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#((...does this maybe say more about Me than the songs themselves? perhaps you should mind your own business hgjsdgjk))
scrawlingskribbles · 1 year
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when you see a song just titled "Monster" you know it's gonna be a banger lmfao
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rggie · 2 years
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TRACK [ 06 ] he’s good. he’s really good.
⭒ wc: 1k
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“that was our last song, everyone!” kalim calls out to the crowd, receiving disappointed whines in return. you can easily make out cries of ‘don’t go!’ and ‘please stay!’ and ‘awww!’ from the audience before cater blows a kiss in their direction.
“this has been my favourite audience by far. don’t you agree, lils?” lightsticks—your group’s lightsticks—are raised immediately with the prompt, waving frantically and desperately. your stomach turns at the sight.
so much for fan loyalty.
lilia feigns something akin to ‘youthfulness’ as he cups his own cheeks and grins. “definitely, cater. i could just eat all of them right up!”
the vampire-like noirette wastes no time in savouring his last moments onstage by cooing to a group of fangirls in the front row. he’s pulling out all the stops: baring his fangs, batting his doe eyes, whispering sweet nothings. you swear you can feel the ground rumble beneath your feet with ardent intensity as high-pitched squeals fill the venue for the umpteenth time that night.
oh please, give me a break.
your audiences were usually more on the tame side, so to see the same people practically bursting into tears over simple fanservice has your jaw dropping. you should be getting ready to go up there yourself.
and yet, your eyes are still trained on kalim.
neither google images, nor the photos on social media did him justice. he was beautiful, but not in the way that you’d describe idols like vil. it was his sincerity that left your cheeks warm. from the crinkles in the corners of his eyes as he smiled leading fan waves or the remnants of laughter in his voice as he sung — it caught you off guard — so genuine, so endearing, but vexing all the same.
to say it was uncommon to see someone in this industry not having any sort of stage persona would be an understatement. perhaps that’s what puts TWIST3D aside from idols like yourself. their authenticity makes them stand out; they were just being themselves, so maybe that’s why the audience felt closer to them.
i mean, how could you expect regular people to relate to you when your whole image isn’t even truly you, but a meticulously crafted mask?
the blunders kalim made onstage are overridden by his infectious joy. he was having fun, and that zest oozed from him, influencing the audience. “you guys will keep an eye on TWISTED, won’t you?” there’s a slight pause, before screaming ensues, louder than before.
perhaps the hype was finally getting to you, because you have half the mind to start cheering for him too.
-
azul, who had been silent throughout the whole gig, utters a tirade of furious curses as he barges into your dressing room. “did you see that??! did you see those guys?”
nodding wordlessly, unfazed as ever, you peer into your vanity mirror one last time.
“i knew it. i knew they’d be trouble. i told you they’d be the next big thing.” footsteps click from one side of the room to the other. “i’m afraid you’ve been outclassed by the epitome of sunshine.” he paces back and forth, muttering under his breath.
“you don’t bother sugarcoating things, do you, ‘zul?”
“i would, but you know me well enough to see through my lies.”
you figure he’s also experiencing the same epiphany as you. it was a tough pill to swallow: kalim was good. kalim was really good.
thinking back to the things you had said about him a few days ago, (that he was just a trust fund baby, that he leeched off his parent’s money and reputation for success…) you realise they were all lies stemmed from your putrid, childish envy. pieces of your trained composure break away as you sink into your seat. despite being an amateur, he was virtually at the same level as you, with the capacity to reach higher.
his immeasurable dancing ability and abundance of energy could attest to that.
you don’t have time to dwell on much more as a knock on your door breaks you right out of your self-depreciative stupor, causing you to shoot up out of your seat stiffly.
“hey, y/n? you’re up in 5!”
you can count the number of times you’ve heard kalim’s merry voice on just one hand, but it already feels too familiar. a glutinous guilt overcomes you, wringing you dry, tightening your throat and rendering you speechless. how could you face him after being so awful?
“hellooo…? y/n, are you in there?”
his words hang heavy in the air when nobody answers, so azul moves for you, seizing your hand and pushing you towards the door. “azul! what—?”
‘you promised you’d talk to him.’ he mouths at you, pushing his glasses up the bridge of his nose with his index finger. azul did not take the act of breaking promises lightly. he’d been like this for as long as you could remember.
you internally implode, averting your body from his direction. ‘i didn’t!’
‘open. the. door.’
shaking your head vigorously, you hold your hand over the handle in order to stop him from reaching for it. azul deadpans, bristling at your idiocy before pressing your hand down so the door clicks ajar. light from the hallway seeps through the gap into your slightly dim room; for a few silent beats, nothing happens.
shuffling forwards, you peep your head outside, surveying the right side of the hall. you can’t see any sign of kalim at all.
maybe he’s gone.
you let out a sigh of relief, allowing your shoulders to slump a little. you turn to your left, only to see garnet-red eyes inches away from your face—
“HI!”
“holy shit!”
—you’re barrelling into kalim with shock, unable to ease your fall as he grabs onto the crown of your head hastily in a attempt to protect it from hitting the wooden floor.
your faces collide.
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light me up, kalim al asim [ idol!au ]
synopsis: you and neige under the group name SNOW reign supreme in the idol world. what happens when kalim, a newly-debuted rookie knocks you off your high horse—and to make things worse—becomes infatuated with you?
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trulytiredhermit · 1 year
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Maybe one time, when the reader thought that everybody else is awake and it is their shift.
They just sing.
For my sake i hope that all Links just wake up and they are shook.
No, they've probably never heard them hum, especially sing, and they are probably thinking things like, "Why aren't they always singing? This is the holiest thing that i have ever heard".
The reader notices that all of them are awake and apologises for waking them up.
They don't have to? Hello? Your voice is beautiful? How dare you think that your voice is bad? Huh?
*Uggghhhh I love this.*
Like Reader just feeling homesick one night and they can’t sleep because the only thing plaguing their mind currently is a song from their home. A song that they absolutely love.
They just can’t help themselves and so they hun it whilst laying down, attempting to be as quiet as can be (because let’s be honest Reader may say that they want to help out and do night shifts too but the Chain would rather die than let Reader potentially be in harms way).
And try as they might the soft humming grows louder and words begin to tumble out of Reader’s throat, before they know it they’ve started quietly singing.
And the Chain is just enchanted.
Good singing? Reader is like an angelic choir from above to them. Bad singing? No such thing, anything that Reader does is holy and beautiful and any that say such a blasphemous thing are unworthy to even be in Reader’s presence.
And then when Reader realizes they’ve woken everyone up and they apologize for it and they stop singing. The chain is saddened and yet angered (not at Reader of course, never at Reader).
They’re furious at whoever dared to belittle Reader when they’ve sung before. The hate whoever dared to make Reader feel like they can’t sing whenever they want to. They absolutely loathe the person who made Reader feel like their voice is something they should be embarrassed about and not celebrated.
You can bet that the chain try to get Reader to sing more often.
Perhaps Time or Twilight attempt to get Reader to sing songs that they’ve learned on their adventures. I think Reader singing the song of healing would be able to cure any ailment don’t you? Time and Twilight certainly think so.
Sky and Legend might attempt to get the Reader to perform a duet with them while they play their instruments. Or simply ask Reader to sing because it helps relax them after a long day of traveling.
Wind definitely uses his child-like, younger brother charm to try and get Reader to sing him a lullaby. “It’s to help me sleep better,” he’ll whine. “Your voice is so warm and it reminds me of home.”
Warriors would deffo be the one to tell Reader to sing more because he finds it helps him focus better. “We don’t get to hear a lot of music on this journey, and your voice is so lovely I just can’t help but feel more energized when I hear it.”
Four I feel like also might say something along the same lines as Warriors. But he phrases it as him just wanting some background noise while he polishes/fixes a blade. Being a blacksmith he probably got used to being around a lot of noise while he worked, but now that he’s out of the forge and in the wilderness some of that ambiance is gone. That’s where Reader can come in. “Background noise just helps me focus” Four would explain, “I just need to finish off these three pieces and then you can be done. Won’t you help me with this little thing, please?”
Wild might inquire more about Reader’s homeland and the music there. He’d probably be the one daring enough to ask Reader to sing more songs from their home because he wants to know about them. “I’ve heard many songs whilst traveling to save my world. If I share you songs from my Hyrule, won’t you share music from your world?”
Hyrule, with how desolate his Hyrule is, would probably be like Wild in wanting to hear more music from Reader’s home. But in a different tactic. He’d probably ask to learn more songs from Reader’s world because his didn’t have a lot. “I wish I knew as many songs as some of the others. Be able to pick a favorite like some of them can. Do you have a favorite song [Name]?” Hyrule would ask and be rewarded with an answer, “Oh that sounds like it would be a beautiful song. Can you sing it for me [Name]? I think it could be my favorite song too.”
*Again I don’t know a whole lot about some of the Link’s just yet like Warriors, Four, and Hyrule. Haven’t gotten their personalities down just yet so apologies if some of them seem out of character.*
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lediz-watches · 4 months
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Hazbin Hotel: Season One
Because I basically implied I was gonna do it.
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I have watched the first season. If you've found my fics you know I had a lot of fun with it. So now let's talk about it for what it is... so far. Because Alastor's semifinal scene... -gestures vaguely in mild frustration-
That annoyed me more than the end of Squid Game season one, now I think about it. But let's come back to it after we talk about the show as a whole.
Because I did really love it!
So the basic story, as per the pilot, is that the Princess of Hell is sick of Heaven killing her people every year, and so dreams up a rehabilitation centre, with the idea that sinners can redeem themselves and get into Heaven. But unfortunately, Heaven has their own agenda, and has actually decided to completely wipe out every sinner instead. The first season covers six months as the princess desperately tries to prove her hotel works before the next time Heaven's exterminators arrive. Spoiler that isn't a spoiler because the trailers said so: she does not.
And the fact that's not a spoiler is ultimately the flaw of the show. In eight episodes, they couldn't afford for that to be a spoiler - it was just an inevitable fact.
The long and the short of it is that the story of Hazbin Hotel's season one should have been at least eighteen episodes. I'm not saying that as a hater - I understand that this show was a risky, expensive sell, and eight episodes would've been tough to convince anyone to produce. They did great with what they got.
The animation on this show is genuinely amazing for its style. They skip the details in weird sections, but there's movement when it matters, there's character work, there's gorgeous little DETAILS. The soundtrack is great. There's only a few songs I didn't love, and the actual voice work is amazing. This was a well produced show.
But it was too short for what it was doing.
We needed an episode for each individual character, instead of sharing each one between two. I actually didn't mind Alastor not being in half the episodes, because of his whole deal, but when he was, we should have learned more about the overlords and gotten more foreshadowing. But we just didn't have TIME. So we got these snapshots of amazing characters and I just honestly couldn't bring myself to care about them.
Like Sir Pentious. I actually loved his story, and especially his final episode, but I'm pretty sure we spent like ten minutes with him IN TOTAL, so like... who the hell cares?
And I said in my post about the pilot that the show was going to hinge on Charlie for me, and... it didn't. It really didn't. Because she's... not developed enough. I simply didn't understand her motivation - or perhaps the word is 'believe' her motivation. She's this all-loving princess... from Hell. She loves her people... and wants to kick them all out of her kingdom? Not once in this series did I genuinely see an example of Charlie LIKING Hell. She LOVES Heaven when she goes, and she SAYS she loves her people, but... frikking show it, woman.
