#which is honestly great

[band-geek-727-creates]

Some Korrasami from femslash February ❤️💙

[killerandhealerqueen]

新年快乐!🐉

Happy Chinese New Year!🐉

Wishing you a prosperous year of the Dragon! 🐉

[chloesimaginationthings]

FNAF Michael refuses to be gaslit on “THE BITE OF 83”

[2hoothoots]

been chatting with a friend who's playing through PN2 again and i want it to be known i will not hear anyone say a WORD about Hollis giving Raz a hard time at the beginning of the game. if anything she is OUTSTANDINGLY accommodating to this random ten-year-old who wandered in unattended off the plane in the middle of an extremely tense situation

[somecunttookmyurl]

i'm not reblogging the whole post again but @zorilleerrant you are so real for this

[vuelode-irbis]

No anchor

[ID: digitally drawn fanart of Kipo and the Age of Wonderbeasts. It recreates the scene in which Kipo finds out who her mother is and transforms into the mega-jaguar, along with Nael's poem, "The tiger" modified verses in-between the drawings. The first scene is a close-up of Kipo's eyes, she looks worried and tears are forming in her eyes, text below reads "The jaguar". The second image shows the mega-monkey, Kipo's mother, surrounded by Scarlemagne and other's flamingos, trying to fight them, the text below reads "She destroyed her cage". Third scene shows Kipo's eyes again, this time they're pink and her pupils are sharp like a cat's, she's angry and her tears come out, the text says "Yes"; onto the next drawing, she's on the floor on all fours, her arms have turned into the jaguar's and her tail has come out too, the text says "YES" in all caps. In the next scene she has turned into the mega-jaguar, roaring in anger, the text below reads "The jaguar is out". In the last scene, she's running towards the camera, still angry and roaring. End ID]

Inspired by and based on Nael's poem :>

I had this idea for a while, tried to execute it, failed and gave it a second try because Kipo's a very good show and this is one of my favorite scenes ever

Original poem: The tiger

The tiger

He destroyed his cage

Yes

YES

The tiger is out

-- Nael, "The Tiger" from "They're Singing a Song in Their Rocket"

[markscherz]

I… do not understand tumblr live. Like, are there actually only about 50 people streaming across the whole platform at any one time? And why are so many of them just… people smoking? Or unoccupied desks? And why is nobody talking about frogs?

[dhmis-autism]

DHMIS doodle pages that I managed to cut and paste together and color! I personally like them a lot haha.

2nd doodle page is sorta inspired by @mariaisshiki ‘s piggyback trio drawings.

 B/c it reminded me of the time I tried to carry my baby cousin on my back and I am SO short that even though I got her body off the ground,both her feet were still firmly on the floor. That memory was so horrific I had to project it onto the smallest one.

[poorly-drawn-mdzs]

The girls are plottinggggg

[First] Prev <–-> Next

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.

[xiaq]

After setting up for an onsite demo, I was talking to the project owner in the conference room, waiting for everyone else to arrive, when I noticed this giant pile of post-it note cubes in all different colors, all mixed together. And I was like. No. Absolutely not.

So I reached over and, while still chatting, got them all sorted by color and then lined my color stacks up in ROYGBIV order, nice and tidy.

Project owner: Ah. I see you have a touch of the 'tism as well.

Me: Whoops.

Project owner: Probably half the people that will be in this room do too, you're among friends.

[nat-20s]

Season 14 more than anything else has been getting access to an alternate version of Doctor Who that's really hi res and every episode is about The Doctor putting on minxy outfits

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[ricky-mortis]

Some President Howard Goodman in celebration of Black Friday’s anniversary yesterday!

Inspired by JFK’s Official Portrait

[marzipanandminutiae]

Further fun in the notes of that terf’s Complaining About Things Nobody Said, In A Video I Didn’t Watch post

Who wants to make “Corset-Defending Coterie” t-shirts?

