#who are women and not stereotypes of women

[youremyheaven]

Astrology of Sex: 🥵🔥🍑🍒💦🍆

my asks have been looking thirsty lately and i thought😌its about time i made another post about sex lmfao. MINORS LOOK AWAY AND DNI. NSFW CONTENT BELOW.

We've already discussed a little bit about Yoni animals and sex but I wanted to discuss certain random observations I have made hehe.

Elephant yoni men?? they are THE most sensual lovers??

I think Elephant Yoni (be it Revati or Bharani) creates partners who are extremely sexually passionate. They live to please their partner. Just think about how protective and loving elephants are and now think about how aggressive they can be if they're mad. Elephant yoni men (in my experience 😜) have always been sensual but slightly aggressive but in a good way 😈😈

2. MOON DOMINANT MEN ARE FREAKY NASTY BITCHES, i said what i said

if you've never had sex with a lunar man, WHEWWW them dudes be FREAKZZ, they'll be doing acrobatics with you in bed 😭😭😭idk how to explain it but yk when you're having sex with someone for the first time and you're all polite and semi formal?? wellll lunar men are not gonna be like that. they'll get right to business and fck you like you owe them pu$$y

3. Purvashadha men are kind of sadistic

i mean Hitler had Purvashadha moon, so this is not entirely surprising but Venusian naks are all in some ways cruel and i'd say Purvashadha is the PEAK of this energy

they're selfish, they're extremely hard on themselves, they dont care about others, they're VERY self centred and yes, they fuck in a really brutal way. they'll literally fuck you like you're a whore. aftercare? never heard of her

4. Rat yoni men or men with a small yoni animal in general can fuck for hoursss and not get tired. im talking 4 rounds or 5 rounds

5. Rahuvian men 💀💀will bust in 5 seconds but they'll go crazy with foreplay tho 🥰

6. MARTIAN MEN GIRLLL, they're so rough and live up to all the stereotypes .. like you're NOT making love over here, you're getting FUCKED.

7. I feel like Lunar women are lowkey asexual ,, their sex drives are just ?? occasionally there but often not there. the type to have sex just to please their partner. THIS NEED NOT APPLY TO EVERYONE, PLS DONT COME FOR ME

8. Jupiter dominant men have crazy sexual appetite but either they have really high standards or they fck everything in sight (depends on how much they've emotionally evolved)

[mvmnbnv]

Ngl it's a little strange to me that people think vi would deal with her breakup with sex with other women when she's always been shown to show dealing with unwanted outcomes with fighting...like if anything I feel like that'd be out of character for her, and as an avid vi fan who notices patterns not only in how people see vi but see other masc female characters in general, I can't help but wonder if it's rooted in stereotypes toward masc women...

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 彩香ちゃんは弘子先輩に恋してる / Ayaka-chan wa Hiroko-senpai ni Koishiteru / Ayaka is in Love with Hiroko!

Ayaka is in Love with Hiroko! is a 2024 eight-episode Japanese comedy of errors about what happens when two adorable lesbians continually get in the way of their own relationship.

I think the poster gives a somewhat wrong impression: Hiroko (in black) is not a straight girl horrified that she is being hugged by a lesbian; she is a lesbian horrified that she is being hugged by her crush, whom she perceives to be an oblivious straight girl. But as the title of the show would suggest, Ayaka (in pink) is very much not a straight girl, and is instead a determined young woman with sapphic designs on the hot older woman at her job.

And they are both so, so stupid about it.

The whole wacky, wonderful series will take up a mere three hours and twelve minutes of your life, so here, as was the case with Otoko Meshi, is a correspondingly quick list of five reasons to watch it.

1. Clueless Lesbian 4 Clueless Lesbian

Have you ever seen someone have a crush and proceed to be normal about it? Well, you won't find that here. Ayaka is going to con this beautiful, competent woman into topping her if she has to kill everyone in this office to do it.

Hiroko refuses to believe that Ayaka might actually mean what she's saying, choosing instead to believe that Ayaka's actions are pure platonic displays of admiration, even when Ayaka outright says what she's after. Meanwhile, Ayaka simply cannot imagine why her very targeted overtures are always being rebuffed, interpreting Hiroko's continued resistance as a sign that Ayaka is simply not doing a good enough job of seducing her. She's got to up her game, dammit!

