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yeoldenews · 4 months

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A Guide to Historically Accurate Regency-Era Names

I recently received a message from a historical romance writer asking if I knew any good resources for finding historically accurate Regency-era names for their characters.

Not knowing any off the top of my head, I dug around online a bit and found there really isn’t much out there. The vast majority of search results were Buzzfeed-style listicles which range from accurate-adjacent to really, really, really bad.

I did find a few blog posts with fairly decent name lists, but noticed that even these have very little indication as to each name’s relative popularity as those statistical breakdowns really don't exist.

I began writing up a response with this information, but then I (being a research addict who was currently snowed in after a blizzard) thought hey - if there aren’t any good resources out there why not make one myself?

As I lacked any compiled data to work from, I had to do my own data wrangling on this project. Due to this fact, I limited the scope to what I thought would be the most useful for writers who focus on this era, namely - people of a marriageable age living in the wealthiest areas of London.

So with this in mind - I went through period records and compiled the names of 25,000 couples who were married in the City of Westminster (which includes Mayfair, St. James and Hyde Park) between 1804 to 1821.

So let’s see what all that data tells us…

To begin - I think it’s hard for us in the modern world with our wide and varied abundance of first names to conceive of just how POPULAR popular names of the past were.

If you were to take a modern sample of 25-year-old (born in 1998) American women, the most common name would be Emily with 1.35% of the total population. If you were to add the next four most popular names (Hannah, Samantha, Sarah and Ashley) these top five names would bring you to 5.5% of the total population. (source: Social Security Administration)

If you were to do the same survey in Regency London - the most common name would be Mary with 19.2% of the population. Add the next four most popular names (Elizabeth, Ann, Sarah and Jane) and with just 5 names you would have covered 62% of all women.

To hit 62% of the population in the modern survey it would take the top 400 names.

The top five Regency men’s names (John, William, Thomas, James and George) have nearly identical statistics as the women’s names.

I struggled for the better part of a week with how to present my findings, as a big list in alphabetical order really fails to get across the popularity factor and also isn’t the most tumblr-compatible format. And then my YouTube homepage recommended a random video of someone ranking all the books they’d read last year - and so I present…

The Regency Name Popularity Tier List

The Tiers

S+ - 10% of the population or greater. There is no modern equivalent to this level of popularity. 52% of the population had one of these 7 names.

S - 2-10%. There is still no modern equivalent to this level of popularity. Names in this percentage range in the past have included Mary and William in the 1880s and Jennifer in the late 1970s (topped out at 4%).

A - 1-2%. The top five modern names usually fall in this range. Kids with these names would probably include their last initial in class to avoid confusion. (1998 examples: Emily, Sarah, Ashley, Michael, Christopher, Brandon.)

B - .3-1%. Very common names. Would fall in the top 50 modern names. You would most likely know at least 1 person with these names. (1998 examples: Jessica, Megan, Allison, Justin, Ryan, Eric)

C - .17-.3%. Common names. Would fall in the modern top 100. You would probably know someone with these names, or at least know of them. (1998 examples: Chloe, Grace, Vanessa, Sean, Spencer, Seth)

D - .06-.17%. Less common names. In the modern top 250. You may not personally know someone with these names, but you’re aware of them. (1998 examples: Faith, Cassidy, Summer, Griffin, Dustin, Colby)

E - .02-.06%. Uncommon names. You’re aware these are names, but they are not common. Unusual enough they may be remarked upon. (1998 examples: Calista, Skye, Precious, Fabian, Justice, Lorenzo)

F - .01-.02%. Rare names. You may have heard of these names, but you probably don’t know anyone with one. Extremely unusual, and would likely be remarked upon. (1998 examples: Emerald, Lourdes, Serenity, Dario, Tavian, Adonis)

G - Very rare names. There are only a handful of people with these names in the entire country. You’ve never met anyone with this name.

H - Virtually non-existent. Names that theoretically could have existed in the Regency period (their original source pre-dates the early 19th century) but I found fewer than five (and often no) period examples of them being used in Regency England. (Example names taken from romance novels and online Regency name lists.)

Just to once again reinforce how POPULAR popular names were before we get to the tier lists - statistically, in a ballroom of 100 people in Regency London: 80 would have names from tiers S+/S. An additional 15 people would have names from tiers A/B and C. 4 of the remaining 5 would have names from D/E. Only one would have a name from below tier E.

Women's Names

S+ Mary, Elizabeth, Ann, Sarah

S - Jane, Mary Ann+, Hannah, Susannah, Margaret, Catherine, Martha, Charlotte, Maria

A - Frances, Harriet, Sophia, Eleanor, Rebecca

B - Alice, Amelia, Bridget~, Caroline, Eliza, Esther, Isabella, Louisa, Lucy, Lydia, Phoebe, Rachel, Susan

C - Ellen, Fanny*, Grace, Henrietta, Hester, Jemima, Matilda, Priscilla

D - Abigail, Agnes, Amy, Augusta, Barbara, Betsy*, Betty*, Cecilia, Christiana, Clarissa, Deborah, Diana, Dinah, Dorothy, Emily, Emma, Georgiana, Helen, Janet^, Joanna, Johanna, Judith, Julia, Kezia, Kitty*, Letitia, Nancy*, Ruth, Winifred>

E - Arabella, Celia, Charity, Clara, Cordelia, Dorcas, Eve, Georgina, Honor, Honora, Jennet^, Jessie*^, Joan, Joyce, Juliana, Juliet, Lavinia, Leah, Margery, Marian, Marianne, Marie, Mercy, Miriam, Naomi, Patience, Penelope, Philadelphia, Phillis, Prudence, Rhoda, Rosanna, Rose, Rosetta, Rosina, Sabina, Selina, Sylvia, Theodosia, Theresa

F - (selected) Alicia, Bethia, Euphemia, Frederica, Helena, Leonora, Mariana, Millicent, Mirah, Olivia, Philippa, Rosamund, Sybella, Tabitha, Temperance, Theophila, Thomasin, Tryphena, Ursula, Virtue, Wilhelmina

G - (selected) Adelaide, Alethia, Angelina, Cassandra, Cherry, Constance, Delilah, Dorinda, Drusilla, Eva, Happy, Jessica, Josephine, Laura, Minerva, Octavia, Parthenia, Theodora, Violet, Zipporah

H - Alberta, Alexandra, Amber, Ashley, Calliope, Calpurnia, Chloe, Cressida, Cynthia, Daisy, Daphne, Elaine, Eloise, Estella, Lilian, Lilias, Francesca, Gabriella, Genevieve, Gwendoline, Hermione, Hyacinth, Inez, Iris, Kathleen, Madeline, Maude, Melody, Portia, Seabright, Seraphina, Sienna, Verity

