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Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

#original essays #original post #nimona #nimona movie #nimona 2023 #nimona film

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simple--joys--in--life · 1 year

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108) loving someone so much you feel you are about to burst

#simple joys in life #positivity #i found this in my drafts #it was written on june 21st 2020 #the relationship fell apart in a way that still has me digging out the pieces #but i dont regret it.#and i stand by this.

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end-otw-racism · 1 year

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End OTW Racism: A Call To Action

A fan protest against the lack of action from the OTW on addressing issues of harassment and racism on AO3 and within the organization

This is a Call To Action for Fans of Color and Allies

AO3 has acknowledged that they have a harassment & racism problem that its parent organization, the Organization for Transformative Works (OTW), needs to address. Currently, people can use AO3 to harass others through fanworks, comments, and tags. Just a few examples include: racist Untamed “spitefic” that used anti-Indigenous slurs and was written specifically to lash out at fans of color; a Transformer fic that used its Black-coded character to reenact George Floyd’s murder in July 2020; someone naming a fandom scholar who criticized their Nazi omegaverse fic in the tags of the fic specifically to incite harassment to the scholar; writers using racial slurs against commenters who pointed out racism in their hockey fic; and so much more.

In June 2020, after the murder of George Floyd, the OTW committed to addressing these issues. It has been nearly three years and they have not yet implemented any of the changes they promised, other than a blocking/muting tool that was already in development before 2020. We need to hold the OTW accountable to their own promises. (See the section further down on “Why Are We Doing This” for even more detail.)

As fans, together, we are powerful. We are organizing to protest the lack of action on promises made by the Organization for Transformative works to deal with issues of racism and harassment on their platform, Archive of Our Own.

We call on fans to do any or all of the following actions any time between May 17 to 31, 2023 to send a message to AO3 and OTW that we will hold them to their promises.

On AO3

Change the title of ten (or more!) of your most recent or most popular fanworks to include ‘End Racism in the OTW’ in the beginning, and provide a link to this post in your summary or first/top creator’s note

Post a new fanwork any time between May 17th to 31st with “End Racism in the OTW” either as the title or at the beginning of the title. The fanwork does not have to be long - it can be a 100-word fic, a quick sketch, a podfic of a ficlet, a 20-second vid/edit, a short piece of meta, etc. In the summary or first/top creator’s note, provide a link to this post

If updating any WIPs with a new chapter, add ‘End Racism in the OTW’ to the title and provide a link back to this post in your summary or first/top author’s note

Update your AO3 icon using the profile pic graphic in our Social Media Toolkit

Plan to maintain these changes until May 31, 2023, or longer if you wish

Send a message to the OTW asking for an update on their 2020 commitments!

For Readers: leave encouraging comments on fanworks with the "End Racism in the OTW" title to show your support of this initiative.

On tumblr

Reblog this Call to Action with the tag #End OTW Racism

Update your profile pics and banners using the graphics in our Social Media Toolkit

Follow this account for updates and signal boost our posts

On Twitter

Follow @/EndOTWRacism (remove the backslash) and signal boost our pinned tweet

Update your profile pics and banners using our graphics, and change your display name to include #EndOTWRacism

Use sample tweets and graphics from our Social Media Toolkit to tweet about your fanworks, and use the hashtag #EndOTWRacism

Help us make this a long-term campaign - sign up to help with other anti-racism projects and future actions!

What Do We Want?

Since their June 2020 statement, OTW has been working on updating their Terms of Service (TOS) to address racist and bigoted harassment, but with little transparency and only the vaguest of updates. It has been three years since their commitment to this update - we want to see the results of their work implemented in the next 6-12 months. Their TOS updates and complementary policies should include:

Harassment policies that can be regularly updated to address both on-site harassment and off-site coordinated harassment of AO3 users, with updated protocols for the Policy & Abuse Team to ensure consistent and informed resolutions of abuse claims

A content policy on abusive (extremely racist and extremely bigoted) content; by abusive, we are talking about fanworks that are intentionally used to spread hate and harassment, not those that accidentally invoke racist or other bigoted stereotypes

These points are not particularly new and are not our own innovation; please refer to Stitch's article written over two years ago, asking for several of these very things.

OTW has also already committed to various process-based actions for longer-term works towards centering antiracism, including hiring a Diversity Consultant. The last update that OTW published said that the consultant would be hired within the next five years (after already having had three years to work on it since their original commitment). That is not soon enough. We want to see the following process-based actions implemented:

Hiring a Diversity Consultant within the next 3-6 months

Committing to a policy of transparency on this topic, with quarterly updates on the progress of these projects including challenges and their plan for overcoming those challenges. These quarterly updates should be published on OTW News page and newsletters, not solely discussed in Board meetings

Why Are We Doing This?

16 years ago, Astolat famously published her manifesto calling for a fandom Archive of One’s Own. In that time, AO3 has grown to be a central pillar of fandom, likely far outstripping its founders’ original vision. It is more than just an archive now; it is a central hub of the modern fannish experience. AO3 and the OTW must continue to grow and evolve with fandom over time to remain a healthy and functioning pillar of fandom. To that end, there are several areas in which the organization, as it admits itself, is lacking.

In June 2020, in the wake of the George Floyd protests and the uprising of the Black Lives Matter Movement, The OTW published a “This Week in Fandom” referencing the works of Dr. Rukmini Pande and Stitch, among others in which they discussed ‘making change for a better society’ through ‘conversations about race and racism’. In response, Dr. Pande and Stitch submitted a letter to the OTW calling for a more formal public statement than an offhand reference in a News Roundup that only served to call for thoughts and discussion without any indication the organization intended to do anything, policy wise, to address the issues being raised.

Eventually, the organization did remove the references to the works of Dr. Pande and Stitch and then made an official statement on the issue of racism within the organization and AO3. In it, they identified several things they would be prioritizing to combat harassment and benefit users. Some of those have been implemented (notably those that were already under development). However as of this writing, little else has been done especially in regards to:

Improving admin tools for the Policy & Abuse team

Reassessing the current mandatory archive warnings with the possibility of implementing others

And, most importantly, reviewing the Terms of Service (TOS) to allow the Policy & Abuse team to address harassment that is currently not covered by the existing TOS

By their own admission, the current tools and policies of the OTW are not sufficient to deal with issues of harassment and racism.

Several people who were involved in the founding of the OTW, including previous OTW Board members and staff on the original OTW Content Policy Committee, acknowledge that the founding of the OTW in 2008 and early board iterations failed us as a fandom by not doing enough, and by not even considering the way racism is perpetuated in fannish spaces, despite a long history of racism in fandom.

It has been nearly three years since the original commitment by the organization with little visible, measurable progress on these three crucial issues and a complete lack of transparency on where they are in regards to even beginning to deal with these issues. In fact, in Q&As, it was heavily implied by a member of the board that those calling for OTW to deal with issues of racism (which OTW had already acknowledged as a problem!) were not really fans but outside agitators.

This has cast significant doubt on the organization's sincerity and commitment to their stated goals, and on their position as leaders of a central fan tent-pole. Fans of color are not outsiders. They are right here, members of our community, and they are being harassed and targeted and driven out while space and platforms are being given to racists.

We, as fans of color and our allies, find the current state of fandom and current actions (and lack thereof) unacceptable. Fandom is our space, all of ours. We, as a fandom, have a right to a racism-free space and have a duty to our fellow fans to create that space. Unlike so much of the world, this is a space we can control and make better. It is a space we must make better. To read even more about this movement, visit our FAQs.