If you like the type of business where it takes multiple dates for two women to figure out they are in fact girlfriends, this is for you. Every oblivious lesbian trope in the book is on display here. It's a war of attrition between a woman who feels obligated to say no because she doesn't believe the person asking understands what she's asking for, and a woman who won't take "no" for an answer because she's certain that as soon as she figures out how to ask the question correctly, the answer will be "yes."

And will it be? Well, of course it will, because you know how this genre works. But not before some adorable wlw wackiness ensues!

2. Harold, they're (actually) lesbians

Often in both BL and GL properties, characters are presented as mostly straight with only plot-related same-sex leanings, usually having moments of going, I can't believe I'm falling for a wo|man!

The main lady-loving characters in this show have no trouble believing they're falling for women, because one's been out to herself as a lesbian since she was in middle school, one's just coming to terms with her desire for women but has acknowledged that it probably indicates she's a lesbian, and one honestly just never stopped to consider that being a woman desperately in love with another woman is pretty gosh darn lesbian behavior.

And I like that, you know? As much as I love a good Gay For You plot, I appreciate one that acknowledges that there's a whole very real community out there of people who feel the same way! You are not the only girl in the world who wants to kiss other girls! Lesbians have their own networks, hangouts, stereotypes, relationships, and even aesthetics that are distinctly lesbian. You can find them in real life, and I like it when you can find them in fiction too.

These aren't just straight relationships with incidentally matching genitals. There aren't even any strict butch/femme dynamics or demands that lesbianism equal gender-nonconformity. Sure, Hiroko is slightly more toward the masculine side of the gender slider than most of the other women in the show, but she's definitely not outright masc. While she's real into Ayaka's girly looks, as we see from flashbacks, Hiroko's not what you'd call picky about the gender presentation of her female partners.

They even go to a lesbian bar! The world's tiniest, most brightly lit lesbian bar! A magical place where you can always meet a beautiful red-clad femme, a cute little tomboy, and...

3. That hot bartender

It's like a good fairy granted a lion one wish, and the lion said it wanted to be turned into a beautiful Japanese lesbian, and the good fairy was like, wow, that's such a good wish, I'm going to make sure it turns out really great for you.

We are all the big-titty lesbian in red here.

4. Ayaka's outfits!

A major conceit of the show is that Ayaka, in response to her crush on Hiroko, has given herself a complete makeover, choosing outfits and hairstyles that (accurately) reflect Hiroko's tastes.

Even if you don't like her outfits -- and let's be real, some of them are a bit much for me -- they're still very cute and a lot of fun to see worn.

I do want to note that this isn't just a story about Girl Changes Entire Personality For Boy Girl She Likes. Ayaka's pre-transformation self is severe and almost robotic, and ... well, it doesn't seem to make her particularly happy to be like that. It seems less like her older persona is her "real" personality, and more like it's one that she'd just settled on because she'd been told it's what being an adult means.

There, that's what she used to dress like.

When she decides to change her style, she initially steers way too hard in the other direction, to the point where it feels like she went home and binge-watched fifty romcoms to learn how to be a person. (I'm just saying, if you wanted, you could choose to read Ayaka as an interesting flavor of autistic.) Over the course of the show, though, she gently settles into her new mode, which winds up suiting her so much better! So it's less about the nerdy girl having to leave her nerdy self behind to earn the attention of her crush, and more about how having a crush gives a girl the incentive to stop dressing the same way her parents dressed her in the second grade.

Also very cute: Some elements of her wardrobe get reused! She doesn't just magically wear several whole new things every episode! We see her apartment, and it's not large. She doesn't have room for a million different complete outfits, so she has to mix and match.

So yeah, if you, like Hiroko, like to see a cute girl wearing cute things, this show has just what the lesbian doctor ordered. (It's me, I'm the lesbian doctor.) (No, seriously, I am.)

