#yet he turned out to be one of the best comic book casting choices ever

[more-than-a-princess]

EVADE / he doesn't mean it, such a sudden grasp away from what was once considered a walk as casual as it could be in their current situation. ever since the tragedy, he supposes he has become far too attuned to the sounds around them, a little more wary to the shadow he has caught in the peripheral in his vision, the gentle crunch that sounds far too behind to be either his or sonia's own, so much so that byakuya twists for his own sudden detour. a hand on her wrist enough to guide them both to the side for a moment of security, alertness, until he can work out exactly what is going on. / aka: for one muse to pull the other into an alleyway to escape their pursuer.

An old meme that I've lost

She wasn't sure why he insisted on working with her all the time, in comparison to the other Remnants.

Well, that wasn't entirely true: Sonia had a hunch, one based entirely on superficial traits that, in her opinion, hardly elevated her to some sort of acceptability and appeal in Byakuya Togami's eyes. She was, in honesty, still Queen of Novoselic: the country still stood and it was her legal right to claim it. If only it hadn't turned into a Constitutional Monarchy (a good thing!), she wasn't so mentally and emotionally broken (a bad thing), and in the latest national polls, 57% of the surviving Novosonian citizens now demanded her return home purely for a public execution (a worse thing). That number was something both the remaining monarchists and the Future Foundation were working to lower, but much of the country didn't want to listen and she was the worst advocate for herself to begin with. Bottles and beds were far more appealing than trying to repair her tattered reputation.

Still, it had been in the best interest of the former Remnants to work alongside members of the Future Foundation, at least according to Makoto Naegi. To help them when their minds and bodies failed, to encourage and support their transition back into society. Togami, about as proficient with manual labor as she was, seemed ill-suited as her partner. Today, in an attempt to keep Sonia from the kitchen and the cabin repairs (she'd already made a mess of both), her friends had kindly suggested she spend her morning in the island's library, and so she'd set off, the former Ultimate Heir accompanying her like a shadow.

Just as well: she felt quite certain he'd cast one over the day, at least once he saw her entirely frivolous choice of reading and watching materials: romances not unlike the ones Toko Fukawa had once written, and anime targeted at children with happily-ever-afters. But they, unlike her previous literary diet of horror and true crime, did not fill her with nightmares later on. Or at least, they didn't contribute to the onslaught of memories of her time following Junko's ideals. For that alone, she'd visit the library frequently to amass novels, comics, and films.

Yet, just as they'd been minutes away from crossing the bridge to the second island, Byakuya had reached out and nearly pulled her arm out of her socket, pulling her off the main path with him. "Togami-san!" Sonia cried out, in shock and in pain, "That hurts! What is going on? The Second Island is just there-"

Another crunch, of leaves and twigs from what Sonia could tell. Her blonde eyebrows raised: had they been followed? And by whom? Most of the Future Foundation employees and her friends were busy with their own daily tasks: no one had the time, much less inclination, to pursue Byakuya Togami and Sonia Nevermind undetected. And for what? It wasn't as if they would do anything interesting anyway beyond select books and chide each other for their literary choices.

"I am going to investigate it," She told him once she'd gotten her wrist free. "Please stay here." It was a skewed sense of priorities: who would people be more upset to see harmed? A queen who nearly razed her entire country to the ground, or the leader of the Togami Corporation whose funding of the Future Foundation seemed to be what kept it, and the Earth's restoration as a whole, going? It was an easy decision for her: a good amount of the world would celebrate if she were dead. She couldn't say the same about him.

Stepping out onto the path once more, she took a step, then two, slowly and quietly as she followed the sound back along the trail. Until she came face-to-face with a pair of large, round, golden eyes. 

Well, face to knee was probably more like it, as she looked down into the red, wrinkled face. The several meters between them was comfortable enough to keep both of them out of hiding.

"Are you lost? Or perhaps lonely?" Sonia asked, her expression softening as she smiled down at the Japanese macaque that had so cleverly tracked them all the way through the main island. Kneeling down, the best she could in her sundress, she tried to look a bit less large and imposing for the grey-haired monkey who now sat on its two back legs, studying her intently.

Whose golden gaze darted towards the crossbody bag she wore. Sonia followed it, before connecting the mental dots as to why the animal found her so fascinating.

"Or you are simply hungry," Sonia nodded, opening the top flap of her bag and reaching for one of the canisters inside. "Just as well: if you have skipped breakfast, lunch will be quite a ways away. I think there is something in here that you will find delicious...like this!"

She'd rummaged long enough to pull out a small plastic sealed dish, opening the lid and reaching for some of the contents inside: two plump, ripe strawberries, from an arrangement of freshly-cut fruit Teruteru Hanamura had set out for the morning breakfast just an hour ago. She tossed them towards the animal, both pieces of fruit landing roughly halfway between them. The macaque dashed forth, seizing a strawberry and taking a large bite, juice running down its mouth, its chest, its paws. 

"That looks a little eerie, don't you think?" Sonia asked, turning her head to look at him but otherwise not moving from the spot. She'd likely scare the monkey otherwise. "I know it is juice, but it looks a bit like blood."

[kninedlog]

Here's every current Sonic character IDW or Videogame and my; I've been with sonic the hedgehog since birth, opinion. PART 2

Yes this a part 2 I made another one that I posted before this one. If you haven't seen it you don't need to, but it does cover the main guys. This one goes a little obscure cuz this is mostly comic characters now.

If you want to read the first part check it out HERE and at the bottom of the post. THX 😊 Let's roll!

V+Name= Videogame vr

C+Name= IDW comic vr

Name = just assume I'm talking about both iterations or they only have the one of either.

(mostly jokes under the cut. I'm not taking this seriously. Obviously Spoilers for the IDW Sonic the hedgehog series.)

Tangle: She's cool and funny. Seriously though she's just a more accurate female sonic that Sonic Team was originally trying to go for with blaze but she turned out too serious and by the book so they placed that on Tangle. She handles that title well though. Truly a fun and charismatic girl.

Whisper: She's my favorite out of the new comic cast. I thought it would be Bell but then she came in. Whisper is so cool that she too has an urban legend about her in silver's time. That's enough for me to get hooked. If the future character knows about you and you turn it to be what the rumors say than you instantly take my heart.

Bell: She is interesting. Another reformed Eggman robot, we've seen that before but the fact SHE got Metal to halt and hesitate and also didn't attack her on the spot got me doing some thinking. Some theory crafting when that happened. I want her to have an hour with metal's system and watch she'll probably reform him for just a single issue alone. I want that so bad. She's skilled and dare I say a little scary, considering what she can do if sonic doesn't blow up every egg pawn or badnik he sees and just gives it to her so they can work for the resistance. Also happy that's she's technically tails' assist and lives with him, that's cute.

Jewel: She's so cute! I love her! She's so shiny and tiny and jumpy and whiney, and it's a fresh air to have a character thinking about common sense.

CTHE DEADLY SIX: They were cool for the short time they were there. I mean yeah they were there, what they could do with the emeralds was fascinating along with the arc they appered in. They were serious threats! Yet it was sort sweeped aside for Zavok and I kinda didn't like that. I wanted to see more of the problems the Six could've caused. Master Zik got the Babylon rouges stuck, that was shocking. The fight between zor, Silver and whisper was cool. Silver demolishing Zor's mechanical owl and then doing the cruelest thing he's ever done and leaving him for dead. That was cold. Cream vs Zeena was heart wrenching cuz I could already see the outcome despite the victory. Those were fun. The fights between Amy and tails vs Zomom and Espio vs Zazz they were lack luster to me.

CTHE DEADLY SIX: I could make a YouTube video about I feel about these six. It's been years since the game came out when they debuted so I have a lot of words that I can fit in this post alone. Take what I said from the comic iterations of them and you'll guess how I feel.

Jet: I feel the same about him in both vr's of himself. He's cool, he's loyal. And he's a jackass towards sonic. All the best character traits a sonic character could ever have.

Wave: She barely said anything in the comic so I'll have to go by games more. However, badsed on body poses and facial expressions alone you can tell that she's roughly the same character albeit a bit more laid back than her video game self. Although, the situation we saw the Babylon Rouges in was a bit unfair for their characters to suddenly be shown, so I'd just have to hope to see them again to form a better opinion. Other than all that, she's cool.

Storm: Haha big dumb funny guy haha.

Lanolin: OOHH I have a lot to say about Lanolin! She's dope. Really dope. I like her wispon and her choice of wisp. That's so flipping clever! I've been seeing (mostly hearing through the sonic content people I watch on YouTube) that she reminds everyone of Sally Acron too much and to that I say politely to Shut Up!

[[Small Tanget — OMG, not everyone is Sally. Amy gets development, she's Sally. Whisper gets some comic time and importance, she's Sally. I miss her too, honestly. Truly I do. But you gotta understand that she's not coming back. Sure people can have a look at any of them and say she's Sally Inspired or has made changes in honor of Sally but don't say they ARE her. Cuz their not. Their clearly not. There's enough different in many things to separate the two. Is someone where to redraw Sally over any of them (which I bet some people have tried to do, idk, I haven't been to that dark side of the fandom in forever and I refuse to go back) I bet it's gonna look really out of place. Not because you KNOW she's not supposed to be there but becuase how big of those differences are.]]]

Lanolin is great. She's a kick ass leader for the new Diamond cutters and I can't wait to see more of her. She's dope. It's also really cool how she's been developing in the background. I've noticed that and have been telling myself since the metal virus, "she's gonna be important someday. A design doesn't stay this consistent in the sonic verse without reason"

Dr Starline: AHH I love him! He's so cool and swauve and interesting. Yet his downfall was sad and we all saw it coming but without him we wouldn't have gotten the most bone chilling and coolest Eggman art. His character development from a collected and impressionable admirer, to a broken and disheveled fanatic deadset on impressing and topping the Eggman at his own game was on some anime levels type of writing. I hope they keep this up in the comic with any new villains cause Starline set an expectation for all new villains to try and climb over.

Surge: okay 2 things. 1 - my phone was giving me a hard time writing her name as it kept auto correcting or my fingers kept typing scourge at first. I don't know what that says about me but that's a thing. And 2 - The Tenrec is awesome. She had the fandom that was reading the comic in a chokehold once she was introduced. Setting the bar for antiheros in the sonic universe; that aren't robotic, for what they should be like in the future. Her and Kit in the same room reigns over the fight and causes utter destruction. Give them time and they'll create it to levels of Chaos flooding all of station square and more. Surge herself though is intriguing, for the last speed "villain" sonic has ever faced seriously was scourge in the comics and shadow in the games. Her means for acting and being the way she is with the tourtre Starline put her and Kitsunami through all for the sake of one flipping person. I'd be just as mad. Honestly, and I don't think my anger would ever go away. One of the best Sonic clones in a long time.

Kitsunami: Everytime I re-read imposter syndrome and the issues he was in I wanna cry. The personality of Kit is the exact opposite of his partner Surge and everytime they interacted healthily it was deep cuts of emotions for me. They both display the huge dramatized different reactions to trauma. Kitsunami's hit harder for me than Surge as I tend to people please more then get angry and lash out. With Kits whole deal being surge and nothing but her, I got scared for him when he was saved and Surge had her little fake out death. It scared the hell out of me, because what else was he supposed to do but bow down and fawn to the next thing closest to her. I'm sure if her death was real and Sonic and Tails took him in, he would soon grow and become his own person but his built in obsession for the tenrec or anything closest to her when she's not there as a character trait hurts but is amazing writing wise nonetheless.

Clutch: Clutch the Opossum is really cool. So cool to the point where I hope and pray so much that he comes back. Becuase I can see him being a legitimate threat. He too is an issue to both sonic and co and Eggman as he hotwires badniks to do is bidding with ease, apparently. So add that, with the extension of he's a composed business type of guy, with a face so sinister that mobsters would probably step down to him if he were to crack a deal, a master of deception feigning unconsciousness when possible and having a taste for the high quality of things. What's stopping him from collecting the emeralds himself. Or already/always having one in his possession. He's more a villain made to combat rouge or the Chaotix more than sonic and his gaggle of close friends, but I'm curious to see more of him.

Mimic: He's still out there. That's all I have to say. If you've read the Tangle and Whisper spin off and you read the bad guys spin off then you know who Mimic is, and know that he's still out there with the capabilities of being a SERIOUS problem all because of his simple ability of shape shifting.

- PART 1 - Here

- PART 2 - You're here!

[mattmurdeaux]

A thread of how much Charlie understands Matt and how much he has assimilated several of Matt's traits from playing him for so many years:

1) In true Matt fashion, said that he would physically fight if Marvel Studios ever tried to recast the role:

2) Said that he feels Daredevil works best in a more mature rating, NOT because it gives more leeway to depictions of violence but because it means Matt's WHORENESS can be done more justice:

3) When he blew his Han Solo audition because he forgot to make eye contact 😂

4) When he requested for the training montage in S3 E1 to involve handstand and jumping push-ups instead of regular ones just for that classic Matt extraness ✨

5) When he summed up just how much flavor Catholic guilt gives Matt's character (and Charlie being raised Catholic himself!):

[insanityclause]

There’s a moment that every child who aspires to movie stardom dreams about. They practise it in front of the mirror: graciously thanking their parents, their first drama teacher, their favourite hamster; smiling; waving; trying valiantly to cry. No, it’s not an Oscar’s acceptance speech – at least, not anymore; it’s the moment that super-producer Kevin Feige offers you his hand across a conference table and tells you you’ve landed a Marvel movie.

Yesterday came the first reports that Olivia Colman is in talks to slip into full-body lycra and join the MCU, via the studio’s next small-screen series Secret Invasion. The news follows a recent clutch of arrivals of actresses of a similar age and calibre to Colman to other Marvel projects, including Kathryn Hahn’s show-stealing turn in WandaVision, and Julia Louis-Dreyfus’ surprise appearance in The Falcon and the Winter Soldier.

Such casting choices may once have sounded insane. Why would the woman who just two years ago won an Academy Award for her grief-stricken, crumbling performance as Queen Anne in The Favourite, and who is up for another one this weekend for The Father, choose to submerge her pristine brand as the reigning monarch of British acting, both on-screen and off-, in a barrel of brightly-coloured, pop-sountracked, quippy-scripted comic bookery?

Secret Invasion sounds even more deranged than the average Marvel project: it will likely focus on the race of green, reptilian aliens called Skrulls (Ben Mendelsohn will reprise his role as Skrull commander Talos from Captain Marvel), as they invade earth by shapeshifting to imitate superheroes. Colman as an alien reptile? It’s hard to think of a more unlikely piece of casting since Judi Dench dressed up in a catsuit.

But over the last decade, a foundational piece of Marvel’s strategy has been signing-on not just fresh-faced stars like Chris Evans and Tom Holland, but some of the world’s most serious performers: inde darlings (Mark Ruffalo, Tilda Swinton, Brie Larson), BBC-drama-grown Brits (Tom Hiddleston, Benedict Cumberbatch) and awards-laden  powerhouses (Annette Bening, Scarlett Johansson, and even Anthony Hopkins, Colman’s co-star in The Father, who is also up for an Oscar) have all rocked up in the MCU. Much as the Harry Potter franchise once was, the films have become a who’s who of Oscar after-party invite lists.

So why would the great and good of Hollywood acting willingly attach themselves to a franchise that one of the greatest directors of all time not so long ago declared to bear a greater resemblance to theme park rides than cinema? Marvel films are delightful but they are also frequently silly (inevitably, in the transition from cartoon comic book drawings to full-sized, three-dimensional adults leaping around on-camera dressed in skin-tight lycra suits and capes, some space for ridicule is opened up).

The studio is fully aware of this, which is why these films are comedies, but that does not make them any more obvious as vehicles for artists interested in rendering psychological depth on-screen. In 2012, Kiwi wunderkind director Taika Watiti told Interview magazine that he was suspicious of the way feature films can often “turn into commodities”. Yet five years later, his own Marvel movie, Thor: Ragnarok, hit cinemas.

The financial incentives to any actor are obvious and no doubt play a part but there is something even more valuable to someone like Benedict Cumberbatch – not exactly strapped-for-cash following Sherlock, The Imitation Game, and The Hobbit films – inextricably wound-up with those mega pay packages. That something is audience size. Avengers: Endgame, the highest-grossing film of all time until Avatar’s re-release in China in March last year, took $357 million at the domestic box office on its opening weekend.

In America, the average price of a cinema ticket that year was about $9  – that means, by the roughest of calculations, that within 48 hours of the film’s release, 12% of the population, or some 40 million people, had seen the film. An actress like Colman has not exactly been confined to niche audiences – The Crown is not a small show – but even so, the prospect of such unparalleled exposure must be seductive.

The dream of a Marvel movie has not replaced the dream of an Oscar – it all but guarantees it. A symbiotic relationship is emerging between the franchise and the Academy, as the popular reach of one feeds and is elevated by the prestige of the other. There is no better example of this than the tragically-curtailed career of the late Chadwick Boseman.

From a handful of critically-lauded but quietly received biopics (42, Get on Up), he was propelled overnight to global stardom by his MCU roles as Black Panther, Marvel’s first black superhero, culminating in the Black Panther film in 2018. Now, just months after his death from cancer, he is a shoo-in to win a Best Actor award this week for his role in Ma Rainey’s Black Bottom. The opposite of a Marvel film in almost every sense – it’s claustrophobic, literary (it’s based on an August Wilson play), and tragic – it was Black Panther nonetheless that secured him the part.

This give-and-take between superhero flicks and prestige dramas extends beyond actors: Watiti, who has just wrapped shooting on another Thor film, was nominated for an Oscar in 2019 for his German Resistance drama Jojo Rabbit, while Chloé Zhao, who is sure to win Best Director this weekend for Nomadland, has just wrapped her own Marvel movie, Eternals, which is slated for release in November.

Kathryn Hahn, meanwhile, was brought into WandaVision by director Matt Shakman, better known for directing prestige shows like Mad Men and Succession. His vision, in collaboration with the writer Jac Schaeffer, led to a formally wildly innovative show, providing the opportunity for Hahn and the show’s pair of stars Elizabeth Olsen and Paul Bettany – both outstanding actors – to flex their comic and creative muscles. Such starpower behind the camera is itself an attraction for actors of Colman’s calibre, and while there is as yet no word on who will direct Secret Invasion, there are many exciting possible names in the mix.

A few powerhouse industry figures were instrumental in fostering this mutually-beneficial relationship. The first was Robert Downey Jr, the original posterboy of the franchise. When he agreed to star in the first film, 2008’s Iron Man, it was a huge gamble – director Jon Favreau had to battle the studio to accept him – as he emerged from a wilderness decade marred by drug addiction, but it was also a huge coup. Downey Jr had just been nominated for an Oscar for Ben Stiller’s comedy Tropic Thunder and had recently starred in David Fincher’s instant cult-classic Zodiac; his personal reputation may have been in tatters, but as a serious actor, he brought chops.

His Iron Man would become the emotional and dramatic heart of the franchise over its next three phases. Kenneth Branagh, who directed the 2011 film Thor, also bridged the gap between the big flashy studio and his own thespy circle: he brought his protégé Tom Hiddleston, who at that point was best known for his British TV and theatre work, onboard to play Loki, a decision that Feige apparently described as the most important the studio would ever make. Hiddleston capitalised on rather than abandoned his roots: he approached the character like “a comic book version of Edmund in King Lear, but nastier.” It paid off: Hiddleston is a global superstar, frequently touted as the next James Bond, and his dedicated Loki spin-off show is the Marvel TV release of the summer.

Of course, there’s one thing that Marvel offers its actors that money simply can’t buy: a bit of fun. “If my actors aren’t having a good time on set, then I’m doing something wrong,” Waititi told Polygon in 2016. Reflecting on her playfully heightened performance in the early episodes of WandaVision in a recent interview with the New York Times, Hahn said that her husband said her performance had reminded him of her younger self in her college days. “I haven’t seen that part of you in so long – just you, hamboning it,” he told her. Colman, who is by all accounts is a mischievous on a film set, may simply want to bust out of those period costumes, slip into a bodysuit, and have a good time.

[mylittlegemlins]

Hello tumblr, during my childhood I was really obsessed with smurfs and since I found out that they released a reboot, which unfortunately I haven´t yet been able to see, I think I had some inspiration and ended up writing this.

I don't usually post this kind of blog about series unless I'm too immersed in it because I feel like it's too childish but to hell, blogging about-analyzing series for kids is my entertainment method and if I can't post about my likes on Tumblr I don't know why have an account.

So I present:

How to catch the Smurfs

This is the definitive tutorial on everything Gargamel ever did to catch the little blue critters.

It is based mainly on the animated series from the 80s and the 3 films that were produced between 2011-2017, I watched several episodes again to write this, but I still hope I don't forget some important information.

