#you don't have to share my stuff | Explore Tumblr Posts and Blogs

masezace · 9 months

Text

little off topic for my blog, but i started watching a new show since a friend mentioned it was good and i'd heard positive things about it, so i just wanted to talk about it a little bit (probably never again after this since this isn't a fandom blog, but it's the only one i have rn so idc it's going here)

the show is Jurassic World Camp Cretaceous, and just going on looks alone, despite my love for dinosaurs and the Jurassic Park franchise i never would have considered it. it appears to be very much for kids, and as i'm in my late twenties now i'm not particularly interested in especially kiddy media. however a friend my age enjoyed it and mentioned it has a canon lgbtq+ couple in it among the main characters, so of course i just had to watch it. i had already been hearing that despite its initial appearance and premise, it was surprisingly good for a kids' show, so i had already been curious, but i was even more keen after knowing there were queer characters, and not even the adults, the kids themselves (in a kid's show?!! what a time to be alive), so i finally sat down and watched it.

[spoiler warning, both minor and major, for the rest of this post btw, so continue reading at your own risk if you haven't seen it yet/are still watching]

the show overall

okay so firstly, i am coming at all of this from the perspective of a writer, so my observations are from a technical standpoint more so than just as a fan of the show. and honestly, it really is a well-written show as a whole. is it geared towards kids? definitely. there are plenty of jokes/gags in it that just don't appeal to me as an adult, but beyond that, there was plenty to appreciate as an adult.

the writing is actually phenomenal? there were several points in the series where i just sat back and mulled over the way a scene went, what the thought process behind writing it was like, how well it was executed, and how important it was to the characters and overall plot.

the suspense is spot on, nothing gets dragged out too long, and i will admit there have been a few scenes throughout that actually got me; i jumped! it's actually scarier than i expected a kid show to be, but i'm so glad they went where they did because it really elevated the experience.

the pacing overall is very good, adequately engaging for kids' short attention spans (and us adhd adults 🥲) but not too short either to a point where things felt abrupt or unfinished. plot arcs are well developed and tied up nicely. also, as a bit of a dinosaur nerd, the array of dinosaurs in the show is super broad and satisfying! very fun stuff.

character element

imo the real gem of this show is the character development. honestly it's just *chefs kiss*

the characters grow and change so much and so realistically over the course of the show, it's honestly so much better and more satisfying than the character growth in most adult fiction/media recently.

the growth in ben (who btw was def my favorite character by the end of s1) and kenji in particular were my favorites and, in my personal opinion, the most interesting. the way ben started out anxious, cowardly, and rule abiding to a fault, then grew into a brave, confident, adventurous little pyromaniac gremlin, then had that stint later in the series where he regressed a bit-questioning himself-until eventually ultimately striking a great balance and really coming into himself was just... peak character writing.

kenji started out overconfident, lazy, and overly concerned with money/status. but that arrogant overconfidence and laziness slowly turned into responsibility, and a desire to protect his found family, and the realization that it's the people in your life that really matter most.

honestly what i mentioned only scratches the surface in terms of those two characters, there's certainly more that can be said about them (as well as all the others) but i'm not really in the mood for a deep dive character analysis atm. just trust me tho when i say these characters are so well done and each one of them have arcs that are super satisfying to watch play out.

queer representation

and as for the queer couple? yasmina and sammy are PERFECT. it was so beautiful watching their relationship grow from one-sided to mutual friendship, to loyal devotion, then to love. they were set up incredibly well and incredibly naturally. i have like, no complaints when it comes to them. i don't even know if there's anything i can say that would add to things, they were just a really awesome couple to watch become canon, they're the beautiful and painfully needed representation we all beg for in tv and movies.

shipping, chemistry, and intent

but oh goodness... probably my only real complaint about the entire show would be how benji (ben x kenji) and kenji x brooklyn (kenlyn? brookji? idk and idrc) were handled. because for all that this show did SO much beautifully right, they really screwed the pooch here, sadly.

i'm gonna start by saying that the writing in this show, as with most, is deliberate. what i mean by this is that despite having no clue who it would be because my friend thankfully did not even spoil me as far as the genders of the queer couple, i clocked yas and sammy as the would-be queer couple as early as season one (actually it was between them and benji, but more on that later). i could already see the chemistry, because it was deliberately written in.

shipping is subjective. anyone can ship any character, and in most cases it's pretty easy to see how there could be (romantic) chemistry between fan pairings based on their personalities, their arcs, etc. and that's okay! ships don't even have to have any canon support to be valid, because shipping is for the fandom, and it's for fun (i have a few rarepairs and crack ships across different media that i just love).

