#who are these people and how would they interact with anyone

[yuri-is-online]

Jade desperately googling and reading threads about mer x human pregnancies before he even dates yuu.

It differs from species to species, usually fem mer x male human results in viable pregnancies, there are a two articles about eels and humans, but none about morays.

His hope is dwindling, and the general consensus about deep sea folk relationships with humans isn't very good.

I HC that male mer x female human pregnancies don't last very long. After the sperm makes contact with an egg, it'll need a few months of growth before it's expelled from the body and put into the sea. Those kinds of couples usually have one child at a time, it depends on the number of available eggs.

Modern day people in twst have aquariums that are made to hold the clutches in a safe environment away from predators. The aquariums can be used both underwater and on land. After 'hatching' the babies are translucent, they are kept in the aquariums until they gain colour. Once they have enough colour they are let out.

The smallest aquariums need to hold at least one human adult, so that a parent can interact and communicate with their clutch during the growing process.

I think I read a post/fic with a similar headcannon to this? Long long ago, perhaps even before I even downloaded Twisted Wonderland. I don't fully remember... but it is something I have been thinking about a decent bit ever since you sent this ask because it raises so many questions.

I think it makes the most sense in human x mer relationships for one or the other to take a transformation potion and move onto the land/into the sea. In these cases pregnancy/egg laying would go as it would "normally" but what you're suggesting made me think about what would happen if a couple got it on raw in their normal forms and not transformed. Would that result in a viable pregnancy? If it did would it produce the sorts of offspring you are suggesting or would it result in some sort of hybrid child, barely held together by their own magic?

The aquariums are a good idea, the story seems to suggest that Jade and Floyd had other siblings once but they didn't make it. Their mother's obsession with checking up on them and teaching self defense makes a lot of sense if you think of that... she lost most of her babies, she wants the two she has to remain safe (i bet she's going feral rn, let Mama Leech into the enclosure S.T.Y.X. she'll put Malleus in his place ٩(๑`^´๑)۶) My question is whether or not that would interfere with the development of the eggs, especially on land. The deep ocean is very cold, recreating that on land could be problematic. With how few merfolk seem to bother with land (Azul mentions not many people bother with the free program in Book 6) there likely wouldn't be much of anyone thinking up a solution to this problem so few people have.

But Jade has that problem. Or will, he's sure of it but that's a minor detail- point is this is a problem he's actively thinking about. It keeps him awake at night, Jade strikes me as someone who would do a lot of research about this. It's part of how he loves, pouring through a pile of scientific articles that was slim to begin with but feel irrelevant now. None of these help him understand his chances because he is from the deep sea, Jade might be hardened towards the death of his siblings but he thinks of his own children and a rage unlike any he's ever known begins to stir in the pit of his stomach. Later, much later when he is explaining this all to you he will brush it off as him considering your human sensibilities, but the truth is written plain on his face. This little aquarium he has made was a solution painstakingly crafted with help from his own obsessions. It's the most important terrarium he has ever made because it will contain the most precious of all life forms, ones he watches grow in awe as he coos softly. These children were wanted long before they were ever born, their parents loved them to the point of invention and every second up until they hatch and forever after.

[cassi-pokeblogging-hub]

Saying No

Okay so a conversation in a discord server inspired me to make this.

You guys can say no to things. You do not always have to "Yes And" everything that comes to you.

Like. Usually when we talk about rping, we talk about saying yes and. continuing on the scene, not shutting interaction down. We're pretty lucky with how this rp stuff works where in character denying and saying no CAN work a lot better than in standard improv without fully stopping the scene and kinda shutting it down, but that's not what I'm talking about.

I've seen a lot of people who kinda. Accidentally start god modding or kinda burst their way into plotlines without asking and like. This is public rp! Anyone can join! But there is a certain degree where you gotta stop first and ask or just not say it.

But sometimes people do not think first and just do. Maybe sending a magic anon that solves all of your oc's problems. Maybe they have dimension hopping powers and are like "Don't worry! I've come to your reality and I can help you get away from your problems instantly!", maybe your character really wants a mega stone and you have plans to have a whole thing about them working to get this mega stone and learning to mega evolving their partner and then someone mystery gifts or pelipper mails the item to you immediatly.

You don't have to "Yes, and" that. You can just say "No, you didn't do that". You are allowed to say no when someone crosses your boundaries and is affecting your plot.

Is someone trying to involve you in their plot without asking? "That is not happening in my character's universe" Is someone trying to say they're just there at a crucial event with your character when they never asked? "Your character is not able to be there. Please delete that post".

Yes And only goes so far. There is a time and a place where you will need to say No, and that is just as important to RP as going with the flow! If someone's fucking with your plot, its your job to tell them to stop. People can get involved, sure, but sometimes people try and get way more involved than what you're comfortable and its okay to tell them to back off.

I've also seen people feel that stuff like Muse Mixup Madness or Pelipper Mail are mandatory things they HAVE to do? You don't! You don't need to do anything even if others are! So I guess this is your reminder that you can ignore pelipper mail and magic anons and just asks in general that you dont like! you can turn pelipper mail and magic anons off completely! you can ignore peoples replies to your posts if they fuck with what you have going on. you can tell people they did not do things that would fuck with your characters and story. you can just not do muse mixup madness when it rolls around. you can just not do follower special events. you don't have to participate in anything you dont want, and you dont have to allow people to do whatever even if it makes you uncomfortable.

Other people can do what they want, but you have a right to say no when they try to involve you.

[linkspooky]

YUTA WAS ALWAYS SELFISH

I was originally going to make this post the week the big twist with Yuta in Gojo's body happened, because of the massive subversion that it was. It was the kind of twist that made you question if everything you ever knew about the character was wrong. Namely, Yuta one of the most empathic sorcerers we see in the series - the character who seems to lack the selfishness of the other sorcerers that make up jujutsu society. The kid who fights with the literal power of love.

Was Yuta a monster to begin with and we just didn't see?

So ignore the clickbaity tagline, Yuta is one of my favorite characters I'm not going to start calling him a terrible person. Rather that Yuta is dismissed as a soft kid or a wifeguy, when he's actually more cunning and cutthroat than anyone gives him credit for.

If a sorcerer is nothing more than a con-artist, then if the talent for trickery he displayed in the Sukuna fight is anything to go by Yuta is a true sorcerer down to his bones. Yuta turning Gojo's body into a puppet seems like a massive twist, and almost out of character for Yuta who was so devoted to Gojo.