Following these steps:

1. Why catch the Smurfs?

During the comics, the series and the recent movies there were many reasons why Gargamel and other humans wanted to capture the Smurfs that change over time, among its main uses we have:

- They are ingredients for exotic dishes.

-Turn them into gold

- Ingredient for the Philosopher's Stone

- Use its essence to obtain magic

- Their tears serve as an ingredient for spells

-Their skin serves as a treatment to cure diseases

2. Points to consider:

This is a set of rules that fall between the lines when using a Smurf for any of the recipes mentioned above.

2.1 How many are needed:

In some episodes Gargamel was about to cook a single Smurf, so 1 is enough to eat them.

To turn them into gold you need at least half a kilo, about 6 smurfs.

2.2. They don't need to be alive

I didn't remenber any place where it said that Smurfs must be alive to use them in recipes.

2.3. Smurfette doesn't always count

She has to be a real smurf or else it won't work, during her first appearance before the papa smurf spell and the episode "smurfette unmade" where she reverts to her original form she is not a real smurf, so it wouldn't work unless that is in its blonde form.

2.4. Fake Smurfs:

The reason Gargamel can't just create another Smurf and use it in his recipes is because his creations are blue clay with a conscience, to turn them into real Smurfs you need the “true blue”spell

2.5. Artificial Smurfs:

Smurfette, Sassete, Kactus, Vicky and any other Smurf they come up with in the future, count as real Smurfs only after their transformation.

To clarify the points, these are the steps:

3.Locate them

The Smurfs are in a village protected by a magical force that makes it invisible or unreachable, it is only possible to find the village if a Smurf guides you to it, even after finding the exact location it will have disappeared if you try to return, so the best It is marks the surroundings of the village and look for them in the places that the Smurfs frequent.

It is possible to capture them when they leave the village, force them to guide you, enter the village using teleportation spells or hoaxes.

4.Traps

Catching smurfs is relatively easy, you can chase them with butterfly nets, catch them with your bare hands, using a cat or any other hunting animal, now that I think about it a hound would be very useful to track their scent.

Using some classic traps to hunt animals also works with Smurfs, traps with cages or hidden holes in the ground, or camouflage in a bush until a Smurf is close enough to catch it, you can't use traps like an obvious cage with food in it, they are too smart to fall for that.

It is more effective if they are placed in strategic places such as a field of smurfberries which is outside the village.

Small female creatures are also used as decoys, such as female smurfs, little mermaids and lymph to make a smurf fall in love and thus leave the village to a point where they can be captured.

5.Which Smurfs to capture

Personally I think there are Smurfs that are easier to catch, although Gargamel could not have a list of all with so many times that they have passed by his house, he should already recognize one or another Smurf and I remember that there is a episode where he knows some of his names.

The main cast, Smurfette, Hefty, Brainy, Clumsy, Greedy, Grouchy, Jokey and Handy as far as i can remember, they´re the ones that have been captured the most times and also the ones that have escaped the most, since they're easy to capture, it would be convenient to take advantage of this, but since they know how to get out, they should change the cages with them, put the cages in another place, move the objects that previously used to get out, and above all not to fall the same tricks again.

Papa smurf has been captured many times, he is the one who most leaves the village and if in one of his trips they capture him, maybe the others would not notice his absence, it is something difficult because he already knows how to escape and he can use spells against you, but if you manage to kill him the others would be lost without their leader, and with the disaster they would be easier to capture.

Lazy smurf takes naps during his work outside the village so it's a good chance to catch him, hopefully he might still be asleep while preparing the recipe and he won't try to escape.

According to his debut episode sickly smurf was never able to escape from Gargamel and Azrael; it is so easy that he catches him with his bare hands in 20 seconds.

Baby Smurf is more vulnerable for obvious reasons, the negative side is that there is always a Smurf looking after him, but if they manage to separate the baby it would be easy to cook , considering the life expectancy of the Smurfs is more than 500 years, it may remain a baby for the next 10 years so there is time to execute your plan.

Nat, Snapy, Sassete and Slouchy, the 4 children Smurfs that appear in season 5 are in almost the same circumstances as Baby Smurf.

In Wild Smurf's first appearance he kicked Gargamel in the face and easily made Azrael afraid of him so it might not be a good idea to mess with him.

I guess Smurfs like scaredy would never leave the village unless they forced it so the only times he gets caught is when they capture all 100 together.

6.Don't let them escape

In many occasions the Smurfs escape when they have already been captured by Gargamel, either from his hands, cages and in their closest attempts they escape from the pot.

These are the points to keep in mind:

6.1 Capture only one

If you capture a single Smurf than two or more as it will take a while for them to realize that one is missing and they will not come to their rescue, the more they are, the more likely they will find a plan to escape, so keep them in mind. separate cages.

6.2 The others will come

Once Gargamel has one or more Smurfs, it is 100% certain that the others will come to rescue him at his house, so it would be convenient to go to another place away from the forest where he can cook the Smurfs without others being able to find them. Gargamel has a basement with a secret door, he was able to hide there and pretend he didn't have them until the rescuers leave.

6.3 catch rescuers

Knowing that more Smurfs could come, you could use it to your advantage by placing traps on the doors and windows, or on the contrary, closing everything so that it is impossible to enter without having a key.

6.4 They will leave him for dead

In the episode "the tear of a Smurf ", it seems that if they don't find a missing Smurf it only takes a week for them to surrender and prepare for his funeral. You can hide the smurfs with their mouths tied up in a drawer and pretend you don't know what they are talking about until they give up, then it will be time to execute the recipes. If Gargamel had enough brain cells to keep the secret, he could eat the Smurfs and the rest would think they were eaten by birds or something and would not take revenge.

6.5. Do not look any further

If you already have 99 it is enough, even if you have only one, it is not worth risking it to find one more, it is a trap.

6.6. Don't open jokey surprises.

The characters always forget that gift.

6.7. Don't listen to them

On several occasions they try to make conversation to buy time, they trick him into thinking that he will bring more Smurfs or that he cannot eat him, everything is a trap.

6.8. Just kill them

He never did that but it's a very obvious choice, I don't remember somewhere saying that smurfs have to be alive for recipes, Gargamel has repeatedly expressed his desire to destroy them. Wouldn't it be easier to kill them before throwing them into the pot? if you can't, they don't even have to be dead, just unconscious or asleep. Gargamel has drops of lava in his lab for some reason, how come he doesn't have substances to knock them unconscious? In case he have many captured you could use classic techniques such as placing the cage in a tub of water until they drown, even stepping on them would be enough since they are very small.

6.9. Papa Smurf's books

If Gargamel tries to kill them with an epidemic, papa will have the cure, if he casts a spell, papa has the antidote, since he has been in the village on several occasions, he should take the opportunity to steal or destroy their books, he could look for the true blue spell and perhaps find another useful spell.

7.Enjoy your smurf soup

If that's all i came up with, you can already eat or become a millionaire at the cost of a smurf's life, hopefully you'll have to face a horrible revenge from papa smurf, but i'm not responsible for that.

8.Other methods to get smurfs:

This is a set of theories for alternative ways to get smurfs without capturing one from the village.

8.1. create smurfs:

In the second live action movie gargamel gets the formula for the true blue spell, so from here technically he could create smurfs, then transform them into real smurfs and do whatever he wants with them, during the series he had to look for the formula instead to look for smurfs.

8.2. Clone Smurfs:

In the episode "the hundredth smurf" Vanity creates a clone of himself that eventually integrates into the village, it is a genetically exact clone so there is no doubt that it is a real smurf. He just needs to place a mirror in front of a smurf and get it struck by lightning, Gargamel could capture a smurf and make clones that will work, he wouldn't even have to keep the original and he would have an infinite smurf machine.

8.3. Kidnap Baby Smurfs:

During the blue moon it is possible that a zork came to the village bringing a baby smurf, it can take up to 200 years without bringing one but if you are alive when that happens, you can try to hunt the zork and capture the defenseless baby.

8.4. Repeat the fake smurf technique:

If it is possible to create fake Smurfs like Smurfette, it might work on a second try, Smurfs are not very cautious around strangers, once Smurfette arrives in the village no one wonders where she came from or why she was in the forest, but rather Immediately they offer him a house, Gargamel could create a smurf and this time instruct him to lead all the smurfs in the village into a trap and make sure he does not turn good, he can also turn himself into a life-size smurf costume, Nobody will notice that there is an extra Smurf and he can repeat the same trap,third time’s a charm

9.Conclusion:

Surely there are many other methods to catch Smurfs but I can't see the whole series again even if I wanted to, because it is a series for children Gargamel never learns from his mistakes I think that catching Smurfs is not that exaggeratedly difficult, especially for someone who has access to magic may be as difficult as capturing a talking rabbit, Gargamel is just stupid.

The end.

[fluorescencefuture]

Hwayugi / A Korean Odyssey Episode 3 Thoughts

Overall Feelings About the Show So Far

Good god, why did they put so many effects without the budget for them

This is the worst Wukong outfit design I have ever seen

Why is every episode 1 hour 30 minutes I mean episiode 1 and 2 could've totally been one episode just saying

Not really feeling the chemistry yet

K-dramas use Vine boom sound effects and I cannot take anything seriously because of that

I’m saying it now, I hate the soundtrack

I use Samsung phones so I feel a visceral reaction every time I hear the ringtones in K-dramas. That Morning Glory alarm will forever haunt me

The Main Leads

Wukong couldn't just blow on blood to get rid of it in the original but it's not out of character for him or the novel to pull a bullshit power out of nowhere so I’m cool with it. He can also magically control traffic now, which I accept as canon

I don't like Samjang that much. I feel like they haven't quite struck the balance between headstrong and put together with bewildered and scared of the magical realm. I mean the latter is really accurate to Sanzang in the book but Sanzang in the book is horrible so

Is it the actress? I really don't vibe with the character of Samjang but looking at it again I feel like the script are totally fine. I think it might actually just be a miscast actress, or odd direction

Ehh, the double tsundere thing isn't really working as well as it did in What's Wrong with Secretary Kim, the other K-drama I half-watched

Honestly I wish they went the A Chinese Odyssey route and used White Bone Demon or Original Character Do Not Steal for Wukong's love interest because a version of Sanzang is too obvious of a choice for me and also this one’s kinda boring

Guanyin would totally have a version of the headband that inflicts emotional pain ahah. Making someone fall in love with you by using a device (like a love potion or gadget) is a trope I find egh but it's a little less awful here since Samjang didn't know it would do that and Wukong still has some free will

Rejecting his love gives him physical pain, wonderful. And hey, they've got that part right, the only wounds that actually hurt Wukong are emotional ones. And also Red Boy's fire

The Supporting Cast

I honestly really love Mr. Lee, the employee guy. He doesn’t deserve to be caught up in this.

"Even someone as boring as dogs and cows can become a celebrity?" he says unknowingly to the dog and cow demons

Demon Bull King is kind of overacted at times but he can be funny too

"Sha Wujing tweeted that Bull Demon King found Samjang" oh my god, he got destroyed by Twitter

That "time travel doppleganger" photo, I love that. And the dog demon secretary pointing at the fluffy doggo and going "hey it me!"

Oh shit, imperial Japanese flag, we in the occupation?! And the lady who got shot in front of him was Princess Iron Fan? Holy shit, that's one hell of a backstory for Demon Bull King

Bro, he loves his wife :'(

So DBK's plan was to hire Samjang to make Wukong do exorcisms and he would take the credit? That's...brained. Not small-brained or big-brained, just brained.

Hey look, it's the OG trio all together. ...It doesn't feel the same

Okay even if Bajie is too attractive he's still the same old Bajie inside so it's all good. DBK calls him out on being a coward, ahah. I also love that Bajie's still delusional over his power level compared to Wukong

Little Things I Liked

Wukong dropping off a monkey plush for her to hang out with when she's alone, that's fantastic. "This is Sun Wukong Jr. If he makes you cringe, please take this bracelet off me."

Wukong points out that he lived on a volcano island and actually though, is that why Wukong liked the snowfall so much in that one arc of the book? It never crossed my mind that being from a rather tropical region, he'd of course be a little sensitive to winter cold and amazed by snowfall in general

Wukong parks like a douche which is totally in character since he'd just walk into places and tie the horse up without any permission

"I don't have to take my heart out and show you right?" He can actually physically do that by the way

Wukong stocked the fridge full of Tupperwares of sauces and side dishes for when he eats Samjang I love that

What is that wand thing he's wielding? Is that what the staff is in Korean interpretations?

How are you still cold you bitch you're wearing that ugly ass fur coat all the time

Y'know, it is pretty nice to see a modern Journey to the West that focuses on exorcising more modern type ghosts and demons, I mean that'd be Wukong's best job in modern time

Turns around in bed, Wukong lying in a "paint me like your French girls" pose, he goes "Hey", I should steal that and turn it into a gag comic ahah

In this episode Wukong goes “Damn bitch, you live like this?” and “Alone on a Saturday night? God, you’re pathetic”

Demon Bull King implying that Stephen Chow and Angelina Jolie are demons

Who's this peacock demon?! There's no peacocks in Journey to the West! But for real heh, an Indian animal, keep referencing the original book please

That episode had more shit going on than the previous two, thank god for that cause the last two did NOT need three hours. I mean, this one's still too long but at least shit's happening.

[popculturebuffet]

Scotrospective: Scott Pilgrim Vs the World (The Comic)

Hello, Hello, Hello scottaholics! And what a beautiful day it is: After decades lost in the lost woods, at least it had that catchy tune to keep it company, Scott Pilgrim Vs the World: The Game is FINALLY back and performing for you on all platforms!

Even Stadia, the platform most likely to disappear like this game did for a while! Cheap shots at the stadia aside as a huge fan of the franchise as a whole and of this game who played it back on the 360, and had since sold said 360 so I had no way to get it back or ever play the dlc packs. Seriously who didn’t want to play wallace but never got to? Everyone, everyone is the answer. But with those the entirety of what I consider to be the main cast is playable, it has online so you can beat up hipsters, guys in costumes and robots with your friends, it’s a good damn feeling.  And since i’m in a celebratory mood, naturally i’m also feeling like a review. And since it just so happens the next volume up in my look at the comics is Vs the World, seriously I planned this review for this month without thinking to have it come out on the same day as the game until a week or two in, I felt there was no better way to celebrate the biggest day for Scott Pilgrim fans in some time.. and for Brian Lee O Malley as he’ll stop getting twitter asks about it. So with all the exposition taken care of LAST TIME, and the link right there if your curious, we can jump right in. On with the show!

After our opening titles, and yes this comic has opening titles, with Ramona sitting solmely in the rain. 

And Scott caught in the title. The rain shot is real pretty by the way. But yeah once we get past those we’re taken back 7 years ago. Finn found out his father was an asshole, and voiced by Stephen Root so hey you take the good with the bad, Steven just learned the horrifying truth about Gem Monsters, Guardians of the Galaxy saved the MCU and I was trying to find work after college.. wait... sorry sorry that was 7 years ago from THIS year. The comic came out in 2005, though the comic takes place on a sliding timescale where only like 2 years pass so I dunno when this is. Let’s just say 98.  Okay so 1998: Bill Cllinton’s sex scandal breaks, and puts way too much of hte blame on the young intern whose life came to be defined by one stupid mistake she made with a man who was way older and should’ve known better, the tide of the Monday Night War turned in favor of the WWF as Stone Cold Steve Austin became a household name, and it was an utterly standup year for video game relaases with Ocarina of Time, Banjo-Kazooie, Crash Bandicoot: Warped, StarCraft, Castlevania: Symphony of the Night, WWF: War Zone, Pokemon Stadium, Spyro The Dragon, Pokemon Yellow, WarioLand 2, Oddworld: Abe’s Exodus, Star Wars: Rogue Squadron, Pokemon: Trading Card Game and Sonic Adventure. It’s like someone took a good chunk of my childhood and squeezed it into one year holy shit, I did not expect this when looking up what came out in 98. 

And while the movie pool wasn't’ quite this amazing, we still had The Wedding Singer, The Big Lebowski, the dude abides, Batman and Mr Freeze: SubZero, The Truman Show, Mulan, the good one not the one made near concetration camps that makes her into a demigod, Saving Private Ryan, Blade, Simon Birch, Scooby Doo on Zombie Island, Rushmore, Bride of Chucky, HalloweenTown, Plesantville, and the Prince of Egypt. And in music Weird Al changed from his first signature look to his second, getting Lasik and growing out his hair. Seirously had no idea that was this year. Good to know. Also Elton John got his knighthood. Super shooters. I could go on with 1998 triva for days but I cannot go on for 8 weeks so let’s get to the point here.. during alllla this  Scott Pilgrim, age 16, was starting St. John’s Catholic School and a couple of guys who were up to no good started making trouble. . by threatning to beat him up for no real reason. A fight insues and we cut to the principal’s office as Scott’s still a minor and not allowed to get into death fights just yet under the people’s freedom of choices and voices act. 

It’s here he meets Lisa Miler, a peppy and sarcastic blonde, who’s intrigued by the fact Scott somehow got beat up after being here just 15 minutes and wants to be friends. Naturally for scott next we see him he’s busy playing video games, and annoyed someone else is around and wondering who this person whose now in his basement is. God no wonder teenage me related to him. So for the next few pages we see their friendship in time lapse: Lisa joins him at lunch, then geninely wonders since Scott’s Untentionally a dick if he hates her.. it’s part of why I think Scott has some form of autisim. And not just because I tend to belivie a character is on the spectrum all the damn time, it’s because of the way he acts: while he is nice and charming at times.. he also clearly has trouble relating to people or realizing how his actions effect them and as seen here in a younger form can often be compeltely distanced from normal social queues, not getting how his actions might be seen until Lisa outright talks to him about it. I mean.. it’s not a huge stretch, and it dosen’t mean he’s nto responsible for his own actions, but it does EXPLAIN a lot of them better: why he just sorta forgets about Knives post-ramona but at the same time still cares enough he dosen’t want to hurt her despite you know, that ship sailing just by having moved on. 

But now the two are friends and his parents, who we meet for the first time and sister inquire about her being his girlfirned.. and by next jumpcut his parents apparently don’t want him hanging out with girls? What exactly the fuck? Also they mention Laurence, Scott’s brother whose missing for most of the books and has no real payoff for not being around. Next cut we get KIM!

Thank you Prissy. And she’s.. not all that different, assuming, correctly that their partner project, how she meets scott will just result in her doing all the work.. which not only is how these things usually went when I was in high school a decade later, but reminds me of the time me and my friends curtis and justin were put on a project and when asked who the alied powers were, guessed “Germany?”.... you can understand my fear. And also Curtis punching him for getting nothing done.. and not hard or brutally mind you just once quick in the gut and with full warning. Ah... the adaquate old days. 

So back to Lisa as, since Scott’s Mom has a guitar.. a fact I.. never honestly thought about. Seriously I never realized her children, since the Bass Scott has for most of the books is Laurence’s, getting into music was probably due to her. Also Lisa makes her case for WHY be a band: the school has a regular event called Lunchapalooza, where everyone goes to and since by teen logic, just being in a band is automiacally cool, she figures they can jump from not QUITE being in any cliques to being super cool. Which honestly yeah... while I didn’t know any bands in high school, the fact one of my friends, ironically named Scott, was a DJ automatically made him pretty damn cool once he got past his awkard phase. I never got past mine but somehow was loved by all except that one douchey kid in our group who mocked me for naming my Luxray kim, assuming it was based on Kim possible and not Kim Pine... though frankly how that’s an insult when Kim Possible was a fucking awesome show and character is beyond me but he was just 17 and also a douchebag, it didn’t have to make since it just had to piss off the easily pissed off kid with aspergers. So Scott poses how they can be a band with just their guitars and Lisa concedes drums WOULD help.. I mean it’s what MADE Shallow Gravy. 

So while Kim wonders if Scott is dating Lisa, because teenagers don’t really get girls and boys can be friends without wanting to be together, though not often as teenage boy brains can be rather stupid and horny... can confrim from personal experince. So it becomes clear Scott has a thing for Kim, and when Scott tries broaching it with Lisa she dosen’t take it well and he backpedals to asking her to be her drummer and plans to monday, proving Scott has somehow not gotten better at reading women, or anyone after 7 years. Can relate. 

So yeah he decides to ask Monday, same day as their presentation.. and thankfully missed the bus as he arrives to find the Benvy Tech boys came in, took everyone out and abducted Kim. Because yeah, just in case you were wondering Scott’s life was always like this.. or was it? Questions for later. So one Canadian Version of River City Ransom later, Scott’s made his way to simon... who, since most of you have probably seen the movie or art of the movie.. looks an AWFUL lot like Gideon. Hrmmm. Simon is naturally the final boss here and wonders if this is the best St. Joels can muster. Scott quips back as only Scott can. 

