just constantly thinking about percy telling vex that he’d like to think they’re all better than they think they are (except her brother, of course) . constantly thinking about when vex tells percy he’s a good man and he gets awkward and flustered and returns that she’s a good woman and when she gets as awkward and flustered he goes “see. it’s not very nice is it.” percy shouting to ripley that he forgives her and vex carves forgive into the wood of her bow. vex tells percy to take off his mask and percy comes across vex in tears and scrubbing at her armour. god. the campaign starts and percy is making arrows as flirting and getting kisses in return and the campaign ends and exhausted and knowing it won’t be a want that will be fulfilled percy admits he never wants to make another weapon and vex equally exhausted affirms that he’ll never Have to. and god . god . opposites attract is great or whatever but the deliciousness of dynamics where the characters hold up a mirror to one another where they get to shed the burden of self and see someone Like Them as someone good or capable of being better and Falling In Love. and that love being a pathway to them coming to grips with their own image and their own capacity to be better. and that the fact that the person they fall for being someone so Familiar means that they see through each other’s shit. that percy sees that vex has fallen into the trap of Nobility tricking people into thinking that makes them inherently better and giving her the only whitestone title someone has to earn beyond selection or marriage or birth. that vex sees percy forgive ripley and discusses the importance of that choice but reminds him that it’s just as important that he forgive himself.
401 notes
·
View notes
You only really need to understand 5 things to know why Byler is happening:
Mike’s arc in season 3 was about pretending to be someone he’s not in the pursuit of “growing up”. It was about kids playing at relationships. This was the only season with focus on the state of M!leven while dating & not separated and it was treated as an immature joke.
Season 4, instead of proving to us why M!leven are right for each other, quite literally does the opposite and shows us nothing except them having awful communication & not finding emotional safety in each other. There is not a single scene between them which is an exception to this.
Meanwhile, Mike and Will are attached at the hip. We see how they resolve conflict maturely and between themselves. We see a strong emotional connection. We see how Mike feels more comfortable being vulnerable with Will than he is with anyone else, and how Will is always always there for him. We see how…
Will’s painting & monologue (aka his romantic love for Mike) soothed Mike’s insecurities and boosted his confidence. It made him ridiculously happy. And being reminded of this lie about El by Will himself ends up being necessary to encourage Mike to go ahead with his “love monologue”, which winds up indirectly causing a literal apocalypse. You cannot make this shit up lmao.
M!leven is entirely framed through Will’s experience. He’s in every scene except their fight, his pain and misery over them is never not the focus. Literally never. We are not seeing the story of M!leven’s love, we are seeing the story of Will’s heartbreak.
Nothing else matters. Like in the most clinical story writing terms, Mike’s character is not going to find out that the person who made him feel the most loved & understood is in love with him and is the one who actually feels all these things about him that just happen to align with exactly what Mike needs to hear to embody the truest and best version of himself, and instead of realising he loves that character back, goes nah I’m good I’ll end up together forever with the person who whilst dating them I became someone I was not and also had terrible self-esteem—oh and also the relationship is insanely immature. It’s that simple. Whether or not Mike currently believes he loves El or currently wants to remain in a relationship is so so so irrelevant. Storytelling doesn’t care what the character thinks he wants, it cares about what the character needs!
217 notes
·
View notes
World Tour Assistant Noah AU (where he is always an assistant):
After the gross kiss failed to stop Alejandro's flirting... Noah begs Duncan to convince Alejandro, that Noah is too dorky to date... but Duncan has an even better idea; make Alejandro jealous for fun!
(In this AU, Duncan and Courtney had broken up before Season 3, so Duncan isn't a cheater!)
Duncan: "Thanks for letting me return to the show, handsome.~" 😘
(Duncan kisses Assistant Noah's cheek.)
Alejandro: "Duncan, I will DESTROY you!" 😡
Noah: "I just want to be left alone!" 🙄
Wait hold on... hold on... this is just the premise of my favourite Dunnoah fic series but with an assistant Noah twist. And extra Alenoah flavouring. That's not to say I'm against the idea.
Though I can't really imagine Duncan ever committing himself to flirting with Noah unless the two had struck up a deal prior- Duncan's that specific brand of 2000s era bigoted where being seen as anything but straight is a social crime (despite the fact that Duncan is definitely a boykisser, just in denial), but he's also aware of just how much of a threat Alejandro is in the competition and the latino's huge obvious crush on Chris' personal assistant, so I think Duncan could push aside his own internal biases to at the very least propose a similar idea to Noah.
Really, it'd be beneficial for the both of them; Noah gets to subtly-not-so-subtly tell Alejandro to back off by responding to Duncan's advances but not his, and Duncan gets to rile up Alejandro enough to redivert his attention away from the competition itself thus increasing his own chances of winning. It's strategic, really, nothing more.
It's that line of logic that has Noah eventually conceding that, for all intents and purposes, it's a good plan. So he deigns to play along, at least for a little bit, just to get Alejandro off of his back.
And, canonically, they're both shown to be at least half-decent at flirting, so whatever displays they have planned to annoy Alejandro would be just convincing enough to really get under his skin. Especially since Alejandro's shown in canon to be the protective/possessive type (mostly in All-Stars, in how he reacts to José insulting Heather) and likely wouldn't take too kindly to Duncan swooping in on "his amor" or whatever Spanish nickname he'd substitute it with.
Which all eventually leads to the scenario you proposed; Duncan plants a wet one on Noah's cheek and Alejandro sees red.
Noah's already exhausted by default, but feels weariness seep into the marrow of his bones as a seething Alejandro glares poisonous daggers towards Duncan, who's committed enough to their little ruse to in turn shoot a wink and a pair of finger guns towards the assistant. Deciding that he isn't paid nearly enough to deal with the inevitable confrontation between the two idiots who've apparently taken an interest in him (Duncan's, of course, being a known ruse), Noah leaves to go and do his actual job.
...
And then, Alejandro confronts Duncan directly in the Economy cabin, claiming that he doesn't deserve to so much as look at Noah, and that he (Alejandro) was the one Noah kissed and therefore the object of his attraction so Duncan better lay off. This is news to the punk, and adds a whole new layer of complexity to their plan. And perhaps something he can later exploit to give himself a leg up in the competition.
But why does the idea of Noah kissing Alejandro make his chest tighten up with envy?
And then maybe Duncan finds the untamed passion of Alejandro's genuine fury kind of hot and he too enters the metaphorical boxing ring of feelings? Aledunnoah endgame? The intern server has been posting a lot of Aleduncan lately so letting those two get together (and with Noah in there too, as a bonus) just seems natural to my brain at this point.
142 notes
·
View notes
Does anyone else think about this moment?
Like how Luke knows that Alex is stressed and anxious about crossing over, and heartbroken about saying goodbye to Willie.
And Luke also knows that dancing is one of the things that helps Alex relax and makes him happy.
But he doesn’t just tell him to dance because he knows that wouldn’t work, because Alex doesn’t like being told what to do and he really doesn’t like people taking care of him.
Instead he goes, “Alex! No dancing!” because he knows Alex will immediately dance just to spite him and he just want to see his friend be happy.
And the look on his face after, like he’s just so damn proud of himself, just for putting a smile on Alex’s face for a second.
And the way he nudges Reggie, like, “See, I told you so,” makes me think they planned this when they stepped away so Alex could say goodbye to Willie outside.
Anyway. Yeah. I think about it a normal and healthy amount.
501 notes
·
View notes