Men's Names

S+ John, William, Thomas

S - James, George, Joseph, Richard, Robert, Charles, Henry, Edward, Samuel

A - Benjamin, (Mother’s/Grandmother’s maiden name used as first name)#

B - Alexander^, Andrew, Daniel, David>, Edmund, Francis, Frederick, Isaac, Matthew, Michael, Patrick~, Peter, Philip, Stephen, Timothy

C - Abraham, Anthony, Christopher, Hugh>, Jeremiah, Jonathan, Nathaniel, Walter

D - Adam, Arthur, Bartholomew, Cornelius, Dennis, Evan>, Jacob, Job, Josiah, Joshua, Lawrence, Lewis, Luke, Mark, Martin, Moses, Nicholas, Owen>, Paul, Ralph, Simon

E - Aaron, Alfred, Allen, Ambrose, Amos, Archibald, Augustin, Augustus, Barnard, Barney, Bernard, Bryan, Caleb, Christian, Clement, Colin, Duncan^, Ebenezer, Edwin, Emanuel, Felix, Gabriel, Gerard, Gilbert, Giles, Griffith, Harry*, Herbert, Humphrey, Israel, Jabez, Jesse, Joel, Jonas, Lancelot, Matthias, Maurice, Miles, Oliver, Rees, Reuben, Roger, Rowland, Solomon, Theophilus, Valentine, Zachariah

F - (selected) Abel, Barnabus, Benedict, Connor, Elijah, Ernest, Gideon, Godfrey, Gregory, Hector, Horace, Horatio, Isaiah, Jasper, Levi, Marmaduke, Noah, Percival, Shadrach, Vincent

G - (selected) Albion, Darius, Christmas, Cleophas, Enoch, Ethelbert, Gavin, Griffin, Hercules, Hugo, Innocent, Justin, Maximilian, Methuselah, Peregrine, Phineas, Roland, Sebastian, Sylvester, Theodore, Titus, Zephaniah

H - Albinus, Americus, Cassian, Dominic, Eric, Milo, Rollo, Trevor, Tristan, Waldo, Xavier

# Men were sometimes given a family surname (most often their mother's or grandmother's maiden name) as their first name - the most famous example of this being Fitzwilliam Darcy. If you were to combine all surname-based first names as a single 'name' this is where the practice would rank.

*Rank as a given name, not a nickname

+If you count Mary Ann as a separate name from Mary - Mary would remain in S+ even without the Mary Anns included

~Primarily used by people of Irish descent

^Primarily used by people of Scottish descent

>Primarily used by people of Welsh descent

I was going to continue on and write about why Regency-era first names were so uniform, discuss historically accurate surnames, nicknames, and include a little guide to finding 'unique' names that are still historically accurate - but this post is already very, very long, so that will have to wait for a later date.

If anyone has any questions/comments/clarifications in the meantime feel free to message me.

Methodology notes: All data is from marriage records covering six parishes in the City of Westminster between 1804 and 1821. The total sample size was 50,950 individuals.

I chose marriage records rather than births/baptisms as I wanted to focus on individuals who were adults during the Regency era rather than newborns. I think many people make the mistake when researching historical names by using baby name data for the year their story takes place rather than 20 to 30 years prior, and I wanted to avoid that. If you are writing a story that takes place in 1930 you don’t want to research the top names for 1930, you need to be looking at 1910 or earlier if you are naming adult characters.

I combined (for my own sanity) names that are pronounced identically but have minor spelling differences: i.e. the data for Catherine also includes Catharines and Katherines, Susannah includes Susannas, Phoebe includes Phebes, etc.

The compound 'Mother's/Grandmother's maiden name used as first name' designation is an educated guesstimate based on what I recognized as known surnames, as I do not hate myself enough to go through 25,000+ individuals and confirm their mother's maiden names. So if the tally includes any individuals who just happened to be named Fitzroy/Hastings/Townsend/etc. because their parents liked the sound of it and not due to any familial relations - my bad.

I did a small comparative survey of 5,000 individuals in several rural communities in Rutland and Staffordshire (chosen because they had the cleanest data I could find and I was lazy) to see if there were any significant differences between urban and rural naming practices and found the results to be very similar. The most noticeable difference I observed was that the S+ tier names were even MORE popular in rural areas than in London. In Rutland between 1810 and 1820 Elizabeths comprised 21.4% of all brides vs. 15.3% in the London survey. All other S+ names also saw increases of between 1% and 6%. I also observed that the rural communities I surveyed saw a small, but noticeable and fairly consistent, increase in the use of names with Biblical origins.

Sources of the records I used for my survey:

Ancestry.com. England & Wales Marriages, 1538-1988 [database on-line].

Ancestry.com. Westminster, London, England, Church of England Marriages and Banns, 1754-1935 [database on-line].

#history #regency #1800s #1810s #names #london #writing resources #regency romance #jane austen #bridgerton #bridgerton would be an exponentially better show if daphne's name was dorcas #behold - the reason i haven't posted in three weeks

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daemonoferror · 1 year

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Well it's 5am and i havent slept so i guess ill write

#j was up all night making myself nauseous with stress thinking my mom's new bouquet had lilies in it #we have cats so i was thinking 'shit shit what if they DIE?! what if the only creatures that bring me joy DIE bc my mom got some flowers??'#kept looking up yellow/orange/brown spotted lilies. tiger lilies. types of lilies. to find the exact flower #than found alstroemerias which are common in bouquets. are called lilies. look exactly like the flowers #aND NON TOXIC TO CATS FYCK YEAHHH #i mightve deluded myself into trusting everything will be okay but-#sean's soliloquy

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underwhelmingalchemist · 2 months

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So apparently the version of the "Isn't It Bromantic" interview that gets passed around isn't the full thing

So after seeing a tumblr post I can't find, about two and half hours of intensive internet digging, and one purchase from a sketchy second-hand site later (full story under the cut, I promise it's interesting, but also long), I got the physical magazine and scanned it

So here you go: the full "Isn't It Bromantic?" TV guide interview with Robert Sean Leonard and Hugh Laurie

Feel free to repost wherever you want- I want people to be able to find the full thing

SO, as for how I found it:

I saw this tumblr post forever ago that I can't find anymore because tumblr is just Like That with a cropped screenshot of an interview with Hugh Laurie and Robert Sean Leonard. In the interview, they're asked about the "bromance" between their two characters. Leonard makes an annoyed comment about how "everyone [is] obsessed with homosexuality", followed by the interview apologizing and Laurie immediately jumping in with, "No, no, let's talk about it. Wilson and House have an unusual relationship so you have to explore…" and the screenshot cuts off there. Cue funny comment from the OP about the interaction, roll credits.