His earlier fight in the culling game even seemed to hint that Yuta was too soft and he didn't truly have the attitude to fight someone like Ryomen Sukuna who was the embodiment of a calamity.

These panels seemed like a prophecy that Yuta was doomed to fall short against Sukuna. That he could never live up to his title as the next Satoru Gojo, because unlike Gojo and Sukuna who can stand on the top alone Yuta clings to his loved ones.

Sukuna got to where he is by rejecting love. Sukuna is Sukuna because he's never needed anyone to satisfy him. So how can Yuta who needs to be surrounded by his loved ones at all time to validate him and tell him it's okay for him to be alive even compete?

However, even in JJK zero Yuta's love is questioned on whether or not it's as selfless and "pure" as it seems. To begin with, Maki calls him out early on for attracting bullies by playing the victim a lot. He pretends to be a good and innocent person put upon by his circumstances and bullies when really he doesn't want to help himself. Instead of standing up to the bullies he's always let Rika protect him and then condemned her for being a monster. He's let Rika take the blame for all the destruction, even though Rika is HIS cursed technique, created by HIS emotions, and is protecting him.

Yuta doesn't make any attempt to try to learn to control Rika, or even work with her, he just shrivels away in fear.

"You act like a good person, but it feels fake..." Yuta has always adopted the facade of a good person. He seems soft, socially anxious and withdrawn, even after he gains confidence as a sorcerer those traits don't go away because they're a part of his outward persona. Jung divides the psyche into two parts, the persona a mask that faces the world the parts of yourself that come out in your social interaction with people and then there's the shadow your repressed personality.

Yuta's shadow is a literal monster that declares her love for him and then expresses that love by violently destroying everything around him.

Yes, Rika initially contained the soul of someone else but Rika the curse was created by his technique, her power corresponds to his emotions, she comes from his shadow, and even after the real Rika passes on the Shikigami RIKA still remains completely under Yuta's control. Rika is Yuta, the embodiment of his twisted definition of love that would curse his loved ones to keep them by his side forever because he can't live without them. All of Rika's insane possessiveness? That's Yuta's too. Rika's violent overprotectiveness? That's Yuta.

How poetic is it really that Yuta and Rika are so codependent that Yuta's shadow, the other half of his personality is literally RIKA. Yuta cannot exist without love, and without someone too love, he's so terrified of being alone that he cursed Rika and then turned her corpse into a puppet after death. He uses his loved one as a weapon to fight his enemies.

If you think about it for more than five minutes Yuta's cursed technique and Rika has some seriously messed up implications, but it's hard too because as messed up as Yuta's love is it's still genuine.

Love is a curse, but in 236 Nanami speculates that sometimes curses can save people too, just like how Jujutsu Sorcerers use curses to fight and protect others.

So Yuta's love is a screaming, raging, overprotective monster, but it's also what give shim the motivation to fight ofr others. Yuta's love is a curse, but curses can save people too.

Yuta on the other hand isn't aware of his own darker nature most of the time.

The big twist in Jujutsu kaisen Zero is that just as Maki accused him of from the beginning, Yuta was playing the victim all along. He acted like Rika cursed him with her dying breath, but Yuta was the one who cursed her because he couldn't bear to live without her.

However, even this apology is a bit telling of Yuta's self-centered nature. He immediately turns everything into his fault and starts beating himself up over it. He doesn't look at anyone else's perspectives or that other people had a role to play. He deliberately ignores Rika's feelings on the past few years, which Rika is quick to point out for him.

This scene has a parallel later where Yuta ultimately, only thinks about himself first and foremost. In spite of wanting so badly to be surrounded by his loved ones, it's more about him loving them, and less about their feelings for him.

After all he's completely willing to commit a double suicide with Rika to protect his friends, ignoring the fact Rika doesn't want him to pass on just yet, and Maki, Inumaki and Panda wouldn't want him to disappear either. This scene has a direct parallel a year later in the fight against Sukuna when Yuta gives up his body.

Maki almost breaks character from her usual culling game arcs stoicity to fight and argue with Yuta to stop him form doing this, and Rika who one year earlier told Yuta to live a long life so she wouldn't have to see him on the other side so soon is reduced to screaming and sobbing while holding his dead body.

Yuta loves people, or at least he feels an intense amount of love for people, but he can be as self-centered as the other sorcerers we see in the story. Geto even points this out right away, that Yuta is selfish, that he's seeking self-affirmation first and foremost. He needs other people's approval, their love, to feel like he deserves to exist. He'll do anything to earn that love, and once he has it he'll do anything to protect it but it's ultimately for himself.

It manifests in Yuta's technique itself copy, which first and foremost requires Yuta to consume parts of his loved ones that can never be healed if he wants to keep their copied technique. Yuta gets stronger by literally eating his loved ones. We have canon confirmation that Yuta fed part of Inumaki's severed arm to Rika.

Yuta's cursed technique is to emulate the strengths of all of his loved ones copying them and making them a part of his oqn technique, because Yuta will take any shape and form in order to be loved. It's also the perfect technique for fighting as a part of a group, because someone like Sukuna will naturally assume that Yuta's technique STEALS instead of COPYING so he'll forget that the original still retains their technique.

Yuta's not only selfish and has a very selfish, overprotective love for others, but it's those exact qualities that make him an effective sorcerer strong in the area that Gojo is the weakest. Group coordination.

Gojo is in his element when he's alone, but Yuta is so codependent that he literally cannot exist unless other people are looking at him. His strength comes from the things he copies and takes from his friend, and he turned his loved one into a puppet to fight others. Is it really that surprising that this kid would willingly use Gojo's body as a weapon after death when that's literally what he did to Rika.

How telling is it that like Yuta learned that Rika was cursed by him, went so far to exorcise her spirit, and then after finally letting go after her spirit passed on he made a second Shikigami named Rika a few months later made out of the small remnants of cursed energy that Rika left behind as a gift after passing on. The dude is not over Rika, he's like, Geto and Gojo levels of not over Rika.

Yuta's cursed technique being the literal weaponization of his love and his loved ones makes him the best character for group coordination in the entire series. Yuta even adopts apsects of hakari's persona when making his plans against Sukuna since he decides to gamble at several key points in the plan.

