#who is religiously diverse too

[arcadialedger]

Mark my words, now that they’ve done the 1990’s the next historical American Girl doll is going to be a Muslim girl living in the wake of 9/11.

Because, as the recent SNL sketch pointed out, we have to give these girls trauma.

[soath]

Of Contracts Between Gods and Men

On the Aeorian Kinsey-Deicide scale I’m a solid 5 (near exclusively god-preserving) which may seem surprising to my many dear associates who want those fundamental truths of existence wrecked. Without digging in any further, let’s do some quick religious history review on the question: Do you owe anything to the gods and do they owe anything to you?

The answer is not as universal as many raised in the nigh inescapable miasma of Christian theology may think! Reciprocal (or even unilateral) responsibility in religion comes and goes across history and geography. The Norse Aesir, for example, created humans but don’t owe them nada and only rarely bothered messing with them. The Greek pantheon are significantly more touchy on the subject of their pride but a person could manage offering no prayers or sacrifices as long as they didn’t promise any prayers or sacrifices. Probably. Compare this to Mayan theology, wherein both gods and humans have significant co-responsibility in maintaining balance; with ritual and sacrifice key to the continued safety of the polity. Divine-mortal relationships can be classified as nondirectional, unidirectional, or bidirectional with various advantages and disadvantages to each model. Gods come in lots of shapes and the demands they make aren’t universal!

A phrase that will often come up in any divinity studies is “covenant”. Originally a translation of the Hebrew berith or Greek diatheke, and also present in Islam, the Bahai’i faith, and possibly historical Phoenician religious practices, covenant theology has metastasized in Christian scholarship to the point it was genuinely hard to research this piece while dodging blogs by guys named Richard. But, broadly, it’s the idea of making an explicit deal with power(s) greater than yourself where you both have sides of the bargain to uphold.

Contract law is not the solution to every problem on earth or in fiction, but when the issue is a large disparity in power and mutual fears of future adverse behavior…. to quote Kate Bush “I’d make a deal with (the) god(s).”

Vitally, compared to other bidirectional pacts in world religion, Exandria has some advantages. For one thing, they have a godeater they’re right now helping to suppress. As long as the gods remain behind the divine gate they need mortal champions to effect their will—but that only holds true as long as the Divine Gate stays up. And unfortunately the problem with a fence someone else has erected is that you don’t know if they’ve kept a key.

If I was mortality’s lawyer? I’d ask for a second layer to that divine hamsterball I’d ask for anything left of the godkilling spark to be kept by the temples of Vasselheim—if they can’t be trusted with it no one can. And I’d promise cooperation from people of a certain degree of civic responsibility, not coerced or threatened out, whole hearted. But terms and conditions may vary.

Anyway, I guess the thesis is that it’s a terrible sin to destroy something you can’t comprehend with no idea of what the outcome will be (and a lot of you don’t seem to get the inconceivable joy of having/knowing/being a god, even just in fiction) but you can bring any monstrosity to the negotiating table. Don’t kill your gods, unionize against them.

[just-a-little-unionoid]

You know I think we can resolve a lot of our problems and moral dilemma by asking ourselves "does this really matters that much?"

[gettothestabbing]

Found a good AC for my house, but I can only get it there if I buy it via Amazon, since the manufacturer refuses to ship to me or provide a pickup location. Waiting to buy it until it will arrive on a day I’m actually home. I’ve been visiting my sister/bro/nephew every two weeks. Hence why I’m up past midnight: too hot to sleep even with ceiling fans.

And if you’re wondering why I have no central air, my house is too old to have the proper ductwork to install it at a price I can currently afford.

[theplotmage]

How to Get Started with Worldbuilding for Fantasy Writers

Hey fellow writers!

Worldbuilding can feel like a Herculean task, but it’s one of the most rewarding parts of creating a fantasy novel. If you're getting stuck, Here are some tips that have helped me, and I hope they’ll help you too!

Start with the Basics

Geography

- Map out the physical layout of your world. Think about continents, countries, cities, and natural features like mountains, rivers, and forests.

Climate and Ecosystems

- What are the climate zones and ecosystems like? How do they shape the lives of your inhabitants?

Create a History

Origins

- Dive into how your world came into existence. Are there creation myths or ancient civilizations that set the stage?

Major Events

- Outline key historical events. Wars, alliances, discoveries, and disasters can add so much depth.

Develop Cultures and Societies

Cultures

- Craft diverse cultures with unique customs, traditions, and values. What do they wear? What do they eat? How do they express themselves through art?

Social Structure

- Define the social hierarchy. Who holds power? What are the roles of different classes or groups?

Establish Magic and Technology

Magic System

- Set the rules and limitations of magic. Who can use it? How does it work? What are its costs and consequences?

Technology

- Decide on the level of technological advancement. Is your world medieval with swords and castles, or does it have steampunk elements?

Design Political and Economic Systems

Governments

- Create various forms of government. Are there kingdoms, republics, or empires? How do they interact?

Economy

- Define the economic systems. What are the main industries and trade routes? How do people earn a living?

Build Religions and Beliefs

Religions

- Develop religions and belief systems. Who are the gods or deities? What are the rituals and holy sites?

Myths and Legends

- Craft myths and legends that influence the culture and behavior of your characters.

Craft Unique Flora and Fauna

Creatures

- Invent unique creatures that inhabit your world. Consider their habitats, behaviors, and interactions with humans.

Plants

- Design plants with special properties. Are there magical herbs or dangerous plants?

Incorporate Conflict and Tension

Internal Conflicts

- Think about internal conflicts within societies, such as class struggles, political intrigue, or religious disputes.

External Conflicts

- Consider external threats like invading armies, natural disasters, or magical catastrophes.

Use Maps and Visual Aids

Maps

- Create maps to visualize your world. This helps you keep track of locations and distances.

Visual References

- Use images or sketches to inspire and flesh out your world.

