If it's alright, I'm just curious, do you have any thoughts of your own or theories about Oscar or Ruby or both of them in terms of v10? To add, do you have any theories for the merge and how it will end up for both Oscar and Ozpin? Like will it be a good or bad thing? Sorry if these questions seem vague lol
Of course it's alright to ask! I do have many thoughts and a handful of theories. I'll admit most of them are wishful thinking since there's truly no way to tell where the story will go until it actually happens. But if I were to distill it to the ones I'm most expecting and why, then I'd probably say:
Expansion on Ruby's solo arc that kicked off in V9
Acknowledging the setups (plural) between Ruby and Oscar's arcs
The merge-curse is eventually broken (blame the allusions)
I'll elaborate a bit below.
1. Expanding on Ruby's Arc
What we saw Ruby go through in V9 is very much not the end of that particular plot line, imo. We saw a bit of this in Justice League: Part 2 and the final ep of RWBY Beyond where she talks to Clark and Yang about her struggles a bit. Ruby needs to learn how to both ask for and accept help from those around her so the weight of everything she's carrying doesn't crush her. Especially now when they're down to the wire and she's come back as a resurrected martyr who's face has been used at the centre of the resistance movement she's now helping to lead. How will she live up to the expectations and pressures of that impossible pedestal when she's only a human girl with very normal knees who's barely keeping it together?
Also, while I don't know exactly how they're going to address everything she experienced, and I struggle to imagine her speaking about Neo's Horror House to anyone directly... that sort of trauma doesn't just go away once it's over. So I would be very surprised if the effects of it didn't ripple throughout the remaining chapters of the show. Especially when every other member of RWBY has seemingly had the bulk of their main character arcs already. It's long overdue for Ruby to get that time in the spotlight. Which does sort of lead into my next point...
2. Acknowledging the Setups in Ruby and Oscar's Dynamic
For starters, we've got the merge and ascension parallels to address. Ruby and Oscar have always mirrored each other's issues around identity, choice, fear, responsibility, leadership, etc., and this buildup seems to be coming to a head following V9. From Oscar's "I'm just going to be another one of his lives, aren't I?" to Ruby's "What if you could be anyone?", and how the two of them will relate to each other in light of those contrasting - but similar - experiences. Especially with Ruby having just come back from the tree to find Oscar fighting against the merge harder than ever before.
But we also have their attachments to each other to sort out as well. Ruby and Oscar have been watching each other's backs in different ways since V5, their reunion hug in V8 was interrupted where no other "pairing's" was, and they were the only "pairing" still to be split up between the Ever After and Remnant. Not to mention that, while they were separated, Ruby was pushed to a breaking point after being shown an illusion of losing Oscar, while Oscar was back in the real world eulogizing about how he lost Ruby. CRWBY doesn't setup relationship parallels and focuses as intensely and intentionally as this without pay off at some point.
Again, while the specifics are nearly impossible to predict, I'm expecting a bit of a Dojo Scene Reprise, heart-to-heart of sorts, and/or, something that puts those attachments to the test. My immediate thought is that this test will finally push Oscar to unlocking his semblance since getting shot, falling from Atlas, being kidnapped, and tortured were all not enough to make it happen. (Although my wishful thinking is that it unlocks in a happier moment, I think that's much less likely.)
If I were to engage in pure speculation on this, my easiest bet is that it will come at the hands of Tyrian. When our Little Prince was first introduced, it was almost as if he was waking from a nightmare of that villain laughing with glee at the opportunity to hunt down a certain rose. And with this being the Vacuo arc with Ruby and Oscar getting a lot of focus, and Tyrian already on the prowl within the kingdom, it would make a lot of sense. The little prince fated to have a confrontation with a venomous antagonist in the desert over his attachment to a rose is about as textbook as it gets.
(I could also see it go to Cinder or being delayed until they follow through on the threat of Ruby being kidnapped by Salem, if that's the route they decide to take. But again we'll have to wait and see how it plays out.)
3. Oscar and the Merge
I'm not entirely sure where they're headed with this one between now and the resolution... but I do think the resolution itself will otherwise be a happy one, if not bittersweet.
RWBY is a story about breaking cycles, and Oz has been part of one of the longest on Remnant since the very beginning. Pairing that with this show being, ultimately, a happy story, as well as a looking at two of Oscar and Oz's shared allusions, I can only imagine they will be separated by the end.
The first allusions to mention are from The Marvelous Land of Oz. Princess Ozma (aka Oscar) is the rightful heir to the kingdom and next in line to take over when it's time for the wizard to retire. It's very clear that - however this plays out - Oscar is the final incarnation. Typically, when one ruler leaves the throne that's it. They're gone. Oz has fiddled with Remnant's history for countless millennia now in his endless fight against Salem. When the dust settles and it's time for Remnant to rebuild, it should be up to the new generation to take charge without his influence from "the old world" in the mix.