5. A weirdly thoughtful take on the complexities of queer workplace relationships!

The show knows it can't keep up the absolute lesbian obliviousness the whole time, so feelings start to become clear about halfway through -- at which point the conflict that fuels the drama stops being about mistakenly thinking people are straight, and becomes more about why a lesbian office romance might not be the smartest career move for either of them.

After all, by the time you're in your mid-thirties and you've been working in the same place for over a decade, you're pretty well-established in your position -- but not so much that your job is completely safe from gossip or disapproving looks from your higher-ups. Meanwhile, when you're in your early twenties and just getting started, it won't do you any good to have everyone suspecting any future success is just a result of your sleeping with the (girl)boss.

So the goofy lesbian misunderstandings are fun and funny, but their worries about how dating will affect their jobs are real.

You find out eventually why Hiroko is particularly touchy about workplace relationships, and it's a very good reason! But at the same time the show explains this very good reason, it also points out that Japanese culture is slowly becoming more accepting of out gay people. Ten years can make a pretty big difference! Older generations might still be regressive about open queerness, but there's growing support from the youth.

Like these supportive coworkers! Aren't they precious?

I will admit, I am not the biggest fan of boss/underling romance dynamics. However, that never bothered me in this series, because Hiroko never feels quite like Ayaka's boss. She's Ayaka's sempai, sure, but she feels more like a senior colleague than an actual supervisor -- and Ayaka is 100% the one pursuing her, not the other way around. Still, if the idea of any hierarchy-crossing workplace relationship is an absolute dealbreaker for you ... well, you probably stopped reading this rec several paragraphs ago, so I'm not going to worry about it!

Anyway, don't get me wrong and assume this is something deep and serious about how perceptions of queerness can hinder professional success, because it's not. It's a goofy little comedy with cute outfits and dumb lesbians. But it's also a goofy little comedy that also occasionally makes some smart observations, and I like that about it.

bonus: Of course there's an adorable manga!

And you can read it here! It's a bit wackier and it makes some choices that wouldn't have worked in a live-action drama, but they're quite entertaining on the page. Here's the MangaDex summary:

Soft and bubbly office lady Ayaka is madly in love with her senior at work, Hiroko! Two lovestruck coworkers who both think the other is straight totally crush on each other… popular Twitter artist Sal Jiang’s latest office rom-com!

If anything, it handles Ayaka's transformation better than the show does, because it makes clearer that even after the makeover, she's still as intense and tough to crack as she was before -- around everyone but Hiroko. It even says in so many words that sometimes Ayaka's smiling demeanor is just masking.

The manga also knows a lot better what their job actually is, while the drama is more along the lines of, we work in an office! we do events! we have meetings! we create things for clients! It's basically the same Generic Company, LLC that every character in a modern AU fanfic does endless paperwork at.

Beside that, the series is a pretty darn faithful adaptation of the manga! Three volumes and eight episodes seem to be enough to carry about the same amount of story.

Want to watch the cute lesbians?

Sure you do! And the most reliable place to get them appears to be GagaOOLala, though I've found the whole series uploaded by various people on Dailymotion (here's episode 1 from one account, though you can find others).

It's a laugh-out-loud romp smart enough to know to get in there, tell a cute little bite of a story, and get out before the joke gets old. If you believe in the truth and goodness of lesbian love, treat yourself with this cheerful little romance that's only a slight exaggeration of how oblivious real-life lesbians can be.

Attagirl.

[goddesshoromi]

Why Did I Become a Domme

For me, becoming a Domme was not just a career choice; it was a journey of self-discovery, empowerment, and creative expression.

One of the most compelling reasons I became a Domme is the sense of empowerment that comes from embracing a dominant role. It allows me to reclaim agency in a society that often tries to define femininity as a submissive force. I don’t agree with that. From my point of view, a woman has enormous power, and her whole nature is divine and unique. Every women is a true Goddess and the only question is whether she realise it or not. By stepping into a dominance, I explored my desires and celebrated my identity in ways that feel authentic and fulfilling.

Femdom inherently involves a deep understanding of human psychology and relationships. As a Domme, I have the opportunity to explore the motivations, desires, and fears of my submissives and — what’s more important — even myself. This exploration has already enriched my understanding of human behavior and has taught me valuable lessons about trust, vulnerability, and the complexities of power dynamics. Each interaction provides insights that contribute to my personal growth.

