#warner bros pictures logo

[acmeoop]

Behind the scenes “Coyote VS Acme” (2023/24/??)

[mgroenke47]

Brinky watching Walt Disney pictures logo

[lammiies]

🩷🎀

[blogjhm]

New Warner Bros. Pictures Logo (2023)

[cinemedios]

¿Cuándo se estrena 'AIR: La Historia Detrás del Logo' en México?

[us-the-voices-and-more-voices-2]

Jason with his time in the league of assassins

Talia walks into the small modest room where Jason is livening in while he gets back on his feet, having a bunch of brain functions recovered takes a while to get used to. he's been doing physical therapy and occupational therapy for the last couple months, his dexterity isn't exactly back yet.

Talia: Jason? what are you doing?

Jason: well there's this thing I always wanted to try called stop motion animation, and well you got some lego's for Dami but he's a bit too small for them so.. I took them and have been animating. I was bored in-between everything, you don't have any good books I haven't already read.

Talia: well that is an acceptable pass time, what are you making?

Jason: oh it's a weird comedy spoof for kids about batman and the joker being nemesis's, I wanted to make it for Dami since well he doesn't know much about him or the other ones and he's only 3 and well it doesn't seem like much but the time I'm done he'll be 5 and be able to enjoy it. i don't know talia I'm bored and want to make something for him.

Talia: very well, if you so wish. I can get some people in to help you make it if you wish.

Jason: really?

Talia: yes, I can. it does sound like a nice gift.

Jason: oh thank you!

Many months of therapy complete, he starts to retrain and regain all the fighting skills he lost and learn some new ones. in the meanwhile, Jason and 3 other people have been making a complete feature film for Damian who's just turned 4, they were about halfway done and it was looking good.

Talia: so how's it coming along?

Jason: it's been hard and hurts like a bitch, but I'm getting better at flips!

Talia: no. not that, I mean the movie?

Jason: oh it's halfway done! me and the one man and 2 women are doing great we reshot the opening, and we are more than 68% done! so it will be ready by Dami's birthday.

Talia: he will enjoy it I believe.

Jason: of course he would, it's his first ever kids movie!

Talia: why yes it is!

many many many more months pass and it becomes Dami's 5th birthday and Jason and his crew had wrapped up, the voice acting was done mostly by himself, and the crew but he asked some of the league for other voices. eventually after scoring and mixing they met the deadline. they set up the league theatre and put the movie on.

lego batman: [voice over] Black. All important movies start with a black screen... And music... Edgy, scary music that would make a parent or studio executive nervous... And logos... Really long and dramatic logos... Warner Bros. Why not "Warner Brothers"? I don't know... Hmm... Not sure what LOA does, but that logo is macho. I dig it... Okay. Get yourself ready for some... reading. "If you want to make the world a better place, take a look at yourself and make a change. Hooo." No. I said that. Batman is very wise. I also have huge pecs and a nine-pack. Yeah, I've got an extra ab. Now, let's start the movie.

Dami: momma? what's the movie about?

talia: your father

lego Alfred Pennyworth: Were you looking at the old family pictures again?

lego Batman: At the what? The old family... Oh, yes! I see what you mean. Look at that! The old gang. Yeah. No, I wasn't.

lego Alfred Pennyworth: I see. Sir, if you don't mind my saying, I'm a little concerned. I've seen you go through similar phases in 2001 and 2006 and 2008 and 2005 and 1997 and 1995 and 1992 and 1989 and that weird one in 1999. Do you want to talk about how you're feeling right now?

lego Batman: I don't talks about feelings, Alfred. I don't have any, I've never seen one. I'm a night-stalking, crime-fighting vigilante, and a heavy metal rapping machine. I don't feel anything emotionally, except for rage. 24/7, 365, at a million percent. And if you think that there's something behind that, then you're crazy. Good night, Alfred.

lego Alfred Pennyworth: Sir, it's morning..

Talia: *laughs*

Dami: *chuckles*

Jason: *smiles with accomplishment*

lego Batman: [Batman's song] Who never skips leg day?

Chorus: Batman!

lego Batman: Who always pays their taxes?

lego Batman, Chorus: Not Batman!