Except, as these things tend to do, it ended up becoming a bit of a brain worm, and I wanted to find it again. But I couldn't find the tumblr post. I looked absolutely everywhere, and in the process of looking everywhere, I found what I thought was the original interview- a blog post with the full quote from the actor. I didn't think too much about it, I figured it was just a short quote given to a popular blog in 2008. There's a magazine cover above it, but I don't think too much about it, because I'm focusing on the quotes in the article instead of the rest of it.

So I send screenshots to a couple friends to make jokes, and it probably should have died there.

However, late at night I end up thinking about that interview again, because of course I did. I start to think about how it's weirdly formatted for, what I assumed at first reading, was just an entertainment news blog reaching out for comment and getting a response. So I pull up the screenshots of the article (because weirdly enough, the old-ass blog only loads on mobile) and look at it again.

This is when I realize that this isn't an original piece from a blog interviewing these two after reaching out for comment. This is a blog post quoting and commenting on a full interview from a magazine, which I had originally thought had just been the inspiration for the piece.

So naturally, I go looking for the magazine.

Luckily, the name of the magazine is displayed on the cover, and so is the title of its main piece. This should be easy to find, right?

Wrong.

This is an interview in a physical magazine. From 2008. October 13th, 2008, to be exact.

I know this exact date because searching the article title and magazine name leads me to an archive on the TV Guide website.

Of covers.

And nothing but covers.

I spend like forty-five minutes searching everywhere I can think of on the web. Internet Archive, the TV Guide website, any search result that comes up when I search any combination of the words "House" "Interview" "Bromantic" "Bromance" "TV Guide" "Archive" etc. Over and over, all that's coming up are that original blog post and the cover from the official gallery.

The only things I could find online were:

The cover and date of the issue on the TV Guide website

The original blog post that was screenshotted in the original tumblr post

Another blog post that had a much shorter version of the quote, references something Leonard says from later in the article, and makes a comment on the nature of his reaction to the term "bromance"

An entry on Leonard's IMDB page's "interview" list mentioning it in title only

And:

5. A single listing for the issue on what seemed to be a second-hand site that looked like it hadn't had its UI updated since the mid 2000's, with a listing with no date or additional information besides what issue it is.

This is the only listing anywhere. I checked every other second-hand site I could think of, and then some that only came up through google searches. There's not a single listing for that issue on any of them. There were plenty of listings of TV guide magazines, including one that seemed promising because it included issues from that year, but it was missing all of October.

It seemed like the only listing for this issue on the entire internet was this one copy on this one obscure website. For all I know, this was listed in 2008 and abandoned, and just never got marked inactive. It could also be a complete scam.

A few quick google searches show that that website seemed to be legit, albeit a bit loose on quality control (which makes sense, this website seemed like the kind of thing you'd have to use the Way Back Machine to access). It also had an option to pay via PayPal, which meant I could file a chargeback if need be.

It was $11.50 when you include shipping.

So at about half past midnight, I bought the listing.

Naturally, about an hour later, I manage to actually find a scan of the interview. I had to follow a link in the comments of a post on FanPop, taking me to an old wordpress blog, and I'm sitting in front of the damn interview at last.

But something doesn't make sense. Why would their cover story only be two pages of text that aren't even full pages, and why would it cut off so strangely? There was no concluding sentence or paragraph, even though it started with a fairly long lead-in. It also led right up to the edge of the page, which felt like there should be more to it. There were more images in the interview than text, and the fact that there are so many of them and they clearly did a whole photoshoot indicated that they had them on hand for a while. The silly string one, for instance, I imagine probably had to require a couple takes, which means cleaning off Wilson's hair and face, adjusting makeup, etc. for it. Meanwhile, the conversation itself seems like it could have taken ten minutes total. I could have been totally wrong and that was where the article ended, but I couldn't shake the feeling that there might be more.

So I hold tight. A couple days pass with no update, and then the PayPal purchase gets updated with a tracking number. Promising, but it could still be a scam. Whether or not I get the actual magazine becomes a source of anxiety for the next week.

Until today, when I get told it was delivered. And when I opened the envelope it was sent in: there it was.

When I tell you I was happy stimming in my bedroom just holding the damn issue in my own hands... And then opening it and finding out that I was right, there was a missing page... I was elated. I still am, just typing this.

So I spent half an hour getting my scanner to work, and I give you the above issues.

Like I said above, feel free to repost however and wherever you want. I want all this to mean something.

In the meantime, I have two more House-themed TV Guide magazines coming to try and get articles from.

#i am so psyched to have found this you have no idea #house #house md #hatecrimes md #malpractice md #gregory house #james wilson #hugh laurie #robert sean leonard #tv guide #magazine #interview #house interview #isn't it bromantic #hilson

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ghostfacd · 5 months

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YES I KNOW THAT HE’S MY EX! | TOM BLYTH

pairing. tom blyth x fem!actress!reader

summary. you knew tom was your ex, and that you should probably stay away, but that’s never stopped you before

part 1 | installment of this au (please read for more context!)

ynuser :)

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user1 im loving the aesthetic

user2 THE BIKINI TOP IS SO CUTE

user3 put them toes awayyyy

rachelzegler i pay attention to things that most people ignore (this isn’t your car.)

➥ user4 PLEASE?? not rachel using yn’s own lyrics on her

➥ user5 IS THIS TOM’S CAR??

user6 i may be delulu but those r tom blyth’s mfing hands.

user7 he has her hair tie on; i repeat, tom blyth literally has yn’s hair tie on

When Tom had messaged you saying he wanted to talk, no matter how much you knew it was a bad idea, you decided to agree to it anyway.

The breakup had ended pretty badly. Although it was an agreement between you and Tom, that didn’t mean that’s what the both of you truly wanted.

The reason the two of you broke up in the first place was that Tom was talking too much about your future, which wasn’t a bad thing — but it overwhelmed you. You weren’t ready to settle down, not yet, at least. You and Tom had only been dating for a few months, and although it was all sweet and loving, you knew that getting engaged this early was like asking for a disaster to strike.

He was upset. Clearly. He loved you, you loved him, so why was it such an inconvenience for you to agree to take the leap in your relationship? That caused a blown out argument between you two, and by the end of it, you had agreed breaking up was the right thing.

You had a acting and music career to focus on, and Tom had an acting career that was just at the beginning of its success. You felt that it wasn’t right to put a distraction into his life.

“Is this a bad idea?” You ask breathlessly as you pull away from the kiss. You can’t help but stare into Tom’s eyes, which held a language of their own.

“Maybe,” he says, wiping the corner of your mouth. “But who cares?”