Choosing to be a Domme allows me to challenge societal norms and stereotypes surrounding femininity and masculinity. I believe that female domination is natural, divine and beneficial for both. A man who can find the strength to acknowledge his submissive side will become much more fulfilled and successful in the future. My goal is to build community and work with submissives that understand that.

Ultimately, my transformation into a Domme has been one of my personal fulfillments. The ability to express myself, connect with others, and engage in a lifestyle that resonates with my true self brings immense joy. Each day, I have the opportunity to explore my desires, help others do the same, and cultivate an environment of acceptance and understanding. 

[roblogging]

i've had a LOT of people message me about the reboot video and the other discussions that i've had recently about jkr, about fandom, about being trans in fandom.

and i just remembered about this draft from before i even posted that video, and i think it sums up how i feel pretty well.

as a fandom, i think we need to clarify again what reclaiming a space means.

because it is not removing ourselves from the artist, especially not one as problematic as jk rowling. it is impossible for us to separate from her views as they are the forefront of her person and are heavily embedded into her works. to separate entirely is not possible, and to strive to do so is, in my opinion, optimistically ignorant.

we cannot separate art from artist when confronted with two-dimensional female characters that we have to bulk out through fandom. we cannot separate art from artist when gender norms are prevalent in the works (see here: rita and umbridge - villain women - being described as masculine). we cannot separate art from artist when queerness is attacked in her works (see here, less vividly: harry being treated awfully at a primary school called. stone. wall. (arguably a reach, i agree)). we cannot separate art from artist when names likes cho chang and kingsley shacklebolt are a thing. we cannot separate art from artist when, in books published during the irish troubles, the one irish character's entire personality is blowing stuff up.

the nazi imagery (see also: jkr denying the holocaust), the antisemitism, the oppression of women, racism.

her entire transphobic platform that has now gone on to harm cis women (which, by the way, trans people have been screaming for years that transphobia harms cis women, and we weren't listened to. see again: rita and umbridge. if you are not feminine and pretty, you are bad).

we cannot separate art from artist and we shouldn't.

reclaiming a space means that those marginalised communities? every single one of them? every single person who was harmed by her works and her subsequent platform? they can find a space in fandom.

they can find works that represent them, works that rectify the harmful stereotypes in her books, works that are inclusive and safe that still allow us to engage with the world that we love.

they can be safe.

you can engage with fandom however you want. whatever ships, headcanons, stories, ANYTHING. you can engage with it however you want.

as long as your wants do not harm others.

and even then, we cannot stop you from doing that. all we do is ask that you acknowledge that this is not reclaiming.

you cannot reclaim a space that causes harm by causing harm, no matter how indirect.

we cannot separate art from artist, no matter how badly we want to.

we can 'separate' our works from her views, absolutely. we can say that these works do not align with her views and alleviate the harm caused by what she wrote, i agree.

but that is all.

her merchandise, her parks, her books, her films, her reboots. everything with her name on and her bank account attached?

we cannot reclaim those. we cannot separate those.

and i will not pretend to be perfect. i will not pretend that i don't have merchandise, or even that i haven't considered purchasing more. i was literally contemplating going to see cursed child a few months ago, arguing with myself to try and justify why that would be a once in a lifetime experience for me.

but so was starting hormones. so was getting my top surgery approved. so was coming out and subsequently moving out of an abusive home. so was changing my name. so was living.

going to see cursed child would have been a once in a lifetime experience for me, yes. but at the cost of funding a woman who does not want me to have the same lifetime as cis people. at the cost of providing money to a woman that does. not. want. me. alive.

and it's so easy to say that one person doesn't make a difference, and i agree! i have literally said this before!

which is why i have used the collective we throughout this post.

but i also think, it's worth acknowledging that one person can make a difference. and that one person is jkr.

it is not reclaiming a space to simply say that you do not stand with her.

it is not reclaiming a space to exist as something jkr hates - i am not reclaiming this space by existing in it as a trans man. my existence is not a form of protest.