[acadjonne]

so hear me out

tim drake and danny fenton are twins

jack drake really did have a brother named eddie, once upon a time. eddie drake also had a wife, and she was expecting twins, but of course gotham is gotham. right before the twins would be born, eddie died, but his wife was brought to the hospital and lived long enough for the twins to be born.

jack and janet drake adopt the older twin, tim, because people knew that eddie and his wife were going to have a baby, and they had been considering having a kid themselves. but no one knew the drakes were expecting twins, and jack and janet don’t want two babies, so they arrange for the younger twin to be anonymously given up.

well, through some insane miscommunication, the other twin ends up in illinois, where he’s adopted a few months later by jack and maddie fenton. of course, because danny was given up anonymously, there’s no information whatsoever about his birth family

tim finds out he’s got a twin when he’s eleven or twelve by finding his birth certificate and an ultrasound print in his father’s safe. he starts looking for his twin, but doesn’t find a whole lot on his own.

(even when tim becomes robin, he never thinks of mentioning his twin to bruce.)

when they’re 14, tim meets sam manson at a gala in gotham. she’s originally from gotham as well, but moved to amity park as a kid, so this was her first time back in a long time. danny had just recently found out he was adopted, so of course when sam sees tim and he looks exactly like danny, she puts two and two together and approaches tim.

once sam gets back to amity, she puts danny and tim in contact. they agree that it sounds super unlikely on paper since danny was found in a hospital in chicago, while tim was born in gotham, and danny’s birthday is a couple days off from tim’s because no one knew exactly what day he was actually born, but they also look way too much alike for it to be coincidence.

of course, before they can get a dna test done, danny’s portal accident happens, and he gets super squirley about it after that whenever tim mentions it. plus they’re both minors and the drakes are never around to actually consent to it so it would be kinda weird for tim to insist on a dna test at that point.

but they stay in touch for the next few years, both expertly dodging any mention of their hero activities, and even manage to meet up for their sixteenth birthday. they hang out for a weekend in cleveland because it’s neutral ground, pretty much right smack in the middle between amity park and gotham. then, a few weeks after the events of d-stabilized, shit hits the fan.

valerie knows vlad is also plasmius, and after giving (dani) ellie a good head start, she starts going after him, outing him to the whole town in the process. of course, vlad assumes danny is the one who told valerie, so he outs danny as phantom as well. vlad manages to shake valerie, the fentons, and the giw, but danny isn’t so lucky, and gets captured by the giw.

of course, once they find out he’s been captured, sam, tucker, and jazz start planning to break him out and get him somewhere safe. obviously they can’t take danny to either the manson or foley houses, the giw would check there first, and they can’t take him to jazz’s college dorm either. gotham has a lot of ambient ectoplasm though, and the giw (probably) wouldn’t go anywhere near batman’s territory even with the anti-ecto acts, so sam calls tim and asks if they can take danny to him once they rescue him.

of course, tim had no idea about anything going on in amity park, not that team phantom knew that. turns out the giw have been covering things up forever, and the extremely high ectoplasm leaking from the fentons’ portal doesn’t help either. but of course sam assumes he knows because most of amity park is actively protesting against the giw and demanding danny’s release and it’s about to start getting violent any second now, and if it’s such big news in amity then of course tim knows danny is phantom by now, right?

but tim’s able to keep hold of himself long enough to let sam know that yes, danny can come to gotham, all of team phantom can come to gotham once they’ve rescued him, and once he’s let her go he immediately goes to the other bats and sounds the alarms

so queue the justice league showing up in amity park to deal with the giw, and inquiries about the legality of the anti-ecto acts and how they overlap with meta protection laws get raised, and danny gets rescued, and team phantom is evacuated to gotham.

once things have calmed down, tim tells danny about being red robin and they bond over hero stuff. danny fixes jason’s pit-induced anger problems because holy shit dude your ectoplasm is rancid. bruce of course takes on look at danny and decides to adopt him.

anyway, thanks for coming to my ted talk.