#'s mangas ;w;

[linory1]

[assiraphales]

Also in Kaya's mansion, whenever Nami asks Luffy how her fit looks, Luffy always unhelpfully answers she just looks "like Nami".

Whereas the second he sees Zoro he immediately goes "Hey, Zoro! :D" yet again & ASKS WHAT HE'LL WEAR, as if he cares more for what Zoro will wear than what Nami wears???

(& Luffy does care, cuz he changes to a black vest to match Zoro... when Zoro stopped Nami from wearing black cuz Zoro wants to be the only one wearing black... but no he allows/won't stop Luffy wearing black too, I-)

I think if I was nami I would have murdered them (/j)

[blacknovelist]

(one piece wano arc spoilers)

So like @guardianlioness and I were talking about one piece and thematic stuff and generally losing our minds and we were talking especially about like

How Zoro and Sanji and Luffy are a Trio but also how Zoro and Sanji are explicitly also painted to be a duo to Luffy, right, like. They're the "Wings of the Pirate King". Together, they protect and look after the crew, but also their captain. They are, effectively, equals in what they do, "official" roles IN the crew itself aside. Zoro, with his high physical power as their physical defense and Sanji, with his high empathy and compassion as an emotional bulwark

And

Like

Okay. Here's the thing. Here's the proverbial problem. Cause right now, as it stands, Oda's introduced an unbalance to the duo. We were specifically talking about how frustrating it kind of is that the imbalance exists.

Because Oda gave Zoro conqueror's haki. He and Luffy share this— but it leaves Sanji as an odd one out. Thematically, it makes no sense to end with this like... off kilter seesaw. Why would you build these two up to BE on even standing only to take that away from them? Don't get me wrong, Zoro having conqueror's haki is a delicious character choice that I think adds fascinating complexity to Zoro and his position in the crew. He's a powerhouse, he's exerting his will over reality, and he follows his Captain the future Pirate King without question. Haki. Love it. Brilliant. But it makes no sense in the overarching thematic line between him and Sanji in regards to Luffy.

Giving Sanji conqueror's naturally wouldn't fix the issue, because frankly that defeats the entire purpose OF the char building that's been established in whole cake island. Sanji rejected the line of noble, of royalty, of power. It makes no SENSE for sanji to have it, he's not someone looking TO conquer or overcome the way Zoro is, it doesn't FIT him. And saying the stuff with his raid suit and the Germa augmentation rearing its head is the balance point is nonsensical for the same reason. Sanji already rejected all of that power and what it means and reclaimed it in a new way. Explicitly, directly, he denounced these things, directly ASSOCIATES them with a loss of humanity and his very self, wants nothing more to DO with it. Not only does it not make sense, but going back on it would be a slap in the face to all the development Sanji's gone through up until now, even laying aside the fact that it doesn't parallel Luffy at all so the unbalance isn't really addressed in that case.

But you know. Conqueror's Haki isn't the only thing Luffy has to proverbially offer. Conqueror's Haki is the overt, the direct, the loud and forceful. There's a lot we don't understand, between the stuff we do. It bears down and exerts over reality, makes demands of it. It tells you to listen.

What do we know about The Voice Of All Things? Not a lot. We know it seems to enable one to hear not the words, but the intention, the truth of other living things and even in objects, especially those with will like the Poneglyphs. We know Roger had it, Zunesha has it, the Kozuki line seemed generally to have it. The Three Eyed tribe may be capable of awakening it in themselves. We don't know if it's purely something you're born with or not. We don't know what it means, if anything, except for this: to hear the voice is to listen to the world around you and understand its heart.

When Luffy enters Gear 5, the only one who can tell at first is Zunesha. Zunesha can hear his heartbeat, and conveys this through the Voice to Momonosuke.

The anime conveys it more clearly, but it's in the manga text, too. Immediately after Zunesha realizes this... Onigashima is shaking. No one quite knows yet what's going on, other than Kaido is here and the world around them is trembling. Those on the battlefield, they've got front row seats to witnessing the transformation, what comes next.

Zoro and Sanji have finished their fights. They're conked the fuck out post battle, like usual... or they should be. But here's the thing. Right after Zunesha calls for Joyboy, from a room distant to the fighting, offset from the war waging outside...

Sanji's part in the major battles is over by this point. If they wanted to emphasize a "the crew knows their captain" moment, why not showcase the other strawhats too? The ones not on ground zero? But it doesn't show anyone else. It focuses. on. him.

