to help with. This post isn't a deep dive by any means - just a simple introduction. Enjoy!

Who are the Muses?

The Muses, or Mousai, are goddesses of inspiration for various creative, scientific, and poetic endeavors. They were believed to also have knowledge of all things that have come to pass, remembering events with clarity that mortals could not hope to have. Their names are Kalliope, Kleio, Ourania, Thaleia, Melpomene, Polymnia, Erato, Euterpe, and Terpsikhore.

In total, there are nine Muses. The god Apollon was often believed to be the leader of the Muses, having a very close connection with them. The goddess Artemis was also paired with them.

Their origin and family varied depending on the source, but the most common notion was that Zeus and Mnemosyne are their parents and that they were born at the foot of Mount Olympus. Some other possible parents are Ouranos and Gaia, Zeus and Plousia, Pieros and Antiope, or even Apollon.

Poets of the past used to invoke the names of the Muses in hopes of gaining inspiration and the ability to gracefully convey their words. When a connection was drawn between them and Apollo, they were also known for their prophetic abilities as well, even being said to teach the art of prophecy.

What are each of their domains?

Kalliope - The eldest of the Muses, she is the goddess of eloquence and epic poetry. She is often considered the mother of Orpheus. She was depicted with a tablet, a scroll, or (later on) a lyre. Her name has been translated to mean "beautiful-voiced".

Kleio - Wise and intelligent, she is named the goddess of history. In art, she was often depicted with an open scroll or chest full of books. Her name was translated as "to make famous".

Ourania - Associated with the stars, she is the goddess of astronomy and astronomical writings. She has been depicted pointing at a celestial globe with a rod, but I wasn't able to find more information on her symbols. Her name means "heavenly one".

Thaleia - A goddess that helps bring joy to the world, she is the goddess of comedy and bucolic poetry. She was also considered to be the mother of the Korybantes (a group of seven demigods). She was often depicted with a comedy mask, a shepherd's staff, or a wreath of ivy. Her name has been translated as "festivity" or "blooming".

Melpomene - Holding a domain more somber than the Muse above, she is the goddess of tragedy. She was named the mother of the Sirens by Apollodorus. She was depicted with a tragedy mask, a sword, a wreath of ivy, or cothurnus boots. Her name likely means "to celebrate with song (and dance)".

Polymnia - With a name meaning "many hymns" or "many praises", it's no surprise that she's the goddess of religious hymns. She was often portrayed in a meditative pose.

Erato - A Muse that needs no introduction, she is the goddess of erotic poetry and mime. She was often portrayed with a lyre. Her name means "lovely" or "beloved".

Euterpe - Likely full of rhymes and reasons, she is the goddess of lyric poetry. She was often depicted with a double flute. Her name likely means "well pleasing" or "giver of much delight".

Terpsikhore - Filled with music, she is the goddess of choral song and dancing. She was often depicted with a lyre and plectrum. Her name has been translated to "delighting in dance".

Kalliope - Speaking presentations, writing essays, script reading, reading/writing informational posts/articles/etc., interpreting poetry, poetry writing/reading, sharing your own poetry, communicating clearly with others, important conversations, coping with conflicts, addressing conflicts, making peace with others.

What are some things they can help with specifically?

***These are merely suggestions.***

Kleio - History exams/tests, studying classics/history, delving into your own history, discovering family history, recalling past events, writing myth retellings or similar, identifying patterns of behavior, releasing the past, learning from the past, finding hope for the future.

Ourania - Studying the stars/space, story-telling, understanding the universe around us, memorizing constellations, finding peace in the night, finding hope in the darkness, creating goals for yourself, "reaching for the stars", holding onto your wishes, finding a sense of direction.

Thaleia - Creating your own joy, finding what makes you happy, performing stand-up comedy, writing any form of comedy, play-writing, healthy positivity, learning to laugh things off, releasing stress/burdens, moving forward, expressing your joy.

Melpomene - Coping with hardships, moving through difficult times, releasing the past, forgiving oneself, coping with past mistakes/regret, healing from difficult events, coping with the "downs" of life, play-writing, telling tragic tales, addressing difficult topics sensitively.

Polymnia - Writing devotional poetry/hymns/songs/etc., growing closer with religion/devotion, inspiration for offerings/devotional acts, coping with religious difficulties, finding comfort/joy in religion, connecting with the divine, religious/spiritual writings, connecting with your practice.

Erato - Love letters, confessing your feelings through writings/songs/etc., connecting with sexuality, writing/reading erotic stories, communicating sexual needs, establishing/discovering sexual boundaries, sex positivity (especially through literature), embracing your sexual interests.

