#yeah those are my 2 cents on the song

[amphibifish]

what’s the worst avenue q song (in the final musical the cut one’s don’t count)

ok so i'm my opinion (excluding the reprises cause they're like 15 seconds long and i'm not wearing underwear today is too short 4 me to count i think)

i was gonna make it a tie but honestly the only one that i have true problems with is everyone's a little bit racist. (actually thank u for sending this cause this has been in my mind FOR MONTHS.)

ok quick rundown of my thoughts

this song is very catchy and has such a good melody but the message of the song is very much iffy. my personal interpretation is that nobody is above making mistakes therefore it is important to check oneself in order to not yk. be racist. mostly because of how the formula of how more characters get added to the song is character a says something racist and doesn't realize it character b points it out then they sing abt ur etc etc things along those lines i've rewritten this paragraph so much i am so tired but anyways the main problem is that this song has many interpretations with some being a lot worse than others and unfortunately there's a good chance the message of the song is literally just the title, but i am giving the writers the benefit of the doubt since one of them is literally a poc, which doesn't exempt him from being racist but yk he's probably dealt it with at some point so he knows what it's like yadada you get my drift.

tldr; i try to give this song the best interpretation i can but unfortunately it is very iffy in its message. but it's pretty catchy.

[forestlv4r]

Fuck your boyfriend Gojo satoru x Fem!reader

Contains; cheating, smut, getting caught, P in V, aggressive ex-boyfriend, little angst

sam's 2 cents: im so sorry for adding naoya in this😭

You're laying on the couch, scrolling through the brain rotting tiktoks about new stanley cups and tiktok rizz party.

"what the fuck is my for you page anymore bro"

you say to yourself, sighing jumping up from your seat heading to the kitchen to make a snack for a movie night all alone.

Your boyfriend Naoya has been cold and distant to you since a small argument you had about him going out too much and staying out for too long. All he's been doing is going out, coming home, picking a fight with you and then leaving to stay at a friends house for a while.

Todays fight of the day with him was;

"why the fuck would you post yourself in a mini skirt"

he's never really had a problem with you posting in revealing stuff before, his only issue back then was;

"i want you to be all for me baby"

now its become;

"you're acting like an attention seeking whore".

As you wait for your popcorn to finish in the microwave, choosing a song on your phone to listen to in the meantime.

You place your phone on the counter opening the microwave to take out the bag of popcorn and put it in a bowl.

Pouring the popcorn into a bowl you pause getting a notification on your phone, multiple notifications.

"hm, unknown number?" You say to yourself opening the chat to see what was sent.

"WHAT THE FUCK" you scream to yourself, dropping the bowl of popcorn you had in your hand, making a loud bang.

-

You sit on the ground against your cabinets, tears streaming down your cheeks, you couldn't handle it anymore,

seeing those pictures of naoya kissing a girl at a house party felt like a million daggers to your heart,

"you needed someone and you needed them now." You decide in your head, picking up your phone to dial your guy bestfriend.

"hey y/n/n"

"please come over right now i need you"

"What? What happened are you okay?"

"Please just...just come"

"i'm on my way dont worry"

-

"oh my god what happened y/n/n" gojo says standing at your open door, sound of the rain getting aggressive, you start sobbing again going in to hug him at he holds you tightly in his arms,

you say absolutley nothing, handing your phone to him where the text messages are still visible. 

"oh that mother fucker" he says angrily.

"do you know where he is right now?" Gojo asks you lifting up your swollen face from his chest with his fingers to face him.

"yeah...hes at a house party some friend is hosting" you manage to say from in between sobs.

As gojo tried to walk away, you knowing that he will go fuck naoya up you stop him. 

"Gojo no!, please I need you right now" you speak, looking up at him with glossy eyes that he immediately melts into.

"...okay"

he spoke before he gets into the house and guiding your weak body on the couch,

"wait here"

he goes on to get you a blanket, walking over to you and sitting next to you to place the blanket on the both of you.

you lean your head on his shoulder as he pulls you in for a hug, "what do you wanna watch?" he asks.

"anything.." you reply quietly.

"hey, you can talk to me"

"I don't know its just.... i feel disgusting, why would he cheat on me? is something wrong with me? does he really think I'm a whore or seek attention?" 

"Noaya is a dumbass and doesn't deserve you, you're the most beautiful person I've ever laid eyes on and he's a big dumbass for not seeing that beauty within you, your eyes, your hair, your everything. I honestly never liked him from the beginning"

he speaks looking into you eyes with nothing but love.

your faces get closer, your noses brushing up against each other, until he grabs your cheek and smashes your lips together. you tongues fight for dominance, the kiss getting heated quickly, teeth clashing and spit mixing, you pull away slowly from the kiss nothing but a string of saliva connecting you both.

his hand is on your cheek just as he stares into your beautiful brown eyes, "I love you y/n." he utters. "I love you too toru" you mumble before he puts his lips on yours again kissing you even harder.

you fall back onto the couch, making gojo now above you, he quickly pulls away to remove his shirt as you do the same, going back to making out while he tries to remove his sweats and boxers at the same time. 

he pulls away and his hand reaches down to the band of your panties, "can I take these off?" he asks.

"yes please I need you" you whine, squirming under his touch.

"my needy girl" he chuckles as he grabs the bands of your panties and sweeps them off quickly.

he pumps himself a little lubing his length with his precum, alinging his member to your entrance

"just tell me if you need me to stop okay?" he speaks gently holding your cheek.

"okay.." you whimper when he pushes himself in agonizingly slow, stopping for you to get used to his length.

" please move I don't need to wait" you whine pathetically.

"okay gorgeous" he says, speeding up his movements hitting the right spot each time.

"God toru...yes yes yes" you moan out before gojo grabs your hands and holds them above your head, "my pretty baby" he mutters as he looks down to see the bulge in your stomach, pressing down on it with one if his hands, the other still holding yours, adding pressure to you.

"mm gojo I'm so clo..se" you utter unable to speak from the ephoric feeling, he reaches down to your clit rubbing tight circles causing you to leach your hands onto his back after he lets go, your nails leaving makes that are sure to reveal in the morning.

as soon as you start seeing nothing but gojo's loving eyes and stars, you cum all over him coating his length, "where do you want it princess" gojo asks speeding his movements, slightly overstimulating you.

"i-in me" you moan from still being sensitive, a few pumps in and gojo finishes in you, coating your walls white.

he pulls out earning a whine from you as he lays down next to you. "are you okay my princess?" he asks, reaching to your face to move the hair away. "more than okay" you smile back before you guys to wash off and get dressed, going back on the couch to watch a movie only to fall a sleep cuddling each other under the blankets.

-

5:36am

the door slams and you hear loud foot steps waking you and gojo up. 

"WHAT THE FUCK IS GOING ON HERE?" Naoya screams, referring to you and gojo cuddling on the couch.

tears start forming in your eyes causing Naoya to get angrier and gojo to pull you into a hug making you sob on his shoulder.

"don't fucking scream at her acting like you didn't kiss another girl at the bitch party of yours." Gojo shouts, you can feel his heartbeat getting faster from anger.

Naoyas' eyes soften into horror from gojo's words, "you don't fucking deserve her, you're a cheater and an asshole might as well just fucking kill yourself" gojo continues yelling.

-

Naoya had already left the house after he packed everything, you and gojo went up to your room so he can comfort you.

The next morning nobara and itadori pulled up to you house after gojo had informed them of what happened.

"Y/NNNNN WHAT HAPPENED MY BABY GIRL" nobara yelled, running to you on your couch and hugging you.

You chuckle a little at her dramatic ways,

"Naoya cheated on me" you sniff.

"ugh i hate that bitch" itadori speaks as he scoffs,

"Right? I always knew he was a bitch, cheating on you as if he has many girls lined up waiting for him." Nobara speaks, still hugging you.

"alright guys get away from my girlfriend" gojo speaks, coming out of the kitchen with a hot cup if tea for you, placing it in your hands to warm you up.

"WHAT??? YOU'RE DATING?" Itadori and Nobara shouted in shock at the same time,

"yes now stop being so loud, move" gojo scoffs, gently pushing nobara off of you so you can rest your head in his chest.

Sam's 2 cents: so sorry the ending is really rushed this is also so ass i hate it (╥_╥)

Tag list ( ˘ ³˘)♥︎

@pinkwhiskers @happymangospot @levermillion @bria101na @antisocialinlw @madzmoxy @milkari73 @chososrightpigtail @yassifiedbaddie @sorahatake

Tags - 🏷️

[just-avocado]

THINGS I NOTICED YAY

Okay so there are two very interesting things I noticed while relistening to the Thunder Saga that I have to get out before I go to bed

1)Epic’s danger motif was not in the song Scylla, not even when she was mentioned by the siren

In Suffering despite being surrounded by sirens Odysseus knew he was not speaking to Penelope from the start and thus was never in danger

In Different Beast Ody and his crew have the upper hand, it’s the sirens in danger so no motif

In Mutiny the danger motif plays as Odysseus battles Eurylochus, his life is being threatened, it also plays after Eurylochus slits the cattle’s throat and they have to run from Zeus

At first I was thinking maybe Jorge just couldn’t fit the theme in because it would distract from Scyllas actual theme but if that was the case he would’ve just added it when her name was brought up like how the theme plays when we know Zeus is coming but I couldn’t hear it in the actual Thunder Bringer song

All this to say from the moment Odysseus knew they would have to pass through Scyllas territory he made peace with his choice to sacrifice 6 men knowing full well that as long as he drew attention to certain crew members (via torches) he would be completely safe, at the end of the song Odysseus and Scylla even share a verse about how alike they are like?? She was never a threat to him despite the absolute carnage she rained on his ship and I find that brilliantly fucked up

2)Second thing I noticed is that Eurylochus calls Odysseus “Ody” while he was trying to convince him not to kill the cattle “Ody, we’re never gonna get to make it home, you know it’s true.” were his words, I’m pretty sure this is the only time in the musical someone actually calls him Ody, that’s more of a fan things so to me it goes to show just how tired and vulnerable he was feeling

This is also slightly unrelated to the second point but I really think there was a part of Eurylochus that knew he was dooming himself by killing that cow but that he was so tired from the constant tragedies and despair from probably never getting home again that he killed the cow anyway, the hunger really just embodied those feelings 

But yeah that’s my two cents at least I didn’t cry this time yippee

[zeravmeta]

Thoughts on RvB Restoration Finale

not really that long just my 2 cents

I wanna say I liked the movie because I did enjoy myself watching it, but honestly I'm very much gonna stick to the RvB17 open ended finale

Overall the movie was... ok? It wasn't unwatchably bad the way RvB Zero was but it also just made a lot of choices that I disagree with fundamentally both with the writing and the core themes of the series as a whole. I've had this take ever since RvB14 on the fanbase and the writers but this movie flat out says it:

The writers are fucking unable to let go of PFL and Chorus in a meaningful way.

