ATWS Crowley has Crawley, but imagine a world where Aziraphale had a cat (imho I think Flamepoint Siamese would be perfect; they’re some of the sweetest and most beautiful creatures with big personalities). Anyway, Aziraphale has a strict rule about keeping the cat off his countertops because it’s unhygienic. The kitty wears a bell so when chat hears it they go ballistic asking to see her. And when Aziraphale pops off camera once without putting his AFK screen up, chat hears kitty jingling around on the floor and starts spamming “PSPSPSPSPS” and making donations to create noise, which prompts her to jump up on the countertop to see what’s going on.
Aziraphale, walking back in: what is going on here???
What chat is seeing:
OK ALL OF THIS BUT STILL CRAWLEY
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harry du bois steps up to the lectern in front of the crowd. "as a lesbian...." he pauses, looks at kim questioningly. kim shakes his head imperceptibly. harry looks back at the audience "...supporter"
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thinking about how armand was turned bc he was dying from being stabbed by a scorned grown man who was in love with him. he nearly died from rejecting unwanted advances. its such a key explicit detail of his origin that teaches him yet again that what he wants is utterly unimportant and even deadly in the face of survival. everything about his character is informed by the fact that he adapts entirely to the situation he is forced into because that's the only way he can survive. he adopts the satanic doctrine for 200 years not because he believes in it but because he knows that is the only way he'll survive and as soon as lestat arrives he knows he can abandon it. for half a millenium he believes he can't get what he wants and also survive, he has to choose one or the other. God.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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if i were an extremely wealthy owner of a television network i would shrimply pick up all the successful shows netflix and hbo and disney cancelled that ppl made petitions abt and the creators said they have more written for
and then make more seasons of them and my network's ratings would be wildly high and also it'd be baller pr or w/e
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The scarest thing about Nandor being actually smart in all things Guillermo is that this is the reason why he'll never make the move to be with him:
Nandor already knows how he feels about Guillermo.
He's not even repressing it. He's just made peace with it. Because Guillermo was never an option.
Guillermo is human. He'll choose to stay human. He's fleeting. He'll always leave in some form or fashion. Nandor doesn’t choose to act on his feelings for Guillermo for the same reason why he never turned him. It would just be a curse.
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au where the bats manage to stay urban legends, sure other heroes know of them, but they help largely from the shadows, they aren't put on display and they're hardly known at All outside of the strange circle of gotham's goons
that changes when duke thomas stares batman down and says on no uncertain terms that he's working day shift
the signal is Gotham's first confirmed superhero, and he wears a bat on his chest
social media goes Wild fighting over whether the Batman existed all along or if someone finally got the tech and powers to make the bat (or a bat) Real
suddenly the world of superheros feels a lot more real to the citizens of Gotham who got used to horrible disasters being either ignored or neatly cleaned away from the public eye, now there's a guy getting thrown through windows and helping grannies cross the street and the war between gotham and metropolis gets even more cut throat
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