And the annoying thing about that is that because we didn't have enough time to develop her character, I don't know if that was intentional. Because there are a couple of instances that make me think it WAS. There's a subtle sort of cruelty in Charlie that could have been very, very interesting if I could trust that it was intentional. She rakes Angel Dust over the coals without noticing, she lovingly goes along with Alastor tearing strips off her Dad's already fragile emotional state, her way of saying that Heaven is going along with her is to gleefully point out "they're at each other's throats!", she's got nastiness in her, and... yet no one mentions it. So maybe it's not supposed to be cruelty, maybe it's just the writers are kind of nasty, and maybe I'm just looking for something outside her physical form that marks her as the princess of Hell.
Instead, I was sold on Hazbin Hotel by Vaggie, of all characters. Who in the pilot, was just THERE, as far as I was concerned. But her story of redemption and being saved by her ability to love, and having to confront who she was versus who she wants to be? That was lovely. I bought that. I would have liked more time with her to see how she used that love, but it was beautiful for what it was. I enjoyed Vaggie's character.
Husk and Angel were a nice little love story, but as I said in the other post, I wasn't there for it. I respect their episode, it was technically amazing, and I am in awe of everyone involved in the creation of the Poison sequence, while Loser, Baby has joined multiple of my spotify playlists, but... yeah, that's all I have to say about them. Enjoy, fandom, I know you love them. But I don't care. Their contracts are way more interesting to me than their characters, I'm sorry.
Niffty, the little darling. I love her. I love what she did. But she's comic relief and that's it. I have no further feelings about her. I am actually okay with that, as long as that's all the show wants me to feel about her.
But then... Alastor.
Oh, Alastor. You fucked up sacrifice to Heaven, Hell, and Fandom.
I mean, obviously I love him. Amir Talai is amazing, Alastor's design choices are fascinating, and the titbits of legitimate character we get from him, verbal or not (THOSE STITCHES) are sweet ambrosia, but... But.
I wouldn't mind if Alastor wasn't actually important. If he was just there to provide world building - if his whole deal was just sitting in the radio tower to introduce and close off each episode like the Greek Chorus, occasionally descending to connect the characters with people outside the Hotel, I would be very happy.
I would also be happy if he was actually a main character, working either for or against Charlie. I loved his scenes with Vaggie, and Charlie, and his duet with Lucifer was amazing, BUT.
He's NOT. EITHER. OF THESE THINGS.
As of episode eight, I'm not even convinced Alastor is actually a character! At this point I wonder if Alastor isn't actually a mask that Eve, of all people, is WEARING, and the man we think we've been getting to know sold himself to her to protect someone he cared about and hasn't been sentient since the day he died. GOD I hope that's just a crackpot theory borne of frustration because I AM FRUSTRATED with the hints and bits and pieces. And THAT is how I left the series as a whole. Frustrated.
Because just as the show IS amazing despite its pacing, Alastor IS a great character. I love Chaotic Neutral chaos goblins that save the universe because they're one of the idiots that live there. But by episode eight, I wanted some kind of closure. By the end of that episode, I wanted to be sure of whether I was rooting for Alastor to knock Hell out from under Lucifer's depressed feet, or for Charlie to save him from himself.
And like I said, right now, I'm no longer even sure he's REAL. And if all this just turns out to be Charlie's legitimately good intentions against Eve's revenge scheme... That's... egh.
That's less interesting to me. That's not a story of choice and redemption, that's just yet another love conquers all story and guys, I grew up on Sailor Moon too, but... can we try a new one?
Give me Charlie being confronted with her own motivations, and learning how to actually LEAD. Not just... repeat Vaggie's story of fighting for the people she loves on a grander scale.
(Oh god... I just realised how much that would cheapen Vaggie's story. Oh god, please don't do that!)
There's a theory that I saw that I'm a little in love with, about Alastor actually having been sold to Heaven AND Hell by his mother and father respectively, and that his arc is legitimately about him trying desperately to free himself from both. And THAT is an interesting story, and an interesting way for Charlie to grow, as she has to learn to realise that sometimes you get put in crappy situations and you can dig, and fight, and struggle, and all it does is drag you down deeper. Recovering from THAT is rehabilitation.
And that's the story I want at this point.
And I just don't think we're gonna get it in another eight episodes. Not when the Huskerdust nation must be appeased and Lilith's whole story needs to play out, and...
But. Whatever. I did love this series, and I will be watching it again, and if they release the soundtrack on CD I will be buying it, and if the show gets a DVD release I'll be buying that too.
But yeah. It was not long enough to be deep enough, and I end it frustrated.
...I'm gonna go listen to the soundtrack again.
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halidaia · 7 months
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On the lyrics of old Christmas songs
I work in retail as of right now. I’m actively trying to find a different job, and my ultimate goal is to be a college English professor. But for now I’m still stuck in retail, and it’s the Christmas season, so of course that means the sound system is going to play the same terrible earworms over and over and over again. Whoever knew there could be so, so many cover versions of the same exact song?
Normally I try to ignore the music, but when you hear them like once every ten minutes, these songs have a way of forcing themselves into your mind. And that got me thinking about them, which is always better than just being miserable and defeatist about it
For example, that song “Walking In A Winter Wonderland”. It has a bunch of lyrics that no longer make sense in the same way they used to. I think of:
“In the meadow, we can build a snowman
“We'll pretend that he is Parson Brown
“He'll say, ‘are you married?
“We'll say, ‘no man
“‘But you can do the job when you're in town’”
In highschool, I had a crush on a footballer [American Football] named Ryan. As one does, I spent a few weeks or months starstruck, awkwardly gawking at his rugged masculine beauty. But as one does not, I went up to him and outright told him I had a crush on him. Unfortunately, he’s straight, and I’m a guy, so nothing was able to happen between us. Anyway, my point is, I did NOT walk up to Ryan and say “are you married?” just as those young ladies should not walk up to this Parson fellow and say it
This is a more minor and nitpicky observation, but:
“Later on, we'll conspire
“As we dream by the fire”
To “conspire” means to plot against someone, and the implication is that you hope for their downfall. Perhaps I’m reading too much into it, but that line has always confused me. Or perhaps if they’re using “conspire” in an archaic way, one in which the negative connotation had not yet developed. Now I don’t know if that was ever the case, that “conspire” didn’t have a negative connotation, but if it was, then there’s no need to also say “dream”, as in “dream by the fire”. That’s redundant
Enough about Winter Wonderland. Let’s talk about Deck The Halls
These are the thoughts that go through my mind while I’m at work:
“In this day and age, ‘deck’ as a transitive verb means to punch someone in the face so hard that they fall flat on their back. How do you deck a hall? Oh maybe it’s short for ‘decorate’”
“What is a ‘bough’ of holly? *googles it* Oh. Don’t most people just say ‘branch’? Or perhaps that doesn’t sound as elegant. If they’re getting branches of holly, do they also get pine and mistletoe, or is that too much work?”
However you take this post, I personally find it fascinating that we grew up in the modern day with these olden day lyrics, and we just take them at face value, reciting them without reading deeper into their meaning. We don’t think about how the archaic phrasing of various things makes little or no sense in our language that has evolved since the song was first written. And new musicians just sing their own renditions of this song with the old lyrics, most likely not pausing to think about all the treasures hidden beneath the outdated words, but rather choosing to sing it because they like the way it sounds
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amoveablejake · 10 months
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No Pressure
Another entry in the incredible true story.
Every now and then I like to write a piece for the blog which is about what I am particularly enjoying at that time of writing. In fact, those free form pieces that I try and fill with excitement and positivity about the things that I mention are some of my favourite pieces to work on. I was thinking that as this is the start of a new month, it might be fitting to do one of those sorts of round ups today but instead, even though I do love writing them something else was on my mind even more or rather someone else. Logic. It is no secret that I adore the Maryland born rapper but I thought that I would write a little something about why I keep returning to the rapper or I suppose to be more accurate why I never go away. Over the last twenty four hours I once again fell into one of the times where rather than only listening to a few Logic songs throughout the day, I instead listen to all of them, over and over again as the deep dive into his work feels like I am centering myself. A reminder of an intangible thing that Logic's music never fails to provide and that I am oh so thankful for.
One of my favourite things about Logic is that as visible as a man as he is an artist. Ofcourse, he chooses what to share with his legions of fans as should be the case, but the fact that he chooses to share at all does mean a lot. I was watching a video yesterday evening of Logic walking around his house as he pointed out different things he had which were in most cases posters from different films. And the thing is, seeing Logic point out the references to films that he loves and them being the same films that occupy my favourite film lists, that natural connection does make when I listen to his music feel that much stronger. I think I see a lot of myself in Logic or perhaps that should be the other way round, and when I see Logic talking about the things that we like it serves as a valuable reminder to keep be yourself and that being yourself and liking the things that you like can help you get to where you want to be. Because as well as being a creative inspiration Bobby is a real role model and although we have never met, it feels like we have and that there is a connection there and one that I draw a lot from as I take further trips around the sun.
Three years ago when Logic announced that he was retiring I wrote a piece about how happy I was for him that he was calling it a day as it was the right decision for him. Then, when he did return I wrote another piece about how incredibly excited I was that he took to the stage and airwaves once again. And ofcourse, inbetween that I have written many other pieces about his albums and his songs and how much he means to me as an artist. I think today though, the different thing that I wanted to touch on is how much he means to me as a person. As I watching this video last night I was struck by the realisation that I think that it is Logic the man, Bobby Hall, who means more to me than Logic the rapper. It is the role model and seeing someone just be themselves that strike an even stronger cord than when I hear Logic's music which is saying something as he continues to be my artist. As I approach my next birthday, I ofcourse have been reflecting on a few different things and one such thing is that I am going to keep on being me and in large part that is down to a certain musician. Maybe one day we'll meet, just so I can say thank you. And to talk about 'Cowboy Bebop'. Ofcourse.
-Jake, a man days away from his next escapade, 06/08/2023
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strangejen · 11 months
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I have no where else to put this, so I'm putting it here. Like any good fan, I've re-watched Stranger Things multiple times, even after season 4, I re-watched the show. However, it took me until this newest re-watch to realize the theme of season 4 is broken hearts and lost love.
Should have been obvious, right?
Henry, Will, El, Steve, Eddie, Robin, Joyce, Hopper! Hell, even Papa.
Not only from the characters themselves but also the selection of songs chosen: Running up that hill and Separate Ways are BOTH pretty romantic songs.
Whether it was intentional or not, they played into the whole seasons vibe!
Let's delve deeper (as I'm sure you ALL have already done and I'm just late to the game).
Papa tells the story about NINA, a play about a woman who lost her lover, and therefore blocked out the traumatic memory.
I started to have a "OH SHIT" moment.
El lost her memory because of Henry.
She tried to cover the trauma, which in turn blocked her from being at her full capacity.
You may be saying, "Why does that matter? How does this relate?"
Because of these Lyrics right here: "Unaware I'm tearing you asunder" from Kate Bush.
What a word Asunder is, a very powerful word. One rarely used anymore. It means divide or apart. Old English has it as "sundran" which says "in or into a separate place" Sounds familiar doesn't it?
