#with her 100 arms

[rhiannonsaintofcharm]

do you guys think that part of the reason Gideon’s death was so devastating to Harrow was that before then, there had at least been one person who survived the mass murder that created her? two hundred souls had been destroyed for her sake, but the annihilation wasn’t complete — there was one who escaped. one who lived. do you think Gideon dying, for the sake of Harrow living, snuffed out her one last glimmer of hope for absolution?

[azriaann]

redesigning lucy’s stardresses (because she deserves to have actually somewhat useful transformations and not a bikini for every single one) ALSO the pole is an axe i forgot to label it

[watercups]

suletta & prospera

[carnivalcarriondiscarded]

Frank! fantasy flavor!

rambles:

i really wanted to blend that monk-class inspiration w/ Frank's personal vibe... i like to think that i Succeeded!

i turned his tie into a sort of brooch since, yk. bowties aren't all that Fantastical. they miss the style. also i think they'd be more comfortable with something smaller since he's very active and needs a wide range of maneuverability

i bet Eddie or someone wheedled them into adding the leather shoulder pauldrons - leather to keep it a bit more flexy, and also. it just looks Cool!

figuring out what would replace his vest was tough. i didn't want them to be entirely unprotected, but i couldn't give him straight armor. though i will admit! a sort of tight-fitting crop top was Considered! but i landed on a gambeson vest as the best fit - comfortable, flexible, a Vest, while providing some level of protection! also, gambesons are quilted, which fits Frank's diamond-checkered vest!

ive already mentioned that one of my favorite outfit things is Flowy Pants Tucked Into Boots, so... that choice wasn't very character driven. except the boots are a tall ankle wrap - for that extra stability and strength! their shoes are pretty flexible and are only a few steps away from being slippers.

and the half-skirt - open skirt? - thing (still don't know what its called) is purely some self indulgence. i think Frank looks great in skirts!! also imagining him Throwing Down w/ the added flair of the skirt... damn. it'd probably help confuse enemies too - what're they gonna do next? who knows! the skirt is in the way and adding extra Movement!

i like to think that his knife is either in a sheath attached to the back of the belt, or they have it on their thigh (under the skirt) like Wally's bag. he probably never uses it... punching is the way to go for Frank methinks. it's probably reserved for cutting ropes and fruit

speaking of punching.... wrist wraps! inspired by boxing gauze! pads his knuckles, keeps his wrist compressed, its the best choice for physical combat. though the wrapped knuckles probably always have blood showing through anyway... or no yeah it's mostly other people's blood...

as for scars - Frank probably has quite the collection! i imagine that they've been picking fights since a young age, and in such a dangerous world he probably got hit a Lot until they learned how to hit back. and hit back Well. still, i wanted to give him a cool face scar with a very lame backstory - a book with a crisp, sharp spine corner fell off a high shelf and bonked them in the face at juuuust the right angle <3 he probably stays very fucking quiet about it which makes everyone think there's some intense traumatic backstory behind it. there isn't. Frank's just embarrassed.

closing note: i imagine that Frank has zero magic. literally none. cannot wield it for shit cannot utilize it. he's just like Howdy fr

[clar-a-m]

Imogen and Laudna bouldering AU, inspired by @theunqualified1's fic Chalk It Up To Luck

More drawings for this fic here

[awsok]

wait one more thing. in previous episodes it's been clear that shin is fiercely loyal to baylan, and that she looks up to him and respects him immensely. but in this episode i feel like we saw that it goes beyond that. shin cares about him. and more than that, baylan cares about her too. i kept expecting him to chastise her or dismiss her when she asked questions about their goals or his past, but instead he indulged her and corrected her when he believed her to be wrong without malice. and like. shin's body language when she leaned into his space without fear. i think because baylan is a dark side user a lot of people assumed that their relationship was at worst abusive and at best cold. but there's real affection there! shin seemed at her most vulnerable around baylan in this episode - felt safe to be vulnerable. and baylan responded by putting his hand on her shoulder. this is such a departure from the usual dark side master/apprentice dynamic and it is fascinating

[pup-pee]

i just i jist i justi just i just i jsut i just ji jstu kji just i just

“kinda” a redraw of this but not rlly like @ all

[blueskittlesart]

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

[anonymouscheeses]

I'm gonna be shitting and screaming and starting fights if Sera becomes a villain. I can't take sibling angst, Sera loves Emily I swear guys believe meeee.