For a series thats core message is about saying goodbye, they literally dont let that part of the show die. They are functionally unable to let go of the past peaks of the franchise and write something new. And I get it: RvB fundamentally cycles with its storytelling, but what was so refreshing to me about RvB14-17 was that it actually progressed itself Past those peaks of RvB10 and 11-13 (and honestly people REALLY dont appreciate the good in those later seasons). It felt like a natural (if wacky) progression, and it definitely wasnt perfect but it gave the extended cast more opportunities to shine in ways we didnt appreciate before

This movie just doesnt do that? Honestly the fact that they KILLED Sarge and Doc was so... disrespectful to me? Like not in the sense that it was as bad as how RvB Zero (fake) killed Tucker, but more like it felt like the writers killed them off because they were following a book titled "How To Write Story" and saw 'killing off characters is good writing'. Sarge got a dramatic send off that also didnt feel that impactful? And I did see it coming from the start but having Doc be Washs' guilt haunting him just left a bad taste in my mouth.

Its a really self contained story, a whole bunch of characters outside the main 3 reds and Caboose felt ooc, a good chunk of characters dont even show up (dude where was DONUT??? youre telling me he only has 5 seconds in Simmons' mind in a cheerleading costume?), it was composed of like 3-4 sets total, Carolina, Tex and 479er all just kind of Show Up to be badasses in the way The New Person would show up in an MCU movie...

Honestly watching this movie I kind of felt like it would have a twist ending. Like the credits would play and then itd zoom out to show the Reds and Blues post S17 in a movie theater watching this dramatic finale, because thats honestly what it felt like: The whole movie was a cheap facsimile of RvB as a whole. The fact that Trocadero wasn't allowed/signed on to make the music for this finale really does influence this movie, since they used a whole bunch of songs and osts that felt out of place (though I will admit Vale Deah softly playing as Grimmons said goodbye to each other did make me choke up a little)

Despite my negative review, I do still recommend watching it, since there was stuff I did like: Simmons in a leader role, Tex and the fun reveal during her fight with Tucker-Meta, Grif FINALLY getting to retire, Caboose as a whole was really well written, there IS good in this movie! And again it's not unwatchable bad, it just... kind of leaves a somber, sour taste in my mouth. This movie threw a whole bunch of stuff to the wall not to see what would stick but to break it all and leave for the insurance money. Just a "hey since we're sinking might as well make all these callbacks and break a bunch of stuff along the way."

Welp. Goodbye, RvB. At least this way I know that RT dies without riding your coattails any longer. And hey given that RvB technically has 3 endings (RvB17, Zero and RvB19) you can just take your pick on what you like best anyways. Quick edit no jutsu I forgor to mention there is the sequence at the beginning of the movie where it is implied RvB19 COULD also be one of the simulations in and of itself so. yeah you can in fact just take it as you will

[kymanitaylorsversion]

Hazbin Hotel Incorrect Quotes but Make it Vine

Adam: *Sliding down the stair rails* You're all going to hell, bye

Random "bad boy": *vaping*

Nifty: wooow

Lucifer at rubber duckies: Wow, look at all those chickens

Sir Pentious: *dancing to take me on then turns around*(braces girl vine)

Angel Dust: How much money do you have?

Sir Pentious: 69 cents

Angel Dust: oh, you know what that means

Sir Pentious: *teary-eyed* I don't have enough money for chicken nuggets

Charlie trying to do team building exercises: Angel has 19 bottles of dish soap and he gives Vaggie-

Sir Pentious: Why does Angel have so many bottles of soap?

Angel Dust: MIND YO BUSINESS PENTIOUS

Adam: Alright, Charlie[class] you can do[be] anything you want

Charlie: I wanna bring sinners to heaven[be the president]

Adam: Aw, Charlie try a little bit smaller things

Charlie: BITCH YOU SAID I COULD BE ANYTHING I WANT

Alastor: *runs up to charlie*

Charlie: Daddy?

Lucifer: DOES HE LOOK LIKE-

Husker to Angel Dust: Has anyone ever told you you look like Beyonce?

Angel Dust: nah they usually tell me I look like Angel

Husker: Who the fuck is that?

Angel Dust: Me, ni-

Charlie: *singing* Oh yeah, wait a minute Mr. Podcast Man[postman]

Alastor going along with her shenanigans: *vocalizing* oooohoh yeah

Angel Dust: pinkywinky boom boom dance *starts shaking ass*

Angel Dust: Then in here, 2 shots of vodka *pours a half the bottle*

Charlie about Husk and Angel: *on the phone with Lucifer* And they were roomates!

Vox watching through his TVs: omg they were roomates

Alastor: *throws a frisbee towards the highway*

Lucifer: wHaT tHe FuCk, Alastor

Angel Dust venting in his room to Fat Nuggets about Valentino: GIVE ME YOUR FUCKING MONEY *throws doll against the wall*

Sir Pentious in that one song: oh hi, thanks for checking in on me, I'm ✨still a piece garbaaaage✨

Angel Dust: I'm being abused at work by Valentino[I spilled lipstick in your Valentino Bag]

Charlie: You're whawhawhawha being abused at work by Valentino?![You whawhawhawha spilled lipstick in my Valentino white bag]

Sir Pentious doing karaoke for one of Charlie's team building activities: till i cant no more, WHAT ARE YOU WAITING FOOOOR

Angel Dust: *tries to work*

Valentino: *punches him*

Angel Dust: ah, fuck, I can't believe you've done this

Charlie: Hey, I'm lesbian

Lucifer: I thought you were from hell[American]

Charlie trying to help Angel Dust ascend: There's only one thing worse than a (r-word)ist *pulls back paper*

Angel Dust: A child.

Charlie: No.

Angel Dust: AEAEAEAEAEAE

Valentino: WHY ARE YOU RUNNING WHY ARE YOU RUNNING

Adam when Charlie proposed for sinners to go to heaven: No off-topic questions. Because I don't want to. No. Denied. That's an off-topic question. You have been stopped.

Alastor: WHAT ARE THOOOOSE

Lucifer: They are my rubber duckies[crocs]!

Husker singing Loser Baby: *Pours a box of Life cereal and lemons fall out* well, when life gives you lemons

Angel Dust venting about Valentino: *beating up stuffed moth[elmo]* FUCKING DUMB ASS BITCH VALENTINO[elmo] I FUCKING HATE YOU

Lute when Adam died: Ms. Kesha? Ms. Kesha? Oh my fucking god she fucking dead

Angel Dust: Don't tell your mother

Husker: Kiss one another

Both: DIE FOR EACH OTHER

Alastor every time he almost dies: *disappears* I'm a bad bitch, you can't kill me

*The other hotel members casually taking a photo*

Charlie: Everybody say Hazbin Hotel[Colorado]

Sir Pentious: *comes from out of nowhere* I'M A GIRAFFE

[theflyingfeeling]

so yeah, I went to the BC signing session at Nokia Arena today, because what else would I, a full-grown adult with a respectable dayjob, do on a wintery Saturday if not stand in a queue freezing my toes off surrounded by sugar-high teenagers for hours, just to exchange a few words with some band dudes? 🤡

(wrote this for me as to remember at least something about it afterwards, but you may read this as well <3)

The queuing part was every bit as shitty as it always is when queuing to any BC event really, but I was in high spirits and great company who were polite enough to laugh at my shitty amazing jokes 🥰

Niko was so soft and nice and aaaaaaaaaa the way he laughed so heart-warmingly at the silly (practiced) thing I said?? 🥺🥺🥺🥺🥺🥺🥺🥺 I want to put him in my pocket <3

So when I was a kid I used to collect stickers (this is relevant, trust me), especially dog stickers because dogs are cute, and I happen to have a full page of dachshund stickers that look exactly like Rilla, so I thought I'd give Aleksi a couple of those, and the other day I jokingly checked my local supermarket's sticker selection to see if they have any more fun stickers I could give him, and lo and behold I actually found some cool Spider-Man ones, and naturally I JUST couldn’t help myself 😂 and awwwwwww the way his entire face brightened up and he went "NO WAY!! 🤩" when he saw the dachshund ones aaaaaaa 😭💞😭💞😭💞😭 he said he'll put them on his laptop where he has also collected other stickers 🥺💞 I gave them in a Minigrip bag so that he hopefully won't lose them before he gets home (see the picture below for the stickers)

Aleksi’s hair looked super fluffy btw 🤲 you're welcome for this crucial information

The last time I saw Olli at a signing session I was so blown away by his beauty that I could barely speak a word to him, so this time I was determined to actually have some sort of a conversation with him, and I did succeed, even if we only talked about the weather (my go-to conversation topic) 😂 it's difficult to translate the Finnish word tarjeta, but basically I asked him how's the weather been in Oulu, and he said it's been cold ("Mites Oulussa on tarettu?" "Kylmä on."), but apparently he actually likes cold weather, my reply being "well I don't you fucking weirdo &lt;3"

Joonas heard this intellectual exhange of opinions and put in his two cents as he told me how they had recently visited Oulu and that it had been significantly colder than in Helsinki 👍

Also, as you may have seen from pictures by now, he was wearing no shirt under his blazer and yeah, I may have taken a good look at his rug while he was signing my totebag 👁️👄👁️ In my defence, he had it out for everyone to see, so where else was I supposed to look? His eyes? 🙄

At that signing session I went to in Stockholm last year (see the link above) I didn't manage to say a damn thing to Tommi lol (I blame Joel and Olli), so that was my other goal for this time and yaaaay, success! I didn't say much to him though, just "hi" and "ah darn, is that bloody marker not working? and here I thought I had bought a good one" ("Olin ostavinani hyvän tussin")

For context: I had brought my BC totebag (which I bought exactly 2 years ago tomorrow and have used maybe twice during all this time) with me for them to sign, and as I wasn't sure if they'd have fabric markers, I had gone and bought one for the purpose myself, and I had tested it (on paper) at home, but I guess the cold weather had affected the ink, so it was working quite poorly. They all did manage to scribble down their autographs though, and the extra time it took for them to do so offered me some extra time to chat with them, which was nice actually 🤭 (hehe sneaky meeee)

To Joel I said the new song is great ("Helevetin hyvä se uus biisi"), which he was pleased to hear. He gave me back my totebag but not my marker, so I had to ask for it lol, to which he said his brain was not working properly anymore (felt 💀), to which I said that at least he hasn't been standing in the freezing cold for hours, to which he said: "yeah, you're the actual heroes here" and hell yeah we are lol, I wouldn't do this shit for any other band 😌

Then he tried to give me the autograph card of the next person in line dfdggdgdgddd poor Joel, I guess his brain really wasn't working

