can you tell us more about branch villainous parent idea you have?
Had to put this one under a cut bc it got long sorry.
tl;dr ancient troll sorceress who kinda made herself immortal but then spent centuries trapped underground adopts one (1) small gray trolling when she escapes in the hopes of using him as an agent in her big revenge plan
Okay okay so. I was listening to "The Monster Under Your Bed" by Madame Macabre (among some other songs) and somehow ended up creating a silly little AU where Branch is adopted and raised by something a little bit eldritch and a lot bit unsuited to taking care of a child. So meet Lola (<- placeholder name)!
Lola's a Pop Troll... or at the very least, she used to be. Her backstory starts a good few centuries before the Bergens even show up, but just long enough after the splitting of the genres that most Pop Trolls at the time only had a vague idea about the existence of other genres. Lola was just like any other Pop Troll, really—in fact, she was even quite a catch! A love of singing and dancing, a clear voice and pretty face; she had quite a few admirers.
But, well, her story's not as well known, in the days of Trollstice, but for those who do know it, it's a cautionary tale. Because Lola, like any Troll, was able to use her song to affect the world around her. And she pushed the limits of this power, often in... well, it was more carelessness, at first. A descent into destruction that started slow and snowballed, until she was pretty much a step away from Evil Sorceress. At the end of her tale, in an effort to put a stop to her, a small band of heroes used the Pop String to defeat her, sealing her body underground in the roots of one of the many Troll Trees of the time. Thought dead, Lola became a cautionary tale about the dangers of using one's song to destructive and selfish ends.
Except she didn't die. She was already beyond death, at that point. So for centuries, she remained trapped, unable to pierce the barrier sealing her in her tomb. And in those centuries, the Bergens came, discovered the Trolls, and Bergentown formed. In those centuries, the number of Troll Trees diminished down to one, caged in the center of a dreary town.
Enter Branch. From stage top, falling from the tree after being pushed out of the way by Rosiepuff. Branch, who's small and scared and curls up in the crook of two roots, where a small patch of either-lobelia-or-rhododendrons-I-haven't-quite-decided-which-flower-works-best-yet are growing. The barrier containing Lola has eroded slightly, over the centuries, and the slow genocide of the Pop Trolls by the Bergens has only sped up the process. She's still trapped, but now there's a small hole that light can sometimes get through.
When Branch first falls into Lola's tomb, he almost doesn't make it out alive. Why does she stay her hand, though? Is it because she could see a kindred spirit in the Trolling that had lost all hope? Because she saw in him an opportunity to escape her tomb and finally enact revenge? Because centuries buried underground can tire a person out immensely, and the thought of expending energy to kill one little Trolling was too much for her that day? Whatever the reason, Branch manages to climb back out. But he comes back, again and again, just to... talk. The scary lady trapped underground understands grief, after all, and Branch feels safe underground where the Bergens can't reach. No matter how much the shadows move and hiss and cry. But going in and out stretches the already weak barrier to its limits...
There's only a week or so between Rosiepuff's death and the Great Escape, in my headcanons (something something Chef randomly going in and eating Trolls outside of Trollstice in flagrant violation of rules or tradition purely because she can), so only a week or so after their first meeting a Bergen's shovel both clears a path and snaps what little remains of the barrier, loosing Lola upon the world.
When she "adopts" Branch, it's with a clear goal in her mind: raise this little gray Trolling to be an instrument of destruction, groom him for the eventual role he'll play in her revenge scheme. There's just one problem:
She gets attached.
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To Comfort The Moon
A lil doodly comfort crumb from this AU. I swear it's more lighthearted than this! ....Mostly, anyway.
Usually, comments like that slide right over Moon, it doesn't really bother him, that day was just a bad one, and the kids weren't feeling as nice as they usually do. It happens. And they know they have each other to just be there! They're not alone.
Most of the Daycare space is canon compliant, with a few extras just because; in this case, Moon's Nap Corner! While most kids prefer being outside of the little nook, some feel safer inside, which is why it exists :)
I was debating whether to add the other important guys in this comic, but decided that this moment happened prior to their intro, or there are plot related reasons they're not here! It doesn't really matter... ^^'
Under the cut is the comic without dialogue! I feel like it's still understandable without it, and I kinda prefer it anyway, so I decided to post! Anyways, see you when I actually introduce the others correctly! (Aka post their refs) :>
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(Tents fingers) So I've had a very indulgent Lethal Company OC concept on the mind for a while, and now that I've drawn it, of course it's spiraled into a 80+ panel comic HILJKFD
Employee names are tentative right now, but they go by Cap'n, Kid (shortie, actual name is Scoot), Skeets (tall one, short for Skeeter) and Mav (wide one, goes by that or Maverick). Genders are also tentative, but I'm warming up to the idea of them all being women with Kid being the only boy!
Value keys for the comic are under the cut, along with some story beats/thumbnails and the uncensored version of Cap'n's injuries from the attack! (It's sketchy, but it is drawn gore so be warned!)
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i am a man of my word. PHONE GUY BE UPON YE
(rambling about him under the cut)
i havent talked about him much like at all, so quick infodump on him!!
he's around his early 30's in the fredbear's era, a very loyal employee who keeps working for fazbear entertainment despite the Rather Dismal Pay and Safety Regulations. he's present at the fnaf 1 and 2 locations, and the big scar over his eye is because he got attacked by foxy (his favorite animatronic :pensive:) but he lived!! (lost vision in that eye, however). he's well liked by henry for his dedication and william likes him because he's obedient and doesn't complain much even when overworked LMFAO. but hey at least they pay him... a bit more than the other employees! wow!
he kinda seems a bit shy from a first glance. he doesn't like confrontation and he's self-conscious about the scar on his face, people tend to give him weird looks because of it (he hated being stared at). despite all this he still tries to be friendly and helpful, never really outright rude to anyone. he's logical and likes to think things through before doing them, hates having his schedule thrown off, but he's a diligent worker and very good at planning. he's kinda lonely? he doesn't have many people in his life, his family lives far away (though they still maintain contact over the phone), and he's a closeted gay man and hasn't been able to find anyone to settle down with.
unfortunately for him, the closest people in his life happen to be his bosses and his coworkers, so he feels pretty guilty about the idea of leaving the company - especially when they're so short-staffed anyways. he's also not very rich, and the job isn't really that bad... right? /rhetorical
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Hey everyone! Sorry I rarely post here. Keeping up with multiple socials is difficult and because I'm a big dumb-dumb I'm holding on to Twitter until elon throws me overboard.
anyway I've been having Identity Changes so here have this
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