i could literally talk abt quotes from thg for HOURS like im not even kidding (i have) ....however, it has come to my attention that some people GENUINELY agree with the quote haymitch says in catching fire "you know, you could live a thousand lifetimes and not deserve him." which could not be more false. i believe they both deserve each other EQUALLY like there is no "one deserves the other more" type of thing going on. its like. they have both gone through the hunger games TWICE, peeta has been taken and hijacked, and katniss (a 17 year old keep in mind) is basically forced to become the head of this revolution. the worthiness of the other ones love should NOT be the first thing on their mind. "but she was literally soooo mean to him!" 1) womp womp 2) stfu. like i do NOT want anyone to ever call this girl mean. like ever. ESPECIALLY not to peeta. lets keep in mind what this girl literally said about peeta before "what i need is the dandelion in the spring. the bright yellow that means rebirth instead of destruction. the promise that life can go on, no matter how bad our losses. that it can be good again." hm does that sound remotely mean to u? or how abt "no one has held me like this in such a long time. since my father died and I stopped trusting my mother, no one else's arms have made me feel this safe." or maybe "i realize only one person will be damaged beyond repair if peeta dies. me." does any. ANY. of that sound like someone who is "being mean" to peeta rn???? like i could go on for HOURS abt how much katniss was in love with that boy. however. i feel like the people saying mean stuff abt katniss isnt actually made abt her actions towards him, but more the fact that she didn't really show HEAVY romantic feelings towards him until the quarter quell. which is first of all, unfair. u want this 16 year old girl who was just thrown into a DEATH ARENA have her first thoughts be "hm i wanna kiss peeta" like NO. she was much more focused on trying not to die thank u very much. AND THEN. as soon as she finds out that she can save peeta, she YELLS HIS FREAKING NAME AND GOES TO FIND HIM. like girly didnt have to do that! BUT. SHE. DID. anways.... if u agree with that quote ur wrong. have a nice day!
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I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.
Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.
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people when trauma victims act traumatized especially in a way that is unpalatable to them because it involves lashing out and unpredictable moods and having boundary issues rather than just being demure, sad, and consumable
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Ten and Donna end up on a fucked up deadly space newlyweds show despite uh. Not being newlyweds but they get almost all the questions right. They start to sweat when the final question is "what's one secret desire you have involving the other?" And Donna writes "sometimes I wish I could occasionally shrink down the doctor real small so I could carry him around in my pocket and make sure he doesn't get lost' while Ten writes "sometimes I wish I was small enough that Donna could carry me around in like a cat backpack or maybe a shirt pocket" and they look at each other like AYYYYYY because not only are they deeply drift compatible they're also fuckin weird about it 💖
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People keep saying that the TARDIS shouldn’t have malfunctioned just from a cup of coffee but I have two theories
• The TARDIS heard that her darling newly regenerated little time Lord wasn’t going to get a cool adventure with his bestie and engineered an excuse so that he could
• The TARDIS having newly refurbished herself had coffee thrown at her nice new circuits and decided to throw a bitch fit
Look the TARDIS is the longest running female character in doctor who, has proven to be sentient, and regularly takes the Doctor to places she thinks he’d like without warning. It had to be her right?
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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