So cue an unsuprisingly awesome actoin sequence. IT’s part of why I love these color editions: While they already LOOKED thoroughly fantastic the added colors really help the series shonen manga meets old school video game vibe REALLY fucking pop. So Simon pleads mercy which like Scott delivering a good quip.. should’ve really been a red flag to younger me and is foreshadowing for later in case I was too subtle. He then does what any noble hero would do.. kicks simon into the sunset, tells Kim how he feels and asks her to play drums. They then make out. Awwww. 

Lisa suprisingly takes it well as the next montage shows.. granted we’ll learn in Feburary she wasn’t QUITE as over scott as it seemed, but the three, along with a friend of Lisa’s whose name I forgot and who DOSEN’T come back so I’m not going to bother learning, form their own friend group, Scott and Kim get an A, and Scott, Kim and Lisa’s band is dubbed sonic and knuckles, which is an objectively awesome band name. Something the series really does great: Video Game Based Band Names. Crash and the Boys, Sex Bomb-Omb, Clash at the Demonhead... we need more bands like this in the real world dammit. So then they play their big game, the two loose their vrigniity.. and then Kim asks scott “your moving to tornoto?” And.. for now.. that’s that. 

While the framing of that will be VERY important in the last volume, as notice how KIM’S the one who brings it up and it’s not explicitly stated scott actually told her, this flasback is great. While it does contribute to the volume’s drifty pacing, more  on that as we go, it brilliantly sets up a LOT of stuff for later, paticuarlly Lisa who I assumed wouldn’t be back and younger me’s jaw fucking DROPPED when she popped up in Volume 4. Granted i’m spoiling that suprise for you now but odds are most of you reading this have either alreaddy read these or were probably wondering if the girl from the animated short ever had any actual relevance in the books. So yes, yes she does. She’s also the pink haired girl you see pop up in the game in the background, as a nod to O’Malley’s comic strip style which had her and Kim as the leads.  Also yeah for fans of the game or movie or even the comics who were unaware.. this prologue got an animated adaption on adult swim to promote the movie. Naturally Micheal Cera and Allison Pill reprised their roles as Scott and Kim, with Mae Whitman voicing lisa.. and honestly being perfect for the roll, and Jason Schrwartzman voicing Simon naturally. While the animation is slightly limited, it still looks decent and expertly translates O’Malley’s art, while sliming things down slightly where needed to fit a short, and the anmation takes a huge bump for the fight scene which like the comic is short but awesome. While it has no real bearing on the film as Kim’s former relationship with Scott never really comes up or has any impact, as the Film while good was based primarily on volumes 1-3 with small pieces of 4 (paticuarlly the iconic “Lesbians gag”), with Wright working off outlines and drafts of 5 and 6, so the last half hour or so is mostly Wright’s invention. 

Not a bad thing as it’s still awesome and not o’malley’s fault but it means kim dosen’t get to do much, and is a big reason why I want an adaptation on netflix or hbo max. While i’d still want changes both because there’s no sense doing an adaptation if your not going to make some tweaks of your own and because it’d be intresting to update the series to modern day, both in societal conventions and so everyone stops saying the r word. Seirously the most telling sign of the series age is that word showing up quite a bit during the first half of the series. Point is there is merit in doing another remix of the story and doing a longer form one so we can get more of the characters, as well as flesh out ones like Steven, Neil (Who was done WAY better in the movie adaptation thanks to the wonderful Johnny Simmons), and Stacey who got the shaft in the books. Again, not slagging off the movie, it’s really great. Just saying there’s always room for more Scott Pilgrim content and we all know it. 

We’ll get back to the comic proper, and the present day of 2005, after the cut. 

So the story proper opens with Scott dreaming of playing video games... because of course he is with Ramona walking in. and finding it charmingly pathetic but wanting her boyfriend to you know, get out of bed. It’s 11:30.  So with Scott’s ass out of bed, we find Scott, Age 23 idiot with a heart of gold and Wallace, 25 king of all gays, on the bus as they talk it getting warmer and Lucas Lee, movie star and jason lee stand in coming to town to film a movie.. and Scott being Scott gets him confused for Luke WIlson. He’s also seen Bottle Rocket which.. good on him. Seriously while not wes anderson’s best film, those were made long afte this comic was published, it’s still a damn good one.. where was his career at this point... looking it up life aquatic was his most recent films and is still one of my favorites. So yeah he was in a good place career wise. 

Scott proudly talks about having Ramona over in a couple days so she can see his place and meet Wallace. But as explained by Wallace for those of us just tuning in, he already met her last volume. You know during that time Stacey thought she could magically make her date not be attracted to someone else.. and yes even almost a month later not letting that one go. Stacey should know better. Not saying i’ts right Wallace keeps poaching her boyfriends, but she still shoudlnt’ try and force a relationship with a guy or even finish a date with one who makes out with someone else, regardless of gender, mid date. She deserves better. In general not just in this one scenario but we’ll get to that. 

Point is while Scott, as usual, is a bit pissy about this Wallace.. has no time for that and issues an ultimatium

And he’s not bluffing, as he fully intends to tell Ramona the minute she walks in the door if he dosen’t break up with Knives. It really shows Wallace off at his best and why he’s Scott’s closest friend: Kim and Stephen do care about him but Kim both has a LOT of unresolved issues and sexual tension with him and keeps eveyrbody including Scott at arm’s length. And Stephen.. while he will OCASIONALLY call Scott out mostly just enables him, either ignoring his college buddy’s shittier behavior or playing along with it and backing him up when Kim rightfully calls him on being a dickhead. While both love their friend they just aren’t the best at dealing with his shit or getting why he does the things he does good and bad.  Wallace on the other hand geninely likes Scott. He’ll lock him out of the house and tell him to sleep elsewhere so he can bang one out, he’ll not wear pants if he dosen’t have to and he’ll certainly hit on Scott just to get a rise out of him, phrasing.. but he also genuinely cares for the guy’s well being. He lets him sleep in their house basically rent free since scott has no money, buys most of their stuff, and is, as we’ll see in this one, the ONLY one of his friends to take an active part in the fight against the exes, training Scott and researching his opponents when he can get info. He won’t baby Scott as seen here, but he will help him, and he will be the harsh voice of reason his friend needs.  And he did TRY doing a softer approach last time, simply telling scott to break up with his fake high school girlfriend. Scott had every chance to dump Knives during the last third of the first book.. it’s just a combination of both Knives and Ramona being in the same place and Scott getting panicky meant he balked. He NEEDS to be pushed into leaving Knives or he’s not gonna. And he also gets it’s not just Scott being a shifty coward: Scott DOES like Knives.. he just found someone who actually challenges him, intrests him and connects with him on his level, versus someone who worships and adores him like a puppy who just happens to be skilled with knives. The relationship with Knives. was an ego boost, an unequal paring that gave Scott the illusion of moving on from Envy. Ramona is him ACTUALLY moving on and given how badly Envy fucked him up, which comes into play in this book and the next, Wallace recognizes that Scott does need her... but this relationship can’t go anywhere if Scott is seeing someone else, and they both know it. Wallace is just the one who’s willing to do something about it to force scott to do something about it. He’s doing this for Knives too: it’s very clear he cares about the girl, was against this from the start, and knew this was going to end in pain and the faster Scott rips off the Band-Aid the faster she can move on to someone closer to her age and far more equal to her. Scott.. takes this about how you’d expect, even calling Double Standard, as Wallace does sleep around.. and while Wallace will be a homewrecker to Stacey.. otherwise it’s not remotley the same. Wallace does his sleeping around either casually or when he does get a partner, with their consent from what we can tell. He never cheats or anything, he just likes to bone. So yeah Scott doesn’t have a leg to stand on and acts accordingly. 

One of my faviorite gags in the series and one that’s etched in my head for keeps. So with a justified Ultimatium over his head Scott calls knives to hang out. Knives.. shows off that as adorable and trusting as she is.. she’s also kind of creepy and shows up just outside the phone booth he’s calling her from.  So the two go to a record store and Knives tries to get Scott into Clash at the Demonhead, her faviorite band. But since i’ts you know, headlined by Scott’s ex as we’ll find out, he’s not into it. But before that can get awkward.. it gets awkward in another way as Knives invites Scott to dinner at her parents place. Which is an objectively bad idea even before you get into the fact Scott wants a way out and as Volume 4 will show us her dad is both not happy with the idea of her dating a white guy and willing to use a katana to prevent it so he dodged a bullet there. Scott TRIES weasling out of it, but his “I’m too old for you” thing falsls on deaf ears.. and actually explains why she thinks this is normal: her parents are 9 years apart. of course obviously two consenting adults with a decade between them is a mite bit diffrent than 5 years between a teenager whose taking this way too seriously and a grown man whose taking this not seroiusly at all and dosen’t get how effed up this is. But Knives is too naive to get that, and papers over any possible concerns about her parents not wanting her to date a white guy with i’m in love.  Seeing that he has no EASY way out of this, as he shouldn’t, Scott just rips off the band aid and bluntly breaks up with her, saying it’s not going to work out. Knives.. is clealry devistatd. To her this was a serious relationship.. and Scott realized that too late.. and thankfully while he didn’t break up with her in the best way, at all, simply syaing i’ts not going to work out and confirming to her he means it, it’s clear from his face this hurts to do and he knows he’s REALLY hurting her and REALLY shoudlnt’ of dated her to begin with. IT’s why Scott dating a teenager dosen’t make him a morally rephrenisvie monster: because he was genuinely intrested, didn’t use her sexually, and there are tangible consequences for his actions. Knives just dosen’t disappear neatly into the sunset so he can be with ramona. The rest of the series covers her emotoinal recovery from being with Scott, and how she very horribly handles it and that’s why this plotline works at all: she’s not some act one contrivance to be thrown away, sh’es a human being, and more than that a young woman who got hurt REALLY bad and got way too in over her head with someone who just..wasn’t the one fo rher no matter how much she can’t admit that. 

We also get one of my faviorite sets of pages as Scott relfects on things and the sheer devistation on Knives face, which credit to a series that even at this early point loves it’s big bold facial expressions.. her’s being more subded just makes it sting MORE. 

This bit to me is vital to keeping Scott sympathetic and to his character. We see he really does regret what happened, dosen’t know how to process it and genuinely feels awful. As I said instead of some exgerated face that would still hurt him.. her face is quiet, clearly unable to process this and clealry lost and hurt.. and that hurts more than any fuck your or sobs he was probably expecting. Just her clearly not getting WHY he’s doing this or why he hurt her, and he KNOWS why he just knows telling her the truth would hurt her even more. But.. as he thinks.. his thoughts move to something else.. and the WHY of why he did this. 

He did it for Ramona. Wallace was as harsh as he was right: he needed a clean slate to actually give this relationship a shot and the smile comes off less as him being a calous dick whose just happy to move on, I mean he is a little, but more jus tsomeone READY to finally move on. He found the right person, he let the wrong one go if clumsily.. he has a future to look forward to and he can smile about that. 

Granted he’s still his usual unteitonally callous self and his way of telling his friends he and knives broke up is to casually say so and say “dont’ worry you’ll meet my new girlfriend soon.” Their reaction.. is my own. 

Look just because Scott is a nuanced douchebag dosne’t stop him from being a Douchebag. It just means he isn’t intolerable to watch and you actually care about him growing as a human being is all. 

So with that out of the way, it’s date night and Ramona is coming over.. also Scott is considering calling her Ramy which no. I'm genuinely in favor of a pet name that’s just a variant on someone’s name but a bit cute, as it’s just the right level of obnoxious, but no, just no Scott. No.  Ramona enters, meets Wallace again and sits down while Scott tries to shoo him out.. because turnabout is fair play bitch. They also see Ramona’s new hair as she dyes it something new for the first time, in this case a very lovely two tone, the purple from last volume but with a darker purple bellow it. I honestly wish she went for multiple colors in her hair again, but likely didn’t since the book was originally in black and white... which still dosent’ make sense as it would’ve been EASIER that way. Regardless Wallace makes himself scarce proving that he’s more than willing to be equal in terms of one of them spending the ngiht elsewhere. What a guy. 

Ramona finds out a few things about Scott: That his apartment is VERY small, just one room with a bed, a cabinet, a small kitchen and a bathroom, which despite what scott says I REALLY dont’ count as another room. Just common sense. She also learns that he can COOK. Yeah while you’d expect Scott to just get a wad of “I did the ultimatum thing okay now gimme” money and buy dinner but no.. he made the whole thing himself from his own recipe.  And once we cut to them eating on the floor.. turns out yeah he not only can cook but is REALLY good at it. She wishes there was a table which, small as the place is.. fair point. I mean at least get some tv trays. You have chairs. Or at least the easy chair. You can get nice padded folding chairs so you have a second chair guys. I know your poor but come on. Also Scott leanrs bread makes you fat. Good stuff. Also Scott freaks out when , while making out with Ramona in bed later, she mentions his hair’s getting kinda long and could use a cut... which turns out to be a thing for him. He isn’t an ass about it he just panics a bit because he’s partially convinced his last relationship’s nightmarish breakup was because of a bad haircut he got. As we’ll see next week, that’s a no but as someone whose a touch neroutic myself I get blaming a larger issue on something trivial. 

So we then get to the next chapter where it’s KIM’S turn to have a dream.. and the only time we see someone else's dreams. Honestly.. I really would’ve liked if it was a recurring device, even have Ramona pop into other people’s Not used ALL the time but I could easily see it being used with Knives to convey her obsession with Scott and her pain or kim again to help move her plots along or Wallace because I want to know what’s going on in his head. It must be a maze of male gentalia and fine liquor the likes of which has never been seen. It’s scotts funeral as Simon killed him and Scott’s corpse wonders if she dreams about this a lot. 

So we see her get ready and wake up her roomate Sarah whose a bitch. And as we’ll see in one of the backups, so’s the rest of her roommates. So drifting into work. Hollie is a character I really liked... the past tense will be explained later. And the first scene is probably why as her and Kim banter effortlessly, with Kim suggesting maybe she was a happy kid... only to admit quickly no she wasn’t, she was pretty withdrawn and then pretty angsty over someasshole who will be named Scott. “Your a holy terror kim, and i’m glad your on your side”> It’s a short scene but the kind this series excells at: just realistic, fun little exchanges bursting with character. I also GENUINELY wish we got more of this kind of thing, as only Knives really gets these kind of scenes to herself for the most part. There ARE scenes without Scott, but not enough like this that just give us as look into what his friends lives are like during the moments they aren’t putting up with his dumbassery or watching him engage in mortal combat. It’s why i’ve been hoping a spinoff will happen even though it likely won’t SOON. I’m sure O’Malley will return to this world some day, but between Snotgirl and Wicked World, which will come out when it’s ready but should be good.. he’s just really busy. But i’d love to see more of Kim.. or Wallace or Knives. The latter two are a no brainer: Knives is the tritagonist of the books, and it’d be intresting to see what she’d be like 5 years at the book, at the same age and stage in life as Scott. And with Wallace it’s because we really DON’T see his friend circle, life or what goes on with him. We hear him talk about a new boyfriend, who we don’t meet until near the end of the series, though you can see him in stage 3 of hte game if your curious, we see him with some random friends in volume 4, but we really don’t KNOW what hyjinks and lojinks wallace gets up to. He’s pretty isoalted from the rest of the main cast, something I hope an adaptation could fix as while realistic i’td be curious to see what his relationship with Kim or Steven would be like. Just food for thought. 

Point is this was a good scene. But as is typical for Kim’s life just when she has some serenity her ex crashes back in. In this case Scott needs to rent some movies, kim works at a rental store and god teenage me really wanted a clerks style spinoff.. but enough spinoff talk. Scott asks kim to bororw them, of course and explains he’s training for his fight with Lucas.. which Kim reacts to finding out her second best friend is in a series of death matches. 

She has understandable questions such as how the hell doe she know that and is he stalking Lucas and just hoping he’s an ex.. which let’s face it would be a very scott move. But nope Wallace told him, likely learning in an interview he dated Ramona or is coming for scott because he knows everything. We also get one of my faviorite exchanges when Kim wonders why Wallace and Scott are roomates.. a valid question he deflects by saying i’ts a long story. 

Also yeah, as much as casting Micheal Cera backfired for the movie.. that panel there proves there wasn’t another choice at the time. When you want a loveable, somewhat douchey, but also somewhat innocent and oblivious slacker.. who you gonna call. Also before we move on.. Kim.. how are you this suprised. You were there for the fight with Matthew. And Ramona giving out the exposition on why he’s there.. and you even did that whole weird space channel 5 thing no one ever did agian and to this day I will never understand what O’Malley was going for and only know the refrence by hearing that’s what it was. Point is you shouldn’t be this suprised.  Anyways we next cut to Ramona and Stacey, as Ramona enters her workplace, second cup, and they talk and Scott’s spider sense goes off... 

I mean it’s just a bad feeling but still.. weird. WE’ll get back to that later. Scott is in the middle of his training.. and I love the mentor side of Wallace and feel it didn’t get used enough as the series went on. As said before he cares about Scott, so he serves as his Shounen Mentor and a great one: he’s stern and makes Scott work, but he also gets his student and what Scott needs to work. I just wish he’d taught Scott some actual combat, but as we see Wallace’s combat skills boil down to yelling useless info from the sidelines.. I mean he can be useful, we’ll see that next week, it’s just he’s not an action guy. But spirtually he’s the guy scott needs to kick his ass into shape. That being said his “training” consists of watching Lucas’ movies, playing tony hawk and when Scott wants to play more Tony Hawk, having Scott do pushups while Wallace plays Tony Hawk.  Before we turn... there is an elephant in the room I just gotta shoo out: Lucas.. is easily the worst setup of the 6 exes. Patel SEEMINGLY comes out of nowhere but his letter and email hint SOMETHING is coming up, and his flashy dynamic entry intro is damn cool and is what turns the series on it’s head, from an indie comic about a guy getting it together.. to that but with huge shonen dustups with epic visuals. Todd is introduced masterfully here, and is a presence from the start of volume 3 as a result, Roxie gets a slight tease in the free comic book day issue, and her not attacking for two months not only sets up tension but allowed for a red herring.. im’ not only hiding that the fourth ex is a she because anyone whose seen the movie or played the game knows the fourth ex is a woman. The cat’s out of the bag, no sense hiding it. The Kentangis show up pretty early on and Gideon is hinted at and built up, as this towering, mysterious figure, his relationship with Ramona, who he is, why he set up the league, and just how fucking strong he is is all obscured, with his only four apperances simply teasing the big final showdown and giving him that much more mysitque. 

Lucas.. is just sorta intorduced like “Hey I gotta fight this guy”. There’s just.. nothing. Scott’s just gotta fight him because he’s next up and Wallace knows that because plot convience. It’s VERY lackluster given what comes before.. and frankly while I like Lucas, he’s the weakest plot and character wise. HE’s not even really EVIL, just a sellout and is more doing this because he has to I guess, and likely because of stuff we find out in Book 6 but sssssshhhhh. We’ll get more into that when the fight happens but it’s one of the books weakest points. The evil ex.. just feels like an afterthrought again despite there being no reason to. Thankfully this would never happen again as I said, but it dosen’t make this any less frustrating. 

So we cut to Sex Bomb-Omb practice, and after that we get more tease for Clash at Demonhead. And Stephen.. is cool with them and entirely happy one of them made it, while Scott is understandably pisssed off about it and not happy one of his best friends is you know, promoting the band of his ex who broke his heart and as we’ll get more into next time, said rising career is what tore them apart. So yeah Stephen’s a dickhead, and I was wrong last time that he got better. He really.. dosen’t. He gets less CREEPY.. but out of the main 6 characters he’s the weakest: he dosen’t have much of an arc, does some very questionable shit in the second half, and his being around means we have to suffer through Julie. I’ll tear into him more on a case by case basis but for once Scott’s not overreacting. While Kim does nothing she also has no idea just HOW bad things were and Scott won’t tell her. Stephen was there the whole fucking time. He just saw Scott’s rebound with a teenager. He knows he was kind of messed up after this. Dosen’t justfiy knives but still he looses the moral high ground he tries to have at times. 