Talia: *wails with laughter*

Dami: what are taxes?

Jason: you'll know when you get older don't worry about it

The lego Joker: Are you seriously saying there is nothing, nothing special about our relationship?

lego Batman: Whoa. Let me tell you something, J-bird. Batman doesn't do 'ships.

The lego Joker: [Confused] What?

lego Batman: As in "relationships." There is no "us." Batman and Joker are not a thing. I don't need you. I don't need anyone. You mean nothing to me. No one does.

Talia: that is your father's arch-nemesis the joker

Dami: oh okay

Jason: please kill him for me

dami: okay Jason, i will avagange, e-venge, avenge your honour!

Jason: you have no idea what that means to me buddy *wipes away a tear*

Lego Robin: My name's Richard Grayson, but all the kids at the orphanage call me Dick.

Lego Batman: Well, children can be cruel.

Jason: when I first heard dick's name I unironically thought everyone was just calling him a dickhead so much that the name dick stuck, but nope turns out it's short for Richard. he even changed his name to dick, I personally would never. but he pulls it off flawlessly. *chuckles*

talia: I did not know mr Grayson preferred to be called Dick.

Dami: who's dick then?

Jason: oh he's your older brother.

Lego Robin: What? [Sees Batcave]

Lego Robin: It's the Batcave! Ohmygosh ohmygosh ohmygosh ohmygosh ohmygooo-! [Bumps into Batman]

Lego Robin: Batman, woah!

Lego Batman: You're darn right, woah!

Lego Robin: Wait, does Batman live in Bruce Wayne's basement?

Lego Batman: No, Bruce Wayne lives in Batman's attic.

Talia: *DIES OF LAUGHTER* oh Jason this is amazing.

Jason: I wish to impress!

Lego Robin: Hey, I was thinking. If I'm gonna be a superhero, and go on awesome superhero missions like this one, can we use code names? Mine can be Robin.

Lego Batman: I'm sorry, say that again?

Lego Robin: Robin.

Lego Batman: As in the small, Midwestern frail bird?

Lego Robin: Yeah, and I already have a catch phrase. Tweet, tweet, on the street.

Lego Batman: Hard pass.

Lego Robin: And a song. [singing]

Lego Robin: Fly, Robin, fly.

Lego Batman: Harder pass.

dami: *laughs so hard he coughs*

talia: habbibi careful, don't laugh so hard you will hurt yourself

Jason: honestly yeah you can hurt yourself badly.

LegoRobin: Wow! Look, it's the Bat-Sub!

Lego Batman: Wait, don't touch that!

Lego Robin: Over there! It's the Bat-Space Shuttle!

Lego Batman: Please keep your hands off that.

Lego Robin: Look, it's the Bat-Zeppelin!

Lego Batman: Don't touch that, either!

Lego Robin: It's the Bat-Train!

Lego Batman: No!

Lego Robin: It's the Bat-Kayak!

Lego Batman: No!

Lego Robin: It's the Bat-Dune Buggy!

Lego Batman: No!

Lego Robin: It's the Bat... Shark Repellent?

Lego Batman: [pause] Uh, actually, you can touch that. It's completely useless.

Talia: shark repelent is actually a quite useful invention why is bruce beloved not recognising it's full potential?

Jason: keep watching

Dami: does father have all those things?

Jason: sure does!

Lego Batman: We are gonna steal the Phantom Zone projector from Superman.

Lego Robin: [frowns] Steal?

Lego Batman: Yeah. We have to right a wrong. And sometimes, in order to right a wrong, you have to do a wrong-right. Gandhi said that.

Lego Robin: Are we sure Gandhi said that?

Lego Batman: I'm paraphrasing.

Talia: *laughs*

Dami: *laughs so hard he starts coughing AGAIN*

Jason: ghandi so said that btw.

lego Jim Gordon: [sees Robin for the first time] Who is that?

lego Robin: Hi, police man!

lego Jim Gordon: Is that your son?

Lego Robin: Yes, I am!

Lego Batman: [laughs nervously] Is that my son? No, that's just weird.

Lego Jim Gordon: It's weirder if it's not your son.

Jason: this interaction is based off an actual interaction between jimmy and Dick.

