#you are all this moment has || asks

[mirrorhouse]

I have what you're looking for. High quality. Befitting a man of my tastes. I have a room over on Divisadero, not too far a walk.

[sunriseinsound]

@falseapostle​ asked: what’s their favorite method of self-care? {<- Denizen}

Locking himself in his room, away from the children and Ackerby, the orphanage directer, and just reading a book alone for a couple hours.

[poorly-drawn-mdzs]

I started reading Dungeon Meshi last week, became instantly charmed and captivated, and blitzed through the entire manga in 4 days (and changed my profile picture about it). With that in mind, I would just like to say...

I love your dungeon meshi art so so much

CHILCHUCK!!!!!!!!

Thank you kindly! I love Dungeon Meshi a lot, so I'm happy to see so many people get into it for the first time.

CHILCHUCK!!!

[vynnyal]

OK, fair warning to the few people I actually managed to convince to try the game??

Rain world does NOT play like hollow knight, and you'll get your butt kicked if you approach it like that.

It's really hard. Like, really hard. Instead of the game literally giving you abilities in the form of power-ups and damage buffs, the only abilities you gain is from what you learn and your own ingenuity. You're a rat from beginning to end. If you just beef your way through it, it's gonna suck and you're gonna be confused and frustrated all the time. But if you pay attention, take it slow, and learn how the ai works and how everything interacts with each other, you can consistently get through and dominate situations you thought were impossible to do so when you first began. Now get out there, kill some lizards, and bully some old computers!

[gingermintpepper]

I haven't read the Odyssey so I'm asking you. Are you telling me besides Athena, Apollo was the god who helped Odysseus and his family the most? Indirectly at least.

If that's true it's really a missed opportunity in EPIC.

No, no, the god who assists Odysseus the most after Athena is unquestionably Zeus.

Zeus genuinely has no problems with Odysseus and makes it very clear that he finds the man brilliant and would have already had him home and safe if he had his way, but he makes it clear that he's deferring to Poseidon who actually has the problem with Odysseus because, ultimately, the sea is Poseidon's domain and kingdom and Zeus doesn't intend to step on his brother's toes.

(Od. Book 1 trans. Robert Fitzgerald)

I'd definitely give third place to Apollo however. The big bug-bear about Apollo in the Odyssey is just that he's much less tangible than Athena or even Hermes who appears to Odysseus multiple times to help guide him/give him proclamations. His presence is everywhere though; like I've previously mentioned (and like he did with Jason) it's Apollo protecting Odysseus from Poseidon as he sails the sea after Odysseus blinds Polyphemus. It's also Apollo keeping Telemachus safe. His most vital role by far is when Odysseus returns to Ithaca in time for the challenge that will determine the next king. Not only is it a shooting contest whose first hurdle is to string a bow, the challenge itself takes place on a festival day for Apollo. Athena is there with Odysseus and Telemachus physically, but Apollo is looking after them in spirit, sending signs and signals to keep Telemachus especially safe.

(Od. Book 15, Telemachus warns about the state of Odysseus' house to Theoclymenus, a son of one of Apollo's prophets.)

There's also the fact that Odysseus makes sure to pray to Apollo before he attempts to string the bow:

(Od. Book 21. Beggar-Odysseus petitions to shoot his shot)

Likewise, before he slays the first suitor, Odysseus again prays for Apollo's guidance and gaze to guide his arrows:

(Od. Book 22. Odysseus commits the first of many (divinely-sanctioned) murders)

Also, as an additional thing, have Telemachus invoking Zeus, Athena and Apollo that he could see the suitors have their asses beat:

(Od. Book 18. Telemachus excitedly gushes to him mom about his cool new friend (Odysseus. Odysseus is the friend.)

There's a lot of minimisation of Apollo's role in the Odyssey because it isn't as bright and showy as his role was in the Iliad but hey, even there people tend to minimise how truly present Apollo is for the duration of the war when they're doing adaptations. Within Epic, the stage is already more than set for both Apollo and Athena to be there at the advent of Odysseus' revenge but none of that matters if that's not the creator's intention, y'know?

[myokk]

💘

[umbrellacam]

Detective Comics (Vol. 1) #734 - Mark of Cain, pt 2

Oh, I love this, how the three bottom panels are descending and the silhouette of Gotham's skyline is rotating in the background to show they're falling, falling, falling, but the nameless girl and her father - the father she's desperately determined to stop, the father who does love her despite how complicated and terrible that love is - are timelessly still, as if the rest of the world has paused in this strange moment of re-connection. Shards of glass flying about them like a melancholy snowfall. Iconic.

