#trying to find something that's not just two dimensionally evil

[fallenangelontheceiling]

Does anyone want to extrapolate on James Tartt’s psychology with me?

[dcxdpdabbles]

Cave boy Danny AU where he's half asleep and rambling as he mentions some people back home like his exes (especially Valerie), his English teacher, this stalker of his who he likes messing with, and the annoying fruitloop who's the bane of his existence! They're concerned. Only once he's fully awake when they ask for names.

Lancer is Alfred, Talia is Val, maybe Paulina is Julie Madison but idk, Wes is Edward/The riddler (I'm pretty sure there was a time he had a reddish orange hair. Either way, he was the same model as Danny so maybe Wes dyed his hair to not be confused with the Fentons in this AU), and Vlad is Ra's!

Hello! This actually falls out of my planned plotline for Cave Boy, but I will write something for you that is close to the prompt to make up for it! Hope that's okay and that you like it

Flash sends them a message sometime in the early afternoon before any of the Bats are ready to go out. In fact, Damian, Duke, Steph, and Jason are in class when his message arrives.

Bruce, Dick, Tim, Cass, and Barbara are at work. As the Flash is one of the few who knows what the Batfamily is doing during these hours, it is rare for him to bother at this hour. He would have usually waited until after five as that was when a majority of them became available.

They all quickly check their phones when they vibrate to ensure it's not a world-ending threat, just in case.

Since the messages would be sent to their civilian phones- anyone in the know of the Bat's real identity chooses to text in a very specific code. This way, no one would know what they were saying, and the Bats would realize they were speaking to who they thought they were.

Barry Allen chose Disney theme GIFs as his code.

A gif of Mulan singing Reflections lets them all know that somehow, the speedster has again opened a portal into a different dimension and/or mess with time.

"Why is my reflection someone I don't know?" meant "A double of one of you has crossed over from a different dimension and/or timeline"

This causes a brief ripple of anxiety. The last time someone had a double, it was Tim, and his future version of himself was crazy, evil, and surprisingly capable. It took Tim almost ending his life to beat the guy.

Thankfully, the second GIF comes through seconds later. This one is Mulan's Honor To Us All.

"Please bring honor to us all" meant "The double is friendly."

The last Gif was from Lion King, Timon cheerfully singing Hakuna Matata. "It means no worries for the rest of your days" meant "Sorry for the trouble."

Those in class return to their various lessons, but Tim quickly responds, "I love that movie! We should watch Mulan again the next time I see you, Uncle Barry!"

This means, "We will meet the double tonight."

The rest of the day drags on as they all slowly start to make bets on who the double would be for. They all agree that Cass is long overdue to face herself again. Still, Dick makes the complying argument that Duke needed to have his first "My counterpart from another dimensional/ Timal plane" moment.

They all actively hope Duke can clear another block on his Bat-bingo card. He gets two more and a complimentary tray of any of his favorite Alfred's desserts.

----------------------------------------------------------------------

That night, they all meet up in the watch tower, each clutching their bingo card just in case. (The game resets every month, and so far, Jason has written down the most accurate predictions. He needed two more squares for a cooking lesson of his favorite meal, and he was out for blood)

They all silently go to the conference room, where Barry entertains the guests. Apparently, they were trying to find discrepancies in their world's history and the double's life to help find which world they came from and send them back.

They were being shown the main rouges to test the timeframe.

"Is that Wes!?" A young male teenager yells. Sadly, Steph swears, staring at her "A new Batgirl from a different world" box.

"We call him Edward when he's not in his costume. Otherwise, his name is the Riddler." Barry answers, amusement clear in his voice.

"Riddler? How is Riddler menacing? What does he tell you, riddles of death or something?"

"You be surprised......."

Bruce gets to the door, pushing it open with a quick flick of the wrist, and inside is Barry sitting at the conference table next to a boy with dark hair and blue eyes. In front of them is a hologram showcasing the Gotham Rouge files.

There are papers and pencils scattered on the table. Likely, they have been writing down notes of the differences they have spotted.

Barry's eyes flicker to them, but the boy is too distracted to count on his fingers.

"Okay, so Wes is Riddler, Val is Talia, Fruitloop is Ra's, Sckuller is Bane, and ugh....for some reason, Spectra is Harley Quinn." The boy finishes checking his notes.

"For some reason? I thought you said Spectra studied psychology too."

"yeah, but Harley Quinn actually got a Ph.D. What did Spectra do? Land a school counselor position? Please." The boy rolls his eyes dismissively, and Barry frowns.

He's never taken kindly to people disregarding another person's profession, especially if it was connected to the educational system in some way.

"Hey now, that's an important job, and you need years of study before you can be a school counselor-"

"I bet Spectra peaked in high school. That's why she's like that." The boy cut him off, nodding as though he had found the universe's answer.

Well.....this was either a version of Jason, Tim, or maybe early Dick, that was a little too sassy but not angry? It's not sad either; it's more like, fed up? Or teenage tired.

"Oh, who are they?" The boy asks, and Barry zips right next to Batman.

"Danny, meet Batman...the you of this world. And his kids."

Danny squints. "Who is your mom, and how easy am I? Because there is a lot of you that I fathered for me to not be easy."

Jason burst out laughing, checking a box. "Yes, someone calling Bruce easy in costume. That's on bingo for me!"

[radiocrypt-id]

I got- I can't!

Imagine being 15, you've grown up your whole life with this one belief in this one God and you were told you were Chosen by Him, for Him. And you're 15. You believe so fully in the spirit of your religion, not necessarily the word, that you want to go to a non-religious school to try and help other kids maybe find your God because you genuinely believe that could be helpful to some of them, because it's all you know, and it's helped other strangers (human trafficking victims she helped in the black pit before) so why not other kids her age? You're 15 and all you can think about is helping others. And you start thinking about your religion, and reading books, and asking questions and you come to the conclusion that maybe your God and His Father aren't actually all that great. Maybe the church you're in has done some really bad things that you can't possibly make up for. Maybe that church is still doing bad things. And then you find out your family is actually in a cult for that God, not just part of the normal church, and you suddenly have to undo all the cult shit in your brain you were raised with, while that cult stuff you know about is actually useful to your friends, like having that knowledge is helpful for them! You're 15 and you stop going home. You have no real adult supervision or carer, just your other 15 year old friends.

Imagine you're 16, you're gay and figuring that out on top of navigating your first full romantic relationship and being the sole creator and cleric to a new God that you honestly find to be very two dimensional and empty. You're on a quest to find an evil being and stop them. You nearly die. Your friends nearly die. You're 16. You're 16 and feel something calling out to you, you know it's divine because you've felt that sort of pull before, but you've never felt one like this. You find memories and hints and pieces and you figure out that the evil being you have to stop, isn't evil, she's just hurting. She's hurt and She's a God. She's your God, and she's so happy to see you, and she has so many ideas, and so many hopes.

You're 17. You've spent your rest time (summer vacation) tearing across the world chasing down and defeating another evil thing that you and your friends accidentally released in the first place. Your God is with you, you have no time for Her. No time for anything but trying to survive and stay sane. You know She's disappointed in you, but you're one person -ONE PERSON- and you're 17. You missed your birthday. again. You've saved the world; again. You're so fucking tired -like always. You're Chosen, and alone, and have no idea what to do with your life, let alone your God. You aren't very good at school, but you go to every class. You're drowning as you try to rewrite your understanding of the world from what you grew up with, having no idea how to do anything without a book and godly hand to guide you. You only ever followed before, your new God is demanding you Lead. You don't know how. You're only 17. You see your horrible, abusive parents spitting abuse and racist rhetoric at your baby brother, who you haven't seen in two years, on the front steps to your school and for the first time ever you are filled with righteous fury. Your God answers your call, not knowing what you need but so eager to help, eager for your attention, she starts talking to you but you're busy -why can't she understand that you're fucking busy? trying to not die, trying to be safe, trying to keep your friends alive, trying to navigate a world that hates you, you're 17 and you're busy goddammit just wait!- and she snaps back at you and flees. The next time you see Her, maybe an hour later, She's got a creature with Her that nearly destroyed you and your friends last year sitting in her lap, so smug to see you again.

You're 17- no, 16- no, 15 years old and you're expected to build and carry the world on your shoulders, Chosen from birth, raised a lamb to follow a Shepard, not to be followed behind. You have no one and nothing and everyone expects everything and you can't back up, you can't pause because if you do someone dies and doesn't come back. You have to be a hero, a chosen, a saint. The steps behind you crumble to dust with each step you take forward and the new one is already cracking under your weight. There are only wrong choices. There's no hand reaching for you. God, you were taught, will save and guide you. God knows best. Why is your God looking to you, a mortal human, to be saved, raised and guided? You're a child.

You're just a child.

You just want to go home, wherever that is. You thought it was your God, but She's not exactly helping you out either, is She? She's just disappointed. Like everyone else. Like you.

You're 17. You think it would have been better to never do any of this. It would have been easier to stay, blind and naive. Sometimes you think you should have stayed in heaven. Sometimes you think about the God you killed by not being good enough for it. Sometimes you lay on the floor and stare at the ceiling and pretend you don't exist for awhile. Sometimes you work your body so hard you forget it's there and your mind shuts up and you exist without being you. Sometimes you wish you never asked any questions or read any books. You're 17, but sometimes you wish you were 15, with no idea yet.

You're 17. You wish you were good enough.

[meowzahzzz]

bowser headcanons ft. gn reader  ( ♡ )

bowser fans. monster fuckers. how are we feeling are we feeling fed. i am

to say bowser doesn’t quite understand healthy ways of expressing his feelings... is an extreme understatement.

bowser has this romanticized yet very callous conception of love. you do anything for love and it’s justified, so on and so forth.

this is why his kidnapping peach thing persists.

i want to say his “love” for peach isn’t... really love. he believes it to be love, but his feelings towards her aren’t the sort. this isn’t to say he’s abusive to her (the most he’s done is kidnap her and the whole situation lost it’s “distressing” impact Long ago). rather that bowser confuses his emotions a lot, and rather than think about it too hard, he just goes with whatever’s easiest.

