#[ (the names make sense in context THEY MAKE SENSE IN CONTEXT ]

[kcthelazyartist]

Something of note is the ‘MCGUCKET’ code on thisisnotawebsite.com and how the song  further confirms that Fiddleford is the reason for Bill not getting Ford in the end. This could either be just plot related [As Fidds leads to his downfall] but is more likely in a romantic sense as it references the singer not being married due to the other. 

This could be just making fun of Fidds or be from Fidds’ perspective, but as Fidds won in the end and Bill lost Ford this is unlikely. Instead, it's likely Bill showing his frustration at Fidds getting in between him and Ford.

This could also imply two things, Fidds being too wary and perspective got in the way of everything, or Ford had feelings for Fidds instead of Bill.

In regards to Ford changing the story from ‘A Tale of Two Stans’ to ‘The Last Mabelcorn,’ when Ford was pushed through the portal queer people were about 4-6 years away from being legalised and it was very looked down upon. Of course when he first arrives home he is unaware of the current state of queer politics and is going to assume it will be the same as when he left. 

This could be an explanation as to why he changed the position to something less intimate. Alongside the wording used around him saying he’s glad he's friends with F with the ‘…’ before explaining that Fidds would be terrifying as an enemy, as well as Bill constantly mentioning ‘the hillbilly’ and putting him above Ford’s own father, his feelings towards Fiddleford are very suspicious.

Another suspicious thing on his end is that he writes literal pages about gifts he is given by Fiddleford and Bill at one point [The squash, the gloves and snowglobe, the axolotl…]

@hugenthusiast recently made a post discussing the line, ‘Go back to your doting family and a life of fear and compromise,’ and the queer undertones and comphet feel around the phrase. I would like to expand on this idea and how queer the context actually is.

Starting off with the line directly after, “I weep not for our failed partnership, but for the golden opportunity thrown away! To think I considered him a friend! I know my true friend. It is my Muse.’ This line adds more context that makes the line they pointed at that much more queer, Ford telling Fidds to go back to his family then saying he isnt crying over their partnership but something else makes it sound like a breakup. Ford then compares his friendship to Bill’s, whom he has a queer relationship with.

Combining this with the full page rant and how he was willing to tell Fiddleford about his muse even after years of manipulation and it just feels like a breakup. Ford throwing away the ring also adds to this as it mimics people throwing away things related to their ex and another thing that mimics a breakup is Ford calling Fidds names.

Now going back to the line @hugenthusiast points out, whilst fear and compromise in this context is supposed to be about the portal it is a bit of a double-sided phrase as compromise can mean making do with less than ideal circumstances and being married to someone you have no interest in absolutely fits that, and the fear of outing was very real during this period of time.

‘Doting family’ is also interesting as mixed with the second half of that line it seems as though taking away the fear and compromise would alter his relationship with his family, whom later turn their backs on him, showing how rocky their relationship is and his family's bias’ as they don't even try to help him. I feel like this mixed with how he chooses not to go back really says something, ford calls his family doting yet he doesn't return to them?

[raven-at-the-writing-desk]

Now, with the 'Nightmare before Christmas' event fast approaching, how does it feel to know that there's a high chance of your old Oc coming to life? What was his name again? Ah yes, Jinx Skelton I think. Old follower here 👋

Even though I have to be honest I doubt we'll get any new characters this Halloween. I mean wouldn't it be strange for them to release new characters every Halloween? First it was Rollo then Fellow and now again? I doubt it honestly. Besides the thought of seeing a bishounen Jack Skeleton scares me. I love seeing new characters but at times point I'd rather have more information about the mysterious 4-year students.

[Referencing this post!]

THE WAY I FELT LIKE I GOT SHOT BY SEBEK'S UM WHEN I READ MY OLD OC'S NAME 🤡 A ZILLION WATTS OF LIGHTNING ARE COURSING THROUGH MY VEINS... . ..... .... ......... . .. . ........ . . . .... .. . . .

