CHARACTER SHEET REPOST, DON'T REBLOG!
basics !
FULL NAME. Anda Teika
TITLE. Responsible-ish Stoner, Child of Sorrow
NICKNAME. n/a
GENDER. Nonbinary
PRONOUNS. They/Them
HEIGHT. 6'3, but slouches, so it's more like 5'9-6'0
AGE. 24 (30 in Isola)
ZODIAC. Technically an aries bc their birthday is a bad luck reference (4/4), but doesn't act like it at all
SPOKEN LANGUAGES. English, broken Japanese
physical characteristics !
HAIR COLOR. Naturally dark brown, but now it's 50/50 white due to stress. Dyes it all violet
EYE COLOR. Brown (gold if using their powers)
SKIN TONE. Tan
BODY TYPE. Top-heavy and broad shouldered, muscular upper body but skips leg day all the time. Not the body-builder kind of muscle, but muscle from years of lifting dead weight (pun intended)
VOICE. Soft spoken, like speaking too loud would get them in trouble. Breaks a lot.
DOMINANT HAND. Left
POSTURE. Needs a desperate visit from the posture posse
SCARS. Many. Pre-isola scars are a long one on their scalp that their hair covers and a few other faded ones from the crash. Isola scars are... all over them, unfortunately, and mostly consist of claw marks.
TATTOOS. None, but wants one. But too indecisive
BIRTHMARKS. None
MOST NOTICEABLE FEATURE(S). Kindness and sadness in equal measure in those big ol' eyes. Wears a prosthetic from the calf down on the right leg that's covered in stickers. Always wearing SOME kind of band shirt
childhood !
PLACE OF BIRTH. Washington, USA
HOMETOWN. Washington, USA. Moved to a hidden forest in Japan after the accident to seal away the family curse
SIBLINGS. none
PARENTS. Deceased. Was taken in by their grandmother after the accident, now deceased. No living relatives left. Thanks, fate!
adult life !
OCCUPATION. Cemetery caretaker (various wards, goes wherever their boss needs them. Takes jobs from other cemeteries too due to a good work ethic), body removals, restores/repairs monuments and headstones. Used to work for a detective agency.
CURRENT RESIDENCE. The Misfit House in Archimedes. Recently, the new owner
CLOSE FRIENDS. Zal Liakos (Unofficial life partner?). Has a few people they get along well with, like Eiden and Ismael. They've been in the city for so long that a lot of their other close friends are gone. They need some...
RELATIONSHIP STATUS. Single (and intends to keep it that way), but hooks up sometimes for casual relationships.
FINANCIAL STATUS. Actually? They're pretty well off, but live modestly. They could probably spend the next five years without working a day and be just fine, between their savings and Zal's big money /j
DRIVER’S LICENSE. It's all up to date! They love their van.
CRIMINAL RECORD. It would be harboring a criminal, breaking and entering, mass-manipulation of crowd psyche, and some old petty theft, but 'conveniently', people forget those :)
VICES. Weed, cigarettes, junk food, and varying weed-fueled junk food crimes
sex & romance !
SEXUAL ORIENTATION. Bisexual (and freezes up if they're talking to someone attractive for the first time)
LOVE LANGUAGE. Favors, quality time, cooking for you
RELATIONSHIP TENDENCIES. Anda will love with everything they have. They're very attentive and understanding due to their empathetic powers, and they'll do just about anything for the people they love, even if it takes them out of their comfort zone. They're happy to mutually coexist. For romantic partners, they're the strong affectionate type, and they like to cuddle.
miscellaneous !
CHARACTER’S THEME SONG. How Soon is Now -- The Smiths
HOBBIES TO PASS TIME. Weed Video games, going to concerts, fixing furniture, gardening
PHOBIAS. Trains. Really, really hates guns
SELF CONFIDENCE LEVEL. Abysmal lmao. Everything they do, no matter how good it is, 'could always be better'
VULNERABILITIES. They tend to run away from the things that scare them, unless someone will be harmed by running. They also suffer from the kind of hopelessness of being doomed by the narrative, but try to live a 'normal' life anyway. Rather than confront what scares them, they'll use their abilities to make people forget it ever happened, prolonging the inevitable. That used to be way better until their canon point updated, so now they're kind of in a toxic 'What's the point' whirlpool.
On the more light-hearted side? They can't cook eggs, no matter how hard they try to.
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“Have you ever been in love?”
The question seems to take Evan by surprise. “What?”