[duskbats]

Round 2: Sulani (Winter)

eris is now in sulani! her parents also surprised her with a little campervan to take on her travels~

[thirteenstardisfam]

[roxannarambles]

so a friend on twitter just pointed something out about the end-credits group photo . . .😭😭

[katzenkarussell]

Sada visiting Area 0 21/07/XX

[psykoe100]

HAPPY BIRTHDAY MEZATO! 🥳 🎈🎉🎂

[soapdi-spencer]

I have so many complicated thoughts relating to Daisy but the most prominent ones link back to her 100% biting people as a child. Just going crazy

[good-beanswrites]

hii hiii is it alright if I request something with kotoko and haruka?(platonic ofc) their character foils drive me insane with all the weak stuff authngghn icant be normal about them

Oooh thank you so much for the request! I realized that these two actually have one of the smallest windows to talk easily, given Haruka's nervousness and Kotoko's T2 changes. They have such interesting approaches to strength/weakness, and I hope I could capture it a bit here! This takes place immediately following Kotoko's bday timeline after Harrow's release:

“I’ll accept those birthday wishes…” Kotoko gave him a wave over her shoulder as she returned to making her bed.  

She shook her head in awe. It was rather impressive how quickly the boy had changed after his verdict. The others had more subtle differences, but he was someone entirely new. She could rest easy, at least, knowing that her verdict wouldn’t change her much. For as long as she could remember, she’d been like this. She knew where she stood, and neither guilty nor innocent verdict would affect that. This verdict was really only an indicator on whether the warden could be trusted or not. 

Her body tensed up when she turned back around, startled by Haruka lingering silently in the doorway. She decided against chastising him for scaring her half to death. Still, she couldn’t keep the bite from her voice as she asked, “did you need something else?”

“Ah… I just…” He twisted his hands together. “I had a question.” 

He fell silent, but Kotoko could tell he was chewing on his next words. She waited.

“H-how do you do it? All the time? You’re older and stronger and braver and I-I just don’t know how.”

“Give yourself some credit. I’m not that much older, or stronger. I only have, what -- two, three years on you? And you did very well in the arm wrestling tournament the other day.” 

She wasn’t being patronizing. For someone so sheltered, Haruka could do some damage. He stood a few inches taller than her. The others had taken the arm wrestling as a little game, but Kotoko had used the event to measure up her fellow prisoners. After his close match with Mikoto, she had made a mental note to take him seriously. 

“No…” his expression twitched, getting frustrated with the misunderstanding. “Not muscles. I mean… you don’t have someone like Muu. You don’t need someone next to you all the time. But you still talk with everyone… and it looks easy. All the time. You always know what to say, and what to do. You never look scared. You never cry.”

Kotoko’s smile softened. She wasn’t the prideful type, but his words gave her a wave of accomplishment. She certainly was scared. She did cry. But she wasn’t about to show a single crack in her resolve in front of anyone here. Haruka had given her the greatest of compliments by confirming her success.

“Ah, you mean strength of spirit. Well, that doesn’t just appear out of nowhere. It comes with my purpose, with my virtues.”

“Virtues…?”

“I see the injustice around me, and want to protect the innocent. When I see how awful the world can be, when I see the monsters that are hurting those who are weak, I can’t help myself.” She clenched her fist. “The power to do so just comes to me.” 

“Oh…” Haruka looked down at his palms. 

Her heart sank, realizing he didn’t quite understand. It was a shame that not all of humanity could be as righteous as her. That heroic drive had always come so naturally to her; she wasn’t sure she could put it into words to explain to others.

Haruka’s open hands were trembling. “Um. Is there any other way?”

“Hm?”

“All my life… I only cause pain to everyone.” His worry gradually turned to desperation.” I hurt everyone who gets close to me. Especially things that are small and weak. My whole life, I’ve been nothing but a… a curse. So… is there another way? Please. I want to be better. I want to be strong! I want to be like you! Tell me!”

He stepped forward, pleading. Kotoko stepped back. 

His blue eyes widened at her sudden shift into defense. “Ah! I. I’m sorry. I’m-I’m sorry. It’s your birthday. You should be… Have a g-good day.”

“Wait.” Kotoko stopped him before he could flee. She was aware of the massive gap between them, the vastly different backgrounds they came from. Still, she offered the same advice that had helped her in her toughest of days. 

“Don’t worry so much about others’ strength. The quickest way to burn yourself out is getting overwhelmed with the power that’s all around you. Once you start putting all your focus toward honing your own skills and strengths, you’ll realize how much you’re truly capable of. You don’t need anyone else. You’ll realize that you are enough.”

“I… am enough…?”

She placed a hand firmly on his shoulder. 

“So, no need to get all worked up now, okay?” 

“O-okay. I’ll do my best.” He stiffened, trying to appear worthy of her words.

She let out a bitter laugh. “I told the others not to do anything for my birthday, but I don’t think they paid me any mind.” Kotoko still couldn’t fathom how they were so friendly with each other given the situation. “Let’s go see if there’s some cake or something.”