~ pre-relationship

when you come in, bowser’s infatuation with peach is thrown out the window.

peach is grateful she’s not the apple of bowser’s eye anymore, but she does worry about you being his now.

i don’t imagine his attempts at “kidnapping” end well. either you kick his ass and tell him to go to therapy or peach comes to the rescue with mario (and they also tell him to go to therapy).

bowser, surprisingly (or maybe not-so surprisingly), takes it to heart. and he starts to realize his thing for peach wasn’t... what he thought it was.

he used to just kidnap her over and over again, try to win her over and over again; her rejection didn’t faze him, but he was almost expecting the triumphant feeling of Love (whatever that could possibly be) to just... show up during these attempts.

of course he’s a rough and crude turtle kaiju king, but there is a softness under that shell.

bowser, at first, tries not to think too hard about it. rejection didn’t really sting the way this did before.

he’s embarrassed to hell and back, refusing to speak on it and when it’s brought up by kamek (”quit moping about the rejection, your highness”) he gets red in the face and his body stiffens like he’s turned to a statue, his voice loud and cracked (”I’M NOT MOPING, SHUT UP *tearing up*”)

when he is eventually forced to face his embarrassment and the stinging pain of rejection, he tries to think of ways to legitimately apologize. and if that works out, he definitely plans on winning you over.

and speaking of that apology, he definitely tries to chicken out at first. he’s so embarrassed. he’s the koopa king, for pete’s sake! he’s the leader of his army, he’s a ruler to be feared! yet he cowers at the thought that you’ll send him back with his tail between his legs.

he apologizes in person, despite how many times he begged to just send a note or something and kamek would have to hit him on the head with his staff (”i didn’t raise you to apologize over a note, your highness.”).

you can tell he’s genuinely sorry. there’s shame in his expression; he can’t quite look you in the hand, he fiddles with his hands, and he coughs when the words don’t quite want to come out. but when he apologizes, he does mean it.

it probably takes a bit for you to forgive him because he did come on rather strong. but he’s overjoyed when you do forgive him (he’ll probably jump in the air with excitement before going back to his “tough cool guy” act where he’s like ‘yeah i knew you’d forgive me’ *goes back home to cry tears of joy*)

you two start off as friends. and something bowser finds odd is that, despite his own feelings (as strong as they’ve started to grow), he’s... okay with that. just that.

there’s no urgency. he can just enjoy your company, flustered as it may make him.

there’s a side to bowser you, nor have the others (peach, mario, etc.), have seen before. nobody ever quite believed he was as one-dimensionally villainous as he tried to come off as, but bowser would’ve been damned to have exposed it.

he still wears his spiked shell, but it’s as though he’s coming out of hiding around you.

his voice, while still gruff, isn’t so performative; there’s no outrageous evil plans or self-conceptions of grandeur, just mundane (maybe even domestic) conversation.

of course he still wants to look cool in front of you, but he doesn’t have to cover up who he is inside either.

he doesn’t care what you want to do or what you talk about, you have this attention either way. and you can’t help but feel that... you like his attention.

there’s a gentleness he shows you that nobody else gets to see, and it’s so evident in the reactions you get from the others just by talking about your... “hang-outs” together.

he’s an absolute gentleman, of course. kamek can excuse kidnapping, but he draws the line at being ungentlemanly.

opening doors for you, holding out a chair for you, being a subtle protector when he thinks things are gonna go south, etc.

you’re a person bowser values and he’s so new to these feelings he has, and he wants to protect them as much as he wants to protect you.

to say you have certain feelings about him as well is very much an understatement.

even when you can’t specifically name it, you feel that he sees you like you hang all the stars in the sky. you’re one of the only people who have gotten a genuine laugh out of him, let alone a smile. and it’s his gentle nature specifically towards you that just makes you melt.

at first, the thought seems ridiculous, liking bowser, the koopa king of all evil, like... like that! but you think of it again, of how you’ve been friends and all the times you’ve spent together, and you feel as though you’ve been wrapped with warm ribbons, heat rising to your cheeks. it’s undeniable.

he definitely confesses to you first. a hopeless romantic at heart, he shows up at your doorstep, all fancily dressed with a mushroom and flower bouquet in hand, asking if you’d want to go on a date---with him.

his cheeks are flushed, and he stares at the floor, unable to look at you in fear he’ll find disgust on your face.

but wide-eyed and flustered yourself, you accept.

and when he looks up, there’s this... almost this shock on his face at first, mouth slightly agape, like something he never, ever could’ve expected to happen---just happened.

it doesn’t take long for him to widely grin and laugh as he picks you up into the air and holds you close to him, the bouquet sadly getting a bit crushed while he holds you in this embrace.

~ relationship

bowser is the happiest and luckiest koopa in the land. undoubtedly.

even with your relationship’s ups and downs, it’s like he’s always in the honeymoon phase.

most of his “evil schemes” are reduced to mischivieous pranks which you, and his koopalings, often participate in.

speaking of the koopalings, you have to get along with them. bowser jr, wendy, roy---all of them.

those children are his heart, and to see you not only get along with them, but be nurturing to them... his heart grows twice its size.

part of why he was so obsessed with peach was because he felt as though they needed a “mother” in their lives. he may be the king of evil and all, but he never wanted to be a failure of a father to his kids.

whether you’re aware of it or not, you helped him realize that... he wasn’t failing his kids, they didn’t “need” someone else to fix his mess. he was a good enough father on his own. and it’s only a plus to have you around, too.

bowser loves domestic stuff, he craves it. baking pies, hanging around with the koopalings---any of the most normal, mundane activities become a dream when he’s doing them with you.

he would also really like for you to join him when he and the others go kart racing, golfing, etc. if you aren’t already.

he loves the competition, loves rallying up his new family together (you included) so they can go kick that red hat wearing plumber’s ass! ...and his green brother too, i guess.

he’s just become a happier guy in general.

mario certainly appreciates it, actually being able to befriend the king koopa.

and peach likes being able to not be someone’s strange obsession, and she also considers you to be a good friend.

daisy LOVES it at first because she thinks there’s drama, but then you reveal everyone’s happy and there’s no conflict, she’s like oh... okay i guess. 😐

luigi is frightened by bowser, no surprise there, but he’s happy for you! luigi’s a bit of a hopeless romantic himself so he finds the things you and bowser do endearing, even if it is hard thinking of bowser being sweet.

you two are the cutest motherfuckers ever. in the mushroom kingdom. in the galaxy. im so jealous

[whisker-biscuit]

Sonic Big Bang 2024

Close Encounters of the Grim Kind

Rating: Gen

Summary: Sonic did end up telling his friends about the Shatterverse, but it’s clear to Tails that he's still hiding something. In an effort to find answers and with Shadow’s reluctant help, he uses the Paradox Prism to create a device capable of jumping dimensions. When he sends it out, however, what was meant to be a one-way trip returns to him with a cryptic greeting from a stranger who seems interested in researching the dimensions with him.

Now, Tails finds himself trying to solve two mysteries - why Sonic is acting so weird around him, and who this unorthodox, anonymous cross-dimensional pen pal really is.

It's a lot harder than it looks.

--------------------------------------------

Chapter 1

The day Sonic finally told his friends about the Shatterverse and all that entailed within it, Tails had no idea how significant it would truly end up being.

He, his brother, Amy, and Knuckles were gathered together at the beach. The fox was in the pilot seat of the plane, adjusting some of the inner controls, while everyone else lounged about. They all listened with rapt attention as Sonic described the disaster that would have happened had he smashed into the Paradox Prism – the disaster that had already happened, if events were to be believed.

Frankly, it wasn’t very hard to go along with the idea. Weirder stuff went on in their lives at least twice a year; dimensional and/or timeline shenanigans sounded like par for the course.

“A bunch of miniature dimensions, huh?” Tails drummed his fingers against his screwdriver, thinking about the logistics of such a thing. Alternate universes were an aspect of quantum physics that he’d never delved very deep in.

“Yep! There was a pirate dimension, a jungle dimension, and even a dimension with five Eggmans!” Sonic shuddered and stuck out his tongue. “I always thought ours was bad enough, but then I met an Eggman baby. That’s one memory I’ll never be able to get rid of.”

“Did you kick the Eggman baby’s butt?”

“Knuckles!” Amy scolded.

“What?” The echidna asked defensively. “It’s a valid question! If that version of Eggman was still evil, then I don’t see why you wouldn’t also teach him a lesson.”

“Oh, trust me, he was definitely evil. Kicking his butt was extremely satisfying.”

Knuckles folded his arms with a self-satisfied smirk he tossed Amy’s way. She huffed and rolled her eyes, gesturing for Sonic to continue his story.

“There weren’t just other versions of Eggman, though,” he said with an excited gleam in his eye. “Every dimension I visited had new versions of you guys! Even Rouge and Big and Froggy!”

“Ooh, really?” Amy clasped her hands together. “What were we all like?”

“Well, the pirate versions of you all talked with these funny accents and were on a ship’s crew together. Knuckles was your captain but he was a big bonehead.”

“Hey!”

Tails smiled, going back to the wiring in the Tornado as he listened to the hedgehog tell them all about this strange new adventure that he’d found himself in. One eye he kept on his work, the other he kept on Sonic to show he was still paying attention, tuned into the rhythm of his brother’s storytelling just as much as the words themselves – and that was the only reason he caught the stumble.

Sonic was in the process of telling them how the Chaos Council had put the entire Shatterverse in jeopardy by punching holes between dimensions using shards of the Paradox Prism, and that he, Shadow, and an alternate version of Tails had stolen the shards back and were planning to put the prism back together. Then he paused, very briefly, and sheepishly admitted that they were unsuccessful before the Council had caught up.

That pause had been barely half a second long, but for the hedgehog it might as well have been a full minute. Tails stopped working as Knuckles began teasing Sonic for letting any version of Eggman be faster than him. He watched his brother carefully, noting the tension in his quills that the fox could only see from his place in the cockpit above. To the others, it seemed like Sonic was embarrassed about his failure, but Tails knew that wasn’t what it was.

Embarrassment was fidgeting in place and wanting to change the subject immediately. It was not standing rigidly with fingers twitching like they wanted to curl into fists, nor was it too-loud laughter at the ribbing his friends were giving him.

The fox quietly placed his tools in his lap and turned his full attention onto his brother.