Who cares. Right. Well surely, it was a bad idea to meet up with your ex, much less kiss him, and although alarms were baring in your head that you probably shouldn’t—you go in for a second kiss, this time, Tom doesn’t let you go, cradling you close to his body.

“I don’t care if you don’t want to take the next step in our relationship, I’m fine if you’re not ready yet. I just want you, okay?”

And how could any girl possibly reject Tom Blyth when he’s begging so prettily? Certainly not you.

tomblyth and ynuser both posted an instagram story !

ynsbiggestfan THE GIRLS AND I AFTER SEEING THE STORIES ON INSTA

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user8 IM ACTUALLY DYING BC NO WAY WAS THAT A COINCIDENCE

user9 they’re connected they cant be far away from each other

user10 she’s my Heather 💔💔

➥ user12 fr i wish tom was that inlove w me

user13 so this is why rachel said that wasn’t yn’s car

➥ user14 ITS ALL MAKING SENSE NOW

sean.kauf photo dumpy

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ynuser pic creds ?? 🤬

➥ sean.kauf 🤓🤓

user15 wait im confused, is she together with tom again or is she with sean..

user16 Ykw i cant even be mad, if i was as hot as yn, i’d have two bfs too!

➥ user17 REAL SHIIT

tomblyth fun fact: the 2nd pic is sean third wheeling after forcing me and yn to speak to each other

➥ user17 TOM CONFIRMED IT IM DEAD

user18 all the yn haters must feel stupid asf rn after accusing yn of being with sean

➥ user19 literally cause all 3 of them are literally close 😭😭 like why would sean date yn, he’s literally friends with tom

user20 if yn isn’t dating sean let me have him omg

ynuser yes i know that he’s my ex but can’t two people reconnect !!!!!

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user21 this took the cake.

user22 time to cry again bc tom blyth is off the market

user23 she got him wrapped around her finger FR

user24 THE THIRD PIC OF THEM 🥹🥹

user25 THE CAPTION OUUU GIRLY IS BRAVE

tomblyth i only see you as a friend (the biggest lie i’ve ever said)

➥ user26 I CHOKED

➥ user27 THEIR SOCIAL MEDIA MANAGERS ARE CRYING RN

#coriolanus snow angst #coriolanus snow x you #coriolanus snow smut #coriolanus snow imagine #coriolanus snow fanfiction #coriolanus snow x reader #coriolanus snow #tom blyth x reader #tom blyth #the ballad of songbirds and snakes #the hunger games x reader

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loverofsoups · 4 months

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Mark? MARK? Hes wired in. Sorry? He’s wired in. Is he? Yes. How bout now you still wired in? Call security. You issued 24 million new shares of stock! You were told that if new investors came along- how much were your shares diluted? How much were his? You signed the papers. You set me up! You’re gonna blame me because you were the business head of the company and you made a bad business deal with your own company? This is gonna be like im not a part of facebook. It won’t be like youre not a part of facebook. Youre not a part of facebook. My name’s on the masthead! You might wanna check again. Is this because i froze the account??? You think we were gonna let you parade around in your ridiculous suits pretending you were running this company? SORRY MY PRADAS AT THE CLEANERS! Along with my hoodie and my fuck you flip flops, you pretentious douchebag! Security’s here, youll be leaving now. Im not signing those papers. We’ll get that signature. Tell me this isnt about me getting into the Phoenix. You… you did it i knew you did it! You planted the story about the chicken! I didnt plant that story about the chicken- Whats he talking about? You had me accused of animal cruelty! Seriously. What the hells the chicken? And i’ll bet what you hated the most, is that they identified me as a co founder of facebook WHICH I AM. You better lawyer up asshole, cause im not coming back for 30%… im coming back for EVERYTHING. Get him out of here. Its okay, I’m going. Hang on! Almost forgot. Here’s your $19,000. I wouldn’t cash it though i drew it on the account you froze. I like standing next to you, Sean. It makes me look so tough.

#tsn #the social network #eduardo saverin #mark zuckerberg #andrew garfield #jesse eisenberg #markwardo

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terastalungrad · 2 months

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Sometimes, you’re a comedian with a touring show to promote, so you do an interview with a regional newspaper.

I think that’d be the funniest possible time to reveal a big scoop, wouldn’t it?

Stewart Lee is currently touring, and to promote his Yeovil performance, gave an interview to Blackmore Vale Magazine. According to Wikipedia, the Blackmore Vale is an area of north Dorset, south Somerset and southwest Wiltshire. According to the comedian Jake Baker, the magazine would cover his school sports day as he grew up in Dorset. That’s the level of news you’d expect.

The questions are friendly and easy, from a journalist clearly familiar with Lee’s work and history.

The first question is about the show’s angle. Lee describes the nature of the show, and here’s an excerpt:

So it looks like stand-up, and sounds like stand-up, but it’s actually a kind of character piece about a desperate person who’s frightened and trying to organise the world in a way that puts them in control. And I guess you could argue that’s what a lot of stand-ups are doing anyway. Ricky Gervais to me looks like a very frightened man. He’s frightened of transgender people coming after him, the act is a defensive wall.

Fun! This is a Ricky Gervais hate blog, so it’s nice to see a sudden, unexpected attack in an unrelated promotional interview.

Lee mentions Gervais again in response to question four.

Sometimes I become bitter and think ‘I get all this good press, why can’t I get 10 million quid for a TV special like Ricky Gervais?’ But on the other hand, I wouldn’t want that audience, it wouldn’t allow me to be better.

And then again to question eight, where Lee explains why he spends six months running new shows in the relatively small Leicester Square Theatre (as opposed to arena comics who might do 10 warmup shows followed by 60 tour dates).

You can still run it like a club gig, you can interact with people in real time. Also, you wouldn’t get better at the show because you wouldn’t have done it as many times. You can see this with an act like Gervais. Those shows have not been run in, they’re not fluid, they’re a succession of inflexible statements that would snap like twigs if the pressure of an unforeseen event was applied to them.

The journalist finally addresses this head on. It really is worth reading the entire article - there’s a lot more than I’m quoting, including an interesting story about Sean Lock:

But here are my favourite bits:

[Gervais] still kind of copies me though, which is the weird thing. There’s still a lot of cadences of what I do but they’re used in the service of evil. In Star Wars, he’s Darth Vader and he’s taken the force, which is me, and used it for evil purposes. He was a fanboy, he was actually the booker at University of London and used to book me and Sean Lock all the time. And when he became famous for the Office, he wrote an hour-long act that was so indebted to us it was awkward. [...] If he’d come up through the circuit that would have been rubbed off him because you find your own voice doing club gigs. It took me two years of gigging five nights a week to come through the mesh of things I liked. But he didn’t have that experience in the same way. [...] Funnily enough, in his first show there were bits I’d never recorded that he’d do almost verbatim. He’d clearly remembered them. I went to see him at the Bloomsbury – on his invitation actually – with my then girlfriend and she was very concerned for me. I’d given up at that point due to lack of interest, and she was concerned for what it felt like to see my act being done to hundreds of people, it was quite weird. On the other hand, that sort of did make me think I don’t want it to be consumed into someone else’s vocabulary. And also, I think because he had a residual sense of guilt, he would always credit me in interviews as being an influence – that helped me in 2004 to get the audience back.