Barty repeats the question, shifting up into a sitting position. His hands dig into the ground, still damp from last night’s rain. “Have you ever been in love?”
There’s a beat of silence. Then, looking down at his feet, Evan quietly answers, “Yes.”
Suddenly, Barty is mad at himself for asking. He can’t even say why he asked in the first place; he simply had the thought, and being the impulsive person he is, he asked without thinking. Now he wishes he hadn’t, if only to have avoided this odd burning in his chest caused by Evan’s answer. And really, he should drop the topic, based on downcast tint to Evan’s response, but he can’t seem to let it go. So instead, he presses the issue.
“When?” he asks, looking intently at Evan.
At that, Evan looks to his left, purposely avoiding eye contact with Barty. He stubs out his cigarette on the grass next to him, a thin curl of smoke rising up from it as he does so. “A long, long time ago.” His voice is dark with something Barty can’t name.
“Did it end well?”
Evan cuts him a look. “Who said it ended?”
At his words, something twists inside Barty. Suddenly there’s a lump in his throat as he works to get out his next sentence. “Well, you said a long time ago. So I thought that it was a, uh, past thing.”
“Yeah. It was a long time ago. When I… fell in love.”
Barty knows he’s the one who started this conversation, but he really hates the way Evan says love in reference to some mystery person. At least he used past tense, though, meaning it’s a thing of the past.
“So what happened?” Barty questions.
“They didn’t want me in the way I wanted them. Still don’t want me that way.” There’s something bitter in Evan’s tone, and he’s gone back to refusing to look at Barty. In contrast, Barty stares at him intently. He feels as though he’ll be able to see through Evan’s exterior and into his insides, where all his secrets are hidden, if he only looks hard enough.
“Who was it?”
“Does it matter?” Evan’s voice is biting as he sharply turns his head back towards Barty.
“Yes. No. I don’t know.” Barty leans back onto his elbows, tearing his gaze from Evan. It’s almost comical how their positions have changed; now, Evan stares at Barty, and Barty looks out over the lake in an effort to avoid his gaze.
“It was no one important, okay?”
“Oh.” Something settles in Barty when he hears that, even if Evan’s tone contrasts with his dismissive words. “They were—still are—an idiot, though. Just for the record.”
Evan laughs in that disbelieving way of his, as if he’s sharing an inside joke with himself. “Yeah?”
“Yeah,” Barty says definitively. “I mean, you’re perfect. And whoever can’t see that is an idiot.”
“Perfect?”
“Yup.” Barty means it, too.
“Yeah, well,” Evan scoffs, “it isn’t good enough for them. So it doesn’t matter.”
“Well, you’re good enough for me,” Barty says hotly. “So don’t worry about that idiot. Because you and me? We’re best friends, and you’ll always be good enough for me. You know that, right?”
Evan is avoiding Barty’s gaze again. He picks at the grass next to him, focusing on that instead. “Right,” he says somewhat bitterly.
“I mean it,” Barty insists. “You are.”
Evan looks at him, smiling sadly. “Thanks, Bee. But it’s getting cold. I think I’ll head back inside if that’s all right with you.”
“I—okay. Yeah, uh, sure.”
With that, Evan gets up and begins the walk back to the castle. Barty watches him go, thinking their entire exchange over.
He’s not entirely sure where the conversation went sour enough to get Evan to leave, but clearly something must’ve caused his abrupt departure. Even if Barty had thought he had said the right things to get Evan to cheer up again. He had meant what he said, too; Evan always would be good enough for him. Barty honestly couldn’t imagine a better best friend.
So Evan shouldn’t, Barty thinks heatedly, have ever been hung up on some random person who couldn’t even see how amazing he is.
Barty continues to sit there, close to the shore of the lake, and watches Evan’s retreating form. And as he watches Evan reach up to wipe at his eyes, trying and failing to act like it was nonchalant gesture, he resolves to find out who Evan was talking about. And he’s going to make them, whoever it may be, pay for how they hurt Barty’s best friend.
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I feel like oliver is doing this to lead us on bc they won't do buddie anymore bc they replaced it with a cheap version and Ryan doesn't want to be gay on TV and what the fuck am I supposed to do with this info???? How do we take revenge on fox
Okay. Here's the thing. I don't have ANY room for negatively because I'm too busy celebrating being fucking RIGHT. And so normally I would ignore this or try to placate but the thing we are NOT going to do, is put words in Ryan's, namer of the Buddie ship, mouth. I believe he's already played a gay character before in a movie or something? And with Oliver out here flat out saying FOX shut down a storyline "a couple years ago" which is around the shooting that was filmed in Lovers Framing and so romantically coded?? Yeah, I refuse to let people spread misinformation and try and lay this at Ryan's feet when we all Been Knew it was a FOX call.