"Someday love will find you (Mike) Break those chains that bind you (Papa) One night will remind you (Traumatic event) How we touched and went our separate ways (Eleven tearing Henry ASUNDER and sending him into the upside down)"
Did the Duffer brothers mean for this to happen? Probably not. Journey is a great band and this song is amazing. However, this is pretty on the nose, wouldn't you say?
Now, we come down to love, lost love, and broken hearts. No one really caught Henry's attention out of ALL those kids, except Eleven. She was powerful, shy, and didn't boast about her powers. But Henry, being perceptive, could see she had a lot of power. She was more like him than any of them.
How rare for him to find someone on his level, someone who could understand.
When she says he tricked her, and his brows furrow, you can see he is confused. How could she think he hadn't saved her? That's how he saw it. Setting her free from the chains that bound her.
He asks her to JOIN HIM! Such a classic move, he knows together they could be powerful. Together, they could be happy. I know Eleven is too young for this to be romantic love (DUH PEOPLE) but he does love her in a familial way. He knows she is his family, which is why her rejection hurts more than he thought.
No one spends 4 years attacking someone unless the wound is deep. Henry has been after Eleven since season 1. No one realized who it was, except maybe Papa. But the pain she caused him, made him come after her more and more until he gained enough strength to travel with his mind.
Kate Bush is important to Max and Lucas, as well as El and Henry. I feel deep down, Eleven wishes she could have done something different. Maybe she could have saved him? I don't know the original intentions behind Running up that Hill, my interpretation is that it's someone trying to save someone else, and the other person is being torn apart by their efforts to save them because perhaps they don't want to be saved or are in a situation where saving them could hurt them (just an idea).
Vecna, Henry, One. All of them know El, all of them loved El, and now she is their biggest enemy. The one who punished them simply for who they are, when she was supposed to be the one who loved them.
Papa hoped El would forgive him even after all he did, because as he claimed, he loved her. She didn't give him that (he didn't deserve it and she didn't owe it to him).
Broken hearts play such a theme in season 4. It's really crazy, I can't believe how I overlooked it. I really can't wait to see what season 5 theme is, and how they will play it out.
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zarysa-of-zorcai · 1 year
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Ch 4: Meeting The King
The endless concerto of bird song told Zia it was morning before the rising sun could get the chance. Her and Percy were exhausted given their sleepless night, and everyone else seemed to be hungover save for Scanlan. Despite that they needed to move. Their plan depended on arriving early to the kings court. The group groggily made their way to the palace and cursed every damned stair they had to climb to get there.
Zia didn't hate the long trek even if her legs were burning from the exertion. It gave her time to think about everything, mostly about what she was going to do when they made it to the top. She couldn't get Percy's words from last night out of her head. He'd sounded so sincere. She had no doubt that he'd meant every word of it.
Percy's truths echoed inside her mind. Though it wasn't only his voice playing on loop in her brain, but the memory of the kiss as well. Had it just been the wine Percy drank? Or did he really...could it be possible he really had feelings for her? Zia never dreamed anyone would like her that way. Least of all someone like Percy. He was handsome, brilliant, walked around all dignified, and she...She let herself slip so far into her thoughts and memories that her foot missed a stair.
"Woah." Vax caught Zia by the wrist, a hand settling on her waist to ensure she remained upright. "Easy there, Gemstone. Don't take a tumble. It's a long way back down."
Zia let out a laughless sigh. "Yeah, thanks, Vax. Sorry. I'll try to pay more attention. It's uh-it's early. Guess I'm still a little tired."
It wasn't a total lie. Her limbs felt heavy due to the lack of sleep.
"Don't apologize to me. You should say sorry to the stairs. They're the ones who would have got cracked under that pretty little chin of yours." Vax's fingers ghosted under her chin, but it felt different from the gentle caress that Percy's fingertips had left. The gesture felt empty.
"Must you." Percy glared, over his shoulder at the half-elf. His glasses glinted in the rising sun.
"Just trying to wake her up a little." Vax let go of Zia's wrist and allowed his hand to drop. He smirked at Percy. "Why? Does it bother you?"
"This early in the morning?" Percy's tone was clipped. He did not look amused. "Yes."
Something told Zia it had nothing to do with the time of day and everything to do with it having been her. She wasn't sure why that gave her this twisted fuzzy feeling that had her toes scrunching in her heeled boots. But it did.
"Move it you three!" Vex snapped at them almost nearing the top of many stair sets. They were only halfway. "These stairs don't move you up them themselves!"
"Everlight have mercy on our legs, are these stairs multiplying?" Pike struggled. "Or is that just me?"
"Nope, I'm with you." Scanlan complained. "Why does this Uriel guy need so many damn stairs to his castle anyways?"
"Tiny legs gettin tired, Scanlan?" Grog snickered.
"Oh, Shut up, Grog. You could just hug us all and get us to the top in three jumps." Scanlan huffed fed up with all the stairs.
"Oh gods, Scanlan don't give him ideas." Zia pleaded. "My hair looks bad enough from sleeping outside. Do you know what the wind would do to it?"
"Your hair is fine, Zia." Percy assured her. "A bit frizzy perhaps but other than-"
"Enough talk. All of you." Vex admonished hand on her hip pausing on the upper stair. "If you can move your mouth then you can move your legs faster if you'd shut up. Let's go."
"Yeesh, someone woke up on the wrong side of the trashcans." Scanlan muttered.
"I heard that." Vex warned.
The sky was a rosey pink by the time Vox Machina made it to the top of the palace steps.
"We're really gonna see the sovereign looking like this?" Keyleth worried, she looked the worst out of everyone. She had remnants of throw up on the front of her dress.
"Keyleth's right. Maybe we should all take a moment, find a fountain...freshen up?" Zia tried, getting nervous now that they were before the giant door. She ran her fingers through her hair in a feeble attempt to rid her purple shimmering curls of knots and snarls.
"And climb down all those stairs again just to have to come back up?" Vex glared at the stone skinned woman. "Absolutely not. We go in as we are."
Vex took a step forwards only to be halted by the guards. They crossed their spears. Everyone frowned at them. Various are you kidding me looks across their faces. Vex'ahlia unfurled the wanted ad with a smile.
"Okay, we'll take you in, but the bear waits outside." The guards uncrossed their spears.
Trinket hung his head in dejected disappointment.
"It's okay, buddy. We'll be back soon." Vex promised the bear as the group ventured towards the doors. He looked awfully sad to be left outside. "But Zia, will keep you company! Won't you, Zia?"
"Oh, Uh, actually..." Zia straightened out her dress. "...I think I'm going to go in with you guys this time."
Keyleth almost dropped her staff in shock. "Oh my god your going in!? But you never go in!"
"I know, I just...I thought with how bad our jobs have been going...maybe I would- It would," She amended, eyes flicking to Percy for just a moment as she almost echoed his words. "help...us all being together."
"Seriously?" Vex looked at her incredulously.
"Mhmm." Zia laced her fingers together. "Who knows, maybe I'll distract them from how run down the rest of you look. Given my um...interesting complexion."
"Wow, uh that's real considerate of you, Zia." Pike smiled. "Thanks."
Grog sniffled, and Zia only had time to widen her eyes before she was being scooped up by the Goliath.
"I'm so proud of you, Zizi!" Grog hugged Zia to his chest, and spun her around like she was a rag doll. If her skin was not harder than the average humans then he most certainly would have crushed her bones.
"Yes, yes, this is a big moment for her conquering her weird little social fear." Vex waggled her fingers. "Whatever." Vex's hands rested on her hips. "We have a king to see. Some decorum please. Percy, would you tell them?"
"Vex is right." Percy's agreed but there was a certain mirth to his voice as he spoke. "We shouldn't delay."
Percy was careful with his words aware the guards were listening.
Grog set Zia down and she smoothed out her dress once more. They all ventured inside leaving trinket on the other side of the giant doors.
"See you in a bit Trinkie.." Zia waved at the bear before the doors closed behind them. Zia felt a bit guilty leaving trinket out by himself, and the closer she got to the throne room the more she felt the urge to sprint back down the large hall they were walking down.
This was such a nice castle. She shouldn't be here. Cursed as she was. This was a bad idea. Why did she think meeting the king was a good idea? Her friends were going to pay for her being here. No king or council ever reacted well to a cursed person like her. What if Percy was wrong? What if she was ridiculed? What if the king ordered the guards to get her out of his sight? She-
-felt a hand at the small of her back. She didn't need to look to know who it was. The hand was gentle, meant to guide rather than force. It did not push, it's owner merely applied a light pressure. An assurance of presence more than anything else.
She looked at Percy. He'd almost fallen into step with her. He walked just a bit behind.
"You're doing well." These words were only meant for her.  His voice kept low and barely audible. There was no chance of anyone else hearing him. "Whatever happens in there I'm with you. I promise. I won't leave your side."
Zia wasn't exactly sure what she did to deserve such a statement. From Percy no less, but it eased her worried mind and made her heart swell all the same.
When they arrived in the throne room the king was already having a discussion with his council. Keyleth attempted to be polite in getting his attention, twice, but they were persistently ignored. A small part of Zia hoped that they never would notice them.
Of course right when she wished that, Grog let out an echoing belch that gained the attention of everyone in the room.
Zia was immediately uncomfortable. Their stares held copious amounts of judgement and disdain. Especially when their gazes roamed over her. She wanted to slide over and hide behind Grog, but that meant removing herself from Percy's hidden tender touch. So she refrained. She endured their disapproving eyes.
The blonde man in the armor had a different look than the rest of those surrounding the king. His electric blue eyes, Zia could feel them on her and unlike the rest of the council whose eyes roamed over them all-his eyes remained glued to her. Zia did not know why. Only that she did not like the feel of his gaze. He was staring at her like Grog would the finest tankard of ale. It was a stare she was drastically unprepared for and not one she welcomed.
How she wished she could just whip out her swords and slash the tension from the air. Wait- Maybe she could though not with her swords but with words. Maybe if she was quick enough she could ease their foul tempers. She just had to get them on the right foot. First step, apologizing for Grog's deplorable manners.
"Uh, excuse him your majesty," Zia spoke up hoping that she didn't sound as nervous as she felt. "He had a bit too much ale last night."
"I didn't have too much." Grog protested. "I'd say I didn't have enough."
"Sure you didn't buddy." Pike tapped Grogs leg.
"I'm sorry," Lady Kima glared down at them. "Who the hell are you?"
"Vox Machina." Percy stepped forwards, his right arm lifting from behind Zia's back so he could point his finger. His other hand adjusting his glasses. "You see, it's actually a somewhat clever play on words..."
"Honestly, we don't care." Sir Fince was immediately dismissive. He turned to face the king. "Sire, I warned you the notices would attract the scum of Emon." His hand gestures towards the groups left where Zia was standing. "Just look at the accursed wretch they've brought."
The council pointedly stepped apart so the king could set eyes on them. Zia did her best not to flinch, but it was hard when the dark elf's words were so pointed at her. Fuck. She told Percy this would happen.
"Excuse you?" Vex demanded, an eyebrow raised as she glared.
"Oh, you did not just-!" Pike was ready to storm up there and break that dark elf's finger.
"Pike.." Zia's voice was barely above a whisper, any higher and hurt would be leaking into her tone. "It's fine."
"Like hell it is!" Pike denied, glare only deepening.
"I think Sir Fince means a foe this deadly requires more seasoned..."
"Krieg, don't bother with these drunken buffoons." Sir Fince denied. "Guards?"