From a Little Prince lens - for those unfamiliar with the book - the aviator (aka Oz) spends much of the story waffling about the little prince he is stranded with in the desert... only to be very sad when his new friend leaves him behind to go home to the stars. RWBY is already subverting this story a bit with Oscar being the one wanting to be rid of his pilot instead of the other way around. If I were to guess how the show will carry this further, it would be that Oz moves on, but perhaps with some lingering attachment on either (or both) sides. Maybe a bit of a "all this time I wanted it to end, but now that it's finally happening, I wish I (you) didn't have to go".
At least that's what seems to make sense to me, thematically speaking. Oscar will be irreversibly changed by these events even if he is freed from the curse, however. There is no question about it. Because that is what the Hero's Journey is all about.
The hero leaves their farm and they fall through a new world. It is both horrifying and exciting in equal measure. And throughout it all they are changed by the experiences they have and the people they meet - both good and bad, within their control and outside of it. And when the quest is finally over, there is grief. Because you are not the same person you were when you left home, and you can never truly return to what you had and who you were before it all happened.
This is also, coincidentally, just what it means to grow up. Which - while not the only one, and certainly not unique to Oscar's arc alone - has always been one of the loudest allegories hiding within the merge to me. We meet and know people, we don't always have a say in how long they can stay and how they change us... and then one day they are gone, but their influence and our memories of them stay with us. And then, as RWBY has taught us since the very beginning, we keep moving forward despite it all.
( @creatoriamari tagging you here just in case to make sure you get the notif because I don't know if it still works if I saved the ask as a draft. 🙇♀️)
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I know you've retold these before, but if you want to do one in the form of a flash fiction... My request would be The Goose Girl or Twelve Dancing Princesses.
I've pondered over a few possibilities for this prompt. This morning, I came up with an idea for a Twelve Dancing Princesses retelling that had me bolting out of bed to start writing. I don't know how to end the story, but I like the setup, so for the sake of sharing something, I thought I'd at least share what I have here.
*
Edmund slipped through the city streets, nimbly dodging around the people who couldn't see him. His pay jingled in his pocket--a gift from a generous shoemaker who'd been grateful for the invisible help--but no one heard. No one looked his way. No one ever did.
At the corner sat a ragged beggar child. Edmund was careful with his money now--he could never be sure of getting more--but he dropped the largest of his coins in her tin cup. She looked up--astonished at the miracle, confused when she couldn't see her benefactor--but didn't meet his gaze.
Edmund always noticed beggars now, after the one who'd cursed him. He'd been young and thoughtless then, newly released from the army with a pocket full of pay. A night in the tavern--celebrating the war's end--ate of most of it, and he stumbled into the streets at sunrise wondering how on earth he could make his money last.
He'd stumbled over the beggar woman, then pretended he didn't hear when she asked for a coin. He had none to spare; he had to look after himself.
Then she proved herself a fairy in disguise and pronounced his doom.
Because you have made yourself blind to the needs of others, this is your curse: to wander the world unseen until you give yourself entire to another.
An unbreakable curse, he'd found--a princess might marry a man sight unseen, but people of his own class liked to see their husbands before they wed.
So he wandered, scrounging where he could (never stealing--a fairy who cursed a man for ignoring a beggar would undoubtedly do much worse to a thief), sometimes doing odd jobs for men willing to arrange his hire and payment by letter. Doing unseen good where possible--at first in the hope that he might be observed by another fairy who'd reward him by lifting the curse, but then because he could--he could see the invisible problems, and give his help without shaming those who received it.
A hardscrabble, desperate life. Sometimes a satisfying one. But--more and more as the years went on--unbearably, unspeakably lonely.
The sun rose higher. The crowds increased. Edmund slipped into the doorway of an abandoned shop and considered waiting out the morning rush. Then he noticed that the entire crowd was drifting in one direction.
This was too much for an invisible man to resist. Edmund drifted at the rear of the crowd until the mass of people pooled around a fountain in the middle of a city square, where stood a royal messenger making a proclamation.
So declared the king: his daughters were wearing through their shoes every night, though the doors of their bedchamber were locked and bolted. The princes set upon the problem had all failed to solve the mystery. So the king decreed that any man who, in three nights' time, could solve the mystery of where the princesses went at night, could have his choice of one to wed.
The crowd gasped. Murmured. Chattered. Shared gossip and rumor. Wondered who'd be daft enough to take the challenge--princess or no, the men who'd tried to solve the mystery before had died.
But at the edge of the crowd, unseen by all, Edmund smiled.
He'd found the way to break his curse.
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