but onscreen/written romantic chemistry is a lot less subjective (to clarify, it is subjective whether or not the chemistry is good, but it's not subjective about whether or not it exists). there are literally scenes written with the sole purpose of building the romantic tension and/or chemistry between planned couples (some of which even have absolutely zero plot relevance, which usually is not advised tbh, and most of which are the cliches/tropes you see in literally any romance ever written, some are just disguised a little better than others. but make no mistake, it's all the same set of cliches. there is nothing new under the sun), as well as intentional, key moments within scenes that have other purposes. they are essential to establish romantic pairings.

and typically, the foundations for these couples are laid VERY early on. always within the first or second season (well, at least they are when the writer actually knows what they're doing and has at least a rough plan/outline for the entire series & characters. this is usually a large part of what separates the good chemistry from the poor chemistry. an author who knows who the couples are going to be and has a plan from the beginning to build them up is going to be more successful in creating a believable relationship with good chemistry. one who does not plan, or makes last minute plans will almost certainly fail, and the couple is just going to suck). when the set of characters you're working with are going to stay the same for most or all of the story, you start immediately.

i don't mean to toot my own horn, because i think it's because i'm a writer so i just pick up on narrative patterns very easily, and pretty much always clock the planned couples within the first few episodes of any series, and by the end i am right like 9 times out of 10.

that being said, do you know whose deliberately written chemistry i also clocked in jwcc? ben and kenji's.

kenji and... brooklyn?

no offense to people who like/enjoy kenji and brooklyn, you are free to love them, but the way their romance was written is... quite possibly the weakest point of the show. it felt like they were just trying to appease the upsetto heteros in charge, because there was definitely another het pairing that had a lot more potential than kenji and brooklyn (hello darius x brooklyn aka darilyn, you would have actually made sense because your relationship had amazing buildup and multiple standout scenes from s1 on. dgmw, i love that we got a m/f strong, supportive, purely platonic friendship out of them, i live for those and we really need more of them. but we could have had that with kenji and brooklyn, or darius and sammy, or ben and yas, literally any other pair instead).

kenji and brooklyn as a couple came out of absolutely nowhere. i honestly think they decided to shove them together last minute, and had no actual plan for them until they were working on s4. because their development barely started at the VERY end of s3 (the abruptness of him caring about her being held hostage so much more than literally anyone else in their group despite them having like zero buildup to that point gave me whiplash), but honestly didn't really even become "meaningful" development until s4, over halfway through the series. the two spend the first 3 seasons basically not particularly gaf about each other individually, only as part of the whole group and on an equal level with everyone else. they otherwise have no deliberate narrative foundation. it just starts in s4 with no prior hinting. which makes their development rocky and difficult to believe. the funny thing is their characters literally have dialogue (in s4) trying to draw comparisons/parallels between them to say that they especially have a lot in common and like??? no? they really don't? not any more so than any other two kids in the group. their relationship just, really falls flat.

it was disappointing to see it take such a massive spotlight in the series for almost all of seasons 4 and 5, overshadowing the friendships that have been the focus of the show and should have remained so, to the point where at times it just felt like i was watching some stereotypical het highschool romance. genuinely, it made s4 & 5 more of a drag to get through. yasammy and ben and yas' growing bond (which by the way was so sweet, it had the strongest queer solidarity vibes good lord, i sure wonder why yas chose ben out of everyone to come out to first, hmmm) were some of the few things that kept me invested, otherwise i would have dropped it if it had leaned much farther into becoming the kenlyn show than it already was. especially when it was that pair so much of the focus was given to, even though we had so readily and perfectly available, the pair that could have, should have been: benji. which finally brings me to:

ben and kenji

benji's foundation was laid in s1. their interactions, the situations they found themselves in, were deliberate (on the writers' part). i'm even gonna go out on a limb here and say the pairings were fully established in s1e3, even with parallels between yasammy and benji (sammy clinging to yas and ben clinging to kenji throughout the episode), and darilyn gets the beginning of their development too.

even though they bicker a lot in the beginning, they clearly care about each other? kenji protects/helps ben multiple times, and there are definitely some looks ben gives kenji at times. at the end of s1, the one who seems the most deeply effected over ben's "death," other than darius (understandably since he's the one who failed to save him), was kenji! immediately after it happens, we get two close up shots, darius and brooklyn then yasmina and sammy. after which, we go back to the whole group with kenji in center frame, the focus is intentionally on him. it is only kenji who drops to his knees at the loss, and then we get a close up of just kenji. he was saved for last, and he was alone in frame (tbf bumpy was in frame too, but i'm talking humans here), which implies his feelings are especially important in this moment. that is the reason for solo close ups.