So while Scott shops a song for Ramona to her, Knives calls Scott’s place clearly setting up another suprise apperance. Wallace.. figures out what sh’es doing quick and simply gives her a stern “You have to go” And to me it’s not him being a dick.. he’s both trying to save her from seeing Scott with Ramona and fucking her up worse... and is looking out for her. She needs to move on and moving up to stalking Scott’s not going to help that. Scott dosen’t WANT her anymore, and while he handled it bad, Wallace gets she needs to see that. Granted he could’ve you know explained it to her and tried talking, but as i’ve said he’s not a perfect person and he was also on a time table to get her out of there in case Scott you know, showed up with his new girlfriend and made things a billion times worse. And the two are indeed headed to his place to watch one of Lucas’ movies, and part of that weak setup is that Ramona.. just has no connection with him. It was high school. Scott also pretends he dosent’ remember his. You are a lying liar sir stop that.  So they watch the film together hanging out, and it’s.. really bad. The good one was rented out. I miss rental stores.. a magical time. I mean i’ts better now, streaming means 80% of movies are avaliable if you have a bunch of services and even if you just have netflix or hulu or hbo max, you still get a pretty decent selection each month. Plus digital rentals are super easy. Do miss redbox though. I mean it’s still there I’m just warry of something that relies so heavily on touching things in a state with a lot of trump morons. You CAN get Covid twice and I don’t wanna. Also we get some dated Dialouge as Scott commenting on Lucas being hot, he is good taste Scott, is given a “good job convincing me your not gay”. He and ramona end up having sex though so .. yay? I dunno. The series has a really weird thing about not getting bisexuals exist and as someone whose bi, and really against bi errasure it bothers me, it bothers me a lot. Though given O’Malley apparently has not only far more queer rep in snotgirl but a bisexual lead, he’s clearly learned so i’m not going to drag him too hard on this. It was the early 2000′s. People were pretty damn stupid about this. Creators have gottten MUCH more important issues much worse. 

So the next morning, Scott gets a call from his well meaning but ditzy mom, and reacts like you’d expect. His parents are in Europe to keep them out of the action and what not. Though apparently according to the last book his mom did read volume 3 at least. Or Wallace told her about the relevant bit. You make the call. 

So i’ts Ramona’s turn to meet Sex Bomb-Omb. The group hang out and discuss Gordon Downie. 

Look I don’t know indie bands. I have no idea who the tragically hip are I just know the name is really hipstery. We also get the recipe for Vegan Shepards Pie. None of them are vegan they just wanted to try it and I.. really want to make this some time. Just to see if it’s any good. But yeah it’s in general a fun casual scene, as Kim reveals she and Scott dated, just to break the tension, and Scott tries out Rammy but quickly backpedals. Just fun slice of life stuff. Oh and Knives is watching them from the window and takes Scott dating someone else as well as you’d expect. 

So she gets some hair bleach to do some highlights and calls her friend Tamara over. We met her last volume as she dragged her along to the show, but it’s here we really get to know what she’s like.. i.e. the sane one in the duo, rightfully pointing out Scott’s not that great. Also Knive’s points out ramona’s “fat”, which is thankfully portrayed as petty sniping as while Ramona does have some curves it’s you know.. not remotely a bad thing and the kind of thing a teenage girl would harp on. Still she’s just in STEPS from this happening. 

But yeah.. it’s clear here Knives has some underlying issues to address and really needs therapy  not to go after her ex’s current girlfriend with knives. I mean it’s in the name but still. Then again volume 4 has her dad going around with a katana or something like it wanting to murder her daughter’s older ex boyfriend he dosen’t realize is ex so it’s clear her whole FAMILY needs some therapy. But this does round her out and show there’s more to her.. a pretty violent and obessive side sure, but it shows she wasn’t just some one dimensional ego boost for scott but a person. One whose just as flawed as the rest of the cast.. but more sympatheic because they’ve all got about 6 or 7 years on her and at this age that’s a lifetime. And while Scott DID set this off by dating her which was objecitvely a bad idea... the rest of this isn’t remotely on him. He handled things BAD.... but all he wanted was for both of them to move on. Knives.. simply can’t admit Scott is not a nice person, was probably two timing her as Tamara points out, which as we know he 100% was, and is not some perfect guy she can’t replace: like Knives.. he’s just a person with faults and she’s too blind to see that. 

So before we can get to the crazy stalker ninja fight, let’s instead get to Scott and Ramona hanging out where we meet Gideon, Ramona’s Cat who i’ll call Cat Gideon, both because I love steven unvierse and because it’s less confusing. This is a pretty slight scene as Ramona admits not a lot happened with Lucas and Scott’s apartment is a hole.. which yeah, yeah it is. Also she DEFINTLY dind’t cheat on him with any cocky pretty boys. Which would come off worse if it wasn’t for the pact Ramona was clearly doing it out of regret and Scott just liked like 50 pages ago about rembering his exes when one of them is his second best friend.. which neither would admit but you know it’s true. Stephen is third where he belongs. 

So next morning it’s fight time, and Scott is glad wallace is going with him. It’s awkard going to fights alone. Which leaves me to wonder if before this comic Scott just.. fought random guys letterkenny style. Like they’d call up, schedule it and then he and one or more of his friends would go beat up a guy. It’s just.. hilarious knowing that this kind of thing is common in canda minus the ki attacks , flash effects, wizards, vegan psycics, ninjas, and roboticists. But damn I now want a scott pilgrimized letterkenny now more than ever. You know you do too don’t deny it. I”d love to see the hard right jay fight but iwth a loud “KO!” when he gets his ass knocked out. Also Casa Loma is a very real, very cool Toronto location, as I never realized as a kid, to the point that the lucas fight was filmed there for the movie. 

So Scott approaches Lucas a bit star struck and upon finding out scott is.. punches him out as seen in the header image and throws him into a tower. When Scott regains conciousness, Kim and Neil have arrived and Lucas calls a time out. And it’s here we get to, while being the weakest of the 7, why I like Lucas.. he’s actually a pretty nice guy. At WORST he sold out. But the two have a pretty nice conversation over ritz and baby carrots, with it turning out, unsuprisingly Ramona did cheat on him with a cocky pretty boy, and while like Ramona he’s clearly moved on, it still hurts a bit and understandably so. He also warns scott while she might seem nice i’ts an act. 

I mean it isn’t ALL an act, but she does have a tedency to put up walls and act pretty badly as we’re slowly finding out.. though given Scott does the exact same it only means.. she’s human. She’s not MUCH higher above him in terms of morality and this is where we get our first peaks into the fact the series isn’t just about Scott’s development but hers. But it’s understandably absent from volumes 1 and 2 since we need to know her first, and this volume is about getting to know her a bit and get a feel for who she is, something I ddin’t really get a grip on as a teen, but do now. We see more of who she is good and bad as the walls go down. She’s more SURFACE LEVEL functional than scott, but beneath it has a lot of the same exact issues.  Lucas and Scott continue to GENUINELY bond, as Scott genuinely thinks the guy is talented and Lucas want’s an Oscar this year.. maybe not for the current film which is a romantic comedy with a teen star but hey, stars have done far worse in their Oscar years. I mean at least he’s not making a comedy about himself in a fat suit domestically abusing himself in a wig while he also plays an asian sterotype. He explains he almost didn’t get into the league but felt too important to ramona’s past.. plus he looks cool. Plus they let Patel in despite barely being in a relationship with her and being kind of a tool so they kinda had to let the handsome affiable movie star in. Scott wonders “wait league” and Lucas is understandably frustrated to find out Patel just sent a letter Scott didn’t read.. and at Matthew let’s be clear. I mean.. Gideon has to have known Scott wouldn’t read that since he’s been in his head. We’ll get to that in part 6. Point is they formed a league, hence why their organized enough to come after him like this and Scott understandably glares at Wallace for you know, having him play tony hawk and watch movies yet missing the fucking obvious clue they were all working together and they were only coming at him one at a time by choice. 

Lucas offers to just.. take a bribe and SAY Scott beat him, Scott calls him a sellout jokingly and Lucas proves that while not AS bad as the rest of the League, he’s still a dick by telling him to kiss ramona’s sweet ass goodbye pilgrim. Okay either he’s seen her since high school or he’s fondly remembering a high schooler’s ass. Neither one is nice to think about. But Scott gets out of his ass beating by pointing out a ramp, real thing too used for the movie, and asking him to skate down it. Lucas says i’ts impossible, and Scott just whistles. So Lucas tries skating the impossible and dies via velocity. Yes really. Scott collects his change and gets a gift, a mytryil skateboard he.. can’t use because he dosen’t have a proficency for it and bemoans not picking it up in 5th grade. Also he didn’t get his autograph. He does get some coins though so neat.   Yeah I mentioend Lucas was the least of the exes and I stand by it: He’s an intresting character, not a GREAT person but clearly a charming and nice enough guy who likely offered the bribe not because he’sd a sell out but because he genuinely liked scott, and is easily the best adjusted of the exes. But obviously a near non existant setup and a really hilarious and unsastifying finish just.. don’t really feel sastsifying. I mean i’t slampshaded, but after all the build up of her having 7 evil exes, the next one is just..filler. Not BAD, but not really anything special and giving Scott a an early pokemon victory, but unlike ash having done nothing to really DESERVE it.  Thankfully both adaptations so far VASTLY improved on this. While Lucas is still affiable in the movie he’s also smarmy, if on better terms with Ramona, saying “he seems nice” after the tower throw and throwing in some stunt doubles. His fight goes from one of the least satisfying and weakst of the series, to easily one of the best of the movie. We’ll talk about that more there but obvious Chris Evans version is far superior, keeping the good traits while giving us an intresting fight.. and still keeping the skateboard death because it’s fucking hilarious and the movie improves on THAT too by having scott give flat wows as he slowly dies. The game likewise keeps teh skateboard death, if shortening it, and the skateboard, and while not changing his apperance does make him a hell of a tough boss. Took three tries and some online grinding to take him out. Still a hell of a fight. Point is while I genuinely like Lucas story wise.. this just dosen’t work for me and is pretty damn weak, even if it gives us some godo character insight we could’ve got that, and a fight and still had the finish we did. 

That being said.. we DO get a fight instead, likely why the Lucas fight was so truncated. Next chapter and that evening or the next day or whatever, we pan over the real life tornto refrence library. It is a VERY nice touch thatt the comic and it’s adpations use either real places in toronto or reasonable subsittues. While not canadian myself I love the place and hope to visit Tornoto some day when the world isn’t a living nightmare and it’s really nice that like New York for Marvel, Brian Lee O malley really makes the city feel integral to the comic, like it’s own character. But Knives is ominously perched above.  At second cup Scott is horrified to find Julie. Seconded. Julie takes the moment to give out to scott about him dating Ramona despite telling him no. Okay... 

Yeah as you can probably guess I don’t like Julie. She’s not a good character. The movie did her better, with the bleeping gag and aubrey plaza’s performance, but in the comic.. she’s just the worst. She sucks bad. If she were an ice cream flavor she’d be pralines and dick. While she’s fine on OCCASION, and actually works in the next volume, outside of that she just gets more unplesant, more unlikeable, more bitchy, more unfathomabbly assholish every. damn. volume. I”ll give out about that a bit then too but I have to put up with her for the entire damn comic. Now her being bitchy to Scott is fair to a point: Scott is a mess, and she’s loyal to Envy in the breakup, and Scott’s own friends drag him on a daily basis.  The problems are that she’s like that to EVERYONE, even Knives who isn’t about to stab her much as i’d like that. She’s unberable to Stephen whose tolerance for her is unfathomable, though the ending bits of volume 6 show maybe he just has terrble taste. She’s just a throughly unplesant, social climbing bitch who thinks she’s better than everyone. And it sticks out badly against the main cast; Scott is very bad with women and relating to people, but is also nice, charming and most of the damage he does is not intetional. Ramona puts up walls to keep others out but is also a responsible adult and often cuts through Scott, and at times others, internal bullshit. Wallace is an alcholic, but still a very responsible, very loveable guy who clearly cares about scott and supports him finacially and emotionally. Kim is VERY emotionally distant, very misntrhopic.. but also a good person who as we see as the series goes, has an inner light to her and often drags on Scott because she’s been putting up with his shit the longest and WANTS him to be better. Knives is an obessive and violent stalker.. who was also deeply hurt by an older man, dosen’t GET that her realtionship with scott was wrong and uneven, and is clearly not emtoinallyr eady for the deep feelings she’s having. And Stephen.. well he’s a talented guitarist but also enables scott and julie. Especially him enabling Julie. 

Point is their all pretty well rounded, llikeable characters with flaws. Julie.. is just an ass. And this scene demonstrates that with flying colors. While Scott does ignore her because he’s too worried about his sister and girlfriend becoming friends, understandably given Stacey knows all his dark secrets, Julie spends two pages giving out and treating scott like some bad guy for persuing Ramona against her orders. And i’m going to break down why.. this dosen’t work.. on any level for her.  1) Ramona is not Julie’s property. She’s a big girl with her own free will. They aren’t even remotely close: Julie met her only barely before Scott, and given the dream thing probably not even that. And you could say Julie is just looking out for her... she dosen’t know Ramona well enough to KNOW if Ramona is still smarting over Gideon. She probably was.. but she readily, once the awkwardness passed, went out with scott and dove right into the relationship. While there’s still some scars as we’ll see.. she CHOOSE to move on and that’s her choice. If she wasn’t ready, she woudl’ve turned him down or broke it off by now realizing it was a mistake.  2) Scott has no reason to listen to her. She hates his ass, somewhat justifably but still, she hates him and has been against him since fucking colllege. She took his exes side in the breakup despite Envy still being partly in the wrong but paints him as some abusive dickhead and not just an insesntive dickhead. To him he’s just some villian she needs to reign in for her cool friend who wants nothing to do with her and grows to justifably hate her over time. Scott and Julie TOLERATE each other. They are not friend,s they do not like each other and never will. They are around each other because of Stephen. That is it. If Kim , Wallace or Stephen had asked, or at least made him wait for kinves. he probablyw ould’ve or at least considered it since while they take the piss out of him, they genuinely care about him and actually have shown they care about something other than themselves! Speaking of which the cou de gras 3) She’s a selifsh bitch: She is NEVER not  in any volume seen as out for anyone but herself, and thus scott has no reason to trust her judgement. She berates Stephen, him and anyone who will listen, is only so loyal to envy because she’s famous, and as I said treats EVERYONE like dogshit.  And given Scott is still a very flawed guy.. it takes a LOT for him to be so right and he runs out screaming when Julie mentions her.

So back at the library, Ramona brought Stacey along because the place is a maze. Scott calls Stephen and calls julie evil.. which given the last two paragrahs. Yeah. She is. She really is. But that goes nowhere as he dosen’t have Stacey’s number. He also thinks Julie was responsible for this which while she’s very much not.. would it REALLY be that suprising that if Julie were there she would’ve introdcued the two and set up their little hangout just to piss scott off? God I’m  so sick of talking about her. 

So the two after dropping off Ramona’s package decide to hang out a bit.. not long as Ramona’s got shit to do, but hey I agree with her logic i’m curious about this palce too. But before they can go up an elevator Ramona spots incoming.. and thus we get the fight of the volume. Though given the next one has two climatctic fights and one or two before that, they easily could’ve had both.. this is still the highlight of the volume.  So Ramona snaps off a railing and before Stacey can give out about that she finds out WHY as Knives attacks with a pair of sais. And O’Malley did his homework as while you’d THINK it was just another dumb white person mistake.. O’Malley is asian, thoughw ether he’s candaian korean or canadian chineses, as his last name is korean but he has a large chinese cast in this very comic that might come from experince, I do not know and if you do know tell me. I’d like to refer to him properly as I don’t LIKE lumping all asian cultures into one basket. But not only that he did his home work, as Sai’s, while popularized in Okinawa Japan, were also used in other countries. I bring this up since I assumed it was just a simple mistake even knowing Brian was mixed-race, and was plesantly suprised to fine that know, I was the moron. And i’m fine with admitting that. 

So we get a damn good fight.. and Knives figures out Scott WAS cheating on her. Granted she assumes so due to seeing Ramona at the refrence Library, before he actually cheated and clearly blames Ramona for it, but still, it fucking hurts. Plus while her attacking Ramona, who initally assumes she’s gideon’s doing, which.. yeah sending a teenage assasian just to mess with her head does sound like him. So while Stacey does complain “ramona you can’t just tear out art objects” to which I say... yeah high, Stacey? NOT THE POINT RIGHT NOW SCOTT’S EX IS TRYING TO KILL HER. SHE’S DEFENDING HERSELF.  So we get one hell of a fight. It not only shows off that Ramona is one hell of a fighter herself, as is knives, but just how immature knives is, resorting to constnat fat jokes and taunts showing just how immature she is.. and unlike volume one where it was endearing and we just saw how sweet she was here it just comes off as mean, bitter, and uncomfortable. But again part of the series biggest charm is the main cast are all well fleshed out and throughly human. She’s doint this because she dosen’t know better and was raised in a house where, again as volume 4 will bear out, finding out her dad is going after scott with a samurai sword just warrants a “dad’s are so weird aren’t they” my point is her frame of refrence is a mite skewed. Plus this is a world where everyone but Stacey just calmly accepts big shonen fights break out, so it’s not that unsuaul to want to settle things with a fight and while i’ve joked about her killing Ramona we genuinely don’t know that was the goal> Could’ve been, easily given murder is peachy in this setting and just leads to a respawn according to O’Malley and would’ve just sent ramona back to her apartment. But I genuinely don’t think she has it in her to do it and while she could’ve planend to, she never would’ve. Plus Ramona easily leads the fight as while Knives uses hit and run tactics and tries make her follow.. Ramona is more annoyed than anything as she has shit to do. Knives only gets one hit in and while i’ts a pretty nasty scratch on the cheek, if thankfully not scarring.. Ramona shrugs it off when she brags about it and easily takes knives down with a potted tree. Knives runs and while she tells herself it’s to fight another day.. its really because her opponent was WAY stronger and way more ready for something like this than she probably planned on. She did defintely want a fight, she just wasn’t prepared to be outmatched so handily. It’s also a nice  parallel to last book’s fight: Like with Scott and Matthew,  while the fight SEEMS pretty even, in reality our hero/heroine was alwasy teh one in control and easily took care of the less experinced and less ready upstart, who likely wasn’t expecting a fair fight much less to loose. 

So Ramona and Stacey wisely get out while Stacey explains Knives is indeed Scott’s ex, though is unaware of the cheating thing. Speaking of Scott he’s playing sonic and knuckles, and in fact kept wallace on the line before just to get advice because of course he did hence why stacey didn’t get through to him, but gets a call... from Envy. 

This is easily the second best sequence in the boook, which was lovingly and wonderfully adapted to film and as a result I cannot read it without hearing Brie Larson’s voice for Envy , a nice mixture of seduction and condescension. It’s CLEARLY painful fo rhim, and we do get some things established as Envy toys with him, that it’s been about a year and that she left him for a cocky pretty boy, familiar.. and while Scott claims to not know what he looks like.. given Todd is clearly on her band cover... it’s not exactly hard to put two and two together. So after some awkard catchup and Scott telling her about ramona against his will, we get to the reason she’s here with Scott understanndbly being supscious and calling her a user.. which while Envy denys.. she ends up admitting to. She’s coming to town as estalbished and her opening act backed out, and since Scott has a band, and one that 2/3 of which she knows, she wants them to open for her.  Scott naturally isn’t too intrested and thinks it’s just pity. The sequence. is masterful, using a watchmen style 9 by 9 panel layout and intercutting scott’s pained reactions and clear lack of comfort with flashes of envy on her side.. never showing her proper, but showing his memories or what he’s seen in magazines. It’s really striking and really sells the sheer discomfort Scott’s going through.  So soon after Wallace gets home.. and finds Scott, drained and miserable on the floor, not even responsive. And this really is the scene that shows me that Wallace cares for the guy and cements that asshole he may be, he loves his buddy. He goes through possible scenarios that fit scott: Food poisoning, finding out Wallace saved over his final fantasy save (though he rules it out as last time that happened he was crying), that ramona dumped him.. before Scott let’s out a pathetic and miserable “Ennnnnvvv”. Wallace , who was at ground zero for that relationship as we’ll find out, realizes this and lets out a little shit, unsure how to help and pissed off at that bitch for once again hurting him like this. As I said it shows how Wallace knows scott in and out and loves him dearly.. and how he knwos about this paticuarly heartbreak better than anyone but Scott and Envy themselves. IT’s just a really tearjerking scene, as we get a sense of WHY scott spiraled into an ego boost of a relationship: His last one REALLY tore him in half, and he’s still not completely healed from the emtional bisection. 

So Scott gets more bad news next chapter as Stacey tells him about the fight and he’s worried he’s going to loose ramona on top of this. I mean he desrves it.. .but it’s clear she’s the best thing to happen to him after a really rough year of denial and poor decisionss and loosing her will likely only make him WORSE. He also breaks the bad news, to him at least to the band about the gig. Stephen, being kind of a dick who while understandbly excited about a big gig fails to see his friend REALLY isn’t happy about this nor remembers you know, that the person offering this tore his heart out indiana jones style and while they should take the gig despite the risks, it’s too big an opportunity not to, he should be fucking senstive about this. Kim however... has a suprising and heartbreaking reactoin to this. Which is spread over a few panels but i’m gonna string into one image for convince sake. 

