#<< kinda under the cut?

[stellocchia]

I genuinely wonder what someone who just watches Hermicraft will think of this.

Especially with the music Grian chose for it, this place looks spooky as fuck.

Seriously, any explanation you may come up with is not gonna be as bad as the truth.

Like, that's straight up Fwhip's Jimmy shrine. Man made a shrine when he was still an actual deputy and just... never even thought of taking it down because he's still 100% deputy of course. Definitely not just a clingy ex.

[faeriehighfemme]

oh nothing just imagining me spread out lazily on our couch, legs wide, robe spilling open to reveal my nipples peaked, glistening with spit and sensitive. my fingers move nonchalantly, circling my sticky swollen clit, long nails over-stimulating the tender nerves there. i stare at the door with glazed eyes, hazy head playing out scene after scene of my big bad butch coming home to have their way with me.

maybe i’d hear the lock turn while edging, desperately trying to hold back from cumming just from the sight of you. the strain is nearly headache inducing, a pulsing sensation only intensified as my hungry gaze meets yours. you’d drop your bag, unclip your carabiner and toss your keys. i’d whimper at the sound of your belt unbuckling, hot tears welling in my eyes. “started without me?” you’d say breathlessly. “you know better.” my heart would pound as i watch your rings slide off and hit the table. belt in your free hand, you kneel to inspect me, knuckles roughly pushing my pussy lips apart. your breath on my labia makes me gasp. “oh,” you’d whisper. for a moment you’d simply stare, smiling, then suddenly, smack smack smack. three sharp slaps right on my clit. i wouldn’t be able to stop myself from crying out. “shh, shh, hush baby. it’ll be over soon. just hold still.” that wasn’t true though. it was only beginning. when you were ready, when you saw that i just couldn’t take anymore, the belt you so hastily removed earlier would come in handy…

or maybe you’d walk in while i was drooling, fingers down my throat, desperately wishing they were yours. you’d look me over slowly, shaking your head. “silly thing,” you’d tease. “you’re doing it all wrong.” i’d clench tight around nothing as you cracked your knuckles. you’d come to move my hand away, so softly, taking a moment to swipe your thumb over my puffy bottom lip. “missed me that much huh?” i’d nod eagerly. before giving me what i needed you’d run two fingers up my slit, collecting as much of my nectar as you could. you’d grip my jaw firmly and make my hazy eyes meet yours. my lips would part instinctively, tongue lolling towards your familiar touch. “go on princess,” you’d murmur. with your permission i’d take the fingers of your free hand in my mouth, greedily. “there, there, i’m here now baby,” you’d coo, almost condescendingly. “i’ll remind you how to fingerfuck your pretty mouth properly.”

you might get home to find i wasn’t so patient. you’d see me draped on the sofa drenched in sweat squirt and slobber, grinning tiredly at you as if i won some secret game. the dark look on your face would only cause my smile to grow. “bunny…” you’d growl. “that was a mistake.” soon you’d be between my legs, base deep and thrusting steady, slow as you please. in and out, in and out, almost torturously languid. i’d try to buck my hips, desperate to speed things up, but your arm would keep them pinned down. “no, no. you don’t get to set the pace, bunny.” you’d keep your rhythm, now the one smirking. “you lost that privilege.”

so much to think about… is that the door i hear?

[carpathiians]

a restless night ｡･:*˚:✧｡

click to see like literally anything tbh

[castercassette]

Far from home

[front-facing-pokemon]

[jkpng]

bassist yoongi (1/4)

[possamble]