Stay Consistent

Consistency

- Keep track of the details to maintain consistency. Use a worldbuilding bible or document to record important information.

Feedback

- Share your world with others and get feedback. Sometimes fresh eyes can spot inconsistencies or offer new ideas.

Let Your Characters Explore

Character Perspective

- Develop your world through the eyes of your characters. How do they interact with their environment? What do they know or believe about their world?

Be Flexible

Adapt and Evolve

- Be open to changing aspects of your world as your story develops. Sometimes the best ideas come during the writing process.

Worldbuilding is an ongoing journey, and it’s okay to refine and expand your world as you go. If you’re stuck or need specific advice, drop a comment or message me. Happy worldbuilding! 🌍✨

Feel free to share your own tips and experiences below. Let’s build some amazing worlds together! 💫

By the way, if you’re looking for a tool to help you keep track of all your worldbuilding details, check out my worldbuilding bible on Etsy! It’s designed to help you organize every aspect of your world, from geography and cultures to magic systems and conflicts.

I poured my heart into creating this, and I hope it inspires you as much as it has inspired me. Writing is such a beautiful journey, and having a structured way to keep your ideas organized can make all the difference. So go ahead, dive deep into your imagination, and let your creativity flow. You’ve got this! 💖📝

Happy writing, friends!

[halalchampagnesocialist]

This was just a random thought but thinking about the way Zionists act like lineage is always linear (when as Jews they should know its not for a variety of reasons) and therefore they keep making the argument that Palestinians are directly descended from Arab settlers from the peninsula which is such a weird hill to die on. Because if you put aside the fact that there is evidence of Palestinians being descended from peoples existing in the region prior to the conquests who at that time were very diverse themselves!

There is also evidence that Arab settlers did in fact settle in Palestine both prior to and during the conquest, but so did Kurds, so did Turks during the Ottoman era, and so did many other ethnic groups during different periods… after all it was quite a cosmopolitan and religiously important place with many people such as pilgrims and traders passing through… however for the people who chose to make Palestine their home, over time they converged to become culturally and ethnically Arab (of the Palestinian variety) prior to national identity existing, and then later that became Palestinian in name.

But the reason why it’s such a weird hill to die on is that this was not unique to Palestine at all. If you look at Europe, so many countries as we know of them today constituted many ethnic groups within their borders including many languages spoken but simultaneously there was steady migration too, but over time those groups also converged to form a common ethnic, racial or national identity.

And I understand in some cases people were forcefully assimilated and forcefully converted, regardless of where in the world, but the point is why are Palestinians the only ones denied their homeland based on this argument despite it not being a unique case to Palestinian Arabs?

[space-emperor]

It’s kind of funny to me that the Djesh started as an afterthought/side joke that didn’t feature largely in the plot but have absolutely become the most interesting part of the story to me.

They’re big old parasitic xenomorph-lookin space bug women, right? They do not have a binary sex—only a select few choose to metamorpihize into a reproductively mature imago, while the others remain infertile neonates for their entire lives. Functionally they are all hermaphroditic and can reproduce sexually or asexually depending on environmental pressures. But also: they’re all women. As far as they’re concerned, so is everyone else.

Their closest concept to gender is relational:

A mother is anyone who creates with her body. This could be a literal gestational mother who lays eggs, fertilizes, or gives birth, but it can also mean a creature or person serving as host to the parasitic larvae. A mother in this sense is typically a final, fatal role immediately preceding death.

The Djesh do not distinguish between “mother” and “aunt” but for translation purposes it’s easier to explain with different terms. An aunt is a type of parent who participates in the rearing of young. If a mother or host survives and helps to raise a child, it counts as an aunt-parent. An aunt’s role is to teach and protect and to transmit stories from one generation to the next. An ideal Djesh family consists of many aunts raising young communally—possibly dozens. A family with too few aunts is considered deeply taboo in a way that’s comparable to incest. A Djesh encountering a two-parent nuclear human family for the first time would be horrified and disturbed and have trouble accepting that an intelligent species would reproduce like animals.

A sister is any independent adult who is not actively occupying a parental role. An aunt will revert to sister when her young reach adulthood. An aunt who abandons her role before then is committing a grave taboo—if a Djesh encounters a human who has been deployed on a military or scientific endeavor and left children at home, she will be repulsed and disturbed and potentially hostile.

A daughter is anyone, specifically a child, dependent upon a caregiver. I haven’t made up my mind yet on how this intersects with Djesh conceptions of disability but it’s something I may want to explore.

A Djesh will continue to molt and grow indefinitely. It’s possible that they have the technical capacity for immortality, with no set upper limit. They can regenerate limbs with each molt of their skeletons. As they age, however, the time between each molt grows longer, and the process becomes more difficult and perilous. Because this molting process functions as the only natural limitation on lifespan, there is a taboo against interfering. To succumb to the temptation to help a loved one with a bad molt that would otherwise kill them is to curse them and is a kind of spiritual betrayal… it’s very evil and very, very romantic. The idea of it is horrifying and tragic but they also eat that shit up like it’s Shakespeare.

Most importantly, of course, the Djesh are biologically dependent upon stories. They cannot be Djesh without them. You could incubate and hatch a Djesh egg in a laboratory and provide the larva with all the nutrients it required, but unless you (and, ideally, your entire team) spent time constantly telling it stories, it would never grow into a Djesh. It would survive, sure, but it would take the form of a weird gelatinous animal. This is why Djesh familial units consist of many aunts: the stories and narratives they pass on give Djesh children physical form and act as genetic information more substantially than whatever they inherit biologically. The more stories, the more diverse and robust their DNA-analogue. This is why most Djesh remain neonates and die infertile—they are able to reproduce more effectively by passing down stories than by producing/fertilizing eggs.