When the teasing finally stopped and Sonic got back to the rest of his story, it felt different than before. More pauses, shorter descriptions of events, and vague answers to questions about how the Shatterverse was saved from ripping itself apart. The hedgehog’s expression was tight with sadness as he told them of the goodbyes he’d shared with all the different versions of his friends before he and Shadow found their way back to Green Hill.

“Don’t get me wrong, I was so excited to see you guys again – the real yous instead of those weird ghost holograms – but I also knew it was a permanent goodbye for them. All those different versions of you…they were still their own people, with their own goals and dreams and lives. I got to know each of them, and it was hard to walk away knowing I’d never see any of them again.”

“It’s not like you to dwell on goodbyes,” Amy said gently.

“I know. I just…” Sonic glanced up at Tails, then looked away immediately before their gazes could properly meet. The fox narrowed his eyes in confusion. “It was really bittersweet, in the end. I wish you all could have met each other.”

As Amy pondered over what her “sisters” might have been like and Knuckles pointedly declared that the other hims would have probably just gotten on his nerves, Tails’ namesakes curled around each other in a slow mimic of his flying movements. It seemed like the hedgehog was simply melancholy over the loss of his new friends, but it still felt…off. Like there was something he hadn’t told them, or even something that Tails had missed, that was obscuring the whole picture of his experience.

He briefly considered asking Sonic outright when they were alone later, then immediately nixed the idea. His brother was open about nearly everything right up until he suddenly wasn’t, and then pulling information from him was just as hard as convincing Knuckles to part with the Master Emerald for more than a week.

“Do you think the other dimensions are still out there even though you put the Paradox Prism back together?”

Everyone fell silent as they all looked up at the fox. Sonic’s mouth pulled sideways like he wasn’t sure how to answer.

“I mean, I assumed they are. Don’t really like thinking of the alternative.”

“I’m sure they are!” Amy was quick to reassure. “You can’t just unmake a bunch of worlds once they exist, right? And you said it yourself, Sonic – the Shatterverse collapsing only happened because the Eggmen misused the Prism Shards. All you did was make them whole again.”

Tails tapped the end of his screwdriver twice against the Tornado’s steering wheel. An idea was starting to develop in his mind, formed from a swirl of thoughts and his admittedly shallow knowledge of Quantum Physics. He kept it to himself, however, as he continued to study his brother’s body language and the tension still present there.

Just a few days later, that particular tension was gone from Sonic but the idea was still firmly in the fox’s head. He took every physics book he had that touched the subject, plus several that were “liberated” from one of Eggman’s laboratory libraries, and began researching. It didn’t take very long for him to conclude that no matter what theories he read about, or potential blueprints he began to draw up, he wasn’t going to make it very far on speculation alone.

If this idea was to become tangible, then he needed the Paradox Prism. And achieving that, Tails remembered with a grimace, would be more difficult than any mathematics he puzzled through.

He could only hope that its keeper would be in a good mood.

-------------------------------------------------

Contrary to popular belief, Shadow was not particularly difficult to find. He was a creature of habit, much like Sonic. The real issue was that those habits tended to seem erratic at best and completely nonsensical at worst to anyone who didn’t know them well. To the average person, Sonic was flighty and never settled down in one place for long, and Shadow just couldn’t be found to begin with.

But Tails was not an average person, and he had a lot of experience in tracking down speedy hedgehogs.

There was a large waterfall in Green Hill that overlooked an even larger lake. It cascaded constantly down from a giant cliffside that was difficult to climb and get down from. Sonic avoided the area entirely unless absolutely necessary, but Tails loved to practice his aerial maneuvers there. It was for those three reasons – his many visits, the general seclusion, and the consistent lack of Sonic – that the fox knew how much Shadow preferred the place, too.

It was here that he looked for the black hedgehog first. He started at the base of the cliff, shielding his eyes against the sun as he peered up past the waterfall while lake water lapped just a few inches short of his shoes. After a minute or so of squinting and scanning, Tails caught sight of a dark figure standing at the very top of the cliff, arms folded and looking out at the scenery.

Excited, the fox began to fly up towards him, making his presence known as obviously as possible so Shadow knew he wanted to talk. He felt the moment those piercing red eyes snapped over to him. The fur on the back of his neck prickled by instincts honed from years of Eggman battles before settling down immediately afterward, recognizing the gaze as non-threatening.

That didn’t mean the hedgehog was happy to see him, though. Irritation was visible in every line of his face when Tails touched down a few feet away from him.

“Is Sonic with you?” Shadow asked, in a tone of voice that suggested he was going to teleport at the first syllable of a ‘yes.’

“No, he doesn’t know I’m here. I wanted to talk to you about something.”

One black-furred eyebrow rose in mild surprise. He tilted his head the tiniest bit forward to acknowledge he was listening.

Tails took a deep breath and took the plunge without wasting another second. “I know you have the Paradox Prism. I was hoping to run some tests –”

“No.”

The answer came so strong and curt that it made Tails’ mouth click shut before he even registered what was said. He blinked, caught off guard by both the reaction and the way Shadow’s entire body seemed to tense. It almost looked like he thought the fox was going to attack him, which was as bizarre an assessment to make as the realization that Shadow saw him as a viable threat.

“Why not?” He asked, thoroughly confused. “I didn’t even tell you what kind of tests I’d be conducting.”

“It doesn’t matter what kind; the answer remains the same. The Paradox Prism isn’t something to be tampered with.”

Tails resisted the urge to let out a huff. “I’m not going to tamper with it. I just want to learn more about those other dimensions Sonic was talking about.”

“Then ask him about them and stop wasting my time.”

The hedgehog turned on his heel and began walking away. The hum of his hover shoes coming to life threatened only a few seconds left before he disappeared entirely. Tails knew his one and only chance was slipping out of his grasp.

He didn’t think; what came out of his mouth next was pure panic.

“I think something’s wrong with Sonic!”

Shadow froze mid-step. The fox blinked and then suddenly they were an inch apart. That unreadable glare seemed twice as potent now as it searched his face for any kind of deception.

“…Elaborate,” the hedgehog finally said in a quiet yet uncompromising demand.

“W-Well, he told us about the Shatterverse, and you guys trying to get home, but I feel like he’s…omitting things?” Tails paused, thinking over the last week or so. “He’s been clingier, too. He wants to hang out with everyone more than usual. I don’t think I’ve ever seen him plan so many get-togethers before now.”

Bringing everyone together had usually been Amy’s or Tails’ idea, and Sonic always popped in at the last minute or stumbled into the group in the middle of a run. Now, he was asking them all to hang out so often that Knuckles had threatened to slug him if he didn’t leave him alone for at least a day.

“And then, yesterday…he got really upset when he couldn’t find me.”

Tails remembered it vividly. He’d made an impromptu trip to the nearest junkyard in search of parts for his idea, forgetting to leave a note for potential visitors because of how short the excursion was, and had come back to his workshop in disarray and one agitated hedgehog looking ready to tear down the walls in search of him. His brother had grabbed him in a tight hug without any words, visibly shaking, and had stayed with him in the workshop for hours afterward. There hadn’t been any explanation; Sonic had remained tight-lipped in embarrassment and so Tails had assumed it had to do with the brief loss of his friends during his Shatterverse adventure.

But putting that odd encounter alongside the clinginess and simultaneous avoidance now, it was starting to paint a much more concerning picture. The fox wanted to kick himself for not connecting the dots sooner. Hyper-fixating on a new invention was no excuse.

Shadow was still watching him. Tails took a deep breath and spread his hands out in an honest, pleading gesture.

“I’m just really worried about him. I think there’s stuff he’s not telling me, and I don’t know how to approach him about it.”

“What makes you think studying the Paradox Prism will help with that?” The hedgehog’s voice was flat but no longer as harsh. He had a funny look in his eye that was impossible to place.

“I want to figure out whether those other dimensions are still out there. If they are, I think it will perk Sonic up. But the only way I’ll know for sure is with the Prism’s help.”

Silence floated between them for a long time. Tails swallowed the urge to continue making his case, and instead waited as patiently as he could for Shadow to come to a decision. A myriad of emotions flitted across the other’s face, all small and fleeting and unreadable.

“…Fine. I’ll let you look at it.”

“Really?” The fox gasped, excited, but Shadow held up a hand before he could say anything else.

“On three conditions. One: that I’m present the entire time you’re with it. Two: that you do exactly what you told me you want to do and nothing more. No using it to power machines unless it’s explicitly for finding other dimensions, no tampering with it or trying to break it apart, and no additional investigations. I don’t care how fascinated you are with it.”

“Okay, I can do all of that. What’s the third condition?”

“That you don’t involve Sonic in your studies.”

Tails frowned. “Why would I involve –”

“Agree to all the terms, Fox, or you’re not seeing a hint of that crystal.”

“I agree!” He replied, quick as he could before the hedgehog changed his mind. “You’ll be with me the whole time, I won’t mess with it, and Sonic stays out of the process.”

“Good.”

With the deal struck, Shadow nodded once before walking off again. The fox watched him, uncertain, until he threw a glance over his shoulder.

“Are you coming or not?”

Tails didn’t need to be asked twice.

-------------------------------------------------

And so, two hours later, they were both back in Tails’ workshop with the Paradox Prism floating innocently in the middle of a containment chamber. Shadow leaned against the closed garage door – which he had demanded stay locked while they were working – eating out of the can of raw coffee beans he’d requested when Tails had offered food. It would have been quite the sight if he wasn’t already used to the bizarre black hole of a stomach that belonged to his brother.

Maybe liking weird food was just a hedgehog thing.

The fox, meanwhile, was in the middle of making complex calculations as he studied the Prism, adjusting for energy levels and power output with every spike that appeared on his scanner. He was quickly realizing that developing technology that could reliably run on this energy was going to be a careful balancing act; it fluctuated sporadically in seemingly indecipherable patterns, and every sudden jump was volatile at best, downright dangerous at worst.

If not for all his research into chaos energy, handling the Prism would’ve been infinitely harder. Their properties weren’t all too dissimilar, now that the thought crossed his mind, and it took a lot of willpower not to get sidetracked by that line of theorizing. The promise he’d made to Shadow was one he intended to keep no matter how painful it was for his scientific mind to ignore every other possibility.