Like take for example how she treats healing Laios leg!! We *never* see someone who was healed have lasting symptoms from a heal. It *itches* terribly — Laios looks like he will scratch it raw. The itching implies an incomplete heal — you only itch that bad when something is being regrown or scabbing like when you get tattoos. There’s something that needs to finish healing. This scene always stood out to me— because Falin notices and *heals* it. And that brought up a ton of questions for me (We see her cast magic, was it to soothe the itching? A phantom pain? Why was it itching in the first place? Didn’t Marcille finish the job? Why was he having after effects we never see someone have any before?) and i’m breaking my brain over it because is this an sign of Marcille’s engagement with healing in general? Perfunctory—a means to an end? Morals? I feel like there is something there for us because that scene wasn’t necessary to the plot so why did Ryoko Kui add this interaction? I think how Marcille engages with healing was telling us a lot more than I previously realized because she was in a medical researcher position before coming into the dungeon however when we see how this was practically applied by her was really interesting!! She’s so divorced from feeling empathy for the pain of healing and i think that’s some sort of self-preservation instinct. Idk i just feel like her engagement with healing is so fucking fascinating when juxtaposed with her beliefs on death pls share thots if any

I think what gets hidden in the details about Marcille’s healing is that no, she’s not a talented cleric and healer in the way that Falin is. But Fantasy settings tend to relegate healing towards “holy” and “good” magic that never causes harm—

and Marcille is what you’d get if you put a doctor and a surgeon with a modern, more realistic approach towards medicine in a genre that doesn’t usually allow for that. 

Like, you’ll see surgeons or doctors secretly being incredibly efficient serial killers in TV thrillers everywhere—but a fantasy series with a cleric or healer that’s secretly great at killing is a bit more rare to find(though not nonexistent, admittedly). Healing magic tends to be painted as either a religious discipline that’s not accessible to those who don’t have a tie to a deity or some ineffable force in the universe, or a matter of accessing some natural “life force” that exists in all living beings. 

Dungeon Meshi, of course, loves bending fantasy conventions in the most incredible ways, so that’s not how it works here. The series allows itself to contend with the fact that healing a human body requires extensive and painstakingly detailed knowledge of that body.

The reason that Falin might appear to be a much more talented healer than Marcille is because Kui dresses her up in all the archetypal traits of a Caring Cleric, and that immediately clicks with readers expecting fantasy conventions in ways that Marcille's expertise doesn't.

This isn’t to discredit Falin, obviously. She is a talented healer, as attested to by Marcille herself:

But the interesting thing is that she does it all on instinct, so it’s not an exact knowledge. Furthermore, she uses the gnomish system of healing, which is implied to rely more on the judgment and knowledge of natural spirits (and therefore takes less mana). So it’s not hard to imagine that she would have less exact knowledge of how the human body operates than Marcille does as a medical researcher. 

And that in and of itself raises questions: In a world where magic can immediately re-attach a limb, why would medical research be necessary? But Dungeon Meshi makes it clear that healing magic isn’t perfect, nor “holy” magic—it’s simply magic, like any other, carefully tailored to operate within the confines of what a human body needs in order to keep living. It’s not able to cure everything, and it especially seems to have gaps in terms of being able to treat illnesses that aren’t immediately solvable injuries.

And that all ties into Marcille's attitude towards it: It's a scientific and magical discipline like any other that requires careful study. There's nothing inherently good or bad about it—it was made by people, for people, and what matters is how you use it.

So, Marcille was at the academy, studying the ways that illness happens in a body, and carefully writing new magic to counteract or at least mitigate it.

(How I interpreted this was that she was likely part of research teams dealing with complicated things like autoimmune diseases, cancer, and other things where the body isn’t technically injured by a foreign element, but erroneously harming itself due to internal reasons.)

For me, this kind of explains her approach to pain in healing:

Honestly, what this immediately reminded me of was that a friend of mine had to have surgery on their throat when they were younger, and part of the procedure was waking them up without anaesthesia right after the surgery to make sure that they could still feel everything. They told me it was the worst pain they’d ever felt in their entire life—but from a medical perspective, it was necessary to make sure that none of the critical nerves in the neck had been affected. 