Turantirok is sometimes described as the Djesh “religion”. And it is, but only sort of—different populations may have different mythologies and beliefs, but turantirok is better defined as the cosmic force that drives narrative. To other species, Djesh may seem to behave erratically and seemingly act against their own interests. Even those few who manage to get around the language barrier struggle to understand the Djesh, and they are broadly regarded by other species as dangerously insane. In reality, Djesh have an innate instinct for turantirok—they will act according to whatever they believe best furthers a cosmic narrative, up to and including self-destruction. This was an evolutionary adaptation to pass on better stories to their descendants, but now that their planet is incorporated into a galactic civilization, turantirok may be an existential threat.

[buddhistmusings]

College campuses across the US have become sites of intimidation against Jewish people. The intellectual and institutional frameworks universities and their faculties have used to address issues of diversity and inclusion are failing to address this anti-Jewish racism, white supremacy, religious bigotry, and xenophobic fervor.

I have witnessed this spike in Jew-Hatred myself, as a non-Jew, and felt confused and uncomfortable. I'm at a place now where I'm fighting against it, but I'm hitting a wall because so many people who have been recently lured into white supremacy have convinced themselves that they're being white supremacist in the name of opposing racism. Their induction into antisemitic conspiracy and racism was performed using pseudo-progressive language.

For some reason, the idea of a universal antiracism is so commonly invoked but remains so controversial. For some reason, suggesting that peace is the number one priority is blasphemy. For some reason, standing up to both anti-Jewish and anti-Arab racism is not an option for so many. Choosing a side is so important, and when you choose a side, that's the kind of racism you're supposed to oppose, and I'm not comfortable with that. All of it is horseshit.

I'm not comfortable excusing violence against any group of people. I'm not comfortable suggesting that the solution to an ethnic conflict is shifting the balance of power so that a different side is able to do the killing.

Peace is a commitment and it's a fucking difficult one to maintain. It's intellectually easy, sure, but the whole world is constantly begging you to find someone to be violent against. Holding your ground on that commitment is difficult - just with other human beings! That's not even to mention how much more intent on violence so many people are against animals and nature.

That's enough of my rambling for now. Jews are human beings, including the Israeli ones. They're equal to us in worth and dignity, just like all human beings are. And, though I doubt it needs to be said to members of my audience, Palestinians are too. So are Americans, Europeans, Africans, Asians, etc. All war and all violence is bad, it can be really hard to avoid sometimes, but we really gotta do our best. Also, animals think and feel so be nice to them. And be kind to the environment too. Meditate more, smile more, bow more, and fulfill your social obligations. Drink more water, eat less meat, and love yourself a little more.

[riptide-hiatus-countdown]

Update

For those who do not have the patreon, Grizzly released an update video on the status of Riptide. He spoke about working with a writing coach named Mariana (not qsmp) who is helping him with diverse characters, sensitivity checks, and world building.

When Riptide returns Grizzly said they were going to run Jay’s solo session first. He also teased the possibility of upping the quality by using maps and getting together more however it would most likely just stay as it was. They also spoke about bonus material like a recap however that would not come out for a while.

The release date of Riptide has also changed due to behind the scenes complications and to make way for wonderlust. It is said that it is looking more towards early August when recordings and uploads would start again.

In the meantime there are some things you can look forward to to fill that Riptide shaped hole in your heart. The first being Wonderlust. Wonderlust is a new JRWI campaign that is run by Bizly. It’s out and free to watch on youtube and spotify. Another patreon exclusive is a short campaign run by Grizzly featuring Milo Mumbles in place of Charlie as he is busy. If you don’t know Milo she ran a channel with Bizly called Spittake and whether or not you can watch Spittake to see some funny Bebo moments and get to see Milo absolutely dunk on said Bebo. Another lesser known campaign Grizzly didn’t mention is he is in the midst of a non-JRWI called Shadows Over Welde which is streamed live on twitch channel AlphaAniki. It is run by Jonah Scott the person who played Ichabod as a guest character a while back. It already has a few episodes released and for those interested Grizzly plays a representative of the reformed church of lolth called Zephrael so if you like religious themes I would definitely recommend checking it out.

In terms of this blog, as there is no confirmed date I am going to move the timers to continually be moving the timer back later and later, based on speculation, until we get a confirmed date so the date is not completely accurate and more of a way to see how much time has passed.

Don’t worry I miss Riptide too. But it ain’t lastin forever.

[writingwithcolor]

Dark features/people as blessed, white and light people as sick

ladyoftheseastuff asked:

I'm writing a fantasy story where the world is permanently covered in snow & ice. The people share a common culture & are loyal to their city states, but they are not homogeneous in appearance; there will be many, many characters coded as PoC. The main religion centers on the sun, & those with dark features are 'favoured' by the sun god, while pale people or anyone who has white/blonde hair are thought vulnerable to "snow sickness", a disease caused by environmental factors (1/2) & have other rules and customs to gain religious approval. It's dangerous & infectious but not well understood. It affects social standing and opportunities, but it's meant to be tied with ideas of youth, vitality, & fear of aging & sickness: it's not limited to those coded as white. This is a cultural detail and not part of the main conflict, but I want to avoid unintentional allegories/parallels & fetishization. Is this a concept that's too close to crossing any of those lines? (2/2)

This feels less like a means to show dark skinned people in an empowering light and more like a weak attempt at subversion. My primary concern (which you have not specified) is how do the "blessed" class treat the "sickly" so to speak. We have fantasy stories like The Grisha Trilogy and Girls of Paper and Fire, which deal with magical ability/feature-based segregation and conflict.

In both cases there is a sense of entitlement which comes with hailing from the "favoured" class, quite obvious, since there will always be an inherent othering metaphor whenever you create such a division, whether it was meant to be a source of conflict or not.

However, the two mentioned series use the "magical people are blessed, non magical people are to be pitied" arc which is somewhat more subtle than divisions created just on the basis of skin colour.