#fandom #ao3 #otw #EndOTWRacism #End OTW Racism #racism in fandom #organization for transformative works #archive of our own #antiracism #otw board

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bumblee-stumblee · 3 months

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The Telegraph

Scores of actresses turn down roles in play critical of JK Rowling’s gender views

Craig Simpson

Thu, June 13, 2024 at 6:49 AM PDT·3 min read

A play that criticises JK Rowling’s views on gender is struggling to cast women with 90 actresses so far rejecting parts.

The stage production, which is set to debut at the Edinburgh Fringe, has already caused outrage over a working title which labelled the gender-critical Harry Potter author a c----.

The production is yet to cast any of the female roles, including that of Rowling herself.

The part of Harry Potter film star Emma Watson has also been repeatedly turned down, and around 90 actresses have refused to take part in the project amid concerns over its critique of Rowling.

The author has become a figure of hate online among some activists, and received death threats after publicly sharing concerns about the encroachment of transgender campaigning on women’s rights.

Actors have been found for male leads, who will portray Harry Potter cast members Rupert Grint and Daniel Radcliffe.

Creative producer Barry Church-Woods told the Telegraph: “This project has met some kind of resistance every step of the way, though I’ve been generally surprised by how difficult it has been for us to recruit the female cast in particular.

“It’s a well-paid gig meeting industry standards and the script is terrific.”

He added: “I think it’s fair to say that a few things are coming into play in casting.”

The play, which was written by queer-identifying Hollywood scriptwriter Joshua Kaplan, tells the story of a fictional intervention staged for Rowling by the stars of the Harry Potter franchise, Watson, Grint and Radcliffe.

The three actors publicly denounced Rowling in 2020 when she first raised concerns about the spread of gender ideology, the belief that gender is unfixed and changes according to how people self-identify.

The work was initially titled TERF C***, with TERF standing for trans-exclusionary radical feminist, a term which has been deployed pejoratively against women who have opposed trans ideology.

It is understood that 30 actresses have turned down the role of Rowling in the play, and 60 have refused the part of Watson, while agencies representing aspiring female stars have been nervous to put their clients forward for the project.

There is some suggestion that the actress may have ideological misgivings about the play, or be concerned about a potential backlash.

It has been suggested by producers that some actresses may not want to appear in a play critiquing Rowling and ruin their chances of appearing in the lucrative new Harry Potter TV series on the Max streaming service.

Rowling is acting as executive producer for the series, and will be involved in key decision-making.

Mr Church-Woods said: “We’ve had agents reluctant to put names forward, I suspect, because they do not want to damage their clients chances of landing roles on the new Potter TV series.”

Writer Mr Kaplan has insisted that his play does not carry a set message, and is more about “relationships and how Rowling’s opinions evolved” rather than a work “interrogating the substance of her opinions”.

TERF plays the Sir Ian McKellen Theatre from August 2 to 25.

But I thought TWAW? Why aren't they looking to hire Transwomen actors to play the women's roles if they truly believe that they are women?

Isn't it funny how they seem to know what a woman is when they want to use them to mock other women?

#radblr #radfem #radfems #feminist #feminism #radfems please interact #gender critical #radical feminist #jk rowling is a queen #jk rowling

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elizabethwydevilles · 3 months

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Padme, during RotS development

One thing to understand is that for the first several months of pre-production, George Lucas is still writing the script (pre-production started roughly around late April of 2002, with the first draft of the script finished in late January 2003. To quote Paul Duncan: 'before the script was written, the design team were given the freedom to imagine possible scenarios', and Rick McCallum: 'usually no one would go off and spend millions of dollars without understanding what the very foundation of the film they're making is, but we break that very rule of film production'.

Sources for this post are The Art of Revenge of the Sith by J. W. Rinzler (2005), The Making of Revenge of the Sith by J. W. Rinzler (2005) and The Star Wars Archives, 1999-2005 by Paul Duncan (2020).

It's also going to be a long ass post, so see under the cut.

June 7-21 2002(?): Ryan Church painted a battle scene: 'What if a bunch of bad guys were attacking Padme and the clones who were trying to get back to their ship?'

August 2002: While revieving costume designs, GLucas indicated that Padme will need senatorial, casual and action wear.

October 12th, 2002: 'For the first time, it is rumoured that Padmé might die in this film. She might be seen last on Alderaan.'

October 25th-31st, 2002: In response to GLucas requesting a new locale for a Padme and Anakin 'love scene', Erik Tiemens designed several Naboo sceneries. Upon viewing them, GLucas moved the scene to Coruscant; some design elements are used for Kashyyyk.

October, 2002: Iain McCaig designed costumes for Padme. Note the bird of prey.

October 2002: While designing the world of Kashyyyk, Erik Tiemens painted a scene of Padme walking with wookies. (Note: Image is a cropped version of the full art work)

November 1st-8th, 2002: Iain McCaig: 'George said there might be a scene where Padme's doubled over in agony and Yoda is there unable to help her'.

November 22nd, 2022: Erik Tiemens designed a set of new locations for Padme and Anakin 'love scene' on Coruscant.

December 19th, 2002: Erik Tiemens: 'I was brainstorming with Iain [McCaig] and he thought that Padme might have a dagger in her hand'.

December 20th, 2002: Derek Thompson illustrated his idea of having Vader find Padme and the children, who are being protected by Jedi.

January 31st 2003: GLucas delivered the first rough draft to his producer Rick McCallum. The outline given in the book is brief, but Padme's basic storyline in the 55 page script appears no different. However, Anakin's nightmare about Padme features her consumed by flames, and Padme goes to Mustafar with her handmaidens and Captain Typho - who are gunned down by clones on arrival.

February 6th, 2003: Erik Tiemens designed a piece of concept art for Padme's funeral procession.

April 12th/13th 2003: GLucas presented the first official draft of the movie script. It's 111 pages long. Padmé and her entourage are still attacked on their arrival on Mustafar, but this time by droids whom Anakin defeats. In regards to Padme's death, Palpatine tells Vader that a Jedi murdered her.

May 5th, 2003: Iain McCaig's designed Padme's funeral outfit.

May 24th, 2003: Erik Tiemens illustrated Padme and Anakin's farewell before he leaves for Mustafar.

May 29th, 2003: Erik Tiemens illustrated Padme watching the Jedi temple burn.

June 13th 2003: GLucas presented the second official draft of the movie script. It's 135 pages long. Anakin's nightmare of Padmé is changed from her being consumed by flames, to her dying in childbirth. There is now a scene where Palpatine suggests to Anakin that Obi-Wan is meeting with Padmé secretly. In regards to Padme's actual death, Palpatine tells Vader that he [Vader] murdered her, just as in the movie. Just like the finished movie, it is noted that Padme dies of a broken heart. Padme's final smile at Leia is noted to be the smile that Leia remembers in RotJ.

June 26th, 2003: The fourth draft of the script is completed, consisting of 129 pages. Padme is no longer accompanied to Mustafar by Typho and her handmaidens.

June 30th, 2003: Principal photography begins.

July 2nd, 2003: First Padme scenes are shot, both located in her apartment (Her and Obi-Wan discussing Anakin, and Padme with the other senators).

July 3rd, 2003: Revised script for the scene in which Obi-Wan tells Padme he knows about her and Anakin.

August 12th, 2003: Last day of principal shooting for Natalie Portman.

September 17th, 2003: Principal shooting finishes.

December 21st, 2003: Iain McCaig designed a practical costume for Padme.

March 9th, 2004: All but the last ('thunderous applause') of Padme's political scenes have now been cut from the final film.