The guards swarmed around them in an instant. Percy pushed Zia behind him, glaring at the guard with his arm raised in front to strike if he tried anything. Grog growled menacingly to scare him off.
Zia was back to back with Keyleth. The women exchanged nervous looks. This had been what Zia had been afraid of, well sort of. At least she was getting thrown out for being a drunk instead of a cursed wretch as the elf called her. That was better...right?
Percy stepped out of Zia's space so she wasn't as squished with Keyleth, but he had a glare on his face now. He was not pleased by the dark elf's order. Not at all. On the contrary, Percival Fredrickstein Von Musel Klossowski de Rolo the third was quite pissed.
"Buffoons?" Scanlan had been particularly insulted by the word as well, and it seemed he had a plan to charm the king into giving them a chance. "Clearly you've never heard of the Legend of Vox Machina. Allow me to give you a proper introduction."
"Oh, gods, here we go." Vax groaned, as Scanlan pulled out his lute. He was much to hungover for this.
♪ Your Excellence tried the best fighters ♪ ♪ Who've adventured far and wide ♪ ♪ But I promise ♪ ♪ That you've never met a troop so qualified ♪
"Are we really gonna let him do this?" Zia whispered, wondering if they should shut him up before they really got tossed out on their asses. "
"I don't think we have a choice." Keyleth groaned feeling woozy.
Zia bit her lip, and rested a hand on her swords hilt as Scanlan's magic swirled around them in a purple cloud. When it disappeared it showed them all looking quite badass with their weapons of choice. Zia stood next to keyleth in the illusion. One of her twin swords raised high in the air, glinting in a lightning flash. The other tilted behind in a backwards grip.
♪ There's Grog our mighty giant. He's a simpleminded hulk, ♪
♪ And Percy's pepperbox can blow apart -Your fսck¡ng skull ♪
♪Zia's a cursed statuette with swords of fallen stars. ♪♪You'll never see her coming til she's already littered you with scars. ♪
♪Nature hath no fury ♪ ♪ Quite like Keyleth the Ashari ♪ ♪ Controlling plants and animals ♪ ♪ She's a magical safari ♪
♪ The twins Vex and Vax ♪ ♪ She shoots, he hides in the pitch ♪ ♪ They're stealthy and quite deadly ♪ ♪ But I forget which one is which ♪
"He's Vax." Vex tilted her head in annoyance.
"She's Vex." Vax's eyes flicked to the left completely done with Scanlan.
♪ Pike's divinity is pure ♪ ♪ Her hands can always heal ♪
♪ Oh, and did I mention we have a bear? ♪ ♪ Trinket, no big deal ♪
♪ And as for myself? My name is Scanlan ♪ ♪ The man with the phat purple hand ♪ ♪ My music's the jam, going ham, you can't stand it ♪ ♪ Get some water, hide your daughters ♪
King Uriel cleared his throat.
"Scanlan!" Zia hissed, kicking his leg lightly.
"Oh. Uh, sorry."he apologized getting back on track.
♪ Brave warriors are we and far more clever than a fox ♪ ♪ They'll tell tale of our exploits ♪ ♪ In the Legend ♪ ♪ Of Vox ♪
♪ Machina ♪♪
The illusions cloud disappeared. Scanlan knelt down doing Jazz hands as Keyleth retched behind him. Zia moved to rub the druids back and hold her hair. It was the most she could do.
"Uh, thank you very much." Scanlan smirked.
"Oh. Mm, okay. Uh... Uh..." the Council was unsure about what they just witnessed.
"Give the council a moment to discuss your curious group." The king spoke up and his advisors all circled around him.
They couldn't hear their conversation that well from down the stairs but the king looked quite contemplative. Scanlan waved as they looked down at them.
"Yeah, doubt it." Their circle broke because of Lady Kima. "Let's just call in Agar's Assassins again."
"Uh, Agar apparently had his hand chopped off in a barroom brawl." One of the guards informed.
"Oh, shit." Scanlan coughed into his hand.
"Doesn't gossip huh?" Zia hissed at him.
"How was I supposed to know he had chatty guards?" Scanlan hissed back.
"Urgh!" She would have kicked him again if not for the fact that keyleth was so unsteady.
"Come now. What's the harm in letting them give it a go?" The general leaned on the kings throne. "At least they've all got hands."
"Oh! Yes! Yes it's true! We do have hands! Spare ones even!" Scanlan made his purple hand appear.
"Very well." The King conceded. "You're hired, Vox Machina. Mainly because I like the bear. Lady Allura will accompany you to the Shale Steps, the village closest to the last attack."
"So, what exactly are we killing, and how much are we making?" Vax asked the question weighing on their minds.
"We don't know what you're killing, but once you kill it, all this is yours." The general pulled out a chest.
Vox Machina's faces lit up. That was a big box.
"Uh, one more question." Scanlan spoke up. "Yeah, how are we supposed to get there?"
"You will be taking my finest sky ship. The town is a mere jaunt in the vessel. You are to leave immediately." The king ordered. "There could be another attack at any time."
"Yes sire." Lady Allura bowed before she walked towards the doors. "Vox Machina if the members of your group would all follow me,"
The woman kept a straight a straight face as she passed.
"The ship will be equipped with showers." Lady Allura side eyed them. "Do use them."
✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨
And Here's Chapter 3!!!! Ahh this was so fun to write I love Zia so much! Next chapter will be out soon!!!!!! While you wait I'd appreciate it if you took a stab at these questions and gave me some feedback!
1. Thoughts on this chapter? What did you think of it? Are you liking this story so far? How's my writing? Any favorite moments? Be honest.
2. How are you feeling about Zia? Do you find her likeable or not really? Is she annoying, endearing like what are your thoughts on my oc so far? Again be honest.
3. Any guesses as to why Krieg was staring at Zia like he was?
4. Whose your favorite member of Vox?
5. What Characters would you like to see Zia interact with more?
6. What would you like to learn most about Zia?
7. Anything else you'd like to ask, rant, and or tell me!
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yenafmd · 2 years
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CROWNED: interview #1
why do you think the song you’re performing is your group’s “representative song”?
“ah, i don’t think anyone would deny that chi mat baram and rollin’ are our most beloved songs!” there is an excited bounce to yena’s words, all feigned of course. the harsh reality was that any other song they’d perform sould fall completely on deaf ears, like most of calypso’s career. but she couldn’t say that of course, it wouldn’t be very becoming of her. luckily yena was no stranger to lying on camera, she was an actress for a reason. “i think these songs won’t only resonate the most with the public, they also best portray the direction we’re going in as a group, i think that’s really nice.”
what are you thoughts on the stage concept for your group?
“ah the concept is... surprising is it not?” internally, yena couldn’t help but cringe. the concept missed the mark entirely, that it did. weren’t they supposed to be trying to establish themselves as summer queens or whatever? didn’t they literally name a whole mini album that for that exact reason. then again, perhaps dimensions was embarassed to try and stake that claim while on a show with the actual summer queens equinox, that would be fair honestly. so there calypso was, buying in to some sexier variant of the 4th gen girlcrush trend, way to make them feel old. “it’s a new take on chi mat baram and feels a little closer to the original concept of rollin’.” you know, the one that had flopped. “it’s hard to imagine not as a summer song at this point so i think people will be really surprised!”
how have rehearsals been going for your stage? what challenges have there been?
“i think it’s been going well!’ yena beamed at the camera. “we got lucky that we’ve been performing both songs pretty frequently so the dances are fresh in our memory!” a burst of laughter escapes her, like what she said is actually funny. judging from the staff’s amused smiles her energy seems well-received. “overall i think our biggest challenge has been selling the concept well, because it feels so different from how we usually perform these songs.” a solemn nod of her head. “but i think calypso will be able to show a new side of ourselves and that we will look really cool on stage! we worked hard for it.”
which group do you see as your biggest threat for the win in the competition?
everyone, the annoying persistent voice in the back of her mind comments snarkily. it’s hard to not see everyone as competition when yena feels like she’s so desperately clamoring onto her self-esteem, fearing that the show will only serve as a reminder that even after the last three months, calypso can’t keep up with their peers, is doomed to fade into irrelevanc amidst their more popular, more talented peers. “i honestly don’t think anyone intimidates me in that way, i have faith in our ability to stand out and prove ourselves.” another lie, surely yena had lost count of how many she had told since the start of the interview. “but if you look at it objectively... maybe selene? i think we might come closest to filling the same niche so i think we’ll have to work extra hard to stand out from them.”
what does your group have that gives you a unique claim to winning the show
“i think a lot of people might underestimate us, because our breakthrough has been so recent.” not like they had been doing this for over a decade but whatever not like yena was bitter about that. or maybe a little bit. “we might not have the kind of fandom power backing us up that some other groups do bjt they should be warned.” she clenched her fist, holding it up and shaking it at the camera like she was challenging the other groups playfully. “calypso has proven that we can sway the hearts of the general public. i think with our charms we can win over the most loyal of fans.”
what do you hope to show through crowned?
“i want to prove that calypso is more than a viral succes or a one hit wonder.” but would they get to? yena could only hope so. “we might have taken a long time to make it big but we have our loyal fans that have been with us through everything by our side and the general public, i think that makes us strong contenders.” yeah, those 5 fans and the public for as long as it would last before they would inevitably lose interest in them again. “i want to prove that calypso has longevity and that we have much to show still.”
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testudoaubrei-blog · 3 years
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Well, it’s not quite a master’s thesis, but this is (the first of) a series of posts on why Catra and Adora are the best love story in the history of kids TV animation and maybe the greatest love story in the history of TV. This may in some ways be faint praise - romance on TV is generally not very good compared with books or movies. Often it’s just some will they/won’t they sexual tension that is defused by getting characters together and re-heightened by breaking them up. TV is full of nearly shark jumping pointless dramas like Sam and Diane (Cheers, holy fuck am I dating myself, though that was technically before my time), Ross and Rachel (Friends, which was no Cheers) etc, but also some less annoying couples like Ben and Leslie (Parks and Rec) or Amy and Jake (Bk99) who are mostly just kind of cute and fun. Other shows, like the X-Files, teased viewers for years with unresolved sexual tension. In kids shows most romances are, appropriate for their target viewers, mild, sweet relationships based more on self-conscious flirting and blushing than on complex and conflicted feelings or deep passions - which is pretty realistic when the characters are young teens or even mid-teens. Some of these relationships are really well done - Finn and Flame Princess, Dipper and Pacifica (yeah I ship them), the early stages of Katara and Aang (before the showrunners imbued this childhood crush with cosmic significance), Steven and Connie, etc. Catra and Adora, though, are different. Their love story is not a side plot or a sub plot, it’s the heart of the show. It isn’t a childhood crush, it’s a very messy and passionate relationship between two young adults. She-Ra is an emotionally complex lesbian romance just as much as it is a thrilling action/adventure show. Everything about their relationship is baked into the show’s plot, its themes, hell even its musical score. The dramatic tension between Catra and Adora is not the result of stretching out a flirtation for ratings, but a coherent dramatic arc that runs through the entire show. As Noelle said, he made Catradora so central that execs couldn’t take it out without ruining the show. And the show is better for it. In this series of posts I’m going to try to show why, as well as showing why She-Ra is such a fantastic love story.