Disclaimer as I do not have albinism or vitiligo: The latter can be extremely harmful, and not just in a racial context, but in cases of albinism, vitiligo etc.

~Mod Mimi

The pitfalls of subversions

While it is always lovely to see dark features considered in a favorable way, there are some issues you may come across. Such a story could easily end up dressing those you wished to uphold as bad guys in the readers' eyes, even if the story's society and the sun god etc. thinks they're amazing, and white and light people as the victims of dark people, deserving reader sympathy. This may especially be the case based on how these groups get treated in the story.

These sort of subversions lean dangerously into "reverse discrimination" plots which are not overall accurate or favorable allegories for your real, human audience. There being diversity on both sides doesn't necessary fix this issue or remove racial or ethnic implications. On that note, and as Mimi mentioned, being demonized and ostracized particularly for skin and genetic disorders like albinism is already a thing. What does your concept say of them?

I think Dark/Black as good and Light/white as bad is a doable concept. Your concept differs a bit from simply subverting black/white tropes. This is not just Black good guys and night skies being peaceful or neutral. It's not just white/light villains (as opposed to victims) or snow symbolling death or sickness.

White and light people are quite blatantly being declared as sick and unfavored and they may very well be victims in the reader's eye with the dark people being the villainous, unsympathetic bunch. Is this your intention?

More to consider

Such a concept requires thoughtful, careful planning and intentional writing. You should have an understanding of what your story implies to the readers and the real-life takeaways.

I think it's possible to make dark skin the favored skin of the sun god without it meaning white/light people stand in a negative light and are sick or unworthy.

Consider what it is that you like about the concept of your story. Can you keep the essence of whatever it is that excites you about your ideas, without denying a whole group of people favor? If not, how will you go about telling such a tale that is not meant to symbolize a sort of reversal of roles discrimination?

Why does the sun god get to determine what is good?

Are there other gods that might have different strong opinions? Perhaps who is favored varies by time of day, season, region, culture, god?

Can dark skin get its favor without white and light features being deemed unfavorable as a whole?

How big of a deal does this favor have to be? I advise reconsidering it being the point of discrimination to white/light people for all the reasons already described.

No matter the directions you go, please research and get the appropriate beta-readers for feedback on the in-depth concepts and story.

~Mod Colette

[apenitentialprayer]

why do anglicans still exist like their entire church is built on the fact that some guy wanted a male heir. or do anglicans believe that this isn't rly why their church came about

Okay, I do love clowning on my Anglican friends, but there are a few angles (da dum tss) that we can look at in terms of why the Anglican Church is a distinctive tradition.

Theologically, the Anglican Church might have started off as "Catholic without the Pope," so to speak; the Anglican Church was essentially Gallican in nature, meaning that the head of the church wasn't the seniormost bishop, but the head of the state. But even if it started off simply being in schism with the Roman Church, it didn't take very long before Reformed theology started entering the Church through the efforts of Anne Bolelyn, Thomas Cromwell, and especially Edward VI. There were preceding documents, but the Thirty-Nine articles passed by Queen Elizabeth I in 1571 helped to solidify a distinctively Anglican identity.

But it's a little more than that, too, because in addition to this Protestantization of the Anglican Church, there have also been movements within to.... "Latinize" might be the wrong word, but to bring back some traditional Catholic elements. We see this, for example, in the Oxford movement of the 1830s; many of its members would end up converting to Catholicism or Eastern Orthodoxy, but those who remained behind started the Anglo-Catholic movement which still has a strong presence. (My girlfriend goes to an Anglo-Catholic parish, and our city has at least three other ones).

This kind of dual accommodation of Reformed and Catholic theological ideas has created a unique situation for the Anglican Church; Bishop J. Neil Alexander tries to articulate this by distinguishing the Anglican Church as a "pragmatic church," in contradistinction with "confessional churches" (Catholic & Lutheran, which focus on creeds and councils) and "experiential churches" (Baptist and other groups whose memberships require a born-again moment):

What, then, does it mean to be pragmatic? It means that within the generous capacity of the Episcopal [American Anglican] Church, we do not always agree on matters of biblical interpretation or theological definition. It means that we have all gotten here by way of hundreds of different and often unique experiences of God's presence in our lives. It means that those things which other churches depend to hold themselves together will never be a central feature of our common life. We find our life together driven by our willingness to stand together at the table of God's gracious hospitality. […] That, I believe, is the pragmatism at the heart of what it means to be an Episcopalian. We are a variegated tapestry of theology and experience, and we are all the richer for it. But no level of theological agreement or experiential commonality will ever be the basis on which Episcopalians will live together well. What is possible is that we will be pragmatic —we will keep our differences in perspective— and we will recognize that ultimately nothing will divide those who are willing to stand together before God's altar to sing, to pray, and to receive the gift of God's eternity.

Now, this is a very fascinating situation, because it means that the Anglican Church has a lot of diversity in religious thought and doctrinal opinion. On an official level, that means you will have bishops aligning with different theological orientations working side by side — and, in theory, the office of Archbishop of Canterbury is supposed to alternate between Anglo-Catholic and Evangelical holders. On a more personal level, I have found that the Episcopal clergy who I interact with have varying spiritualities and theologies; one priest I know has Catholic sympathies that are so strong that he was referred to as "the Papist" in seminary, while another clergymember I know doesn't think Confession is necessary and is ambivalent about her parish's practice of Eucharistic Adoration. And they work at the same church.

Liturgically, they are also distinctive. The current bedrock of Anglican prayer is the 1662 Book of Common Prayer, which is clearly inspired by Benedictine spirituality, but with continuing liturgical revision and innovation that kind of fits with the 'pragmatic church' mindset explained above. Some Anglican parishes even preserve pre-Tridentine traditions (remember, they split before the Council of Trent), like the Sarum Use.