August 23rd - September 3rd 2004: Reshoots

August 23rd, 2004: Additional scene scripted for reshoot the following day.

January 31st, 2005: One last day of filming for Natalie Portman and Hayden Christensen.

Script excerpt (unknown date)

Art (unsure dates)

Padme's apartment layout and colours

#padme amidala #star wars

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mjdrawsalot · 3 months

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Jon Kent (pretty much) Complete Reading Order

Compiled first for my personal use and tidied up for @jonkentweek ! Goes up to June 2024 and includes every appearance of this character that I could find. I used ComicVine's archive to track these down, which is both fallible and constantly being updated, so there might be some mistakes. Also, I did my best to highlight the occasions where Jon was a significant character in a story and to skip the ones that were just a non-speaking, one-panel cameo, but those were personal judgements and your mileage might vary.

Color key (and apologies for the eye strain): Red are issues in which Jon is a central character, not just a cameo, Blue are crossover events, Orange are stories that take place in alternate universes/are non canonical

Optional stuff you can read for historical context:

Whatever Happened to the Man of Tomorrow? (1997) a classic possible future story, which is, to my knowledge, the 1st time a character named Jon who is Superman’s kid appears

Son of Superman (1999) a self-contained, now AU, story about a teen Jon Kent, very classic 90s young adult comic with all the tropes that come with that, but enjoyable as the proto-iteration of Jon as an idea

Canon appearances start here

The Final Days of Superman crossover event: Superman (2011) 51-52, Batman/Superman (2013) 31-32, Action Comics (2011) 51-52, Superman/Wonder Woman (2013) 28-29 (This is the origin story of the Clark, Lois and Jon that the comics follow in Rebirth. Largely ignored by writers, as it was written to patch up New52 weirdness, but there are occasional references that might be confusing if you skip it completely.)

Convergence (2015) 5, 8

Superman: Lois and Clark (2015) 1-8 (Establishes Jon and his family in the DCU)

Superman (2016) 1-11, 13, 17-28, 30, 32-36, 38, 40-45, Special 1

Action Comics (2016) 957-972, 974-978, 980-983, 985, 987, 989-1000, 1002, 1005, 1016, 1022-1035, 1042, 1045-1048, 1050-1057, 1059-1060, Special 1, Annual 2023

Justice League (2016) 3-6, 15, 18-19, 22, 28

Trinity (2016) 1-6, 16

Super Sons (2017) 1-16

Dark Nights: Metal (2017) 3, 6

The Man of Steel (2018) 1-6 (central from issue 4 onwards)

Superman (2018) 1, 4-12, 14-16, 20, 29-32

Adventures of the Super Sons (2018) 1-12

Justice League (2018) 9, 23-25, 34, 52, 75, Annual 2022

Super Sons/Dynomutt Special (2018)

Super Sons: The Polarshield Project (AU trilogy of graphic novels)

Supergirl (2016) 8, 30-33

DCeased (2019) 1-6 (what if DC but zombies?)

Super Sons: The Foxglove Mission

Lois Lane (2019) 3-4, 6

Legion of Super-Heroes: Millennium 2

Legion of Super-Heroes (2019) 1-12

Dark Knight Returns: The Golden Child

Green Lantern: Blackstars 2-3

The Terrifics (2018) 25

Teen Titans (2016) 15, 43, 45-46

DCeased: Hope at World’s End (2020) 1, 4-5, 9-15

Robin 80th Anniversary 100-Page Super Spectacular (in the short Super Sons story)

DCeased: Dead Planet (2020) 1-7

Super Sons: Escape to Landis

Batman/Superman (2019) Annual 1

Challenge of the Super Sons (2020) 1-14

Dark Knights: Death Metal The Last Stories of the DC Universe (2020) (in the Superman short story)

Dark Knights: Death Metal The Secret Origin (2021)

Dark Knights: Death Metal The Last 52 War of the Multiverses (2021) (in the Superman parts of the story)

DC Nation Presents Future State (2020) (intro, information and behind-the-scenes for Future State)

Future State: Superman of Metropolis (2021) 1-2 (Future State is another possible future, meaning that it’s not necessarily canon, but it takes place in the future of the main canon, not in a complete AU, like say, Dark Knights of Steel. Technically not necessary to understand main universe stories, but a few popular characters and characterizations were brought over to the main universe.)

Future State: Justice League (2021) 1-2

Future State: Superman/Wonder Woman (2021) 1-2

Future State: Kara Zor-el, Superwoman (2021) 1

Future State: Legion of Super-Heroes (2021) 2

Infinite Frontier (2021) 0 (establishes the main universe status quo from this point on, feat. a synopsis of Jon’s life up to here)

Challenge of the Super Sons (2021) 1-7

Superman: Son of Kal-el (2021) 1-18, Annual 1

Shazam! (2021) 1

Superman Red and Blue (2021) 6 (in the short story The Special, but this mini series in general is cute and I recommend it)

Justice League vs. The Legion of Super-Heroes (2022) 1-6

Superman & Robin Special (2022) 1

DC’s Round Robin (2021) 2 (in the short story Superboy: The Man of Tomorrow)

Nightwing (2016) 89, 91-92, 101-104, 110, 112-113

Earth-Prime (2022) 2 (story based on the CW show Superman and Lois)

DC Pride (2022) (in the short story Super Pride)

Justice League: Road to Dark Crisis (2022) (in the short story Team Up)

Dark Crisis (2022) 1-7

Dark Crisis: Young Justice (2022) 1

Dark Crisis: Worlds Without A Justice League: Superman (2022) 1

DCeased: War of the Undead Gods (2022) 1, 4-5, 7-8

DC’s Terrors Through Time (2022) (in the short story Trick or Treat)

Dark Crisis: The Deadly Green (2022) 1

The Death of Superman 30th Anniversary Special (2023) (in The Life of Superman short story)

Dark Crisis: The Dark Army (2023)

Superman: Kal-El Returns Special (2023) (in the short story Distractions)

Lazarus Planet: Assault on Krypton (2023) (in the short story Electric)

Batman (2016) 131-132 (in the Tim Drake Robin chapters)

Superman (2023) 2-3, 9

Lazarus Planet: Omega (2023)

Power Girl Special (2023)

Adventures of Superman: Jon Kent (2023) 1-6

Superboy: The Man of Tomorrow (2023) 1 (edited version of the story in Round Robin)

DC Pride (2023) (in the short story My Best Bet)

Titans: Beast World (2024) 3-4, 6

Titans: Beast World Tour: Metropolis (2024)

Trinity Special (2024) (taken from the backups of Wonder Woman 2023 plus some extra)

#*drags myself across the finish line* its done #hope it comes in handy ☺#feel free to correct me if something is wrong #dc comics #superman #superboy #jon kent #jonathan kent #superfam #super sons #reading order #reading list #reading guide #long post

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14carrotghoul · 2 months

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and you can tell everybody (unplugged)

Hi friends! Do not proceed if you don't want spoilers for my fic, and you can tell everybody! Album notes and extras are below the cut :)

ACD's early career is releasing covers and original songs with June on YouTube and later TikTok. Career takes off his first year of university and the rest of the band joins, agreeing to play for a few years to see what happens.

