If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!
I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.
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the dr fandom cant handle wlw ships in any other context than background fluff with no depth
i like sakuraoi and tsumioda ect but they always get woobified and mellowed out like did they SEE 1-4???
aoi did not pull all that to get sidelined as a supportive background lesbian in your ishimondo fanfic
and don’t get me wrong. my girls need a break sometimes fluff is great i don’t have a problem with it. but it’s the constant sidelining of wlw ships in favour of het/mlm ships in pretty much any fandom that gets to me.
and how wlw ships are only acceptable in the community when they don’t have any dysfunction or toxicity, and if the ship does have even the slightest hint of the above qualities it is either mellowed out to the point of being unrecognisable or dumped on with thinly veiled misogyny and homophobia
and when i say slightest hint i mean the literally slightest hint. like the girls will argue once and the fandom will label the ship toxic while shipping. fucking kuzupeko or something.
wlw ships are seen almost entirely as a way to get female characters out of the way of mlm ships. in het ships the female character is a tool to develop the male character. they show significantly less depth and probably dies to forward the male character’s development (sound familiar?)
in any situation female characters are characterised by their relations to male characters. a female character’s (usually romantic, or at least interpreted as such) relationship with a male character is their defining characteristic. if said female character is in a wlw relationship they are reduced to their most basic traits while male characters are explored and given depth, and exist in the story only to offer support to the male characters.
i haven’t even mentioned how female characters must be in a relationship to be even remotely relevant in a story, but that’s a rant for another time.
grrah the way that female characters mirrors how wlw ships are treated by the community, and that characters/ships that aren’t completely perfect and deemed acceptable by the community are dumped on by the larger dr community while worse ships or characters are welcomed because they happen to contain a male character is gonna be my 13th reason istg.
anyways this rant is getting long but in summary danganronpa fans hate women and they hate wlw relationships that they can’t jerk off to.
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at some point i will figure out how to write the post-canon, post-empire edelgard autonomy fic of my dreams. it just feels like a very big task and maybe like with playing the dane, i’m simply not old and traumatized enough to manage it yet.
but my vision is thus: it’s set years (realistically, decades) after the end of crimson flower, when everything has gone as right as it can possibly go. fódlan is thriving. the social reforms have taken effect. the nobility system is nearly eliminated, if not entirely so, with titles made merely symbolic. social mobility, welfare, and prosperity are high. there’s an explosion in arts and culture and technology. brigid and duscur have gained independence; relations with sreng and almyra are much improved; heck, maybe they've even figured it out with dagda. in my most idealistic version, leicester and faerghus would eventually be ceded back to become autonomous regions, essentially disbanding the adrestian empire. rule is no longer hereditary, but merit-based. there's a roadmap for the future, and everything is on track—and more than that, people at all points on the power spectrum have already seen it bear fruit. with or without edelgard, it will be pursued. there's buy-in. they believe.
of course, it's not perfect—nothing can be—but edelgard's vision has been fulfilled. the people are empowered. humanity is free. fódlan has healed.
and somehow, she's had enough time to resolve her goals outside of politics, too. those who slither in the dark have been eradicated. edelgard and lysithea's second crests have been successfully removed, allowing them to live if not full lives, then substantially longer ones than they would have with their twin crests intact. who knows—maybe she finally gets around to having that wedding.
point for point, every item listed in edelgard's manifesto has been checked off. the ghosts of her past have been laid to rest. she can finally take off her crown. she can finally pursue the quiet, humble life she's wanted for so long. she can finally breathe.
... but can she?
edelgard is nothing if not driven. her intelligence, vision, and sheer willpower allowed her to plan and execute a revolution against two countries and the most powerful institution on the continent, all while she was still a teenager. as royalty, her life was never truly hers even before she became heir to the adrestian throne, with all the additional baggage of survivor's guilt and the desire for vengeance and her need to ensure nothing that happened to her can ever happen to anyone else, ever again.
so what happens when that drive has no outlet? what happens when someone who has been constantly in motion, constantly working and planning and preparing every spare second of every day since she was fourteen years old, suddenly has to stand still? what happens when someone whose hands have been bound for so long—first literally in the dungeons of enbarr, then by the weight and responsibilities of her crown—is set free?
being edelgard, she would step away from the throne, no matter how hard it was for her to give up control. she's always been focused on the endgame, and she knows that if she doesn't let go, she'll be setting the wrong tone for fódlan's future. she's too devoted to that endgame to cling to power much longer than she needs to, though i could see her making some excuses and trying to iron out just a few more things to buy herself some more time to mentally prepare before she's done for good.
but who would she be then? who is the woman without the crown? what becomes of a machine once it is no longer needed, when it has made itself obsolete? what about when that machine is a person with legs and arms and an innate unwillingness to gather dust on a shelf?
what happens when you get everything you want? what happens when all your wanting has been for others to thrive, and now you have to want only for yourself? how do you discover who you are when you've spent decades being everything for everyone else? how do you find meaning again? how do you find purpose?
after a lifetime of devotion and passion and movement, how do you learn to sit with yourself, and be quiet, and be still?
gosh, i would love to meet her. i would love to pick her brain. but boy, i do not envy the work that girl has to do.
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One of Hello Future Me's videos on revolution brought up an event from the Philippines back in the 80s: the dictator sent a battalion to crush a supposed revolt, only for the soldiers to be met with nuns and children offering food and water. The majority of the army defected as a result
I'm going to use rwby to try hammering this abstract concept into a coherent thought, but this incident got me thinking about how nonviolent protest is theater
If a similar event were to occur in rwby, for it to be successful, the protestors would have to be the cutesy faunus types: rabbits, cats, dogs, and the like because they're non-threatening. Attacking a sweet cat faunus would be akin to attacking a child or nun, paragons of innocence and virtue respectively. Only a monster could cut them down, and no one wants to be seen as a monster
A scorpion faunus, though? Their mere existence is a threat. That tail is dangerous, a weapon available at all times. Bull faunus have horns they can use to gouge out eyes and organs. Claim they attacked and most people would agree that killing them in self-defense is justified
Because nonviolent resistance relies on public perception, people who could possibly taint the image of the movement will get left in the dark no matter how important they are. Bayard Rustin was the one who taught Dr King about civil disobedience and was an organizer for many major events, but he opted to ride to events in the trunk of people's cars so his status as an openly gay man wouldn't harm the movement's image
There would be little wonder why the White Fang would be more popular with the "scarier" faunus. Public perception is already against them, so it's not going to change much for them if they join a violent organization, but this in turn will be seen as justification for discrimination against these types of faunus. A hellish self-perpetuating cycle
These faunus would also be far more likely to experience violence at a much younger age, akin to how black children are treated as adults even if they're literally six years old
The strategy behind nonviolent protest like the ones Dr King did is to show the world the mistreatment of the innocent, but when your existence is deemed a threat, there's little hope that you'll ever get enough support to change the system. This is why bigots constantly spew the "queer groomer" and black crime "statistics": by portraying someone's freedom as a danger to the innocent, any level of violence is justifiable defense. The police aren't attacking queers, black, and brown folk discriminately, they're attacking dangerous criminals, so it's okay!!1!
Theater can't save those already condemned and to try is wasted effort
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