I think I first came up with Jinx like 4 years ago??? And the last time I drew him was like... 2 years ago?? BUT WOW, IT'S BEEN SO LONG SINCE I'VE THOUGHT ABOUT MY FAVORITE SPOOKY CHILD 😭 I'm so flattered that you remembered him, Anon!! (For those of you without any context, here's a fan art of him as well as my own design!)

adhbadoyqerqwvypnad I'm excited to see what TWST's interpretation of Jack Skellington might be! (I'm sure Yana and team's design would blow mine out of the water, lol) If they end up introducing a twisted!Oogie though, I might just bring Jinx back just to interact with him 👀

I'm not sure if I'm following what you're saying about the possibility of new characters though...? We may have had only Rollo and Fellow so far, but it seems to me that TWST has found a winning formula and an excuse to pump out a new limited SSR card every Halloween meaning more money for them. I don't get why they would backtrack now and do a whole event themed around a Disney property but NOT introduce a new character they can make bank on come next year. The first two Halloween events weren't themed, so it makes sense that no new character was introduced. Because this upcoming one is so blatantly going to be Nightmare Before Christmas-themed, I think it's all but guaranteed that we'll see a new face. adugkvqwodivqdi I JUST WONDER... WILL THE THIRST FOR THE NEW CHARACTER EXCEED THE THIRST OF FELLOWIVES??? Especially considering that the regular Jack Skellington is already a Tumblr sexyman????? Only time will tell...

I understand the anticipation for fourth year student lore, but I don't know that a Halloween event of all things would be good timing to make them relevant? So far, we only know that they temporarily return to campus for cultural fairs, in which NRC demonstrates the fruits of its labor to the general public. The fourth years would probably be better reserved for another kind of event or even later in the main story.

[i-heart-hxh]

May I ask If " ゴンキル " actually means something other than a ship name ? I've seen a majority of people use this term when they talk about Gon and Killua , but they're not exactly shippers, nor are useing it to imply romance between the two boys.

I can't say the same goes for " キルゴン" ,it makes me wonder, does " ゴンキル " actually means something else ? Is it like an official term or something?? It seems to be the more commonly used in Japan.

Hi!

So, I'm going to explain some things about the Japanese side of the fandom, but I want to say if any of this makes anyone out there uncomfortable, please don't shoot the messenger. I'm just explaining, and there's unfortunately no way around bringing up certain things if I'm going to explain it clearly.

ゴンキル = GonKillu has a few different meanings. For one, it's often just used as general shorthand for the combination of Gon and Killua, whether they see it as a romantic ship or not. You even occasionally see it used by people involved in the series. It's also used as a ship name, however, for Gon/Killua specifically. キルゴン = KilluGon is the ship term for Killua/Gon, but it's much less common to see it used as general shorthand for the two characters, as you noticed. Probably because Gon is the protagonist of the series, so it makes sense to have him listed first if you're just generally talking about the two characters in a non-shipping context.

In Japanese and other Asian fandoms, ship "order" matters and is conveyed by the ship's name. It's used to convey the seme/uke (or top/bottom) of a ship. While clearly this has sexual implications, it also can determine the larger context of how people see a ship as well, so it can affect how the characters are portrayed in even perfectly SFW fanworks. With GonKillu, people tend to see Gon as the more assertive one in the relationship and likely the one initiating romantic things between them more often, and with KilluGon it's the opposite. Shippers often will have strong preferences one way or the other--some people are "fixed" (they only want to see it one way), while others are open to seeing either interpretation.

This is very different from the English-speaking side of the fandom, which tends to just use KilluGon as a blanket term, and there isn't much emphasis placed on ship "order" or differences in interpretations.

When it comes to Japanese and Asian fanworks, I personally tend to feel that GonKillu works are closer to the canon interpretation of the characters, while KilluGon works are a little more removed from the canon and kind of their own thing (though the 1999 anime tended to lean into more of a KilluGon-like dynamic). However, everyone is allowed to have their own preferences and feelings about ship order and whether it's something you even want to consider.