Just.. DAMN. I honeslty missed this both as a teenager and as an adult when I read through the books last time but holy shit is this a heartbreaking little moment, even more with the development she gets in later books. Keep in mind, over two books so far, Kim.. really hasn’t shown a lot of emtion. The most upset she’s gotten was getting a bit pissed about another a girl drummer. The only other time we’ve seen her sad was at 17 when Scott left. Her only emotions that we could see were angry and surly. But here? She’s genuinely upset and we see her walls break down for the very first time.. and it’s with the clear indication she NEVER really got over Scott. She never got proper closure and while she hasn’t let it so.. it’s been VERY clear she's been grossly uncomfortable with how he just likes to brush off their history, something that very clearly still bothers her and understandably so: 6 years , while a lot of time, still really isn’t long enough to just .. FORGET your first boyfriend , how he made you feel or the fact he took your virginity and you took his. Stuff like that sticks with you.. I’m ony assuming on the virginity thing but my point remains: To Scott it’s SEEMINGLY nothing, when really he’s probably just trying to brush it off because he dosen’t like dealing with things and given how Kim is wrongly assumed she can’t feel pain. I mean to anyone else i’d be a fair assumption and even i’m not convinced if she touched a hot stove she’d burn, but that’s phsysical this is emotional. DIffrent playing fields. Point is Scott’s kind of a dick and not having ANY closure for anything, Kim is still smarting from him leaving as much as Scott is smarting from Envy dumping him.  And it somehow gets MORE painful.... which should’ve been the tagline for Bojack Horseman now I think about it but yeah: her line is what cuts me up the most “I saw her on the cover of Now. She’s pretty”. It’s a little line, it’s easy to see why I missed it .. but the subtext really stings. It’s that despite being VERY pretty, I had a crush on her as a kid and I still do now.. Kim just can’t help but compare herself to someone whose now a glamrous rock star.  Their equally attractive but all Kim can see is ANOTHER person who Scott cared about more than her. Which seems petty but again he just.. abnadoned her. His moving wasn’t his choice but his not telling her as was framed earlier sure as hell was. And then just.. look at the next people he dates: A glamorous rock star (She wasn’t at the time but that’s for next week), a much younger girl who can’t possible challenge him, and an ultra cool american. To her.. it must feel like he just looks right through her to every other person intersted in him and never even consdered her as a person anymore. I mean.. jesus christ that hurts.. and makes me hate Stephen more since you know he dosen’t notice any of this.. though at least unlike with Scott it’s a bit more understandable because Kim’s so unflappable and he’s already ignoring very obvious and transparent emotional pain why shouldn’t this be any diffrent.  So yeah no one’s happy about this, and that ends up including Stephen as he’s so insecure about his band’s talent he’s pretty sure they suck when their probably at least adaquate. 

So while Scott dosen’t say anything, it’s clear he’s at least consdiering the offer as when we next see him he and ramona are heading to Envy’s show. And honestly it’s just a really sweet scene as Ramona asks about envy and the two banter and hold hands. A really nice palletee clensar since hte last few pages were like I was the one lucas socked in the gut. Also she assures him she dosen’t hate him, and asks about how the breakup happened, turning down any offers to hear the good times.  It was new years eve one year ago, and he mentions it was over her leaving to meet some guy named Todd.. and Ramona finds the story familiar but brushes off Scott wondering if her todd and Envy’s todd wer ethe same guy as a douchey joke. When prying about what happened otherwise, Scott admits it was all a blur.. Ramona isn’t ahppy with the answer.. but it’s nto like it’s that unresonable: he was in deep with Envy, and the breakup was damn bad to the point it took a year for him to recover and end up in the relationship he is now and the one before this was clearly a cry for help. It also helps reinfroce just how much Wallace was there for him and probably WHY Wallace hates Envy so much. They probably live together simply because Scott needed a place after college, was in zero condition to get a job or do anything given his zombie like state.. and Wallace just had him move into his bed, platonically and into his place. It’s probably why while Wallace will complain ocasoinally he isn’t that on scott to find a job. He dosen’t need a paying roomate, they do fine just on his sallary and he has a steady, secure job in some sort of calling office, probably working in medical stuff like my mom. He needs his friend to be safe and happy, then he can get on his ass about being functional, as he is in present day. If nothing else this volume made me realize just how good a person Wallace is.  The one thing he CAN remember, to Ramona’s disbelif is a restraunt opening up, the job story he hinted at last volume: basically it was a fancy tex mex place called, and this is one of the best restraunt naems in the history of fiction brace yourself: The Gilded Palace of Flying Burritos. Naturally, as would I as I love tex mex and that name, Scott loved the place, ate there most of the week and like me with some places I liked waited impatietly to get a job. He did and they were even super generous as the food was FREE.  Which is a euphoric feeling I relate to, though I also liked any discounts I got. seriously when I worked at Bagel and Bagel a good chunk of my paycheck was eating there for dirt cheap every shift. I miss that place so much. Like even after I left there I still like a good bagel sandwitch. And it wasn’t covid or anything it was just low staffed and slowly coming apart due to a lack of a solid manager after Crystal, the manager who hired me, transfered to a store closer to her home, which I do not blame her for. 

Point is I get it even if Ramona thinks this is all made up. Anyways at Lee’s Place, based on the real life Leo’s place, everyone’s gussied up: Steven got an awful haircut and Kim... 

But no time to dwell on how great kim’s..everything is.. who DID  Neil bring to the concert? 

While Kim is VERY much enjoying this, everyone else is a bit freaked with Ramona getting assurance her and Scott dated breifly, with Kim quipping her and neil will probably date even breiflyer, and Stephen.. freaking out, wondering if she seduced him, and asking if they should take him out back and kick his ass.. 

Just..... that’s a lot of douche to unpack and this review has been VERY long and suprisingly hard already.. but fuck it, we don’t have much left to go let’s do this. Okay one did she seduce him.. I mean I GUESS, but really let’s be clear here: Neil is a horny, lonely, monosolobic 19 year old who lives with his sister’s college friend and whose life revovles around said guys band. Knives is adorable. She likely barely had to flirt with him to get him to say yes .As someone who was a lonely 19 year old doofus, I guarantee no matter the red flags I probably woudl’ve said yes provided she was 18 instead of 17, despite the abudant red flags such as neil vaugely looking like scott, neil being the one single man within scott’s circle to get her way back in, as Knives hasn’t realized she’s bi yet or given how much she looked up to Kim, she probably WOULD’VE gone for it. As would any sane person, which neither knives nor I entirley are. So she didnt’ so much seduce him as offer him a girlfriend he didn’t have and him being too intrested in having a sweet, caring girl on his arm to see the giant army of adrestian soldiers needed to carry all the red flags this presents. 

And as for “do we need to kick his ass. “ Stephen.. did you kick SCOTT’S ass? No, you fucking abetted him and only stepped in for the good girl thing. You did NOTHING to stop his relationship with knives or tell him he was screwing up or look out for that girl’s well being. This will bite him in the ass even harder in volume 5, but even now it just makes him look REALLY fucking bad that, even if he probably dosen’t mean it, that’s at all on the table. Also.. Neil, unlike scott is doing slightly less wrong. While he is 20 to her 17, three years.. it’s HALF of what Scott and her’s age diffrence is, and far more equal in power structure. It’s still not.. GREAT, but my point is you did NOTHING when Scott did this, for far flimiser and less forgiavble reasons.. but when NEIL, whose been nothing but weirdly loyal to you dates her, you want to kick someone’s ass. I mean yes he’s being stupid: in a clear role reversal of the Scott and Knives situation, it’s obvious just from her expression that KNVIES is the one in control here, and the one using someone to ease her own pain. Granted it’s wrong, if not as wrong as Scott should techincally know better and Knives very clearly dosen’t, as well as get into a show of her faviorite band. Is what she’s doing wrong.. yeah... while she can’t see it again it’s what Scott did just not QUITE as fucked up due to not being AS embalanced. Should neil probably be dating her after scott did ? No. But should you be threatning him and not scott for you know, setting all this in motion? No. Jesus christ you suck Steven. 

Thankfully while Scott presumibly calms Stephen down, Kim spots Hollie and her roomate Joseph, who will be suprisingly important. He’s very gay, very quite, very bearded and is only hear because the bass player is hot and when prodded on it....

Well said. Also I read that with John Heder’s voice fo rsome reason.. don’t know why, his career ended as quickly as it began because he REALLY did not pick his films well. He saw that he was going to be in a film with David Spade and Rob Schinder and didn’t fire his agent for suggesting it. Meanwhile Scott and Ramona run into Sandra and Monique, Scott’s old classmates who just sorta.. show up every so oftne, often backing up Julie because every Alpha Bitch needs a posse. As Boscha has proven once you loose your posse you loose your bitchy powers. They also ask if Scott and Ramona are an item which leads to a fantagious visual gag. 

Also Stephen awkardly talks to the new couple, about how much Knives loves the band, and because why start reading the room now just sorta.. CASUALLY slips in the fact he knows her is because she and scott dated. 

Granted Knives action this book really EARNED her that curveball.. but still, it’s transparently clear she’s both not over Scott and Neil’s a placebo, and that she loves the band... how the fuck did you get through college, much less get two loyalish friends Steve. 

Kim tries to hide when she runs into Sarah whose with.. someon O Malley does not know, literally captioning it “I don’t know htis girl”. Fucking love that gag even if SOMEHOW kim is the roomate they all hate. Despite hte fact as the side story will bare out, her roommates are all pretty obnoxious, so i’ts probably because she’s the only sane person in that group and their VERY lucky kim just dind’t set the place on fire on her way out and let god do what he should’ve a long time ago. Also we meet Lynette, the band’s drummer who smokes “She must be evil” “Still hot though”... both accurate. Also Luke wilson is there.. no really. Just holy shit that’s awesome.  Okay so with all of that out of the way, it’s time for the show. So after a full volume’s build up , and a really cool build up in the page before we finally properly meet clash at the demonhead, and miss envy adams. 

Heck of  a reveal and not the only one as ramona realized what the audience probably already guessed....

Dun dun dun! And since I don’t like leaving a cliffhanger dangling lest I have to... we’ll be getting to this next week.. what you thought i’d say right now or tommorow? This was a lot. But no i’m not leaving you too long. Next week, Evil Ex Crossover! Ramona and Wallace become BFF’s! We learn what the deal with Scott and Envy is! Scott faces the Ken to his Ryu! And Wallace gets a boyfriend. All this and more next week. for now...

Final Thoughts: This one.. was a VERY rough one to review and it ties back to this volume’s biggest problem: it is not paced very well. Like the series as a whole it has a pretty easy going, slice of life pace. The only ones without this kind of easy pacing are 3 and 6, and even 3 has some slice of life bits, their just both more focused due to the events going on. This one... well....

Pretty much. While this one has very important stuff going on, Scott and ramona getting closer, ramona getting more fleshed out, Wallace showing how deep his character is, Kim also getting fleshed out quite a bit, Knives showing off her crazy side, setting up the next volume, the second ex fight.. it’s all just kinda.. jumbled together. It’s not really until the knives fight onward the book takes on some really solid pacing and really gets going.It’s not a BAD book: ther’es some REALLY good character stuff as I dug into.. but the pacing is just really loose and without the Evil Ex fight as an anchor and with ramona and scott just sorta.. getting to know one another, in both biblical and non biblical senses, it dosen’t have either of the series main narrative thrusts. Even the knvies subplot really amoutns to nothing for now, as Ramona dosen’t find out Scott’s a cheater, and only distrusts knives now. That’s about it. It does improve on book one in characterization, with eveyrone being MUCH cleearer in terms of who they are and settling into their iconic selves nicely. Wallace’s more selfless and protective side pops up, Ramona starts to show mroe of her personality good and bad, Scott’s better traits are mixed a bit mor eeven with the douche ones,  Knive’s far more unstable and violet stalker side emerges, and Stephen.. well fuck him, point is things are coming together.. but O’Malley still isn’t quite at peak power yet. Not bad and still worth a read like last time, just a bit uneeven is all. That being said... if you want O’Malley at his peak.. well then come back next week. Until then i’ll be doing my usual buisness of reviewing birds, refrencing simpsons and letterkenny, and putting my eyes back in after kim’s look up there. For now the sun’s setting and i’m out of here. 

[peepspersonalperspective]

MY PICKS: Top 10 K-Dramas

Disclaimer: These are totally subjective choices and I've justified them as per my preferences. Consider them friendly recommendations and let me know if you disagree. Also, I've discovered the wonderful world of K-Dramas over the last couple of years and they've really evolved not just in storytelling but also production value so I personally prefer the more recent ones. So for example I haven't put a very popular pick like My Love from the Star simply because I've seen better stuff since (don't shoot me). Anyway, 가자!

MEMORIES OF ALAHAMBRA

This is my first recommendation for anyone who's just starting out watching Korean television content simply because it's so different from what new viewers expect it to be. It's so gripping and thrilling. I would expect nothing less from Song Jae Jung's writing.

So it's a sci-fi show, set in Spain, about an augmented reality game, that seems to have physical implications in the real world, sending the lead, Hyun Bin on a rollercoaster ride to find answers. Exo's Chanyeol has a recurring role as the game developer, so that's exciting too. I learnt that he was cast because of his love for PubG. Lol.

Every episode will leave you wanting more, and you'll find yourself as desperate to search for answers as Yoo Jin Woo (Hyun Bin).

Granted, mid season, it gets a little complicated, especially with newer nuances of the game unfolding, but fret not because the characters are discovering the secrets of the game with you. So they're as confused as you would be, and that's why this show is so good! More so because the graphics are excellent! You can tell they really spent money on ensuring high quality work. You will really feel like you're part of the game with Yoo Jin Woo.

Anyway, if you are an EXO-L, or you like gaming, sci-fi, thriller and Hyun Bin, this show is great!

2. W - Two Worlds

Another piece of awesome from Song Jae Jung. I would still rank this show a little below Alahambra, because I think the makers made improvements from this sci-fi drama in Alahambra, in the sense of storytelling. Still, W is just as intriguing.

Oh Yeon Joo (Han Hyo Joo) gets sucked into a comic book where she falls in love with the lead character of the comic book, Kang Chul (Lee Jeong Suk). Sounds like a typical romance drama right? Don't be fooled because there are many many twists and turns along the way.

I feel like there is metaphor in there somewhere about existentialism, the creation and destiny. But maybe that's just me reading into things.

Lee Jeong Suk is extremely desirable as Kang Chul, unsuspectingly charming and endearing, and Oh Yeon Joo is an absolutely relatable character, and how she deals as an ordinary girl thrown into extraordinary circumstances is genuine.

I would say this drama is wholesome, with sci-fi, suspense, thriller, action, romance, filial relationships, and more. And while it's usually difficult to jam pack all this into one show without screwing it up, W emerges exceptional.

3. Extraordinary You

This show is so cute! If you want just a light hearted, quirky show, this is the one for you.

It's about characters in a cartoon becoming aware of their existence in a cartoon. But don't worry this is NOTHING like W.

The best part about the show is that it's not about the main characters of the said cartoon. It's the story about the extras finding their way in that world, hence the pun intended in the title. The main characters (of the cartoon) are actually the most dull, because they are bound by the laws of stereotypical high school romance. But the real stuff is happening on the sidelines, with Kim Hye Yoon as Dan Oh and Rowoon as Haru.

Dan Oh is a hilarious character and Kim Hye Yoon does a fantastic job of switching emotions when she's in and out of a scene in the cartoon. One minute she goes into character mode, next minute she's bitching at the sorry fate of her character when she wakes up, to the astonishment of the characters surrounding her (who aren't aware of their reality yet).

Rowoon has a quiet charm about him that perfectly complements Hye Yoon. Check it out for a chuckle and a taste of something different.

4. Crash Landing on You

This show is hard not to like. Apart from the poorly picturized tornado carrying our leading lady over the border to North Korea, this show is a wonderful Netflix and Chill kind of show, I think.

The cultural disparity between the South and North is interesting to watch and also entertaining. Like when they mention buying mobile games at an App store (a literal application store in a Pyongyang market).

Ri Jung Hyuk (Hyun Bin again) and Yoon Seri (Son Yejin) are such a delight in comedic, romantic, and dramatic scenes. But the scene stealer for me was Yang Kyun Won as Pyo Chi Soo, and his unshakeable nationalism that he is ready to set aside for some shampoo and conditioner.

The interesting thing is going into the show, you have an idea of the longevity, so ofcourse, Seri's journey back to the South ain't going to be easy, also her relationship with Ri Jung Hyuk is doomed, and yet you find yourself rooting for them at each step, crying with them during their failures and crying with them even in their triumph. But the most tears were shed for the least expected character, who simply left us all heart broken.

5. Weightlifting Fairy Kim Bok Joo

In a world where women are expected to behave and look a certain way to be considered attractive by someone they're vying for, here's a food hogging, tomboy, weightlifting champ, with her first crush.

The premise may rope you into the show, but midway you realise that the heart of the show is in its characters, and without realising you become so invested in them that you feel their fears, insecurities, and cherish their victories with them.

This coming of age show really relishes on the quirks of each character, friendship, love and aspirations. It's not a very dramatic story which is probably why it didn't rate very high during its broadcast, but that's part of its charm, and that's why it's been able to gather a significant cult following since.

Lee Sung Kyung and Nam Joo Hyuk portray the most sincere friends and eventual couple. Their relationship blossoms in the most organic manner and it's so heartwarming. They're not cheesy or unrealistic; they even beat each other up! I don't think I've seen that level of comfort portrayed on screen so well before.

Watch out for guest appearances by Ji Soo and Lee Jeong Suk.

6. Strong Girl Do Bong Soon

I'll be honest, this recommendation is mainly for Park Hyung Sik. He's amazing in the show. And there could be no better supernaturally strong petite girl than Park Bo Young, either.

So there are actually a lot of things happening in the show, story wise, but I promise it all comes together in the end. There is quite a build up and I'm happy that it pays off adequately.

This is like a superhero show with all the spices and flavours of a Marvel movie, but K-Drama style. There's an invincible villain, some idiot gangsters for comedic value, romance (a love triangle infact), functional training, a point of lost hope for Bong Soon, and then her resurrection as a superhero.

It's all there, and more.

But Park Hyung Sik.....

7. Itaewon Class

This recommendation is simply for the refreshing change of representation on TV. I know a lot has already been spoken about it already, but I have to admit that that's what sets this revenge drama apart. That, and the music. Dayum, Start by Gaho is so catchy! And let's not forget V's Sweet Night.

This show starts off slow but give it 3 episodes before it gets to the real shit.

Park Saeroyi is almost too good to be true, and in that lies his shortcoming. His character is so strong that while watching him I forgot that Park Seo Joon was acting. And despite some unnerving moments I found myself rooting for him. He has some strong motivational lines too, like about his choice for a better life. His determination is almost unreal, as he goes on to take down his mortal enemy.

Some of the best scenes, though, are of Jo Yi Seo (Kim Dami), a sociopathic enterprising genius. She was the one who actually kept me hooked to the series. She added some much needed flair to the show, and as it appears to Park Saeroyi's establishment.

Actually, every character was strong, every character had a strong backstory and motivation for the action, and most importantly they never broke character.

Watch out for Park Bo Gum's special appearance.

8. Love In The Moonlight

Speaking of Park Bo Gum...

This show is all kinds of weird in the best way! A girl pretends to be a palace eunuch and falls in love with the crown Prince. That is so messed up!

But that's the fun part! And Park Bo Gum and Kim You Jung make it a wonderful ride. Full of quirky romance, political conflicts and hidden identity issues, this show is addictive af!

And even though this wasn't in the show and was just a promo, be sure to watch Park Bo Gum's Bombastic dance. It's adorable!

9. The Third Charm

I'm sure this is my least popular recommendation. But something about watching this show was so cathartic. I highly recommend it for those who may have gone through heartbreak ever in their lives.

This is probably one of those rare times when I was lost in the story instead of Seo Kang Jun's eyes. Hehe. This story is about an on again off again couple and their journey through life together and apart.

This was meant to be a healing drama, and it really does take you through the emotional evolution that comes with growing up. I think it's the perfect medicine for a healing heart.

10. It's Okay Not To Be Okay

This show! This is my current obsession. Kim Soo Hyun's comeback couldn't have been more perfect. Seo Yeji couldn't have been a more perfect casting. And the two leads couldn't have had a better chemistry.