[batman and robin arrive at the fortress of solitude]

lego Batman: Hey, kid!

lego Robin: Yes, sir?

lego Batman: You're super nimble, right?

lego Robin: I sure am!

lego Batman: And small?

lego Robin: Very.

lego Batman: And quiet?

lego Robin: [whispering] When I desire to be.

lego Batman: And 110% expendable?

lego Robin: I don't know what that means, but okay!

Jason: bruce really did not know how to deal with a 11 year old child hellbent on murdering a mob boss, so he kept bringing him along on incredibly dangerous missions, it was always fine in the end but this sort of situation happened once.

Talia: really?

Jason: the expendable part was from a wayne tech family event, and they crushed it. but dick had to sacrifice himself to help bruce win, it was so funny. I was there.

Lego Batman: White. All important movies end with a white screen.

Talia, jason, the other 70 league of assassin members and Damien break out into applause for the movie.

Jason: THANK YOU ALL, but special thanks to Gerald, and lily and Rin!!!! I WOULD HAVE NEVNER FINISHED IT WITHOUT YOU THANK YOUUUUUUU

the audience bursts into a large uproar of applause.

Prev | current | Next

[nitewrighter]

I think one of the reasons dc/warner bros like to push Batman (other than “cool/dark/edgy”) is ironically, it’s the easiest hero to sell toys of. As a character with no powers, he has to make do with tech, that means accessories! He can’t fly and doesn’t have super speed, ergo the Batmobile or batwing, or a bat jet pack! He needs different suits for different jobs, so that justifies variant figures! With other heroes, you’d just get the figure and that’s it. Why would the flash need a car? Why would Superman need power armor? If you’re old enough to remember, or research back enough, you’ll know the stupidity of the Superman mobile, or the just sad justice jogger. You could have a super figure’s eyes light up to show heat vision, but that’s about it. I guess you could have a green lantern toy line with construct accessories, but clear green plastic might be flimsy or too expensive, I don’t know. I’d think this was why they gave Wonder Woman a sword and shield, cuz they thought the lasso was lame, if not for BoYz DoNt LiKe GiRl HeRoZ! (Convo for another time, but even as a kid I hated that, and I was a boy)

So tldr, one of the reasons dc pushes bats is once upon a time they saw dollar signs at the idea of bat ji Joe.

Also the fact that you can make Batman Merch out of anything just by making it black and/or gray and just slapping a Batman logo on it--it's just probably a lot easier than finagling around other hero's color schemes.

Thinking about the Batsketball again...

But on a lore level, yeah, Batman is basically the "Cool Toys" superhero. You pretty much have every person in the DC universe commenting on how many "Cool toys" Batman has, or how much of a manchild having all those "Cool Toys" makes him. Like, I hate hate hate Frank Miller and of course I would fight him any day of the week, but the one thing All Star Batman and Robin had going for it was the GIANT BEAUTIFUL JIM LEE ILLUSTRATED BATCAVE PULLOUT MULTI-PAGE SPREAD. Like I need you to picture me in bed, giant glass of ice water on my nightstand, absolutely fucking miserable as I trudge through the worst fucking Batman characterization of my goddamn life, and then, AND THEN-- I go, "Oh, this is a pull-out," I carefully unfold it because library book, and then my jaw drops. I literally felt all the 8-year-old boy parts of my brain activate, and then you have young Dick Grayson's voice narrating it with five little words: "And it just. keeps. going."

A thing I really do like about all of Batman's tech and toys is they're all very tactile, and one of the things that's making Arkham Knight very fun as I'm playing through it is this factor of figuring out which of your little gadgets to use in which situation, and you're so proud of yourself when you figure out when the game expects you to use a certain gadget without the game cuing you to do so, or when you get a new gadget and then go back to all the parts of the map you previously weren't able to access without it (Baby "Square shape goes in Square hole" brain activation...) and the game also has very fun sound and vibration design and camera work to make using the various doodads feel very tactile even as it's happening in the game, but okay, let's take all those factors and pivot to Superman.

