I love the idea that Bill’s manipulation tactics are horribly obvious but Ford is so socially inept that it works on him perfectly
“He was a masterful manipulator.”
No bestie he was just nice to you and you folded like a house of cards
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you dislike Luke Castellan because he disagreed with an oppressive government system and actually took action to change the abusive ways him and his peers have been forced to follow for millennia.
I dislike Luke Castellan because in the Titans Curse he manipulated Annabeth, who he raised as his little sister, into holding up the sky, the FUCKING sky, for over 20 hours and had the audacity to walk away as though he was completely apathetic towards it while she begged and pleaded with him to help her.
we are not the same.
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"LOL this flip-flop wearing loser thinks he's gonna kick my ass and destroy my whole kingdom in the span of an afternoon. What an idiot"
I didn't intend for this to be a full comic, which is why it just kinda ends. Sowwy
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Clark: why are you like this
Bruce, three seconds away from dropping a glass of champagne on the floor, dramatically slipping in the pieces, and falling into the lap of the senator they’re trying to get information out of in a bizarre, sleep-deprived, but likely wildly successful seduction attempt: can you just let me have this please
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svsss: the protagonist is great at teaching children and enjoys being a teacher
mdzs: the protagonist is great at teaching children and enjoys being a teacher
tgcf: the protagonist leaves a child alone in a hut with a known cannibal ghost and goes off on a little errand
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"wyll's too nice i'd like him more if he were a little meaner and angrier" you guys couldn't handle vivienne de fer having a complicated relationship with the oppressive system she was raised in. you couldn't handle liam costa making a minor but well-intentioned mistake. you couldn't handle preston garvey having a recurring fetch quest.
you couldn't even handle early access wyll who was angrier and grappled with moral quandaries more. and you can't handle wyll as he is now when he playfully teases astarion.
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A visual parallel I have noticed throughout SW is the image of a Palpatine goading his new apprentice to kill a defenseless person. He does it with Dooku and Yaddle, Anakin and Dooku, and finally Luke and Darth Vader (Anakin). Each time he encourages them to do something that goes against their morals (killing a friend, a defenseless person, or their father) and the choice they make is telling to who they will become in the future. Luke is the person to break this cycle when he refuses to kill his father after seeing Vader’s mechanical hand. He looks to his own hand and realizes that to destroy his father is to become him. He holds fast to his ideals in the face of Palpatines attempts to change them. It’s a nice way to keep consistency with Palpatine’s character and form of manipulation.
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louis was really going to expose vampires to the whole world just so he can call his ex-husband a talentless ugly bitch in front of as many people as possible, all in the hopes that lestat would be so angry with him that he'll finally come find him and louis would be able to see him again
and all he had to do!!!!! was just say he wanted lestat back! actually scratch that he just had to say fucking hello and lestat would be there in a heartbeat, saying he loves him, begging for louis to come back to him
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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