[theloveinc]

Bakugo is the type of idiot who doesn’t realize that roughhousing with someone you’re interested in is erotic … not until your legs end up around his waist, his arms above your head and his mouth near yours … and then he’s just thinking oh shit lmfao

[allyriadayne]

ALICENT'S REBELLION

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[forgetful-nerd]

Rise! Mikey and 2012! Raph would be best friends because the moment Rise! Mikey spotted this cutie sitting on 2012! Raph’s shoulder:

He’d be instantly obsessed with his fellow fire turtle

And 2012! Raph would never miss the chance to show off his son.

[sunriseinsound]

@strawberry-barista​ asked: ✔

Send me ✔ and I will bold my preferences for your muse!

My muse(s): Denizen, Mercy

Do I know your muse(s):  yes | no | a little | tell me about your muse

Setting: our verse | my verse | your verse | modern | alternate universe | other

Pre-established relationships? yes | no | depends on the relationship

Possible relationships: friends | classmate | co-worker | roommate | family, real or adopted | dating or blind date | married | friends with benefits | unrequited love | lending a hand | teacher - student | rivals | allies | partner-in-crime | enemies | protecter - guarded | business partners | spy - infiltrated | manipulator - manipulated | star-crossed | first meeting | other

I’m in the mood for: fluff | angst | horror | romance | humor | crime | hurt / comfort | action | supernatural | slice of life | crack | dark threads | light threads | any genre | multi-para | shorter para | one-line | any length | plotted threads | unplotted threads | other

Feel free to: message me ooc | message me ic | tell me your ideas | write a starter | answer one of my opens | send a meme | reblog this with your preferences - let’s find common interests!

[yuwuta]

my f2l yuuta idea of the week, if i may: childhood bsf yuuta, nerdy and shy, who grows up with you. ur popular but u always stick by his side, and he's in love ofc. stuttering and failed valentine's confessions, blushing whenever u show him affection, doodling ur name in his notebook in class, classic loverboy yuuta

this omg :(( i’ve had conversations about something similar—childhood friend yuuta, but i love the idea of him being a little nerdy omggg

you’ve known him since before you two could even talk, you were just infants babbling at each other, but i’m sure in yuuta’s little baby brain he was trying to say i love love love youuuu :(( your parents have so many pictures of all the pretend weddings you guys have had as kids, so many pictures of yuuta in his dad’s huge tux jacket and you in a big shirt with a makeshift belt that’s really just an extra long friendship “bracelet” yuuta made for you bc he was trying to make a bracelet big enough to show you how much he loves you, but he ran out of beads :(((

school is harder for him as you two get older, yuuta doesn’t make friends nearly as easily as he did with you but he always has you and it just makes him more in love with you… the horimiya of this all……. yuuta trying to recede into the background but you’re the friend that pulls him out of his own head and introduces him to maki and toge and yuuji and megumi and nobara and everyone else and sometimes he just sits at the lunch table w everyone and thinks how lucky he is to have all his friends but esp you because none of it would be possible w/o you :(( definitely gets a piece of food thrown at him by nobara who’s calling him out for looking dazed and lovesick but he just blushes and tries to hide it behind stuffing his face he’s so cute god,,,……. definitely doesn’t help that you call him cute too and he’s *////////* all day… doodling your name in his book is so real he’s definitely written “(_____) okkotsu” on a handful of pages which is why he’s so weirdly anxious/protective of his notebook he would literally fizzle away into dust if anyone every saw it GOD

don’t even get me started on the failed confessions PLS so many times he tries to hype himself up to leave a note in your locker or ask you out but either something goes wrong or he’s not specific enough, so it always seems platonic…. the misfortunes of yuuta…. leaving a letter in your locker on valentine’s day but he forgot your way more popular than him, so it’s just one of many notes buried in there and ofc he’s a fool so he didn’t sign his pls 😭 asking you to get ice cream after school and it’s cool, but the next day he sees you getting ice cream w megumi and he’s like oh… wait… you probably do that will all ur friends ofc,,,, just constant blundering i love him sooooo bad

the only time he gets it right is prom, and i can see him either (1) being fed up by his own blundering and really wanting to get it right, (2) being worried/jealous about hearing other people’s plans to ask you to prom, (3) you teasing him about waiting for a certain somebody to ask youuuuuu…. he definitely stutters and stumbles a bit, but he’s yuuta he’s just a sweetheart so it’ll work out :(((

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[sunnist4rs]

I hate men because today after years of my brother mocking me whenever I talk about something I’m well informed on by saying I did no research I finally told him how much it upsets me. So straight after he brought up my male assault statistics and called them fake before leaving.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)