after ben's "death," kenji takes to always wearing ben's fanny pack, and up until bumpy--who ben cares VERY much about--got separated from them, kenji was the one who (however briefly) took over her care, ensuring she got off the monorail with them, and he's extremely distraught, more than pretty much all of them, when they can't find her, and he's last to leave when they decide to accept that ben's gone. even when they do leave, he's distant and distracted and his mind is clearly still on ben.

other than darius, kenji is the only one (if i'm remembering correctly) to mention ben/say his name after they lost him, upset because he was actually trying not to think about him. he has clearly thought about ben, probably a lot, because it's hard not to be reminded constantly when you wear something that belonged to a deceased loved one. and frankly, he appears to be the only one who dwells on him that much.

when ben reappears alive (which btw he found the group again because of kenji's butter knife, hello), the frames literally purposely focus on kenji's reaction. he's the one in the foreground every time they show him and brooklyn in that scene. he is the first one to say ben's name, the first one to go to him and hug him, and the scene takes special care to highlight kenji's strong emotions at ben's reappearance, lingering on his teary face as the focus for a bit even after brooklyn enters the frame to hug ben (because she is not at all an important element in the scene at that moment). just like when ben "died," the way this scene is written and shot HEAVILY suggests that ben holds significant importance to kenji, specifically. because again, the focus here is on kenji and ben almost exclusively, with brooklyn as only an afterthought lol. and quite frankly literally everyone else's reaction to him being alive was pretty lackluster compared to the special attention they gave to kenji on this.

and then in s3 we have the infamous hat scene, where darius and ben are in the limo and ben sees and mentions kenji's sailor hat, looking sad and sounding like... longing?? then directly after we switch to kenji realizing he forgot his hat?? the scene has no real significance tbh other than to draw a connection between ben and kenji. like, it acts as a transition to switch to the pov of the group on the boat, but it was entirely unnecessary? why not just have darius say something about the others and then show them on the boat? if there were no special relationship between ben and kenji, it would have made far more sense if they really wanted it to be ben to say something, that he sees the hat, and sadly says something along the lines of "i hope the others are okay/doing better than we are right now/etc" which implies that the hat made him think of everyone, their whole group. rather than what we got... which very much implies that he was mostly just thinking about kenji 💀 and then kenji thinking about the hat at the same time ben's looking at it and thinking of kenji. like, this is.... a very blatant connection being made by the writing/directing here.

all of that. so many deliberate connections made between ben and kenji, they had a very solid foundation laid for a romance to develop, and by all intents and purposes one already WAS developing according to the show's own subtext. which was why up until s4 obliterated the idea, i was positive the queer couple in the show was either going to be yasammy or benji. it was extremely obvious imo. but as soon we started getting the typical, loud, cliche "we are going to pair off these characters" scenes for kenji and brooklyn, i knew we were getting yasammy and not benji (to be clear, i'm not at all upset about yasammy, they're beautiful and i love how their relationship was done, i wouldn't have had it end any other way for them. but i do personally prefer benji, i just like their personalities and dynamic more. and i feel they had so much potential that got wasted to make way for a far less interesting pairing between kenji and brooklyn. why can't we have 2 queer couples, huh? and if we really needed a minimum of one hetero pairing to appease whoever needed appeasing, darilyn was right there).

but then??? their like entire bond just gets dropped (honestly ben himself gets pretty heavily sidelined for almost all of the last two seasons, which is criminal imo). mostly so that a rushed kenji x brooklyn can be established. like there are still a few small moments here and there in early s4, and one episode in s5 (ep 10), but from early s4 till pretty much the end of the series we hardly see them have any meaningful conversations or interactions, meanwhile literally every other combo in the group does.

it's so weird? why build up benji so deliberately over the course of multiple seasons just to like, fully discard it for a pairing with far less chemistry, even after the chemistry-building scenes they shared, some of which literally had no other purpose than to affirm their connection? even though they were very sparse, the moments benji had were just so blatant (kenji leaps into the rock crevice right onto the back of a saber tooth to save ben?!!?? like he literally was just willing to exchange his life for him like that?? he basically says that he wasn't really thinking, he just did it. so he moved out of what, emotional instinct, that's what we're meant to intuit from that series of events? implying that he specifically has strong emotion and doesn't think things through when it comes to ben? because he doesn't do that kinda stuff for any of the others in the group! even better, this parallels when sammy jumped on the nothosaurus to save yasmina. and then the way benji look at each other after it's over??? hello??? and then how kenji pulls both brooklyn and ben in for that hug a couple minutes later... side eyeing the writers for that choice. they knew what they were doing there and they were evil for it). i just can't see any reason to have dropped them like they were, after all the development they shared for 3 seasons. confounding. biggest disappointment of the series.