This is, to my knowledge, the first time Lee’s ever claimed that Gervais stole his material. He’s certainly talked about Gervais clearly taking influence from him (though in the past, he downplayed this compared to the account given in this interview).

It’s a pretty big thing to accuse a comic of stealing material. That’s a big taboo. I reckon this is partly because Lee wants to discourage fans of Gervais from coming to the show.

Anyway, let’s finish by quoting the end of the interview:

It must be strange to have that level of financial remuneration and those audience figures but not really a single good review. And I expect what that does for you is create a cognitive dissonance where you have to manufacture a worldview by which the whole world is wrong and you’re right. Which can’t necessarily be very good for your mental health, although I expect the money’s nice.

#stewart lee #ricky gervais #tagging my hate

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wilsonsmcgillsweatshirt · 8 months

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I'm just thinking about how David Shore and Hugh Laurie talked about Wilson and House's relationship as definitely romantic in their GQ interview.

David Shores said, "I love that we started the series with House and Wilson, and we ended it with House and Wilson. Ending with a non-traditional romantic story is atypical, and that exploration of male friendship is something you don’t see on TV very often. You see a lot of wingmen giving each other crap, and House most certainly did that. But, the idea of guys giving each other crap who loved each other was new."

This is the same interview that Hugh Laurie said, "Way before this idiot word “bromance” was coined—I wish people wouldn’t jam words together like that, there are enough words—I think it’s true that there was a great sort of weird romantic love between House and Wilson. I suppose that was the show’s central core relationship, and it was irresistible to me. I certainly did grow… I’d stop short of saying romantically involved with Robert Sean Leonard, but we became very close and enjoyed each other’s company. He made me laugh an indecent amount. I think the writers too enjoyed writing that relationship. Shore, in particular, had a real knack for it. There was a scene in which House has been suspended from the hospital, so he’s taken the role of the housewife in Wilson’s apartment. Wilson gets home one day, and House has got a basket of laundry, and he says something like, “Your shirts aren’t dry yet, but you’ve got plenty of underwear.” Shore changed the line to “We’ve got plenty of underwear,” in what I thought was one of the funniest rewrites you could possibly have in the smallest number of letters."

I genuinely take this as them saying that Hilson is canon.

(Interview is linked)

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threadbaresweater · 1 month

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one warm day is all i really need | arthur morgan x reader

Arthur doesn't think you're interested in him any more than you're interested in fishing, which ain't much. You hope he shares even an inkling of the feelings you have for him. It's no surprise to anyone else in camp that there's something between the two of you, and they make sure you get a chance to show each other how you really feel.

The details: 3.9k words. Female reader with a backstory that isn't really elaborated upon in this fic but might be at a later date if I have the spoons; several gang members act as side-characters/wingmen (and women); alcohol and cigarette use; sex (pretty vanilla, but a little rough and intense). NSFW. This is also my first fic for a new fandom, so please be gentle with me. It's been a while.

Arthur first notices your eyes on him one evening around the campfire at Shady Belle. He won’t accuse you of staring– Lord knows he’s been known to look at you with the same foolish grin you’re wearing now– but he tips his hat to acknowledge you. The heat in your cheeks is suddenly warmer than what the fire has already provided; your grin only grows until your teeth are showing, and you duck your head into your shoulder to hide. Arthur takes a long swig from his whiskey bottle and grimaces as it goes down. He hasn't had a drop of anything in days, and the burn takes a little while to grow numb to now.

“Think she's sweet on you, Morgan,” Sean says in his Irish lilt, giving Arthur an elbow in the ribs.

“Naw, she's lookin’ at you,” Arthur deflects, though he hopes he's wrong. He thinks he knows.

“She told me last week to keep my eyes on my own work,” Sean continues. “I really don't think it's me she wants, Arthur.”

You turn to whisper something to Sadie, who laughs out loud with her face tilted toward the stars. You dare a glance back at Arthur, who is, in fact, looking at you.

Maybe there's some truth to what Mary Beth told you yesterday.

“Arthur's been awful quiet lately.”

The sun shines through the trees and dapples the table where you're seated with bright spots of pale yellow. It's your third round of dominoes with Mary-Beth, and she's whooping your ass, as usual. You don't know how she does it, but each game you play, you're a little more privy to her prowess.

“You think so? I don't know him as well as you.” You hope it isn't obvious that your heart started beating a little faster at the mention of his name. It leaves you breathless.

“Oh yeah,” Mary-Beth continues. “He's been scratchin’ away in that journal of his a lot more, too.” She leans closer, conspiratorial, her eyes twinkling with the gossip she's about to share. “Karen said he went to town twice last week to have a hot bath. If you knew Arthur like I know Arthur, why…you'd know that's highly out of character for him.”

“But you said he'd been quiet. Is that unusual for him, too?”

She hums and purses her lips. “Well you see, Arthur isn't usually a man of many words on a good day. But it's been real bad lately. He don't even give John a hard time like usual.”

You ponder the dominoes for a moment and then make your move. It doesn't earn you any points, but at least you didn't have to draw. “What do you think the problem is?” you ask, nonchalant as possible.

Mary-Beth smiles. Big and bright and sparkling. “Oh, it's not a problem at all.” She lowers her voice and cups her hand to her mouth. “Arthur's in love.”

You gasp, then giggle behind your hand, and Mary-Beth follows suit. Hosea looks on and shakes his head, so you quiet down, reaching across to grab Mary-Beth's hands. “Who do you think it is?”

Her cheeks are tinted pink, and she looks around to make sure there aren't any ears to hear. Word travels fast around camp if one isn't prudent. “I think it's you.”

A thunderstorm rips through Shady Belle a little over a week later. Your little tent that you share with Sadie is ripped straight off its supports in a terrible gust of wind, and you and the others hightail it inside the house to take cover just as it begins to hail. There's quite a ruckus as everyone huddles inside, windblown and rain-soaked. A few of the men hold up lanterns to illuminate the darkness while you watch the lightning and feel the thunder shake the old bones of the house.

“Everyone just calm down,” Dutch calls, descending the stairs, wearing some ridiculous robe with his arms spread wide. “Are we really gonna let a little old thunderstorm keep us from getting a good night's sleep?”