Several of the key moments in the fight are all Yuta's plans, with some collaboration from Angel. He makes several bets too like Hakari would. The first being going to finish Kenjaku by himself and using both Todo and Takaba in conjunction to trick him. The second is the bet that he'd be able to make it back in time to rejoin the fight in case Higuruma's plan fail.

It was Yuta who let his own domain barrier down on purpose to let Sukuna think he had the victory so he would let his guard down and make it easy for Maki to ambush him. Something that also required perfect coordination between Yuta and Maki working in tandem with one another.

Yuta set up Hana to do one large jacob's ladder when Sukuna least expected it because he knew Sukuna would forget that his technique is COPY and not steal. He also made the biggest bluff which was leading Sukuna to believe that he fed Rika his last finger.

These aren't just good bluffs, they require near perfect coordination with your allies and taking several chances on them. Nobara might not have even woken up so the last finger / resonance Gambit was perhaps the biggest gamble. Maki and Yuta had to coordinate with each other well so Maki would be there when Yuta dropped the barrier. Yuta needed Takaba a relatively new and inexperienced sorcerer to survive against the threat that was Kenjaku, and he needed all of his allies to stay alive while he was prioritizing Kenjaku.

These are all plans Satoru Gojo would never have been able to pull off, because Gojo only ever relies on himself. If Yuta and Hakari had intervened in the Gojo and Sukuna fight then he would not have been able to go all out, whereas Yuta REQUIRES people collaborating with him in order TO GO ALL OUT.

This is Yuta. This is his strength. Yuta is nothing without love, so he takes on the forms of the people he loves and takes things from the people he loves in order to gain the power to protect him. Yuta copies everything from the people he loves, so is it really that much of a surprise that he'd become a monster just like Gojo.

In some ways, Geto and Yuuta were the same. Geto was too sincere. To someone like him, the reality that the world of sorcerers presented to him was just too cruel. ’…that in a world like this, I couldn’t be truly happy from the bottom of my heart.’ To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in the curse that lies in the gap between ideal and reality.

Love is a weapon for Yuta. Just like his curse technique can take any form, so does Yuta's love, and so does Yuta himself. Love always wins, and in order to do so Yuta will take any shape necessary, no matter how twisted.

Love is the worst curse of them all, and Yuta will become the worst monster of them all if it means protecting his love ones.

[calware]

as time goes on my interesting in shipping (for homestuck) (that's really the only fandom i'm in) has just gone down lower and lower because i used to see "shipping" as just "characters who were compatible in some way". for example i would look at karkat and feferi and be like "they didn't interact much but a lot was going on with the two of them in terms of their themes and how those themes intersect. and since romantic relationships are "more complex" or "better" or "more potent" than other relationships the natural progression is to ship them together romantically" but the stuff that would make them potentially interesting as a pairing isn't inherently romantic at all. and i feel like that goes for a lot of if not most of the characters. homestuck to me is way more centered on the idea of friendship (and family sometimes but moreso friendship) than romance and when characters have something important going on between them the interesting part is usually not inherently romantic

even the characters that start dating where their romantic attraction IS very important is based on their initial friendship..!! vrisrezi wouldn't be nearly as meaningful if they weren't friends first, same with dirkjake, etc. arasol is such a popular ship and they only dated once when they were 8 years old…. their relationship from that point on is SO important to who they are but it isn't even inherently romantic after the fact, but people see romance as the "natural progression" from there so clearly they "should" date once they get the chance to do so again. my point is i wish people would pay more attention to some of the non-romantic aspects of relationships in hs because i really think that's what takes center stage within the story most of the time (not ALL of the time of course there are definitely parts where romance is important. but you get what i'm saying)

and then of course to take that a step further and be even more of a hater i'm so tired of people taking stuff and putting it into a romantic context when it's entirely unnecessary…. i made a video with dave and karkat bickering and people tagged it as davekat for no reason. literally that post about dirk and john meeting each other that people kept tagging as dirkjohn for no reason. i'll make posts about the alpha kids being friends and doing stuff together and someone went through my entire blog tagging all of these as "alphacule" for no reason. i'll draw dirk and hal literally just looking at each other and someone will tag it as dirkhal. girl they're just looking at each other. seeing someone liveblog collide and they go "did anyone else think dirk and dave should've kissed >_<??" no i actually don't think they would do that. it's so dark in here

[pigeonstab]

these are just sketches but I NEED to get these out, so! It is indeed going to be a college AU (is that surprising)

I finally got to draw my skinny jeans flannel Cross lol, I planned on doing a whole brainstorming thing to get an idea of where I wanted to go with it but what actually happened is that I picked up my stylus and blacked out

Basic premise is like, Cross and Killer go to the same college, and they meet and it's cute and stuff. Killer lives with his coven: Nightmare, Dust and Horror

Nightmare is a European (probably english?) vampire who's like 500 yo (easy that was already his age)

Dust would be like a traditional Korean vampire (I'll have to do research on dates and the inner workings of Korean society a long time ago cause I also want to give him accurate old clothing from that place and period) idk about age but definitely younger than Nightmare by at least a few centuries

And Horror is actually a wolf shifter. (Not to be confused with werewolves I will explain) but basically!! I'm hoping he can act as a sort of mentor for Cross later on? Like "holy shit that is a pup and he is very weird and does not know how to be a werewolf I need to fix him"

Killer is like a twenty year old (hence why he's going to college) and he is the youngest! All the others in the coven just stay at the manor while Killer goes out and stuff

Cross... Is an anxious mess. Who is also very big and bumps into everything and says sorry to chairs. The mark under his eye is the scratch mark that made him a werewolf.

And! perfect time for me to explain the difference between a wolf shifter and a werewolf. Wolf shifters are basically just 'werewolves' that were born that way. They are akin to nature spirits, werewolves on the other hand are normal people who either have been cursed (or maybe a wolf shifter that's forsaken or smth I need to choose between the two) or someone who's been bitten/scratched by an already infected werewolf. Most wolf shifters don't want to interact with werewolves.

Meaning. Cross was a normal kid. Got hurt by a werewolf at a very young age but wasn't integrated into a pack leaving him with no bond with anyone so no family. Cool. Bro's life sucks.

Killer clocks Cross' lycanthropy before Cross clocks Killer's vampirism, actually Cross would have to be told I think lol

[creatingblackcharacters]

As October approaches, I would like to encourage everyone to watch Jordan Peele films if they haven't already. It's quality horror with Black characters whose experiences as Black people actually play into the genre. I feel like Peele's contributions were a defibrillator we all needed. (IMO there was a lull where storytelling was taking a backseat to edginess, but these movies gave me some hope again.) Not to mention, his movies star Black people with full stories, meaningful action, and chilling commentary. Favorite characters galore. Even if you don't like to dissect horror, his content is enjoyable.