First off, let’s talk about how Catra and Adora’s character arcs are foils for each other, and how they come together and apart through the series. This is actually a post that I’ve been working on for a while but I keep summarizing the show rather than cutting to the chase, so I’m not going to recite many plot points so much as sketch out what’s going on with the dramatic structure at the time. But also, let’s talk about what each character’s arc is saying, and how they are commenting on each other. Spoiler alert: Catra’s arc is a subversion and critique of stories of empowerment through ruthless self-assertion and revenge, while Adora’s arc is a subversion and critique of chosen one narratives and stories of self-denial and self-transcendence.
When the show starts, Adora and Catra are shown as rivals and friends - their first scene starts the recurring motif of them reaching out for each other as one of them dangles above an abyss, as well as establishing their flirtatious banter and easy camaraderie. We quickly learn that these two young women plan to conquer the world together. These scenes and later flashbacks show Catra and Adora as deeply enmeshed in each others lives, to the point where neither of them (but especially Catra) have clear identities outside of one another. There is so much genuine love on both sides before Adora leaves, but also resentment, envy and fear, especially on Catra’s side, as well as a protectiveness on Adora’s side that deprives Catra of her autonomy. They are both being abused by Shadow Weaver - Catra physically  and emotionally, Adora emotionally. It wouldn’t be too much to say that Shadow Weaver holds Catra hostage to control Adora (this is why critiques that Adora abandoned Catra to be abused are actually kind of messed up, since they accept Shadow Weaver’s premise that Adora is responsible for what Shadow Weaver does to Catra). In addition, Catra and Adora actually see the world incredibly differently. Adora already sees the world in terms of right, wrong and her destiny to right wrongs - this is why it’s important for her  to accept the Horde’s obvious lies - she couldn’t keep living if she didn’t. Catra, on the other hand, sees the world solely in terms of survival and personal loyalty - everything for her is about preserving herself and the person she cares about - Adora.
Then, when Adora finds the sword, she leaves because it’s the right thing to do. Catra doesn’t even have a concept of ‘the right thing to do’ being something she should care about, or perhaps, something she can care about as an irredeemably evil, awful fuck-up. So at Thaymor neither one understands where the other is coming from, and Catra and Adora begin to part. This is the first turning point in their relationship. Adora chooses duty over what she desires, Catra chooses to protect herself (such as she sees it) and nurse her sense of betrayal and abandonment.
Their relationship until Promise is a kind of weird Frenemy thing that is fascinating to watch and sold me on the show. Neither one wants to fully admit to themselves that the other is now their enemy, neither one has given up on changing the other’s mind. Each is furious at the other, and desperate to see her again at the same time. There’s a lot of heartache and just as much sexual tension, especially at Princess Prom. Both of them come alive when they fight each other (more about that in a later post). But they’re already growing apart - Adora embracing her destiny as She-Ra, Catra rising in the ranks for the Horde. Adora now has the purpose she always wanted, plus other friends and a sense of being chosen to do something great, while Catra now has power - the means to protect herself from people like Shadow Weaver as well as the vindication she had always been denied, and even the opportunity to beat Shadow Weaver at her own game.
The next turning point is Promise. Holy fuck, this episode. It’s an episode that is even more heartbreaking after you’ve watched the show because you know just how much worse things are going to get, and yet, it’s a necessary part of both of their character arcs. Even through season 1 Catra and Adora had remained very much enmeshed in each others lives in an increasingly fucked up way as they grew apart but refused to turn away from each other. Even though they aren’t -exactly- a romantic couple (Adora doesn’t recognize and acknowledge her feelings until the last episode of Season 5), Season 1 of She-Ra is one of the worst breakups I have seen on TV. As I said in a couple of previous posts, this is the kind of shit that the Mountain Goats write songs about. Everything that was poisoning their love for each other even before episode 1 bubbles to the surface and combines with them fighting on opposite sides of the war to make a truly fucked up situation. In the end, it’s Catra that makes the choice to turn away from Adora. This isn’t a -good- decision. It’s spiteful, and destructive, and based on an outright deluded understanding of their relationship (inspired by Light Hope’s manipulations and her own issues), but it’s in some ways a necessary decision. Catra has been so wrapped up in Adora for so long that she isn’t going to be able to figure out who -she- is without cutting Adora out of her life. And the same is true of Adora.
But each of them do this in about the worst way possible. Catra embraces destruction, ambition, manipulation and outright cruelty, turning the tactics of her abusers against them and against everyone around her. She first triumphs over Shadow Weaver and manipulates Entrapta into trying to corrupt Etheria itself. Meanwhile Adora ‘lets go’ and commits herself to the self-denying mantle of She-Ra. Over the next several seasons, their respective paths will nearly lead both Catra and Adora to their deaths (in the Season 4 finale).
For the next season (counting season 2 and 3 as one) Catra and Adora are still closely linked, but as enemies. Still, there’s more than enough flirtation between them (that ‘Hey Catra’ in the first episode of Season 2 is something else), and especially on Adora’s side we see her hold back with Catra, and often take responsibility for the harm Catra inflicts, just like she had when they were kids. Yet they still drift apart - after facing off every other episode in Season 1, they spend less and less time on screen together through season 2 and 3. Catra continues her ascent to power and descent into villainy while Adora becomes more of a stressed out mess as she takes the fate of the world and the wellbeing of everyone she cares about on her admittedly broad shoulders. Catra’s one moment of vulnerability is rewarded by Shadow Weaver’s betrayal and her exile, then Catra triumphs in ruthless badass fashion through sheer desperation and aggression. In the Crimson Wastes, we see Catra at her most independent, and she almost seems happy. But once Adora shows up and Catra hears about Shadow Weaver, she’s sucked back into the worst of her resentments, and she makes very clear that being happy is less important to her than making sure Adora is miserable.
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This changes everything. Catra completely breaks with reality and tries to kill Adora, herself and the world rather than lose to Adora and Shadow Weaver (I do think it’s important to remember that she does that after Shadow Weaver nearly kills her). Catra betrays everyone around her when she exiles Entrapta, threatens Scopria and lies to Hordak. Then she flips the switch. When Adora tries to fix things, Catra fights to her own death to make sure that the world disintegrates with her. For her part, Adora fights first to understand what is wrong with the world and then to fix it. Finally she tells Catra that destroying the world is her choice and she has to live with it, decks her, and then sees her off with a death glare once the portal is closed. With this, Adora writes Catra off even if, as she says later, she never never hated her. By doing that, Adora casts off the guilt that had dogged her and takes responsibility for her own life rather than someone else’s - this is actually a huge step for her, and one that will become more important in Season 4.
Season 4 is in many ways the nadir of their relationship. They only see each other once during the entire season, in Fluterrina, when Adora tries to blast Catra, much to the latter’s shock. There’s a sense in that scene that Catra is trying to have the same flirtatious enmity she used to have with Adora, and Adora is having none of it. Catra almost seems hurt by this, which is an early hint at how isolated Catra is beginning to feel. Catra spends the rest of the season at her highest and lowest. On the one hand she spends most of 12 episodes winning by every standard she has ever claimed to care about, besting Hordak himself in single combat and making herself co-ruler of the Horde and coming within a day’s march of ending the Rebellion. In many ways it is the ultimate empowerment fantasy - the abused young woman has defeated her abusers, showed up everyone who doubted her and forced everyone to respect her. But I think it’s striking that the show starts with her and Adora dreaming of conquering the world together and in Season 4 Catra nearly succeeds in conquering it alone, almost like she was trying to live out her old shared fantasy while proving she didn’t need her former best friend. 
At the same time, Catra is clearly miserable. She’s always been unhappy, but in Season 4 we see her completely isolated and lying to herself and everyone who will listen in a desperate attempt to justify her actions. Turning the tactics of Hordak and Shadow Weaver against them to gain power and then against Scorpia and Entrapta to maintain it haven’t vindicated Catra, they’ve made her more and more alone as Entrapta is exiled and Scorpia drifts away. Meanwhile Catra reaches out to Double Trouble, and her interactions with them reek of a kind of desperate desire to have someone in her life (the feeling of their interaction is of an unhealthy casual relationship where one partner becomes emotionally invested and the other takes advantage of that while denying the other the closeness they desire). As people leave her, one after the other, it becomes clearer and clearer that Catra doesn’t want power at all - she wants connection, friendship, love, and power is a very poor replacement. As I said in my long Catra rant, Season 4 is both her ‘Walter White as a Catgirl’ season and the beginning of her redemption. Everything comes to head when Sparkles destroys everything Catra has tried to achieve, Double Trouble delivers those harsh truths and Horde Prime shows up and makes it all irrelevant, just highlighting how futile all her struggles and sacrifices and crimes have been.
Meanwhile Adora spends Season 4 becoming her own her and her own woman. After telling off Catra, she grows more and more disillusioned with Light Hope and critical of Glimmer (though the latter has more than a shade of her old habit of taking responsibility for others - Adora’s development is not linear). She’s gained the courage and confidence to strike out her own path, not just follow a destiny. At the season’s end she once again breaks with her best friend to do what is right, and discards the destiny that she was being prepared for. But in this case she isn’t chasing one packaged destiny for another, instead she’s making her own choice and literally shattering the thing that she thought gave her life purpose. It’s badass, and heartbreaking, and along with decking Catra and jumping after Catra into the abyss (see below) it’s the perfect Adora moment.
In many ways Season 5 starts with Catra and Adora farther apart than they have ever been. They aren’t even enemies anymore, they’re completely out of each other’s lives. And both Catra and Adora are lost at the beginning of Season 5 - Catra is useless and alone on Prime’s ship, completely defeated despite ostensibly being on the winning side, and she goes through the motions of her normal plotting without any particular conviction and none of her normal flair. Meanwhile Adora is even more miserable and self-destructive than usual, throwing herself at Horde Bots and working herself until she drops of exhaustion. In a very real way they both stay lost until they have a chance to help the other. Catra takes responsibility for what she’s done and what she can do, saves Glimmer (at least partly for Adora’s sake), apologizes to Adora, and sacrifices herself. Adora only seems to come alive when she decides to turn around, face Prime, and save the cat. And when she does, Catra and Adora’s arcs, which had separated so completely in season 4, come crashing back together to end the series.
Adora during Save the Cat is such a contrast with the uncertain, hesitant and self-destructive wreck we’ve seen so far in Season 5. This is possibly her craziest plan in 3 years of mostly cazy plans, but she never wavers or questions herself. Even when Chipped Catra appears and we see Adora’s heart break while we watch, Adora doesn’t back down or relent. She keeps at it even as the tears stream down her face. She fights better trying to save Catra without She-Ra’s powers than she fought at the Battle of Bright Moon with them. Catra’s just about as desperate - we see her cry and plead, and now is probably as good a time to any to point out how amazing a job both VAs did throughout the show, but especially in this episode, and how good a job the board artists did. 
Seeing each other for the first time in a year, and only the second time since Catra blew everything up, Catra and Adora are probably the rawest and least restrained we’ve ever seen them. There’s barely any banter, no bravado, and no pretense that they are anything other than two women who desperately need each other (Prime doesn’t help with ‘You broke my heart’.) Then Catra is flung to her death, Adora jumps after her, breaks both her legs in the fall (we see her crawl to Catra, as though she couldn’t walk) and becomes the real She-Ra. It’s such a triumphant and deeply queer moment seeing a woman transformed into a warrior goddess to protect the woman she loves, and it’s the reason that, as dark as it is, Save the Cat is my Comfort Food episode.