“Says the man with a bed inside the house,” Arthur bites, rounding the corner from what used to be the kitchen, holding a lantern up high in front of him. “Dutch, you better allow these ladies to take cover in here for tonight, or I'll–”

“Or you'll what, Mister Morgan? Pray tell, what kind of man do you take me for?” Dutch's eyes are fiery as he stares Arthur down; a display of dominance. A veritable cockfight.

Arthur's jaw twitches, but he doesn't back down. “The kind of man I should hope would have some goddamn respect for his family.”

There's a tense moment or two where everyone is quiet, then Dutch relents. “Fine, fine! But I expect everyone out there pitching in to clean up in the morning.” He points at Arthur and raises his voice again. “That includes the other man with a bed inside the house,” he sneers.

Arthur shakes his head, then looks away only to catch sight of you, shivering in your wet undergarments, huddled close to Mary-Beth for what little warmth the two of you can share. For a minute, he forgets to breathe, then composes himself enough to cross the room.

“Come on in here. Get yourself warm and dry by the fire.” His hand on your elbow is rough but warm as he leads you toward the fireplace. You nod and look back at Mary-Beth, who shoos you away with a flick of her wrist and a wink; you notice that her teeth are chattering. Despite the humidity that hangs heavy in the air, the temperature has turned chilly with the storm.

Arms crossed over your bosom to preserve any shred of modesty you might have left, you allow yourself to be led away by Arthur. Dutch and some of the others head upstairs while Charles and Javier keep watch from the front porch.

“You alright?” Arthur asks. He covers your shoulders with one of his heavy winter coats, and you pull it around you, grateful for the weight and warmth of it. Another clap of thunder shakes the house and you jump. Arthur chuckles.

“You laughin’ at me?” you quip, placing your palms flat in the direction of the fireplace. You don't even bother to hide the grin you feel curling on your lips.

“No madam, I am not,” Arthur says earnestly, taking a seat beside you on the old wooden crate he's set up as a makeshift bench.

“Then just what do you find so funny, Mister Morgan?”

He scratches the back of his neck, looking into the flames. “Aw, I dunno. I'm sorry. It's just that you're…”

You bump him with your hip, unable to stop the giggles that bubble up from your chest. “I'm what?” you pry.

There's a clatter of something falling on the front porch, and Arthur uses it as a good excuse to get out of this hole he's dug for himself. “I better go see what's going on out there. Charles might need my help.”

“I'm what, Arthur?!” you call, to no avail. He's gone before he can see the proverbial hearts in your eyes.

The saloon in Rhodes is a little nicer than the ones you visited in Valentine, though it's a far cry from the ones you used to frequent in Saint Denis. Still, when Sadie and the other girls decide that it's high time you have a little fun in town, you throw on your best dress and let Karen curl your hair and even apply a little of the makeup you snagged from a homestead up north. For the first time in months, you feel like a proper woman. There isn't time to be melancholy about the past, though, when the boys start whistling and cat-calling upon the sight of you and the other girls.

“Aw, knock it off!” Sadie hollers. She's decided to dress up a little tonight, too, much to everyone's surprise. But she hikes up her skirts to hop into the wagon, calling for the rest of you all to hurry it up. “I've got a bottle of rum with my name on it that's waiting for me to come drink her all down!”

You catch the sunset on the way to town. It's dazzling over the meadows, all golden light and warm, blazing oranges and reds that settle into a brilliant pink by the time your reach the main road into Rhodes. You wish you could see Arthur's eyes, but he's got a handle on the reins next to Charles in the front of the wagon. You've seen him watching the sunset before; he always looks so peaceful those evenings at camp, and you often wonder what he thinks about in those few minutes before the horizon is painted in pastel hues.

Karen starts singing a song that everyone eventually joins, and before you know it, you're pulling up in front of the Rhodes Parlour House. You can already hear the piano and a few voices from outside; the sound of it stirs something in your soul that makes you long for the familiarity of home, but you quickly shove it aside in favor of the company of your new family.

“Madam.” Arthur's voice brings you out of your thoughts and back into the present, where he waits at the back of the wagon with his hand extended to you. You beam at him, and he feels dizzy. And when your soft hand fits into his, he straightens his knees so they don't buckle and betray him.

“Why, thank you, kind sir,” you say, lifting the hem of your skirts to step out onto the dirt road.

Arthur leans in, dangerously close to your ear. You can smell the whisky and cigarettes on his breath, along with the faint tang of gunpowder and hair pomade. “You sure do look nice in that dress.”

You demure and fan yourself with your hand. “Just how much have you had to drink already tonight?” you giggle.

“Ahh, just a little nip to take the edge off.”

“Mm-hm. Sure, Arthur. Whatever you say.”

The night starts off relatively calm, as most nights do. You and the other girls find an empty table to sit and pick up on the town gossip, and the men start a hand of poker. It grows loud and crowded sometime around midnight, and it's hard to have a conversation without shouting over the din of voices, the clink of glass bottles, and the slow drag ragtime music from the piano. The ambiance is charming and lighthearted, and there are even a few couples drunkenly dancing on the porch.

You push back in your chair and find that when you stand, you're a little more wobbly than you thought you would be. The alcohol has loosened you more than you realize, and you grip the table for support until you feel a firm arm around your waist. “Whoa there.”

It's Arthur, who has won the last round of poker and has come to check in on you and the other ladies. You're pulled tight against his chest for one fleeting moment, and you look up into his eyes. He, too, seems drunk, with his eyes gleaming and drooping at the corners, his smile easy and his cheeks flushed.

“My knight in shining armor,” you slur, pretending to faint in his embrace. He only pulls you tighter against him, both of his broad hands splayed across your back. You laugh, and he smiles.

“You weren't getting another drink, were ya?” he questions with a raise of his brow.

“‘m thirsty,” you whine, lifting your empty glass entirely too close to his face. It knocks against his nose, which sends you into another fit of laughter.

Arthur takes your wrist– gentle but firm– and lowers the glass away. “Think you need to drink something that's not whiskey,” he drawls. You can't help but watch the way his lips form around the words; the slip of his tongue between his teeth, the way his mouth turns up into the hint of a smile when you pout. Before you can think too long and hard about it, you lunge forward and kiss him. Hard and clumsy and impulsive. You don't give him time to react. You're far too involved in the kiss to notice, but the girls at the table behind you have all gone silent. Arthur slides his hand along the side of your face and presses his fingers upon the nape of your neck, kissing you back like he really means it. (He really does.)

You pull back suddenly, breathless and reeling, swiping the back of your hand over your mouth. You're still held firm in his embrace, but the playfulness in his gaze has been replaced with an intensity that makes your knees weak all over again.