boycotting is.

it is not reclaiming a space to say "fuck jkr" and then profit her.

it is reclaiming a space when your actions reflect your words.

and that is the bare minimum.

we cannot change the source text or the views that went into them. we cannot change jkr's personal views or the way that she chooses to use her money.

we cannot use the term "reclaiming the space" to feel better about our actions, and to avoid accountability. not when funding her account.

and i don't want to hold people to account. that's not my goal; never has been, and never will be. i am not typing this to cause further harm, or to point fingers, or anything like that.

i am typing this to clarify what i mean when i say reclaiming a space, and ask that those who disagree do not enter the space i have forged for myself here.

to ask that those who put once in a lifetime experiences over me living a full lifetime do not enter my life. here for a good time, not a long time, right?

i am not in this space to explain why jkr is a bad person. i am not in this space as a form of protest. i am not in this space to explain to people that their actions have consequences - that's for teachers in nursery to explain.

i am in this space because it's fun.

and i feel annoying talking about it. i feel like i'm annoying people by bringing this up time and time again, but, to be honest, i hope that they feel the discomfort. i hope that they do get annoyed, and i hope that they recognise that any annoyance they feel about me speaking up about transness in the marauders/hp fandom does not come anywhere close to the annoyance i feel watching these videos.

because i shouldn't feel the need to take a step back from engaging interactively in fandom.

i shouldn't need to cater my online experience in a fandom that claims to be all inclusive, to get rid of people that aren't?

and these conversations are uncomfortable and, yes, to the people that it addresses, they likely are annoying.

but it makes my space feel safer. it makes me feel safer. it's allowed me to talk to now over 100 trans people in this fandom about their experiences, and made me feel less alone in this.

so yeah, i feel annoying. but i won't apologise for making my space feel safer, and i certainly won't do so to people that have shown inconsistent/no regard to the safety of these marginalised communities.

this is me ✨reclaiming my space✨ if you will

[king0fcrows]

.

[guchaigue]

“She’s given me an ultimatum”

We Are Lady Parts touching the subject of being closeted queer person while being close to family that might or might not be accepting, and being pressured to come out.

I felt this scene so badly.

[weezerlvr228]

i love this photo sm they’re so cutie

[princessefemmelesbian]

Transandrophobia truthers are so damn racist and white oh my fucking god y'all actually piss me the fuck off every time you tokenize Black and brown men for your stupid as fuck "mra but make it trans-inclusive" ideology created by a creepy guy with a corrective rape fetish(something I'll never let up on for as long as I live, btw). If I ever see another one of y'all say "Black and brown men face discrimination because they're seen as overly masculine and that's why masculinity in men is oppressed in this society" I will literally kill myself. Stop using Black and brown men as brownie points for your bullshit arguments about misandry being real when you don't have the slightest idea how racialized oppression works. White boys are so annoying and dumb istfg.

@punkeropercyjackson @punknicodiangelo @pinkpinkstarlet

[ayoarticulate]

we all need to get together and collectively say “thank you danai gurira” because she did michonne a beautiful justice in this episode

in all the episodes, truly, but especially this one

in the mothership, michonne was incredibly strictly the “badass” character. she was always on go, ready to do the next thing, very rarely did she have vulnerability and softness to her character

this is so so SO common for black women in tv, especially darkskin black women. in this episode, we truly get to breakdown all the shit she went through, especially during her pregnancy, and see her be sad and hurt and all these “soft” emotions about it.

in the main show, it was instantly shown as “oh this thing made michonne into a hardass and she was super strict and mean,” but we never got to her feel any other way about it, or literally any trauma of hers in the show.

in this episode she gets to be open about those events, as well as verbally express the hurt she’s experiencing from rick by him pushing her away like it’s nothing. that is, hands down, my favorite part of this episode.

michonne becomes a full fledged character in this episode, to me. she cries, she gets mad, shes understanding, shes understood, she’s funny, she’s protective, she’s vulnerable, she’s in love, she’s openly loved in returned. she is shown as a real person. and that? that is more beautiful than any scene i’ve ever watched in the entirety of the walking dead.