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Let’s not sleep on Taking Control, though. This episode is like a microcosm of what this show does best, especially the A plot with Catra and Adora. Catra’s reversion to lashing out at everyone and her refusal to be open to Adora shows just how much of a struggle this whole ‘being good and trying to connect to people’ thing is. Catra’s outburst gives Adora a chance to stand up for herself and refuse to be Catra’s punching bag, while also not trying to control her. Adora’s ultimatum gives Catra a chance to reach out to Adora (quite literally), and allow herself to be vulnerable. In this episode, we see just how far Catra and Adora have come since the messed up stew of their relationship in Season 1. Adora lets Catra be responsible for her own actions; Catra lets herself be vulnerable to Adora and takes responsibility for her actions. They’re both better people and better friends and better partners than they were, and the show has shown this in a strikingly nuanced and realistic way. 
The important thing to note in the next few episodes of Season 5 isn’t just how much closer Catra and Adora get to each other and how much they flirt (So much. So much, y’all) but just how -happy- they are. We see both of them transformed in the other’s presence. Basically, since they’ve parted, both Catra and Adora have been defined in no small part by how miserable they often are. They have both had their triumphs and their lighter moments, but there’s been a sense of melancholy dogging both Catra and Adora since episode 1. And now that they’re together again, that lifts, somewhat. Catra’s verbal barbs have lost their venom, and she can openly show how much she cares for Adora and even Bow and Glimmer. She’s still herself - snarky, cynical, somewhat devious - but she’s not engaged in a self-destructive zero-sum struggle with everyone around her. Meanwhile Adora has spent 4 seasons being a neurotic and sometimes nearly joyless mess who takes responsibility for everything and often doesn’t let herself enjoy anything other than the odd BFS group hug (exceptions include trying to uh...impress Huntara and reveling with the butterfly ladies of Elberron in Flutterina).  Around Catra, though, she’s a cocky, swaggering jock who gives as good as she gets. It’s a side of Adora we’ve only seen hints of before, and one that’s so much more confident and joyful even as the world is ending around her. Apart, Catra had tried to protect and vindicate herself with power and conquest, while Adora had tried to forget herself in duty and sacrifice. Together, they can be themselves again. This dynamic is crucial to the show’s portrayal of Catra and Adora’s romance because it doesn’t just show how much they love each other, but how they’re -good- for each other now that they’ve grown as people, and that they are so much better than they were when they were apart.
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Until Shadow Weaver shows up. Their old abuser reintroduces tensions but even then things are different than they were. Now Catra isn’t just resentful of how Shadow Weaver prefers Adora - she’s  protective of Adora, which is clearest in Failsafe when she calls Shadow Weaver out for being willing to sacrifice Adora. And while Adora takes the Failsafe, it isn’t to follow her destiny or because she has a death wish - it’s because she loves her friends, and she is the only one who has any hope of doing this and living (though Catra’s suggestion that Shadow Weaver take it is a good one). And finally, when Catra leaves Adora, it isn’t because she hates Adora, nor, despite what she says, is it because she really thinks that Adora chose Shadow Weaver. At least, not exactly. It’s because Catra loves Adora, and can admit that to herself, and can’t stay around and watch the woman she loves sacrifice herself rather than choosing Catra. Before Catra leaves, she asks Adora ‘What do you want?” It’s a question that echoes Shadow Weaver’s speech in Episode 1: ‘isn’t this what you always wanted since you could want anything?’ As much as Adora has grown as a person, and defined herself and stood up for what she thinks is right, she still has never answered that question - it’s never been ‘what do I want’ but ‘what do I have to do?’ and that’s how Adora answers Catra’s question. This is Adora’s last gasp as a self-transcending hero, letting go of what she wants (not that she ever dared articulate what that was) in order to do what must be done. And it nearly kills her and dooms the universe, because Adora can’t be the hero that she needs to be by being anyone less than herself.
But it’s losing Catra that inspires Adora to tell off Shadow Weaver for good (not that she’d ever really warmed to her after season 1). And it’s love for Adora that inspires Catra to stand up to Shadow Weaver and demand that she do the right thing. In both cases, Catra and Adora aren’t just standing up to their abuser, but holding her to account for the harm she’s caused, and it’s the love that they have for each other that inspires them to do this. In Catra’s case in particular her refusal to let Shadow Weaver weasel out of finding Adora is a much greater triumph over Shadow Weaver than beating her up and breaking her mask in Season 1 - it’s proof not so much to Shadow Weaver but to Catra herself that Catra really is better than this and that she deserves better than this. It’s not turning her abuser’s tactics against her, but truly holding her to a moral standard and demanding that she do the right thing.
And then there’s Catra and Adora together at the heart. Catra has already come back for Adora and stayed to the end, choosing to die with her even if she can’t share a life together (not out of some death wish, but because Adora needs her). And Adora, who’s been avoiding answering the question for three fucking years, finally let’s herself want Catra when Catra finally confesses her love (breaking the last of her self-protective shields) and asks Adora to stay -for her-. And by admitting what she wants, Adora can truly be at peace with herself and be the hero she needs to be, lesbianism saves the universe, The End.
So anyway, that’s how Catra and Adora’s stories are woven together and how they compliment and comment on each other. Narrativiely, Adora and Catra start together, come apart, find something of themselves, and truly find themselves and each other when they are reunited. Thematically, they are critiquing seemingly opposing narrative tropes - empowerment narratives and narratives of self sacrifice. But by showing the flaws in both types of story and showing how neither self-seeking empowerment nor self-negating self sacrifice can actually make us happy, She-Ra asks and answers more profound questions than most prestige dramas for adults do. I’ll get into how the show sells the idea that the power of love can bring us happiness (and save the world) in a future post. But next up, I’m going to celebrate just how much Catra and Adora’s relationship revels in ambiguity, complexity and contradiction and so tells a grown up love story in a kid’s show.
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songbirdstyles · 4 years
Text
screw my brain (’till it hurts)
summary: you and harry are spies on an assignment to pretend to be a married couple in order to take down a drug trafficking ring. the only problem? you two can’t stand each other.
warnings: smut (18+), hate sex, knifeplay, breathplay (choking), slapping, fingering, phone sex (sort of); enemies to lovers, one bed, fake dating 
song inspo.: death on two legs (dedicated to ...) - queen / back chat - queen / you’re so vain - carly simon
word count: 19.5k 
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You can practically feel Harry’s anger simmering beside you, and you’re tired of it.
He’s been acting like a child since you got on the plane, his eyes narrowed and venomous and steam practically blowing out of his ears as though he’s on the verge of throwing a temper tantrum, and you’re sure if looks could kill you’d be dead a million times over again from all the staredowns he’d been trying to initiate. And you’re used to this, for the most part, but it doesn’t make you feel any less annoyed as he huffs beside you, flicking through the file on his lap.
And - look. You don’t like Harry. You can hardly even tolerate him, most of the time, and the only times you manage to be near him without gagging is when you’re on missions. Usually he’s the same way, pushing aside the mutual disdain you’ve shared from day fucking one when there’s goals to be accomplished and targets to take down but he’s just sitting here like an angry log, thumbing noisily through papers as you swipe through your phone.
He’s looking for attention, Mark would tell you - your boss is the epitome of coolness, desperate for you and Harry to get along because of his tendency to force you together on missions - and that is true. You’re just as pissed as he is and you aren’t making a show of it. No, he’s an attention seeking crybaby, and you won’t give him what he craves. Won’t even look at him.
The plane dips a bit, then, and your stomach lurches, grabbing at the armrest in between you two where Harry’s elbow rests, and he jerks it into his side as though you’d burned him. You scoff, then, the pretense of faking casualness abandoned as fast as you’d stuck to it, and you can sense him rolling his eyes at the noise.
“For Fuck’s sake,” you huff, leaning to the side so you can stare at him as you roll your eyes pointedly, and he mimics the movement. “What are you so whiny about?”
“M’not whiny,” Harry insists in a tone that’s strikingly similar to the whine he claims he doesn’t have, and you sigh before reaching over, snatching the file off of his lap. “Hey - I was readin’ that!”
“Really?” you inquire, shifting so your back is to the man next to you and he can’t read the words on the page you’re squinting at. “Could’ve fooled me. Thought you were just sitting there huffing and rolling your eyes like a baby.” After a moment where he doesn’t respond, you risk a glance backwards and are met with the back of his head full of curls as he stares out the window at the passing sunset as you whiz through the sky. “What’s got your knickers in a twist, hmm? Did Mark not put enough into the budget for hair gel and dirty shoes?”
“Oh, shut up,” he says in a wildly mature way of response, and you can hardly resist the urge to smirk at it. “F’the record, m’mad that I have t’do another mission with you.”
You nod, trailing your finger along the line of words detailing aspects about the target you know you’ll have to utilize later - he has four cats. He and his wife are on the brink of divorce. He has two daughters, and he doesn’t speak to either of them. His name is Vincent Carfield, and, boy, does he sound like a real catch - you’re so focused on reading about him that you hardly register that Harry’s started speaking again.
“Wish Mark would realize m’good enough to do shit like this on my own. Don’t need you t’come around an’ pretend to be my - my girlfriend. S’stupid.”
“Well, if you were good enough, I would be at home with cucumbers on my eyes right now instead of reading about the leader of a drug trafficking ring -”
“God, you’re a bitch -”
“And you’re an asshole -”
“Fuck you - m’calling Mark.”
You snort, leaning back in your seat as Harry fumbles in his bag at his feet for his tablet, and he shakily sets it up on his lap, tapping through the screen until he gets to the FaceTime app. “Real mature, Har, going to tattle to Mark.”
“God, not everything’s about you, narcissist - half hour out, need a debrief.”
You crane your neck to lean in front of him and look out the window, and - sure enough - you can already tell that you’re getting closer, plane dipping slowly lower and it wouldn’t be perceptible to you if he hadn’t told you. Harry’s always been a tad bit more observant than you, though you wouldn’t confess that to him if your life depended on it.
Mark answers Harry’s call within mere seconds - he’s always on high alert when you guys call, especially when you’re off on missions together - part of you suspects he’s always waiting for a call that one of you killed the other. “Hello, lovebirds,” he chirps, the pure image of relaxation as he adjusts his tie, shifting in his seat - you and Harry both roll your eyes at his nickname for the pair of you. “Surprised to see you haven’t clawed each other’s eyes out.” “Wish I did,” you mutter beneath your breath, and Harry glares at you out of the corner of his eye.
“Anyway,” Mark says, and you know he heard what you said judging from the ghost of a smile on his pale face, but he brushes past it. “When you land, you’ll have around an hour to get settled into the hotel before dinner. I’ve sent you the address to the restaurant - the target is eating there with his wife, most likely to discuss their divorce, so he’ll be feeling vulnerable and insecure -” “And that’s where I come in,” you finish, trailing your nail across the fine printed page which holds the plans the three had deliberated over for two weeks prior - compared to most of your missions it was an extraordinarily short amount of time to plan but none of you could foresee this one going anything other than disgustingly easy. If you pull through, you could be home by the end of the weekend.
“And that’s where you come in,” Mark affirms, thick rimmed glasses mirroring the image of you and Harry that he’s seeing on his screen. “Find any way to touch him - pretend to trip - and plant the audio tracker on his jacket.” You nod, and Harry drops his head against the seat with a soft sigh that nearly makes you turn and throttle him but you hold back, fingers tensing as though itching for a throat to grab. “Then you guys go back to the hotel, hold back from slaughtering each other, and listen in - he’s staying at the room next to yours.”
