#/ and continue if you wish >:3

[vicartless-bowuigi-space-au]

“What are you scared of?”

Luigi felt the Star's unease fill his every being—a child shaking in a dark alley, crowding against a corner with no escape. And with a voice that stole Luigi's breath, the Star responded.

“Her.”

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[carnivalcarriondiscarded]

since I saw your post of frank going butterfly hunting with their skirt, it got me wondering..what if eddie too had a skirt!

I imagine frank got him into the whole flowy dress ordeal. probably wears one when going through his mail shift or while working on the garden with frank.

oh my gosh...matching skirts!

considering that apparently Eddie has done drag, i imagine that its probably the other way around!!

i gotta a little lost in the sauce w/ these and forgot what the rest of the ask said besides "FranklyDear in skirts" oopsies <3

[damnation-if]

hey!! can i ask for a color palatte description for the ro's? like what their hair/eye colors are?

hope you're having a good week 💙💙💙

Hi!

I spent a long time putting together a graphic for this before I realised that you asked for just a description haha... oops. well. here is the graphic anyway XD

If you're looking for a link to the page with more general descriptions, there are some on the RO's page.

Very sorry for the delay in replying! My life is. hectic. smdnfgbsfgf

[basketobread]

i hope i am not just some random bg3 artist to u all... but a friend <3 (and your strongest warrior pls pls pls with a cherry on top)

[lloydfrontera]

mmhh. javier had to wait ninety years to see lloyd once more while lloyd spent three years thinking he would never see javier again. what do you think hurt most. waiting a lifetime with the knowledge you'll see the person you treasure the most at some point or spending what you know will be your last couple years of life without the hope of ever seeing the one person you never thought you'd have to live without.

[allastoredeer]

hi!! I just wanted to share with someone else that I have decided to start identifying as asexual, in fact a lot of the discourse around Alastor and having so many aroace perspectives helped

For years I thought I just hadn't felt it, that special spark and I was made to believe that demisexual was something separate from asexual (and that it is more acceptable to be at that place on the scale) because asexual=without sex which I thought is what it was, I just needed the right person because I couldn't be asexual when I have such a high libido and I'm pretty good with masturbation. And then I was introduced to the concept of high-libido asexuals and the whole scale and midtones and it was like something clicked. Yes, yes, that's my experience and oh, I'm not alone, there's something wrong with me.

And I'm crying a little now and I don't know how I feel about telling my family who for years have been worried because "I'm alone" and "it's a shame you're so pretty." but I feel more comfortable starting to look for information and I no longer feel like I'm about to have panic attacks when the topic comes up because even if I don't say it I know I'm asexual and there's something comforting about that.

I'm still trying to figure out if I'm aro or not and if I experience romance and sex separately, but I feel better and more comfortable and it's all thanks to a fictional character and all the people who care about him and have spoken about their own identities.

Just, thank you ❤️

That is so amazing, Anon ಥ◡ಥ I'm so happy for you! Seriously, I'm just (;´༎ຶД༎ຶ`) it really goes to show that talking about sexuality and people's differing experiences is so so crucial (and why all the people who keep acting like asexual=no sex need to STOP. It makes it so much harder for people who are exploring asexuality--whether they're ace or not--and it gives people the wrong idea of what being ace is. And it's just flat out incorrect, so there's that too).

I feel you about the family situation too. I grew up in a family that is very much a get-married-as-quickly-as-possible and a being-single-as-an-adult-for-a-long-time-is-weird type situation. I'm currently the oldest of my parents children who isn't married yet, which is so much fun to talk about in large family gatherings 🙄

I've told a few of my siblings and friends about my sexuality, but I haven't told a majority of my family. I'm not sweating it too much, no one is obligated to officially "come out," after all, especially if they don't feel comfortable doing so. We're allowed to just be.

Like you said, there's comfort in just knowing.

If you do tell your fam, I hope they're open and accepting! And I'm so happy you're feeling more comfortable about yourself too. Your ask is so uplifting, my heart feels 10x lighter T.T

It's amazing how much of an impact a beloved character can have, and all the ways people can relate with them and each other. Alastor and his sexuality means so much to me, and I'm so happy to have found a community of people who feel the same 🥹

Welcome, fellow ace! 💜🤍🖤 We're so happy to have you!

[uncanny-tranny]

I have no clue if I have made a post like this, but: unfollow those blogs, accounts, or whomever who pressure you to have your hobby become a career/profession/True Craft. Unfollow them. Block them if you still see them on your feed if need be. If you feel horrible about yourself and your art when you Consume Their Content, unfollow.

When I made a conceited effort to only follow and enjoy shared craft from those not in the Hustle Grindset, my eagerness to enjoy my work flourished. I don't feel as guilty being too busy/anxious to crochet because I know there isn't anything wrong with not being on the grindset, and I think that's because I guard this craft seriously, and I want others to shamelessly do the same. Guard your happiness, not because it's "selfish," but because you deserve it. You deserve to enjoy your things.

[crescentfool]

i love ryomina

no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.

it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.

ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.

minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.

the two of them complement each other and tell a beautiful story from start to finish.

minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.

it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.

november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.

it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.

how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.

ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.

he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.

SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.

and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!

so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.

messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!

even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.

march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.

and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.

p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.

ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!

i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙

[tedlebred]

Hunter dump waow

[blizzardfluffykpop]

"I don't wanna write smut- but the parasites in me (tbz) want me to write smut."

[ripclaudia]

i understand why succession didn't get a fifth season. that doesn't mean i agree with the decision to end the show after four seasons.

[carnivalcarriondiscarded]

a merry Between Week to everyone! rest well!

extra layers:

[kaidanalenkosprmanager]

THE BEST OF ATTICAN TRAVERSE: KROGAN TEAM

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Urdnot Grunt With: Urdnot Wrex, Dr. Mordin Solus, Primarch Adrien Victus and The Rachni Queen I don't need luck- I have ammo. Mass Effect 3: Legendary Edition (2021)

[cheekblush]

i'd rather be friendless than to constantly have my boundaries disrespected

[silverwhittlingknife]

Titans United: Bloodpact is doing a "Brother Blood takes over the world" plot with Dick and Tim and I'm here for it