i know this probably reads to some as just "wahh, my ship didn't become canon" nonsense. but that's not why i'm bugged. this wasn't just a ship i liked and wanted canon despite no actual narrative support, as most ships tend to be. this ship did have narrative support. there was intent behind many of their scenes together, lingering looks and little things that matter narratively and are always used to signify a stronger/special connection. and it led nowhere, for no good reason. that bothers me. writing that implies and promises something, but never delivers on it. like a person who never finishes their sentences (think Dr McPhee from Night at the Museum). ultimately it's not a HUGE deal or anything, at the end of the day it's just a ship and just a kids' show. but as a writer, it's just irritating to see something like that be done. what can i say 🤷

conclusion

even despite the wasted potential between certain pairings, and even though i do think the first three seasons were superior to the last two, overall i really enjoyed the show, and for what it was, it was really well-made. the overarching focus was of course on found family and friendship before anything else, which i absolutely love, and it was masterfully done. out of 6 kids, all of them had at least one or two meaningful bonding moments one-on-one with another in the group, so every possible combination had their moment to build strong, believable friendships with each other. i'm just so surprised by how good it was as a whole honestly, good enough to binge over the course of a week. i will happily recommend jwcc to anyone willing to give it a watch regardless of age, because i definitely think there's no age limit for a good story, no matter the medium it's told in. :)

#jwcc #jurassic world camp cretaceous #benji jwcc #benji #yasammy #yasammy jwcc #i would say that there's prob an age minimum tho... it's a bit scary so depending on the kid i wouldn't rec it to under 10 years #this is a long post #omg so long i'm sorry #i just have a lot to say #gotta shout into the void #it just be like that sometimes #fair warning this post is literally just me praising the show in the first half n then going absolutely off about benji in the second half #review #tv show review #as always with stuff like this that has any mention of ships it is bound to ruffle some feathers #so let me postface this with the reminder that this is all just MY OPINION #you are free to disagree but i'd rather you don't share your disagreements on my post via reblog/notes #feel free to write up your own show/ship review if you feel so strongly #otherwise if you dislike anything i've said you can just scroll past or block me <3

94 notes · View notes

captainschaos · 9 months

Text

< CAPTAIN'S SLIMECICLE CINEMATIC UNIVERSE TIMELINE >

It's here!!! This is it!!!!! well okay tbh it's still very rough, there's a lot of detailwork that is kind of loose and stuff I'm still theorizing/thinking about, but this is the big look! I also cut down on a lot of the stuff about characters to focus on the timeline itself, so I might make a follow-up post with that stuff because ily council. But this is my interpretation of the scu timeline! I know there's a lot of malleability when it comes to the scu, but even within that there's certain parts I kinda took and ran a bit far with, so hopefully it all makes sense. The line between interpretation of canon and creation of headcanon is thin. Also, since my timeline isn't actually a line, it'd be a bit hard to watch along with, but I'll link the playlist of my personal preferred viewing order anyway HERE! And without further ado, here's my timeline :]

[Long post below the cut- enjoy!]

The Slimecicle Cinematic Universe follows the path of Slimecicle, one of many players who wish to achieve god-power. Players are able to travel between realms with ease, but altering those realms? That takes a considerable amount of power. However, this is not unachievable, and Charlie is one among a group of players attempting to become godlings.

VOCAB I USE:

Godling: A being of god-power that can alter realms, and primarily uses it for creation.

Demonling: A being of god-power that can alter realms, and primarily uses it for destruction.

Realm: What we would think of a minecraft world, a separate place that players travel to when they find new places.

World: Within a realm, it is the earthen spirit itself. More abstract, but a powerful force to be interacted with, and has some semblance of life, magic, and almost sentience itself.

Dimension: The Overworld, Nether, and End are different dimensions.

Player: a person who largely interacts with realms, able to move between many, and able to become a godling if powerful enough.

Wild spirit: a spirit somewhere between a person and a beast, connected to the world as opposed to the way players can interact with realms. While both players and wild spirits can be connected to mobs, the connection is generally stronger and more widespread for wild spirits.

God-power: Expressed by things like creative mode, op, and VR, powers that can alter realms and enforce some kind of control over players within them.

Plight: What happens to a godling when they are forced to die without respawning or in an otherwise more permanent/impactful way, an effect other than a mortal death. Can be broken out of, but is incredibly difficult, and can have lingering effects unless truly ended.

< PRIMARY CHARACTERS >

Charlie “Slime” Slimecicle:

Godling of food, enchanting, crafting, and smelting

Plight: DEATH (if worn down enough, he will not suffer a normal plight as other godlings would, but would become mortal and truly die)

Middle child

A shapeshifter by nature of being a slime, and his natural adaptability seems to be related to his proficiency with god-power.