Also, they literally set Tommy up just like every other LI Buck has had! He falls into something unexpectedly, he makes a mistake off the bat, ye doubles down because his childhood trauma kicks in and he panics about being left. 🤷🏻♀️ Tommy is sweet, and might be here for a few more episodes, and might even stick around in some capacity if the audience likes him (Josh as a character eternally looking for love would be an easy way for the show to keep Lou on and accessible if needed), but there is NO WAY Oliver "I'm always careful what I say because I know people will read into it and I don't want to be accused of baiting" is just stringing people along.
I'm absolutely not saying you need to fully board the clown car, I totally get needing to manage your expectations for your own mental health and wellbeing. But in managing your expectations, don't go so far that you suck ALL the joy out of the information out there by catastrophizing worst-case scenarios in order to feel miserable instead of excited. You gotta find some middle ground in there.
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When I think about what would be considered more interesting and ground breaking TV....
Is it two best guy friends who become close cuz they work closely together on a team and they become involved in each other's lives to a degree but only on the periphery because they each have their own girlfriends and families that they care more about than each other?
Or two men who start off as close friends because they work in high pressure situations on a team and they become so closely involved in each other's lives that no one, not blood family, not other love interests, can ever even hold a candle to how they feel about each other, and they start building an unconventional family together all of their own, learning what it means to be a father and a partner and a whole person and eventually learn that this love they've shared this whole time goes deeper than friendship, deeper than family, deeper than sexuality, deeper than romance and that no matter what challenges they face in life and in death they will always choose each other and the home they've built together?
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i hope when the lisa definitive edition releases old and new players start to see the party members as not only a fun mechanic to progress in the game but also as their second purpose (specified even in their gang page)
which is to tell how different the people of olathe are from eachother from good to neutral to bad.
all of the party members got their own personalities, points of view and goals, which i've always been appreciative of because it makes them all feel like they're their own person and it shows that they're not going to think exactly like you just because they're on your side.
so some of them can be assholes that despise brad for different reasons and are even creepy to buddy and others can just be neutral on the whole thing or don't care about brad but don't hate him and there are others who are nice people who just want someone to hang out and get attached to brad and it pains them to betray him at the end. some of them even got someone they care about too the same way brad cares for buddy.
and all of this is made just so you don't see them only as tools, they are written this way to show you what the people of olathe are like from a closer perspective. the only other way to do this would be using npcs which would go more overlooked, and it already IS overlooked by players
becuz over time i've seen toooo many fans who speak as if absolutely every man in olathe is an asshole and a pedo, which is why they congratulate tooley too much just for being decent to buddy. i like him but you give him too much credit for something other characters do as well.
and they talk like these are just 'olathe standards' and like it's okay for this game when No, this game condemns this type of behavior at all times and it makes it very clear. it's not normal, it's just common
i mean was terry a creep towards buddy??? bo?? carp?? shocklord? birdie? nern? olan? the warlords??? and more characters and there are even npcs who deeply question the stuff going on around buddy or are simply not interested in her
and then i see takes such as "maybe x character is gay becuz they don't seem interested in buddy". pal i can think of a million better reasons to consider a character gay (sometimes no reason at all, have fun). (also again, TOOLEY. i mean he was seen at the beehive, isn't that a better reason to think he's gay??)
you don't need to be a pedo and a rapist to be attracted to women, and it's crazy how little the concept of consent matters to some people, because this isn't the only time i've seen this type of thinking over a piece of media.
this is a way of thinking that comes from people who got into lisa for the fun battles and do not understand the story, and it's sorta okay, it's fine if the battles are your favorite thing or if you're not that fond of emotional stories, but you can't ignore this part of the game, to do that you better just play something else, because my problem is that when you try to explain the emotional matters of lisa's story they never want to listen; they preffer living in their little bubble of misinterpreting everything. (like the amount of times i've tried explaining to other fans why lisa isn't worst than her goddamn dad and it's like talking to a wall) like damn, i love the battles too but i can perfectly have both things yknow.
anyway just my silly little thoughs that have been going thru my mind these past weeks, i take this game too seriously but i also feel like it's dumb not to because that's what it wants you to do.
hope things go well when the definitive edition drops and that everyone enjoys it 8)
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