Superman doesn't have the Batcave, he has the Fortress of Solitude, and the Fortress of Solitude is not a Toy Chest like the Batcave is. The Fortress of Solitude is not a teenager's basement room to brood. The name itself is very intentional: It's Superman saying, "Yes, I save humanity, but I need breaks from it, I need a space to contemplate my work and my heritage, as well as get some distance from it for perspective, or else I will go fucking bonkers." And it's not just a house or a trophy room, either, it's a museum, it's an archive. I think about the Grant Morrison commentary about the bottle city of Kandor being a family heirloom like a snow globe or a music box--beautiful and yet distant, and that also sets a lot of the mood for the Fortress of Solitude: If the Batcave is a big toybox full of robot dinosaurs and a batarang target range and a lot of tactile stuff, then the Fortress of Solitude is a lot more, "You can look but please please please do not touch unless you really know what you're doing." You touch one crystal in the Fortress of Solitude and Jor-El's giant hologram head pops up booming 'KAL-EL, MY SON, THESE ARE THE PRECIOUS RECORDED HISTORIES OF OUR PEOPLE--' and you're like "Oh Jesus fuck how do I turn this off---"

One of the things I've come to really like in recent comics is how, as Superman has embraced having a family, that the Fortress itself feels warmer and more dynamic--Lois is using it as a space to research and write a book about Krypton, Kara tinkers with Kryptonian technology, Jon spent stints there as a toddler in Superman: Space Age, Krypto is there... It's actually kind of reflected how museums have become a lot more dynamic and kid-friendly in recent years. It's still clearly a space they all respect, but there's a much stronger element of enrichment than, "Look at this thing behind glass."

But anyway, yeah, Superman's stories are really more, like, fantastical than Batman's, so it goes to reason that Superman-play is more daydreaming and broad imaginative concepts while Batman-play is more physical and tinkering. So Batman in general is more likely to have lots of toys.

[ghost-bxrd]

hey!

so I was doing some more thinking abt the copyright thing and poking around on Scratch (the program I used for the mock-up) and there is a LOT of branded content on there. DC specifically has tons of projects, ranging from quizzes to clicker and fighter games, some of which have been up and running for 8+ years and gotten thousands of plays. (Some even contain indisputably copyrighted material like music, images, logos, etc) So obviously this isn't like professional legal advice but like I think it could be fine? Scratch is mostly a kids/learning website, and while that somewhat limits functionality, I think it also then helps it fly beneath corporations' notice.

Added after more research: it looks like the games that get shut down are ones that are visible, popular, and in direct competition with an existing or future project. warner bros has previously shut down a batman fan game, but it is one that is almost identical to an existing game, and also received millions of views through gameplay videos and interviews on YouTube. less popular/more original games are less likely to get legal attention. so if we keep it on the dl and make the name and cover image something like "bob's fun adventure" [picture of poodle] we'd probably be fine?

Also not gonna dox myself but apparently there could be an exception in the laws in my country that would allow fan games? Unconfirmed but possibly an option

The organization for transformative works (ao3's parent organization) has a legal team that offers free help with legal issues regarding fanwork & would probably be a better resource for actual reliable information lol.

First of all, it’s lovely that you spent so much time looking into this, 🥺💚

In the grand scheme of things though we wouldn’t have much control over how “popular” this game would become. And with how much the original idea kicked off (which is still kind of mind blowing honestly), I think it’s not too unlikely that someone would take note eventually.

I would love to work on this game for real, but I won’t do so through some loopholes that might end up tying a noose for me or anyone else working on this project. 😥

[seeksstaronmewni]

7 years have passed since Samurai Jack got back to the past...

Highlights of events regarding Genndy Tartakovsky and the like during this time include the following:

Genndy in interviews talked about the importance of visual storytelling (including an obvious disliking for "This is me"-type openings in animated movies), reducing dialogue in the script for a sexual animated comedy called Fixed (produced by New Line Cinema, Sony Pictures Animation, and Renegade Animation), and the viewpoint that "Character design informs posing, and it all works together."

Samurai Jack has the Checkered Past lineup on [adult swim] joined, airing on Fridays (soon to be Thursdays) at 6:00 PM... technically like around 5:59 PM, due to other Checkered Past shows having end credits time-compressed. Cartoon Network's social media accounts promoted this with a clip from EPISODE XCVIII, which is the second post they made regarding specifically Season 5 since their first one, in which they used Mao Mao x Samurai Jack fan art to promote Samurai Jack: Battle Through Time... which is now deleted due to Warner Bros. Discovery purging Mao Mao: Heroes of Pure Heart in an effort to save $3 billion.