Sanji, who's a deeply compassionate and kind man. Sanji, who stopped and paid attention even to the biological relatives he couldn't stand when he could've walked free without a care. Sanji, with his skills in Observation, in already listening to and feeling out others' intentions...

Zoro having conqueror's haki doesn't make sense on its own. It unbalances the duality of the Wings of the Pirate King. But give Sanji the power to hear the Voice Of All Things or something damn well close... that's a pretty good parallel to each other and their roles to Luffy, don't you think?

[iridescentscarecrow]

hi i'm the op of that post (stackslip) PLEASE elaborate on chainsaw man's metanarrative

hi! um. you've given me free reign, i hope you know what you're doing. anyway: fair warning in advance that this is based entirely on how i like to interpret and think of the csm story and doesn't necessarily hold true, partly because of the level of abstraction that i'm operating at here. i'm normal and i like metanarratives a normal amount. this might be a little long. but.

um. thinking about how protagonism in CSM is inflicted on denji by the author insert that is makima. i've brought up the Icon of chainsaw man before in my part 2 analyses but basically:

the Chainsaw Man is the role that denji occupies in the story, right? it's the title of the manga. it's what the public Sees him as. it's what makima quite literally produces. the relationship between denji and the chainsaw man in both aspiration and idealisation forms a major stem of both part 1 and part 2's narrative.

this production occurs on two levels: (1) what Chainsaw Man is, and should be, and (2) how denji is developed as a protagonist by makima.

"you don't get him at all." chainsaw man is her blorbie (i think i'm funny). the point is that the Presentation of chainsaw man, the one that the audience is initially set up to expect, is almost entirely synonymous with makima's version of the CSM that we get later. i think a lot about how part one borrows from, amplifies, and later subverts shounen tropes. the CSM as an idea persists in how it's discordant from denji's normality in part 2 but part 1's direction in how denji voluntarily inhabits the chainsaw is what i'm pointing at here. (there's a lot to be said about how denji's idealisation as tied to the icon of the CSM is intertwined with his wants but that's not relevant in this meta except in the minutiae of his adherence / resistance to this role.)

the thing is that makima is instrumental in pushing this role onto denji. she sees chainsaw man, he is chainsaw man. it's (and i sound insane here but please hold on, i beg) like writing.

i think her addressing him in the last battle scene, the "i'll kill you personally" is indicative of her finally divorcing denji from the chainsaw; forming The Chainsaw Man in full, while still obviously curating the denji that would support this formation throughout the story.

a small side here but: "but she never even saw me once, even from the start." // fujimoto's writing actively utilises characters towards the end goal of shaping the protagonist. this struggle here is one between a character and an author.

now continuing; the way that makima provides for and then systematically removes these initial connections simulates traditional story structures with its setup, its confrontation and resolution. her excellence as an antagonist rests upon her identity as a narrative device which develops the protagonist and pushes him through this structure. the conflicts and the loss that a protagonist usually naturally (at least in-world) goes through in a story are instead all artificially created by makima.

"how could i make you so hurt that you'd no longer be capable of living a normal life?" // her molding of denji isn't just passive emotional manipulation, it's active writing. she herself is aware of the tropes and the character relationships that are being built up, that are being subverted. she herself embodies, espouses and resolves the themes of multiple arcs (thinking of the end of the bomb devil and the darkness devil arc here / thinking of how she draws the shutters on ignorance and on wanting).

there's a lot i try to extrapolate from her commentary on movies during her date with denji especially in context with the story simulation that she herself is doing throughout the manga. i find it interesting how the ending to the movie date or the "good" movie founds itself on shared feeling: denji sees makima cry at the same movie as he does.