The easiest to recommend, personally, is Nope. A sci-fi Western horror, which sounds like a lot, but it's actually the best and SUPER fun. It's not nearly as scary as the other Peele movies, and it's a good start to anyone interested.

MY favorite character is Otis Junior Haywood, our main protagonist. He runs the family business: they're trained horse handlers for the film industry. He's softspoken but responsible and sensible, and is trying to take care of things after his father passes from a tragic accident. He's much better with horses than with people, but he's sharp and serious and sentimental. Even when he has to resort to selling horses to a local theme park, he wants to acquire them back and give them a good, long life.

The fan favorite is Emerald, his sister. She's funny, playful, and easygoing. She's OJ's confidant, but also a free spirit who is exploring all her options and trying to find her own place in Hollywood, so long as it's away from horse training. Unfortunately, it's not going well, as CGI and changing technology are quickly replacing all their gigs. The siblings notice paranormal activity in their area, though, and it's Em's idea to capture video proof of its existence so they can save the family business.

I think about OJ so much. He's a well-written character and every single interaction he has serves immense purpose-- and even the moments when he's all alone in the open, it's less that he's waiting for something to happen and more that he's watchful and observant. No second feels wasted while riding behind his eyes. He also has an EXTREMELY interesting foil to another character, whose trauma in film has been distorted to an extreme form of profiteering and delusion. I do love Em and my family thinks she's the best character, but OJ as our main protagonist is a perfect fit and I love how he was made for the role.

The main themes in Nope are about spectacle and exploitation: a legacy can be built on the remissions and injuries of others, like Hollywood and its unfair treatment of Black people; it's about the illusion of power between an animal handler (man) and a wild animal (the unknowable); it's about bearing witness to tragedy, and how the consumption of said tragedy can make the difference in how we interact with it. I think it's especially compelling that Western themes were incorporated into the story, as an extremely American-centric storytelling that often exploits BIPOC lives and storytelling for its perpetration. But in Nope, the siblings win the day and protect their home.

‼️‼️‼️‼️‼️

[beforetimes]

my thoughts on the trans charles headcanon!

let me just start off by saying i love it. just to make that 100% clear at the beginning of this.

ok i think that charles being a trans man would change his relationship with the characters in the movies + his relationship with his mutation in the films as well. for one, i think that his first encounter with raven would hold more weight. because raven would be his first look at someone like him—a mutant—but also his first look at someone who was able to defy gender norms in a way he was unfamiliar with. i'd imagine that as a child he would be so isolated that he would assume his feelings in wanting to be anyone but himself [pre-transition] were inherent to everyone. and encountering raven changed that perspective but also drove home the fact that his expression of himself didn't change who he innately was. as raven changes how she looks frequently but at the end of the day, is still raven. i feel he would get his first realization that, ah, just because i look like a girl doesn't mean that i am one.

(i also like to imagine that his telepathy would be a tool for him to use before he's given access to the resources he needs to medically transition. it would work as a way to help along his social transition, maybe by subtly changing people's surface level perception of him if they were interacting in his youth. when he grows older and he does have the ability to medically transition, he would stop purposely affecting people's perception of him but that habit would be so engrained that it would subtly colour his interactions with the general public unconciously.)

anyway, i think the way this plays into his relationship with his sexuality would be fun, too! the flings he's implied to have in first class are obviously just superficial (as he repeats the same routine to pick up girls multiple times). we could argue is his version of comphet, if we're assuming he's gay, but the way he was raised makes him want to strive to be the person his parents wanted him to be. or the relationship of his sexuality with his gender identity and how he feels slightly invalid in his dual identity as a gay and trans man, because, to him (with internalized queerphobia), he would assume he's just taking extra steps to come around to liking men as a cis women.

besides that i think his relationship with erik would also change. because, like, i like to work with the idea of erik being a bisexual man (as he does have a relationship with a woman a decade long in canon and i'm not opposed to it in the context of the story) but him still interacting with charles as a man would still be pretty validating to charles. because, i imagine in first class, charles would still be welcome to float around the periphery of erik's thoughts (as erik wasn't opposed to charles' mutation as most people try to say he is—as far as i remember, erik lets charles into his head during first class multiple times without becoming angry!) and charles would see (at least on the surface level) that erik's attraction to him isn't because he sees him as a woman but moreso that despite being attracted to both men and women he still respects charles' identity as a man and builds a relationship in that context.

i have more thoughts about this that i'll probably add to later but this is just a summary of a conversation i had with someone in my discord server that i thought had enough substance to make into a proper post. thanks for reading!

[weirdsht]

(Un)Attainable - Alberu/Fem! Reader

notes: the og prompt for this was suppose to be super angsty, but I'm not so mean that I would make you guys cry the second I have the time to write. Also I notice a lot of people are using "Alver" now but I just can't, I'm so sorry huhu

tags: female reader, vague novel spoilers, forbidden love(?), lovesick Alberu if you squint

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are currently closed but my ask are still open (read pinned)

Buy Me Dessert

Navigation Masterlist

Alberu’s first priority will always be the Roan Kingdom and its citizens. He will always put the welfare of his people before his own wants. Alberu is the type of crown prince who is willing to play as the villain just to see his citizens prosper. Even when no one will be able to appreciate his sacrifices. All for the sake of his selfish desire to see his people thrive.

That’s the simple fact the people around Alberu know.

They know that he has no time for love. No time to indulge in such things when he has a kingdom to run. Alberu Crossman has said so himself several times in the past.

But oh, what is this feeling blooming in the crown prince’s heart? Could they be feelings of romantic affection?

Could the prideful prince be eating his own words of not taking in a spouse in the future?

Maybe, or perhaps not.

He does know one thing though…

It’s the fact that he's charting into dangerous territory.

Not only was he dumb enough to fall in love. That wasn’t enough.

No no no

The quarter-dark elf was stupid enough to fall for the one person he couldn’t get.

Adin’s fiance, the soon-to-be crown princess of the Mogoru Empire. The empire of the Sun God Church. The one place where his chances of his dark elf bloodline being discovered is higher.