[unnamed] (2020) [very little info on this besides being very pointedly Mexican-American, but the genre is rock influenced by Mexican music, like Cafe Tacvba? Molotov? but more modern]

tex mex - Lyrical inspiration: "Somos Mas Americanos" by Los Tigres Del Norte

decisions (November 2023) [highly influenced by Omar Apollo, I promise the other albums are very different! I'm shoving him down your throats here and I know it lol]

1 new message - mellow r&b. Have suspected something is wrong, ignored it, and now the impact is hitting full force. Wrongly interpreted as Alex leaving a voicemail for an ex but it is a song written for his past self about missing his ADHD and bisexuality. Sound: "3AM" by Haim

reckless abandon - daddy issues song cowritten with Liam. Bilingual. Sound & lyrically: "Voice Inside My Head" by The Chicks

am I? - 'You raised me to disappoint you bc I could never live up to your expectations'/'It took me too long to find myself bc I've been trying to be who you imagined'. Sound: "Go Away" by Omar Apollo

new year new me - fuck expectations, I'm going to do what I want Sound: "Invincible" by Omar Apollo

very bad things - upbeat hookup song. breaking all his own rules and it feels good. "Mercury" by Steve Lacy

split household - child of divorce anthem. Sound: "Kamikaze" by Omar Apollo

seria una mentira - don't make me choose a side. I love you both and it tears me apart. Pointedly about parents. Sound: "Two of Us" by Omar Apollo

too much - Cumbia version of "Too Much" by Carly Rae Jepsen

never enough - never enough to convince people to stay. Sound: "Pram" by Omar Apollo. Also feel this song's outro is very fitting for this!

a light left on - Platonic June appreciation song about how safe Alex has always felt with her. Sound & lyrically: "Caminar Bonito" by Natalia Lafourcade

Good - First time he is told and BELIEVES he is good. "While U Can" by Omar Apollo

yrs - Dramatic love song. First time Alex uses rain motif. Sound: "Petrified" by Omar Apollo

seria una mentira pt. 2 - it would be a lie to choose something simple over choosing you. Sound: "Two of Us" by Omar Apollo but slowed down and more hopeful

spine/die climbing - vulnerable pillow talk. Sound: "Plane Trees" by Omar Apollo, Mustafa

miel - sacrilege bj song. Catches on with queer Latine audience and is memed similarly to Call me by your name by Lil Nas X. Grows the band's audience. Sound: "Te Mata" by Kali Uchis.

on purpose - I choose to be all the things that I am and am not picking a side. End album on a positive note. Sound:"Done With You" by Omar Apollo

vows (June 2024) [very American sound, dreamier, more optimistic]

no booty calls - voicemail w instrumental. Sound: "All Around Me Now" by Perfume Genius

apricot tarts - honeymoon period of a new relationship. Sound: "Someone to Spend Time With" by Los Retros

in dreams - extended version of Henry's in dreams email set to music. In this universe, they met and kissed on New Years at Pez's party and still did long distance and exchanged emails :) Sound: "In A River (Acoustic)" by Rostam

supersonic - secret, fun ode to karaoke night and letting loose on a night out. Sound: "Runaways" by The Killers

tapestry - thank god I'm bi anthem. Sound: "The Steps" by Haim

lipstick on her neck - sung by June. Essentially the lyrics of lipstick lover by janelle monae but in "ALLIIGATOR TEARS" by Beyonce Americana style.

then have me - tender I'm putting it all out there, all you have to do is take it. Sound: "Solar Pilgrim" by Twain

pride (and prejudice) - purposefully anthemic chorus. about being proud despite prejudice in a red state. Sound: "Delta Dawn" by Tanya Tucker

he is my choice - eloping in the rain. comedic/romantic song about how everything went wrong at a wedding. Sound: "Howling at Nothing" by Nathaniel Rateliff & the Night Sweats

roasting Alex - jam session - the band lovingly roasts Alex. Sound: "Ballad of Hank Williams" by Hank Williams Jr., Don Helms

Not Just Friends - Liam to Spencer. Song about how they're frequently mistaken for just best friends and how happy it makes him to correct that they're more than that. Song chosen so piano and drums play the beats together. Sound: "A Little Honey" by Nathaniel Rateliff & the Night Sweats

Be Cool - Spencer to Liam. Quirky/self-deprecating song about his butterflies about being with someone he's in awe of. Sound: "Heart's Content" by Brandi Carlile

a romantic - June to Nora. Confirms that Nora is aromantic to public. June saying she would never need more from Nora bc she gets to wake up next to her best friend every day. Sound: "Tu" by maye.

bluebonnet - This place (Texas) was never a home to me until you showed me how it was a part of you and now I see you everywhere. Sound & lyrically: "I Think of You" by Rodriguez.

red-blooded (August 2029)

cover: Navy suit w white shirt and American Flag pin on lapel, cropped so only torso is showing

Americana sound again - about 50/50 rock and Americana. Features from Dolly Parton, Orville Peck, and Brandon Flowers

blue blood (August 2029)

cover: red British army dress, cropped so only torso is showing

British glam rock sounds. Features from Elton John, Brian May, and samples David Bowie.

co-written with Henry

AND as for where they go from the end of the fic:

Alex becomes a civil rights lawyer in Austin.

Henry's writing career grows but he remains relatively private.

June becomes a music journalist. Eventually ventures into exposes on the industry's shady practices and successfully pivots into investigative journalism

Nora does her own thing.

Liam stays in music industry as a band manager under Zahra's tutelage.

Spencer majored in music production/mixing(?) and gets taken under Pez's wing. Has a smaller solo career and produces for a few indie bands before he settles down and works as a sound mixer in the film industry.

Bea continues to play guitar and flit between collaboration projects.

Zahra is the band's manager and Shaan is Henry's publicist/mentor and they meet while officially strategizing Alex's coming out.

#rwrb fic #my writing #a rambly behind the scenes of my doc notes

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always-is-always · 8 months

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Post-June 2025...what will we see?

Hmmmm. Okay, so I'll just put this here, and we will either see just how wrong I can be 😁 , or just how spot-on I can be. 😇

With recent developments in the movement of furniture, from Jimin's place to his Dad's cafe', I'm just going to say what is in my mind. We are going to see Jimin moving into that big 5-level home, that Jungkook is building. Yeah.

Don't quote me. And, don't dog me either. lol... this is just my little ramble based on stuff that I sense (there's a ton of that), and simply observing what we have been shown (subtle as some of it is). Yeah.

After they finish this life-changing 18 months of literally living side-by-side, I think that they will not want to separate themselves from one another. Again, that is just my thought/sense, and that's that. lol... I'm not sayin' it is absolutely correct, but I am sayin' that it is absolutely a possibility. 😆 And, being free of their MS requirements actually takes the legalities of being a queer couple out of their future timeline. Meaning, they will no longer have to consider things quite the way they did in 2023, prior to their application to enlist as companions, and after it had been accepted.

After June 12 2025, they will be FREE. Sure, they have the constraints of their culture, the fandom and their industry. But they are also well enough established that they have far more wiggle-room, and they have more power in their personal choices. Honestly, they have enough money between the two of them that they don't have to work another day in their lives, if they chose not to. They are that wealthy. (I think we forget that they work by choice.)

It feels like this time that they have AWAY from the cameras, away from the fandom, away from Big Hit and HYBE, is the biggest gift that they could get. I'm reminded of 2020. I actually feel that the insanity of the 2020 lockdowns and cancellation of their public performances gave them the break they needed, and the time to be together that they needed. If I've really learned anything so far from all the original content I have been watching, it is that the members NEEDED to have their own space to live in, and privacy.

Right now, Jimin and Jungkook are in their military bubble, safe and sound, and exactly where they chose to be as companions. Afterwards, I think that they are planning to be housemates, once discharged.

So, there. I said it. We shall see what comes in 2025....

One more thing. I am not saying that they will come out, as a couple. That is a whole other can of worms. But as I have written before, if they can pull off applying to enlist as companions AND actually enlisting as companions, they CAN pull off being housemates (without putting any label on it publicly).