This show is all kinds of whimsical and I love it. Also a healing drama, this show deals with.... Baggage....to put it simply. Some baggage may be bigger than other baggage, some even irrevocable. But seeing all the characters overcome this baggage is so fulfilling.

But the charm of this show is in Ko Moon Young's (Seo Yeji) craziness and the Tim Burton-esque setup, that really makes one perceive fairytales in a whole new way. I mean I always knew that fairytales were sanitized German folklore, but I never thought to find a very different messaging from the material. The parables are ingenious, and it really is a pleasure to watch each and every person on this show.

Special mentions: Goblin, Reply 1988, 30 but 17/ Still 17, My ID is Gangnam Beauty, Hotel Del Luna

[wonderfulworldofmichaelford]

Is It Really THAT Bad?

How many fucking times must I talk about this movie?

I feel like this movie doesn’t need an introduction. Everyone knows this film. Its reputation precedes it. It didn’t bomb and it’s not generally considered one of the worst films ever made (at least on the level of films like Robot Monster or The Cat in the Hat), but this movie is easily one of the most divisive films ever made. This film has generated enough arguments that, if we harnessed the energy of all the flame wars it has caused, we could probably power the entire world until the heat death of the universe.

With the impending release of Zach Snyder’s bloated redo of Justice League, I’ve decided to go back and ask myself of this film here… is it really that bad?

THE GOOD

Here comes the most uncontroversial opinion: the action scenes in this movie rock (or at least two of them do). The standouts are the titular showdown, which almost makes sitting through the rest of the movie worth it, and the epic warehouse fight Batman gets into, which is like something straight out of the Arkham games. It’s so good. And aside from that, a lot of the cinematography in the film is good. The film knows how to look good, though unfortunately it does end up being a lot of style with little substance.

On the subject of Batman, I think Ben Affleck is a great and inspired choice. I certainly think he’s worthy of standing alongside Batmans like Clooney and Keaton, easily embodying both the Dark Knight and Billionaire Playboy aspects fairly well, though the writing does not always handle him quite as well as it should (we’ll get to that soon enough). Henry Cavill, while still a rather dour Superman, is as good as ever as Superman, and Gal Gadot as Wonder Woman was a great choice here, especially since she didn’t have control so that she could insert anti-Arab racism, like some DCEU movies.

Perhaps one of the movies most impressive feats is how, in an uncharacteristic moment of brevity, it manages to condense the backstory of Batman into the prologue, getting it out of the way and not making us sit through yet another Batman origin film. This is literally the only thing the movie has over the MCU; where that franchise just has the character Spider-Man inexplicably in existence without even a hint of his origins, they just get Batman’s tragic backstory out of the way so we can see him beating the crap out of people. If more superhero movies want to take this route and just condense the backstory into an opening montage like this, I’d be down for it.

THE BAD

I really could just say “most of the movie” but that’s such a cop out. Let’s actually look at the problems. Let’s work our way up through the things from least problematic to most, shall we?

The best place to start is what Zach Snyder did to Jimmy Olsen.

Jimmy Olsen is made into a CIA spook who is brutally killed early on, and yes, that was Jimmy Olsen. Snyder put him in to shock audiences with his senseless murder, and also because he felt the character had no place in his series. Does making Watchmen just turn people into joyless husks who like to horribly bastardize iconic characters? Jimmy Olsen is ultimately a small microcosm of the film, but he is the sum total of everything wring with the early DCEU. He is bleak, soulless, and shows a critical lack of understanding about the comics and why people enjoy them.

Now let’s move on to the more exciting problem to discuss: the villains. I don’t even think it’s worth wasting much time discussing what’s wrong with KGBeast. While it is kind of interesting they’d think to use the guy at all, the fact he never dons the costume and dies by the end of the film is unfathomably lame for a character named KGBeast.

Now, onto the main antagonist, and the most infamous part of the movie: Lex Luthor.

Lex Luthor is horribly, horribly miscast. Jesse Eisenberg is a great actor for sure, and he’s effective in movies like Now You See Me, The Social Network, and the Zombieland films. But here he is being asked to play one of the most diabolical cunning geniuses in comic book history, and rather than play him as such, he plays him like a cartoonish twit. This Lex is utterly unrecognizable as Superman’s greatest foe. Does anyone think Lex Luthor would send a jar of piss to someone as a joke before he blows them up? That’s more something the Joker would do on an off day. Lex is not cunning, not intimidating, and not diabolical in the slightest, and yet there are moments where Eisenberg’s acting chops shine through and Lex, for a moment, is almost engaging. Luthor really suffers the way Doctor Doom tends to in film adaptations: the filmmaker clearly doesn’t get why people like the villain, and decide to do some weird, unique take that will only cause to alienate fans.

But perhaps the worst of them all is Doomsday. Doomsday has exactly one claim to fame, and that’s killing Superman, so as soon as he shows up if you have even a passing awareness of the character you know how the movie is going to end, which robs the film of tension for its last battle. The fact he also appears with little buildup and doesn’t have any characterization doesn’t help; Doomsday is just the Big Gray CGI Blob that superhero movies try and pass off as a final boss for the heroes to fight. This has worked precisely once, in Iron Man. The Incredible Hulk and Venom did not make it work, and this film is nowhere close to being in the same ballpark as Venom.

By and far the biggest problem, though, is the movie’s incredible length and its very existence in the franchise at this point in time. This is an epic superhero crossover in which two of the biggest comic book characters of all time fight and then team up… And it is the second movie in a franchise. While they do a good job of establishing Batman rather quickly, Wonder Woman comes out of nowhere. And then at the end, Superman ‘dies.’ We have had one single movie prior to this to make a connection to the guy, and yet here he is getting a temporary comic book death with no buildup whatsoever that we know is going to be reversed sooner than later because the movie telegraphs this to us.

Imagine if, instead of building up the character over the course of a decade and putting him in all sorts of different stories, the MCU went right from Iron Man to Endgame. You go from a simpler, character-driven piece to a massive crossover where a hero dies right away, and it doesn’t give anyone time to care. Tony Stark had multiple films worth of characterization under his belt before they threw him in a crossover, let alone killed him, but Snyder expects you to give a damn about a Superman who just started his career in the previous movie of a franchise.

And the ass-numbing length of the movie is no justification. Even before the director’s cut came out this film was a slog, and the director’s cut really does nothing to earn its existence. All it does is add more runtime to an already tedious and bloated film, leading to the same exact ending and fixing none of the overarching narrative problems of the thing. The problem with any director’s cut is that ultimately the movie is still going to be Dawn of Justice, it’s still going to lead to extremely rushed character decisions, and it’s still going to be a mess. You’d have to redo half of the film to make this into a worthwhile and coherent narrative that’s actually worthy of being an entry in a superhero franchise.

And to top it all off, the movie spends far too much time foreshadowing for its own good. People criticized The Mummy for shoehorning in way too many shared universe elements right off the bat, and if that movie was bad for it, so is this one. The cameos from all the members of the Justice League, while striking, could be excised from the plot with little to no impact, and the Knightmare sequence is just excessive and weird.

Is It Really THAT Bad?

The answer to this question has never been harder.

On the one hand, this film does have some merit. There is some good casting choices, good cinematography, good action… But then, on the other hand, the film is overly long, pretentious, has poor writing and dialogue, mishandles everyone aside from Superman, and is just incredibly unpleasant.

This film is in many ways the exact problem Christopher Nolan created with his Dark Knight trilogy. Nolan, by grounding the fanciful characters of comic books into a realistic setting, created a climate in which someone could suck any sort of joy or meaning out of comics. The success of his films meant that people would see dark, gritty realism as preferable to joyous, colorful escapism, and the negative effects of his films, however good you find them, are still felt today even as filmmakers are finally shaking off the grit. Dawn of Justice is the zenith of Nolan’s style of superhero film. There is nothing fun, joyful, or engaging to be found here; it is simply the characters you know and love forced into dark, miserable scenarios that ends in death and misery. Where’s the fun? Where’s the color? Where’s the wonder, the excitement, where is any of it? This film paints a bleak and miserable and hopeless picture of a world of superheroes. It really makes me think of this rather famous comic panel:

I absolutely hate this movie, but not because I think it’s bad. I hate it because it has enough good ideas where it should be the best thing ever, but it really isn’t. It’s a miserable slog of a film that does nothing to justify or earn its massive runtime whatsoever. It really does belong somewhere between 5 and 6 on IMDB, because I can almost see why people like it, but it just isn’t even remotely close to being how good its fan say it is. This is not a good superhero movie, and this is not how we should want superhero movies to be. There is a market for serious superhero fare of course, and there’s no reason that these films can’t engage with mature themes or anything, don’t get me wrong. But this is absolutely not the way to do it.

[prettywordsyouleft]

Bloodstone | Part 9

Summary: You knew all about the ring your grandmother had told you about and yet when the stone fell from it one fateful day, you weren’t truly prepared for its return, nor who it came back with.

Pairing: Kim Namjoon x reader

Genre: fantasy / romance

Warnings: angst

Index: Prologue | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10

You merely stared back at Namjoon, trying to register if he had actually uttered such a statement. Wasn’t he the one breathing into your ear that he would never leave you just the day before? And now, not only had you woken up in your apartment alone and panicked so much that you had cried all the way to the comic store, the first thing Namjoon said upon seeing you only caused your heartache to deepen.

You never knew love could cut so deep like this.

“Let me explain,” he begged, noticing the heightened despair rolling out from your shaking body in his lap. “I believe Percy existed after the shattering of the stone. From what I’ve read, I’m certain this is how we break free from its hold on us.”

“But you’ll disappear from my world,” you whispered and Namjoon nodded grimly.

“I don’t know how long the timeframe apart will be, but I’m certain after reading the books Yoongi has spread out here that it won’t be the end.”

“It’s such a big risk to take,” you told him, shaking your head. “I don’t want to try.”

“You really don’t have much of a choice, Y/N,” Yoongi spoke up from the doorway, stepping closer. “I’m not sure what he’s suggesting, but if it’s about the shattering of the stone, I think that’s the only way to break free from this trap.”

“There’s no evidence is there that this has worked?” you asked both men, knowing they had each poured their attention over the books before you. You grew hopeful despite the desperate tone. You needed hope. If you couldn’t find even a shred of it in any of this then you knew you wouldn’t be able to agree.

Yoongi glanced at Namjoon and they both shook their heads at the same time. “I mean, I found several anecdotes but every time the shattered stone took place, the human left behind did something tragic or married another instead. There’s been no documented happy ending, no.”

“Yoongi has done some research into the bloodstone outside of this one we know of. Here, why don’t you-”

“I can’t deal with this,” you announced, getting up shakily and distancing yourself. “I can’t talk about this rationally. You’re both suggesting something that could easily mean the end of your existence, Namjoon. You don’t know if you will exist after the stone breaks. And we don’t know for sure if that will even happen so…”

“Stop kidding yourself, Y/N,” Yoongi scolded and you glanced at your best friend through a veil of tears. “There’s enough evidence either way that this won’t end well. Are you going to bury your head in the sand? Maybe with the stone letting Namjoon go free we can hope for the best that he’s out there existing still. Isn’t that a good thing?”

“I…” you started, shaking your head. It didn’t matter how you worded it, you felt selfish. You didn’t want anything to change. The stone wasn’t causing Namjoon any harm right now, so why did any of this have to interrupt what you had together? You saw no need for this anxious driven stage in your relationship. You were happy to go back to the moment before you found out what the stone could do.

For a second, as you stared at Namjoon’s saddened expression, you thought of life before him. You hadn’t been suffering then. Sure, you hadn’t felt as enlightened and fulfilled as you did now with his love either. But if it was destined to end, you wished you hadn’t started at all.

“I’m going to go,” you said in a detached tone, turning around dashing out of the store.

You ran to the park you had entered the day before, letting out a bitter breath when you remembered your desperate claims.

There was so much more you wanted to do with Namjoon at your side. Now that was up in the air with his proclamation.

“I forgot how fast you can be when you put your mind to it,” a familiar voice huffed out, and you glanced at Yoongi bent over in front of you, catching his breath. He gave you a wry smile. “Is this your idea of making me exercise other things than my brain and hands over books?”

“I’m not in the mood for your humour, Yoongi.”

“No.” He stood upright and stepped closer. “But I hope you’re in the mood to listen to your longest friend for a moment.”

“Everything’s crumbling around me. I don’t know how to cope with any of it.”

“Is anyone expecting you to? Is anyone asking you to give out all the answers? I can’t even understand the guy yet I can tell he’s trying his best not to leave you either.”

“I wish you could hear him properly,” you lamented with a sigh directed at the heavens. “Then things would be a little easier.”

“I don’t know about that,” Yoongi mused, looking up at the heavens squinting. “I think if we could communicate better, I might start to like him more.”

You glanced at your friend. “Isn’t that a good thing?”

“He kind of stepped up better than I’ve ever tried for you. I want to hate him for that,” he confessed and you merely stared at Yoongi’s uneasy expression, realising he was finally saying something about the feelings you knew he harboured at the back of his heart.

“I’d rather you be the best friend I could ever have. Love is so overrated,” you replied and Yoongi chuckled. “It is! Friendship is superior.”

“Says the girl who walked into my shop smiling like the Cheshire cat yesterday. You suit being in love, Y/N.”

“It’s crazy how different one day can make everything,” you mentioned softly, dropping your head as your emotions built up again. “I’m scared I will never see him again.”

Namjoon decided to wait for you back at the apartment. It wasn’t that he didn’t wish to find you himself, but when Yoongi stopped his chase after you and shook his head, Namjoon realised his short appearance in your world meant nothing compared to the lifelong companion you had in Yoongi.

It also gave him further time to contemplate his next steps.

He was scared too. Namjoon knew that was what fuelled your discomfort towards the situation. If he had to exist in another realm than yours then it would be torturous to have tasted just a small portion of his love with you. It hadn’t been enough time.

He wondered if the stone gave each couple a certain amount of days together or if there was a variable in place for each situation. From what he had read, Victoria and Percy had planned both marriage and children within three weeks of knowing one another. The stone probably came with a time limit since the overwhelming emotions accelerated the courtship of each pair compared to usual romance.

It bothered him to be tied to something that took away his control.

Perhaps he would get a chance to love you wholeheartedly without it in his way in the future. Clasping his hands together, he prayed silently for this, hoping the grander divinities would listen out for his plea.

He didn’t want to face the same fate as his father after all this.

Would you cast him aside as Eliza had? Knowing that it didn’t save his father, would you still feel it the better option than the unknown? At least he could live out his remaining lifespan, albeit miserably.

Namjoon would never take another as his bride.

You eventually returned to the apartment, looking destroyed. It seemed even with Yoongi’s best attempts, a depression had taken over your state of mind. Wordlessly, you stared at Namjoon’s half risen posture from the couch at your return before heading down to the bedroom and shutting the door firmly behind you.

He waited on the couch for you to leave the confines of your troubles behind, your quiet movement in the early hours of the morning through the living space alerting him from his unfocused gaze. Blinking several times, he watched as you padded into the kitchen area for a glass of water, his stare unrelenting as you finished in the kitchen and stepped across the room towards him.

With a strangled sob, you crossed the remaining space and fell into his arms, clinging onto him dearly. Namjoon hadn’t been one to cry often over the hundreds of years he had lived. However, with the distraught sounds leaving you, he fell into his own misery, both of you allowing your hearts to mourn what you had.

The knowledge you held now meant there was no return to oblivious bliss anytime soon.

Once the emotions ran their course, you cleared your throat noisily, still curled up within his arms. “Namjoon?”

“Yeah?”

“I won’t let you be poisoned. Eliza didn’t know any better at the time. She thought it was her best option and whilst I don’t hate her for it, I won’t make the same mistake.”

He let out a heavy breath he didn’t even realise he had held. “I couldn’t survive the way my father had.”

“And I won’t be like Victoria either,” you pointed out shakily, finally lifting your head up enough to look at your lover. Giving him a watery smile, you attempted to ease his concerns. “I’ll continue to live. My existence isn’t solely to be consumed with love. I have a lot more to learn and experience.”

“That you do.”

“I don’t want to let go of you anytime soon. But I feel maybe if we address what we’re willing to risk maybe this moment will pass and the sheer amount of pain and fear I feel ridden with will ease.”

Namjoon smiled sadly. “I want the same.”

“As much as it pains me,” you stated, biting at your lip to steady some of your emotions as you placed a hand over his chest, over the stone entirely. “I won’t ever stop loving you. If that love pulls us apart with the shattering of this stone, then know that my heart will leave with you. Please bring it back to me with your return.”

Leaning in to kiss your tear-stained lips gently, Namjoon rested his forehead against yours. “No matter how long it takes me, I will find a way back to you.”

He couldn’t tell if his promise eased you enough or it was from exhaustion, but you soon fell asleep buried into his embrace. Closing his eyes, Namjoon pleaded repetitively to find you once more in this lifetime. Fragments of his previous world flashed before his eyes, his sister calling out his name repeatedly until it felt as if she were in the same room as he was. He snapped his eyes open, aghast to find himself in his studio again, Marian letting out a relieved breath. “About time, brother. Do you know how--”

Her sentence halted when Namjoon threw himself out of the chair he had been slumped onto and moved over to the looking glass upon the wall. Staring into the reflection, he hastily unbuttoned his shirt, feeling at his chest, tears falling from his eyes with how smooth and normal it was.

The stone was now gone.

_________________

Part 10

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AU Fics Masterlist

Links Last Checked: April 13th, 2024

part two, part three, part four

All The Leaves Are Brown (And the sky is gray) (ao3) - AvocadoLove steve/bucky, pepper/tony T, 17k

Summary: The Winter Soldier's mission is nearly complete. Howard and Maria Stark are dead, leaving him to dispatch their four-year-old child. One quick twist of the neck is all it will take, but the Soldier finds he cannot do it.

So instead of killing Tony Stark, the Winter Soldier takes him away to raise as his own.

Bittersweet in the Sunlight (ao3) - 2bestfriends steve/bucky E, 65k

Summary: 200 years is a long time to be lonely, but much like everything Bucky puts his mind to, he has perfected it. He has a string of dedicated human suitors and a well-curated existence of luxury and excess with no motivation to see a shift in his status quo. Then he meets Steve Rogers.

Steve's life has been long and full of pack, family, and love. These days, he lives comfortably and loves at his leisure, content to be part of a well-established pack that has flourished for centuries, both in his homeland of Ireland and in New York.

Meeting James Barnes provides an unexpected amusement that he's more than happy to indulge in.

Bucky Barnes Got Married (ao3) - 27dragons, monobuu, tisfan bucky/tony M, 90k

Summary: Bucky married Tony when they were both teenagers. Tony had just lost his parents and Bucky had just lost his arm, and they thought sticking together was the best choice they could make. Now, twenty years later, Bucky fears that he’s lost Tony’s love and is wondering if they made the wrong choice, after all. More than anything, he wishes that he could go back in time and try again, but that’s just a fantasy... or is it?

Fate Will Play Us Out (ao3) - steveandbucky steve/bucky M, 30k

Summary: Bucky has landed himself a job with Stark Industries. He doesn't know yet that the job is actually being the PR manager for the Avengers.

Bucky has also started dating Steve Rogers. He also doesn't know yet that Steve is Captain America.

Bucky's life is about to get a whole lot more exciting.

I (created from fantasies) exist solely for you (ao3) - Mizzy steve/tony T, 62k

Summary: Six years ago, without the Avengers Initiative there to save the day, scientist Dr. Eric Selvig sacrificed himself to save the world, the almighty demi-god Thor was lost to a terrible storm, and vigilante Iron Man – spotted with a nuclear weapon trying to take advantage of the situation – was forever labelled an enemy of SHIELD.

This is a comic book office AU, where Steve is defrosted a year too late, Thor has forgotten who he is, and no one knows Tony is Iron Man.

Also includes: office pranks, inappropriate post-it notes, and superheroes who like pina coladas and getting caught in the rain.

If You Ever Did Believe (ao3) - wearing_tearing steve/bucky M, 33k

Summary: Bucky Barnes will never die of a broken heart. The spell he cast at thirteen, in between white petals and whispered words of magic, makes sure of that.

But then Bucky murders someone, conspires with his sister to hide the body, and meets Steve Rogers.

Keep Your Enemies Closer (ao3) - drifloon steve/tony T, 18k

Summary: Tony, fed up with the corruption in the superhero business, becomes a supervillain. SHIELD calls in Steve Rogers to fight him, which would be fine - if they didn't also ask Tony Stark to help as an engineering specialist.

leave the gun on the table (ao3) - Myrime steve/tony M, 188k

Summary: Tony meets his soulmate under the worst possible circumstances. It is not just a kidnapping gone wrong. It turns out Steve and his gang picked him on purpose and they want some personal revenge. If only he had managed to say the words written on his soulmate's arm before they threw him back out into the streets.