I hope that's helpful!

[flower-boi16]

Apology Tour Made Blitz Do The Right Thing for The Wrong Reason

There's a common critique of Apology Tour I've seen regarding Verosika is that the fact that she went out of her way to create an entire annual party dedicated to shitting on her past ex makes her look overly obsessive. While at first glance I can see where this argument is coming from I'd like to disagree.

Blitzo has been frequently established as a fairly destructive person who thanks to his own self-hatred ends up hurting others and pushing them away, the fact that there's this many people in the party shows how destructive of a person Blitzo is, and we see that it's not just limited to his exes, but people in general who he hurt (like Dennis, for instance).

And Verosika is one of Blitz's later victims who Blitz bailed on after she told him she loved him, a very vulnerable moment for someone to be in, and that's the point where Blitz broke her heart. And so she created this party both out of spite for Blitz seeing how much of a horrible person he is and out of sympathy for his many victims who were just as heartbroken by him as she was. She created this party so she could help the people Blitz has hurt cope with what happened and heal from it, creating a sense of community amongst victims.

Apology Tour shows how much Blitzo damages people, how his self-destructive tendencies always end badly for both him AND his victim, leaving his victim broken and making him more broken, the fact there's a whole party made for the sole purpose of helping his victims cope shows that. And Blitz is forced to see how damaging of a person he truly is because of this...or at least, that's the route the episode should have taken.

Apology Tour is an episode with an absolutely fantastic set up with Blitz going to a party where he sees how many people he's damaged and chooses to start becoming a better person, but the problem is HOW the show gets him to see that. The show gets him to start to change himself...through Stolitz.

Blitzo realizes how he hurts others through seeing how he hurt Stolas, who Blitz previously just believed was some classist dick and nothing else only for Stolas to pour his heart out in a musical number, making Blitz realize that Stolas' feelings were genuine all this time and what he was saying to Stolas did, in fact, hurt him...

...at least that's how the writers want you to look at this scene. However, thanks to the general problems with Stolitz writing this development ends up falling flat on its face. The reason for why this development fails despite the perfect set up is because the show is holding Blitz accountable for something he isn't even in the wrong for in the first place. I've ranted about Stolitz many times before but I'll just repeat the same points because it's relevant for my argument here; Blitzo had no reason to ever think that Stolas' love for him was genuine.

Throughout the whole first season, Stolas consistently looked down upon and belittled Blitz, calling him demeaning pet names and always invading his boundaries even when Blitz says no, yet Stolas continues it anyway. YET, the show tries to paint Blitz as biased here because "oh he only hates Stolas for being a royal and is repressing his feelings for Stolas due to self-hatred" or some bullshit.

However, once you factor in the outside context, Blitz never comes across as biased here whenever he rants about Stolas, because he doesn't have a reason to believe Stolas has any genuine affection for him beyond some small, off-screen "nice things" he did for him, and even then, you can still look down upon someone while caring for them. The show wants to present Blitz as in the wrong here for "hurting Stolas' feelings" and being consumed in his bias, but that doesn't work because Blitz had no reason to believe that Stolas didn't look down on him when he literally did.

But despite Blitz not being in the wrong in the situation, he's portrayed as the abuser here and he's the one who apologizes to his abuser, and HE says that Stolas "deserves better than HIM", making Stolas out as the victim here in this situation when the context and framing say otherwise.

Speaking of Stolas, many people have torn him apart this episode already so I won't go that in-depth here, however, it's still relevant to my point. The episode portrays Stolas as sympathetic here when he isn't - in fact, Stolas comes across as extremely unsympathetic in this episode due to claiming that he "never looked down" upon Blitz despite doing that throughout all of season 1.

He THEN gets angry at Blitz for not saving him when Striker captured him even though 1. Blitz was busy and 2. HE LITERALLY SENT HIS CO-WORKERS TO SAVE YOU WHY TF ARE YOU MAD???