The Anglican Church has had a developing liturgical patrimony for the past five centuries; one of the reasons why the Catholic Church created the Anglican Ordinariate was because it recognized that fact, and wanted former members of the Anglican Church to be able to preserve their traditions even after re-entering communion with Rome.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

So, like, the Anglican Church may have started off as a more-or-less Catholic particular church that was in schism with Rome, a schism orchestrated by a king who wanted fuller control over the Church in his country, but the Anglican Church has had five centuries of development. And, as much as I like to clown on my Anglican friends, I can definitely see why the Anglican communion has a deep appeal.

[fromchaostocosmos]

In the war between Israel and Hamas, there have been far too many casualties­—thousands of innocent civilians have died, primarily in Gaza. But this war has another less visible casualty: the hundreds of thousands of Jewish immigrants to Israel from the Middle East and North Africa known as Mizrahi, whose history is being erased from the popular narrative about Israel. My community is among them.

When angry protesters hurl charges of apartheid and colonialism at Israel, they are, knowingly or not, repudiating the truth about Israel's origin and the vast racial and ethnic diversity of its nation.

I was born and raised in Iran in a family of Jewish educators. I came of age during the tumultuous years of the Iranian revolution, just as Ayatollah Khomeini rose to power in 1979, and soon thereafter, annihilated his opposition­—feminists, leftists, even the Islamic Marxists who had long revered him as their spiritual leader. Until 1979, if anyone had told my observant Jewish family that we would someday leave Iran, we would have laughed. In fact, at our Passover seders, the words "next year in Jerusalem," were always followed by chuckles and quips, "oh, yeah, sure, Watch me pack!" all underlining our collective belief that we were exactly where we intended to remain. We loved Israel, but Israel was a Nirvana­—a place we revered but never expected to reach.

The 30 years preceding the Islamic revolution had led the Jewish community to believe that the dark days of bigotry were behind them. And for good reason! When my father was a schoolboy in the late 1930s, he was not allowed to attend school on rainy days. In the highly conservative town where he grew up, in Khonsar, his Shiite neighbors considered Jews "unclean," or Najes. They barred them, among other things, from leaving their homes on rainy days, lest the rainwater splashed off the bodies of the Jews and onto the Muslim passersby, thus making them "unclean," too. Yet, that same boy grew up, left the insular town, attended college in Tehran, earned a master's degree, and served in the royal army as a second lieutenant. (To his last day, my father's photo in military uniform was among his most prized possessions.) After service, he became the principal of a school, purchased a home in what was then a relatively upscale neighborhood of Tehran. The distance between my father's childhood and adulthood far surpassed two decades. It was the distance between two eras­—between incivility and civility, bigotry and tolerance.

Yet, as if on cue, the demon of antisemitism was unleashed again. The 1979 Islamic revolution summoned all the prejudices my father thought had been irretrievably buried. One day, on the wall across our home, graffiti appeared, "Jews gets lost!" Soon thereafter, the residence and fabric store my aunt and her extended family owned in my father's childhood town were set on fire after a mob of protesters looted it. Within days, she and her family, whose entire life's savings had burned in that fire, left for Israel. As young as I was, I could see that the regime was indiscriminately brutal to all those it deemed a threat to its reign, especially secular Muslims. But the new laws were specifically designed so that non-Muslims, and women, all but became second-class citizens. Members of religious minorities, especially the Baha'i, could no longer eye top jobs in academia, government, the military, etc. Restaurateurs had to display signs in their windows making clear that "the establishment was operated by a non-Muslim." In a court of law, members of religious minorities could offer testimony in criminal trials, but theirs would only count as half that of a Muslim witness. Jews were once again reduced to Dhimmis­—tax-paying citizens who were allowed to live, but not thrive. Then came a handful of executions of prominent Jewish leaders in the early months after the revolution, which sent shockwaves through the community. Jewish schools were allowed to operate, but under the headmastership of Muslims who were officially appointed.

Within a few years after the rise of Ayatollah Khomeini to power, the Jewish population of Iran, which once stood at 100,000, shrank to a fraction of its size. Today, of the ancient community whose presence in Iran predates that of Muslims, only 8,000 remain. For centuries, Iran has been home to the most sacred Jewish sites in the Middle East outside of Israel. But those monuments have either fallen into disrepair or are targets of regular attacks by antisemitic mobs. Only last week, the tomb of Esther and Mordecai­—the memorial to the heroine and hero from the Book of Esther who saved the Jews from being massacred in ancient Persia, was set on fire.

How is it that the 90,000-plus who left Iran, many for Israel, are now deemed as occupiers? How do Iranian refugees fleeing persecution become "colonizers" upon arrival in Israel? These families, my aunt among them, were not emissaries of any standing empire, nor were they returning to a place where they had no history. For them, Israel was not a home away from their real homeland. It was their only homeland. The vitriolic slogan that appeared across my home in 1979 demanded that we "get lost!" In 2024, once again, the same Jews are being called upon to leave, this time Israel. Where, then, are Jews allowed to live?

Iranian Jews were not alone. Jews from Iraq, especially in the aftermath of the 1941 pogrom called Farhood, similarly fled their homeland. So did the Jews of Yemen, Tunisia, Egypt, Turkey, Syria, Morocco, Algeria, Ethiopia, Afghanistan, etc. All, destitute and dejected, they took refuge in Israel. Today, they make up nearly 50 percent of Israel's population. To call such a nation colonial GRAVELY misrepresents the facts about Jews and Israel.

In his timeless essay, Looking Back on the Spanish Civil War, George Orwell said that in the Spain of 1937, he "saw history being written not in terms of what happened but of what ought to have happened according to various 'party lines.'" With the alarming rise of antisemitism around the world, and in light of the bloody attacks on Israel by Hamas on Oct. 7, the greatest massacre of Jews since World War II, 2024 bears an uncanny resemblance to Orwell's 1937. But perhaps in no way more ominously than the way truth has been upended to serve an ideological narrative­—one in which Jews, who have lived uninterruptedly in that land for more than two millennia, are cast as white non-indigenous interlopers, with no roots in what has always been their ancient homeland.