Another ramble that just kinda happened. Blame my fingers for just doing their thing, and that other thing called, "intuition". Yeah.

2025 is going to be an interesting year. For sure.

#jeon jungkook #park jimin #jiminie #jungkookie #jikook #kookmin #jk #jm #got my crystal ball #what will 2025 bring for jikook #cant wait

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lemoncrushh · 4 months

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That Sunday, That Summer

Summary: Kelly's roommate Bianca talks her into participating in a celebrity charity scavenger hunt that Harry Styles surprisingly attends.

Warnings: None! This is pure fluff!

Word Count: 6.1k+

A/N: Inspired by the Nat King Cole song. Harry x OC, written in first person. Originally posted in 2020 (I was not writing reader fics then).

If I had to choose just one day...

I hadn't planned on going. Sundays were usually reserved for me time. And this particular week had been grueling; I needed the day to chill and unwind. Besides, the new novel I'd decided to pick up on my way home on Tuesday was calling my name.

But Bianca had insisted I join her.

"It's for a good cause," she whined that Saturday evening after dinner as I loaded the dishwasher. "You'd be helping people, and isn't that what you're all about?"

I chewed on the inner side of my cheek. My roommate knew my weaknesses and soft spots.

"I hear a few celebrities are even joining in," Bianca added, wiggling her eyebrows.

I chuckled. "Celebrities are interested in spending their Sunday going on a scavenger hunt?"

"If it's for charity, yeah. Besides, we have an odd number of people who've signed up. If the teams aren't even, it won't be fair!"

Turning to look at her, I put my hand on my hip. "And what if I show up and so does someone else, and it's still uneven?"

Bianca rolled her eyes and groaned. "Pleeease Kel! You'd be doing me a huge favor if you go!"

"Why's that exactly?" I questioned.

"Because...I sort of already signed you up."

So that Sunday morning in early June, I reluctantly got out of bed way before the time I normally would, and by nine a.m., I was standing in an empty parking lot next to Bianca as we waited for instructions. The sun was still behind a cluster of clouds, allowing for a mild morning, but I knew within a couple hours I would be sweating through my t-shirt.

"So...when do we get this show on the road?" I asked Bianca impatiently.

"I think we're still waiting...on some people..." she muttered, looking around at the group that had gathered before gesturing toward the tall woman wearing a headset and holding a tablet. "Then Marla will divide us into teams."

"Great," I sighed.

"C'mon girl, it's gonna be fun," Bianca smiled, looping her arm through mine.

Holding back a yawn, I watched as Marla turned suddenly, and a string of people exited the building behind her.

"Holy shit!" I exclaimed, recognizing the familiar faces.

"I told you!" Bianca giggled, squeezing my arm.

"Yeah but...I didn't think..."

It wasn't completely unheard of to come across a celebrity now and then. Not in Los Angeles. I'd seen a few since moving there. But they'd usually been out of reach, just a glimpse for a millisecond before I had time to digest who it was, and they were out of sight.

I caught the blush in Marla's cheeks as she turned toward the crowd again, and the line of famous faces took their places on either side of her.

"Ladies and gentlemen, thank you so much for coming!" she announced into her microphone. "For this very special event, for a worthy cause, we've had the overwhelming pleasure of recruiting these six very kind, and very generous people to join us. Please give a warm welcome to..."

My mind was in a fog. I heard Marla announce the names, each celebrity nodding and waving, but it sounded far away, like at the end of a tunnel in some celestial world in a dream. This couldn't be real.

But yet, here they were. Right in front of me. Swallowing hard, I finally made my own connections in my brain as to whom they were: a mix of actors, musicians and other personalities. But it was the man who stood on the far right that I was most in awe over. Dimples displayed on his cheeks as he smiled, dark stubble adorning his handsome face, curls all a mess around his head resembling a disheveled halo, he looked like an angel.

"Can you believe Harry fucking Styles is here?" I suddenly heard Bianca squeal in my ear, like the pop of a balloon.

"Why didn't you tell me?" I exhaled through my teeth.

"I actually didn't know for sure. There were rumors, but I didn't wanna get my hopes up."

The two of us listened to Marla as she explained how the game was played, and what the ultimate goal was. Though it was a competition, we had to remember it was for charity, and to have fun.

"We will now divide into six teams," she said before addressing the celebrities again. "If the team captains wouldn't mind calling out the names on your lists."

The first actor took the mic, calling out his team. Neither Bianca nor I were called. I felt her arm slip from mine as she took my hand instead, threading our fingers. Three more celebrities created their teams, leaving just two, with Bianca and I yet to have made a team.

"I think I'm gonna be sick," I muttered, trying to take in a deep breath.

"I feel ya girl," whispered Bianca. "But hey, even if we don't get Harry, it's okay, right?"

"Of course," I chuckled, though it was a feeble attempt.

When the woman standing next to Harry read off her list of names, and Bianca and I were not on it, I felt like I could pass out.

"Please tell me you had something to do with this, B!"

"I swear, I didn't!" she promised with wide eyes. "I helped with the scheduling and all, but I didn't have anything to do with the teams or the celebrities. I'm not that lucky."

"I guess that means the rest of you lot are mine," I heard Harry say with a giggle.

Bianca and I eyed each other, letting out giggles of our own. Calling out the final names, I heard Harry say ours, his sweet accent making mine sound better than I'd ever heard it spoken before.

In a momentary daze, I'd forgotten what to do next until I felt Bianca jabbing me in the side to get me to move. Following the other members of our team, we gathered near Harry as he began to greet everyone individually. Mentally shaking off some nerves, I psyched myself into believing he was just another person, like anyone else.

"Hi, I'm Kelly," I said when it was my turn, holding out my hand.

"Hello Kelly, I'm Harry."

I shouldn't have looked at his face then, because his eyes were blinding. Like magnets, they seemed to pull me in until I felt as though I was melting down a precipice of oozing syrup and honey. Nope, definitely not like anyone else. Help.

Whether I'd muttered the word aloud or not, I'll never know, but Bianca came to my rescue as she introduced herself as my friend as well as a member of the charity organization. Releasing my hand, Harry smiled and shook hers, declaring he was happy to meet us all and have us on his team. After Marla made her final announcements, Harry turned to his group, cutting the tension by making a joke and causing us all to laugh.

"Let's have fun, alright?" he suggested, lifting the papers in his hand and handing them out. "Looks like there's some pretty easy things on this list, others not so much. But we'll do our best."

"I already have something on this list," announced another woman on our team, reaching into her purse. Producing a Dum Dum, she beamed. "Lollipop!"

"Good job, Trisha," grinned Harry. "Hold onto that, and we can check that off our list."

Trisha's face went red as she dropped the candy back into her bag and drew an X on her paper. I smiled to myself, knowing that not only was she proud of her finding, but that Harry had remembered her name so quickly.

"Now, shall we venture out?" Harry asked, turning for the sidewalk.

With unanimous nods, the five of us followed Harry, stopping at the corner.

"Are we supposed to stay as a group?" asked one of the men, whose name I'd learned was Donte.

"I don't think we have to," replied Bianca.

"No, that's up to you," Harry turned to face us. "We just don't wanna double up on anything. That would be a waste of time. So if you wanna split, we'd have to divide up the list."

"I think we should stay together," I piped up. "At least...for now."

"Me too," added Trisha.

"Alright," Harry grinned, our eyes locking again. "Let's see how it goes together for the first hour or so. Then if we need to split up, we will."