Stolas doesn't have a legitimate reason to be angry at Blitz due to the outside context - instead, all of his interactions with Blitzo in this episode come across as him playing the victim and gaslighting him. And All 2 U is the pure culmination of this. A song that is supposed to be the moment where Blitz realizes his mistakes instead comes across as Blitz being repeatedly gaslighted and guilt-tripped into apologizing to his abuser.

HE is treated as the problem, HE is treated as the one who is meant to apologize to Stolas, even though he is NOT IN THE WRONG FOR THIS IN THE SLIGHTEST. Yet, the show ignores past interactions for this to work. It doesn't address anything Stolas did beyond just making the deal - it acts as if that was the only bad thing he ever did even when Stolas did more than just that to Blitz.

Yet, that's never called out by anyone. Stolas doesn't have a good or sympathetic reason to be mad at Blitz - yet the show treats him as another one of Blitz's victims anyway. So, Blitz was essentially gaslit into becoming a better person, which isn't really great writing. Apology Tour had all the ingredients of a fantastic episode but it's severely held back by this specific aspect, Stolas drags the episode down so much and it sucks that the Stolas crap in the episode has to be tied to Blitz's development. Blitzo should have seen his mistakes through someone who actually had valid and sympathetic reasons to dislike him, someone who does actually come across as a person deeply hurt by Blitz's actions.

In other words....Verosika. Verosika should have been the character they used here, not Stolas. Verosika has an actually good reason to dislike Blitz and one the audience could actually sympathize for, SHE should have been the character to get Blitz to realize his mistakes and decide to change and grow as a person. Have All 2 U be sung by her instead of Stolas, with the song detailing how Blitz met and Blitz broke her heart.

Seriously, the concept of the begining scene and All 2 U can work, but they'll work better if you replace Stolas with Verosika in them instead, because Verosika has a good reason to dislike Blitz that could easily be expanded upon and developed, and Blitz would've had better reasoning to become a better person rather than being gaslit and guilt tripped into it. Apology Tour had all of the ingredients for a fantastic episode but the Stolass trash drags it down HARD.

[nondelphic]

thank you so much for 700 followers!! this is so insane to me and i'm so happy people are enjoying my posts.

i know most of you are here for my ""relatable writing posts"" but i also know some of you are interested in who i am, and specifically my writing, so to celebrate hitting 700 followers i thought i'd give you a taste of my writing !! i know i was supposed to tag some ppl but i forgot to write your names down and i can't remember who wanted to be tagged and who didn't 😭😭😭

these are all drafts and i def don't consider myself a great writer, but i think i'm okay at storytelling. regardless, enjoy it for what it is!

this excerpt is from my first completed draft of "the midnight chase." for context, marley is aroace.

-

They sat in silence for a while before Marley shifted towards Lucas. She bit her lip, uncertain of how honest to be. “Lucas?”

He looked at her. “Yeah?”

“You know the party last month? Remember how Elvis kissed me?”

Lucas nodded. Marley averted her gaze, focusing on a path beyond the pond that led to a cliff overlooking the ocean.

“Do you think it’s possible to want that sort of closeness, without wanting it all?” Marley could feel Lucas gaze on her.

“I’m not sure I understand what you mean.”

Marley sighed and let her gaze drop to her feet. Her shoelaces had come undone.

“I mean, I don’t like Elvis like that, but when he kissed me, I felt… warm inside. Like, it’s not something I crave, but it felt nice regardless.”

Lucas remained silent for a moment. Marley looked up to see his gaze thoughtful as he processed her words. The gentle rustling of leaves and the occasional chirp of a bird were the only sounds filling the silence between them. Marley could feel her heartbeat quicken, wondering if she had said too much, or if Lucas might misunderstand her.

Finally, Lucas sighed softly, a small smile tugging at the corners of his lips. “I get what you’re saying, Marley. I think… it’s natural to want closeness, to feel connected to someone, even if it’s not necessarily about romance. It’s human, you know? We all crave that warmth, that feeling of being wanted or cared for, even if it’s just for a moment.”