A public scholar at the Moynihan Center (CCNY), Roya Hakakian is the author of several books including, Journey from the Land of No: A Girlhood Caught in Revolutionary Iran (Crown, 2005).

[wszczebrzyszynie]

Heya, wanted to ask if theres anywhere in particular you look for your slavic clothing references, or helpful keywords? Your work has been inspiring me to add some slavic stylings into a mountainous snowy wooded region and a red sand region im working on world building atm! : ]c

Well first things first, "slavic" is a very... vast word. We are a very big, diverse group of people and cultures that dont really overlap in many cases. So my first advice would be to focus less on "slavic" as a whole and more on a single region. Once you have that its generally not hard to look for references, depending on the place you chose; some of our ethnographic museums them have internet archives avilable (you just have to get friendly with google translate), a lot of people interested in ethnography of their countries have accounts compiling old photos (nowdays folk costume is used mostly in arts (at least in poland, every city and town has its own folk song and dance group. Costumes used in these groups are modified to fit the stage better, rule of theathre costuming and all that, so they arent the best reference in the world) and some cultural/religious events, so your best shot is looking for old illustrations and vintage photos) of their people and art. Theyre fairly easy to find on instagram but there are some on tumblr and other blog sites, i believe

But if it looks like a lot, here are some generally trusted go-to sources i use:

Poland: strojeludowe.net (all in polish but its the best online source you can get), @/polishcostumes and their other blog lamusdworski, instagram account polisharchives

Ukraine: Honchar museum, @/vintage-ukraine, instagram accounts ukrainianstriy and ukrainian_garment

Belarus: instagram account tradycyjny_stroj (they have a youtube channel too and its great)

Bulgaria: instagram account bulgallery

Im sure accounts like the_balkans share things i mentioned as well but i dont really... draw anything from the south slavs, so i dont have much to share. I can however recommend you an amazing artist @/heruvimski who does draw a lot of south slavs

I have also never found a single source for Czech rep and Slovakia

[fuckyeahisawthat]

thank you so much for that excellent chani post. i've seen some annoying takes on twitter about how not making her totally devoted and subservient to paul makes her 'unlikeable' and i'm like. buddy. i think that speaks more to how you see women. than anything about her. this chani is very dynamic and interesting to me.

i'll be honest and say i've not read the books. this is me speaking from what i've seen of summaries, but i think giving her a real cause to fight for yet also genuinely loving paul gives her an interesting struggle, and also plays into how the portrayal of the fremen (seems to me to be) more diverse and nuanced. as in, the fremen themselves seem to have more of a push-and-pull to them. the clarification of how different fremen believe differently (the south being more fundamentalist) is a very important thing to include in a movie where you can run into the danger of saying that all adherents to a foreign, islam-adjacent (in coding) religion are all fundamentalists. that can (in less nuanced hands) be a pretty irresponsible thing. so showing that there's also more secular/pragmatic/less dogmatic sectors of the culture seems a pretty good counterweight.

so yeah. this is how i processed it as a movie-goer. and having chani represent that aspect (believing in people over prophecy, action over religion) and having stilgar as the humanized face of the southern peoples (showing that yknow, regardless of being fundamenist beliefs, theyre still PEOPLE with the capacity for love, friendship, honor) makes total logical sense. you're not just "telling" us that there's different aspects to fremen culture, you're SHOWING us by showing different characters who represent those aspects, without demonizing either or turning either into a one-note stereotype.

Thank you! I'm not someone who was a long-term fan of the books before the movie came out (I tried reading Dune as a teenager when I was reading a lot of classic sci-fi but found it too boring) but I did read Dune and Dune Messiah after the first movie came out, both because I wanted to know what happened next and because I wanted to have an opinion on how the movies worked as adaptations.

(book and movie spoilers below and also I basically ended up writing a whole essay in response to this)

My single biggest frustration with the book is that after they arrive at Sietch Tabr and Jessica drinks the Water of Life and becomes Reverend Mother...the book up and skips two years of the story and when we next see Paul he's already got Fremen followers who are ready to die for him and he's in an established relationship with Chani. Oh I was SO MAD when I got to this part. I was like FRANK. FRANK!!!! Did you seriously just skip two years of the most interesting part of your own story???

The thing is, even though I know that Frank Herbert's intention was to write a critique of the idea that oppressed people need an enlightened external (white) savior to liberate them...if you don't provide an alternate explanation for what's happening then you end up falling into some Orientalist tropes anyway. And because, in the book, we don't see the process of how your average background fedaykin comes to trust Paul as a military and political leader, there is nothing in the text to counter the idea that the Fremen are a bunch of unquestioning religious fanatics easily swayed to do violence by belief in a prophecy.

My second biggest frustration with the book is that we're given no reason at all why Chani would fall in love with Paul. While she has some memorable scenes, she doesn't have a lot to do as a character in the book, and she's missing from a whole chunk of the end...because she's in the south...because she and Paul have a baby, Leto II, who's then killed off-page when the sardaukar attack the south. (I'm honestly really glad they cut this from the film, because it never seemed to be given the narrative weight it deserved in the book.)

So you can imagine how happy I was when the Villeneuve movies figured out how to address both these frustrations by tying them together. The fedaykin don't just blindly accept Paul because of some prophecy. They come to trust him because he proves himself as a fighter, and because he starts out from a place of genuine solidarity and humility--which it is possible for him to do because he has no structural power over them at that point. And Chani falls in love with him for the same reason, in that heady environment of fighting side by side for a political cause, and maybe for the first time in a while starting to believe that you can win.

I think the Villeneuve movies improve a lot on what's in the book in terms of how the Fremen are portrayed...when we're with the fedaykin and/or Chani and Stilgar. There we see political debates and discussion and the fact that not all the Fremen think the same way. And we also see little humanizing moments of folks just hanging out, celebrating after a victory in battle and just shooting the shit and being friends.