Nodding, I bit my lip. I could tell Donte was not happy with my decision, but we'd only just started. I didn't want to risk being separated from Harry already. This was the most exciting thing that had ever happened to me.

As we walked, we all chatted a bit, though it wasn't that easy with six people. The sixth man who made up our group I finally learned was Trisha's fiance, Brian. He was pretty quiet, and I assumed he'd only tagged along for Trisha's sake.

"So it looks like the only rules are that we can't purchase anything," I heard Harry say from the front of the line. "If we find anything we can't take with us, we can take a picture of it."

"Oh good, 'cause look!" I exclaimed, pointing to a chalkboard sign that stood outside of a restaurant. "Ice cream!"

Harry and the rest of the team looked at the sign, noticing the big multi-colored chalk drawing of an ice cream cone. Then turning his head back to me, his green eyes sparking, he smiled, making me melt once again.

"Good one," Harry nodded. "Very clever."

"Thanks!" I beamed, standing up straight with pride.

"Mind taking a picture of that, Kelly?" he asked me.

"Oh, sure," I fumbled with my crossbody bag, digging inside for my phone as the sound of my name from his pillowy lips made me weak in the knees. Finally, retrieving my cell, I snapped a couple of pics from different angles for good measure. As I zipped up my bag again, lifting my head, I saw Harry marking off his list, the rest of the team walking ahead. Looking up at me, his lips stretched into another winning smile.

"Hey guys," I suddenly heard Bianca call. "There's a boutique here. We could probably get one of the shopping bags."

"Oh yeah," I muttered, grabbing my list. We needed three different shopping bags.

"Come with me," she ordered, a slight smirk on her face.

Bianca quickly took me by the hand and led me inside the store, leaving Harry and the others outside.

"Go girl!" she cheered in a loud whisper.

"What?"

"He's into you!"

I rolled my eyes incredulously. "Oh, give me a break."

"I'm serious! After you found the chalkboard, he couldn't stop looking at you. He was still checking you out when I turned around just now."

"He was not checking me out," I scoffed.

"Whatever girl, be in denial." Traipsing off to the register, Bianca asked the cashier for a shopping bag. I pretended to be interested in a display of scarves until she reached the door and gestured for me.

When we stepped outside, however, the crowd seemed to have multiplied. Glancing around in confusion, I quickly learned why. Harry had been spotted. Watching the handful of people getting their photos taken with him, the rest of us waited by the curb.

"Is this gonna happen all day?" inquired Donte.

"He's famous, dude, what do you expect?" said Brian, surprising us all. "It was only a matter of time."

"Yeah, but our time is limited. And if we have to keep stopping..."

Harry strode up to us then, his tall frame casting a shadow on the sidewalk. "Sorry about that. I was trying to hurry it along. Sometimes they get a bit chatty."

"No worries," I smiled.

"I have an idea," Bianca offered. "I say we go ahead and try to mark off all the things on the list that we know we have to do as a group. Like all the group photos and stuff. We can probably get the other two shopping bags as well. Then we can split into pairs."

"Pairs?" I whispered, earning me a wink from her.

"Sounds good to me," Trisha shrugged.

"Me too," Donte echoed.

"I say we head across the street," Bianca pointed. "We can probably get the rest of the shopping bags, and maybe someone can take our picture with someone in uniform."

Waiting for the light to change, I saw the sun come out from behind the clouds for the first time that morning. I sighed, half wishing it would have stayed cool and overcast, but as we crossed the street, I caught Harry putting on his sunglasses, and I changed my mind.

We found the other shopping bags quickly, and as luck would have it, I spotted a woman in Army fatigues coming out of a coffee shop. She was taken aback when we asked her for a photo until we explained what we were doing. With a hesitant smile (and a hug from Harry), she agreed, so we all lined up on either side of her and asked a passerby to take our group picture (who also got one with Harry).

Within the rest of the hour, we were able to find a fast food menu, a napkin from a restaurant, a sale flyer, a photo of someone getting into an Uber, and a picture of a capital V.

"Um...how are we supposed to take a picture of everyone in one bathroom stall?" Trisha asked timidly.

Harry's laugh rang out like a songbird, and had I not been watching where I was going, I might've run into a parking meter. Removing his sunglasses, Harry's green eyes sparkled like diamonds in the sunshine, and the corners crinkled as he chuckled with glee.

"I actually have an idea for that," he began, pointing further down the block. "There's a restaurant down that way that makes amazing tacos. I happen to know the owner, and I also happen to know the men's toilet is very clean and has two stalls. I suggest we break for lunch - my treat, of course - and take our selfie while we're there."

I couldn't stop the smile from spreading on my face, not just from his generosity and cleverness, but the adorable way he pronounced "tacos".

"Aw man, I know that place," said Donte. "And you're right, they got some bad ass tacos."

"Then what are we waiting for?" asked Bianca. "I'm starved!"

Making a beeline for the crosswalk, Bianca and Donte led the group, followed by Trisha and Brian, leaving Harry and me to bring up the rear.

"Having fun so far, Kelly?" Harry inquired as we walked side by side. His close proximity sent electricity to my skin, and I found myself rubbing my right arm, though I was far from cold.

"Very much," I nodded, once again trying to psych myself out. So what if he'd smiled at me? He smiles at everybody. And he's...got a great smile...for heaven's sake! "This is very nice of you."

"Oh, it's my pleasure. I was beginning to think Donte didn't like me very much."

With a giggle, I looked up at him, noticing he'd placed his shades on his head, serving as a headband for his curls.

"I was thinking he wasn't too fond of any of us, to be honest," I commented. "But he seems to have mellowed in the last hour."

"Oh, so you didn't know him already?"

I shook my head. "No. Only Bianca. She's my roommate."

"I see," remarked Harry. "I was under the impression she was with him."

"Who, Donte?" I laughed. "No, they'd never met either."

Tilting his head, Harry seemed to study the pair far ahead of us, then looked back at me. "They seem to be getting along pretty well now."

Watching my friend, I noticed the way she was chatting with Donte, laughing at something he'd said before touching his bicep. If I knew Bianca - and I was sure I did - that was a signature flirting move.

"Yes, they certainly do," I agreed.

Just then, I heard the faint sounds of sneakers pounding on the concrete before I turned to see two young girls running toward us, their chests heaving.

"Oh my God, it's him, it's really him!" one of them screamed.

"Harry, look out!" I warned, afraid they were going to come right at him and knock him over.

"It's alright, love," I heard him say softly before he turned around, his hands out like he was ready to catch someone if need be. "Slow down, please."

"Oh my God, I'm sorry!" the first poor girl choked, already in tears.

"It's really you!" breathed the other one.

"It's me," Harry chuckled low, his kindness turned up a notch. "Hello. How are you?"

"Great, we love you so much!"

"So much! Your album is the best!"

"Thank you, I love you too. Please catch your breath," said Harry. "I don't want anyone to pass out."

"Sorry!" the first girl squeaked, still trying to get her bearings.

"Don't apologize. What's your name?"

"Alicia."

"Chloe," added girl number two.

"Alicia and Chloe, it's lovely to meet you both," Harry said sincerely. "Now, I have something important I'm working on, and I have to get going. Did you want a picture?"

"Please!"

"Yes, please. If you don't mind." Chloe clutched her sparkly phone case in her hand as I stepped up to her.

"I'll take it for you," I offered, holding out my hand. "So you can both be in it."

"Oh, thank you so much!"

With a nod, I took her phone as the three lined up for the photo, Harry putting his arms around each of the girls. Snapping several shots in a row so Chloe had a few to choose from, I then zoomed in a bit and took a few more.