“What are you doing now?”

The hedgehog’s question broke the melody of furious pencil scribbling. It was a common occurrence while Tails worked; he barely even glanced up when he answered.

“I think I’ve finally isolated the most benign wavelengths of energy the Paradox Prism is giving off. Using that, I can power the interdimensional device without risk of it exploding.”

“What is this interdimensional device for?” Shadow asked, suddenly right behind him.

Tails absolutely did not jump, but the grip on his pencil went tight as he pulled back from his blueprints a bit to blink owlishly at his suspicious companion. “I told you already – it’s to determine whether those miniature dimensions still exist.”

“How is it going to do that, exactly?”

The fox resisted a great urge to sigh. “It’s just going to be a probe. If prism energy is capable of making things jump between dimensions like Sonic said, then even a tiny amount will make my invention cross the theoretical inter-dimensional barrier and hopefully tell me what’s out there.”

“Hmph.” Shadow’s eyes darted across the schematics laid out on the table. It was hard to tell how much of it he understood, but Tails had a feeling it was more than most people usually could. “Remember: only for this function.”

“Loud and clear, sir,” he mumbled with a roll of his eyes before he could stop himself. The hedgehog’s glare sharpened considerably, but he went back to his place against the door to finish off his coffee beans without another word.

Now that Tails had successfully found a safe power source from the Prism, it was time to actually build the device that would make use of it. He wasted no time getting to work – grabbing scrap metal and wiring and as many tools as he could carry, then starting the process of putting together his newest invention piece by piece. Just like with anything powered by the chaos emeralds, the probe couldn’t simply be built and then pumped full of Prism energy. Every aspect and every addition had to be tested for durability. If it could channel its power source without issue, then he moved onto the next section and repeated the testing process. If it couldn’t, then he had to rework his calculations completely until it wasn’t at risk of frying from a single jolt of energy.

A tedious endeavor, but one he enjoyed wholeheartedly just for the way it occupied his mind. The fact that success meant a new, fully-functional invention was just the icing on the cake.

When at long last the fox was satisfied that his interdimensional probe wouldn’t blow up the moment he turned it on, he swiveled in his chair to hold it up triumphantly. Shadow, to his credit, had not made another sound nor moved a single inch through the hours it had taken to complete the device. He peered at it with a mix of curiosity and wariness.

“Are you going to send it out, now?”

“Yeah, but first…”

Tails turned it around in his hands to reveal a tiny screen and keyboard on one side, pulled straight from Knuckles’ most recently-busted flip phone. He typed in a string of code and watched with a satisfied snicker as a message appeared on the screen in response.

– Hello Worlds! –

“What is the purpose of that?”

“Tech joke.” He placed a solid metal cover over the keyboard, but left the screen visible. “I doubt anyone is going to find this, because it’s supposed to only travel through the space between dimensions, not actually visit them, but it’s funny to think about.”

“Hm.”

If Sonic were here, he probably would have told Shadow to lighten up. Tails, on the other hand, was much more aware of the precarious state of their arrangement, so he didn’t do that.

Was definitely thinking it, though.

Before turning the device on, the fox double checked that its connection to the Miles Electric was strong and secure. Sending it out without a way to relay information back would have been a silly mistake to make. Confident that there was nothing else to be done, he flipped the single switch on its underside, and they both watched as it hovered out of his hands for a few seconds before disappearing in a flash of rainbow light.

Shadow eyed the spot where it had just been, expression tight, then lifted the Paradox Prism’s container with ease. “Keep me informed on what you find. I’m…curious, as well.”

“Okay.”

Their gazes locked for one brief moment before the hedgehog also disappeared with his charge – in a green flash instead. Tails let out a long exhale. He was exhausted but in a good way, like running a marathon and beating your best time.

He checked the Miles Electric. Nothing yet. That was to be expected; interdimensional travel was probably not as instantaneous as Sonic made it out to be. All he had to do was wait.

So, he waited. And waited.

And waited.

A week passed with no signal. Not a single, shallow blip on his radar to show that the probe had survived its attempt at escaping the barriers between their dimension and whatever lay beyond. Disappointed but not entirely surprised over the possible failure, the fox stopped checking for it as often. Every hour dropped to a few times a day; a few times a day dropped to only once per day. As yet another week began creeping by with nothing to show for it, he finally took the Miles Electric off his desk and put it away to make room for other, more pressing projects.

The device might have ended up a bust, but that didn’t mean there weren’t other ways to confirm the existence of the Shatterverse. Tails began sketching up tentative ideas for his continued research. He didn’t have any Prism energy left to work with, though, and Shadow probably wasn’t going to be as generous if he asked for help again. The power to cross dimensions was going to be the biggest hurdle.

Just as he was debating whether chaos energy would work as a potential substitute, there was a sudden flash of rainbow light to his left. The fox startled, whirled around with his hands up in preparation for a fight – and stopped.

Stared.

There was his device, hovering in the air. Tails’ ears twitched as the Miles Electric suddenly let loose a muffled cacophony of sounds from within the desk drawer; the familiar, loud pings that meant a probe had been successfully connected to. Stunned and unable to think of doing anything else, he slowly reached out to stop its hovering and hold it instead.

From the way he had grabbed it, the little digital screen was visible. Tails looked down at the message and felt his heart skip a beat.

[ hello stranger ]

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A/N: Several months ago I joined the Sonic Big Bang event, and today is the culmination of that event where we flood the fandom with fics and art! We are Sonic Fans and we cannot be stopped lol. Expect a chapter release every day until the fic is finished!

The fantastic artists paired with my fic are @currantlee, @phantom-howl, and @dewdropdraws. I'll link their artwork when it's all posted, please please check them out cause they're all wonderful! Thanks so much to @sthbigbang for hosting this and letting me participate! I had a blast!

[franki-lew-yo]

James and the Giant Peach is still (mostly) for young children

Despite a single pre-metoo joke and it's uncanny-ish artstyle that's a serious make-or-break-you factor on if you like it, James and the Giant Peach is aggressively a movie for young children. I personally like it as I never find it a patronizing sit for little kids, like Don Bluth's movies from the 90s so often were, but that really is what I think alienates people; the intended audience may be a bit too scared of the visuals (NOT like how they are with TNBC, which kids go in expecting to be scary) where the adult audience who is here for the 'creepy stop-motion' feel like the movie is lacking for not being Nightmare or Coraline, which is unfair. It absolutely scared me as a little little kid but upon finally facing it at, like ten or whenever it was on Cartoon Network's movie show, I realized there was nothing to fear. And that, in turn, was exhilarating. It's such good symmetry that the film is about facing your fears and standing up for yourself because that's exactly what my relationship with it was. It's such a comfort film for me. My og Bluey. JatGP, Courage the Cowardly Dog, Many Adventures of Winnie the Pooh, Ernest and Celestine = perfect comfort after I watch something serious and/or disturbing.

Half my reason for trying to pied-piper everyone else towards it as it's own merit is I think James and the Giant Peach would hit hard for lovers of weirdcore and dreamcore ala Jack Stauber or @samsketchbook's 'Welcome to Our Dimensional Party'.

That "looks unsettling/potentially disturbing but actually cute or gentle" vibe pairs perfectly with dreamcore aesthetic. We're coming up on it's 30 year anniversary I hope to see a genuine resurgence. If I had it my way and I was Dan Olson I'd make an hour-long look at the movie, the original book and Henry Selick's filmography as a surrealist the way Dan made an hour-lookback at Bakshi's Lord of the Rings. But I'm not. Cause I'm not Dan Olson and I can't build up the nerve to either show my face or figure out how to make videos in two years.

But anyway, about the title of this post (content warning: downer nsfl stuff; mentioning of real life child ab*se cases):

James' life with his aunts hits VERY different when you're an adult and you've watched too much true crime.

It's not intentional on the part of Dahl or Henry Selick. Selick had Mariam and Joanna ham up the screen and they clearly loved every minute of it and Dahl I think was just trying to tell an 'authentic' type fairytale story where the main character has to escape their evil family. Point being- Spiker and Sponge are supposed to be 'evil for the sake of evil' villains who could only exist as hammy caricatures in an already weird story. They aren't supposed to be like the parents in Matilda or the Twits who I'd argue are a little more 'realistic' depiction of awful people...except for the fact that legal guardians like Spiker and Sponge DO actually exist.

There's a heavy implication in the film that no one else in their county even knows James lives with Spiker and Sponge (literally the only people around to recognize James' existence are the bugs when they first meet him!). His aunts seem to make James work out of frustration for having to take him in, like he's a burden and they're making him pay for being one by being their slave. They actively don't feed him except for rotting fish and then shame him for not eating it. The Lane Smith picture book implies that James' parents weren't killed by a rhino but rather it's Spiker and Sponge who put that idea in James' head and use it to control him. And all that BEFORE the beatings which you know are happening off screen.

After the horrifying cases of Ruby Franke, Sylvia Likens and the Turpins, the "every child deserves a parent but not every parent deserves children" reality of it all makes you realize that James probably would have died if he lived with his aunts. Considering how they flip out on him in New York- that boy REALLY needed to escape, giant peach or no.

This is absolutely another reason for why JatGP is a comfort movie for grownups. You have this horrific childhood rescued by loving in-human parents who will kill everyone in the room and then themselves if you touch their human boy. It's like Opal but if Claire found a happier family. Of bugs. None of that was intentional, ftr, but it's what sticks out to me.

[tempestmothstorm]

I’m thinking about the whole "you are not your feelings" theme the side stories have and how that contrasts with the main game

Like the two talks in reflection where Sayori and Monika tell the others about how their emotions don’t have to define who they are and don’t make them bad people. This theme of singular traits not defining who you are/not controlling who you want to be is backed up by the rest of the side stories, which exist to show how the characters are multifaceted and human. They aren’t tropes or defined solely by their thoughts or actions. They aren’t perfect nor pure evil, only people trying their best. They’re real, complex people, and the ‘you are not your feelings’ phrase is proof of that.