Afterwards my mouth was SO dry from talking so much in such a short time lol, but I was happy I got to say most of the stuff I had wanted to say to them. I was planning to show Aleksi a picture of our family dachshunds like I had done in Stockholm, but with all the hassle with the marker I kinda forgot about it (I kept grumbling about the shitty marker to literally all of them except Joel), and anyway I didn't want to slow down the queue any more than I already was 🙈

After the signing session we had pizza and went to the local Christmas market that just opened today and I bought some organic coffee beans for my brother for Christmas, so all in all I had a lovely day (ignoring the cold-as-balls weather) 🥰💞

here are the stickers I gave to Aleksi:

and here's my freshly-signed totebag (why is Olli's autograph so cute 🥺)

(I know it looks like there are some strange stains on the tote but there really isn't, as I said I've barely ever used it, so I guess it's just the fabric doing a weird thing in that lighting)

[strawglicks]

Sorry for the ramble in your inbox incoming- I'm a really huge fan of your analysis type posts like the ones about Cathal and recently Flint ;A; So I hope its ok to maybe throw in my own 2 cents about Cogs/their society- (Sorry this gets rambly I thought about this last night and writing this like an hour after waking up lol)

I think what alot of people kind of (I wouldnt say ignore- more of:) don't really get is that I dont believe characters like Cathal or Flint have bad tendencies because they really want to in a way, (I kind of worded that poorly but point is) but because their society rewards and encourages that type of behavior. I think you said something kind of similar on Cathals post- But especially for Flint, whose a Bossbot (Who are literally the embodiment of a toxic workplace and elitism. I believe a old snippet from the TTO magazines says "They have no real skills of their own, just the ability to push down others and stay on top!" Or something to that nature.) he has to be demanding and imposing. There is no benefit to him in being kind. (Like looking at Misty for example) And don't get me wrong I don't believe that if Flint and Cathal were removed from Cog society they'd be better/objectively nicer (Like Flint not being condescending to Toons and Cathal not making people do things for him and being encouraged to try) But I do wonder how much of it is pressure, or how much of it is egged on and rewarded. Atleast in the aspects it relates to how they treat others.

(..And also I wonder what happens to Cogs that don't get jobs and are seen as ..not functioning. Since Graham was freaking the hell out in "Meeting Of Two Minds" over the possibility of not getting the job. I have a whole thing about this actually in my oc lore but thats another thing entirely I'll write about someday I swear)

Also I gasped when I saw the doodle of Graham in the MSI shirt finally a MSI listener Graham truther. I think he'd like the album "How I Learned To" and of course "You'll Rebel To Anything". I associate him mainly with the songs "Lights Out", "On It", and "You're No Fun Anymore" :p (This has been my favorite band since I was like 13 and now I get to spill all my opinions xD) I always imagined him doing the guitar backbend their bassist does! And my final hc is that Flint plays bass and Graham plays the main guitar. I think it fits them .. some people overlook bass when its actually pretty hard to learn from what I hear and vital to the song. (Like heres Feel Good Inc w/o the bass.. feels wrong x_x)

Anyways thanks for reading ;A; take care and happy new year!

RAHHHH EATING THIS UP YUM YUM YUM YES YES YOU GET IT

THe biggest issue with Cogs Inc is that it REWARDS and ENCOURAGES these poor behaviors, worsening these characters as people. ESPECIALLY cathal considering the position of power they’re in. I’m sure it applies to a ton of other cogs too, but unfortunately I haven’t gotten to them yet bc I’m not as insane abt them . LMAO

And yeah since cogs are literally built for work, it’s a wonder what happens to those who can’t find a job as easily as others. Hoping that gets built on since it’s clear in MOTM that these cogs have to actually apply and go to interviews and probably face some trial and error to land a job, just like people IRL.

ALSO. THE BAND HCS. I love it and you’re SOOOO RIGHT about the backbend that is so grahamcore. And yes I’m pretty sure Flint does play bass, I think his creator mailman said smth abt that on their blog . AND IM SO GLAD YOU BROUGHT UP FEEL GOOD INC bc i did draw flint in a demon days shirt in that same animatic . And ive def drawn them in the same shirt a couple times in the past too . I’ve always imagined him to be a Gorillaz fan, maybe graham too

Anyway ty for these thoughts im eating them up and leaving no crumbs . I love when ppl come to ramble in my inbox bc discussing this stuff IS SO FUN and a good outlet for me esp when i might be having art burnout rn .

[yorshie]

okok last one (for now) because I'm still mad they never released a special of the turtles and that Hip Hop Christmas Album... which songs are they lining up to cover (doesn't have to be Christmas related)

or even

just any hip hop songs you head canon them all singing together like the big dorks they are ╮ (. ❛ ᴗ ❛.) ╭

Ooooooo this is fun. How many songs are on an album? Back in the day? Like an actual cd….. twelve was pushing it, right? Hold on my dad has some cds still let me go check~

Ok. So I was close. The longest was sixteen, usually thirteen to fourteen though I found one with close to twenty! Dang! Also, I found my old evanescence cd my dad stole it (I let him keep it)

So for the hip hop Christmas album i picked eight-

1. Santa Baby

2. Santa’s coming to town (like the Jackson five)

3. I saw mommy kissing Santa Claus.

4. Run run Rudolph

5. All I want for Christmas

6. Blue Christmas (bet they make Leo do the vocals for this one)

7. Santa Baby

8. I want a Hippopotamus for Christmas (scrapped when Raph realized Mikey was referring to him as the hippo)

EDIT: Hey, I just wanna come back and say that if you go looking up these Groups of music, be aware they are NSFW and feature a lot of words/actions that I do not agree with. These artists were working out their frustrations with the world around them in the rawest sense, and their music is a reflection of that. Expect lots of cussing, talk of murder, degrading towards women, etc.

and as far as just hip pop music I could see them all singing because they are dorks, I know they were watching MTV because at the first of the 2014 movie they had them watching a video that looks JUST like MTV like it walloped me upside the head. Now, there's a lot of hip hop that comes to my mind, but i think they'd gravitate towards the old school hip hop, and unfortunately that's just a little bit before my time, and I wasn't allowed to listen to that music growing up- i knew of Wu Tang Club or NWA but hip pop didn't really bust out of the east coast/west coast of america until they were able to play the songs on the radio- and there was no way they could play those groups on the radio. Now, once hip pop started becoming club music though, that's when I started hearing it. People like 50 cent (in the club) or J-Kwon (tipsy) suddenly became easier to hear because it wasn't just on a 'parental advisory' album that you couldn't buy with out an id. It boggles my mind that Snoop Dogg is like, a household name now like wtf. I didn't even know about Tupac until he died. So...um..... i rambled. sorry. but yeah that 50 cent song or J-Kwon are very popular, could see them singing that (Raph and Mikey would probably be singing the last one solo, can't see Leo liking that one lol) but maybe also Wu Tang songs I just *shrug* don't know a lot of them.

Edit: thought of one. LL Cool J Mama said knock you out

[dollarbin]

Dollar Bin #33: Grace Slick's

Welcome to the WRECKING BALL!

Something you just gotta kneel down and submit to whatever The Dollar Bin offers.

I was down on my hands and creaky knees in my favorite shop a week or two back when I hit a vinyl goldmine: seven records I did not already own and knew I'd listen to at least once. Seven records for a dollar each. Seven!

Well, a lot of what I bought ultimately sounded pretty mediocre so calling it a goldmine is a stretch. I'm guessing you need a lot of iron to forge a wrecking ball big enough for Grace Slick to mount and crash about on so let's say I hit an iron mine. Check Grace out on the album's backside.

I'm guessing OSHA did not approve this photo shoot. But saying I hit an iron mine still doesn't sound quite right... After all, I suspect a lot of what I bought sucks: Stephen Stills 2 was in the stack. So maybe it was more like a tin mine? Tin doesn't sound like a valuable metal and, sorry Grace Slick, but ridiculous as your record appears it may win up not even worth a buck.

Even so, did I waiver before laying down my 93 pre-tax cents for Grace Slick's Welcome to the Wrecking Ball, an album which I knew absolutely nothing about from an artist who, apart from her early penchant for chasing rabbits and someone to love, is largely a mystery to me? Definitely not. After all, what the hell else are you gonna buy for 93 cents and then take any interest in? 1/8th of a burrito?

And there's always the chance that a record which looks this wacky will have songs that are equally bonkers. And bonkers is good, yeah? Slick on the cover looks like she'd spent the day as an extra for a B grade zombie flick featuring a lot of smoke machines. And I love how Slick's name and the album's title were slapped on post production, perhaps by a real zombie. What's more, she's standing prominently on Steiner Avenue. And that has got to mean something. Right? Maybe? Please tell me this a big, well thought through concept record, every line and every sound and every image dedicated to one silly cause...

Including the gatefold image; what's Slick out to smash here? The patriarchy? Stephen Sills? Us? Man, I'm getting excited.

There are no Captain and Tennelle and their corpulent dog records framed on the walls of my home as ironic testaments to my wit; nor do I own any savvy Hanging With My Gnomies or Dogfather tees that proclaim my sardonic depths. But who the hell would have a record collection and not want to own this record based on its looks alone?

It's not strictly true to say that I don't know anything about Slick post Jefferson Airplane's debut record, the one which features the aforementioned two songs that everyone knows. I got a copy of Bark, their 71 record, out of the Dollar Bin the same day I picked this little number up and it sounds... unimpressive.

To begin with, that album's vinyl has more flexibility to it than the quinoa tortilla I tried to eat for lunch today; seriously, I could wrap up some beans and rice in my copy of Bark record and call it lunch (I guess I should add a fish head or two based on that record's cover).

Those quinoa tortillas, on the other hand, would be right at home on my turntable, and they might ultimately sound better than Welcome to the Wrecking Ball. (Fair reader, I'm still getting up the courage to finally drop the needle on this thing; I promise to do so before we're done.)

But Grace Slick deserves my respect and open mind, and I'm going to give it to her. After all, she helped me learn how to dance. For reasons that are now lost in the sands of time I went to an 80's elementary school in which the mothers and the cool kids decided that dance parties, complete with placing our mostly chaste hands on each other's hips for slow dances (one poor young lady had to dance every one of those with an insistent and utterly uncool me for three straight years; sorry Amy!), were meant to start in the 4th Grade.

Seriously! Starting at age 10 we'd gather together for birthday parties at the Badminton Club or in someone's backyard with the most intense of the cool kid's older brother as DJ (he'd do a steamy lip sink to Shout! mid-party; we'd all freak out with awe. That dude probably sells commercial real estate these days and actively fantasizes about building a time machine so he can go back and repeatedly relive the greatest moments in his life at those parties, during which he was a cheesy, corpuscled combination of Marty McFly, Ferrris Bueller and the Fonz to all us kids) and go two steps left and two steps right with a clap accompanying each motion to everything from Buffalo Soldier to, you got it, We Built This City on Rock and Roll, Slick's incredibly regrettable 85 anthem about the pressing need for more easily accessible rock clubs in everyone's hometown which routinely tops "Worst Song of All Time" lists.