"Here you go," I smiled, giving Chloe her phone back.

"That's so nice of you, thank you!" she said again.

"Of course, no problem," I declared just as I looked down and spotted the girl's shoes. "Harry, look!"

"Ah, you've done it, again!" cheered Harry, nudging my arm.

Alicia and Chloe both looked at us perplexed as I asked, "Mind if I take a picture of your shoes? I'm playing a game, and I need something with a zebra print."

"Um...sure?" Chloe replied hesitantly.

After snapping the photo, we thanked the girls who then thanked Harry again before waving goodbye. Resuming our trek up the sidewalk, Harry spoke.

"That was very nice of you, by the way."

"Oh, it was nothing. Those girls are just like me. I'm a fan too."

"Of mine?" Harry raised a brow.

"Oh heck no, Bradley Cooper!" I chaffed, side-eyeing him to see his reaction before letting out a snicker.

Despite the shake of his head, Harry's dimples were on full display as he laughed at my jab.

"You're funny," he remarked.

I threw my head back, calling out to the sky. "Oh thank God, someone thinks I'm funny! I'm the only person who laughs at my jokes."

With another chuckle, Harry placed his hand on the small of my back. "C'mon, Funny Girl, let's go. The rest of the team is probably already at the restaurant."

While I didn't consider myself a comedian, or even particularly funny, the fact that I'd gotten Harry Styles to laugh was the highlight of my day - perhaps of my life. And though his hand slipped from my waist as quickly as he'd touched it, the tiny gesture was tender and left a feeling of warmth on my skin, even through my t-shirt.

When we reached the restaurant, Harry held the door for me, and just as suspected, the group was already gathered at a table, munching on chips and salsa.

"Where were you slow pokes?" Bianca asked with an unspoken accusation.

Rolling my eyes, I explained about the fans just as Harry arrived at the table with a plump latino man in an apron.

"This is Frederico," he announced in a semi-believable Spanish accent, patting the man on the back. "He makes the best tacos in all of California. And he says we're welcome to as many as we like."

Frederico laughed and nodded in agreement, handing out menus to the table.

"A friend of Harry's is a friend of mine," he declared, making us all cheer.

Our team of six devoured more than two dozen tacos while we shared good conversation. Everyone was glad to hear any story Harry had to share, but he was good at shifting the topic to someone else, wanting to learn more about each of us. Just within that half hour or so, I decided I liked him. Not that I hadn't liked him before. I was a fan after all, despite my joke earlier. But now I was getting to know him a little bit personally, and the vibes he gave off were very pleasant and right up my alley.

"So after this, we break off into pairs, right?" asked Donte.

I took notice of the look he gave Bianca. I almost smirked until Harry's voice answered his query.

"Yeah, I think that's a good idea. That is...if Kelly doesn't mind being my partner."

My eyes wide, I bit my lip as I felt Bianca kick me under the table. Facing Harry, I thought I might melt down my chair like the queso we'd been eating. Though his expression looked nonchalant, not even a twitch of a smile on his lips as he rested his chin in his hand, his eyes seemed to dance with joviality underneath the fluorescent lights.

"Um...sure," I said casually, reaching for my soda. "I don't mind."

I caught a glimpse of his left dimple, pushed back by the tiniest of smirks just before he lifted his glass to his lips. I wondered to myself how long I could possibly continue to stare at him if no one else was at the table. But alas, we were not alone, and I could already feel the blood rushing to my neck as Brian reminded us we still needed to take that group selfie.

Rising from the table, I dropped my paper napkin onto my plate as I watched everyone else walk single file to the restrooms. Suddenly recalling my phobia of confined spaces, I worried I might not be able to include myself in the group photo. Wringing my hands, I grasped at the extra stack of napkins, already feeling myself sweating.

"You coming, Kelly?" I heard a voice ask.

I knew it was Harry's, but I didn't look up at him just yet. Instead, I merely nodded as I dropped the wad of napkins onto the table, slowly making my way around it. Inhaling slowly, I blinked and exhaled in the same fashion.

"Hey. You alright, love?"

"Huh?" This time I lifted my head, Harry's calm face coming into view as I tried to focus. His arm was reaching out for me as I hoped to God the tacos I'd just eaten weren't planning an unfortunate encore.

"Yeah, I'm...fine," I gulped. "I'm just...oh God, how embarrassing..."

"What's wrong, Kelly, are you sick?"

Shaking my head, I wiped at my brow. "No. Just...claustrophobic."

"Shit. We probably shouldn't do this then."

"No, I'll be fine," I argued. "I can do it. For the team."

Harry chuckled as he rubbed my arm. "It's just a game, love. It's one photo. We don't have to take it."

"Come on, guys!" Donte called from the men's room, holding the door open. "The stall is huge! We can definitely all fit in here."

Though Donte's affirmation was reassuring, it was Harry's hand that caressed my forearm from my elbow to my wrist that had the most calming effect. Taking another deep breath as I watched his ringed fingers travel up and down my skin, I nodded.

"Yes, we do have to do this," I told Harry. "I can't let down my team."

Beaming at me like a child at Christmas, Harry pulled me close, squeezing my body against his in a one-armed hug as he placed a sweet kiss on the top of my head.

"Such a trooper, you are," he murmured. "I've got you if anything happens. Stand in front of me, okay?"

Releasing myself from his hold, I gazed up at him and nodded with a smile. Then following Donte into the bathroom, I giggled when I saw the rest of the group already inside the stall. Taking a gander at its size, I felt dumb or ever being nervous. Still, I did as Harry had said, and stood in front of him, facing the stall door. Then because he was the tallest, only by an inch maybe, Brian was the one who lifted his phone and snapped the selfie, all of us looking up and giving our cheesiest grins.

Nobody needed to know, not even Bianca, though she was my friend, and it was probably undetectable in the photo anyway, but Harry had looped his arm around my waist right before Brian snapped the picture. He'd held it there as he'd lifted his other hand to make a peace sign, and continued to keep it there long after he'd dropped that other hand to push my hair from my neck to whisper in my ear, his breath tickling my flesh and sending my heart into orbit.

"You okay?" he asked, his lips practically kissing the back of my ear.

"Yeah," I whispered back.

Oh, yeah. I was more than okay.

"You mentioned you work at a law firm?" Harry inquired after we'd split into pairs and divided up the remainder of the list.

We were walking in a more residential area, and I was hopeful we might be able to find a few domestic items as well as plants or flowers.

"Yeah," I replied, "I'm a paralegal at a medical malpractice firm."

"And you enjoy it?"

I shrugged. "Can't complain. I never really set out to do it or anything, like it wasn't my life's goal. But I started as a receptionist and eventually took some courses and...it's a good job."

"How long have you been there?"

"Seven years." Stopping in my tracks, I pushed a strand of hair behind my ear as I gazed straight ahead. "Jeez, has it been that long?"

Harry chuckled, as I shrugged.

"Anyway," I continued, my feet taking me ahead as well, "like I said, it's a good job. I like the idea of helping people, so it's much better than say, working for a criminal lawyer or something. I'm not sure I could do it knowing the defendant is guilty of a crime."

"But if they weren't, you'd still be helping them," Harry commented.

"I suppose so," I tilted my head. "Some of these families though...they lost loved ones; they're grieving. We're able to give them just a little bit of peace...and that makes me happy."

"You're a good soul, Kelly."

Looking up at him, I smiled. "Thanks. So are you. That's why we're here, right? Or at least you are. I'll admit, Bianca dragged me here. But she knows my weakness."

"Scavenger hunts?" Harry snorted.