The side stories’ goal of presenting these characters as human go directly against a ~certain someone’s~ goal of flattening and dehumanizing them in the main game. Its clear Monika here doesn’t really learn the ‘you are not your feelings’ thing in this world, something that happens with a lot of the lessons learned in the side stories (i.e. the ones in each title). Due to the whole disillusionment with reality thing, her attitude to the rest of the club is pretty dismissive, seeing them as one-dimensional characters tropes, making whatever flaws they have as their defining trait.

I'm going to focus on the CANYOUHEREME.txt though cause it pretty easily sums up her feelings so I'm just gonna put it here

Beneath their manufactured perception - their artificial reality - is a writhing, twisted mess of dread. Loathing. Judgment. Elitism. Self-doubt. All thrashing to escape the feeble hold of their host, seeping through every little crevice they can find. Into their willpower, starving them of all motivation and desire. Into their stomach, forcing them to drown their guilt in comfort food. Or into a newly-opened gash in their skin, hidden only by the sleeves of a cute new shirt. Such a deplorable, tangled mass is already present in every single one of them. That's why I choose not to blame myself for their actions.

All I did was untie the knot.

This poem is interesting because it does make them out to be more human compared to the anime tropes Monika says they are in the act 3 talks, but replaces the empathy found in the side stories with disgust, painting the club as gross, immoral, and everything the girls fear themselves to be. Monika sees the stuff they hide, all the complex feelings and less savory traits, and sees it as their truth, their whole being. Their feelings define them, what they think is their worst is all they've ever been, and that these things make them awful people. When Monika forcibly brings these things to the forefront, it's their fault alone when act out, because their darkest thoughts are all they'll ever be.

She knows they’re more than that, but she’s actively in denial about how much she actually cares, and the epiphany absolutely destroyed her ability to see her friends as actually complex people beyond their programing.

I think that's part of why comparing her to side stories Monika messes me up so much because she's like!! So nice!!! Mature!!!! And understanding!!!!! And she sees her friends faults and all!!!!!! And she loves them anyways and understands their goodness!!!!!!!!!! But main game strips that away from her and makes her cynical!!!!!!!!!!!! And she can't see the goodness in her friends anymore because they aren't real and they're scripts made to appeal to a dumb dating sim and she!!!!!!!!!!! Can't see them as people anymore!!!!!!!!!!!!!!!!! So their flaws turn into THIS!!!!!!!!!!!!!!!!!!!!!!!!! WHAT HAVE THEY DONE TO YOU!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

. . . And that concludes today's Monika analysis.

[carlyraejepsans]

You party answered this in the Deltatraveler ask, but how would you write a more aggressive and "evil" Sans (or just Fell Sans honestly) ? Your statement in the Underfell section said that it would be more interesting if he leaned further into the friendly guy persona, so I'd imagine he'd value his friendships and ESPECIALLY promises far more, especially in such a horrid world. Perhaps he never steps against Frisk, but instead aids in encounters and has little hesitance against killing if it comes to it. Or perhaps he intentionally leans into the cold and mysterious persona, trying to intimidate monsters away from his brother and possible friends, causing a divide between the two skeletons. Lots of potential, but not ever used (especially with stuff like GG!Underfell making him weirdly... two dimensional?)

ah, i wasn't very clear on what i meant. my apologies, allow me to rectify things. when i said a violent/more ruthless sans should lean harder into the friendly persona, the emphasis was supposed to be on "persona". as in not genuine. the reason he's scary shouldn't just be that he is dangerous and powerful, but that he gives literally no indication of when he's gonna turn on you and strike. something that would work really well if he... does act as a supporting character every now and then. if in canon his not being a genuine threat is accompanied by him breaking his friendly demeanor to act threatening, i think the best course would be for him to never ACT threatening, but be very much of a threat. Think Flowey but without the edgy monologues, because he just never breaks character.

"aw. what's that look supposed to mean. you're acting like i stabbed you in the back or something." [fully conscious that he definitely did]

all things considered however, sans' goodness and sympathy towards us are what make the character so interestingly complex to me. i don't find much of any allure in making up versions of him where he's "evil" or those aspects are scrubbed away. so i'm not gonna entertain the idea much further than this. sorry!

[idontwanttospoiltheparty]

My main problem with that episode was just that I feel like they hyped up the beatles aspect of it so much (you can even find doctor who magazines in shops in England that have posters inside them that parody "with the beatles" album cover with the Beatle actors and the doctor and ruby) and they did so little with it. The actors didn't really feel like John and Paul in most scenes, we saw and heard basically nothing of George and Ringo, and we didn't see them play off each other.

They put the beatles in an episode and neglected to have them interact with each other, the thing that's arguably the thing most distinct about them.

Like I know it's only a 40 minute episode but come on. It could've been done better. AND the secret chord could've been the Damn A Hard Day's Night Chord, or the final chord of A Day In The Life. To make the Beatles aspect of it more significant.

Also the way the only thing that was different in a London without music was smog? Really? Nothing more???

Jinx Monsoon was incredible tho what a stellar performance. (Sorry for the long rant I just had t h o u g h t s )

THE WAY I HAD THE SAME THOUGHT ABOUT THE CHORD???? I was yelling for the AHDN chord. Why was it just the most normal major chord ever? For an episode that started off saying interesting, accurate stuff about music theory, I just felt really let down as a music lover (as opposed to a Beatles fan particularly). Like I was like "genius????? that's not a genius chord what the FUCK" It could have not been the AHDN one too (though that was perfect and right there – also would be something where no copyright strike could possibly be justified, while being PERFECTLY iconic) just something that actually felt like interesting music.

Look, I understand Doctor Who is here to be Doctor Who, not biblically-accurate Beatles RPF. That being said, it didn't even try to create interesting – if perhaps inaccurate – characters for John and Paul that you could learn to root for as the episode progressed. The two DW episodes I'm thinking of the most here are the Shakespeare and Van Gogh one, which similarly centered the historical person's artistry as the thing that ultimately saves the day. The premise of this episode made that task harder, granted, but it's so easy to include the Doctor going on an extended rant about what makes them great or whatever. He did that a little, but he basically just named two songs and left it at that lol. And it was about the fucking piano not them as musicians/writers.

TO BE CLEAR: I'm not saying this because I think the show needs to pay them tribute or whatever, I'm saying that if the narrative treats them as geniuses that are the only ones capable of sending Maestro back, I think the episode should maybe in some sense try to demonstrate this genius (slowly build it up over time!!! what!!! a fucking character arc perhaps???). And you're right, they clearly made a lot of hype around this being a Beatles episode and then didn't really want to actually protray them. They were off-screen for most of the episode and completely unaware of the plot! Why? Like genuinely, why am I meant to care about this piano chord scene when the characters in it have been absent from the plot for the past twenty minutes of runtime and their only purpose before was essentially to provide exposition on the conflict of the episode? I DON'T GET IT!!!!!!!!!!!!

I did think Jinkx did a good job, but I also found Maestro was so… one-note (lol). It didn't to me feel justified to spend so much time with just the villain, when Maestro is just… kind of one-dimensionally evil. Like, it's entertaining, yes, but when you combine it with my above issue it just feels hollow, if that makes sense. Having Maestro actually interact with the musicians they're sort of running dry would have been fun, I think? Honestly would have been way better than zeroing in on Ruby, and given Jinkx her flowers without sidelining the Beatles aspect.

Side-note, but weirdest thing I'm noticing about this season is that RTD is doing the companion-mystery thing so many people hated about Moffat but like. he is NOT as good at it lmao.

[chiosblog]

Shootout (Starsky and Hutch, 1x14) vs Without Reservations (The A-Team, 5x13)

They are the same episode but in different parallel universes, here is why lol

It's a (rainy) dark night... both Starky and Hutch and the A-Team finally get a opportunity to get off work and lay off some stress in a italian restaurant.

It's football night on tv: B.A. insists he wants to stay home to watch the game while in S&H the young hunchman Joy is whining about wanting to stay in to watch the game before moving on with the plan.

When we move to the reastaurant the evil guys are already there planning their moves: the killers are just two in S&H meanwhile in the A-team they are three (one wil remain for the most part in the back of the restaurant watching over Face's suffering).

In S&H the escalation is subtle with no gun fire. One of the killers make his move quite soon after S&H enter the place, approaching Hutch while Starsky is in the bathroom. Starsky then get shot right after he come out of the restroom. While in AT, Face's shoothing happens abruptly and it's what make everything worse for Murdock and the others. Murdock senses something was off with the two (evil) guys so ask Face and Frankie to discract them to take their guns but something don't go as planned so Face get shot.

Obviously after that both Murdock and Hutch rush to their side to take care of the wound but one of killers don't let them. They both try to argue over that and finally get to move their wounded man in a room in the back. But the evil guys don't let them attend their man for too long.

In S&H the target is Vic Monte, a mafia boss. The young girl who works there, Teresa, is also part of the killers' plan, she informs them about the target arrival cause she wants revenge for the death of her young brother. The girl then changes her mind thanks to Hutch and help him out the best she can. In AT, Gina is the daughter of the restaurant owner and spends most of the time attending to Face. In both cases, Hutch and Murdock give them precise orders to try keeping Face / Starsky alive.

Both depictions of the shooting aftermatch are quite well made: both face and Starsky are barely able to move or talk, they are heavy sweating, get tremors and they feel the need to keep calling out their partner name. Hutch is more responsive and affectionate in his actions while Murdock keep his mind completely focused on handling both Face conditions and the killers aggressive behaviour and orders. While face's health seems to worsen every minute making him unable to talk much, Starsky lightens the mood and comfort his partner. In general S&H remain closer to one another throughout the episode (Starsky plays a little part in the plan to get the upper ground over the villains) than what we see in AT.

In both episodes the young hutchman also keep tormenting the random couple who find themselves stuck in this hostage situation. In S&H this sideline plot is more structured and detailed, with some small character development for the both of them, especially for her. In AT this secondary plot play a minimal part and the characters are mainly one dimensional.

The resolution in S&H is quick: Hutch find a way to retrive the gun under the register and, with the help of Teresa, defeat the threat. In AT the resolution is slower and need an external help by B.A and Hannibal who, after being summoned with a trick, they come and help Murdock and Frankie getting rid of the villains with (you guessed it) an explosion.