Euterpe - Writing poetry, interpreting poetry, communicating one's emotions, romanticizing life, sharing poetry with others, devotional poetry, expressing one's feelings through writing, processing emotions, finding the "right word" for a piece you're writing.

Terpsikhore - Song-writing, learning to dance, expressing yourself through dance/song, connecting with music, processing feelings with musical aid, instrument playing, choral/instrumental performances, writing a musical, musical theater, finding your voice, embracing who you are, expressing yourself.

[bonefall]

how do surrogacies for cats in another Clan work, socially? With honor siring you don't have to stick around once the cat you're siring for is pregnant; but with surrogacies you're going through an entire pregnancy and kitting process, which your Clan will probably catch onto at some point. Do you just... go off to give birth and come back and tell your Clan "bad news they didn't make it :( they all got uhhh eaten by a hawk sry all" after dropping them off with the cats you surrogated for

The out of universe reason is simple logistics. Some parents can't give birth but they still need a visit from the stork, with how small Clan sizes are.

In-universe, it's a whole process.

MOST surrogacies are done by family, or are in-Clan. A sibling who is able to get pregnant will do so, with the expectation that their family member will take and raise the kits.

More are done on a sort of "open book" policy. Onestar and Whitetail are an example of this; One wanted kits and asked White, but didn't want to coparent. She agreed, and neither one kept it a secret.

So Whitetail is not Heathertail's MOTHER, but it is known she was the honor-sire.

Likewise though, it's within your rights to keep it secret, even within a Clan. If you asked Onestar where the kit came from, invoking Queen’s Rights would shut it down.

But you could put two and two together that Whitetail was probably pregnant and stopped being so right when Onestar became a Mi.

For the record though. Listen carefully.

not every cat who is expecting will suddenly flash like a neon sign indicating it. The whole Clan will not suddenly get a text saying "DUDEHEART IS PREGNANT." Some people just don't show. Some cats don't smell that different. It's rude to ask unprompted and even worse if you guess wrong. Like real life.

Please understand.

On the Anthro-Scale, from 100% feral cat to 100% fuzzy human, BB cat gestation is closer to the feral cat than most of their other behaviors. So this is not the same "big deal" as a human pregnancy.

In general, I write "medical" topics closer to real cats than the Erins do. I mostly take "liberties" in the portrayal of disabilities so THOSE are closer to the real humans in my audience

intelligent cats are not going to be correcting me on my incorrect portrayal of Feline Diabetes, but I could unwittingly cause harm in spreading diabetic misconceptions that real people try to clear up, y'know?

Anyway. What that means is that warriors giving birth is not the federal issue that it is for humans. It's still not TOTALLY safe, but dying in childbirth is exceptionally rare, plus being much less painful and considerably faster

"The Birthing Stick" means something is wrong.

So there's several factors at play within Clans, but Out-of-Clan surrogacies are much more interesting.

These are usually arranged at Aftergatherings. They were rarer before the move to the Lake, which now sees waaaay more cross-clan friendships.

USUALLY the Clan's Cleric will be involved, which IS technically a waiving of the Queen’s Rights. Leafpool simply doesn't interpret it that way.

A more "traditional" Cleric, like Littlecloud, will NOT be involved for personal safety and comfort reasons. This makes a bad situation but that's the reality of QR (and is a reason why Fire Alone cats think QR doesn't go far enough.)

Kits are always given to the parent before 1 moon. Fading Kits aren't socially questioned if they fade before that 1st moon. So it's pretty easy to hide it.

"All of my litter was faders" is unfortunate in the way that a car accident is unfortunate. "Shit, are you ok?" "Is StarClan trying to keep a close eye on you? Are you going to try again?" Etc.

"Frequent Flyer" surrogates, like Brightheart, often keep a single kitten from each litter to avoid the implication of "bad omens."

If they aren't Brightheart who likes raising kittens with her mate, the kitten is often given to an in-Clan parent who wanted a child.

Most surrogacies aren't "free," but it does depend on who's doing it for you.

Like all other things in BB, this looks very different between generations, and depends heavily on the "attitudes" of the Clans at the tine. But, Queen’s Rights will protect you from revealing too much. STILL, surrogacies ARE harder than sirings. Just not impossible.

[whiskersz]

Hey there! I saw your requests were open so I was wondering if you could do a Vox x fem!Reader who loves cuddling? I don't mind if it's headcanons or a ficlet, whatever floats your boat! Thank you!