But can anyone blame him and his beating heart? How could he not fall when she’s so sweet, so ethereal?

So undeserving of that bastard Adin.

She was so good. So kind, so strong, so smart, so compassionate.

And Adin was… a scumbag, for a lack of a better word. Someone undeserving love.

Despite that, Adin was still her fiance. Adin and not Alberu.

“I’ve known him since we were kids. Our engagement had been decided from the moment the emperor found out I was a girl. They said I was the perfect wife for him. That I can strengthen the royal bloodline.”

She had confided one night. Her dignified yet soft voice had a tinge of longing in it. As if longing for the life she could’ve had outside of being Adin’s bethroed. 

“Your Highness [Name] has your time with Prince Adin made you grow some affection for him?”

Alberu hopes that the answer is no. That despite the headstart Adin had, [Name] hadn’t fallen for his charms.

That instead she’d fall for Alberu’s charms.

He’s the better choice. He could give her so much more than Adin could ever. Alberu will make sure that she will have the chance to showcase her talent to the world. He will make sure to treat her like the princess she is. This crown prince won’t treat her as if she’s a mere trophy whose sole job is to be bragged around.

[Name] was so much better than that.

She has wits that can help run a kingdom. She has the compassion for her citizens. The heart that screams and begs to aid her people. She has a strong persona that has so much more use than just being shown around to nobles.

Alberu Crossman can see that she’s worth more than Adin displayed her to be— no, in fact in Alberu’s eyes she’s worthless. No system of measurement can gauge her worth.

“No amount of time spent with Adin can make me grow affection for the man. Whether it’s platonic or romantic.”

The quarter-dark elf almost let his shoulders sag. He was so relieved that he nearly conveyed his true feelings. 

He has a chance– Alberu Crossman actually has a chance..!

Alberu was so happy that he nearly didn’t catch [Name]’s next words.

“That man is so awful, hence why no amount of time with him can make me tolerate him. But I’m sure you already know of such things. As a matter of fact, my trusted handmaiden is on her way to make negotiations with your dear commander.”

Roan Kingdom’s rising sun had to double-take, unsure if the words he was hearing were correct.

“I’m not as dumb as the world thinks of me.”

Alberu must have had a stupefied look on his face for the lovely lady in front of him to make such a comment.

“No, no my lady, that’s not what I meant. I am well aware of your wits and capabilities. It’s just that my commander and I had been ready to do everything in our power to turn you over to our side.”

To turn you over so that you’ll be in my arms instead– of course, Alberu said no such thing. Only letting such degenerative thoughts run through his mind.

“My lady is highly intelligent, highly perceptive. You are also close to Adin, you are a core player in taking such a man off his high horse.”

[Name] had an incredulous look on her face. Like Alberu was flattering her too much. However, he wasn’t. The poor prince had only been telling the truth.

“I didn’t think that the future king of the Roan Kingdom was one to… get brownie points.”

“You wound me, my fair lady. I was merely stating the truth. Nonetheless, since we’re on the topic… do you mind people who try to get brownie points?”

Alberu isn’t sure where he got the guts to be so coy. But he was glad he did because [Name]’s expression was better than he’d hoped for.

“Hmm well, I guess I don’t mind. If it’s from a silver-haired prince maybe I wouldn’t entertain it. Luckily, blonde seems to be my type… or was it brown?”

[Name] had a knowing look on her face and oh god can Alberu fall any deeper. He should be scared, should be nervous that another person seems to know his secret. But no, instead, he feels himself falling deeper in love.

“Don’t worry your highness your secret is safe with me. I wouldn’t do my potential lover dirty like that.”

Yeah… safe to say that Alberu’s in too deep now.

[scoobydoodean]

Honestly I think that a lot of the reason why people view dean as abusive towards jack is because they genuinely think of him as a baby/toddler and not someone with the cognitive abilities of an older teenager/young adult who just happens to not really know much about the world. Obviously there's more to it because people ignore that cas wanted to put jack in the cage and sam wanted to use his power, but I stumbled across a post the other day about how they (the writers and the characters) should've given jack a capri-sun instead of a beer because he's a "literal toddler"... which is just completely incorrect and considering he has the body and brain development of someone who's older, there's no reason to not give him a beer. (also is anyone really a dad unless they give their 3 yr old a beer /j)

Context

It's funny because the whole point of the beer scene is to establish that Jack is not a child and that treating him like one would be ridiculous.

[DEAN grabs and opens a bottle of beer. JACK imitates him.] DEAN Wait, wait, wait, wait. How old do you think you are? JACK 3 days, 17 hours, and 42 minutes.

(From 13.02)

When Jack proves that he has such an advanced understanding of communication and time and such an unusual awareness of exactly how much time has passed, Dean immediately realizes that treating him as if he's a baby makes absolutely no sense because he clearly isn't one. Treating him like a child would be infantilizing, and we see Jack rebel against the notion that he's a baby a few times.

There's some push I think to separate Jack's intellectual abilities from his emotional coping abilities, but even these I think are more or less on track with other young adolescents around the age he presents himself to be when controlling for traumatic experiences. Jack's initial emotional regulation abilities don't read like those of a toddler, but of a young adult who's confused and upset and has been through a lot. Without powers in the mix that he doesn't know how to control, his emotional regulation abilities seem fairly standard for boys his age (at least to me). I don't think for example, that the anger he experiences and the reasons he experiences that anger can be equated with toddler-like tantrums, and any other person whose been around a toddler and sees what kind of things make them furious knows what I mean.

Granted, there are things Jack is naive about that are probably connected to him being "born yesterday". We see this early on when Asmodeus tries to manipulate Jack into opening a hell gate. At the same time, this interaction also highlights Jack's innate sense of right and wrong as a counterbalance. I personally find it frustrating when people try to take away Jack's understanding of right and wrong (rooted in his love for others) and cast him as a baby to the extent that he isn't even capable of understanding the golden rule, when Jack shows over and over how seriously he takes the personhood of other people and the weight of their lives. This is what allows him to see through Asmodeus's trickery in a very confusing situation, simply realizing, "you're hurting my friends". Jack using his care for others as a foundation to navigate Asmoedus's trickery also serves as excellent contrast to soulless Jack in 14.19. Soulless Jack was not able to grasp that Dumah was manipulating him because he was missing this crucial piece of himself—his love for other people including strangers. Because he was lacking that part of himself at that time, he was unable to grasp that filling someone's body with worms for not wanting to be turned into an angel is horrible and cruel and couldn't be a good thing. His naivety played a role in what happened, but it was the crucial missing soul that actually allowed this situation to transpire. I think a lot of people just straight up think normal Jack also would have been manipulated into killing people for Dumah in this circumstance and I really just don't think that's true at all.