Did we think We Built This City on Rock and Roll was the worst song of all time back in 4th grade? Heck no. Often, some of the 4 foot tall cool kids would mount party tables and dance on them during the track, belting out the lyrics in their smurf voices. We were a pack of 4th grade white kids and we were actively building a city on rock and roll in real time. And it was awesome. Honestly, I don't know if I've ever even heard the song as a grown up, and I'm not plastering it here. Play it in your own blog; I'm listening to it in my ten year old brain, and it's working some serious magic.

And so, Grace Slick deserves the benefit of the doubt! Let's drop the needle and see what her wrecking ball of a dollar bin record has in store for us.

Holy Freakin' and Sagging Space Balls. This record sounds like Joan Jett, only inexplicably worse; it sounds like Poison covering Motley Crew while on speed; it sounds like Tesla's, (we're talking about the band here, not the automobile; and why we're at it, are the members of Tesla sitting around right now even richer than Elon all because they copywrited their band's name?), follow up to their even-then-it made-me-apoplectic record Five Man Acoustical Jam entitled Listen to Us Destroy All Sense of Purpose Within You With Our Glam Rock Ninja Moves (okay they don't really have a record by that name; I made that up; but they do have a record entitled Bust A Nut, and I'd argue, without any basis of knowledge whatsoever, that that record sounds a lot like Welcome to the Wrecking Ball).

This song sounds like what they'd play in the concourse area before a Donald Trump rally: everyone's standing around bumping each other's fists behind their wrap around sunglasses indoors, no one has sleeves on their shirts, and everyone wishes they could get a pair of red, white and blue Trump brand solid gold sneakers for their very own; and of course they all know Jesus will soon descend once again, only this time he'll rock a polyester jumpsuit and go agro on everyone who doubts the Donald.

To be fair, there's nothing here to suggest that Slick was a Republican; I'm making unfair analogies. But there's also nothing here to suggest that Slick had any capacity for making music anyone would ever enjoy listening to. Come on, you decide: does a song like this give you any version of pleasure?

What's worse, I can't find anything on the record that's actually as good as the title track. Slick sings, or perhaps declaims is a better word for it, about how much she loathes music critics, then moves on to describe dominatrices with their hands on the whip who have the devil in their heart and so on; then she lays this on us:

Slick chases us around the stereo space while we flee in terror; listen to the guitar soloist prance, pose and persuade us to reconsider everything we hold sacred; and then, at the end of the song, listen to everyone go totally nuts. I hear screams, laser beams and drum drops; I hear the effects of a lot of coke. Or maybe Slick was just going all in a few years early, trying to come up with something that would get fourth graders to dance on tables. Because we absolutely would have done so to this song.

Someone, please, call Alice; tell her to bring the doormouse. I want my 93 cents back.

[mieux-de-se-taire]

Our Lady of Sorrows - MCR Interviews

89.5 WSOU FM Interview - 7/11/02

7:32-7:46, 21:09-21:14, 22:20-22:28

Interviewer: I don't think I’ll be able to play track 5. Gerard: Oh yeah, 5 (Interviewer laughs) Ray: Probably not that one. Interviewer: That’s alright ‘cause that’s gonna be one of those that uh, you know, kids are gonna hear this, and they’re gonna get the record, and then, track 5 is gonna be like the track that everyone loves (Gerard laughs) ‘cause it’s the one they didn’t hear. Frank: (After being asked his favorite song) I like “Knives” a lot to play, and “Vampires” is always fun. Gerard: My favorite song to play live is “Knives,” um, “Our Lady of Sorrows,” sorry. We’re using the old titles for songs, sorry.  Interviewer: (Overlapping) Another name change? Gerard: Yeah, it’s called “Our Lady of Sorrows”. That’s my favorite.

/

Noise Theory Interview - 11/13/02

Page 2, paragraph 1

Interviewer: MCR’s music can be pretty varied, do you have a particular favorite song that you like to play live? Ray: Hmm…live I think my favorite songs to play are Our Lady of Sorrows, just because of the pure energy in the song, and Vampires, because it has quiet parts that gradually explode and it’s fun to see kids whig out when that happens.

/

Alternative Press #197 - 9/17-20/04

Page 6, paragraph 1

The trio recorded a demo in Pelissier’s attic. “My attic had no walls,” he says, laughing. “It was a wooden, run-down piece of crap. I had a really cheap 16-track board, and we had a bunch of crappy mics. I basically had the drums and guitars playing upstairs and ran mics down the stairs and had Gerard sing in the bathroom.” What came out of those sessions were the blueprints for “Our Lady of Sorrows” (original title: “Bring More Knives”), “Cubicles” and “Turnstiles.” “You could hear that it was something really new, and it was kind of a weird idea, but for some reason, as poorly as it was coming together, it really worked,” remembers Gerard. “And a lot of people loved the demo.”

/

Kerrang #1045 - 2/16/05

Page 6, paragraph 2

Gerard: We always turn the houselights up during ‘Our Lady Of Sorrows’ because it’s a special song to us.

/

FUSE Q&A with Bert McCracken and Gerard Way - 2/26/05

4:27-4:38

Gerard: My favorite lyric has always been my favorite lyric, and it is “oh, how wrong we were to think that immortality meant never dying” from ‘Our Lady of Sorrows,’ our first record. I don’t think I’ll ever top that line. It’s my favorite.

/

Zero Magazine Interview - December 2005

Page 5, paragraph 10 and page 7, paragraph 1

Gerard: There’s always a fear that people might overlook “I Brought You My Bullets…” Occasionally, when we play on this tour, with the exception of Vampires and Our Lady of Sorrows, we play 4 or 5 old songs, usually when the venue’s quietest - but then again, when we play the UK, those are some of their favorite songs. The UK was very accepting of Bullets, whereas America didn’t know about it. They like hearing it, they’re just not familiar with it.

/

Not the Life It Seems: The True Story of MCR / Kerrang #1142 - 1/17/07

Page 33, paragraphs 3-4

“We met once a week for the next four weeks to practise,” said Gerard. “It seemed that anything was possible at that point. Ray wrote “Our Lady of Sorrows” – which was the second complete song we had. It fitted because it didn’t really fit. That was something we always wanted to do – to put songs together that shouldn’t work together but do. This song was really aggro and metal – there were bits we cribbed off Helloween in it. There were a lot of bizarre references around that time.

“The genesis of the sound came from sitting in Ray’s room in his Mom and Dad’s apartment that he shared with his brothers and sitting at his computer with two guitars and just talking about the sound a lot. We were completely on the same page about it, 100 per cent.”

Page 14, paragraph 3

Initially called ‘Bring More Knives’, this was written by Ray Toro and was the second song MCR ever completed. “There were bits we cribbed off (old school metallers) Helloween in it,” says Gerard. “It came from sitting in Ray’s room in his mom and dad’s apartment, sitting at his computer with two guitars and just talking about the sound a lot.”

/

Kerrang #1350 - 2/9/11

Page 7, paragraph 8

Frida (Sweden): What are your favourite lyrics you have written? Are they still from ‘Our Lady of Sorrows’? Gerard: Yeah, I think so.

[heloflor]

Finally saw the Mario movie last Thursday (I like to wait a week so that the theatre is emptier) and here are my 2 cents on it (very long post + spoilers ahead) :

- First of all note that I’ve seen many spoilers before going in because I didn’t know what to expect so I wanted to know what people thought of it, but it’s one of those movies where knowing things in advance doesn’t ruin the enjoyment for me. Hell I intended to go with no expectations whatsoever and reading spoilers actually got me a bit more excited about it.

- Overall, it was fun. Like many people here already said, the movie really could’ve used more time in order to be more character-focused, and I’ll admit I got a bit bored by the time the third act rolled in. But if you just want to have a good time, it’s a good movie for that. Nothing groundbreaking, but fun enough.

- As an adaptation as in “bringing the world into the big screen regardless of the story”, I do think that it does a fantastic job at it ! Absolutely everything feels like it comes straight out of the games. And while some references are a bit in your face, most of them flow very naturally with the world they created. It’s especially impressive how they managed to make a small Toad Town work while mixing it with platforming elements.

- The story is simple like you’d expect but sometimes simple is effective, and I do think this is one of those times. Only issue is that simple stories are meant to be carried by the characters, and there was a heavy lack of character-focused moments. On top of this you have the weird pacing, in particular the promise of a great adventure only to have a 15 seconds montage and boom, Kong Kingdom.

- The action was honestly very good all around ! They knew how to idolize both the power-ups and the environments, and it looked really cool !

- At first I thought people were exaggerating when saying there was too much slow-mo but after the 6th time or so…yeah, there was too much of it.

- Loved when the music used were remixes from the games or songs like the Mario Cartoon theme/DK rap ! Not so much when it was random pop music…

- Usually when I see people gush over characters I tend to view it as exaggeration but OH MY GOD I CANNOT OVERSTATE HOW MUCH I LOVE BOWSER IN THIS !!! As someone who grew up with Super Paper Mario I can assure you he is 100% in character and he is literally the best thing about the movie ! They managed to bounce off of both his menacing and goofy sides in an amazing way and I cannot get enough of him ! Kinda wish we saw his kids tho : /

- As someone who doesn’t ship it, I wasn’t expecting to enjoy the sexual tension scene between Bowser and Luigi as much as I did but damn that scene is gay ! Love it !

- The humor was something I was really afraid going in and I was honestly surprised by how medium-good it was actually ! Can’t say I laughed every time but the bros shenanigans definitely was fun.

- On that note I could’ve watched an hour long movie of just the two bros doing Brooklyn stuff. This whole sequence was adorable.

- Speaking of Brooklyn, the ending was…weird on that front. First of all I’m surprised Mario didn’t expect the Bullet Bill to arrive in Brooklyn and literally kill everyone (like dude, do you realize how dangerous that thing is ???) and second of all those people are surprisingly calm to see the invasion of a whole other species. Seriously, why are these people so chill about it ?

- I guess I could also mention the fact that there’s no dialogue related to Mario and Luigi deciding to settle into the Mushroom Kingdom but considering the lack of development in everything else, I’m not surprised they went so fast on that.

- I’d also add that the ending of the Rainbow Road scene felt a bit jarring in how dramatic it was, though I don’t know how to explain it other than saying it felt like the movie didn’t “deserve” to have such a dramatic moment ? Really not sure how to explain it better… And on that note, the whole “fake death/everyone think they’re dead” moment with Mario and DK felt very unnecessary, but at least they didn’t drag it out.