The final scene is quite different lol but in both episodes we see them return to their normal silly life with their silly friends. Face and Starsky return home where they recover from the injury while some shenanigans occurs (aka the failed magician show vs the cutest pizza I've ever seen).

hope it's clear now that in both cases they are all gay, bye

[26790048]

The Boboiboy x Dead Or Alive Challenge (A. K. A Elemental Hero In a fighting tournament)

This mindset came to me as I was reading the Azur Lane x Boboiboy Wattpad fanfic by Jikdot and MHA x Boboiboy Galaxy by StarTwinkle (both I recommend a read), and since I’m recently into the Dead Or Alive series and quite disappointed by a lake of fics in Wattpad and FanFiction.Net. So I wanted to see if something like this could work with some future fanfic authors.

Okay for the DOA fans, Boboiboy is a popular Malaysian CGI animated show about the titular character getting 7 (started with 3) Elemental powers (along with their Second Tier forms, Third Tier forms,although he has two and one of them is uncontrollable,and Elemental Fusion) from a Power Sphere named Ochobot and along with his friends (Ying, Yaya, Gopal and Fang) they go out and save the world and the Galaxy. There has been two series (the original and Galaxy), two movies (a third one being released in 2025) and comics (I think the rest like the Elemental splits, TAPOPS etc can be explained by looking at the Boboiboy Wiki or some other sources).

For the Boboiboy fans, Dead or Alive is a fighting game series from the 90s that mostly centre around the Mugen Tenshin Clan and DOATECC (a company that host DOA tournaments but hides their schemes behind the publics eye) and that’s all I could say about the story of the franchise (like I said, I just got into the series so I’m not as knowledgeable about it as other fans of the franchise, so if you want to learn more about Doa, either just watch a YouTube video or look up some of the lore).

But what I do know is that DOA is a fighting game with Breast Physics and a lot of Fanservice (which I’m not complaining about) that has Ninjas, Clones, a Wrestler that turned into a model but turned into a singer then went back into the wrestling world and also it’s connected to Ninja Gaiden and has an Ecchi spinoff called the Xtreme series in which most of the girls are just chilling in Zack’s island (the most recent one Venus Vacation has 19 new Girls, so if you want to, you could include them in this crossover).

WAYS IN WHICH BOBOIBOY COULD FIT INTO DOA

Boboiboy teleports into the Dead or Alive universe due to either a new Power Sphere or a Dimensional Teleportar (You could place him at any DOA game but I recommend starting from DOA 1) and stays in that dimension until his friends find a way to get him back.

They take place in the same Universe. With that you could start this crossover from any series but I recommend using the First Three Seasons and the Movie (you can Age up Boboiboy if you want to) taking place during Doa 1 to 4 (yes the first four games take place in a year and I know it’s bullshit but I do recommend the Movie taking place after DOA 4 or Xtreme 2) and the Galaxy series taking place in DOA 5 to….uh Venus Vacation? Either way you can start the crossover from any entry of these two series.

3. (Even though I don’t count this but I don’t want to be the only one who feels this way so I’ll include it here) Reactions, you could make the cast of Dead or Alive react to some clips of Boboiboy like his first uses of the Penta and Hepta split against Bora ‘ra, the Elemental Fusions against Retak’ka or some of your favourite clips from the series, you could also use plain shenanigans like the Boboiboy Instagram posts which are about what Boboiboy and the others just do in life other than fighting.

How Boboiboy could influence some events in DOA (or you, the author could change some weird decisions by the development teams.

(This is something I thought off when writing this challenge) Boboiboy saving False Kasumi (from Doa 5) from getting killed by Hayate and Ayane, since False Kasumi isn’t someone with evil intentions and really thinks she’s the actual Kasumi I think that Boboiboy might try to stop Hayate and Ayane from killing her (fighting them if need be) and try to get her as far away from Kasumi Alpha.

Might try to get Ayane to open up as to why she hates Kasumi and at least try to be friends with her as that is something I could see Boboiboy doing as he’s dealt with sibling relationships before (Fang and Kaizo) but not to this extreme so it might be a challenge for him.

Boboiboy could also participate in the Ninja Gaiden series like with Razors Edge where Boboiboy could help Ryu with dealing with the Goddess and finding a cure for that disease that was killing him. You could also have Ryu try to train Boboiboy on mastering and obtaining his Third Tier powers.

(Now this is for the future authors) Try to make Boboiboy interact with the other characters in the series as he could build new friendships, rivalries and relationships and try to make some characters arcs not be redundant (Cough Leifang Cough) but also let them interact with Boboiboy’s Elements like how would Jann Lee interact with Fire/Blaze, how Hitomi would interact with Leaf/Thorn/Jungle, Kokoro with Water/Ice etc. The possibilities are endless.

You could put in some villains from Boboiboy into DOA like Ejo Jo, Adu Du (although he is less of a villain), Kapten Vargoba etc. You could also put in Reverse Boboiboy (which is a fan made version of Boboiboy but evil and bloody) alongside his holy handsomeness that make some of the toughest Guys and Girls of the series blush (okay that last part was a joke….probably).

This is specifically for Genra. Make him a Mugen Tenshin Clan member that was captured and controlled by DOATECC out of his free will which was probably intended in DOA 3 and not another villain that was hungry for power (don’t know why Dimensions did that) as that makes Ayanes story more interesting and heart wrenching.

You could also add New Elements and Fusions if you want to.

(Okay that’s all I could write about this crossover and man was it stressful to make but anyways I hope some future fanfic authors will enjoy the idea).

[areallyhappyperson]

Evil gravity falls idea: during the portal scene where Mabel says I trust you she gets sucked in like Fiddleford and swaps places with Stanford

And Dipper and Ford would both ostracize Stan for doing what they see as the stupidest decision possible. This of course pushes Dipper to become much closer to Ford and as the summer continues the brothers Pines don't grow closer together. Stan is kicked out and Dipper takes the apprenticeship.

Seeing no other options Stan goes on the road and tries once again to look for his next biggest idea, but is haunted by the fact that he may have killed his great niece. He is once again fully cut off from his family and while he has the money he received from the mystery shack he is Stan Pines once again.

Dipper follows Ford's footsteps and learns more about Gravity Falls. His parents of course say yes that their child can take a homeschooling with the guy who HAS 12 PHDS. Dipper starts to follow all too well and he begins to delve deeper and deeper. The two start to find more about the Nightmare Realm, but at least it is safe from Bill's hands.... unless they didn't have unicorn hair. While the two are great in their problem solving they were never able to even summon the gate as Grenda and Candy stopped talking to Dipper when he revealed he let Mabel get killed. Dipper and Ford continue to try and work as they cut more and more people out for acting too Bill-ish. Dippers mind is scanned and he is protected from Bill, but there are other dangers to be found.

And finally our dear Mabel. Of course Bill didn't initially know that she was in the Nightmare dimension, but it was only a matter of time before he found out. It doesn't take two braincells to figure out a place called the Nightmare Dimension was probably home to some nasty people. What does take a lot of skill is evading Bill and talking with refugees. With only her will and her creativity Mabel starts to do her best making it along in the nightmare dimension. She grows a hate for her trusting and kind nature as it was the exact thing that likely got her family killed. The portal did exactly what Dipper and her head said it would. She would of course try to stay positive, but how long can you stay positive when, you're pretty sure, no one is coming to save you. She tries to get in contact with people, but after a long time of hoping there is nothing in the end. Ford says it is too dangerous to open the portal again and Dipper never can push himself enough to open it. Not to mention the fuel it requires.

Though bad ends don't just end. The world continues on. Bill realizes just how close he is to getting this portal open. He knows how gullible Mabel can be and so he finally makes deals with the remaining Pines. Mabel was easier. He just had to tell her a half truth of promising he would not open the portal himself or personally invade using the portal if she joined his side and said a few words, but Stan was harder. He was a con man and the world's greatest one at that. Bill would have to do something he never realized was so hard. He would have to tell a whole truth. It was the one thing that Stan would never be able to figure out. He just had to give Stan what he wanted. He wanted to pilot Stan's body for 30 minutes and then he would make Stan a god in Weirdmaggeddon. He would give Stanley everything he ever wanted with no extra cost. He wanted to preserve his own life and make their universe something he thought would be greater.

At the lowest point in his life Stanley finally says yes and the convergence at the Mystery Shack begins. Mabel is ready to slip through and set the portal to the highest setting as Stanley drives back to confront his brother. Bill takes over just outside of the Mystery Shack and disables Ford immediately before threatening to kill Dipper and doing what he needs to to break the dimensional rift.

Is this anything y’all I would love to hear ideas or if I am doing this fanfic thing correctly

[bibluebutterfly]

Y'know I honestly like Stella, first of all I love her character design, she's so pretty

But I wouldn't say she has a great personality

Still though I kinda wish she has better characterisation, it's not that I think her characterisation right now is bad writing,but I feel like she's wasted potential

I mean Stolas possibly went from a main antagonist into a fan favourite,hence he became another protag lead. Technically him being a villain is literally in the pilot,it was also my first impression of him

I feel like Stella being an evil wife is good, it's fitting lore wise,but there could've been something more to it,sure Stella doesn't have to be so complex and she can be a simple bitch,but that just feels too easy as if she's just a cannon fodder,a sacrifice just so Stolas and Blitz can be together

Maybe my brain is trying to over analyse stuff. I mean I saw a vid of someone talking about Stella and if her character is ruined or if the story is going well and it just kinda hit a nerve in me. That video also pointed out how Octavia and Stella are only relevant if it involves Stolas, it's worth thinking about

Actually, I must say I agree, however, I do believe that the characterization for Stella is masterful and is worth exploring.

Like from what we know, Stolas was forced to marry her at oldest, 19. BUT that means that Stella was likely around that same age (I would even argue that she may even be a year or so younger than Stolas). She too was a teenager forced into marriage but whereas Stolas coped by just antidepressants and trying to make the best of the bad situation, Stella coped by the only way she knew how: anger and abuse. She's been like this since she was a child and was obviously never taught better.

In Western Energy we've even seen how emotionally immature she is, and that can all be traced back to her childhood.

I also find it interesting on how much the show focuses on her looks, with everybody basically saying her best trait is that she's attractive. This seems to imply that her whole life, she's been taught that appearances (both physical and status wise) were the most valuable thing she could have. Which... yikes.