Hey!! Yes, I could gladly do that! Still learning how to write Vox, so apologies if this isn’t in character. It’s simply how I see him! Anyhow, do have a nice reading session <3

₊˚ ‿︵‿︵‿︵୨୧ · · ♡ · · ୨୧‿︵‿︵‿︵ ˚₊

Vox x Cuddly! Fem! Reader

✩Despite what one would initially think, Vox is not averse to affection; when he’s not in a bad mood due to the other Vees or Alastor, he’s pretty level headed and as such he’s willing to accept intimacy. He expects it from you, his lovely girlfriend, after all, since you’re quite the cuddle bug.

✩ He doesn’t talk much during cuddles, opting to just hold you and let you speak if you’re in the mood to. He mostly hums as a response and smiles when you nuzzle your face into his neck, thinking of how cute your face must look like all squished up. This is also due to him thinking that it's kind of awkward to talk during intimate moments, so if he does expect it to be a short snarky remark.

✩If you want to cuddle him while he’s working, sure! He will let you do that, as long as nobody is watching. Some PDA is okay for him, but this much flusters him, admittedly. He’ll use one hand to do whatever is needed and the other will periodically reach into your hair and massage your scalp, or hold onto your waist and squeeze it slightly. He finds it quite endearing that you enjoy this activity so much, and it takes him nothing to accommodate you.

✩If you want to be the small spoon during cuddles in bed or on the couch, that’s his preferred position. He’ll wrap his arms around you protectively as that’s all you need to feel to know that he’s there with you. His screen head is a bit awkward to cuddle with...but through the years he’s figured out ways to not make it difficult to cuddle.

✩If you want to be the big spoon however, he’ll be a bit embarrassed at first; it’ll need a bit of adjusting but he’s not totally opposed to it, actually he quite enjoys it during a hard and tiring day at work. He fully thinks that he deserves to be taken care of like this. If you bring this up in public though, again, he will be flustered and deny it as professionally as he can.

✩The only issue with Vox and cuddling is that he doesn’t love doing it for too long, either because he’s busy or because he simply gets bored and the positions are a bit uncomfortable after a while, so unless you spice it up with kisses and such he will either let go of you and leave or get out of your grasp with ease, depending on who’s cuddling who. If you act sad because of this he will pinch your cheek and tell you to wait until later, as he’s got quite some work to do now.

✩If you’re only cuddly with Vox, that’s all fine and dandy by him. If you’re cuddly with other people as well though, such as your friends, he’s going to get jealous. He knows very well that for it to be a healthy relationship you two would need to talk about this calmly, but part of him wants to just blow up at the thought that you could enjoy cuddles with somebody else. Are his not enough? Maybe the time you spend cuddling is what’s not enough; he can’t do much about it though, he’s a busy man and he simply doesn’t enjoy too much affection in one go. Still, he’ll squeeze you extra tight next time you go up to him and ask to cuddle, and remind you that you’re his – this could be interpreted in different ways, but I quite simply meant with his words!  -.

[azurem]

How would your interpretation of Dream react to finding out Ink and Nightmare are dating?

Mine would be angry but not that Ink is dating his brother, he doesn't care, he is angry that Ink didn't tell him.

He wants to use Ink's and Nightmare's relationship to initiate a truce.

He still cares deeply about Ink and Nightmare, but he wants to use any chance he can get to stop fighting.

Thats a super good question!!! Okay, I have two ideas for how Dream would react to the Inkmare™ which would depend on whether he knows before or after an hypothetical truce

A revelation before the truce would have him feeling... Pretty much betrayed? Of course, he's glad that Nightmare is still humane enough to love (though he worries he's using ink and the other way around) and that ink is clearly enjoying himself, but... Well, they're still opposing teams. He'd have in mind the people in the AUs first: for all he knows, Ink has been selling out innocent people to Nightmare...!! He'd probably face Ink alone and question him. Depending on how it goes he either cuts him off (attacks on sight cuz non star -aligned Ink would shift to being a crescent/part on the gang) or he grows to find Ink's relationship with Nightmare pretty... Good, actually! It'd totally have him be all like "ohh that's good! Maybe you can... Convince my brother to not attack aus???" or "and how is he like, when he's not...?" (He def asks Ink TO NOT TELL Nightmare he knows. Whether Ink does or doesn't tell Nightmare is up to interpretation)

I do think once the whole novelty of it melts away he'll definitely think of how to use it to his advantage...? He'll definitely use the relationship as an excuse to have a truce. (Dark idea of mine has him basically outing ink and nightmare in front of everyone to ask for a truce. You can guess it's not very pretty😭)

Post truce inkmare reveal has him be so happy actually! He's their biggest fan. He "aws" out loud every time he finds them hugging. Nightmare hates it with a passion while Ink finds it hilarious. He helps Nightmare with gift ideas for Ink and takes advantage of it to grow closer to his twin once more...!