Love You More (ao3) - Loeily, Squeaky steve/bucky T, 36k

Summary: Steve is fine raising his young son as a single dad. He misses his late wife, Peggy, every day, but his job with Stark Industries is fulfilling and he loves his friends. He doesn't need anything or anyone else. But then Pepper Potts hires Bucky Barnes, the new daycare provider for Stark Towers, and everything changes.

Steve knows that Bucky is attracted to him, but Steve totally, completely and utterly will not allow himself to feel the same. He can't. Because he has a million-and-one excellent reasons to not fall in love with the smart, funny, kind and sexy-as-hell Bucky Barnes.

If only his heart had gotten the memo...

peter's stars (ao3) - IronPengu, parkrstark steve/tony T, 175k

Summary: Steve and Peter lose their apartment and are kicked out on the streets. Steve has to juggle between jobs to earn whatever money he can, take care of his son while resfusing to let him realize how much they're trouble in, and keep them warm and safe on the city streets in winter.

So, he really doesn't have time to date the billionaire that flirts with him everyday as he buys his cup of coffee. Even if he did, he can't let himself fall for the man. Because if he knew that he lived from a backpack and showered in a public bathroom there's no way he'd still want him...right?

Slide To Answer (ao3) - relenafanel steve/bucky T, 6l

Summary: "What do I do?” Steve appealed into the phone. “I’m freaking out.”

There was silence on the other end of the line. It lasted so long that Steve pulled the receiver away from his ear and frowned at it. Pay phones were old. Maybe this one wasn’t working despite the obvious dial tone when he picked up.

“Ok,” a stranger’s voice said over the phone. “First acknowledge the fact that you dialed the wrong number, but be quick about it because my cab is a few blocks away from my own plans and I’m about to drop some truth bombs on you.”

Think of Me, Won't You? Out There Among the Stars (ao3) - Espressosaur, Ignisentis steve/bucky E, 80k

Summary: Steve’s heart breaks when Bucky turns 18 and his Gift emerges: he’s a Voyager, blessed with long life and the irresistible urge to travel the universe. Voyagers, Steve knows, don’t usually come back once they leave. Steve’s happy that Bucky will get to leave Terra IV, their shithole of a planet, to explore his beloved stars. But he isn’t sure what he’ll do once Bucky’s gone and he’s left behind.

Bucky does come back, at the exact moment Steve needs him to, and makes a decision that changes Steve irrevocably and alters the course of both their futures, before disappearing. Steve tries to adjust to his new life as he searches the cosmos for Bucky. When the looming shadow in his prophetic dreams threatens to consume Bucky, he’s terrified that he’s already too late.

Thirty-Eight Days and Counting (ao3) - thecommodore_squid (orphan_account) steve/bucky M, 40k

Summary: An AU in which Bucky is put in the witness protection program and Steve is the agent hired to protect him/pretend to be his husband.

To Be Vulnerable Is Needed Most Of All (ao3) - perfect_plan steve/bucky M, 118k

Summary: Steve is a shy comic book artist and meets his new neighbour, Bucky Barnes.

In which there are awkward longings, meddling best friends, comic conventions, heartache, lemons, video games, dorkiness, dancing and two cute boys.

Two-Point Perspective (ao3) - FestiveFerret steve/tony E, 109k

Summary: Dear omega,

Congratulations! You've been selected. Alpha #95847872 has been assigned as your pre-bondee. A group bonding ceremony will take place on the 14th, unless other arrangements have been made by your alpha or their family. A valid bonding license must be submitted to Omega Services within 45 days of this letter or all services will be cancelled and any transferable benefits will not be applied to your alpha's package.

If there is some reason why you cannot be bonded on this date, please apply for an extension by calling 1-800-555-6827 within 7 days of receiving this letter.

Sincerely, National Omega Services

We always know (ao3) - bangyababy steve/bucky M, 32k

Summary: Steve and Bucky were best friends until middle school when Steve overheard Bucky saying it was weird he didn’t talk. Soon after, Bucky moved away and they never spoke again. Almost fifteen years later, they've somehow managed to become roommates.

When Darkness Sleeps Beside You (ao3) - rufflefeather steve/tony E, 14k

Summary: Steve meets Tony Stark at a party while he's there escorting another woman. He's not opposed to making a quick buck but things don't go as planned.

Where the Heart Is (fanfiction.net) - Stratagem clint/laura G, 12k

Summary: AOU spoilers. "It'll be temporary." "Mhmm, that's what you said about the dog." Clint glanced over at Lucky, their golden retriever that had been a mainstay in their family for the past three years. Okay, so Laura had a point. / Clint and Laura "adopt" the Maximoff twins, and they slowly become part of the Barton family. Family fun, family drama, family warm fuzzies. AU.

[depressedoverdrawings]

I’ve read In the Sunroom, Keiko Takemiya’s earliest shounen-ai, released in 1970, fifty years ago. Half a century. Thinking about it makes my head spin. I'd heard it was supposed to be some sort of proto-Kazeki, but I didn’t expect the main character to be Serge. I mean, literally Serge, he’s a roma boy called “Serge Battour”, but in this version his mom’s a fortune teller, he doesn’t seem to have any noble blood in him, and he seems considerably younger. He was already adorable then, of course. Spoilers ahead, by the way. If you’re in a position to read this post you probably have already read In the Sunroom, and even if you haven’t, you probably know how Keiko Takemiya likes to end her stories. But still, I’d rather be on the safe side. Anyway, if you haven’t read it already, go read it, it’s pretty short. If you can’t find it, send me a message, I’ll help you out. Anyway, let me tell ya, Serge is not lucky when it comes to falling in love, is he? The subject of his painful affections this time is Étoile Rael, a proto-Gilbert who takes the role of the pale boy before him. He sports slightly shorter hair, the power of imagination, and a fixation on taking his clothes off. He’s got some similarities to Gilbert other than his near-identical looks, sharing that carefree gracefulness that Gilbert often displays when he’s not otherwise occupied going through horrible trauma, and also showing some social manipulation craftiness. He displays both when he pretends to be having an anaemic attack during class, both saving Serge from bullying at school (from the teacher, no less), and allowing them (and his little sister) to leave class early and spend the rest of the school day happily playing around in puddles. He’s also got many differences, though. This particular pale boy is sweet and affectionate with Serge up-front, there’s no antagonism from him. The drama in their relationship comes from Serge’s fear and lack of understanding regarding Étoile’s affection, and his own growing feelings for Étoile (a concept given its deserved attention in Kazeki). Meanwhile, Étoile’s faces the pain of seemingly unrequited love. He’s even got a seemingly healthy family (his mom seems pretty cold and distant though), having a little sister, Angel, who he at first has a happy relationship with. He slowly becomes distant from her as he falls for Serge, though, trying to push her away from them, seeing her as a rival. It gets a bit ridiculous when he doesn’t even care about her falling into freezing-cold water, being solely worried about Serge, who jumped in after to save her. Jesus Christ dude, I know you want Serge, he’s perfect and pure and literally the best boy and all, but she’s your little kid sister, come on. Ironically, this behaviour spooks Serge, and, together with Serge’s internal conflicts, drives him away, causing a falling out between them. Sunroom Serge is as sweet as Kazeki Serge however, and never stops caring about Étoile. He spends three days in a row moping around in The Sunroom, waiting for Étoile to show up, and then rushes to his bedroom as soon as he hears from Angel that the boy is seriously sick. Étoile dies. Of course he does. Not from sickness though, but from suicide. Maybe Serge’s desperate, teary invasion of his sickbed wasn’t enough to convince him that Serge fully reciprocated his feelings, even if he didn’t realize it at the moment. Maybe he reached the conclusion that a relationship with Serge would never work out? Or perhaps it was a rash decision, made in the midst of an emotional storm of pain and sadness. Regardless of why, he gives in to despair, and decides to kill himself, stabbing himself with a knife held in his loved one’s hand, in a death as trauma-inducing as it is intimate. And it is very intimate. There are many interesting concepts and deviations from Kazeki in this manga. For instance, the bullied kid here is Serge, in an inversion from Kazeki (actually Kazeki is an inversion from this but I digress). It follows a simpler, more obvious choice of bullied kid, as the persecution born from racism doesn’t require as much set-up to work, as she's only got around 50 pages to work with, instead of 17 freaking volumes. As such, this element isn’t given much depth or material, though I find it understandable. While Étoile considers himself a weirdo and an outcast (due to internalized homophobia, I’d guess), the manga doesn’t actually display him facing any social rejection, other than maybe the fact that his only friend is his little sister. Sunroom Serge, on the other hand, is relentlessly mocked by all, and so lonely, that once he makes a friend (Étoile), he runs around the town like a maniac, shouting to everyone about how happy he is. Aww. Regardless, it’s clear that Étoile, fittingly for proto-Gilbert, carries some sort of internal turmoil with him, even if it’s left vague and unexplored. But while analysing this manga and comparing it to Kazeki is fun, my favourite thing about it is, by far, is the concept of The Sunroom itself. When you’re a kid, having your own secret hideout, having that little place no one knows but you (and your cherished inner circle), it’s one of the coolest feelings ever. It certainly was, for me. At school, my friends and I “had” a couple of wonderful little nooks which we called our own, during recess. At home, I sat on the floor of a tiny little storeroom (if you could even call it that) that I’d make cosy with pillows and covers, and stayed hours reading comics, and later, books. It was so dusty, I always left the place sneezing. And it was great. And finally, in the nearby park, I “had” a little corner behind some of the park buildings, which beautifully faced the wooded hillside of the beginning of the little forest inside the park. Back then, I had no idea what “aesthetics” meant, or consciously understood beauty. And yet, the quiet natural grace of the place entranced me anyway. And it was exactly that strange feeling of loving that place in a way I didn’t understand that made me so connected to it. And here, the feeling of having your own secret hideout is so gorgeously, sincerely depicted! The Sunroom was doubly abandoned: First, it was abandoned along with the rest of the house. Then, it was abandoned in how Étoile’s parents didn’t care or even know about it, after buying the mansion. But then, the kids claimed the lonely old Sunroom for themselves, and gave it new purpose, turning it into their own little kingdom, playing, rearranging tables, messing around, unleashing that wild, unlimited imagination of childhood, that primal cosmic force, turning that dusty old room into a tiny little door to perfection, for a little while. In Sunroom Serge’s own words: Next, this place becomes a forest of fairies. With its bookshelves and aged desks... And the sunlight pouring down on us... This old, unused sunroom... Where the magic is cast endlessly. This manga didn’t make me wail like Kazeki, but it did make me tear up, right here. Anyway, In the Sunroom truly is a prototype of Kaze to Ki no Uta, in that it has similar plot beats, and character and relationship concepts. It has Serge, it has external conflict with society, it has internal conflict with one’s own mind, it has a tragic relationship that ends with the death of the pale boy; it even begins with a poem by Serge, declaring his love for his dead lover. Kaze to Ki no Uta seems, to me, like the logical end result of Keiko Takemiya taking the concepts present in In the Sunroom, and giving them eight years of dedication, working on them with masterful skill and true passion, allowing those concepts to reach their full, devastating potential. It’s awesome to see the seeds of what comes to be. Oh yeah, In the Sunroom also holds the honour of having the first ever male/male kiss in manga! Fifty years ago! Fifty years. Jesus. Anyway, In the Sunroom is bretty gud, would recommend, 8.8/10, not enough tragedy random stuff: - someone who can write should write a goofy fic about gil and étoile fighting over Serge - it’s really cool to see the improvement of her architectural drawings in kazeki - not that they’re ugly here, they’re not, but still, the change is impressive - serge nearly has a heart attack when he merely thinks of étoile naked, get a grip dude - ”étoile” means “star”, adorable

[longitudinalwaveme]

How Not to Write the Flashes and Their Rogues, Part 1  (Pre-Geoff Johns)

I’m a big fan of the Flashes, the extended Flash family, and the Flash Rogues. There are many, many, many writers who handle these characters really, really well, and even writers whose handling of the characters I often dislike usually have at least one character whom they write really well. That being said, certain writers just don’t seem to get certain characters. This post is a list of some examples. (Keep in mind that this is all subjective!) 

-I (fairly or otherwise) tend to give comic books from before Crisis on Infinite Earths a bit of a pass in terms of strange narrative choices. Are there certain Silver and Bronze Age Flash issues where some of the cast is out-of-character? Absolutely. However, the comic industry at that time was very different from the modern comic industry, and it feels wrong to hold those older issues and writers to the same standards. So John Broome, Gardner Fox, Robert Kanigher, Cary Bates, and the other writers of that era will not be a part of this list. That being said, I have to give a mention to Flash #109, which featured Barry using the Mirror Master’s tech to trick Iris into believing that she was seeing him in various reflections so that she would agree to date him again. (The Silver Age, everybody!) Not cool, Barry. 

-Mike Baron didn’t really feature any of the original Rogues. In fact, I think the only pre-existing villain in his run was Vandal Savage, who he handled pretty well. Baron also established Wally’s personality well. That being said, he may have overplayed his hand in making Wally an unlikable jerk to some extent. As big a Wally fan as I am, even I find him a bit hard to swallow during a lot of Baron’s run. 

-William Messner-Loebs used the Rogues primarily as sources of comedy. Personally, I like his take on the Rogues, but I do think it may have played into the perception of the Rogues as not being legitimate threats, which in turn lead to most of the problems that occurred with them later down the line. No complaints with his handling of Wally or the Pied Piper. He also had one of the best supporting casts of any run on the Flash. 

- Mark Waid did a fantastic Wally. I love his Wally so very much, and his Linda is quite good as well. He does a good Jay, he does a good Johnny Quick, and he does a good Jesse Quick. He invented Bart and basically invented Max Mercury too, both of whom were great under his pen. His Barry, when he got the chance to write him, was also really good, and his Reverse Flash, though different from the Pre-Crisis version, was terrific. He’s hands-down the best Abra Kadabra writer, gave the Trickster his greatest triumph, wrote a good Magenta, and handled Piper well. 

That being said, his handling of the other Rogues was rather hit-or-miss. To his credit, he did acknowledge the fact that he wasn’t good with writing them and seemed to avoid them whenever possible. However, when he did write them, things sometimes went sideways. Besides killing them off in Underworld Unleashed (which he later had the good grace to admit was probably a mistake), probably the best example of his difficulty in writing them can be seen in his handling of the Top and the Golden Glider. 

@gorogues‘s favorite character is the Top, and she has expressed a distaste with the way he was handled in the arc where he tried to become president, mostly due to the way in which he was treated both as something of a joke and as a substantially nastier character than most of the other Rogues. Now granted, the Top has a history of being somewhat more prone to putting people in danger than the other Rogues (he did try to blow up Central City during the Bronze Age), but there was never any particular implication that he didn’t get along with the rest of them or that he didn’t like the Piper in particular. This story implied both, and thus set up further problems with him later on down the line. 

The way he wrote the Golden Glider was rather more annoying. He clearly didn’t know what to do with her, so after a few brief appearances where she seemed uncharacteristically unhinged, he had her killed off to prove how dangerous the brown-haired Chillblaine was. It wasn’t exactly fridging (yet), but she was still killed off for one of the worst possible reasons (especially since that Chillblaine would promptly cease to be a threat about two issues after he killed her). It was not a good way to kill a character, even a comparatively minor one. 

Another thing I’ve noticed with Waid is that he didn’t seem to have a good grasp on the second Mirror Master, Evan McCulloch. Grant Morrison, who created the character, generally wrote him as good-natured and affable; someone who was a graceful loser and would work with the heroes when it suited him. He was definitely still a villain, but he was a surprisingly light-hearted one on the whole. In Flash vol 2 #105, Waid wrote him as an angry, mentally disturbed character who’s stalking his ex-girlfriend and was generally unstable; very different from Morrison’s take on the character. After that, he basically wrote McCulloch as though he were still Sam (just with an accent now), one of the goofy Silver Age Rogues Wally couldn’t believe could ever be serious threats (in spite of his violent stalker tendencies in #105). Either way, his McCulloch was never as memorable as Morrison’s in terms of personality (though the Mirror Realm was a brilliant idea, so kudos for that). 

[perfectirishgifts]

The 13 Best Korean Dramas Of 2020

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The 13 Best Korean Dramas Of 2020

Bae Suzy and Nam Joo-hyuk partner up in ‘Start-Up.’

Although 2020 will make the history books for all the wrong reasons, it was a great year for Korean dramas. With a slew of big budget hits and small quirky stories, k-dramas offered plenty of innovative entertainment to help viewers happily pass pandemic time.

Every drama viewer may have a different list of favorites, but here are a few 2020 dramas that stood out in terms of originality, subject matter and execution.

Park Seo-joon created one of the year’s most memorable k-drama characters in ‘Itaewon Class.’

Itaewon Class

The year started off with the quirky hit Itaewon Class, in which Park Seo-joon’s character overcomes so many odds that he naturally sympathizes with those who society may shun. When opening a cafe he hires employees that others might not and those choices contribute to his success. Park’s generous character is one of the year’s most likable and the drama also features top-notch performances by Kim Da-mi, Kwon Nara, Yoo Jae-Myung and Ahn Bo-hyun.

Why see it? If you’ve never been to Seoul’s international neighborhood of Itaewon, this drama takes you there. The drama provides plenty of feel-good moments and a great soundtrack, including a contribution by BTS member V.

Kim Hee-ae and Park Hae-joon star in ‘The World of The Married.’

World of the Married

Although this drama has not yet made it to all international audiences, it was a huge hit in Korea, enjoying both critical success and nationwide ratings of 28.37%. World of the Married, an adaptation of the BBC series Dr. Foster, stars Kim Hae-ae. Kim plays a doctor who thinks her life is perfect until she learns that her husband, played by Park Hae-joon, has been cheating on her. Even worse, all their friends know. 

Why see it? Kim won Best Actress at the Baeksang Awards for playing the drama’s protagonist Ji Sun-woo and the drama was a breakout hit for supporting actress Han Seo-hee. There’s also the guilty pleasure of watching a woman scorned exact revenge on those who betrayed her.

The legal drama ‘Hyena’ starred Kim Hye-soo and Ju Ji-hoon.

Hyena

The drama’s leading characters, played by Kim Hye-soo and Ju Ji-hoon, each have their own approach to practicing law. She’s a scrappy small-time lawyer with questionable ethics and he’s a self-satisfied high-profile lawyer at a top firm. Despite their differences—and getting off to a bad start when she scams him—they turn out to be good for each other.

Why see it? Ju delivers a pitch-perfect performance, with his every twitch and grimace creating an unforgettable character.  Ju and Kim have undeniable chemistry that sizzles through episodes of fast-paced high-stakes legal entanglements.

Bae Doona played a zombie-fighting nurse in the second season of ‘Kingom.’

Kingdom 2

The second season of this historical zombie drama was even better than the first. Kingdom 2 also stars Ju Ji-hoon as the prince trying to save his country from a zombie invasion as well as inner court corruption. What makes the second season better than the first is a larger role for actress Bae Doona, whose character takes time out from nursing the sick to battle the undead.

Why see it: It’s a zombie story with a historical and moral twist.

Start Up

Nam Joo-Hyuk and Bae Suzy star in this story of a small tech start-up that gets a chance to compete on a bigger stage. When Bae’s character Seo Dal-mi was young she received encouraging letters from a man named Nam Do-san, but the letters were really written by Kim Seon-ho’s character Han Ji-pyeong. When a grown-up Dal-mi decides to find the real Do-san, played by Nam, Ji-pyeong asks Do-san to pretend he really wrote the letters. Do-san and Dal-mi are perfect for each other but their budding relationship is based on a lie. 

Why see it? The story of how the start-up gets started is interesting. Each of the actors—from the leads to the supporting cast— is imperfectly endearing and Kim wins this year’s unofficial prize for being the most appealing second lead.

Lee jun-ki is a potential serial killer married to the detective played by Moon Chae-won in ‘Flower … [] of Evil.’

Flower of Evil

What would you do if you found out you were married to a serial killer? It might be happening to Moon Chae-won’s police detective character in Flower of Evil. Her devoted husband, played by Lee Jun-ki, has a mysterious past that ties him to a serial killer. Did he also commit murders? If he is a serial killer, does his wife love him enough to look past the incriminating clues?

Why see it? Although some of the drama’s plot occasionally veers into the illogical, the relationship between the leads is so charismatic that the drama acquired a loyal and enthusiastic following. The mystery is sufficiently complex and Lee’s tortured performance as the suspected serial killer is mesmerizing.

Park So-dam played Park Bo-gum’s makeup artist in ‘Record of Youth.’