Marley nodded, relieved that he understood, but still, there was something else she needed to express. She glanced between Lucas and her shoelaces, her senses searching for any sign of judgement or discomfort, but all she saw was patience and a gentle curiosity.

“I guess it just made me question something that’s been nagging me for a long time,” Marley continued, her voice softer now, almost hesitant. “Like, what if I don’t ever want that kind of connection with someone, but I still want to feel close to people? Is that okay?”

Lucas’s expression softened even more, and he reached out, gently placing a hand on Marley’s shoulder. “Marley, there’s no right or wrong way to feel about these things. You’re allowed to want whatever it is you want—or don’t want. It doesn’t make you any less valid or any less… you.”

Marley let out a breath she didn’t realize she was holding, the tension in her shoulders easing slightly. “Thanks, Lucas. I guess I just needed to hear that.”

and here's another excerpt that shows a bit more of the story...... kinda.

-

As Lucas excused himself to go to the bathroom, Marley looked for Chio. Instead, she ran into Silas.

“Hey,” he said, holding his arm out. “Let’s dance.”

Initially, Marley wanted to say no, but something in Silas’ expression made her do the opposite. She took his arm and he led her to a more secluded part of the dance floor. Marley noticed people staring at them as they walked, not unsurprisingly, considering her and Silas' history.

Silas put a cautious hand on Marley’s back as the song transitioned to a sentimental and slow piano arrangement. 

“You know the map I gave you?” Silas asked. Marley smiled. Yes, the one she and her friends had managed to figure out completely. “Did you solve it?” 

Something in Silas’ expression told Marley he already knew the answer. Did he want help? Had he solved it?

“Yes,” Marley said. Silas nodded, and a smile crept up on his face.

“Me too. Which means… the winner will be determined by who gets to the middle first.”

Marley nodded. “You’re doing it alone?” 

“Yes. I work best alone. I know you’re doing it with your friends.” Something in Marley churned at his answer. It was a typical Silas answer, a simple phrase etched with an edge of passive aggressiveness. Marley had solved it with the help of her friends. He had solved it alone, using only his brains.

“Teamwork is an underappreciated tool,” Marley said, finding herself distancing herself slightly from Silas’ hold on her as they danced.

“Of course. It’s important to be able to work with others. At the end of the day, though, you'll be alone.”

Marley looked into Silas’s eyes, trying to decipher his expression. There was something behind his words, a hint of loneliness perhaps, or maybe a sense of inevitability. She decided to keep the conversation light, not wanting to spoil the mood of the evening.

“Maybe so, but having friends by your side can make a huge difference,” Marley replied, her tone gentle but firm.

Silas nodded, his gaze thoughtful. “I suppose you’re right. It’s just... sometimes it feels like relying on others is a weakness.”

Marley shook her head. “It’s not a weakness, Silas. It’s a strength. Knowing when to ask for help, and knowing you can trust those around you, that’s powerful.”

They continued to dance in silence for a few moments, the slow melody wrapping around them. Marley felt a strange mix of empathy and rivalry towards Silas. She understood his drive and his determination, but she also saw the value in the support system she had with her friends.

As the song came to an end, Silas offered her a small smile. “Thank you for the dance, Marley. And for the perspective.”

Marley returned the smile. “Anytime, Silas. Good luck with the challenge.”

“Good luck to you too,” Silas replied, giving her a polite nod before walking away.

Marley watched him go, feeling a mixture of emotions. She was grateful for her friends and the support they provided, but she also understood the weight Silas carried. She hoped that one day he would realize the value of camaraderie.

Lucas returned from the bathroom, a curious look on his face. “Did I miss something?”

Marley laughed, shaking off the remnants of her conversation with Silas. “Just a dance with Silas. Nothing major.”

Lucas raised an eyebrow but didn’t press further. “Shall we continue dancing?”