“Condi” Condifiction:

Godling of other dimensions

Plight: caged (trapped in a location/pocket dimension of his own, and more importantly, trapped in his own mind in a whirl of penned-up hyperactivity that brings insanity)

Eldest

Condi, Charlie, and Grizz don’t remember if they’re biological brothers or not, but they grew up together, and Condi was always the most adept, the “alchemist assassin,” who kept them safe.

Grizzly(plays):

Godling of nature, weapons, and tools

Plight: shackled (forced to comply to the orders of the being that killed him, though it may appear as if he has respawned as normal. Can also more generally inhibit his ability to use his own power as he wishes)

Youngest (twin with Bizly)

Has gained animalistic traits from swapping power with Bizly, mainly vaguely bear/doggish. Since meeting they called themselves twins, and through this exchange have no reason to say they do not fit the word.

Bizly(channel):

Godling of mobs

Youngest (twin with Grizzly)

Plight: muzzled (at the most extreme is forced to disappear completely, being entirely unable to be heard or perceived by anyone. Can also more generally cause his words to lose meaning, and it is supernaturally difficult for him to be taken seriously or listened to.)

The only member of the Council who did not grow up with the group: he was a wild spirit (wolven) that was discovered by Grizzly, and slowly honed shapeshifting powers and traded bits of magic with Grizz to walk with players.

(J)Schlatt:

Demonling of food and nature

Grew personally slighted by Charlie and the Council, and eventually trapped them in a separate timeline of his own creation to attempt to kill Charlie.

< TIMELINE OVERVIEW >

Begins with IF ONE PERSON DIES EVERYONE DIES

The VR SERIES (videos marked with vr.) and CHARLIE’S ESCAPADES (videos marked with esc.) then happen at the same time, with the final video of the VR Series being when Schlatt’s timeline is created.

Charlie's escapades then repeat in Schlatt’s timeline, followed by NATURAL DISASTERS, HARDEST DIFFICULTY, and 100 DAYS.

At the end of 100 Days Condi activates the time loop, which he cannot use to break out of Schlatt’s timeline but he can use to bring everyone back to the beginning of it.

CHARLIE’S DREAMSCAPE ESCAPADES (videos marked with drm.) take place in the haze between his death at the end of 100 Days and him fully being transported by Condi to the beginning of the time loop.

< THE TIMELINE >

MINECRAFT, BUT IF ONE PERSON DIES EVERYONE DIES:

The conflict between Charlie and Schlatt begins here. Charlie is a trickster spirit at heart, and it is consistently seen to overlap with his joy in experimentation and creation, leading his pursuit for godly power.

This is one of the first places Charlie goes to try and hold his own among others who are growing in power like he aims to, and he at first struggles, as seen in how he fails to survive for long. However, he quickly makes use of this mechanic in his own way, and uses the forced respawns to tease the others. When Schlatt joins, this is especially targeted at him, to his infuriation.

Schlatt goes to Carson, who appears to be the leading godling of this realm, to ask for Slime’s removal, but he says that “I’m not sure that I can really do that.” This hints to some sort of power Charlie has that is potentially greater than even Carson and Schlatt, the most powerful entities there. In the same conversation it’s said that Schlatt is a broken record, hinting that he has trouble often with wanting to control others and remove them if they bother him.

This showcases the conflict of the whole series: The rising godling Charlie Slimecicle threatening the power of the demonling Schlatt.

MINECRAFT IN VR IS ABSOLUTELY TRAUMATIZING (vr.):

Charlie, Condi, Grizzly, and others begin working in a realm where they start experimenting with more control over their world, specifically by exerting control over themselves and their physicality in the plane (expressed through vr use).

Narwhal is notably present from the very beginning, as a figure of power among the group, and Wheatie is also a member from the start.

The excursion near the end of the video to the Nether is most notable as it is recalled in a flashback during the 100 Hunters video, specifically when Condi falls into the lava while bridging.

MINECRAFT IN VR WILL HURT YOU IN NEW WAYS (vr.):

Notably Schlatt joins this world, and it’s clear Charlie has a slight position of power over him in this place, and it makes him uncomfortable.

Bizly also enters the scene in this video, first in a beastly purple and gold skin, then mimicking Herobrine, slowly changing from a more beastly form to that of a player. He was a wolven wild spirit found by Grizzly, and as he gave some of his power to Grizzly to assist his path toward godhood, he gained power from Grizzly that helped him act as a player.

At the end of this video, Charlie, Condi, Grizzly, and others all partake in first a spleefing tournament, then a “gladiatorial bloodbath” which Charlie wins. Bizly watches this battle, and Narwhal and Wheatie both appear to have been utilizing god-power (creative mode) to create the arena, pouring power into it that Charlie proves himself best suited for. This is another of the beginning signs that he excels in this power.