I do wish the movie had extended this to more parts of Fremen society. If there's one thing I could have added, it would be seeing more of daily life in Sietch Tabr. It makes sense that when we're seeing things from Jessica's POV, she is more distant from and suspicious of the Fremen, seeing them as a force to be manipulated, but I wish we had even one or two scenes of people just being people in the sietch. It felt kind of weirdly empty and not particularly lived-in as a place, and I think they could've easily countered this, with scenes from Chani, Stilgar or Paul's POV, and that would have made it hit even harder when the sietch is attacked.

If there were two things I could have added, I wanted more exploration of the people of the south. Why are they more fundamentalist than the Fremen who live in the north? (We get one line about how "nothing can survive [in the south] without faith" but I wanted more than that.) While I think the movie did a fantastic job of humanizing and differentiating the Fremen we see around Paul, when we get to the south it does backslide a little into "undifferentiated mass of fanatics." Surely the people of the south also have some diversity of political views.

I think there are some interesting threads they could have pulled on in terms of how proximity to direct colonial violence shapes people's ideology. Sietch Tabr is one of the closest Fremen communities to Arrakeen, the seat of colonial control. They have probably had to mount some kind of armed resistance for generations just to keep from being wiped out. I can see that producing skepticism of the prophecy ("well I can't sit around waiting for a messiah but I do have this rocket launcher") as well as resentment at the idea of someone swooping in and taking credit for a struggle that you've put your life on the line for, and probably a lot of people you know have died for. There seem to be some generational differences, too, where young people of Chani's generation put less stock in the prophecy, while the true believers are mostly older. I can see faith in the prophecy coming out of despair--when you've been fighting for decades with no change, maybe you draw the conclusion that only an outside power coming to your aid will make a difference. While the people of the south are still under colonial rule, maybe being generally outside the reach of direct Harkonnen violence (the Harkonnens don't even know they're there) makes the concepts of both oppression and liberation feel more abstract and more receptive to being filled in with Bene Gesserit mysticism. It seems absurd to want more from a movie that's nearly three hours long already...but I wanted more of this.

Still, I do think they managed to improve on a lot of things that frustrated me or are simply dated about the book, while keeping the political thriller/war drama/epic tragedy elements that I think are the heart of the story, and in some cases drawing them out more clearly and effectively than the book did. The best kind of book-to-film adaptation imo is one that has a strong point of view in terms of what the story is About, on a large-scale thematic level, and is not afraid to change individual elements of canon in service of telling that story the most effective way possible in a cinematic medium. While there are always things I want more of, I feel like Denis Villeneuve really, really understood the assignment in terms of the overarching themes of the the story and he delivered so fucking well.

[greenflower21]

I wish people would stop treating Kira’s faith like something detrimental to her strength as a character— like, as if being religious makes her any less “good” in their eyes.

Kira is a deeply religious person- it is one of my favorite things about her as a character. It does give her a layer of complexity we don’t usually see, but I wish we could re-frame this and stop thinking about her religion as a type of complexity usually looked at by fans as a moral shortcoming.

Yes, I know it is difficult for socially “progressive” people in our current political climate to see religious characters and not immediately equate their religion with bad things and oppression. But in reality religion, like people, is many layered, diverse, complicated, and so so important to so many people and societies. Religious belief does not always equal Political conservatism and/or oppression: equating the 2 is actually harmful to communities like mine. Like the Bajorans, Jews have survived countless tragedies, and yet we are still here: we are still here, because we didn’t relinquish who we are, which in many cases (not all) is our faith and religious practice. The Bajorans were almost obliterated— their faith united them and kept them going— THIS, is why people like Kira felt so threatened when the federation tried to come in and suppress it (even though they meant well)— Kira’s opposition to Keiko O’Brien teaching Bajoran students about the wormhole isn’t bc she has some kind of moral flaw bc of her religion, it’s because she almost saw that essential piece of their culture destroyed. And if the Cardassians didn’t manage to destroy it by force, the federation just might destroy it by way of “benevolent” assimilation. She isn’t being “anti Science,” she’s just not on board with the idea of the federation totally ignoring and rejecting her people’s autonomy and cultural beliefs. And as a religious Jew, I can definitely understand where she is coming from.

As a socially progressive person, AND as an Orthodox Jew, I love representation like Kira Nerys, because it makes me feel so seen. I too care about fighting injustice. I also love Hashem and I love my culture and I resent the way that secular people talk about us as if we don’t live up to their moral standards because we believe in G-D and have a lot of intricate practices to show that belief that don’t make a lot of sense to them. (Assimilation is in itself a form of oppression you know)

Kira being religious is a beautiful part of her character. Yes, it makes her “complicated,” but not in that it adds flaws. It adds culture and love and faith and community and passion and so so many things. It makes people like me feel seen and valued. You know what doesn’t make people like me feel seen and validated through? People talking shit about faith and acting like it’s a character “flaw” that hinders someone’s ability to be the perfect paragon of “progressive” virtue. .

[jennelikejennay]

One thing that bugs me about the way Vulcans are usually depicted (with some lovely exceptions) is that their philosophy—logic, or the teachings of Surak, for short I'm just going to call it Surakianism—is very often shown as a bad thing. Either that, or Vulcans aren't following it at all.

Writing about religion (and I do think Surakianism is best approached as a religion*) is always fraught. Because generally as a writer, you don't actually practice the faith in question, so naturally you'll have an outside view. That's doubly true of Surakianism, a way of life humans basically can't follow and it would probably be bad for us to try.

[*I know they don't call it a religion. But the way it deeply affects the interior life of Vulcans, their ethics, and so on feels very religious to me. It doesn't seem to have a position on theism; Vulcans get their beliefs about god(s) from elsewhere, such as traditional Vulcan polytheism and their own perceptions of the universe. But the way it exists as a social structure AND a guide to the inner self is absolutely religious to me.]