[haveyoureadthisfanfic]

i see there's shipping discussion occurring in your ask box so i figure i'll throw in my two cents as well!

i used to be a REALLY heavy shipper, in exactly that shallow "reduce their personalities to the concept of kissing each other" way that tons of people are complaining about. i wouldn't get into ship wars or harass people or anything, but i was totally the kind of person who you couldn't just have a level character discussion with— because i would be pretty intent on just going through the motions with whatever best friend or acquaintance I'd decided they had a huge crush on.

by contrast now my biggest most important "ships" end up all being somewhere between 3-5 people with a lot of care put into the nuances of each connection on the relationship chart— i still refer to them as poly ships (as a shorthand mostly), but of the 3 to 10 different relationships between the characters, i usually only see a few of them as romantic or sexual, with the majority a lot closer to a found family or queerplatonic sort of vibe

honestly i think the biggest reason for the reductive style of shipping was that 1) i wasn't as skilled a writer then as i am now, so i wasn't really sure how to really retain all of the features of a character that i liked, and 2) i wanted the biggest feelings IMMEDIATELY and there's some kind of instant gratification to shipping where the end goal is for them to kiss and you can just draw/write/think about them kissing and you're done.

it's kind of like the instant ramen of fictional relationships to me. it's kind of "one size fits all", low writing skill requirement, low effort, really really fast and easy, and ultimately not really that rewarding at the end of it. and just like how real actual ramen exists separately from instant noodle cups, it IS possible to write a really amazing and beautiful and deep romantic ship fic that successfully plays off of the kinds of people these characters are, but ramen still isn't the end-all be-all of relationships! there are so many different hypothetical dishes that could be made with the same characters!

and my personal favorite is polyqueerplatonic ships for this very reason, because with just a few characters you can get a whole diverse array of interactions and dynamics!!

anyway tldr; i think romantic shipping is fun, and even "cheap" reductive romantic shipping can be fun, but (to return to my instant noodles metaphor) it would be reasonably upsetting to attend an awesome community potluck only to find like 90% cup noodles. and the people serving the cup noodles frown at you whenever you ask if anyone's serving like, gourmet spaghetti or dumplings or something.

so just know that if you're bringing your silly "ouhhh they should kiss" fan works to the fandom, you're appreciated and I'm glad you're having fun, and if you're bringing the super precisely thought-out nuanced relationship fan works to the fandom, you are ALSO so appreciated and additionally i really wish there were more of you in my own fandoms.

flashbacks to the time i looked up a ship that i THOUGHT was pretty popular but it only had like 230 works on AO3 at the time and basically all of them were romantic instead of my hyper-specific one-sided queerplatonic one-sided fully platonic thing i had pictured in my mind....

Okay, as someone who has tried their hand at writing slow burn in the past, I totally get the instant gratification thing. "You know when would be a good time for them to kiss? NOW"

I'd get frustrated at my own characters for not just making out already and I was the one writing them not making out lmao

[briarpatch-kids]

i've been watching the conversation you've been having about disability severity and it got me wondering something.

can i ask, what makes you set the line where you see it? is it experience with ppl who are much more severely disabled, therefore positioning you more towards the 'light' end of severe/border of moderate?

because i feel like context can make a big difference here. like... i feel like to nondisabled ppl, both you and i are 'severely' disabled even though there are much more severely disabled ppl than us. so if i tell a nondisabled person that i am moderately disabled, i feel like it would mislead them wildly about my life and what i can and can't do.

but at the same time i see the very good reasons not to put myself in the same category as eg someone who needs 24/7 care, or is much less physically mobile than i am, or has more cognitive issues.

interested in your thoughts on this if you feel like chatting about it!

It's definitely from interacting with other severely disabled people, because to able bodied people, anyone in a wheelchair is severely disabled and from experience, that's like the waterline of the iceberg of disability.

I tend to measure severity not based on what someone CAN'T do and more on what they CAN. So like, what pushes me more towards moderate verses severe are things like "I can put food in my mouth or scratch my nose if I need to" or "I can hold my phone." Or like, cognition wise, I can recognize when I'm hurt or more sick than usual. I can't always be together enough to realize I can take medicine about it, but I can be asked whether or not I need medicine for whatever is wrong.

I do factor in how I have a bodily function replaced by machine, in my case my ventilator, as well as the pile of diagnoses like heart problems and gastroparesis but between moderate and severe disability, a lot of the things that separare the two to me are little things that make up a gulf of difference in the disabled world. Like being able to put on or take off a blanket if I'm cold.

tl:dr: it's the "little" things that mildly disabled and able bodied people often take for granted that separate it for me.

[mister-tom-a-dildo-lover]

Confession Time!

So, over on Twitter, I'm a member of the Community Notes, and I can write Notes on any post as well as rate other Community Notes on those posts. This is done to fact check people. You have to provide a credible link as the source of your note before you're able to post it, right?

A bunch of M@rauders stans are attacking Tomarry writers, as usual, and because they can't handle that they like morally grey characters who did sus things, they make up all this shit to excuse those characters of their wrongdoings. Maybe that's why they're so jealous, cuz we can like a shitty character while NOT downplaying the bad he did.

Currently, there is an idea going around that Harry Potter was not abused in the canon story, and that everybody just swears he was abused when it was apparently, never addressed or shown and was just not treated the best. But when any M@rauder stans claim that Sirius was very clearly abused, it's unfair how no one agrees with them...

As such, they've been inundated with people pointing out all the abuse Harry has been through, from Vernon choking him out, Petunia trying to hit him with frying pans, them making him sleep in a closet instead of any of their extra bedrooms, lying about his parents, letting Dudley bully him constantly, punishing him when he doesn't understand that magic is at fault, starving him and his pet, putting bars on his window, etc... EXPLICIT ABUSE.

Now, one person gave a whole list of things that Sirius 'suffered' at the hands of his mother, and they're mad because it was pointed out that none of this actually happened in the story, not from anyone's mouth, and that that's just fanfiction tropes to make his parents worse and easier to hate. Harry's abuse is both told to us and shown as early as Ch. 2 of PS. We get to experience it through him in many ways throughout the books.