Schlatt is not present for these later events.

I INVITED YOUTUBERS TO PLAY MINECRAFT VR AND THIS HAPPENED (vr.):

The rest of the council is not present, but Schlatt and other figures on the server are.

This video is largely just an example of Schlatt attempting to show he’s more powerful than Charlie, and Charlie continuing to fuck with Schlatt and generally make things worse.

Poppies make an appearance in the video, as an attempted and rejected peace offering from Charlie to Schlatt.

MINECRAFT VR HAS DRIVEN MY SOUL FROM MY BODY (vr.):

The video immediately starts off with Charlie and Travis claiming that Schlatt seems upset, while he vehemently denies it.

Schlatt also seems to be using the same kind of worldbending power Charlie has been utilizing in this video (VR), potentially as yet another way to try and maintain power over him. However, Charlie continues to prove he has greater knowledge and control over this power, and then Schlatt injures himself while utilizing the physicality-altering power, and this pushes Schlatt over the edge.

Schlatt gives an apple to Travis, taking control of him, though the power of the fruit isn’t known to anyone but the goat demonling yet. Travis begins to follow Schlatt and work with him to attempt to capture Charlie and then kill and cast a spell on him. It is with the symbolic death in the grave that Schlatt manages to latch onto Charlie’s spirit and begin creating a separate timeline in which he has control over Slime and the Council.

The rest of the video is a semi-hallucinogenic experience Charlie has as the spell is cast and he, along with his friends, are trapped in Schlatt’s timeline.

Travis is killed, and with this lifeforce and the ritual he enacts over Charlie, Schlatt puts his foot in the door to start working toward making Charlie mortal, and finally get back at him for the ways he’s taunted him.

ROLL (esc.):

Narwhal is given power in a realm of Charlie’s, a compromise to utilize Narwhal’s power and allow Charlie to attempt to expand his own. This was an idea proposed to Narwhal by Charlie not long after the creation of the VR realm, as Charlie started to come into his own in that kind of power and became more and more excited about the possibilities.

Flowers make an appearance as a protective entity.

During this video a site reminiscent of Molympus is also created, as an island floating above the land is created by the die.

Near the end of the video the die is dropped by Narwhal and Charlie gains control of it, and more of Narwhal’s power is passed to him. He is immediately able to use its power far more rapidly than Narwhal, and the world is destroyed by their battle. In the destructive blast, Condi, Bizly, and Grizzly are able to escape with the more powerful Charlie, but the weakened Narwhal and Wheatie fail to escape, and are destroyed, their power shattering and being absorbed by the newest godlings, the Council.

MINECRAFT, BUT IT’S PAY-TO-WIN (OR LOSE) (esc.):

After the blast, Charlie blames himself for Narwhal and Wheatie’s deaths, so he sets out to experiment with his newfound power on his own.

This is the most raw of Narwhal’s remaining chance power, which Charlie begins to learn to harness by not being able to control exactly what it does, but by being able to shift how likely each effect may be (changing prices).

MINECRAFT, BUT EVERY BLOCK FIGHTS BACK (esc.):

Condi and Grizzly, concerned for Charlie, ask him to let them help with his experimentation, and suggest they ask Schlatt to come into the equation as another power on par with Narwhal to help. However, they decide that all will be on equal grounds to hope to preserve everyone equally, so Schlatt is not put in godly status. Bizly is missing from this video, having been pushed to the side by Schlatt, unbeknownst to the others.

Charlie is the only one with god-power (op) to begin with, but he is walked through much of it by Schlatt.

Grizzly is at one point cornered by Schlatt, and threatened with an apple. Grizzly would have no way of knowing of the fruit’s power, and yet he immediately recognizes it and reacts with intense fear. This is some of the strongest evidence for a time loop, with residual memories that would allow Grizzly, the most affected by Schlatt’s use of apples, to remember it when face-to-face with it. It is also important to note that while Charlie does not seem to remember as much as Grizz, he is the one to send Schlatt away by overpowering him with more apples.

After this, Charlie says he has given god-power in the realm to all members (op), which Schlatt immediately makes use of to try and seize power.

After this the whole group slowly devolves into using their power more and more. It’s clear Condi, Grizzly, and Charlie have become just as adept at it as Schlatt, using it for jokes and cheats.

MINECRAFT, BUT IT’S WAY MORE TRAUMATIZING (esc.):

After the last escapade, Condi and Grizzly suggest they go to their own realm without Schlatt, and Charlie agrees. Because they do not have quite as much control the world becomes far more dangerous.