So in the end, I believe that her being an abusive wife isn't the problem, but if we go more in depth of why she is the way she is instead of letting people just assume she's a two dimensional villian, we can fix the Stella Problem.

But that's just me. What do you think?

[ladyloveandjustice]

Fall 2023 Anime Overview: Pluto and Scott Pilgrim Takes Off

Pluto

Premise: Somebody- or something- is killing the most advanced robots in the world, along with humans involved with robots (either robot rights activists or scientists). Gesicht, a robot police detective, is trying to track this killer down. But has the detective himself been compromised? What is going on with these strange memories that keep appearing in his head?

Based on an arc in Osamu Tezuka's Astro Boy, this anime is a tense, tightly plotted robot murder mystery that kept me engrossed and invested. Stuff that deals with "android" rights can often feel cringey at best and insulting at worst, but Pluto avoids this by having a future where robots have already gotten their civil rights. It instead largely uses robots as a metaphor for being seen as a disposable tool in a corrupt system, for how if you resist being a weapon for violence and imperialism, those in power will either discard you or fear you. And it asks the question--can robots feel human emotions like hatred? What happens when they do?

Speaking of imperialism, there are some very obvious allusions to the Iraq War in this and I mean obvious like the "United States of Thracia" stars a war with the "Kingdom of Persia" under the pretense of finding "robots of mass destruction". The anime is deeply sympathetic to the, uh, Kingdom of Persia (and very accurate about how much the United States of "Thracia's" government sucks and is imperialistic), but it does feature content that can be tough to deal with (especially right now), and does have some Middle Eastern antagonists, though they're not one-dimensional . I don't feel qualified to dig into it too deeply, but I just have to note it. 

Pluto is impressive with it's sizable cast that all have their own distinct stories. It makes you feel for almost every character. A lot of the plot twists punch you in the gut, and the animation is generally stunning. I

I did find parts of the final episode fell flat. It was a solid finale, but the world-ending stakes and the focus on pretty predictable action beats were so different than the gripping, investigative stuff that came before it that it was a bit of a let down. And it really beat you over the head by constantly verbally repeating the central message.

 (I also hate the trope of a male character lying to a female character about information she's begging for and affects her deeply, and it being treated as a great kindness. I wish female characters got more to do overall in this, because the two we had were potentially very interesting. It did give a nod to the female robots being just as advanced at the male ones but that being ignored because they weren't advanced in a traditionally masculine way. But you could feel it's Astro Boy roots in how male dominated the cast was.)

Overall, this is one of the most well-crafted anime of the last few years-- a psychological thriller and meditation on humanity and conflict, rich with story and themes, with not a second wasted. I definitely recommend giving it a shot, you'll probably be hooked in no time. And expect it to break your heart. A lot.

Scott Pilgrim Takes Off

Yes, this counts as an anime. It was animated by a Japanese studio, the director is based in Japan and has worked in anime for years. But there are some spoilers in the premise itself here, so I'm going to put it under the cut.

You have been warned!

Premise: Scott Pilgrim meets a cool girl named Ramona Flowers and falls for her, only to find out she has seven evil exes he must defeat. Unfortunately, he seemingly dies at the hands of the first one. This leads Ramona on a journey where she must confront her evil exes and see if Scott is really dead after all.

So, I was a fan of Scott Pilgrim as a teen. Moreso of the comic than the movie, since the movie didn't have the interesting arcs for the female characters the comic did thanks to it's short runtime and what it prioritized. (Ramona, especially, was done dirty). I liked Ramona a lot in the comic, especially how she went from a mysterious figure to someone just as messy and screwed up as Scott is, and the "final boss" was actually the abusive relationship she was stuck in, and she was the one who really had to defeat it. I liked how Knives outgrew Scott, and I liked how Kim exposed Scott's fantasies as not real, and let her crush on him go. I liked how Scott's arc was realizing he'd treated the women in his life badly and that he needed to grow up and stop being so selfish. 

So I was a little excited to see a more comic-accurate version... but what we got was even better. A story that was more from Ramona's perspective, that centered her from the very beginning, and which focused on her understanding, and often reconciling with her exes, rather than them being enemies to defeat. I especially loved seeing Roxie finally get her due. (The comic handled Roxie better than the movie's bullshit, but it still left a lot to be desired). Ramona's ex-girlfriend finally gets treated as an ex-girlfriend, with no "just a phase" bs from Ramona and no Scott doing the straight guy "ooh lesbians so sexy" bs. Instead, it's a sincere, emotional look at their relationship and the ways Ramona hurt Roxie, along with a killer fight scene. 

It was also great to see Knives thriving without Scott around, and Matthew Patel getting more of a spotlight. The series has grown up over the years ,but the themes are as sharp as ever. It examines the bad decisions Ramona and Scott have made, and not only the fear of growing up as a young adult, but the fear of what you'll grow into. It explores the fear that relationships will become regrets, the messiness of people trying to connect, and how you need to keep trying to communicate and move forward and take risks anyway.

There were a few things I wish we could have seen more of- like Kim and Envy. (And small yet bothersome nitpick, I also disliked how when Ramona talked about her pattern of "running away" from relationships, Gideon was included, despite the fact he was abusive to her in this version too). The English voice cast was also weak with the voice acting sometimes (likely because most of them were more used to being on-screen actors)- though there were some stand out performances like Satya Bahba (Matthew Patel), Michael Cera (Scott) and of course Mae Whitman (Roxy) (I also think Winstead settled into her role well too)-- though I got used to it after a while, and the Japanese cast is aces.

The animation was also phenomenal, and it had a killer soundtrack.

I'm not sure how this anime would hit if you haven't seen either the comic or the movie, (I've heard some newbies say they liked it) but as a fan of the source material, I was very pleased and found it a treat. Definitely worth checking out.

[zahri-melitor]

Newish Comics:

Batman: The Brave and the Bold #14: I am largely uncompelled by this set, but I was amused that they had to specify "look! This Barry/Iris story takes place before we break them up! Because we want fluffy Barry/Iris!"

Also charmed that in the Black and White story at the end with flashbacks to previous events there's Bruce as Tengu in KnightsEnd! That's a bit of a deep cut I wasn't expecting.

Green Arrow #13: Williamson please learn to pace a story at some point. That said, I was very fond of seeing Roy and Lian snuggled up together, and Connor and Mia hanging out together. Also Williamson finally acknowledged Sin's existence for the first time? I think? in this comic.

I also note Williamson is on team "we like Jade" rather than on team "Jade's a villain who's done a bunch of irredeemable things" (Which. Both positions are perfectly acceptable, but does give me a bit of an 'of course you're like that' for a guy with a known tendency to prioritise biological relationships)

The plot is ridiculous but it's editorially mandated, everyone is about to go into their Stupid Eras for the next two-three months.

The Flash #10: speaking of editorially mandated storylines...I was snorting at 'make Ollie and Barry punch each other', in terms of Ollie was doing everything but shouting what his name was and Barry was going ??? mystery guy who is not Bruce.

Jai is great in this issue. Wally is busy ascending into a higher plane of existence, still, and I am waiting until his brain comes back online and the various creepy higher dimensional beings stop trying to brain wipe him and use him as conduit, as they will not enjoy him handing them their asses.

Please get Bart into a room with his friends so he can notice they're also young adults over 18 and stop reverse aging himself, he's drawn younger than Jai in this. Or actually address the plot point that Bart's currently making himself be the age he was when Max was his guardian, and what that means about their relationship.

Zatanna: Bring Down the House #1: oh this is fun. It's functioning as a Zatanna origin story, and a good reminder that Zatara is in hell.

And now a look at everyone losing their minds for the Event:

Suicide Squad Dream Team #1-4: super reluctantly reading this as lead in for Absolute Power.

I'm not sure if I'm more mad over how Amanda Waller is being villainised here or how they're characterising Lori Zechlin. Lori, what have they done to you?

As I scrutinise this, it's written by the actor who originated Nia Nal, and uh...it could use being less Nia's perspective v general Squad attitudes. It just feels very very righteous v Waller Being Evil For No Reason.

I dunno. I don't think Nicole Maines has enough experience or practice in writing for a shared property. Her Nia stuff on its own has been fine so far, but managing to write decent team dynamics for the SUICIDE SQUAD is something that takes a lot of skill and experience (given the number of strong personalities involved). It probably shouldn’t be handed to a writer who’s effectively never written a comic that doesn’t star the character she played on TV.

Absolute Power: Ground Zero #1: sigh.

This is not going to be a particularly compelling event to me.

Like hmmmmm part of me wants to point out that under a different storyline, Waller living out 20 years of peace in a virtual reality as a mother figure would be something that would affect her a lot, given her history.

Unfortunately, we are no longer in Suicide Squad 1987.

The Warlord #58: this week in Skartaris we don't see Travis at ALL. Guy who's cosplaying Travis is doing a terrible job of it, and pissing off Tara, who has been driven back into finding her childhood sweetheart Graemore attractive. We get a full retrospective of their childhood growing up together: Graemore was the son of a blacksmith and a tailor whose family were captured in warfare by Tara's father. Graemore played with Tara while his mother made swords for Shamballah and his father educated Tara. It's a very cute 'they grew up together' teen love story.

While all of this is going on Darvin the Thief goes to try and extort more money from the people on council paying him to hold Travis prisoner, and he suddenly realises where he's seen Joshua's weird bracelet before...on Tara's arm!

Surely this can only end well.

In the Arion backup, I am very slowly starting to get my head around how to fit Skartaris's ancient Atlanteans, Earth's ancient Atlanteans and modern Atlantis together. They do all come from the same group (which is what I expected) but it's definitely interesting in terms of the various interactions between magic and advanced technology.

(Now I actually need to read some more Aquaman to confirm my understanding, as it's still pretty vibes based right now)

[talkingparrotkee]

(Longer read) It was extremely hard to find character takes without brainworms concerning Wakanda Forever in the thick of silly ship wars or character stanning, I'm not going to hold you. Each side had some level of misses going on. Everybody was too busy making another character a scapegoat or harping on about how good or bad a Shuri ship was. At best, a character seemed to be understood a little bit, but then diagnoses of other characters were woefully one-dimensional or mild mischaracterizations.

So anyway, I want to talk about it and give every character their grace.