So usually, I don't get involved in these things, I just watch from the sidelines and laugh. But I thought it would be funny to put Community Notes on all of these people's posts because they're posting literal misinformation. And it's just funny to look at the post making all these claims and immediately see Rate Proposed Community Notes right at the bottom!

This person is ranting about how there are 'context clues' about Sirius was being physically abused by his family, while claiming that Harry's neglect was never explicit to try and make it seem as if Sirius choosing to leave home because of his parents' beliefs is proof of his suffering and is the same as Harry's blood relations treating him terribly for how he was born, his whole childhood.

When people have to sugarcoat and lessen Harry's experience because they want to uwu their favs so they can feel less bad about what their favs have done in canon... It's the weirdest thing. I'm not borrowing shame from a fictional character over their wrongdoings despite how all my favs are the villains. I'm here for the character, and to be so emotionally distraught over what your fav has done, that you need to gloss over it and invalidate canon over and over, is truly unhealthy behavior.

And then attacking people with different favs/ships than you, is peak madness. Get a life. Go figure shit out. You clearly cannot handle interacting with real people yet.

[demigod-jack-hearth]

As the original Anon who sent the FIRST ask, I am a male victim of SA, by a woman who has since changed the history by claiming that I SA'd her instead. You calling me a little bitch, multiple times, going into multiple different rp threads to bring it up, and call me a bitch.

I had to leave tumblr for a few weeks.

I was not the second Anon. And even if I were, while I may not have approached in the friendliest way, calling me a bitch for telling you that it's not alright to remove male rape victims

Especially when Circe is a victim of SA, just mot by Odysseus. I agree with some others I've seen. Stop burrying your apology with roleplay, take a few days to think. I'm sorry this is hard on you, but when you use SA as a simple plot line this is what you need to consider.

Look, I don't know whether you really are the first anon like you say you are, but I'm just going to take your word for it and trust you are.

I know I fucked up. I really know that, and I'm sorry that I called you a bitch

I'm not going to try and defend myself.

Like I said in the apology, I know that it isn't enough. I was in a bad place at the time with shitty people, and honestly, I'm still in a bad place (although that might change soon)

Don't take this as me making excuses, because I'm not trying to, and I'm sorry if it seems that way.

But yes, although I was being influenced by shit people, those were still my actions and words that I wrote. There is no excuse for that. There is no excuse for what I did and how I initially handled the situation.

If I could take it all back and start from the beginning, I would. Not because it would prevent backlash, but because it would mean that I would be able to stop myself from making a stupid and idiotic decision

I also know that no matter what I do, no apology will be enough to rectify what I've done. And I know there is no 'forgive and forget' in this situation, and although on one hand I do want forgiveness from people who were affected. I know and completely understand that I don't deserve forgiveness from anyone no matter what I do.

At this point, I've made a formal apology and I've done what I can to rectify what I've done. So there's not much else I can do except receive what I deserve.

Your other point, that I'm "burying my apology in role play" I'm not trying to do that. But for me, roleplay is an escape from my irl life. I'm in a situation where, sometimes, I don't feel that I'm safe from myself.

I know that sounds like another excuse, but it's not, it's just the truth.

I know I need help. I've been told that by several people (friends and people I'm close with) but for me, that's something that's very difficult to receive

Regardless of that. I'm not trying to "bury" the apology. When I began roleplay in early June (I think), it became something that I deeply enjoyed.

However, along with that passion, a problem was created, that I easily became addicted to Tumblr and the roleplaying community. It was not something I did purposely, it just happened.

I've tried several times to try and at least reduce the amount of time that I spend on this app. But every time that I try, I always end up coming back (the most I was able to stop for was 1 day).

I'm completely aware that this is a major issue (and writing it down makes both it and me sound completely pathetic) it's not something I can easily fix, but to start with I'm going to attempt to roleplay less. I'm not sure how successful it'll be, but I'll try

But I never meant to make it seem like I'm trying to hide the apology. Roleplay is just something I can't stop myself from doing.

I'm not going to talk about the other stuff, based on the reason that I've already addressed this in my main apology/explanation, and I don't want to just repeat myself

Because of how this has been worded, I've got the idea that you are someone that I've interacted with before, so I'm just going to tag everyone.

I'm sorry if you didn't want to be tagged

@zariahthewitch @thegroovydaughterofhestia @if-chaos-was-a-boy @the-gods-strange-children @silena-daughterofaphrodite @fabulousdaughterofhecate @weakest-son-of-sun @chaos-pers0nified @neoptolemus-achilles-son @bast-the-best26 @goddess-of-bubblegum @hispanic-child-of-hermes @gaygirldoodles @luck-is-crucial @reyna4ever @vicious-daughter-of-zeus @feral-hermes-child @oopsies-i-did-a-thing @unfortunate-daughter-of-hestia @that-girl-cupid @ariathemortal @love-lightning-forethought @emdabitchass @kaiaalwayswins @champion-of-revenge @i-was-never-sane @clown-energy-skyrocketing @zoe-aura-of-d3ath @itsyourboyezra @lunar-eklipso-r @pink-koi-lovejoy @that-daughter-of-athena @sleepy-as-a-song @smileyalater @gellyhelio @daughter-ofthe-moontitan @demeters-daughter-is-done @the-smart-and-the-dumb-one @trinket-snatcher @southerndaughterofeos @creature-under-ur-bed @burnt-out-bitxhes @cloak-of-ares @heraaaaaaaa @unproblematic-hestia

[bomber-grl]

Enemies to lovers with Leo Valdez

Pairing(s): Leo Valdez x Gn!Reader

If anything it probs stemmed from a misunderstanding

Maybe you were cranky the first two times he ever approached you

And perhaps you may have taken it out on him

And maybe just maybe he thought u were those stereotypical condescending people

Basically what ensued from then on was just you two attacking each other verbally each time you ran into each other

But then you’re officially introduced to him by either Percy or Annabeth or anyone else that’s part of the 7 that’s close to you

He’d be especially shocked if it’s Piper or Jason who introduces you two to eachother

Of course that doesn’t automatically solve anything and you’re both total assholes to each other still

Leo is complaining about you and how could any of his friends also be yours?