If this situation were occurring a year ago in your first few weeks of working as a spy perhaps you’d marvel at the seeming coincidence of Mark just happening to get you a hotel room right next to your target - but your one-year anniversary working has just come up and, as it so happens, you know he can make just about anything happen by pulling the right strings. And staying in the same hotel, on the same floor, is the perfect talking point for dinner - you’re already storing it in the back of your mind to bring up in conversation when you manage to get the tracker on his jacket -
“ - and, look, guys, I know you don’t particularly like each other,” Mark is saying when your attention snaps back to him, and Harry snorts. It’s the understatement of the century - you almost want to laugh with him. “It’s just really important that you sell yourselves as a couple. I don’t care what you have to do - share a drink or hold hands - but he needs to see you as a couple. All of his mistresses have been seemingly happily married - he’ll be more inclined to get closer with ____ if he sees you’re in a good relationship. Then, Harry, of course, can explore his hotel room - snuff out anything suspicious.”
You nod but Harry seems less convinced - his brow arches as his arms cross over his chest, and you glance over at him with confusion written over your features. “M’confused,” he says, and you raise your eyebrows. “She’s gonna fu - have an affair wit’ him, then?”
God, we fucking talked about this, you want to shout at him, to shake his shoulders until he’s dizzy. If you paid attention while we planned instead of sitting there whining that you don’t go on missions by yourself because nobody goes on missions by themselves unless they’ve been here for nearly 10 years and you’ve barely scraped three -
Mark is more patient. He just shrugs, fingers tapping away at the keyboard connecting to his screen. “Maybe - maybe not. Depends how vulnerable she can get him without resorting to sexual means.”
“Don’t think I’ll have a problem with that,” you can’t resist saying, popping the ‘p’ in problem as you smugly smirk, scratching your nails against the smooth paper you’d been reading as Harry glares at you, seemingly affronted. “Only had to resort to getting down and dirty with a target once - that asshole mob boss - everyone else is just dying to tell me their juicy little secrets. Guess it’s a perk at being good at what you do, right, Har?”
“Oh, you’re such a -”
“Children, children,” Mark interrupts the beginning of Harry’s speech about what a cunt you are, holding up his age-worn palms with mock exasperation as he stares the two of you down. “Stay civil. I’ve just booked your reservation at this Italian restaurant called Fucina’s - it’s for 7, under Mr. and Mrs. James Robinson. Vincent Carfield and his wife have a reservation for 7:30 but have a tendency to arrive early. They requested seating in a more private area, as did I, so you should be able to hear their conversations -”
The conversation rolls on for another few minutes until the pilot announces that you’re landing in ten, and that’s Mark’s cue to sign off - with a fleeting inquiry about any questions the pair of you may have he’s gone, wishing you good luck and making you promise to call him after dinner once you’ve set up the tracker and begun listening to your mark. You don’t suspect you’ll forget to - you and Harry generally can’t be in an enclosed environment together for too long without having overwhelming desires to take each other out, and Mark balances you out. Eases the two of you, calms you down, even when you’re so angry at Harry you want nothing more than to stamp your feet on the ground and scream.
It’s how you feel now, a bit, as Harry shuts his tablet and shoves it back into his bag with a dramatic huff after Mark has signed off. He’s angry about something again, surely relating to you and the mission and how he constantly feels snubbed by Mark but, truthfully, as the plane dips lower and lower to the Earth, you find that you really, really, don’t care.
 ~~
 The hotel room is, for all intents and purposes, fairly large. It’s nicer than a significant portion of the ones you two inhabit on missions and you should be grateful, toeing off your boots in the entrance of the suite, that it has a functioning kitchen and a bathroom with a door that closes and an L shaped couch facing the television (based on the description of the suite Mark had sent), but your mood has been entirely soured by Harry’s sore attitude during the drive from the airport to the hotel.
He drops his suitcase against the carpeted ground of the entrance, and it slams onto the ground so close to your sock-covered toes that you jump back, glaring at him as he pointedly ignores you and descends further into the hotel room, peeking his curly head into the kitchen and the bathroom. You watch him as you rest your suitcase against the wall, nudging his closer to the wall with your foot before following him, already tugging your phone out of the back pocket of your jeans to check for any new texts from your boss when -
“You’ve got t’be fucking kidding me.”
You arch your eyebrows, tilting your phone into your chest as you turn the corner into the main living area. And it’s nice, eyes wandering over the couch that Mark had told you about, and the TV mounted to the wall with a Roku connected to it that you’re sure you’ll take advantage of later tonight. The carpet is soft beneath your feet even through your socks, and the bed is nicely made, pillows fluffy and looking soft -
Bed.
Shit.
What a bastard, Mark is - booking a room with only one bed? And not even telling you two about it? God, you could kill him. You really could, and you will, as soon as you get back to headquarters and see his stupid bald head in person - you’ll throttle him. Or shoot him. Hell, you’ll even stab him.
“You’re taking the couch,” you tell Harry, and before he can protest you take a running start to leap onto the bed, plopping onto your back and tucking your arms beneath your scalp. “Looks real comfy, doesn’t it? The bed - not the couch. Couch looks like it’ll kill your back.”
“Oh, fuck you,” Harry practically snarls, voice all venom and teeth, and he sits at the edge of the bed anyway, hands going up to loosen at the black tie wrapped tight around his neck. “So entitled - I’ll take the fucking bed. Been here longer than you, y’know - just ‘cause y’like t’act like you’re so good -”
“And yet,” you interrupt, bringing your foot up to kick at his side, and he turns around and glares at you, “I’m the one getting put on assignments with you, even though I’ve hardly been here a year. Oh, yeah, what’s that Mark told us? I was put on duty the quickest than anyone else after finishing my assignments?” You screw up your eyes as though trying to fact check yourself before nodding, smiling at the positively hateful expression on your partner’s face. “Guess I am good.”
He opens his mouth to reply and perhaps he assumes better of it - he simply rolls his eyes, pulling his tie off of his neck and dropping it on the ground beside him. For a moment you simply stare at him as he peels his jacket off, littering it on the floor in a similar fashion as his tie, until he’s merely donning a white button down and his black dress pants, hair messy and face light red. 
Sometimes you do that - you watch him - because it’s nice to see him look so peaceful and silent when you’re used to spewing hatred back and forth. You could even be into him if he kept his mouth taped shut and promised to never make a single noise, but he would never comply with it - and you’re sure you’d find a reason to get pissed off at him if he didn’t speak.
You hadn’t realized how long you’d been staring at him until he turns around, and your gazes lock, and you lift your eyebrows.
“Don’t stare at me,” Harry demands, backing up on the bed until his head rests on the pillow beside you - you turn your head to stare at him, affronted. “Told you - m’taking the bed. An’ m’gonna take a nap f’a half hour- already set the timer on m’phone - so you can either take the couch or sit here right beside me.”
You push yourself onto your elbows, glaring down at the man beside you who closes his eyes (rather smugly, you’ll add) and mimics your own previous position, arms tucked beside his head. “You dickhead.”
“Mhm.”
“I’m not moving.”
“Fine by me.”
“I’m gonna nap too -”
“Go ahead -”
“And I stretch out a lot when I sleep.”
“How ever will I handle it?”
You’ve seem to run out of responses, furrowing your eyebrows as Harry’s face settles into an expression of slight comfort and you wonder if he really has gone to bed, resting in the button down shirt and dress pants that he’s always itching to get out of at the end of the day. You’ve had to watch him undress with absolutely no shame in front of your far too many times for comfort, shoved into small hotel rooms together but at least they had two beds - you can hardly control your heart rate as you stare down at him.
(Because you’re angry, of course. Whenever he’s acting like a dumbass your heartbeat quickens to match the pace of a fucking freight train, and that’s nearly every time you’ve ever had to talk to him.)
After a moment you rest back on the bed beside him, head dangerously close to the center of the two pillows where you can feel Harry’s curls, spread upon his pillows, brushing against the sides of your temples. With every feel of his hair against your skin you feel your anger rising, and you exhale softly, pressing your palms to the top of your stomach as you listen to his steady breathing beside you.
He sounds too peaceful.
You wait nearly ten minutes before beginning your plan of attack, not nearly as meticulously planned as the ones you and Harry will employ later - you slowly begin to spread your legs out, feeling your calf brush against his foot, and your arms follow in a similar pattern. They stretch outwards, forearm thrown across his neck, and you can feel his Adam’s apple bobbing against your skin but he doesn’t take the bait - doesn’t even move a muscle, and you can feel his even breathing against your arm.
For a second you wonder if he really is asleep. You’d be surprised.
It’s uncomfortable sleeping on your back and that’s your justification for rolling over onto your stomach, body halfway on top of Harry’s, chest pressed against his and face buried into the pillow beside him so your nose presses into his hair, softly inhaling the fruity shampoo he uses. Your arm lazily throws itself across his torso, leg nudging his until they fall off the bed, and he grunts.
“What th’fuck are y’doing?” Harry questions gruffly, voice just raspy enough to make you consider the very real possibility that he truly had fallen asleep, and you don’t respond. “Get off me, dumbass - tryin’ t’sleep.”
You remain silent. You work on steadying your breathing, faking sleep in the way that you’ve mastered over the past year (and a half, if you count the six months of training you’d done before beginning work) - on one of your earliest missions you’d pretended to be passed out in the back of a work party you’d seduced your way into with a tape recorder taped to your underboob and you’d been able to get enough recording of a conversation between two sleazy old men to support your hypothesis that their paper company was a front for a sex trafficking ring. You suspect this case should be likely the same, albeit easier and likely without the work party, and you’ll breeze through it like nobody’s business if it requires fake sleeping like you’re doing now.
“I know you’re not sleeping,” he correctly deduces, lifting his arm to slam it against your back entirely too hard and you nibble on your bottom lip to keep from making any type of noise at the slight pain the motion brings. “Get off me. Go t’the couch - stop being so stubborn.”
You mumble something incoherent under your breath, digging your face further into your pillow just to hear the way he hisses as you (un)intentionally tug at his hair. You feel his hands dig into your sides and before you can pull off of him he pushes you away with as much force as he can muster, and you’re send tossed to the other end of the bed, grappling at the duvet to stop yourself from slipping over the edge of the bed onto the carpet.
“Fuck,” you hiss, pushing yourself to sit out with your legs stuck straight out in front of you. With a glare directed towards the man opposite you you pull your legs back and push them towards him sharply, kicking him directly in his thigh, and his legs tumble off the bed, forcing him to sit up to maintain his balance. “Take that, dipshit.”
“Can’t you do better than that?” Harry questions, tone so mocking and condescending that you push yourself to his knees just as he rises to stand, the top button of his shirt mercifully coming undone, and you resist the urge to glance at it every so often. “C’mon, babe - if you’re gonna be a bitch -”
You push yourself to stand on top of the covers, taking a leap towards Harry where he stands on the other side of the bed, and your legs hook around his torso, effectively catching him by surprise as his hands immediately land on your waist, tugging you off of him and throwing you onto the bed with an ease that shouldn’t surprise you after this long of knowing him but it still knocks the breath out of you. His body hovers above you, pinning your arms above your head but you won’t have that - hook your legs around the back of his thighs and force him onto his back, throwing your legs over his torso as you mimic the position he’d trapped you in.