Speaking of WBD's animation purge: Cartoon Network Studios' building is now abandoned as the crew was forced to relocate to a new building joining Warner Bros. Animation with affiliate CNS as another cost-cutting move. The Cartoon Network logo on the building was originally moved to the new building, but it was soon sold off letter by letter.

As if things couldn't grow worse; after MGM (on the home entertainment level, still an affiliate with Warner Bros. Home Entertainment/Studio Distribution Services) turned 100, Primal Screen, the studio behind much of Cartoon Network's branding including the Powerhouse era, announced that they were to shut down (likely due to financial issues - thanks a lot Warner Bros. Discovery). Buck's Pastel / Prism / Split-Screen branding is by far the cheapest, blandest, and ugliest one CN ever used, and the negative consequences of Discovery on Turner & WB make this era of CN truly the worse, with little sign of any improvement in their branding and their programming.

Unicorn: Warriors Eternal got the ACME Night marathons and airings it was promised to have, but that is unlikely to happen again since Cartoon Network stopped at 5PM with the debut of Checkered Past, causing ACME Night to be part of [as] as well (that may be just technical laziness on Discovery's part - they're already forcing Turner channels to use Discovery's rating & closed captioned screenbugs). Any future airing of Unicorn on TV, if any, so far will remain with the [adult swim] label, even on ACME Night (even though it was supposed to be for CN).

Relative to samurai in general; the Looney Tunes Cartoons episode "Yosemite Samurai" made its TV debut on Cartoon Network, though airing minutes earlier than the 9:30 AM schedule due to longer episode lengths.

Teen Titans GO! celebrated the 100th anniversary of Warner Bros. in October 2024 (was planned for September but was pushed in part due to revisions), and apparently "JACK, SAMURAI" was on the list! Dexter and Dee Dee, along with The Powerpuff Girls (in altered versions of the 2016 models), made cameos as well.

Tara Strong (a Zionist Jew and the voice of Ashi as well as Ilana Lunis) became controversial due to posts she made and liked speaking against the attacks against Jews by the Hamas, a terrorist group in Palestine. I may suffer from flack over this, but I honestly doubt that she is ultimately racist with the people of Palestine in general - just speaking against a terrorist group in Palestine killing people of her own race. May be that we're just too woke about racism?

The Powerpuff Girls Season 10 (the Hanna-Barbera Studios Europe revival; I personally count the 2016 "reboot" as Seasons 7-9 for a number of reasons) is still in production with people from Titmouse on the crew.

Dexter's Laboratory: The Complete Series DVD is set to release in June 2024... featuring the long overdue official US DVD release of Dexter's Laboratory: Ego Trip! There was a planned US DVD release long ago.

Warner Bros. may be 101 years old now (impressive considering that Discovery put them at over 60% risk of bankruptcy by December 2023), but they're not finished with celebrating their 100th anniversary; a screening of various WB (and affiliate-owned) shorts including Cartoon Network episodes like Dexter's Laboratory and the Steven Universe pilot "The Time Thing" (on which Genndy was the timing director) was announced for Annecy 2024.

Relative to a block that Samurai Jack used to rerun on; [adult swim] announced another nostalgic block: Toonami Rewind! This is so far exclusive to anime.

Personally, Cartoon Network entering into the Pastel era was bad enough, but Discovery exercising more control of WB affiliate Turner Broadcasting System pretty much killed CN for me (regardless of the many older shows airing on special occasions that weren't rerun on the network in years and even decades). I still remain faithful to a fair extent to CN, but, as you can see, there's a lot about the animation industry that's crumbling.

I'll add more to this post if I find anything else that happened.

Highlights of Year Passing 1

Highlights of Year Passing 2

Highlights of Year Passing 3

Highlights of Year Passing 4

Highlights of Year Passing 5 (incomplete; I know)

Highlights of Year Passing 6 (also incomplete)

[kylesvariouslistsandstuff]

I just realized something... Is DEADPOOL & WOLVERINE the first R-rated Disney film to be released as... A Walt Disney Studios Motion Pictures movie?