Sometimes in medicine, pain is necessary because it’s not some uncomplicated and bad thing—it’s a response of your nervous system, and sometimes the only indicator that your body is still working the way it should. And I think this is the mindset that Marcille has, which is why she seems so blase about it—she doesn’t think that she’s actually hurting people, it’s just a necessary part of the healing process. 

And in some ways, she just sees it as a realistic downside of the fact that you have to recover quickly in dungeon situations:

Normal recovery would take months. Healing magic shortens that to a few seconds. The pain is a result/tradeoff of forcing something that would naturally take a long time into such a short timespan. This all makes sense and is Right and Correct and Normal in Marcille's mind. It's not that she lacks empathy and doesn't care enough about not harming her patients: she doesn't think that it's "harm" at all.

Not a shred of guilt in that face before causing extreme pain. Contrast this to her constant fussing over Izutsumi on the smallest things—it's hard to believe she wouldn't even be a little apologetic if she actually believed this would be hurtful in a way that matters.

I think this is overall, less indicative of any lack of empathy so much as her incredibly stubborn and sometimes ridiculous way of compartmentalizing things to her own internal rules. I’d even argue that this mindset is preferable in surface situations, where people have the luxury of time. Dungeon healing hurts because it has to be fast and instantaneous—but if you're just treating a broken bone that can be put in a cast with slower healing magic to help, wouldn't you prefer that over an instant heal with the chance to cause brain damage, no matter how minuscule the chance is? Shouldn’t your long-term health matter more than short-term recovery and some pain?

To touch on Laios’s leg injury—we actually do see this kind of reaction to healing magic later on in the manga. When Marcille is teaching Laios how to heal, she ends up bowling him over because her cut gets super itchy:

but then she reacts positively and tells him that it's supposed to happen, before trusting him enough to try it on Senshi.

So while yes, it was an “incomplete” heal, I don’t think it was particularly telling about her approach to healing. And honestly, judging by the fact that it only distracted him when he was relaxed enough to be cleaning his armour before bed, it looks like she connected all the major muscles and nerves enough not to cause pain or risk re-injury by moving, but just left superficial stuff for Laios’s body to naturally heal. 

Her mindset makes sense in context: She also had to heal Chilchuck and Senshi, while conserving enough energy to immediately start digging for Falin’s body and potentially do a very taxing resurrection spell as soon as possible. 

After that, Falin healed the rest of Laios’s leg injury in a situation where it wasn’t needed, but there were no other high stakes to discourage it. Also, she can’t bear to see others in pain. ambrosiagourmet already did an incredible analysis of how this empathy doesn't really signify perfect altruism so much as Falin's deep discomfort with having to witness pain, so I won't go into that too much—but the important part is, Falin isn't inherently a more caring healer than Marcille. They are both making decisions for the patient based on their own approaches to healing—it's just that Falin's approach is preferable for dungeoneering overall.

(In Marcille's defense, it seems that dungeons are an incredibly specific environment that falls way outside the realm of what's actually taught to mages in most schools. Being a combat-oriented mage actually seems pretty frowned upon.)

So, in a lot of ways, Marcille is both realistic about dungeon healing (mana conservation by not doing full heals when not necessary, thinking about pain as the condensation of the time it would have taken to naturally heal, etc.) and very unrealistic about it. What she doesn’t realize is that the pain matters: In a dungeon, people have to be up and ready to continue right away, over and over. If it hurts every time, that makes them very averse to being healed, stressed out about getting injured, and affects their performance as dungeoneers.

All that to say… I personally believe that Marcille is very passionate about healing people. Not healing magic necessarily, but medicine as a whole. It’s not just a means to an end—it’s her main area of study only second to her research into ancient magic. And sure, she might have gotten into it because of her fear of death—but what I think people don’t give enough credit to is that her motivations changed from when she was a child. 

You see it here, when she’s laying her dream outright to the Winged Lion: 

She might be kinda racist herself, hypocritical, and short-sighted (mostly out of ignorance, I’d argue), but at heart, she hates that people hurt each other. She hates that long-lived races look down on everyone else just because of lifespan. She has—arguably very correctly—identified the disparity in lifespans as one of the main causes of interracial strife, and she wants to get rid of it so that everyone can fully understand and relate to each other as equals. 