- Last negative comment on the story itself because it is so true : I saw the review of a French youtuber (Mayo-Lek) and he pointed out how the whole story is about Mario and Peach going to the Kong Kingdom for help, only for the Kongs to get kidnapped a few minutes later. So…what was the point in asking for their help if they ultimately don’t do anything ?

- Going back to the characters, Luigi was great ! And like everyone else here, I do wish he would’ve had more screen time. But other than that, love his character for what we saw of him.

- The Luma that is apparently divisive amongst people was very funny in my opinion. Also at some point they literally get out of their cell for a second there ! Tells you all you need to know about their character (low-key surprised they didn’t jump into the lava by themselves but then again it’s a kids movie).

- That blue-shelled koopa dude clearly loves his job. Good for him. Weirdly enough, his enthusiasm in trying to kill Mario makes him very fun and a pretty compelling character for the small screen time he had.

- Toad was…there. At least he was entertaining instead of annoying. So that’s a plus.

- Btw the fact that they didn’t have Toadsworth was already a bit sad but THEY HAD ANOTHER TOAD WHO HAD THE EXACT SAME ROLE AS HE DID WHAT THE ACTUAL HELL NINTENDO ??!!! WHY DO YOU HATE ORIGINAL DESIGNS SO MUCH ???

- Kinda random but I don’t know the reference for that Kong who drove Mario and co to Cranky Kong, so my only thought was “it should’ve been Funky Kong”. I mean he had the glasses ! And yes I know Funky is in the movie in the background.

- I cannot fucking stand Donkey Kong. Not exactly sure what kind of personality I expected them to give him since he doesn’t really have one in the games, but I absolutely hate what they did with him. “Boastful douchebag with nothing in their brain who tries to be the center of attention constantly and annoy the hell of everyone around him” is a type of character, and on that note a type of person, that I can’t fucking stand. That being said giving him a power up for a minute was really cool and made for a great action scene ! Same for his fight with Mario in the arena, but again the action in general was really good.

- Peach. Oh Peach. Peaches. Peachounette as he calls her in French. Look how they massacred my girl !

- More seriously, my biggest issue by far with Peach is just how much she was willing to throw hands all the goddam time. I’m sorry but to me that’s just not Peach ! While she can absolutely spring into action, her constantly wishing to fight as a first solution is just not something she does. Hell why do you think her people are so weak and pacifist in the games ! Peach is a diplomat who only fights herself if there’s no other option.

- On that note, I have no issues with her knowing how to parkour, how to use power-ups or how to drive. It makes sense she would given she was raised in this world. Her being athletic isn’t an issue, she’s always been athletic (just look at any sports game). Plus in the games where she’s playable she’s capable of keeping up with the others.

- My second biggest issue with her is her body language. Again, most of it didn’t feel like Peach. She had none of the delicateness and elegance of the games. Literally the only moment her body language felt like her was during the fight between Mario and Dk, and even then it was only when the movie wasn’t focusing on her (aka when she wasn’t talking to Mario but just reacting). Her face was also unsettling to look at sometimes, I think it has to do with her eyes. Idk, sometimes some of her facial expressions made her look old and I can’t explain why. 🤷‍♂️

- (Also it’s incredibly funny how some youtube thumbnails have edits of Peach moments but as Daisy and that body language fits Daisy perfectly. That being said, I wouldn’t call Movie Peach a clone of Daisy, as Daisy is a very spunky tomboyish character who gives a “I don’t care all that much about ruling my kingdom” vibe. So while movie Peach has a body language that fits Daisy, their personalities are still completely different.)

- A good example of my issues with her behavior and body language has to be the way she addresses Cranky and the rest of the Kongs. Peach in the games would have a completely different behavior when asking for their help, regardless of how dire the situation is.

- And on that, the only scene where she felt in character personality-wise was when she confronted Bowser and he threatened to hurt her people if she doesn’t marry him. This scene was absolutely *chief kiss* for both of them (then again every scene with Bowser is amazing; I can’t get enough of this guy !). But then she started becoming a martial-artist and suddenly we were back to her being OOC (you can have her use the power-up and manage to stall the cages + trap Bowser without having her look like a professional fighter, Smash Bros apparently already does it).

- I guess I could also mention how overly sassy she is, which again doesn’t feel like Peach as, while she does have some sassiness in the games, it’s not to this extent. The fact that the Toads made her their princess doesn’t make much sense either, like why electing some random person who comes from another world ? What about the government before her ? (note that I’m a big fan of the “she’s a toad wearing a super crown, in this case her blue gem” headcanon so I might be biased) But yeah those two issues are kinda minor for me compared to her behavior and body language.

- All this to say if they wanted Peach to have a more action-oriented role, they should’ve taken inspiration from Super Paper Mario in which she’s incredibly sweet to pretty much everyone but can still easily get angry and has no issues throwing hands when needed (thinking of her confrontation with Mimi in 8-2, and even then, like I’ve seen people point out, the first thing she does after the fight is trying to save/befriend Mimi).

- I guess there’s also that one comic people keep bringing up but the fun thing about Peach in it is that she’s all bark and no bite. She keeps getting angry like she can actually do anything but then gets captured very easily, spends most of the fight scenes running around, only gets away from Wendy’s tower by sheer luck (finding the cape) and does nothing when Wendy calls her bluff with the bombs. The most she does in this comic to defend herself, outside of when she outsmarts the Koopalings (which I’ll admit was pretty badass) is throw furniture around. In a way, it’s pretty reminiscent of the 1986 anime/movie in which she gets angry on several occasions, defends herself by throwing shit around and manages to outsmart Bowser at some point, but ultimately doesn’t stand a chance against him.

- (Btw if you haven’t read this comic you need to ! Everyone is an absolute dumbass in it but in a funny way and it’s great ! Can’t say I know much about them but reading it low-key feels like watching an absurd play. Nothing and nobody take itself seriously in this comic and I love it !)

- On an unrelated note since I mentioned the wedding, I really liked the pink tones on her wedding dress ! The ice dress did look a bit weird tho in the sense that it makes me think too much of Frozen, though I’m not sure what they could have done about it since ice = blue and white colors so I can’t blame the movie for this one 🤔 (also fireflower Peach didn’t have her ponytail, 0/10 /j)

- And since I’m talking about clothes, not much to say for the most part as it’s all stuff the characters wear in the games but still I really liked the look of DK using the fire flower, plus the Koopas wearing helmets was a nice touch.

- Last thing about Peach and then we move on to the others, apparently Miyamoto said this version of Peach is what he’s always imagined the character to be and honestly, I’m having a hard time believing him. Like, I can definitely see it when it comes to the old comic and the 86 anime, since in both Peach is very temperamental (the comic especially). Paper Peach is also not one to sit idly and tends to have a lot more agency, at least in the first trilogy. But if you look at more modern depictions of her…Luigi Mansion 3 ? Mario Odyssey ? The online ads and shit ? Mario and Luigi ? The second Paper Mario trilogy ? The Rabbids games ? Hell in the first Rabbids game she had a gun but in the second they went back to her parasol.

- What I’m trying to say is that if Miyamoto had always wanted Peach to be written this way, why didn’t he write her this way ? Isn’t he one of the most higher-ups at Nintendo, at least when it comes to Mario games ? How come her older depictions are closer to her movie self in terms of temper than her modern depictions, to the point where people need to dig up some old comic to “prove” that Peach had always been this way instead of using modern material ?

- And for those who might say it’s because the goal of the games is almost always to save her, it’s not like she can’t both get angry easily and be the damsel in distress. In the first two Paper Mario games and the comic/86 anime, she was the one in need of saving but still had some agency. The two aren’t mutually exclusive (and like I said the humor with her in the comic is the difference between how much she wants to throw hands and how weak she actually is). Hell, on the opposite end Super Paper Mario had her as an active hero but portrayed her as sweet and kind + a diplomat. So yeah, I’m having trouble believing that this whole “this is how I always imagined her” is anything other than a publicity stunt.

- And on the other end of the body language, Mario was absolutely fantastic as a character, especially when it comes to his reactions to things ! Best example I can give because it amused me a lot was when Luigi mic-dropped his phone and Mario hid his face behind his hat in embarrassment, made even cuter due to him jumping to Luigi’s defense a second later. But yeah, overall, I really liked Mario’s character, not just his body language but his personality as a whole.

- They kinda tried to give a few hints that Peach and Mario like each other but honestly I found it to be very clumsy. Basically you could tell they were planting the seeds for a possible romance but were using moments that you’re used to see in a movie where the characters end up together. And since they never truly commit to them ending up together, while it does make perfect sense as they just met, it still makes the whole thing feel weird. Also the scene with DK teasing Mario about it and Toad jumping in was cringe af.

- Not really any opinions about Mario’s family. They were there. It’s nice to acknowledge them being Italian-americans and how they feel about the bros’ new job in regard to their upbringing, but other than that, I don’t really have anything to say about them.

- I watched the movie in French and the voices were pretty good ! Different from the game voices, but fitting enough for the characters. Only issues were Peach sounding too deep but then again that’s not my biggest issue with her character, and the second issue is the song “Peaches” where the French voice just…doesn’t sound all that good in some parts ? Though I think it might have been on purpose to accentuate the comedy of that scene ? Idk, I need to listen to the English version. Maybe the fact that people kept hyping up this song led me to believe it sounded genuinely good instead of people liking it for the comedy and how out of left field it was (on that note, I was surprised by how short this scene was due to how much people talked about it; this song is actually the one thing I regret being spoiled about).

- (also you have no idea how much I hope someone will make an edit/animation of Bowser playing the piano but with “You’re the Greatest” from Wander Over Yonder)

- And since we’re talking about voice actors, obviously Charles Martinet was 100% robbed and the only valid reason that I can accept is “Martinet himself said he didn’t think he had it in him to voice Mario and possibly Luigi as well for over an hour, given he’s getting rather old; especially if he does it in several languages”. If that’s not why he wasn’t casted, then he was robbed ! He’s literally the main reason why Mario and Luigi have the personalities that they have in modern games ! (at least I think that’s the case ?)

- Overall, favorite character has to be Bowser, with Mario and Luigi not too far away. Least favorite character is DK. It could’ve been Peach but my issues with her stem from how different she is from her games counterpart. If you take her movie character as a brand-new character rather than a game adaptation, she’s actually pretty great as a guide and strong mentor. But DK, regardless of whether or not he’s faithful to his game counterpart, is just a character I can’t stand.

- Favorite scene is either the beginning at Brooklyn with the bros being bros because it’s adorable (granted the whole dog thing wasn’t very funny. I have no issue with them doing slapsticks but the fact that they used some random dog just doesn’t do it for me), or the scene where Bowser proposes to/blackmails Peach because finally Peach is in character and that whole interaction is really great ! Least favorite scene is by far the insides of the eel with Mario and DK. I just don’t give enough of a shit about DK to feel invested in an emotional moment focused on him.