This also could be the way they searched for Bizly after he had been missing for some time, as he is more beastlike in origin. This world may even be his creation, not Slime’s, which would further cement why they did not utilize creative god-powers.

This video also showcases the tendency Charlie and Grizzly are characterized by in wanting to find ways to live amongst the challenges that face them, not necessarily fight to escape. They are far more inclined than Condi to settle in their tower and hunker down there and learn to live with the dangers around them, which is an attitude they continue to showcase in how they handle the timeloop.

MINECRAFT, BUT 100 PLAYERS ARE HUNTING ME (esc.):

Bizly has returned to the group, and goes along with Condi and Charlie for the next of Charlie’s exercises in his power.

This is another example of Charlie’s experimentation with randomized power, as a bunch of random people are spawned in and create entropy in their path.

Halfway through the video, after all three of them have died, Charlie resorts to using his god-powers, but it is too explosive and causes the world to crash. He shows his growth by reining in it quickly though.

There is an explicit flashback to the escapade to the nether in the VR series, when Condi fell before. This time, he does not fall.

Thatoneperson is an important figure, and is clearly more than just a hunter. They exhibit godlike power that hints at them potentially being Schlatt in disguise. This would be the chance used to muzzle Bizly, when the ordeal with Thatoneperson being killed leads to his being pushed off the fortress, a death that could be latched onto to muzzle him. This takes gradual effect, and he remains for the rest of the video, but is missing from Natural Disaster.

In the End fight with the dragon, Charlie yet again exhibits god-power to summon every hunter to fight by their side.

<< THE TIME LOOP BEGINS. >>

Charlie’s escapades all repeat in this timeline but under Schlatt’s watch, no longer as a way for Charlie to grow, but a way to torture the Council and weaken them.

MINECRAFT, BUT EVERY 5 MINUTES THERE’S A NATURAL DISASTER:

When Charlie eats the apple early in the video, it accomplishes what Schlatt began doing right before the time loop was created: it makes him mortal. He can now truly, fully be killed, if done in a way powerful enough to stop his respawn.

Immediately after this Charlie is notably able to give Grizzly an apple as a help, not a hindrance, which could be tied to his emerging domain over food. Grizzly’s domain over nature also begins to emerge as he gives poppies that begin to work as protective symbols.

Schlatt quickly gets them to build him a church, showing how he’s trapped them in a state they forget their own emerging god-power, and taunts them with the light to the command blocks later, showing the torturous pointlessness of the whole experience.

Grizz becomes shackled by Schlatt at the final volcano, but Charlie is able to take control of the realm from Schlatt and Grizz is able to break out to an extent. Schlatt does still remain in power over the timeline as a whole though, and retreats to regroup.

THE HARDEST MINECRAFT DIFFICULTY:

With picking the chests at the start of the video, the Council solidifies their domains of power as godlings. They had already began developing these, but this used some of the last chance magic Charlie had from Narwhal to allow them to concentrate their power into stronger, more specific areas. This whole video is an example of the Council going all out with their powers, and truly testing their limits.

When the apple is given to Grizzly and he falls, he becomes shackled again. Though Schlatt is not in this world, he is pulling the strings as this happens in his timeline, and so the shackled Grizzly is still forced against his brothers. However, he strains against his restraints, and manages to make the fight fair enough that his brothers can beat him.

The wolves were supposed to just be a joke. A joke between twins. Bizly’s wolfish, he wouldn’t really hurt them. If Condi hadn’t spawned them in the nether, it would have just been an illusion, a prank. It was just bad luck. “I may have been the boy who cried for the wolves, but I will not cry for you.” When shackled, and with Bizly muzzled, Grizz forgets that Bizly was the dearest wolf he cried for.

In Grizzly’s last moments, Bizly, who had been fighting against his own plight for a while now, sees that Grizzly’s being controlled by his own and he can either be shackled in the mind as his body fights his family, or he can be shackled fully as a ghost that cannot act against them. In saving Grizzly, Bizly has to kill him to turn the shackles to a kind Grizzly can fight out of. He barely manages to reach through enough to help them get to the end, but his shackling means he cannot be in the world with them, and even that small effort to help them doesn’t have any real use.

WE SPENT 100 DAYS IN HARDCORE MINECRAFT:

Charlie has forgotten everything. After Hardest Difficulty, the Council continued to try and live their lives, but in the wake of Grizzly’s absence Condi threw himself into research, locking himself in his labs for long stints of time, feeling something was off about Grizz’s “death.” He was eventually caged there, and Bizly faded further under his muzzling as Schlatt used this opportunity to take them all away from Charlie.

Schlatt then created an environment filled with death: a zombie apocalypse. Natural disasters also, notably, play a large role. This would be the final trial where he wore Charlie down to the point he could kill him.