And in some ways, it’s not even that insane of a dream. 

Knowing that people used to live as long as she’ll have to, and something changed in the eons since, is it really that weird for her to want to change it back somehow? 

But all that aside—the most important part of this to me is that… originally, she wasn’t actually that hung up on completely equalizing lifespans. She got into medicine because she wanted to, at the very least, close the gap as much as she could in her very long life. 

She was realistic about it at first. She thought that, by studying ancient magic’s ability to pull from the infinite, she could harness that infinite energy in tandem with medical knowledge to give more life to the short-lived races. 

But as she says it herself, it changed when she realized that she doesn’t have time to gradually unravel it on her own. 

So, yes. She got desperate. She got crazy. In light of all she did as dungeon lord, it’s easy to assume that she never cared much about healing as a profession, and is just a self-obsessed little girl caged by her trauma and trying to change the entire world to make sure she doesn’t have to be hurt. 

And… she is all that. She's my blorbo supreme but I'll be the first to insist that she is very much a complete hot mess. But my point is that these were very extreme circumstances, and Ryoko Kui has given us all the understated evidence we need to know that she’s actually a very passionate doctor otherwise. This is the girl who freaks out if she’s not useful to other people and not allowed to help:

Did actually get excited about making safe dungeons for helpful purposes beyond just learning more about ancient magic to fulfill her dream: 

And in tandem with her own personal trauma—not in opposition to it or to obscure it—cared about making life more peaceful and equal for everyone in the world. Not to mention, she had to have done some insane work to be acknowledged as the most talented researcher at the academy and be allowed onto teams that were researching new healing magics.

TL:DR, I think she has a lot of empathy for people and passion for helping them, it’s just expressed in a way you wouldn’t expect in a fantasy because Ryoko Kui doesn’t fuck around with her storytelling and genre subversion. She might not be a good archetypal healer, but she's an extremely knowledgeable doctor with a point-blank and intense attitude towards healing and medical treatment (see: her strictness about physical touch when teaching Laios about healing).

For me, all evidence points towards her going back to what she was doing before the story on top of her duties as Court Mage, kind of becoming a sort of Surgeon General for Melini as the head of health and safety for the country and whatnot. 

PS. I will admit that there's explicit evidence she's not good at healing here:

But this was also like... chapter 3. Written years ago. I personally feel that everything Kui has said about Marcille's background since is enough evidence that it was just a one-off joke before she had an airtight idea about who Marcille was and would be, but I'll concede that it's mostly conjecture.

But again, as I said, I believe that while she might not be the best at the heal spell that's used in Dungeons, she's passionate about being a medical researcher and the field of medicine as a whole.

[pygmy--tyrant]

one of the most insane subplots of trc was when blue's mum started dating the man who violently murdered ronan's dad and there weren't really any objections. like no one minded

[waywardsunlight]

I think Luz's trauma due to being an abuse victim gets ignored a lot in favor of other characters. Luz has an odd role in the fandom as this character who other characters rely on, or who isn't an abuse victim but is supportive of her friends who are, and I think that ends up missing a huge part of her story.

Belos compliments her a lot, which is partially because he wants to reach out to her and mostly because he thinks he can manipulate her. He does some backhanded compliments, telling her she's improved but she still has work to do to catch up to him. He also thanks her quite a few times. The way he thanks her intentionally triggers her guilt, especially when he thanks her for helping him with Hunter. He also compliments her to put other people down, like when he tells her she's "better than this" (implying their race makes them morally superior).

He also uses the same manipulation tactic on Luz that he does on Hunter, although it doesn't work as well on her. He tries to remove his own agency for his physical violence by blaming the Curse. The biggest example is in King's Tide, when he pretends he can't hear her as he's racing after her to try and kill her. He ends up cutting her face while pretending to be out of control and then in the same sequence has full control and clarity to talk to Hunter and the Collector. He gaslights Luz by trying to make it seem like it was The Curse causing him to act in the way he did.