"the drinks yesterday were delicious." // you talked about her goals already in your post but makima's search for real intimacy (and equality in a relationship) coincides with denji's one. to me, it comes off as a writer trying to find a mirror of understanding in their own creation. the way she visualises the CSM (as "chaos" to her order) reveals a relationship quite like the flawed connection that one has with characters one makes: and this relationship is what denji (the 'stage' of this process) responds to so emphatically: "she wasn't looking at me this whoole time."

so, yeah; CSM to me operates at two levels: the one with the deeply human character relationships that construct the story and another layer where fiction and ideation mesh. it's important to note that this is something fjmt quite likes doing in his other work: using characters to specifically engage with the telling of his stories or exploring his characters' nuanced reactions to fiction and its weight.

thinking of makima as the 'Author' is misleading, though, and it ignores the fact that makima is both a device deployed by the actual author and in-world by the structure that are the higher ups. she is the control devil; she controls the scaffoldings of the story but she in herself is an agent of the author, of the narrative, of the aforementioned higher ups.

i don't know. is an artist ever truly original in their art? do they not operate within a greater structure, borrowing from and being regulated by it and its interpretation of their work? are makima's plans not ultimately upset by her creation?

denji materialises as a character from multiple active sources instead of the unitary source that makima believes herself to be. he's a passive character and yet he refuses to be a stable creation (psst. it's that universal tussle between the living art and the artist -- something fjmt's already tackled in his oneshots).

i don't know (2). this interpretation's been simmering in my head for a while, but i wasn't very Sure about it. but hm. this writeup primarily bases itself off part one (since it's well. complete) but image and image production specifically coming into fruition as a theme in part two makes me feel increasingly confident in this interpretation. it's strange how it somehow all ties back into storytelling.

[squishyneet]

Orochimaru x Reader NSFW Headcanons

minors DNI

- If he’s really in love with you, he is the type to take it slow. He takes “making love” is romantically as it sounds. He won’t be be rough most of the time, he doesn’t like when he feels rushed, he wants the time to do it right.

- His favorite thing to do is interlock his fingers with yours no matter the position. Since he goes slow, that’s his way of being passionate. He loves holding your hand, he feels like it makes the act sweeter and more romantic.

- He doesn’t pin you to the wall aggressively, but he will gently take your hands from his chest and hold your wrists against the wall while he kisses you.

- Speaking of, he loves kissing you slow and sweet. His kisses are pressing and heated, the kind that give you butterflies in your stomach. He takes his time warming you up before he gets down to business.

- If you don’t want to give him oral, he won’t force you. It’s not as important for him. He prefers intercourse since he gets to be closer to you that way. He wouldn’t think about giving you oral, but if you bring it up, expect him to surprise you every now and again, like when you’re sleeping.

- He’s not super kinky, but he likes to have sex in abnormal/risky places: in somebody else’s bathroom, out in the garden in front of your house, when he’s staying at your house and someone is in the other room, etc.

- His favorite position is when you’re just sitting in his lap and facing away from him and he “fucks” you that way. He likes holding you by your waist and watching your breasts bounce. It’s easy for him and entertaining. He also likes missionary but it’s more work.

- He likes having sex clothed or partially clothed. He doesn’t like having to get naked since it’s more messy and he wants to be able to clean up quickly, especially if he’s fucking you somewhere he’s not supposed to. His favorite clothing on you is a dress that he can easily pull down to see your breasts.

- He likes orgasming at the end, of course, but he likes watching your face and hearing your cute moans for a good while, even more when you are trying to hide it. Another reason to do it in strange places.

- What makes him feel good is making you feel good. Making you flush, giving you butterflies, etc. He even embarrasses you sometimes when he starts feeling you up around other people. He doesn’t care about overstimulating because he likes stimulating you in general.

[deus-ex-mona]

the 3rd volume of the [redacted] manga really said bonus rights…

[moxxxi-morgan]

Come get this pussy, Sasuke… 🫢

[pocketramblr]

Still can't believe All Might is canonically an orphan, another thing the English translation left out is that the specific word in Japanese he uses suggests he may have had a sibling who was also killed along with his parents. Forgot where I read it, but I was like 🤯 when I saw it.

HE HAD SIBLINGS?!?

[ladygwyndolin]

I just posted a new 18+ commission on AO3! "Taste/Taste" is a Murcielago Kuroko/transfeminine reader (2nd person) in which the infamous serial killer demonstrates her culinary prowess before demonstrating her...other abilities. TY to the commissioner, and I hope y'all enjoy!

[allbluesanji]

Bungou Stray Dogs — Ch. 87

[lunejump]

I swear to god I had an explanation for this. I don't have it anymore

[reyryz]

um so instead of doing work i spent the whole day sketching kagami....

[mxi-88]

clover time

[guideaus]

i think it's interesting that yoshiki's on the back cover for vol 4. if he was on the third, i'd guess he'd be on all of them, but i guess not

[cubedmango]

s. something. not saying what but understand my vision nonetheless

[nyanfish]