Each of the Council appears in a diluted way how they can through their plight, and Bizly, having fought his off the longest, is able to work through his in many ways. He appears first out of the Council as Florida Man, accompanied by wild animals that he can interact with as a wild spirit.

Tommy enters, a wild spirit (zombie) who has started to move toward a player form and demonling power very similarly to Bizly. Grizzly ended up trading power with Bizly because they were at similar power levels, but Schlatt is able to give without any side effects because of his immense power, and Tommy comes into power over the 100 days as a demonling under Schlatt.

Charlie finds Condi’s lab where he’s been caged, and reads hints in Condi’s diary that he remembers what was done to Grizzly and is trying to fix it by recreating the world. His caged mind does not recognize Charlie, but Charlie is able to help Condi partially break out of his cage, and he is able to go out into the world though much of the mental caging effects linger.

“In the new world, Charlie, everyone will be happy. Because I’m going to be a god.” He knows.

Condi is not successful in hopping worlds- he hops times back to the beginning of Schlatt’s timeline. He can’t escape it completely, but can form a time loop so they can try again. It doesn’t seem like it’s worked at first, but it is in the moments between a death and respawn that he can transport them, and so he is able to go back when he “dies.”

The Blood Bachelor’s arena somewhat resembles the arena from the VR series, yet another ritual to whittle down Charlie’s mortality.

Ranboo is another upcoming godling/wild spirit, this time pulled in by Charlie, talked about more in the section for Beating Minecraft w/ Ranboo. He may have some idea of the fact that the apocalypse was created by Schlatt, twisted to be expressed by his conspiracy.

Wizzly is the still shackled Grizzly, fighting to regain control of his powers. He has some version of his own knowledge of the timeline as a whole, knowing that Charlie is the “protagonist,” the focus of Schlatt’s attention.

On day 99, Schlatt comes with apples, his strongest weapon. This is when Charlie starts to remember, and fears him, but the reminder of Bizly and the others pulls him away just before he eats. Bizly, who Charlie can barely remember, but with the knowledge Schlatt forced on him he now realizes has been working to keep him safe even though he’s a faded version of himself. Charlie then goes back, hoping he can bring him back before he’s faded completely, and he’s able to call him and the others for the final battle.

In this fight Tommy is seen wielding god-power, as he has become a demonling over the 100 days.

Charlie uses Condi’s machine to world-hop, and here, in a realm of Condi’s power, Schlatt attempts to finally, fully, kill Charlie. But in the moment where Schlatt kills him and attempts to stop him from respawning, Condi’s power is able to take Charlie not to mortal death, but back to the beginning. They will try again until they are all saved. Until Bizly is unmuzzled, Grizzly unshackled, Condi uncaged, and Charlie survives.

It is also worth noting that Bizly, Grizzly, and Ranboo were left behind, but at the mention of Charlie, Grizzly summons zombies, saying “let’s do it all again, run it back from the top”, and they are killed too, allowing them to be transported as well as Condi begins the timeloop.

<< THE TIME LOOP IS ENGAGED. >>

BEATING MINECRAFT AS A SLIME (drm.): I FINALLY BEAT MINECRAFT FOR THE FIRST TIME… (FT. RANBOO) (drm.):

Both of these videos serve roughly the same purpose, as hallucinations/dreams Charlie experiences between time loops. There are many variations of them, all being very rudimentary ways of him changing a world and seeing how he fares, similar to his original escapades when growing his god-power. He begins to encounter Ranboo, a wild spirit of the place between dimensions (hence the enderman/End and ghast/Nether influences) that manages to interact with these dreams as Charlie moves between dimensions/times, and is eventually pulled into the timeline through Charlie’s power. However, he also begins to move toward godhood as a result of being gifted some of Charlie’s power.

These are the beginning of Charlie potentially being able to not only alter a realm, but create entire realms of his own.

#captain's words #slimecicle cinematic universe #scu #slimecicle #charlie slimecicle #I'm gonna tag the other primary characters mainly for my own archival purposes :thumbsup:#condifiction #bizlychannel #grizzlyplays #jschlatt #anyways. this rules my brain #I have some doodles of my council designs I might share and also AN ANIMATIC I FINISHED TODAY???? that I might post #which to be clear I've never made an animatic before. so. idk what possessed me but I made one for the scu #I think about the scu a regular amount and am very normal about it. come closer.#the only reason I don't go absolutely batshit is because condi and grizz are here and idk how much they look at scu stuff ALSJDFBDS #but I don't want to be perceived #I gotta stop talking now or I never will but please send me your scu timelines if you ask me about mine I'll die of happiness etc etc #scu nation rise up

78 notes · View notes