"No, silly," I cackled, unable to stop myself from lightly slapping his arm. He didn't seem to mind as his infectious smile remained on his gorgeous face. "Helping people."

"Ohhh, right," he giggled, lifting his finger to scratch his nose. That was when I noticed the adorable way the tip of his nose wiggled when he tried to talk through his laugh. I found myself itching with the desire to kiss it.

"And here I thought maybe you were here because of me," he remarked.

"You? I didn't even know you were coming," I confessed. "That was just...a pleasant surprise."

I caught a miniscule of a blush on his cheeks before he looked down and shoved his hands in his pockets. "Well, I mean...I'm no Bradley Cooper, but..."

Throwing my head back, I laughed heartily. "Oh my God, you're a dork!"

"Heyyyy."

Before I could rebuttal, something caught my eye to the left, so I wandered to a nearby gate where it looked as though the home owners had a garden. When I stepped closer, I saw them, my breath catching.

"Look, Harry!"

I felt his body standing behind mine as his hands wound around the iron bars of the gate. We stared in silence for a few moments, watching the bed of daffodils sway in the breeze.

"Wow, you're good," I finally heard him say.

"Thanks. They're my favorite..." I turned to face him, suddenly realizing how close he was, "...flower."

I could barely see the irises of his green eyes as he looked down at me, his focus on my mouth. I knew it was, because mine was on his. His body was pressed to the front of mine, my back against the gate. If I'd even dared to move, I wouldn't have been able to. His fists remained on either side of me, holding onto the gate as he seemed to lean closer, or perhaps it was wishful thinking. I wondered if he was going to kiss me. I wanted him to, and yet a voice seemed to sing inside my head, telling me to go on and kiss him. Suddenly, his eyelids blinked and his gaze traveled up my face to look me in the eye.

"Um..." he swallowed, "let's...take a picture...of the flowers, I mean."

Releasing his grip on the bars, he stepped back from me. I'd never felt such a cold chill as I cleared my throat and reached for my phone in my bag.

Harry and I continued on our quest after I took the photo, and though we still made small talk, it felt awkward. Or maybe it was just me.

After taking a photo of a lovely lavender wreath on someone's door, I decided to say something that had been on my mind since before the daffodils.

"Harry," I said, in front of the neighbor's hedgerow.

"Yes?" Turning to look at me, he noticed I had stopped. Then walking closer, his mouth turned down with a look of concern on his face. "Something wrong?"

"I just want you to know," I declared sincerely, "that I think you're way better than Bradley Cooper."

His beautiful eyes squinted a mere second before the gorgeous smile grew on his lips. His laugh was delicate, a mix of a chuckle and a giggle, more like a titter...a teehee? A sniggle? Is that even a word? Whatever it was, I adored it, and I was glad I'd caused it.

I dared to step closer to him just as he held a hand out and grabbed mine, pulling me to him.

"You're great, you know that?" he said to me, not really waiting for a response, though I gave one anyway.

"I am?"

With a nod, he brushed my cheek with the back of his hand before tucking my hair behind my ear.

"I'm really glad you came, Kelly," he conceded.

"Me too." And there went the melting all over again, the oozing of his words like maple syrup running down to my toes.

Harry held my hand for the rest of the afternoon, at least until we got back on a main road, where no doubt he could be spotted again. We'd managed to check off several more things from our list, leaving only a couple before calling it a day.

Meeting the rest of the team again at the restaurant, we headed back to the parking lot with our complete list. Donte and Bianca had had a lucky streak, finding all of their items. Brian and Trisha had only missed one.

Trudging as a team to our final destination, I felt fatigued, much like I did after leaving a concert at the end of the evening. I felt a bit melancholy for the ending, but still exhilarated from the experience. And my declaration to Harry hadn't been a lie. I was definitely glad I'd come. Just sad that it was over.

Even more sad that I might not ever see him again.

Turning our lists into Marla, she smiled and thanked us all for coming. Unfortunately, another team had won, managing to check off every single item and leaving an hour earlier. Though a bit of a disappointment, we knew what really mattered.

"Kelly," I heard in a raspy voice behind me as Bianca and I said goodbye to Trish and Brian, wishing them luck on their wedding.

Harry's eyes seemed to glow in the twilight as I turned to face him. Wordlessly, he took my hand, pulling me to the side and around a dimming streetlamp. I had a feeling he wanted to say our goodbyes in private.

"Harry, I had the best time with you today," I blurted first.

"I was gonna say that," he pouted.

"Sorry. I just..."

"Just what?" he asked, holding both of my hands.

"I just didn't wanna hear a but afterwards," I admitted.

"Who says there's a but?"

I stared at him, still waiting for the word, but it never came. I searched his eyes, as much as I could manage in the darkness. But all I saw was sincerity, like he was thinking the same thing I was. Lifting his right hand, he grazed my cheek just like he had before.

Go on, kiss him...go on and kiss him...

The seconds seemed to simultaneously freeze and speed up as I watched him lean closer, his other hand slipping under my jaw. His skin was warm against mine, the cool of his rings adding a tiny chill, enough to make me hum as I closed my eyes, just before our lips met.

Even though just moments ago various things had been going through my mind such as how my t-shirt and shorts were clinging to me and I needed a shower, or how I wondered how much money the charity had raised, or how I wondered if Bianca really was into Donte...none of that was remotely relevant as Harry's pillowy lips caressed mine, fitting with them like perfect puzzle pieces. Nothing else mattered as his hand slipped behind my neck and his fingers tangled in my hair while his mouth opened slightly to invite my tongue. And no other single notion in the world could have even compared to the way his chest rose and fell beneath my hand while my other one found the curls at the base of his neck as he groaned hungrily against my kiss.

"Mmm," I sounded when our mouths threatened to separate, still teasing the other.

"Kelly..." Harry breathed against my lips.

"Yes?"

Standing straight, he looked into my eyes. "Would you like to go out sometime?"

I blinked rapidly, knowing I'd heard him right, but still incredulous. "Like...a date?"

"Yeah," he nodded, his voice an octave lower. "I really like you and...I'd like to see you again. Spend more time with you, get to know you. Would you like that?"

"More than anything in the world."

The smile I knew to be his but that had come to be just for me that day tickled his lips.

"How's...Friday? Or wait, Saturday..." Harry reached into his pocket to pull out his phone. "I'm so sorry, love, this is so formal. But I have to check my schedule."

"No worries," I giggled.

"Ah, seems I have Friday and Saturday free. Which is better for you?"

"Friday," I answered hastily. "It's sooner."

His handsome face beamed at me as he clipped my chin with his finger and placed another quick kiss on my lips. "It is indeed."

We exchanged numbers, agreeing to text later to work out the details. I giggled when I noticed he put a taco emoji next to my name in his contacts.

"I look forward to it," he grinned before giving me one last kiss, this one soft, slow and sweet. "Goodnight, Kelly. I had a wonderful day."

"Me too. Goodnight, Harry."

I watched him walk toward the building where Marla still stood, stopping once to turn and wave. I blew him a kiss, perhaps a bit cheesy, but I didn't care. I figured he was into cheese. He gave me his dimpled smile before blowing one back, then disappeared inside the office building.

"Well, look at you, Miss I-Didn't-Wanna-Come!"

I scoffed playfully at my roommate as she walked towards me.

"It's amazing what one little Sunday can do, huh?" Bianca added.

Looping my arm through hers, I walked with her to her car.

"Thanks for signing me up, B," I said with a bounce in my step, despite my fatigue. "It wasn't so bad after all."

Darling, it would be when you smiled at me...that way...that Sunday, that summer...

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