“What'd ya do that for?” he asks.

“Could ask you the same thing.”

“Well, you started it.”

“And you finished it.”

“Oh, I ain't finished with you, yet.”

“That a promise or a threat?” Your pulse is thumping wildly in your ears.

“Ya know, they got rooms upstairs for that!” Sadie shouts. There's a ripple of laughter across the table. Arthur's hand on your cheek feels like a brand, his arm about your waist an anchor. The rest of the room comes back to you in a woozy blur, and you look around, a little lovestruck and a whole lot drunk. Arthur's lips at your temple make your eyes flutter shut, and the room fades to black as tIt'weight of you slumps against him. He staggers only slightly, but holds you firm, chuckling softly.

“It's a promise,” he whispers.

You come to some hours later. Your mouth is dry as the desert, your head feels like lead, your skin broken out in a cold, uncomfortable sweat. At some point, it seems you were covered with a downy soft blanket, and the pillow at your head is much more fluffy than the makeshift one you made out of a bedroll at camp. At first, you think you're dreaming. Then, you wonder very briefly if you're back at your childhood home in Saint Denis. You almost call out to your mother when you hear a soft snore from the other side of your bed.

The room spins when you turn your head, and you rub your eyes until Arthur comes into focus. He's sprawled in an armchair a few feet away. His arms are crossed over his chest while his chin is tucked into his chest. Off to the side, you spy his boots; his big toe pokes through a hole in his sock and you smile at how vulnerable he looks.

“Arthur,” you whisper, shifting slightly as you pull the blanket up around your chin.

He grunts and lifts his head slowly. He frowns a little at first, but when he focuses on you lying there, so close he could reach out and kiss you again like he did last night, there's a slow, easy smile that spreads across his face.

“Hey there, party girl. You feeling alright?”

You could kick yourself for all the giggling you've done around him lately, but you can't help it. He brings out something giddy and downright foolish inside you, so you toss a pillow at him and bury your face in the sheets.

“Aw, come on now. I'm just messin’ with ya.” He leans forward and rubs your head affectionately. “I'd say you were feeling pretty good last night.”

It's in that moment a white-hot jolt of sheer panic shoots down your spine. Quickly, you check to make sure you're still wearing clothes. Aside from your breasts being a little lopsided in the confines of your bodice, you're relieved to find that your dress is still intact and– more importantly– on your body. You dare another peek at Arthur and notice that his shirt is unbuttoned down to the middle of his chest and he's discarded his vest somewhere, but he, too, is fully clothed. Thank the good Lord above.

You must've said that last part aloud, because Arthur laughs. “Don't worry, nothing happened. Though it weren't for lack of tryin’ on your part,” he says, scratching the back of his neck. “Thought I was gonna have to lock you in here like some feral cat till you settled down.”

Oh. Oh Lord. You try to recall what happened that led you to this room, but all that comes to mind is a lot of loud conversation, some dancing, a spilled drink across Sadie's lap, and Arthur's hand on the side of your cheek. “Oh…”

Now you remember it in vivid detail.

“Didn't know you cared for me like that,” he says. It's earnest and tender, a few shades less intense than the kiss you now recall, the one where it felt like he wanted to eat you alive right there in the middle of the saloon. Now, he thumbs your cheek and looks at you so fondly you swear your heart jumps right up in your throat. “I mean, I'd been hoping. Wasn't sure you was looking for a romance.” He huffs a short sigh, frustrated with himself. “Aw, hell, what am I saying? ‘Course you weren't. You're just looking to survive, just like the rest of us, and here I–”

“Shut up,” you say, taking hold of his hand and tugging him closer. He resists until you pull even harder, watching the fire in your eyes blaze to life. “You talk too much, Yankee.”

“I ain't no damn–”

“Kiss me.”

He's over you in an instant; you're pressed flat against the bed, completely and totally at his mercy. This kiss feels different than the drunken one last night. It's sober and honest, if not a little hesitant, as if he's holding himself back from devouring you wholly. The warmth of his body against yours takes your breath away. Or maybe it's the way his tongue laves heavy into your mouth, unashamed of how badly he craves the taste of you. You grip his hair at the roots and tug him down to kiss him harder, lifting your upper body to meet him until he presses down, his chest flush with yours.

Things get heated quickly.

His mouth moves across your cheek, down your neck, and he groans against your skin, rutting his cock against your thigh. You fleetingly wish that he had managed to get you out of that dress before he presumably tucked you into bed and passed out in that chair, because there’s a whole lot of fabric between you and him that really pisses you off right now. Arthur must feel much the same, because he’s bunching your skirts up past your knees while you’re fumbling with his belt buckle, desperate to feel him against you, inside you. It’s clumsy and crazed, rushed and rough, but you manage somehow to shuck off every last bit of your clothes and his until you’re breathless and so, so eager beneath him.

“Need you now,” you whine. You feel insane. Dizzy and dehydrated, impossibly turned on, every nerve ending on fire when his callused hands grip the fat of your thighs and open you to him.

“Greedy little thing, ain’t ya?” One of his hands slips between your legs to find you wet and swollen. He presses the pad of his thumb against your clit and pushes a finger inside you; the sound you make nearly has him finishing there on the sheets, so he wastes no time in getting himself as close to you as humanly possible.

“Never wanted something so bad,” he murmurs into the dip of your shoulder. He wants all of you– all at once– wants to fuse his hands against your skin and sink himself into you so deep that it would be impossible to tell where he ends and you begin. The heat from his body takes away what little breath you have left, his mouth on each part of your body building the buzz in your chest until you feel like you might just burst open. You grab at each other like it's the first and last time you might have this opportunity, as if you want more than what the other of you is able to give.

Considering the kind of life you’ve both led so far, it’s a good possibility that you might never get to do this again.

“Give it to me,” you plead, opening yourself further to him, fingers wrapped firm around the base of his cock. “Please.”

Arthur Morgan is a man of incredible strength and self restraint, except when it comes to a woman like you.

There’s nothing gentle about the way he takes you. It’s primal, sweaty, filthy, rough. Arthur pushes as far inside you as he can go, then pushes further when you beg for more. He cups your knees with slick palms and presses you open as far as you can bend; you tug roughly at his hair and bite down on his shoulder when the pleasure builds to a blinding ferocity. The wooden bedframe knocks angrily against the wall with each thrust, but you can’t bring yourself to care if anyone hears. You can’t focus on anything beyond the feeling of him filling you with every stroke of his cock, of the taut, corded muscle in his back and shoulders as you grapple to hang on as tight as you can. Your orgasm hits your hard and fast, and he encourages you through it, taking his time to give you long, controlled strokes. It’s as pleasurable for him as it is for you. “‘Atta girl,” he rasps, lips moving against your ear. Your hand flies to your mouth to muffle your cries, but he pulls it away and threads his fingers with yours, pressing it onto the pillow. “I wanna hear it.”