“Absolutely,” Marley said, feeling lighter and more determined than ever.

They returned to the dance floor, joining their friends in the celebration. The rest of the evening passed in a blur of laughter, dancing, and shared moments that Marley knew she would treasure for a long time.

As the night wound down, Marley found herself sitting with Chio and Maya on a bench outside the hall, the cool air in the stone-cladden corridor a refreshing contrast to the warmth of the dance floor.

Maya pulled out her phone from under her dress. Marley watched her. “Where did you keep that?”

“Oh, I have all my dressed sewn to include hidden pockets. I hate not being able to carry stuff.”

Chio rolled her eyes dramatically. “Ah, yes, custom sewn gowns with pockets, what a normal and humble thing!”

“It’s not my fault that default dresses don’t come with pockets already,” Maya countered.

“Calling normal dresses ‘default dresses’ is crazy,” Marley snorted. She looked at Chio’s dress. It was a beautifully simple dress with long, wide arms and a simple fabric belt around the waist, in a bright orange colour, contrasting Chio’s blue hair in a seamlessly effortless way.

“To be fair, my dress is also customised,” Chio sighed, smoothing out her skirt, before smirking. “I took it in two centimetres at the waist.”

The three girls burst out into laughter. Maya looked at her phone.

“What time is it?” Chio asked.

“10:45.”

“We should get ready.” Marley said. The Midnight Chase started at midnight, just as the name suggested. And she was not running down the maze in a long dress. Well, she could, she knew multiple people participating who were going directly from the dance to the maze. But they weren’t in it to win it. Marley and her friends were.

Hopefully, Silas would find that working alone is actually the greatest weakness.

Marley had a gnawing feeling that her stance would be proven right.

HELP i'm so scared y'all are gonna think my writing is trash because LET'S BE FR THIS IS JUST FROM MY FIRST DRAFT!!!! i haven't yet edited these scenes so they're kinda cringe but i wanted to show my main project. i do have different writing styles depending on genre though, and i'm tempted to show some of my comedy writing. it's pretty hilarious, if i may say so myself.

anyway, thank you again for 700 followers. thank you so much. each like, reblog, reply, message, or ask brings me so much happiness. you have no clue how much your interest warms my heart (or maybe you do because you know how social media manipulates our brains and their reward system)

[fkinkindagauche]

The Most Gourd-geous Pumpkin in the Patch

I did, in fact, start a fic based on this Wiggly Wednesday. The first chapter is up on AO3 - read it here, tags/content warnings over there. Brief description - No Upside Down Omegaverse AU, explicit, Steve and Eddie meet in their mid-to-late thirties over some pumpkins.

Here's a little excerpt.

“Hello?” a man’s voice said. Steve could hear loud music playing in the background. 

“Um, hi,” Steve said. He hadn’t prepared a spiel like he usually did when calling someone, and he froze. Amos meowed loudly.

“Are you a cat?” the man asked, laughter in his voice. “Is a cat calling me? This is wild.”

“N-no,” Steve stammered. “I mean, yes, there is a cat here, but there’s also a person. Me. Steve.”

“Ooooh,” the man said. “The plot thickens. A Steve and a cat. What’s the cat’s name?”

“Amos,” Steve replied automatically. How had this conversation gone off the rails so quickly? Amos lifted up his head at the sound of his name and meowed again.

“Anus? You named your cat anus?” the man asked, incredulous.

Steve rolled his eyes. He hadn’t anticipated how common this response would be when he chose Amos’s name, but a surprising number of people did mishear it as “anus”. “No, no. Amos. With an M as in major. Amos, like the Famous Amos cookies. Or the minor prophet in the Old Testament.”

“That makes a lot more sense,” the man said. “So, Steve and minor prophet slash cookie cat, to what do I owe the pleasure of your call?” 

“Um. I got a card. In my door today. From Munson’s Curiosities. About selling pumpkins.”

“You’re the pumpkin magician!” 