- And lastly because I realized I forgot : the movie was really pretty, with the decors and animation being absolutely fantastic. Only issue is that it’s not the type of stuff that sways me into liking a movie. I’m the type of person who finds retro games to look great so yeah… Same for the references btw. Like if you ask me about a detail in the movie I liked, instead of mentioning a reference, I will mention something like that confrontation/confession between Bowser and Peach and how, when Peach threatens Bowser with her weapon, the koopas around her immediately raise their spears, ready to protect their king. Like I said, this has literally nothing to do with references, it’s just a random detail I really like. I still really enjoyed all the references but it’s just not the type of stuff that makes me like a movie. I’m here for the story, the characters and the emotions first and foremost.

Final verdict : either 5.5/10 or 6.5/10 The simple plot makes it seem like a character driven story but outside of the bros’ adorable relationship and Bowser being Bowser, there wasn’t much character here. Also Peach and DK were pretty bad, the former due to being OOC most of the time and the latter because he’s just annoying as all hell.

I’d also add that, in my opinion, the biggest mistake Nintendo made with this movie was trusting Illumination with it. While I’m very much aware that Nintendo likely had a very strong grip on the team working on it and that Nintendo also isn’t known for liking deep Mario stories (*cough* modern Paper Mario *cough*), I still think that the lack of character development and interesting dialogue interactions (+ pacing issues) are due to Illuminations, given their track record.

Weirdly enough since I’ve only seen a few of their movies, I feel like Dreamworks would have been the best at handling this property. Like we’re all quick to jump on the Disney/Pixar bandwagon (and tbf Disney does know how to write female characters that are considered princesses) but in that case I can’t help but think that Dreamworks would have been the better choice. Maybe it’s due to Disney and Pixar being not so great recently. 🤷‍♂️

In any case, I do think that making it an animated movie was 100% the right call. Mario is a bright and colorful world filled with imaginary creatures, something animation excels at. Also Nintendo already tried Live-action once and failed miserably so maybe that’s why they took the animation direction.

[bruhstation]

Hi it's me again back at it with da song recs but this one is a lot more niche so bear with me for a moment

So there's this artist (who is also on tumblr so if she sees this My Bad lol) called Lyrica Live who takes touhou songs and comes up with lyrics for them and uploads them to YouTube

One of the songs, Poison Body ~ Forsaken Doll, is about a doll who was thrown away by humans, stuck on a hill of poisonous flowers, and her hatred for the humans who abandoned her gave her enough Power Of Spite to learn to animate herself with the poison from the lillies-of-the-valley and she set out on a quest to kill all humans (she got better though it's fine)

Anyway that but. Act 2 Percy

Oh-- Forsaken for another's sake.

Too much for one small heart to take.

Intoxicated by the bitterness of potent memories.

No strength in closeness after all.

Tossed easily off as a ragged doll.

Moved along in something like life, suddenly to freeze.

Also the last 2 verses

Choked, smothered by your sinful fault,

Weighed down until you reach a halt:

Yes, taste a poison brewed over a hundred years of boiling hate.

Come, open wide and take it in:

None sourer than one's own medicine.

Those manipulated thus learn to manipulate.

OH I GOTTA LISTEN TO THIS AFTER SCHOOL. TOUHOU SONGS WITH LYRICS? HELL YEAH!!!! I'll do my best to give my two cents on your connections with casa tidmouth percy. ehem.

"no strength in closeness at all, tossed easily off as a ragdoll" AHHHHHHAHAHAHA. THIS HURT. no matter how many people he becomes aqcuainted to (first thomas, then d10), percy always has this lingering distrust toward them. he's always suspicious of them. any sign of "command" that his acquaintances give to him is interpreted by him as them only having him around just to use him.

"taste a poison brewed over a hundred years of boiling hate" AHHHH THIS ONE. THIS ONE REMINDS ME OF PERCY'S BACKSTORY with how he keeps his anger and frustration inside for so long. and then it exploded horrendously during his big baseball game. the same thing is now happening with him and thomas with how he kept his frustration towards him and his selfish goal deep inside ("choked by your sinful fault". this also points towards how thomas unknowingly kickstarted their downward spiral for both of them and how percy now has to clean up all his mess in his own way). when will it explode? who knows.

the line "those manipulated thus learn to manipulate" stands out the most to me because that's EXACTLY what percy is like. he learned how his schoolmates only wanted him for his skills. he assumed thomas only wanted to be his friend because he just wants a companion, especially for his adventures. however he doesn't have the strength to think badly about them because he felt a sick twisted attachment to them.

his feelings towards thomas fluctuate erratically (similar to the original show with how he always beefed with thomas but eventually came back). thomas gets angry at him? percy dislikes him. thomas praises him? percy loves him. and he also learned how to hurt others the way others have "hurt" him

saying that he loves thomas isn't exactly correct. saying that he hates thomas also isn't exactly correct. saying that either of them is right or wrong is also isn't exactly right. he wants to be able to do things freely but his mind is still like a child's. this song perfectly encapsulates the feelings of this poor guy

[km1lah]

Part 1.

2 Made For Me : No need to say anything, the 170M listeners on Spotify, top 20 Billboard, Tik Tok trend speaks volume.

1 Superpowers : I’ve been saying this too many times but r&b is BACK. The nostalgia it took me to ugh. The sample of Brian McKnight is just nice, so yes it really feels like 90-00s r&b songs. Pretty intro :)

3 Make Me Forget : Same as “Made for me”, it was released earlier and is a absolute gem

4 30s : yeah, Lord have mercy, what a voice uff. Everything is so great, from the bridge to the harmonies. I love the lyrics, she doesn’t want to be single in her 30s, because what makes it so long for you to put down your knees ? It’s great to talk about this, it reminds us of how marriage can be so important and stressful for some people, especially women (mainly due to society’s, family’s pressures).

5 Revenge : Muni really said “I won’t bust the windows out of your car, I’ll let God take care of everything”. That’s maturity. She can cry, hate but what would change ? Nothing, so let’s just move on. Wow, I want to reach that part of adulthood. I love how she explains that for her, the best revenge is not pettiness but success without ex-partner.

6 Reverse (Interlude) : The song is so... goofy ? Bloop bloop bloop bloop bloop hahaha no but her love of cars is so cute.

7 Bessie : Less r&b, more hip hop okayyy and then the fact that the song is about friendship is so cool. I’d see a remix with Megan, it just feels like a baddie song.

8 Played Yourself : So yes, all men are the same, let’s not fall into their wicked games, I f- with that. It feels so different, the second verse was hitting. I never heard her rap, so it’s really new but she really did her thing.

9 Leave My Baby Tonight (Ft. GloRilla) : Before listening, I was kind of perplexed as to what song I would listen to. First, because it’s the only feat in the album. Then, I don’t listen to GloRilla but I know that she’s a rapper, so I really didn’t know what to expect. But hearing Played Yourself, I now know that it’s not really odd. After listening, guess her part is not so rap, but GloRilla’s one was nice, even her singing part wooow. Such a great collab.

10 Things I Never Said : The beat, wtf (nice wtf). It might be one of my favorite songs on the album, I just love the flow of it.

11 Type Questions : Ugh, it’s the bridge that kills me everytime. The lyrics couldn’t be truer “These days, gotta ask them type questions” because I’m gonna make sure you’re the one for me, I don’t want to be surprised by something you hide from me. Period. The fact that she made this song out of her freestyle over 50 cent “21 questions” when she was invited on Swaysuniverse, and the freestyle SLAPPED.

13 Waste No Time : Her range is so wide whaaat. The song is so beautiful, at the beginning, it felt almost like a disney song, but with an r&b touch, just like Almost There’s remix by Coco Jones. Time really flies, we cannot waste it by arguing over and over again, what a great message.

12 The Baddest : You’re the baddest, they’re the one who fumbled the bag and didn’t appreciate you at your own value. “These boys do not deserve my love” “You really that insecure, it ain't my fault” ugh, yes

14 Ruined Me : already listened to it before.

OVERALL :

Muni Long just proves again for those who didn’t know yet that she is a pure r&b diamond and she has everything to offer us; vocals, writing, melodies, EVERYTHING. Again and again, r&b is so back, Muni Long in the front line. Great album, I really love it. Keep shining Muni <3

[nel-world]

hi

So, y’all ever notice how there’s an app for everything these days? I’m talkin’ about everything. You need to find a place to eat? There’s an app. Wanna track your steps? App. Tryna figure out if you got enough gas to get to work? There’s probably an app for that too, like “You’re Gonna Be Late, Bro.”

But the wildest part? The moment you get an app, it’s like a whole new relationship. It’s all good at first—you’re excited, you’re checkin’ it every five minutes like, “What’s new? What’s happenin’?” Then, after a week, it’s blowin’ up your phone like a clingy ex. “Hey, remember me? You haven’t opened me in a while. How about a notification?”

And what’s up with all these permissions? You download an app to play chess, and it’s like, “Can we access your contacts? Can we track your location? Can we read your mind?” Nah, man, I just wanna checkmate, not be checkmated by Big Brother!

But let me tell you, the real drama starts when you gotta delete an app. You’re sittin’ there, lookin’ at your phone like, “Do I really need this? Have I outgrown this app?” It’s like a breakup conversation in your head. “It’s not you, it’s me. I’ve changed. I’ve moved on.”

And some apps don’t wanna go! You hit “delete,” and they’re like, “Are you sure? Are you really sure? How about we send you some updates? We can be better, I promise!” It’s like they’re tryna slide back into your life with that “I miss you” text at 2 AM.

Then there are the apps you download just to feel productive. You ever get one of those habit-tracking apps? You’re like, “Yeah, I’m gonna drink more water, meditate, and finally read that book.” Two days later, you’re ignoring it like a gym membership. Every time you open your phone, it’s just sittin’ there, judgin’ you like, “So… you just gonna skip another day?”

But you know what the worst is? The social media apps. They’re the sneakiest. You download ‘em thinkin’ you’re just gonna check in for a minute. Next thing you know, you’re deep in a rabbit hole, watchin’ videos of people buildin’ tiny houses out of Legos at 3 AM. You’re like, “How did I get here? I just wanted to see what my aunt posted.”

And then they got the nerve to ask you to rate them! “Would you like to leave a review?” Uh, yeah, sure: “This app took my time, my soul, and my sanity. 5 stars.”

But for real, though, apps are like modern-day relationships. Some are great, some are toxic, and some just don’t work out. But no matter what, we keep swipin’, downloadin’, and deletin’, tryin’ to find the one that’s gonna stick.

Here’s to hopin’ we all find our perfect match—an app that doesn’t ask for too much, gives us what we need, and knows when to chill with the notifications.