[fayevalcntine]

Positioning Louis as the "Edwardian wife who becomes trapped by her husband" in a literal sense does no justice to analyzing his actual place and role as a Black man in his society and in his relationship with Lestat. Any interpretation or analysis you do of him when it comes to their relationship cannot be stripped of the racial aspect because it's constantly there. Texts analyzing Edwardian wives (and particularly ones this fandom loves to bring up) typically were white and the dissection of their place in societal rules are always viewed from the aspect of gender that is within these texts only allowed to white women, but never to Black men or even Black women. And gender and race become inseparable when you discuss the latter, no matter how people may view it.

This is why I can't take this approach to analyzing Louis' story seriously because if you don't consider the racial aspect in his relationship even to himself and his sexuality, what's the point? You're still centering the standards that were more placed upon white male/female couples than you're willing to look into the unique structure of Black families, religion, their view of homosexuality and how that sooner heavily influences Louis than the family's "need" for him to be sold off to an Edwardian husband. Even in Louis' own story, him and Claudia being Black is more centered on than any demeaning "housewife" comment he tries to go against from Claudia's perspective. She makes that comment once, whereas we have at least two episodes from Louis' perspective that have very blatant hints and showings of the racism he still suffers from under the Jim Crow era and how it affects his self-worth as well as his relationship with Lestat who doesn't seem to take into consideration how any of the blatant racial aggressions and objections still affect Louis and what he considers to be important to achieve in his own life.

Then there's also the pointed topic of Louis' position as a Black man who is a pimp to the Black women he has as sex workers, as well as how his position as a Black father affects Claudia, another Black girl. If you insist on Louis being centered as this "Edwardian white wife" who is confined by his implicit gender in his marriage, where does that leave Claudia and the blatant misogyny and disrespect she gets from both him and Lestat? Lestat who is her white father abuses her. Positioning Louis within the strict confines of "being her mother" doesn't do her any favors because he didn't hesitate to choke her when he was deeply emotionally distressed, nor does it make him look any better when he's fine with chopping up her diaries and then delivering them on a silver platter so that Daniel, another white man, can read and dissect. Even if he does this under the sole pretense of "doing right by her", how does it in any way help when he also can't face up to his failures towards her?

[animentality]

I actually legitimately think the only reason the creator of Blue Lock has the gayest characters imaginable is because he hates women that much.

Like no joke.

With the way he treats female characters as walking fanservice/ sex machines, and that creepy ass sexual assault manga he's working on, it just seems like he's Light Yagami.

You know. You're gay because you love men. I'm gay because I hate women. We are not the same.

I mean the only reason I can tolerate it is because Blue Lock by definition has very few female characters for him to victimize. And I am compelled by deranged gay soccer.

But I know the gay love stems purely from the misogyny.

[thatsparrow]

giving psych another go after having watched the first season and a bit a couple years ago before stopping because I hadn't really been feeling it

only like six or seven eps in this time, and I am enjoying it, and I would like to stick with it this time, but god, now I do remember why I gave up on it in the first place. for all the show has going for it (which is a lot!) so much of the tone (and shawn is usually the biggest offender) falls back on those really insufferable attitudes from the mid ’00s of like. hit on every woman you see, getting laid is always the biggest priority. kneejerk disdain for anything nerdy or "uncool." I'm a guy and that means I care about porn and sports and that's it

[moonypears-blog]

Can we talk about how strong older Sofia will be? Not just emotionally, but physically. By the time she's 16 she'll have been working as a protector, which I have no doubt is a very physically demanding job, for around 6 years. She's going to be strong, like she could take down someone easy.

[gender-critical-analytical]

the way some of you clearly think bisexuals don't experience actual attraction and feelings for people, but rather decide ahead of time if they want a man or a woman this time and then just go and pick whoever comes into their line of sight next is so obvious and definitely makes me think you all don't need to speak on things you don't know about

[starlooove]

“Fandom isn’t fun anymore fandom isn’t fun anymore” tbh it just feels like white racist “normies” jumped in as opposed to white racist nerds and for me personally u can feeeel it kinda but it doesn’t change much