“Well, I don’t know about that. It’s my first time growing them.”

“Even more magical. Those have got to be the most perfect pumpkins I’ve ever seen.”

Steve felt himself blushing. Over praise of his pumpkins. What was going on? “Um, thanks?” he said. “Anyway, I wasn’t sure what you meant, by your message. Did you want to buy my pumpkins, or did you want to sell me some pumpkins?”

“Why would I need to sell you pumpkins when you’re a pumpkin magician?” the man asked. 

“The lack of punctuation on the note made the situation unclear,” Steve explained. 

“Well I feel like the context clues made it very clear,” the man interjected, though he just sounded amused, not annoyed.

“What do you want the pumpkins for?” Steve asked. 

“Need to make sure they’re going to a good home? I get it. I’m doing this Halloween-themed event in a few weeks, and I just thought they would be perfect for decorating.” 

“Hmm. Alright. You can have six,” Steve said. 

“Awesome!” the man replied, seeming genuinely enthused. “How much do you want for them?” 

“Oh, you don’t need to pay me,” Steve said awkwardly. “I just grew them for fun, and wasn’t expecting them to all survive. I don’t actually need eight pumpkins.”

“Let me at least buy you a drink or something, man.” 

Steve thought about it for a second. Did he really want to agree to getting a drink with this rather unconventional stranger? He had grown more introverted in recent years, and generally avoided potentially awkward social situations, preferring to stick with people he knew well. But he had actually been enjoying this odd conversation. “Alright, fine. I can bring the pumpkins with me, and we can meet somewhere for a drink.”

“Fantastic! You doing anything Friday night?” 

“No,” Steve was slightly embarrassed to admit. “I’m free.”

“Great. Meet me at Bobby’s at 8? I have a lot of hair, I’m hard to miss.”

Steve laughed. “Alright. Wait, what’s your name? I never asked.”

“Eddie,” the man said. “Eddie Munson.” Again, Steve felt a vague sense of recognition, like he’d heard the name before, but he couldn’t quite place where.

[nattikay]

[putterphubase]

Don't you dare come back late again. Seriously.

THE TIME OF FEVER (2024).

[clestialintent]

something about armand’s identity getting warped and mangled by those who had power over him in his youth till he couldnt even confidently lay claim to his real name (arun) because even that cant offer him any clarity or comfort after enduring all that abuse. its just another reminder of what came after

[rookflower]

thinking about the character again (cinderpelt) and it's likely unintentional and a result of either her shifting narrative role from young go getter to wise mentor or a shift in how the books display their own politics but i find something really tragic in-universe in how she develops from a character who will actively and willingly break the warrior code when it conflicts with her own morals (immediately lying to cover for graystripe and silverstream, acting in direct defiance of her leadership to nurse littlecloud and whitethroat back to health) but overtime through her role she gradually grows more god-fearing and pious and embodies somewhat of a "starclan is always right, even when they are cruel, and we need to accept that" position

[finnickeys]

i personally like sam claflin’s take on finnick’s family history (there’s an interview iirc he gave after catching fire where he talks a little on it) that he lost his parents when he was young because they were part of some riots in the district during the 51-65th games & that’s what makes him all the more willing to join the rebellion later (& explains his relationship with mags). it’s a means of being close to them and it’s a chance to make them proud & katniss is proof of that being possible to finnick for the first time in a long time

[loppiopio]

just some 🥥 related sillies i've made for that fic we all know.

[forcebookish]

Can I ask you a question?

[alicentsaegon]

Listen, listen. The Catholicism has to have come from SOMEONE for the next generation Targaryens to explain why Baelor and Naerys specifically were like that. Aegon III is too depressed to be an involved father + he died young, Vizzy T was a child having children, Larra is ABSENT. This leaves Jaehaera only.

[shmunter]

“babe, we’re in a cult of necromancers”

eurypheus belongs to @melodyofthevoid

[witches-come]

"A prenatal person does not use a pregnant person's body."

What.