And NOT as a... 20th Century Studios, Searchlight, Touchstone, or Hollywood release?

Marvel Studios movies never open with a Disney Pictures logo, nor does such a logo appear in trailers/promo materials for those movies. The only mention of Disney as the movie's distributor, ever, is in the credits. Particularly the title card saying "Distributed by Walt Disney Studios Motion Pictures". You know, when the movies aren't making references to Disney movies/theme parks. (i.e. "I'm Mary Poppins, y'all!")

THE AVENGERS and IRON MAN 3 were the first Disney-distributed Marvel movies, both of which opened with Paramount and Marvel Studios logos per a contractual agreement. Paramount had been distributing the MCU movies - sans 2008's THE INCREDIBLE HULK - up until the switchover. Disney bought Marvel in 2009, and distribution was out of Paramount's hands shortly thereafter, but for whatever reason, they retained their logo on those two films specifically. I guess this was because AVENGERS and IRON MAN 3 were already in development before the Disney buyout, IRON MAN 2 was already being filmed with a third one expected. THOR and CAPTAIN AMERICA: THE FIRST AVENGER had yet to be released. They both debuted in mid-2011, and sequels weren't announced until after they came out. A second THOR and a second CAPTAIN AMERICA movie were Disney greenlights. Starting with THOR's sequel - THOR: THE DARK WORLD - in fall 2013, the movies would open with the Marvel Studios logo only.

That'll likely be the case with DEADPOOL & WOLVERINE, though I wouldn't put it past the movie to - in an irreverent sense - have a Disney castle logo at the beginning. Deadpool narrating "Yeah, this is Disney and it's rated R! Buckle up, kids!" They already made similar jokes in that recently-released trailer.

It's really weird to think that Disney can't do R-rated "Disney" movies.

Other studios/companies don't have that problem. Universal, Warner Bros., Paramount, etc. It's all part of the collection for them. With Universal, the Minions can co-exist with Michael Myers. In Paramount-land, Dora the Explorer can share the space with Ghostface. For Disney, it was always through alternate names like Touchstone and Hollywood Pictures, or through whole-ass studios like 20th Century Studios, Searchlight, and Miramax.

Nowadays, Hulu is essentially merged with Disney+, and Disney+ houses plenty of R-rated things. That is, of course, if you are using an adult profile. But even in the theme parks, like for example - The Great Movie Ride, that had a whole section devoted to ALIEN. And that was before Disney bought 20th Century Studios and the ALIEN franchise. And Disney films have referenced R-rated things, before. It's kinda weird, really... Disney... A person's SURNAME, associated with strictly family-friendly stuff.

After Disney created the Touchstone Pictures banner in 1984, it seemed unlikely that they would ever do a PG-13 movie. They stuck with G and PG, and some of those PG movies had a special Walt Disney Pictures logo at the start of them, too. A black background with blue serif text... No castle. But then lo and behold, in 2003, they released PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL... Since then, not counting Marvel and Star Wars movies, they've released 14 more - many of which being PIRATES sequels or theme park adaptations - in addition to a filmed HAMILTON performance on Disney+.

So... It kinda begs the question... Could Disney possibly just go all-in for the first time... and release an R-rated movie?

The MPAA rating system was created in 1968. Disney in 1968 were already concerned with being family-friendly. Proudly so. That shift began to take place back when Disneyland was opening in the mid-1950s, when Walt Disney was transforming the enterprise's image. What was once the trailblazing, sometimes edgy studio was now a family entertainment company. A show on TV every Sunday, a theme park for kids of all ages, and movies that played to mothers. (To Walt's estimation: Mothers took their families to movies, and also told their friends, and their friends told their friends-) It was to the point where Walt himself was frustrated. When he had seen TO KILL A MOCKINGBIRD, he stated he wished he could've overseen a movie like that...