Your moans are what drive him over the edge.

He buries his face against the side of your neck, panting heavily as he comes, driving into you so hard that you can almost feel the mattress beneath you begin to sag under the weight. You cradle his head in your hands and link your legs around his waist, boneless and languid in the aftermath of your own pleasure. When he moves, you move with him, riding out the waves together until you’re both too tired to move another muscle.

Neither of you speak for a while. He lies on his back with an arm around your shoulders while you curl against him, tuned into his heartbeat and swirling little patterns into the hair on his chest. It’s comforting to feel him next to you, to watch his chest rise and fall as he steadies his breathing, to soak up the warmth of his skin against yours.

You’re the first to break the silence. “Did everyone else go back to camp last night?”

Arthur nods slowly. “Something tells me they planned all this.”

“Planned it? You mean…” You lift your arm slowly and flick your wrist to acknowledge the room you’re laying in. “This?” You lift your chin and grin at him. “Or getting us together?”

“Room was paid for before I even had a chance to ask if they had one,” he explains. “Think it was Mrs. Adler.”

You vaguely recall her shouting something about a room after you kissed Arthur last night, and you shake your head. “You complaining?”

He turns to his side, draping an arm across your hip. “Me? Never.” You’re suddenly pressed beneath him once again; from the looks of it, you won’t be getting out of this bed anytime soon. “Specially when I’ve got you here to help me keep warm.”

#arthur morgan x you #rdr2 fanfic #arthur morgan x reader #rdr2 x reader

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leclercings · 1 month

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Meeting the Sainzs | Carlos Sainz x Reader

Genre: Fluff

Pairing: Carlos Sainz x girlfriend!Reader

A/N: I tweaked it a little bit, but this was really fun to write.

You stand in front of your boyfriend's house. A little bit excited, but mostly daunted.

Your boyfriend, Carlos Sainz is an F1 driver from Spain.

You think about the time you first met. You were an F1 journalist for your magazine and when you interviewed him for the first time, sparks flew. After that, you both were inseparable.

But his family doesn't think so. You've met them in bits and pieces- just shy hellos and goodbyes, and they've always judged you.

Or so you think.

This is the first time officially that they've invited you for dinner. And that is why, you are daunted.

You don't want to mess it up, you don't want to sound stupid and definitely don't want to sound like a golddigger.

Of course you can't tell this to Carlos. He offered to pick you up but you refused- saying you could drive from the hotel to his house. You ended up getting lost on the way and being an hour late, for which you've apologized profusely and brought some wine on the way as a thank you.

You take a deep breath in.

You got this.

You ring the bell, and wait. You can feel the sweat trickle down your makeup laden face, it's so hot and also you're super nervous.

The door opens to reveal Carlos.

“Y/N! You made it.” He gives you a peck on the lips.

He walks you inside to the dining area, where everyone is sitting, waiting for you.

There's his dad, mom, both his sisters, their husbands and his cousin along with his wife.

You wave a shy hi.

“Hello, dear,” his dad comes up and hugs you. His dad really adores you, because he's seen you taking interviews.

His mom, and sisters, not so much. They wave a polite hello and go back to their own world.

You feel a little hurt. Carlos doesn't see it, or if he does, he pretends to ignore it.

“Come sit with us,” his cousin Carlos, tells you.

“How're you finding Madrid so far?” He asks you.

“Great,” you reply.

“Mi amor, here's some wine for you.”

You take the glass from Carlos gratefully.

“Everyone, let's have dinner,” his mother says.

You all line up in front of the table.

Everyone lines up at their seat and you're confused as to where to sit. There are two chairs empty but they're not next to each other. You stand there awkwardly as Reyes, his mother, goes to the kitchen.

“¿Por qué incluso la ha invitado?” His sister, Ana whispers. But she's standing so close to you and you hear it.

What they don't know is that you know a little bit of Spanish.

“Chicas, no sean tan groseras.” Carlos replies back as he sees your expression.

He whispers something in his cousin's ear and his cousin empties the seat next to Carlos.

“Let's sit, mi amor.” Carlos gestures you and you follow his movement.

Blanca rolls her eyes. Reyes comes back from the kitchen and looks at you, sighing.

Dinner is lively. You're mostly talking to Carlos and his cousin's wife, and sometimes Carlos’s dad pitches in.

Suddenly Carlos starts coughing.

“Carlos, honey, are you okay?”

He nods.

“I'll get you some water,” you hurriedly get up and go to the kitchen to get some water. Reyes follows you.

“You didn't have to get up, love,” she says, as you're standing in the kitchen trying to figure out where the cold water is. Reyes opens the fridge and motions you to follow her.

Her expression is soft, almost apologetic.

You give the water to Carlos who mumbles a quiet ‘thanks’.

“So tell me, Y/N,” Ana, his sister, pauses, and takes a sip of her wine, “how did you meet Carlos?”

Both of you smile. You stare at each other and you nod at Carlos to take the lead.

His dad and cousin are smiling too. They've heard this story a million times.

“So, Y/N, had to interview me at the hotel, but as always, she couldn't figure out which room to go into so she ended up somewhere else and I was somewhere else.”

You laugh.

“He waited around 15 minutes for me and I rushed in, frantically apologizing for being late.” You continue.

“I was smitten the moment I met her, it didn't matter whether she was late or not.”

Carlos puts his arm around you and kisses you. You blush a little.

“She's been my support through and through,” Carlos continues.

You remember the time when you had been with him during the surgery. Taking out time from your job was a little tough, but you made sure to be there for him whenever time allowed.

“And you've been mine,” you respond back, smiling.

Anybody can see how much you both love each other.

Dinner ends. You're helping to clean up. Ana, Blanca, Reyes and you work in the kitchen silently.

“Thank you for inviting me,” you say, breaking the silence while handing Reyes the plates as she puts them in the dishwasher.

“You're welcome, sweetie.” She replies.

“So tell me, Y/N, how's your job going?”

“Amazing. I love travelling, the interaction, and of course, spending time with Carlos. My job is too demanding, but worth it.”

The way you speak about Carlos, the way you say his name with so much love and compassion- both his sisters can see it.

They smile at you.

“We're glad you're here,” Ana speaks up.

You frown, remembering her initial statement but you've decided to forgive her. She's just being protective of her brother, that's all.

“I'm glad too,” you smile at her.

Meeting a significant other's family is quite challenging, especially when it's someone famous. You're not sure what is there in store for you but you're happy that Carlos is by your side- and hopefully his family too.

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