He refers to Luz as "crazy" to invalidate her emotions and harming Hunter in front of her also is a form of abuse. He's obviously aware that hurting Hunter traumatizes Luz (and everyone else) but as his focus transfers from Hunter to Luz in Hollow Mind, he starts targeting her specifically by harming Hunter to hurt her (especially in TTT). Belos shifts the blame for events from himself to Luz and also attempts to make her feel guilty. Hunter seems to understand that Luz is also being abused and tries to reassure her that Belos is an abuser and she shouldn't take what he says at face value. Luz ends up taking that advice to heart after she's able to forgive herself and face Belos. She doesn't speak to him but is able to hear his manipulation tactics and just. stare at him bc he's full of bullshit.

Just because he 'only' hits her a few times and isn't her guardian doesn't mean he can't abuse her or that he didn't. It's not really a protagonist-antagonist relationship as much as it is "adult man nuking 14 year old repeatedly until she becomes god and kills him". The idea that child abuse can only come from parents and not role models or other adults in your life is odd, because he distinctly holds a position of power over her (literally an Emperor and an adult who intentionally isolates her and the other kids alone to abuse them) and uses it to emotionally and physically harm her.

Papa Titan has to reassure her that she's okay to kill Belos because he's literally a serial killer who's lying about his intentions. Luz still slightly falls for Belos's sympathetic line until that moment because he very intentionally tried to get her to feel bad for him and also feel guilt about herself.

This is also why I really detest any fandom takes where Belos canonically is supposed to care about her, or Luz owes him anything. Manipulation is not sympathetic. Belos committed premeditated murder and then used the remains of his murder victim to try to make a "Better Version" of his murder victim which was actually just a way to punish him repeatedly and keep taking out revenge on kids who had nothing to do with the original conflict. Belos is Luz's abuser also, and Luz doesn't owe him any sort of kindness or consideration and her anger is valid.

Luz is an abuse victim of Belos's in addition to Hunter and the Collector (and Vee/Lilith by extension), and she should be considered as such rather than her trauma being invalidated in favor of other characters.

[brandedgun]

Worlds gone might as well make out

Bleh

[bobbinalong]

So, they age down Jon Kent. And then ... what?

Jon Kent's age-up is such a controversial decision, it needs no introduction. A lot of people still desperately want it to be reversed and usually, I'm quick to judge that idea, because even when I was still all for an age-down myself, I wasn't thinking even a minute past that.

Eleven-year-old Jon Kent was adorable and bright-eyed and I missed that adorable kid but let's be very honest, there wasn't too much depth to him. He was just ... a kid. And that was his appeal to me but that's not something you can draw a million stories from, it's quite a finite well of ideas.

But ... that's my opinion. My view point is limited to myself. So, with this post, I'm genuinely asking: And then what? What could they possibly do with an aged-down Jon they couldn't do with a 17/18-year-old Jon.

Under the cut I'll be looking at some of the ideas I've seen thrown around for this age-down but you can easily ignore that, it's just me ... rambling.

Just tell me why you think Jon should be aged-down (and I promise not to be a dick in response for once), because that's what this post is for, that's what I want to know. I'm curious.

Now:

"They stole Jon's childhood. I wanted to see him grow up."

This one, I sorta understand, because this is where I was coming from. These days, I'm more ... "eh" on it. Jon still grew up. He didn't skip a couple years, he lived all that. He says it himself:

(Superman (2018) #8)

So the solution to this seems easy. Give us Superboy: The Lost Years or something along those lines. Let us see him grow up. Retcon it a little so he didn't spend the whole time in the volcano, maybe, make him have to survive on Earth-3 after escaping.