You feel the same exact way

And unfortunately this is a case of forced proximity as is all my hcs because I’m an uncreative bitch

Maybe it’s just me but I’d imagine constant bickering and making faces would be a bit hard to ignore and go unnoticed

So they all agree to force you two to get along

So you’re on the Argo ll and are forced to clean the stables

(Before the Athena Parthenos is put there obv)

It’s not messy messy but it’s still something

You two both finally agreed to be quiet

But then he gets almost thrown out the window by the ship getting rocked by a monster or something

And so you have to save him by obligation

You two are literally hanging out the window and Leo is yelling like crazy bro

Eventually you bring him back and he thanks you

It was done reluctantly- you make sure he knows that

Plus the situation gives you material to make fun of him for 💀

Then some time after that you’re fighting some daily monsters and he (despite not rlly being a fighter) helps you out by firing some of the weapons on the Argo

This incident spawns this unspoken alliance??

Literally everyone else is made aware of it too and even they’re confused

But honestly at least you’re not constantly at each others throats anymore

Instances where you saved each others asses continued from then on out

It got to the point where you saved eachother so often that you became literal 4lifers

Like genuinely enjoying each other’s company despite the occasional off handed remarks

There was obvious tension that you were both teased for by your individual friends

Even couch Hedge acknowledged it 💀

And youd both deny it

I mean it was the obvious choice

But there had always been tension between you two if you’re being honest

Like if someone asked you if you thought Leo was cute , well let’s not say you’d say he was, just that you really couldn’t deny it

And so your interactions and dynamic continued all the way until the prophecy that started this quest came to an end

And so did you interacting with Leo

He was dead, and despite having liked him, you’d never be able to tell him.

That’s something you had come to accept, and something you realized you’d never get the chance to admit to him

Until you could.

Leo appears back at camp with Calypso in tow

Let’s just say Leo felt ok about her and saved her cuz he’s a good guy and she went along cuz she wanted an escape)

Anyway like everyone else you line up to hit him

Ain’t no way you’re running to him when there’s so many other ppl infront 💀

Gods forbid YOU end up being the one that gets jumped

Even from the good amount of distance you’re away from him you can still very much see his- what can be best as described- upset demeanor

Why he looked that way? You didn’t know and couldn’t tell even if held at gunpoint

Well anyways eventually you end up face to face with him and his expression can’t even be described with just a few words

So ill try anyway

Hes absolutely star struck and, in truth, made breathless from the sight of you alone

I mean with the way Leo looks at you, you’d think he spotted his only true want in this world.

The guy doesn’t say anything at all but then he sorta gains consciousness (?)

He tries to hug you but then hesitates- tries again/ then hesitates

Before he could do anything else you slap the hell out of him 💀

The act is honestly so violate and loud it was genuinely startling

Some would say that you jumped him that day of his return but what did they know??

And then you hugged him

A deep, emotionally charged hug

All the days you had spent mourning him, being tortured by his death that you couldn’t help but feel was avoidable despite the prophecy-

And yet you couldn’t help but melt into the hug

Obviously awkwardness follows after- and for a good while after too

But in the end you two end up together (per advice from emmie and Jo once Apollo casually mentioned the undefined relationship between you two as defense against a remark Leo had made)

And after Apollo is done at the waystation (and you’re not already involved there)Leo will ask if you’d want to stay there together and go to school and be “normal” teens.

The answer is up to you, but we all know what you’re gonna choose

Cmon you’re reading this so you’re obviously down bad 💀

[desultory-novice]

I don't know if this was always mentioned, but I personally headcannon Daroach, being the charming gentleman thief he is, likes to playfully flirt with Susie from time to time. Either to steal something from her, or just to mess with her.

Gentleman thief vs Business woman just seems like a fun dynamic to play with!

Anon, I am shaking your hand...!

Yes, I think they have a potentially wonderful dynamic and ought to interact WAY more than they do! Red and Pink. Grey and White. Rich business woman and literal RAT MAN. (Both "ice" themed too.)

...Not to mention that before she was a CEO, Susie fashioned herself as a "corporate spy" working against her father! Spy vs Thief, anyone? She may know some tricks of her own from that particular skillset! And boy, wouldn't THAT be a fun conversation to listen in on!

(And yet you can see how they would have completely different outtakes on life, too! Business and order versus the free life of a phantom thief! A woman who is always looking centuries forward technology-wise vs a rat man who acts and dresses like he's from an 18th century crime novel, including fantasy steampunk tech.)

Now, I'm one of the odd ones who sees *most* of the cast as adults, including those that others don't (it's a personal attachment / investment + wanting to see more spectrum-coded adults in fiction thing) but I can appreciate the fun of having the ones who feel the most "inarguably adult" have a little playful "strictly business" flirting!

-

Not that the ask was specifically about shipping as much as simply how Daroach talks to her (and lets be honest, guy probably flirts w/ MOST people) but when it comes to actual -interest-/sexuality HC, I enjoy me some (Dark) Metaroach and ZanSusie, but those two are at LEAST bi! I feel they can have a little ship tease!/lh

-

Edit: Right as I was sending this post to the queue, my brain whispered “Why do they need to be messing with EACH OTHER when they could COOPERATE?” And floated me a mental picture of some one-shot evil corporation that Daroach and Susie have BOTH infiltrated separately (in disguise) to get dirt on, only to run into each other, recognize each other, and are encouraged to cooperate to get what they need!

…Kirby expanded cast animeeeeee…

[im-not-just-one]

Things I need from CR3 before it ends and they're all unserious:

-Laura Bailey animal companion

-Roc combat because they're the most memorable subplots to me for some insane reason

-Chetney to die before something important. Not because I dislike the character but because could you imagine how insanely funny that would be. I also feel like Travis has the same feeling about this

- Laura Bailey as the Raven Queen talking to Laudna. I just desperately need the Raven Queen backstory and if Matthew Mercer doesn't give it to us soon I will go feral

-Fearne having an actual child somehow after making that joke for years but no one believes her

-Scanlan jokes about the Vorb. Don't get me wrong I want Vax free just as much as the next guy but you know Sam has to have jokes locked and loaded

-Jester/Ludinus interaction. Hear me out, if anyone could talk sense into him, it's Jester.

-Percy to face the consequences of his actions and be confronted by the people in Exandria who have access to guns; an alcoholic soccer mom and a fire monkey who shoots feces

-Bring Opal into this fight, I just love her and want her in all of the campaigns, she also deserves better

-One more party member to attack the rest of the party, it's their MO. Not Fearne or Ashton though I think those fights would just break my heart and this list is for shits and gigs