This is America? I’m fucking in! Big Pimpin’ was the epitome of the American dream and I needed to be part of it. I wanted to be like these larger-than-life American superheroes they called rappers. I wanted to be a pimp like Jay-Z and a gangster like 50 Cent. I made it my life’s goal to live the Big Pimpin’ lifestyle. Whenever I watched BET, I forgot I was a small foreign Chinese boy and I felt like a badass gangsta. I started imitating how the rappers walked and how they talked. I would go up to my classmates and say, “Yo what up, dog. Our geometry teacher is a bitch, homie.” I felt like my identity was being judged based on the other Asians around me instead of my own personality, my inside voice screamed, I listen to Jay-Z, motherfuckers! In high school, thong thong thong thong thong!” This was one of the first songs I heard on American radio. It was catchy as hell, but I had no idea what a thong was. Then when I saw the music video, everything made sense. I couldn’t rap for shit, but I wanted so badly to be part of the glamorous rap game that I’d seen on Rap City. Chris downloaded a bootleg copy of Sony’s ACID Music Studio, a beat-making software, and he started cranking out some sick beats. Then Jeremy, Phil and I would go to Chris’s mom’s apartment and record our raps on his five-dollar computer microphone. Next thing you know, we’d formed a rap group just like N.W.A. Chris’s mom’s apartment and his Dell desktop became our recording studio. We felt like the real deal and we called ourselves Syndakit. The first time I recorded at Chris’s house, he played me a beat he had just made. It sounded like a real track I’d heard on Rap City. I pulled out my notebook and I was ready to write my first rhymes, but I I never got a record deal, but I experienced creative freedom for the first time

[sege-h]

Ok ok i know i KNOW everyone and their mother has already put in their 2 cents on this, but dammit I procrastinated so long with posting my playthru thoughts/screenshots that the (probably?) final DLC for the game is about to come out, and I will do my rants NOW

Everybody's pointed out by now that that screen says you'll work with the TitanS to defeat the end. But you're only controlling one Titan, with the rest nowhere to be seen, even as Sonic gives his speech about not letting the past repeat itself and protecting the world this time

So while I didnt mind the sudden bullet hell gameplay (if anything I found it neat that all those 'hacking' minigames were actually like training for this thing), I did wish that the gameplay had like. Idk, 'phases' for the player where the gameplay switches up depending on which titan you're with, and also that the final bout was gonna be one last round fighting a boss as Super Sonic

I liked the setting of being in space and seeing the planet and moon fly by (totally didn't take that last screenshot so I can shatter the moon later shh)

And yeah final boss in space has already been done in Sonic before, but this was actually my first time playing something like that myself (I could never collect the emeralds in Sonic 3, and I haven't played SA2 yet)

Also I just really like space

The music was awesome, and while it was hard to focus on what The End was saying with Everything happening on screen, I died to it so many times that once the earlier sections became more on 'autopilot' for me, I could focus more on the monologue (I died at that halfway point SO MANY TIMES)

In the end? (Hah) I didn't mind this true final boss, but I found myself wishing it was something more, yknow? But maybe we'll get something like that in the DLC next week? Or at least a better Supreme fight (he was the weakest one of the Titans for me)-- either or, I'm just guessing based on how that's the Titan we've seen in trailers and promos for the DLC

But yeah, those are my final thoughts on the game (until the DLC)

From here on out it's all gonna be scenic shots, photo mode, and me yelling over the songs I find in the game after the jukebox update

[b3nnyrabb1t]

Ok, because I don't care and also care too much to type all of this out, I'm just gonna say it in words, I'm using speech to text right now to make this post, because I just don't have the time or energy to type all of this out, let me tell you what is so weird about grimaces birthday playlist by McDonald's.

The first song that I thought was weird, I scrolled to like the 29 song before I thought something was like, extra weird right? And then I saw 5, oh, 5 by Arctic Monkeys. What absolutely entire wut and then was it ok everything gets a little weird from here boys a liar part 2 don't stop me now oh ok Kill Bill livin LA Vida loca dance the night from Barbie I'm assuming the actual over the new Barbie movie as it was birthday by the Beatles blue haired boy Madeline may who is that it's been so long the living tombstone you know the fucking 5 nights at Freddy's song what the fuck and then we go we get to a song and we get to a song title in a language that I don't speak which I believe is Spanish hey yeah hey yeah by outcast trees McCafferty funky town I don't know what that song is. Party rock Anthem it's a party song it's a birthday sure.

Ah next up for weird songs we have the Phoenix by fall out boy why this star man David Bowie ok sure I don't know why but sure baby by Justin Bieber and Lewis in ludicrous why and then to the next song that I thought was a little weird that I know is very soiree by Melanie Martinez no blood by whatever penguins which I think it just sounds weird what are those who is that what song is this OE MG buy new jeans pour some sugar on me Def Leppard what absolutely entirely what just dance party like it to birthday and then revived by dear of a cat from records of the s m p if you know what revived by this person you know that this is the song about Revived!Bur. They put the Revived!Bur song on this fucking playlist.

Next up for weird additions is a touch tone telephone by lemon demon what touch tone telephone this is what you went for are you serious on the floor which I guess makes sense it's a party song say ah say ah fucking Trey Songz and Fabolous I don't know how to announce that but yeah that's apparently a thing do to do do I didn't say that right I know that I didn't by black pink miracles by Kiera shared and pastor Mike junior because he's a junior I guess I don't know what that is birthday Selena Gomez hey its a birthday song understandable then you've got be quiet and drive (far away).

Also, oddly enough, we have washing machine heart, paranoid by Kanye West and Mr. Hudson, what the fuck I mean, sure, but why give me chocolate from baby metal, I don't even know if I want to know what that is step on me by the cardigans, what all eyes on me by or 3 oh, what the fuck is that welcome to the black parade, my chemical romance, and then what has epically assaulted me more so than anything else is the addition of Alexander Hamilton, the song from the musical Hamilton, written by Lin Manuel Miranda.

5/4, by the Gorillaz, 5 slash 4 by the Gorillaz. What the fuck is this for who is this for who cares about the gorillas who cares not me.

I'm eating my computer by Eliot Lee what the fuck is that American Pie but Don McLean I don't even know what that is be alright by Ariana Grande in the club 50 cent too good at goodbyes Sam Smith dumb Bine effects Neff x what the fuck is this for who is this party for carrousel Mr bungle who the fuck is Mr bungle call me maybe birthday suit Cosmo Sheldrake if you've heard that song that doesn't belong here thumbs by Sabrina Carpenter other I was also doesn't feel like it belongs here we're just gonna keep scrolling to ghost it's a ghost song it's phantom of the Opera ghost is there a reason apparently not Jimin a song by Jimin you know that guy you yknow that guy from BTS.

Yeah brought by Green day a boy named Sue by Johnny Cash tainted love by Marilyn Manson kid at heart by sing I won't say cause I don't know if I can pronounce it ah 1035 by tiesto and take McRae why the fuck the thirtieth by Billy Irish romance is boring bye something that I won't say for fear of mispronouncing it Cherry bomb the runaways love you like a love song Selena Gomez cake by Remi wolf war of hearts by Ruelle I don't even know if I said that right ocean man by ween be yourself my boy story gangstas paradise you know that song for whom the bell tolls remastered by Metallica song confetti by little mix talk to you by Ricky Mon kids by Melina and late Verlaine, why the fuck an open letter to whoever is listening by beautiful eulogy what the fuck.

So I'm red moon by will wood and the tapeworms, who the fuck knows this song, and for why obsessed by Mariah Carey, fill me up, buttercup, by the foundations, let's get it started by a Luna. I don't know who that even is sure for me by a Aurora can't stop singing from teen beach movie. From teen beach movie the Disney Channel original movie movie.

Goofy goober rock by sponge Bob square pants from the SpongeBob screen it's it's shut up and dance walk the moon boom boom boom boom by Vengaboys kiss me by sixpence none the richer die don't know who the fuck that even is it's normal by John Cougar trust me whatever it is I doubt that it's normal another song in a language that I can't speak just buy fucking Radiohead I only have eyes for you the flamingos from their album flamingo serenade let it go from frozen hero by Monsta X lavender by Penelope Scott cool kids by Eco Smith what thunder imagine dragons believe look re I might not even said that correctly I don't know how much this is picking up FIVE FINGAZ TO THE FACE FROM VICTORIOUS.

Is everyone understanding why I'm so baffled by this existence thanks like it's her birthday by good Charlotte baby one more time by Britney Spears paranoid the 2012 remaster by Black Sabbath. 9 to 5 by Dolly Parton y Macarena by Los Del Rio highway to hell by AC DC sunroof, you know that catch YB song Waffle House by the Jonas Brothers, the Jonas Brothers have a song called Waffle House fucking ok, then Prince Ali, the Will Smith version, you know the one from the live action, and I guess lush life by czar Larson, take you dancing by Jason Rullo cheese by 5 sings of summer Gangnam Style bye p s y.

I hope everybody understands that I don't want to be here sparkly abs by see g 5 and captain sparkles low by Florida and T-Pain Cupid, the twin version by 5050, except it's, the sped up version peaches from that movie, you know the movie we all know

Hmm, let's see here, YMCA lip gloss by Lil Mama, don't stop the music by Rihanna, the purple people eater by chef Bouley, I feel like whoever put that on really should have thought first, because for some reason, a bunch of people have decided that grimace is killing people that don't like the grimmest shake fuck if I know

Let's see all star by smash mouth, everyone wants to rule the world, tears for fears life by the sea by to go and see g 5, I think this is I'm gonna laugh to listen to one, nope, never mind, I thought this was what I thought it was, but it wasn't what I thought it was, so I'm glad that it wasn't what I thought, it was a good second to EQ and tu I tu eres that was fun goodbye by will wood, I don't even know if that makes any sense, I hate this I'm gonna kill myself why oh my, why am I doing this to myself

I guess I'm doing this with, you can understand how wild this is running up that hill by Kate bush chicken fried by Zac Brown band bigger ing the original demo, kill me, rude by magic House of memories by panic at the disco shut lala bye, too young lights out by mindless self indulgence, if you don't know who mindless self indulgence is be glad because I don't know what this is, I hate drag EULA by Rob Zombie, Riptide by Vance, joy Fiesta by is own I don't there's a weird asterisk in their name for some reason

Beautiful girls by Sean Kingston, a sap bye stay see Betty get money by Yung gravy numb by Lincoln Park, who let the dogs out by Baha men rock and roll all nite by kiss, Grow by Conan gray Hansel by Sodikken what the fuck what for