We are told that Vulcans developed this philosophy specifically because they needed it—they were destroying themselves without it! Their emotions were overpowering and violent, and they were clannish to the extreme. So despite what most of the human characters say, especially Bones, I think the path of logic is a good thing for Vulcans, even if humans don't get it at all.

Surak's teachings can be summed up into three basic points (a Vulcan somewhere just raised an eyebrow clear into their bangs at this oversimplification, but I'm doing my best here):

1. Logic, or the use of reason as a guide and the control of emotions

2. Nonviolence

3. IDIC—infinite diversity in infinite combinations.

Of course we only ever hear about the first one, because that's part humans notice. I'd say it was like reducing Catholics to fish Fridays and Mormons to underwear, but that's exactly what people do, so I guess it's understandable.

But I think the ordering goes the other way for Vulcans. First, acknowledge that others are of value, including and especially when they're different from you. Then, do them no harm. And finally, to achieve that goal, control your wild, violent emotions.

People imagine pre-reform Vulcans a lot of ways (and I never get tired of reading about them), but I think the best guide as to what they're like is by looking at Romulans. Romulans aren't wildly expressive with their emotions, we're certainly not talking about people who would otherwise be laughing and crying constantly. Instead, they're secretive and carry long, hateful grudges. They're loyal only to those closest to them, and they seem entirely without empathy otherwise.

Imagine the Vulcan emotions are like that. They have strong bonds to their clan, probably in part because of their telepathy. They're suspicious of outsiders, angry, prone to violence. Preferring the familiar is an instinct in humans too, but a mild one. Certainly humans have been and still are racist, but it's something we can generally overcome. I'm not sure the Vulcans could, not by relying on their emotions.

So they came up with the solution to control their emotions completely. Use reason instead as a guide to behavior, because logic will tell you that your own clan is not more important than another, and that reaching out in peace is beneficial to yourself and others. Don't give your emotions any credence and don't let them run wild.

Humans do some of this ourselves, and should arguably be doing more. We spend a huge chunk of our childhood learning to control antisocial impulses like screaming, hitting, and biting. We demonstrate self control in many tiny, unnecessary ways, in order to show to others that we are in control of ourselves: stuff like etiquette, social rules, even just leaving the last cookie on the tray for someone else. These are signals that say I am not governed by my appetites; I can be trusted to consider the needs of others.

And we could obviously be doing more. Too many political questions are being answered by people's emotional, knee-jerk responses like "I feel threatened by people who are different" or "I am angry about my enemies and want them punished" instead of "what produces the most benefit for everyone?" If we leaned more heavily on logic and reason to get us our answers, we'd make way better decisions than we do. Star Trek doesn't often acknowledge that in real life, making a snap gut decision doesn't actually have a very high success rate. Logic gives you better odds of saving the day.

But, you might say, Vulcans aren't doing very well at any of this. A heck of a lot of them that we've seen are racist. And while they repress their emotions just great, they don't actually make the most logical decisions most of the time.

But I don't think this actually discredits a religion at all. We all know Christians who are great at the easy parts of their religion—learning Bible verses or saying rosaries—but don't seem to be even trying to love their neighbor. That's in fact the way religions are usually practiced! External elements that people can easily see (like never smiling) are adhered to by social pressure, but more heart-level things are aspirational at best. That doesn't mean the message of a religion is bad; it doesn't really tell us anything.

This is especially true for a religion whose practice isn't optional. You have to follow Surak to stay on the planet. I can see this rule was necessary during the time when the Romulans were kicked out—pacifism doesn't work as a global solution unless everybody's doing it. Now, it seems a bit harsh. I think they get around it by not exiling anybody who's at least giving lip service to logic. That racist baseball guy in DS9 isn't a good Vulcan, but as long as he doesn't do anything violent or openly reject Surak, they're willing to say he counts.

Why are Vulcans so often the opposite of what their religion teaches? I think it's the other way around: their religion focuses specifically on their chief faults: clannishness, racism, ego. It just hasn't successfully transformed everyone. Makes perfect sense, really. We might as well ask why Christianity goes on and on about sex when humans are well known to be super obsessed with sex. Well that's WHY! It's one of our strongest impulses which in the past we felt the most desperate need to control.

The best argument against Surakianism is that total repression isn't the best way to handle emotion, that we need self-awareness of our emotions before we can account for them.

To which all I can say is, don't you think Vulcans know that?

I imagine there are lots and lots of viewpoints on this among Vulcans. Some favor repression and some favor understanding and acceptance; some think it's okay to have a little dry humor and some think we should be serious. We have the kolinahri who believe in the excision of all emotion (which I imagine is universally seen as extreme, like we might see cloistered nuns or monks who reject the world to achieve enlightenment). And surely there are ancient, wise Vulcans who deeply understand all their emotional impulses and are completely in control of them. Spock certainly seems this way by the movie era if not before: he knows that he has emotions, what they are, and how to respond to them. He has overcome the emotion of shame. So he seems not impassive on the outside, but a person at complete peace inside and out.

I just feel like we could stand to see more good Surakians, who are good not in spite of their belief in logic, but because of it. Kind of like how we see both good and bad followers of the Prophets on Bajor. I'm kind of anti religion myself, but I still want to see it given its due—especially a religion founded on such good principles. Sure, it's not a religion humans can really practice, nor need—a good half of our emotions are positive and pro-social, so it's no wonder a person like Bones would be convinced Vulcans are just punishing themselves unnecessarily. But it successfully turned Vulcan from a planet so violent it almost destroyed itself to a home of peace and learning. Of course Vulcans aren't going to mess with what works!

That has been my rant about logic for today. I highly recommend @dduane 's book Spock's World for a much deeper dive into logic and the path Vulcan took to get there.