That's not the childhood the people making this point mean and I get that but it's the childhood he's got. We don't know what would've happened if Bendis hadn't come along, you might've hated that just as much.

We absolutely missed out on childhood adventures. There's nothing in the way of us still getting those; they're just gonna be a little heavier and more traumatic than Super Sons. Which brings me to my next point, actually.

"They ruined the Super Sons! Jon and Damian's age-gap is way too big now."

Jon and Damian's age-gap has always been roughly three years. It's still roughly three three years; it's just reversed now. They would've always hit an awkward point. This argument has always been very confusing to me.

"They ruined the Super Sons!" (Without mentioning the age gap.)

I don't see how, honestly. We've pretty consistently gotten Super Sons content during and after the age-up, both with ten-year-old Jon and 17-year-old Jon. They got two Maxis after Jon's age-up, they got a movie, they appear in Specials, and they're still great friends when they get to hang out at their current ages.

And then there's the current Wonder Woman backups, which frankly nail the tone of the original Super Sons run, meaning they're not for me, but like. They do exist.

So if you miss the Super Sons ... well, I think you're not looking hard enough. Because yes, they don't have an on-going anymore, but that was gonna happen, anyway, DC isn't letting anything get past 20 issues these days for some reason. Save for Poison Ivy and Batman, I guess. If DC wanted them to, they could very much still have an on-going.

"I don't want them to de-age Jon because the Jon we've been following isn't the real Jon, anyway. I want them to bring back the real Jon."

Well, this is a conspiracy theory. And I'll be honest, I don't get this one. I don't even know where to start talking about it.

Let's assume the "real Jon" is still trapped in that volcano and he's still a child. Time has still ... passed in the DC Universe. Not as much as in ours, but he's been trapped there for, what, at least a year? So you're not even undoing anything.

This is on me for never looking for never following through on reading anyone's post who wants whatever this is to happen.

This one just seems incredibly stupid to me, I'm sorry. It's nonsense. I promised not to be a dick but it just. It just is.

You want two Jons? One of whom is ... fake? I don't get it.

So back to the beginning. They age-down Jon and then ... what? They can do all of this with current Jon just as well and probably in a more interesting way.

[your--isgayrights]

wait IS jhy confirmed trans? i was interpreting that way but it seemed like translation confusion when i read it. i'd be so happy if that was true ;o;

Short answer: JHY is definitely a woman, early translation confusion was largely due to the fact that Korean doesn't necessitate gendered pronouns as much as English, she is never specifically called transgender but her portrayal represents a lot of trans experiences and I choose to interpret her as transgender.

Long Answer:

Jang Hayoung as a character represents the webnovel catagory of 'transmigration,' wherein a character from 'the real world' wakes up in the body of a 'character' and must navigate their life. Jang Hayoung was a transcendent reborn into the body of Aileen Makerfield's 15 year old 'son' Aslan in the demon realm. To my understanding, Jang Hayoung's gender previous to her transmigration is unclear, it's possible that she was a cis woman in her first life. Hayoung (or Hayeong) is commonly from 夏榮 with the meaning 'glory of summer' and generally has a feminine connotation. Regardless, after her transmigration she has to face the dysphoria and challenges of 'spiritually' being a 23 year old woman in the body of a 15 year old 'boy,' and the interactions she has with other characters are easy to recognize trans experiences in to me.

Throughout 'episode 43' her gender is discussed a lot. YJH who has little concept of transmigration calls Jang Hayoung a weak 'guy' and a 'rude jerk,' to which Jang Hayoung replies 'actually I'm a bitch.' It's also shown around this time that through the scenarios, transformation of the body is possible to the point of changing gender representation, as Yoo Joonghyuk takes on the 'Punisher' persona while enduring a punishment for rescuing Kim Dokja. Afterwards, Jang Hayoung says something to the effect of 'no matter what your body is, if you are a girl you are a girl no matter what' and YJH vehemently agrees with her, leaving Kim Dokja very confused. My interpretation of this scene is that YJH gains experience of what Jang Hayoung feels being seen as 'the wrong gender' because of her body when he presents as the punisher because he still feels he is the same person as before, but I've seen other interpretations of Transfem-coded YJH that also make a lot of sense.