I'm dog days are over by Florence and the machine pussy toes by Pierce the veil grown by daisy in the scouts LA Lisa by Lisa among us in real life by Rebecca says a lot Zama Zama lo I don't know the new birthday song from ride the fucking cyclone escape room buy from us underscore 9 I guess I hate this I don't think this is eligible very well but I don't really care because I just need to get my thoughts out blind by Korn mind over matter by young the giant love shot by x O I'm gonna kill myself dance monkey by tones and I I hate that fucking song Barbie Girl by aqua begging bae Mana skin if we have each other by Alec Benjamin tell me by Wonder Girls life is a highway by rascal Flatts eg by the garden phony by will step son I want to die Mr telephone man by new edition what is that never felt my labyrinth I'm gonna kill myself deadlines by Ruth v mask, saucy drip remix your new boyfriend by Wilbur Shaw. That's what that's all it that's right next to each other, I'm gonna die La Da See by Cody Simpson and if you, if you had a gacha phase, then you know La Da See by Cody Simpson and I feel bad for you

I hate this Cupid's chokehold and breakfast in America by gym class heroes, none little bug, bye m bye hold what the fuck is this solo by Jenny logo by see celebrate good kind, good times by funk town America, happy birthday by Weird Al yankovich, all great Weird Al Yankovic hayloft by mother, mother everything black by unlike Pluto Wap birthday party glue song, calm down with Selena Gomez love by cake bike KC ako I don't even think I pronounce that right sweater weather Mr. Blue sky boomerang by Jojo Siwa hot wings, you know, that song from Rio, I'm just gonna I hate this who made this damn it Stacy's Mom by fountains of Wayne, falling for ya also from teen beach movie toxic, my boy with uke stalkers to go by auto heart, hey, home by cave town soldier, poet king Mexico by Carrie Underwood, all the small things by blink, 182. I'm just naming certain ones, I'm not gonna name, all of them, Kuz that's too much electric love, the Schuyler Sisters, what'd I miss, I'm gonna die, I'm gonna die, I hate this so much, I'm gonna die, I hate this, I'm gonna die, I hate this, I hate this, I hate this, why am I doing this to myself?

Lets lets lets lets keep going jealous by address friends by chase Atlantic Sunday by the cranberries all around me by flyleaf, if you know that song, that chick talk was fighting over if it was a thing about subspace or sexual assault, or Christians, apparently, I don't know first girlfriend by Titus, freaks, by surf curse, oui, by Jeremiah, you know, we like, O u, I, we, we we by Jeremiah, you know the French word, oui.

I don't want to be here crush by Tessa violet lunatic by Luna but with the end in the day is weird things Mr bright side by the killers wannabe by Spice Girls I think I might have said that already Genesis by Grimes Grimes I don't mind system by Louis Tomlinson you know that one song that Louis has that is for some reason super duper fucking email put your records on by rip mommy mom mommy I don't fucking know puppy princess by hot freaks I don't like that title at all should I stay or should I go by the clash no scrubs by TLC aha like a g 6 that song House of Holbein from 6th kill me cheeseburger in paradise by Jimmy Buffett there's nothing holding me back by Shawn Mendez. I just can't do this anymore for he's a jolly good fellow by the countdown kids are you satisfied by Marina Undertale by Toby fox just a girl by no doubt something in the orange by Jack Bryan Zach Bryan not Jack Jack moves like Jagger by maroon 5 and Christina Aguilera kill me in the entire face I hate this epic happy birthday song by epic happy birthday everybody that's back Street's back I hate this song I hate the stupid Backstreet Boys the sound of Simon silence by Simon and Garfunkel me and your Mama by Childish Gambino I actually really like Childish Gambino when I rule the world by Liz I don't want to live forever you know that song from 50 shades my alcoholic friends by the Dresden Dolls which I am almost entirely sure that I saw in a Renfield playlist

Message to loser overcast skies waste my time by Johnny Orlando, you know that one kid that I don't think anybody knows who is Insane that song about that cannibal from Hazbin Hotel I'm gonna die

I don't think you guys understand how much I do not want to do this

Twin size mattress by the front bottoms head will roll heads will roll by yeah yeah yeahs and yes in fact I don't know if y'all seen this post but somebody made a post about how there's a porn hub song by Pornhub on this playlist by Pornhub on Pornhub yeah that's one that's one Pompeii by Bastille angry lizard noise I'm gonna kill I'm dead I'm dead I'm dead I'm dead I hate this worth it featuring kid ink best news ever by mercy me I hate myself awesome sauce by did you reason by dreamcatcher mining means by Bonnie grace I don't want to be here good golly miss Molly by Creedence Clearwater Revival 5 nights at Freddy's security beach frenzy cause that's another song sail by AWOL nation ho hey by the Lumineers the chicken wing chicken lose yourself by Eminem, so let's you by Ed Sheeran, I hate this, so much bad to the bone by George Thorogood and the destroyers, I thought, so I thought it was the destroyers makes sense to me, watch me whip NAE NAE man or Muppet life in the Dreamhouse from the TV series Barbie in the Dreamhouse, she wants me to be loved by the happy fits, which is actually really good song, I hope you're happy now bye Carly Pearce and Lee Brice ceilings by Lizzie McAlpine work for it by big time rush from the new big time rush album, another life I'm gonna die I hate this

Let's see the red means I love you by Mads Merkley, werewolf, boyfriend, Disko warp made mix go Disko warp, if they have a boy or boyfriend, whatever citizen erased by Muse, ain't it fun by Paramore, born for this by the score I'm gonna die right now in my I want to die you can't fight the Homestuck by Broadway Homestuck someone gets hurt, the mean girls Broadway show free show by dirty palm and let's plays don't say love by Leanne spin eternally pixel pig thanks for the memories, but it's the Nate wants to battle cover. Moth to the flame with the weekend by Swedish house Mafia I'm not a vampire by falling in reverse gear, Maria count me in by all time low, dear Theodosia is a reprise from the Hamilton mix mix tape, I don't wanna be here at all interlude Ivy showtime, I don't know if you've heard that, but if you had, this does not belong on here, and you would know that say my name from Beetlejuice. How long bye to flow from the show euphoria apparently to the bone by JT music, you know that fan made song from Undertale that fun ass song again, another one myself, bye basi, I hate this, kill me in the face, monkeys spinning monkeys Wii Sports theme, the cult of Dionysus by the Ori on experience kill me lonely day by system of a down eyes without a face by Billy Idol, the masochism tango by Tom Lehrer

I'm really don't want to be doing this guys. I really don't want to be doing this.

Ah, let's see smooth operator, the single version never ever getting rid of me from waitress jazz on the clock. We're all in this together from high School Musical staying alive by the bee Gee's closer by the Chainsmokers alien blues by Vonda bar industry baby bye lo mas x area codes, free bird. The Knights by a vici I don't wanna be here, classic bae m k t O tongue tied by group Love, it took me by surprise by Maria Mena, hey soul sister by train nothing bye bad lo by bad boy, halo, c g 5 and hyper potions, and I think somebody else. Derby queen by red ants, really like a virgin by motley, Crue motley crew, of all people, are you serious, motley Crue. 7 nation army by the white stripes. I just hate all of these so much because I don't mind majority of these songs by themselves, but when you smash painted black by the Rolling Stones and country girl, shake it for me by Luke Bryan in to the same playlist, there is something wrong with you. Bodies by drowning pool as well, there is something wrong with you.

Oh Jesus, happy face by Tate McRae, a star is born from Hercules, bury the light by Casey Edwards, evil by Interpol 17 the reprise from the Heathers musical with Barrett Wilbert weed, do I want to be here not at all

Lost on you by LP you know that one person that I don't think anybody really knows who is rise up by a m I m e exile and Veronica Bravo who the hello those I don't know dumb dumb by Maisie but the sped up version something to hide by grandson which is a brand new song mind you like that just came out recently like recently recently like I just found that song 2 weeks ago cake by the ocean by d n c e were in the songs that were only added a week ago my new by the way it now I just take my wallet by Jack stop is micro pop the middle by Jimmy eat world Mambo number 5 somewhere only we know the green clad the glee version the glee version the glee version with Darren Criss the glee version ok by cigarettes after sex you can't hide the fun ass song blonde RSS heart attack the rock version the greatest show from greatest showman but the one with Hugh Jackman and not that weird revive come on Eileen by Dexys midnight runners everything moves by bronze radio return trust fund baby why I don't tweet what the fuck are you doing it Saint Bernard by Lincoln human by rag 'n' bone man here and now by letters to Cleo song 2 by blur ride by 21 pilots down on my tail Cruz hello BBY O m f g glimpse of us by Joji putting on the Ritz by taco but boy bye d e v O 1000 years by Christina Perry kid sugar pop I love girls where my Rosemary goes by Edison lighthouse ain't no line up by Marvin Gaye and Tammi Terrell between you and me by Clementine work toda very by Devlin I don't know Broadway girls buy little dirt and Morgan Wallen Friday theme by ugly burger zero lonely by Akon Scotty doesn't know by Lustra spin back by Scooty Wap who is that wolf in sheep's clothing by set it off. Survived the night by Mondo pony, also another motherfucking fnaf song

This is probably entirely ineligible but I do not have the time or the reason or the want to type all of this out so we got mi gente by j Bhavan and Willy Willy and we got the least knobby dad we got hand clap we got 20 inches my saloojee I said that wrong hello Kitty by Avril Levine did I mention from the descendants movie the first one get that for some reason make you mine by public cruise by Florida Georgia line I hate them freezing moon by mayhem we are close to the bottom can't hold us by Macklemore in my mind by Dean or no hide from the Spider-Man movie into the spider while this her which is a really good song and it was just added 5 days ago

Again, I do not want to be here and I do not want to be doing this

Jungle jobs by dial friend about the 28th to 2008 fuck the sentences words I want to kill myself 2008 remaster by yes Obama prison by ice bore BNR live like you were dying by Tim McGraw the Brits are coming because that's a song title apparently a song by the doors the doors are pretty good actually I really want to die I don't want to be doing this but I forced myself to do it we got which by Devin Cole one kiss by Calvin Harris and Dua Lipa I'm the biggest bird by St Mer cat for whatever reason happy face by Jaguar twin Ross beaten by Bonnie m a punk by vampire weekend take on me by a ha what's new Pussycat by Tom Jones put your records on by Corinne Bailey Rae my are bi LA Liya if you don't know this song good for you are you sure thing by Miguel, I don't know what that song even is

Lifeboat from Heathers the musical senpai instrumental Friday night funk in volume 2 I don't know what this is but I'm really curious so I will check that out later we are now in songs added 3 days ago because they are adding songs to this right now apparently they got let it go from Doctor Seuss is movie we got this song is awesome from ride the cyclone holler boys by Upchurch holler boys the fine print by the stupendous I'm gonna die the sound of silence by disturbed somebody to love by Brittany Murphy the time war by Richard O'Brian it's from absolute treasures the Rocky Horror picture show Chau whatever take on me by Astrophysics physics what the fuck is that I mean I know that that is a kind of science but I don't I didn't know that there was like a band or anything now songs added 2 days ago, and the one that I've decided is most notice most notable from 2 days ago, is it only by Dove Cameron from the descendants movie by Disney