So, Disney stayed in the family-friendly corner after Walt's passing in 1966 and after the creation of the rating system two years later. The 1970s was a period of auteur-driven films, challenging pictures that upended the status quo, brought heavy topics and themes to the table, shocked audiences even... Disney was mostly making movies like THE BAREFOOT EXECUTIVE and GUS. All G-rated affairs, and following tried and true formulas. Interestingly, when preparing the 1950 classic TREASURE ISLAND for re-release in 1975, Disney weren't too pleased when the picture received a PG rating for its violence... So, they recut it to get a G rating. That's how it ran in 1975 in theaters, and interestingly that was the only version that was available on video until 1992.

It took Disney over a decade to make a PG movie of their own (THE BLACK HOLE in 1979, not counting their distribution of the independent movie TAKE DOWN earlier that year), back when the rating actually meant what it meant. After being launched in 1984, Touchstone was largely meant for PG-13 and R-rated affairs, with the occasional PG movie here and there. For every SPLASH and DICK TRACY, there was a BLACK CAULDRON or HONEY I SHRUNK THE KIDS. So it was kinda on-and-off there, it depended on the content and tone of the movies, I suppose.

Then it took Disney 19 years to make a PG-13 "Disney movie"...

I guess for an R-rated "Disney movie" to work... Tweak the Disney logo so that it doesn't appear all family-friendly in that distinctive font? Don't have the logo appear anywhere on promo materials? Come up with a Touchstone-esque name for Disney movies that get the R-rating? What the hell would you call that anyways, haha. Can it even be feasibly done without unsuspecting parents taking their kids to see it?

If it ever happens, it'll be interesting to see how it plays out.

[ptbf2002]

Warner Bros. Pictures Animation Logo With Bugs Bunny (Cinemascope)

Looney Tunes Belongs To Leon Schlesinger, Hugh Harman, Rudolf Ising, Harman-Ising Productions, Leon Schlesinger Productions, Warner Bros. Cartoons, Inc. DePatie–Freleng Enterprises, Format Productions, Warner Bros.-Seven Arts Animation, The Vitaphone Corporation, Vitagraph Company of America, Turner Entertainment Company, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Bugs Bunny Belongs To Ben Hardaway, Cal Dalton, Charles Thorson, Tex Avery, Chuck Jones, Bob Givens, Robert McKimson, Warner Bros. Cartoons, Inc. DePatie–Freleng Enterprises, Format Productions, Warner Bros.-Seven Arts Animation, The Vitaphone Corporation, Vitagraph Company of America, Turner Entertainment Company, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

[denimbex1986]

Barbie is everything. He’s just … Robert Oppenheimer.

That’s right. The main character competing with Barbie for attention right now isn’t Ken, her plastic significant other. It’s the man who designed the atomic bomb.

Fans have been waiting for this summer’s release of two movies — “Barbie,” from Warner Bros. and directed by Greta Gerwig, and “Oppenheimer,” from Universal Pictures and directed by Christopher Nolan — which are both coming out on July 21, and they have been poking fun at the stark contrast in the movies’ themes, moods and color schemes.

The result of the release schedule is a mash-up many people may not have seen coming: Barbenheimer. Or Boppenheimer, if you will.

“Oppenheimer” is Nolan’s prestige movie based on “American Prometheus,” a biography of Oppenheimer, the scientist who led the Manhattan Project, which during World War II produced the first atomic bombs. The trailers for that film, with intense music and suspenseful scenes starring a pensive-looking Cillian Murphy as Oppenheimer, are in stark contrast with the pink and sparkly trailers for “Barbie,” which show Margot Robbie as the doll living in Barbieland before setting off on an adventure into the real world.

The two characters could hardly be more different (does this Venn diagram even have a middle?). And yet, Robbie and Murphy are appearing on T-shirts and sweaters together.

Memes, videos and online chatter have flooded social media, and some people are making plans to see the two movies on the same day. A debate about which order to see them in — “Barbie” first to start the day off light, or “Oppenheimer” first, to end on a more cheerful note — hasn’t been settled.

The curious crossover is also giving rise to real-life merchandise. A Google search for “Barbenheimer T-shirt” brings tens of thousands of results, and sellers on Etsy have designed their own versions. Some feature Robbie and Murphy, while others combine Barbie’s pink font with a pink drawing of an atomic cloud.