Don't mistake me. It's not wrong to connect with one side more than the other. In a video interview, director and writer Ryan Coogler even stated it was written in a way that who you root for could change and depend on the day. He wanted both sides to be sympathetic, but never evil or wrong on all accounts. It was just a case of people trying to do the best they could with what they're dealing with. It was a story about grief and how it affected us. It also came with a layer of bipoc experience and colonialization.

It makes sense for you to follow Shuri and Wakanda as they are the protagonists. It is sensible to empathize with Talokan, too, given what we learned about them.

What drives me bonkers is completely spitting on the narrative, making it into something it never was. (If it doesn't apply let it fly!)

If some fans seemed to understand Namor, more than a comfortable number of times, it turned into oversympathization at the expenses of other characters and his own character development. They try downplaying Namor's canonically rough edges and faults while blaming Nakia or Ramonda.

It appeared that they understood Talokan's points, but suddenly, that same critical thinking or humane sympathy is in sparing doses for Wakanda (their sister nation).

I just think people need to remember that Namor is... Kind of an asshole in any canon. He was literally called that and arrogant by Ryan Coogler, which is what we have seen in Wakanda Forever.

Namor is a multi-faceted character. His motives are upright and just. He's not entirely a "villain." Everything he did in Wakanda Forever had a rhyme and reason. His actions were in response to something (e.g., Wakanda unknowingly jeopardizing Talokan's safety). No, Namor didn't want to hurt Shuri, nor did he view it as him killing her mother. Yes, he genuinely sought out kinship, support, and an alliance with her. Yes, it is true that he holds respect and admiration for Shuri and Wakanda (see Con La Brisa or Namor's first and lines just for three references).

At the same time, he had his missteps. His diplomacy skills (barring his first conversations with Shuri) sucked exponentially! Namor was difficult with Ramonda. He intruded and constantly tried to give orders, make demands, or give Wakanda ultimatum.

These things can co-exist. As Joe Robert Cole said, Namor wasn't wrong for what he felt or his objective. His point of view is comprehensible and valid, but the problem was his approach. Namor even admits how Shuri had every right to kill him to Namora, so yes, he is flawed and had fault.

If some fans seemed to sympathize heavily with Shuri, they oddly villified and outright misconstrue Namor as something "anti-black," an oppressor (pure insanity), or a purely villainous, evil finger twiddling mastermind who sought to manipulate her right from the start.

These are stupid reads that's blatantly non-canon, mind you. Ryan Coogler even debunked that. He stated that he wanted their scenes to read as intimate and legitimate human connection amongst people who mirror.

There is also the fact that, if anything, the only character that was to give the impression to being "fooled" was Namor.

I think people should also realize how Shuri was not at all ok (aka, her flaw). This is another thing Ryan Coogler stressed in an interview. Namor and Shuri were intentionally two sides to the same coin. The pain one had was reflected in the other. Shuri was paralleling Namor in his thirst for retribution and destructive grief, but the difference is that she stopped herself from crossing the point of no return as he did, while offering her hand to pull him back.

"Vengance has consumed us. We cannot let it consume our people." Shuri wouldn't have said that for no reason.

There is an important point behind Shuri and Namor resonating with one another. Attempting to erode the connection they kindled in Talokan or misconstrue either of the two is a disservice to the movie's intricately structured theme.

If some fans loved Okoye and empathize with her struggles, they took shots at Ramonda for snapping. Yes, Okoye is an amazing, sympathetic character and tried her best. Okoye was suffering too, but do not neglect Queen Ramonda's pains.

"I had to lead a wounded nation and a broken world."

This is the same woman who lost her daughter for 5 years in the Blip, lost her son three times with the final being permanent, and lost her husband, who was politically assassinated. Throughout all of this, she had to lead a broken nation through a broken world herself. In Wakanda Forever, Ramonda had to deal with a dangerously grieving Shuri whose whole world was torn apart. She had to stand strong, seeing her daughter come undone while grieving herself.

Okoye stayed loyal to the throne when N'Jadaka (T'Challa's supposed murderer) took it while she and Shuri ran for their lives to the Jabari. Okoye's husband, W'Kabi, was a traitor. Ramonda pushed this all away (likely because she knew Okoye's heart and she understood the situation), allowing Okoye to continue serving at her side as her entrusted general and friend.

Ramonda told Okoye Shuri wasn't ready and told her not to take her on the field. Ramonda stressed her concerns about Namor (an unknown player with vibranium who had unexplainably breeched their boarders, warned them of their military power, and acted with help). Still, Okoye insisted, assuming full responsibility over Shuri.

Yes, Queen Ramonda was acting more like a mother than a queen here, and it wasn't the best decision she could've made (Okoye is their best warrior and was the only one who had fighting experience against Talokanil). However, it shows that she was human. It makes complete sense that the dam broke. She also had a point: Okoye failed in her duty, an insanely important duty that determined the fate of Wakanda.

Shuri isn't just Ramonda's daughter. She's the apparent heir. Shuri is a vital pillar in Wakanda as:

A) the apparent and only heir

B) head of Wakandan technology and design

Shuri is a leader in more ways than one, so her being taken is nothing to take lightly. Shuri even told Namor herself that Wakanda wouldn't rest until she was returned. When she comes back, a lab technician confirms this, stating to Shuri that the city has been stressed and restless in her absence.

All in all, this was a tragic fallout spurred by grief between characters with a mother-daughter dynamic.

Then there's Nakia, who mostly gets blamed for everything when she was roped in with her hands constantly forced. Even in canon, she was mistreated with Shuri ostracizing her. I'll probably write a dissection on her because it's just so crazy to me, but to give a rundown:

☆ Nakia lost "her everything" thrice. She had to be a single mother to Toussaint (who she also had to keep secret).

☆ Nakia's lack of presence at T'Challa's funeral in Wakanda was misunderstood for "running away," when she was told by T'Challa not to attend in fear of exposing their child. This led to characters pressing or misjudging her for it. Shuri had snip remarks towards her and even ignored her calls, yet Nakia remained patient and her side.

☆ The grandmother of her child pulled up to her workplace and home in Haiti, practically pleading with her to save Shuri (the love of her life's beloved sister). Queen Ramonda came to her, urging her to come out of retirement as wardog to rescue Shuri from those who held her. Neither Ramonda nor Nakia knew that Shuri requested to be taken to Namor. There was no rapport formed between them and Namor (quite the opposite). They do not know Namor or how he treats Shuri. We, as the audience, have dramatic irony. The characters do not!

☆ Nakia acted under the order of Ramonda to retrieve Shuri by any means. Even then, she did not shoot immediately. She told the guard to drop her weapon, then shot her only because she attempted to kill Shuri.

When the young handmaiden shakily held Shuri with a fruit knife near her neck, Nakia warned her with two lines, one being a command to let Shuri go. It is understandable that the young maiden froze up in fear, but time was running out. Nakia wasn't going to roll the dice on Shuri's life either. Namor would've done the same (or probably would've killed them on the dot to save his people).

While it is true Nakia killing those two Talokanil in part led to Namor's attack on Wakanda's Golden City...

1. Wakanda and Talokan still would've had inevitable conflict.

2. Her hand was pushed.

I've seen people blame or hate on Riri Williams, too, simultaneously getting and missing the point. Yes, Namor had a reason to kill Riri. He was acting as a king and didn't want his people to suffer the same traumas that caused them to move again. T'Chaka would've done the same thing.

However, even in Namor's own words, it wasn't "about the scientist." In the original script, he furthers he would've killed a thousand scientists if it meant ensuring Talokan's safety. Unfortunately, Riri was the scientist who made the machine (that she honestly had no business creating, even if she didn't know of Talokan). They wanted to throw a wrench in the cogs by depriving them of the machine and the scientist who created it. That way, they can't possibly replicate it.

To Namor, it was "Nothing personal, kid." Not even he fixed the blame on Riri personally. He just emphasized the problematic nature of the vibranium detector and what it opened them to, what it has begun. It's like the ethical delimma question of rerouting the train: Would you save the worker working absentmindedly on the train tracks or the group of people on the other side?

Coming from his perspective, you can understand him to a degree. Shuri did, but still was firm in advocating for sparing Riri. The moment she heard and saw that Riri was a student, she couldn't just fork her over to be killed for something not truly her fault. On her brother and for her brother's legacy, she refused to kill Riri. The choice to protect Riri reflected Wakanda's overall development post-BP1. It also illustrates Wakanda's optimism (afforded by their history and position), which isn't shared by Talokan. Talokan has more pessimism (due to their history of displacement, massacre by colonial disease, and vulnerabilities).

However, Riri also shows how Namor could be wrong.

Riri is a young black girl living in a constant state of disadvantage, trying to prove herself.

“To be young, gifted, and Black though, right?”

She mirrors Namor ironically. She suffered and experienced byproducts of colonialism as an African American. Riri, who is a teenager beginning college (do you expect the pinnacle of maturity and foresight from a 19-year-old?), was just caught in crossfire. Her work was meant for a rock project her professor, for some reason, didn't responsibly dissaude her from doing (but challenged her to). The FBI stolen and weaponized it, then dared to send armed forces to seize her in order to have her make it again. They even attempted to use Riri as a guise to destabilize Wakanda, pretending to care about her safety and abduction.

Additionally, even by Namor's own words, the surface world coming for them was only a matter of time. With or without Riri. Killing her would just be pushing back the dates, but it wouldn't have solved the problem. Beyond the moral dilemma of killing a kid, it actually would've created new problems.

1. A sovereign body intruded on American soil. 2. Said sovereign body and representative of another nation took a citizen. Not only that, a teenaged citizen that poses no harm who has also created the first vibranium detector (which they wanted and are looking for themselves). 3. Assuming Wakanda obliged, Riri would've been killed and never returned. Her mother would throw a fit, and it gives them so much political ammunition and guises to destablize Wakanda.

And what can Wakanda do? They are sworn to secrecy that Talokan exists. So they'll just be taking the hits just like they almost took the hits for sinking that ship when it was Talokan. If Wakanda falls and gets plundered, Talokan is not far behind.

None of these characters are "the real villains." Each of them have nuance, goodness, sympathies, and complexities. Every single one captures the complexity of humanity.