Record of Youth

Record of Youth features ambitious likable protagonists trying to find their place in a highly competitive world. Park Bo-gum plays a model so charming it’s hard to imagine why he’s not already a success at the story’s start. Park So-dam plays a talented make-up artist with dreams. She’s also a devoted fan of his modeling career.

Why see it? Park Bo-gum’s character is as bright as a shiny penny, ever optimistic and upbeat, despite not having much support for his dreams. Watching Park So-dam act is always a pleasure and the real star of the drama might be Han Jin-hee, who plays Park Bo-gum’s supportive grandfather.

Seo Ye-ji aggressively pursues Kim Soo-hyun in ‘It’s Okay Not To Be Okay.’

It’s Okay Not To Be Okay

Easily the most visually appealing drama of 2020, It’s Okay Not To Be Okay stars two of k-drama’s most photogenic actors Seo Ye-ji and Kim Soo-hyun as a twisted children’s book author and the psychiatric nurse she needs to calm her nightmares. Not only are the actors beautiful, but the drama’s graphics, cinematography and costumes are also gorgeous. 

Why see it? The drama explores the topics of autism and the mental scars created by early trauma. Oh Jung-se’s performance as Kim’s autistic brother was one of the best of the year.

‘The Good Detective’ is a fast-paced crime thriller starring Son Hyun-joo and Jang Seung-jo.

The Good Detective 

The Good Detective delivers a Scandi-noir vibe with its insightful character development plus some over-the-top, superhero police action scenes. The drama stars Son Hyun-joo, who might have the most expressive face of any k-drama actor, and Jang Seung-jo as a detective whose super-power is having a fortune. 

Why see it? The Good Detective is an involving police procedural with top-rate performances. Oh Jung-se plays a hard-hearted villain, a dramatically different role than his vulnerable character in It’s Okay Not To Be Okay.

Nana plays a woman who pursues politics for a paycheck despite Park Sung-hoon’s objections.

Into The Ring 

The wry comedy stars Nana, formerly a member of k-pop group After School, and Park Sung-hoon, who recently played a convincing but comical killer in Psychopath Diary. Nana plays a plucky unemployed woman who runs for office, motivated largely by the paycheck, but also from a sense of justice. Although Park initially finds her irritating, he eventually helps her fight local corruption.

Why see it? Nana is so charismatic in this role, viewers may want to see everything she’s ever done. She and Park develop a low-key lovable comic rapport that keeps a story about local politics happily enjoyable.  

‘My Dangerous Wife’ is a cat-and-mouse mystery within the story of a marriage.

My Dangerous Wife

In this dark comedy Choi Won-young plays a chef who plans to murder his wealthy wife, so he can inherit her money, but when he arrives home with a poisoned bottle of wine he finds she has been kidnapped. The note the kidnappers left behind warns him not to contact the police or they will kill his wife. Should he? It sounds like an opportunity.

Why see it: Interesting plot twists and turns make this drama fascinating to the very last episode. The complex storyline involves a mistress, a mysterious old friend, a detective with a suspicious wife, and a set of curious next door neighbors with secrets of their own.  

Son Ye-jin and Hyun Bin experience an impossible love in ‘Crash Landing On You.’

Crash Landing On You

Crash Landing On You, which first aired in Dec. 2019, successfully introduced a wider international audience to the joys of k-drama viewing. The mega-hit, starring Hyun Bin and Son Ye-jin, follows the story of a South Korean heiress who accidentally lands in North Korea and is helped by a North Korean officer at the risk of his own life.

Why see it? Everything about the drama is top-notch—the cinematography, the romantic storyline and the excellent performances from the lead and supporting actors. The drama also offers some interesting insight into North Korean daily life.

Shin Sung-rok stars in the paranormal thriller ‘Kairos.’

Kairos

Kairos is a tense paranormal thriller about karmic debt. In this drama two people who live in different times stumble on a supernatural way to talk and thus untangle their preventable personal tragedies. Shin Sung-rok plays a callous businessman whose daughter is kidnapped. Lee Se-young plays a woman whose mother disappears. Together they must change fate but they can’t connect in their own time. This plot device was used in the film The Call and the k-drama Signal, but it feels fresh in Kairos, given the carefully crafted moments of suspense and some intriguing performances.

Why see it? Both Shin and supporting actor Ahn Bo Hyun do an excellent job of portraying men who question what they once held sacred. 

Which dramas made your list?

From Hollywood & Entertainment in Perfectirishgifts

[aion-rsa]

The Losers: Chris Evans, Idris Elba and Zoe Saldana’s Forgotten Superhero Movie

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Even The Losers get lucky sometimes. Before the DCEU was formed to compete against the ever-expanding, cash cow that is the Marvel Cinematic Universe, the approach at Warner Bros. was far looser. With the booming business of comic book adaptations in full swing, the studio was throwing money at several eclectic comic book titles like Watchmen and Jonah Hex, trying to stay competitive and seemingly more adult than their rivals. Hence before leaving to create his own superhero project, Hancock, wrier-director Peter Berg started penning an adaptation of DC/Vertigo’s The Losers, bringing in French director Sylvain White to helm the picture.

Produced by Joel Silver, The Losers centered on a team of elite, black-ops Special Forces operatives betrayed by their handler. Director White connected with the material immediately. 

“What appealed to me about The Losers was that it wasn’t the typical superhero-with-superpowers thing,” White told MTV. “It was based on real characters—realistic characters—and based in reality, like a lot of the European graphic novels that I had grown up reading.” The director worked with creators Jock and Andy Diggle to refine the script and lend their expertise with design to give the film a distinct visual palette that changes with new locations.

Frequent Silver collaborator Idris Elba was cast as Captain William Roque, with the cast being rounded out by Jeffrey Dean Morgan, coming off his turn as The Comedian in the studio’s adaptation of Watchmen, Zoe Saldana, fresh off of starring in the highest-grossing film of all-time, Avatar, Chris Evans, still mainly known for playing the Human Torch in Fox’s early Fantastic Four films, and rising actor Columbus Short. While current audiences would go on to become intimately familiar with most of this cast, their names didn’t generate enough buzz in 2010 to get folks into the theater. The Losers only made about $30 million on a $25 million budget.

Of course a tepid response at the box office does not mean that a movie is destined for obscurity. Just recently hitting Netflix and ready to capitalize off its now A-list cast, The Losers is currently the most popular film on the streaming service. Besides the even greater interest in comic book properties, the cast of The Losers have gone on to such success that they revitalized interest in one of DC’s almost-forgotten adaptations. Let’s look at where the cast of The Losers have been since the film’s release in 2010 to explain the sudden spike in love.

Idris Elba

While Elba, a star of British television via Luther, had already made an impression with American audiences by 2010 thanks to 28 Weeks Later, Guy Ritchie’s RocknRolla, and a guest stint on The Office, Elba’s star would rise considerably after his appearance in The Losers. In 2011, Elba would join the MCU as Heimdall in Thor, who’s role in the Thor films would expand as the franchise progressed. Elba would also pop up in prominent roles in blockbusters like Prometheus, Pacific Rim, The Jungle Book, and Star Trek Beyond. Away from blockbusters though he really broke out with a SAG-winning performance in Beasts of No Nations, and starring in fare like Aaron Sorkin’s Molly’s Game.

More recently, Elba stole scenes away from Jason Statham and Dwayne “The Rock” Johnson as the villain in Fast & Furious: Hobbs and Shaw. Finally, things have come a bit full circle for Elba, as he’s set to appear in another DC adaptation over 10 years after The Losers, portraying Bloodsport in James Gunn’s The Suicide Squad.

Jeffrey Dean Morgan

In 2010, Jeffrey Dean Morgan was probably most well-known for his roles on television in series like Supernatural and Grey’s Anatomy. That all changed after Morgan was cast in an adaptation of the “unfilmable” graphic novel Watchmen as The Comedian. While his time onscreen in the Alan Moore and Dave Gibbons adaptation was minimal, bringing such an iconic comic book character to life earned Morgan a deeper cachet with the Comic-Con crowd. Morgan would work steadily in films like The Possession and the Red Dawn remake, but he arguably made a bigger impact on television portraying yet another iconic comic book character on AMC’s The Walking Dead, Negan.

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Morgan received critical acclaim for his portrayal of the villainous Negan upon his debut, earning the Critics’ Choice Television Award for Best Guest Performer in a Drama Series, MTV Movie and TV Award for Best Villain, and Saturn Award for Best Guest Starring Role on Television. He’s been going steady as Negan since while doing other occasional comic-con friendly projects like Rampage.

Zoe Saldana

Zoe Saldana was on top of the world in 2010, and in the time since, she’s only become more successful. After appearing in the buzzy Star Trek reboot in 2009 and a little film called Avatar, the former Center Stage star would go on to headline her own action film Colombiana. However, that would seem like small potatoes compared to what would come in 2014. Saldana was cast as Gamora in Guardians of the Galaxy, Marvel’s riskiest adaptation to date. Would audiences get onboard with an off-beat space opera featuring C-tier Marvel characters? Turns out, yes. Gamora not only became the heart of the Guardians, but the character would feature prominently in the grand Phase 3 finales Avengers: Infinity War and Avengers: Endgame.

In the shadow of that, Saldana has starred in more Star Trek sequels, an ill-advised TV remake of Rosemary’s Baby, and as Nina Simone in in Nina, a performance did come under fire for due to the lightness of her skin. Still, Saldana now has leading roles in the two highest grossing films of all-time, and is still expected to star in Guardians and Avatar sequels. Not too shabby.

Chris Evans

Speaking of the MCU, Chris Evans wasn’t floundering in 2010, but he did seem to be stuck in a bit of a rut, typecast as handsome smart alecks prior to The Losers. In fact, his big mainstream break is probably the less than classic spoof comedy, Not Another Teen Movie (2001); afterward he played Johnny Storm in Tim Story’s lukewarm Fantastic Four movies in the mid-2000s; in fact, arguably his most amusing role up to 2010 was when he appeared as a douchebag movie star in Edgar Wright’s genre-bending comedy, Scott Pilgrim vs. the World (2010).

Read more

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By Natalie Zutter

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$400 Million Knives Out 2 Deal Gives Netflix Major Movie Franchise

By David Crow

That said, The Losers found him playing against type as an awkward tech expert. Perhaps his chance to show a different side of himself led to his life-changing role as Steve Rogers in the MCU’s Captain America. Anchoring the Avengers franchise for eight years, Chris Evans rose to the top of the A-list, and used that newfound celebrity to help get passion projects like Bong Joon-ho’s Snowpiercer and Rian Johnson’s Knives Out made. Evans is one of the most popular celebrities on social media right now and looks to continue his profitable relationship with Disney by voicing Buzz Lightyear in the animated origin film, Lightyear. 

Columbus Short

Perhaps the only member of the cast not to launch into the stratosphere after The Losers, Columbus Short has had a few issues that have prevented his rise. Short booked a role on the popular ABC series Scandal, but personal issues derailed his involvement in the show. In 2014, as part of a no-jail plea agreement, Short pled guilty to misdemeanor domestic violence and performed 30 hours of community service. Short also avoided jail by pleading no contest to a felony assault charge after throwing “a running punch” at his in-law during a family gathering at a bar.

In an interview with Access Hollywood Live, Short shared that substance abuse due to the stress of family issues and personal loss had led to his departure from Scandal. However, Short has appeared to move past his personal struggles and can next been seen portraying Martin Luther King Jr. in Remember Me: The Mahalia Jackson Storyand returning as Quadir Richards in True to the Game 3. 

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[makeste]

killing is not so easy as the innocent believe

or, some follow-up thoughts on Hawks, and chapter 265.

you guys this chapter has got people in some kind of way though. myself included lol.

it’s never a good thing when I get an ask like this on a Wednesday. and SURE ENOUGH, lmao. hang in there anon we’re in this together.

I love how all three of these asks seem to be implying that Hawks is basically toast. death certificate all but signed and notarized. which is reasonable to be fair!

regarding Machia though, after giving it some thought, the fact that he was mentioned when he didn’t have to be leads me to believe that Fatgum is correct, and he will not be making an appearance. it’s possible this is just the manga attempting to catch us off guard, but if Horikoshi wanted to do that, he could have just as easily bided his time and made no mention of him at all until he suddenly came barging out of his hidden basement room at an inopportune moment. going out of his way to say “hey remember Gigantomachia? yes well he is in sleep mode at the moment so not to worry” is kind of a waste of time unless it really is true. could be wrong on this though!

regarding the voice recorder/communication/mystery device thing, I now have a brand new ridiculous theory on that thanks to a chat with @blessedgirthma​, but more on that shortly. 

now then, let’s talk a bit more (or, to be honest, a lot more) about Hawks.

lol y’all I am being called out. but in seriousness, this is honestly one of my favorite things about doing the recaps though. the fact that my reactions are recorded for posterity for better or worse. the thing is, when I’m actually reading the chapter for the first time, it’s a complete rollercoaster lol. it’s just whiplash reactions to stuff (which is why 90% of it is dumb jokes because that is my honest instinctive reaction to 90% of everything) and speculating wildly on the spot. and a lot of times it is way off.

one of the things that particularly impressed me about this latest chapter is the fact that Horikoshi was genuinely able to manipulate my emotions so effectively and make me so anxious about the fates of both of these characters in the heat of the moment. not every writer can do that! in fact it’s pretty rare for a shounen manga in particular to actually get me to really start doubting and wondering whether a character is actually going to die. because let’s be real guys, it’s a rarity. especially with this particular series. and even when people do die, they come back as OFA ghosts, or they’re brought back to life as Kurogiri, or they never died to begin with and they’re currently trying to kill Hawks, etc. so on top of the shounen manga tropes, we also have comic book “no one is ever truly dead” tropes. so yeah.

so the point I’m leading up to here is that I don’t think Hawks is actually going to die. I know it’s ridiculous; I know he was just set on fire and isn’t looking too hot (ha) right now, but again. it’s a shounen manga. other characters have survived (1) breaking their arms a dozen times, (2) having holes of all shapes and sizes pierced through their lungs, (3) everything All Might and AFO did to each other at Kamino jesus christ, (4) having their entrails spilled out, (5) being crushed by a water tower, (6) pissing Todoroki off during the climax of Heroes Rising, (6) being blown up from the inside out by a quirk, and (7) having their eye sliced open and being blasted through a building and falling fifty feet from the sky onto the hood of a car while on fire. and this is far from an exhaustive list. this is an off-the-top-of-my-head list. yeah. so neither Hawks nor Twice is actually dying if this is anything to go by.

now then. I said I was going to talk about Hawks, so let’s talk. first off, I just want to make it clear that I’m not part of the pro-Hawks faction, or the pro-Villains faction, or whatever. I’m in neither of those factions, or both of them. or whatever you want to call it. basically I love Twice and I love Dabi and I love Hawks. and recent events have not changed this at all, except perhaps to make me love them even more. but anyway, just wanted to put that on the record. and yes, I told Dabi to set Hawks on fire, and I would say it again too, because Dabi setting Hawks on fire potentially saved both Hawks and Twice, so yeah. homicidal though it may have been, it was good timing all the same, Dabi.

so Hawks! let’s talk about what actually happened in this chapter. “um Hawks tried to kill Twice, is what happened.” well, not quite! what actually happened is that Hawks said he was going to kill Twice. and then... he didn’t.

lol, yeah. eyeroll-inducing technicality there, I know. wishful thinking, naive, willfully disregarding what we actually saw in favor of trying to support my own interpretation of the character. absolutely that’s what it is! but since we all acknowledge that, might as well continue down this line of thinking and see where it leads. so indulge me if you will.

so. three things:

(1) Hawks is a spy. he lies. he lies all the time. when Horikoshi wants us to know what he’s actually thinking, he shows us.

so naturally the reason I bring this up is just to point out the fact that throughout all of chapters 263, 264, and 265, we have not actually seen a single one of Hawks’s thoughts (assuming Caleb is correct in his translation of 264). he’s making speeches, he’s trying to plead his case to Jin, and we see a ton of Jin’s thoughts. but none of Hawks’s. not so much as an ‘I was afraid of this...’ or ‘his quirk is too dangerous, I can’t let a single one of the clones slip through’ or any of your typical run-of-the-mill fight narration we might normally expect to see for a scene like this. there’s nothing. and what this tells me is that Hawks’s words may not in fact line up with what he’s actually thinking.

(2) Hawks is hesitating. we know how fast he is. hell, even if we didn’t, this chapter would be all the evidence we need. but we do in fact have plenty of other evidence.

these things are deadly. each one is solid and we’ve seen he’s capable of using them like bladed weapons. if he wanted to, he could stab Twice through the heart in the blink of an eye. look at the precision he used to tear his mask open (to distinguish the real Twice from the clones) without actually harming him. he wouldn’t even have to move. but he is deliberately holding back and trying to stop Twice in other ways -- by pleading with him (“I don’t want to fight you”), hitting him with a disabling blow, and finally by pinning him down and trying to intimidate him.

but then he just sits there.

saying he has no choice. holding the feather knife above him. but he doesn’t actually do it. and okay, maybe it’s because he truly is fond of Twice, as we know, and so he’s giving him the chance to say his last words or something. but what was it he said just a few pages before this one, though? “we eliminate villains with haste”? I don’t know about you, but I for one sure wasn’t seeing any haste in those last few pages. the man who goes too fast, huh. I’m just saying.

but maybe he was just psyching himself up to do it. maybe he would have gone through with it on the very next page if Dabi hadn’t intervened. maybe. but you know what though? that hesitance -- the fact that he was so conflicted despite supposedly believing that he’s doing the right thing, and despite being groomed by the shadier elements of hero society since childhood to make this precisely kind of decision -- to me, that does indicate that Hawks is not a killer by nature. he’s battling with himself right now. he’s desperate. he doesn’t want to go through with it; he resists the act; and then crucially, right at the decisive moment, Horikoshi prevents us from seeing whether or not he actually would have done it.

(3) and what about that? it’s interesting that this question is one which has come up over and over ever since the disappearance of Best Jeanist, isn’t it? the question of just how far Hawks is actually willing to go. the question of whether or not, when push comes to shove, he will make the cutthroat decision. will Hawks kill for the greater good? Horikoshi poses this question again and again, and yet he still refuses to give us an actual answer.

(oh hey, that’s a nice flashback you’re having. sure would be a shame if it were to... cut off right there so that we never find out what actually happened past this point!!)

(“whether this is really him” -- really?? you actually go and show what is by all accounts and appearances Jeanist’s actual dead body stuffed in a bag, and yet you still cast doubt on it? why? at this point you’re just fucking with us. and also, actually, the fact that it’s a dead body is not, in fact, proof that he killed someone, because morgues exist. and appearance-altering quirks. and clones. and all sorts of other conspiracy-theory-fueling shit. so yeah.)

isn’t that strange? well no, actually, it’s not strange at all, because you only need to take one glance at the fandom (or my own indecisive recaps) to see that this refusal to confirm this one crucial fact about Hawks’s nature is having precisely its intended effect. when you write a story, you want the readers to care. you want them to be invested in what’s happening. you want to keep them in suspense. and so in Hawks’s case, the fact that we just don’t know for sure makes him an insanely compelling character to watch, because will he actually do it?? will he kill Twice?? is he a killer??

and still we don’t know. even now, Horikoshi refuses to lift the veil for certain. and all I have to say about that is this: maybe he is. but if he is, if the answer to this lingering and drawn-out mystery ultimately turns out to be a simple “yes”, then that would be a bit anticlimactic to say the least.

so those are my thoughts! oh, except that I did say I was going to talk about this thing though:

so we don’t know what this is, or why Hawks pulled it out at such a strange moment. I’ve read a few theories, but I have to give @blessedgirthma​ credit because this one is my new favorite omfg:

like. guys. guys. I know it’s absurd and it’s not going to happen lol. but can you just imagine, though. Dabi’s standing there with the crazy eyes, talking about how heroes are all scum, and how he never trusted Hawks, and the fact that Hawks was even willing to kill a fellow hero to gain their trust only to betray them is yet more proof of how hypocritical and disgusting these so-called heroes are. and then, just as he’s about to deal the final blow, HIS OWN CLOTHES TURN ON HIM and he’s all “?!” and IN BURSTS BEST FUCKING JEANIST oh snap, whaaat, HE LIVED, BITCH.

don’t look at me like that. let me have this. all I’m saying is it could happen.

so that’s it! those are all my current thoughts about Hawks and about this contentious chapter which is tearing fandoms and loved ones apart. in my perfect world Hawks lives and Twice lives and Best Jeanist lives and Dabi lives but gets captured maybe so as to have Endeavor angst along with some fucking flashbacks at goddamn last. as of today March 22nd 2020 all of these are still possible outcomes, so I’m gonna embrace it.

and lastly, getting back to the real mystery of this chapter,

WE CAN ONLY HOPE.