One such T-shirt, and an early entry in the crowded field, is a simple split-screen combination of the two movie logos, spelling out “Barbenheimer” with the release date of the films.

Hunter Hudson, 23, a filmmaker in San Antonio, said he originally designed and created the shirts for him and his friends to “roll up to the Barbenheimer double feature” on July 21. But when he posted pictures of the shirt on his Twitter feed, he said, it took off beyond his expectations.

“I normally get about three or four likes on anything I post,” Hudson said. But after sharing a few mock-ups of the shirt, he woke up one morning to hundreds of messages from people asking him if they could buy it.

Hudson makes the shirts himself, with a friend, and charges $40. So far he said he had made about 150 shirts, with a second batch of about 70 more on the way. It takes him about 45 minutes to an hour to make one T-shirt, which he does by cutting two shirts in half, pinning them together and sewing and pressing them.

“I had a couple of movie theaters reach out to me privately to do bulk orders for employees,” he said. “It’s been overwhelmingly positive.”

This kind of organic marketing is probably good for both films, said Robert Mitchell, the director of theatrical insights at Gower Street, a company that does predictive analysis for the film industry.

Not that the studios’ marketing has been lacking: There are life-size cardboard Barbie boxes in theaters for people to take pictures and a selfie generator. There have been collaborations with multiple brands: The frozen yogurt chain Pinkberry is offering a Barbie flavor, Gap has a line of Barbie-themed clothes, and Airbnb is offering a real-life Barbie Dream House in Malibu. Warner Bros. declined to comment on the movie’s marketing efforts.

What all this hype means for box office results for either film is unclear, and awareness doesn’t always translate into attendance, Mitchell said. Predictions for opening weekends are tricky and a lot can still happen before July 21, said David Gross, a movie consultant who publishes a newsletter on box office numbers. Some conservative industry estimates, he said, have “Barbie” opening between $55 million and $65 million in the United States and Canada, and “Oppenheimer” between $40 million and $50 million. Both of those estimates would be strong for a fantasy comedy and a historical drama, neither of which are sequels. Superhero, big action and big animation movies usually open higher, Mr. Gross said.

Still, the hype around the films could be beneficial to the numbers. “Every time ‘Barbie’ released a trailer, ‘Oppenheimer’ would start trending,” Mitchell said.

“They’re so vastly different,” he said, “that they allow for the narrative that popped up organically: This would be strangest double bill ever.” That online conversation, he said, “is pretty much a gift for distributors.”

While social media is full of people showing off their tickets to see the double feature, it’s unclear how many really will. “But it shouldn’t matter,” Gross said. “Audiences are going to find them, and both films are going to do extremely well.”

[blazejohnson28]

Warner Bros. Pictures (1999-2022) Logo Paint (With Mickey Mouse, Betty Boop & Bugs Bunny!, 2001-2002)

[cinemedios]

'AIR: La Historia Detrás del Logo' de Ben Affleck con Matt Damon | Tráiler oficial

Ben Affleck y Matt Damon se reúnen en 'AIR: La Historia Detrás del Logo'. Mira el tráiler oficial.

[moviehealthcommunity]

Analyze This (1999)

This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.

Analyze This has a sequence where machine guns are used at night, shortly after one of the main characters breaks down crying. This sequence lasts about 90 seconds, and it is safe to watch again once the sound quiets down, with characters describing what happened during the strobe effects afterward. There is a flicker of bright light in the second production company logo at the beginning, the Village Roadshow Pictures one that immediately follows the Warner Bros. logo.

At the beginning of the film, there is a single shot where the camera shakes while people run. The rest of the camera work in this film is either stationary or very smooth.

Flashing Lights: 4/10. Motion Sickness: 1/10.

TRIGGER WARNING: One character has multiple panic attacks on-screen. One character exhibits homophobic attitudes, and uses a slur to convey them.

Image ID: A promotional poster for Analyze This

[smashupmashups]

Made on January 26.

By choice, I decided to have the trio on the top of Mary's car with Chad by the wheel, which was made for the new poster.

Reason for no finished version is because of the 2019 shield still concurrently used with the 2023 shield, so I figured I'd wait until an official poster print logo of the Warner Bros. Pictures logo for the time being.