It's also good to note that in Korean gendered pronouns are not used as frequently, so Jang Hayoung confused many translators because her use of exclusively feminine pronouns is not confirmed until the first chapter told from her third person POV, after which most translators switched their pronoun choices for her.

For me ORV's interpretation of JHY's transmigration falls into a lot of the transgendery feelings that I have. One time a girl in a psych class asked my professor why there were so many genderqueer autistic people when one of the major symptoms of autism is struggling with changes and I had to get on my soapbox of like, to be honest I feel like I never really changed but suddenly everyone else around me did. Like it was never important to me whether I was a 'girl' or a 'boy' because basically those were like teams to be on in elementary school and it didn't matter. But then I was growing up and it was kind of like... There was something just so soul crushing to me about the idea of growing up to be a "woman" as opposed to growing up to be a "man," as arbitrary as those labels can be it just does mean something to me. Choosing to be a guy and let myself orient my experiences and social life around that concept just feels right and makes it easier to be myself without being misunderstood by others. So for me the idea that someone with kind of reverse feelings from me who has always been a woman having to endure the experience of being in the role of a 'prepubescent boy' is pretty representative of A Transgender Experience even if that language is not specifically used. It's also a lot more compassionate than representation seen in other works, or even earlier in ORV itself, and I think my favorite thing was Kim Dokja being told he was a dumbass for thinking a woman wasn't a woman just because she was in a 'boy's body,' lol.

[justarandomart]

KINGKINGKING!

[silverware-is-interesting]

I'm sick rn but hey. i can still draw. with only mild inconvenience!!

i fucked up eucerin a bit but i think it's good for using no ref

here. have some ms pain too

[front-facing-pokemon]

[starrystevie]

steve falls in love with eddie because he's this perfect amalgamation of everyone he's ever loved.

there's nancy's curly brown hair, of course, but also her fierce stubbornness and her bashful little smile when steve is being purposefully obtuse. there's tommy's passion, his impulsivity, his need to get under steve's skin in the best way possible. there's jonathan's quick remarks with a crooked grin and heather m's soft touches on bruised skin and robin's flailing hands when she talks that steve loves so much.

there's even the dorkiness of his kids that only amplifies when eddie's around them, all their talks of fantastic worlds that steve knows nothing about but nods along like he gets it. there's the bright blinding smiles that seem to pull at every face in the room when they win, hooting and hollering in a harmonious chorus.

steve falls in love with eddie for all of those things but also for all of the things he possesses on his own. his charm and his wit, his need to make steve smile every waking moment. the way he knows when steve needs quiet and dark so he closes the blinds before wrapping him up in his steady arms.

eddie falls in love with steve for all of the things that seem new to him.

he's never had a guy treat him like steve does, never had soft smiles and cards on valentines day, never had date nights or kisses in the daytime or a hand that fits gently against his own. he doesn't feel like a dirty secret pushed away to closets and out of windows. he doesn't see the quick glances around to make sure no one's watching before he gets into steve's car like he's used to getting with old partners. he doesn't get shushed or ignored or heartbroken.

he's used to being shrouded in darkness but steve is like sunshine, his love warming eddie like sunrays in and of themselves. he's used to confusion and questions but steve makes him feel wanted. makes him feel loved back.

steve is protective and smart. he sees through the bullshit eddie's built up around himself and holds him when those walls inevitably crumble down. eddie falls in love with steve because he sees him for who he truly is and loves him because of it.

they fall in love with each other because their jagged edges were made for one another, like puzzle pieces in the wrong box finding their way back home. they fall in love with each other because nothing else has ever felt more right. they fall in love with each other because everyone they loved before was a trial, a test, pushing them together whether they knew it or not.