“1…” you begin counting tauntingly as you stare down at his face, reaching down to grab his wrists and hold them above his head, watching as he wriggles beneath you, his stomach tensing against your core. “2 … not even gonna put up a fight? What an agent you are -”
He practically growls at that, jerking his hands upward until they slip out of your grasp, nearly whacking you in the chin before he pushes himself up. You’re slammed into the headboard before you can even stop to think of your counterattack, back slamming into the wood as you drop your head forward to ensure you don’t knock your head into the wall, and Harry kneels in front of you with an exasperated, smug smirk, reaching up to press his forearm over your throat.
He’s not pressing hard - not enough to constrict your breathing at all, merely to hold your head in place - and after a second he begins counting just as you had - “1 … 2 … 3.”
You struggle uselessly against him until he reaches the final number, and a satisfied smile etches itself across his face before he pulls away, resting back on his knees to watch you huff before him before he begins crawling off the bed. “An’ I think that means that you, m’lady, have t’take the couch -”
You deliver one final swift kick to the back of Harry’s needs, and he tumbles off of the bed onto the ground with a cry, knees dropping onto the carpet and hands instinctively pressing to the wall he’d nearly slammed his head into. His position becomes one similar to a prayer, dropping his head forward against the wall with a dramatic groan.
“I won,” you tell him, flopping onto your back on the bed with a satisfied hum. “Get on the couch - reckon we still have a good 10 minutes left of our nap.”
Harry pushes himself to his feet in the blink of an eye, turning around with a look on his face that’s so serious you nearly want to double over in laughter, and as he plants his knees on the edge of the bed to resume the fight you’d had earlier, a sudden noise from the wall opposite your bed causes you to hold your palm out to him, effectively stopping him in his tracks.
“Shh!” you hiss, pushing yourself onto your elbows as Harry furrows his eyebrows, craning his neck towards the wall as though it’ll help him hear better. “D’you hear that?”
The two of you sit in silence for a moment, pondering the muffled noises coming from the hotel room next door. “Wha’?” Harry questions after a moment, voice hushed and soft, and you wait a moment before responding.
“The shower -” and, sure enough, just as the thought crosses your mind and the words leave your mouth you know that that’s the noise you’re hearing - the sound of water streaming onto the buff body of Vincent Carfield or perhaps his wife - “what time is it?”
“Uh -” Harry scrambles off the bed, digging through his backpack thrown on the ground until he can pull out his tablet, and the light shines on his face as he turns it on. “6:34.”
“Shit,” you hiss, rolling off the bed and practically darting out to the entrance hall where your suitcase rests against the wall, and you knock it to the ground and unzip it quickly. “Vincent’s already getting ready - we need to be at the restaurant soon. How fast can you get ready?”
“Pretty fast -” by the time Harry’s made his way into the entrance hall to dig through the suitcase he’d attempted to hit you with earlier you’ve peeled off your clothes, dropping them in a pile by your feet until you’re clad in only your bra and a pair of lace panties that leave entirely too little to the imagination, holster holding your knife firm against your thigh, and he freezes. “Christ. Can’t y’get a room f’that?”
“Oh, says the one who strips naked in the middle of the room every single night!” You shake your head, digging through your suitcase until you can find the black dress you’d packed specifically for dinner - it’s folded and mercifully wrinkle free, and you unzip the back to begin stepping into it. “Get ready. I’m going to do my makeup.”
“Make sure y’put a lot on - don’t wanna scare him off -”
“Shut up, Harry!”
 ~~
 Fucina’s is dark and fancy, with hosts dressed in all black and waitresses in a similar fashion. You would almost feel out of place, your arm hooked with Harry’s as you’re led through the main dining room towards the back where your table is, but it’s not any more elegant than any of the other expensive restaurants and galas the pair of you have infiltrated together, and with your tight dress and his suit, you look like exactly the couple to eat and afford a restaurant like this.
“The pasta’s $65,” Harry murmurs, trailing his fingertip down the laminated menu that you can hardly see in the dim light of the restaurant. You squint down at the page, bringing your head closer down to confirm that, yes, the fettuccine truly is that fucking expensive, and - not for the first time - you’re immensely grateful for the headquarters-mandated debit cards that you’ll use to pay for this. “Y’see that? The fettuccine?”
“Yeah,” you nod, though you’re not looking at the menu any longer - your eyes scan the restaurant behind Harry’s back, and of the three other tables in the private section Mark had requested for Mr. and Mrs. James Robinson to be in, none of them are occupied except yours. You and Harry had gotten there ten minutes late, much to Mark’s chagrin when you called him in the taxi, and the Carfields still hadn’t arrived. “Think I’m just gonna get a salad - not too hungry, anyway.”
“Me too.”
The conversation drains into a weird sort of silence - not awkward, and not malicious, either, as all of your silences usually are typically the result of one of you purposely ignoring the other. It’s harder to air out your disdain for each other when you’re supposed to be a couple that’s hopelessly in love in a high class restaurant, and you find that you don’t have much else to talk about with your partner besides discussing either the mission or whatever he’s doing that may be pissing you off at the moment -
He actually looks nice right now. Calm, collected - if you didn’t know better you’d say he looks like a pretty stand-up guy. The kind you’d take home to your mom.
“Why are y’lookin’ at me?” Harry questions, then, glancing up at you, and you internally curse at yourself - you always tend to forget how good he is at identifying someone staring at him. 
“Just thinking about how much I prefer you when you aren’t speaking,” you tell him, voice dropping lower as a host clad in black leads an older couple into the area, sitting them at a table towards the window as Harry rolls his eyes. You lift your water glass to your lips, taking a slow sip as you attempt to inconspicuously decipher if the couple is your target -
“You’re being so obvious,” Harry hisses, voice soft like a breath and yet still retaining all the venom his words always tend to hold. “Is it them?”
“No,” you decide, resting your glass back on your coaster as you slide your chair further into the table, foot accidentally kicking his ankle as you do - his face contorts in both annoyance and pain as he repeats the motion to you. “No - Carfield’s wife is young, isn’t she?”
“27.”
“Yeah.” The wife currently settling into her seat, draping her jacket over the back of her chair, is decidedly not 27 - add 50 years, or so. “Not them. They should be here soon, though.” 
“Good.”
In another moment your waitress has come to take your drink orders - you get a bottle of red wine just to hammer in the notion that you’re a young couple on a date night, even if you really prefer white wine, and you’re sure Harry would rather have a beer, but Mark always tells you to go for red when you’re out to dinner on missions. And - well - you’re not necessarily complaining. Wine is wine.
The wine arrives at your table with two tall glasses and Harry takes it to pour with a faux cheerful grin that has the waitress flushing in the dim light of the room - you tell yourself the tinge of jealousy at her clear adoration for the man currently uncorking the bottle to pour for you is simply because of how in character you are in terms of your fake marriage - and if you were someone else, perhaps you’d get angry at her for clearly flirting with Harry, though he doesn’t seem to notice.
Strange. You’d always taken him as the more observant one of the two of you, but he’s paying no mind to the waitress’s blushed face as he pours wine into your glass and she pulls out her notepad, ready to take your order.
“I’ll have the caesar salad, please, without chicken,” you tell her, giving a tight lipped grin as she scribbles it down onto her page. When Harry’s rested the bottle of wine back on the tablecloth-clad table, you reach over and rest your hand overtop of his, feeling his veins jump beneath your touch. “What about you, honey?”
If he’s confused, he doesn’t look it - just gives you a warm smile that feels entirely wrong coming from him, and the waitress looks positively affronted as he orders a large Mediterannean salad, and when she’s tucked her notebook back into the apron tied around her waist and left the private area, he furrows his eyebrows at you.
“Y’jealous?” Harry inquires, leaning his head in with a mocking grin that makes you roll your eyes, though you make no effort to move your hand from his - it looks better for appearances, anyway. “Never thought I’d see the day.”
“In your dreams,” you insist, straightening your posture once a different hostess leads a couple into the room. The man is old, bald head shining in the dim light and donning a suit jacket that clearly hasn’t been tailored to his proportions, and his wife is significantly younger, pale face flushed red and wearing a black dress that looks as though she’s attending a funeral - you suppose she is, to some degree, mourning her marriage, so perhaps it’s fitting.
Harry can tell by the way you straighten up that the new couple sitting at the table behind him is the Carfields. Vincent sits with his back to your table, his wife on the opposite side, and immediately they lean their heads together, surely speaking in hushed tones about - prenuptial agreements and custody of their two girls and the like.
You need to be a couple. Mark had insisted on it, that it’s the most important part for you to get closer to Vincent and make him susceptible to your manipulation - he needs to see you as some sort of forbidden fruit - a married woman with a seemingly happy husband. It’s a control thing for him, and one you need to play into if you want to take his drug ring down.
It would sound like an ambitious goal if you weren’t as confident in yourself and Harry - because even if you hate him, he’s a damn good agent.
Your eyes meet Harry’s across the table, and he raises an eyebrow. You nod, jerking your head up and down before wrapping your manicured fingers around the stem of your wine glass, lifting it up and giving your partner a soft smile - one that he’s rarely on the receiving end of, if you’re being truthful - and you nod your chin towards his glass. Harry follows your lead, lifting his glass and raising it to clink against yours.
“Cheers,” he murmurs, and both of you sip from your glasses before resting them back down on your coasters, the rim of your glass decorated with a generous pink stain from your lipstick. “Happy anniversary, honey.”
His voice raises in volume just a bit, and from the table behind him you can see tears fill Mrs. Carfield’s eyes at the sentiment of a happy couple, and Mr. Carfield’s head tilts to the side though you don’t watch him long enough to see if he’d heard Harry - you simply smile - lift your intertwined hands in the air and to anyone else in your private area you’re sure you simply look the perfect part of a happy couple, celebrating their marriage anniversary. Two years together. Mr. and Mrs. James Robinson have been married for longer than you’ve known (and despised) Harry - surely there’s irony hidden in there, deep enough that you can’t see it.
It’s easier than you’d like to admit to fake a meaningful conversation with Harry. Mark generally gives the pair of you a list of things to talk about so people get the impression that you can tolerate each other but you typically don’t even need it - it’s easy enough to talk about your faux plans for the rest of your marriage.
It’s almost fun, even. Not in a way you’d expect - but it’s funny, talking about whatever the pair of you would imagine married couples would discuss - mortgages and trying for babies and politics - keeping your voices loud enough so the couple behind you can hear but quiet enough so it doesn’t seem intentional.
“D’you think we could turn the guest room into a nursery?” Harry inquires, lips quirking upwards as he lifts his wine to his lips, and you nibble on your bottom lip, pretending to contemplate the question.
“Of course,” you respond faux-thoughtfully, leaning forward just a bit, and his eyes flicker downwards for hardly a second before rising to meet your eyes again. “Or perhaps the office.”
“Yes, that’s a bit bigger,” he says seriously, and you nod, reaching for your glass of wine to take another small sip. It’s bitter and leaves a sour taste on your tongue, but you’re determined to drink the entire thing - it’ll soothe the nerves that you’re sure will arrive when it’s time to plant the bug on Mr. Carfield. You still haven’t figured out how you’ll manage to do it smoothly. “Then perhaps we could save the guest room for the second.”
You nod, hardly able to keep the small smile off your lips, and Harry leans forward, reaching for the stem of his glass - perhaps he miscalculates the force needed to pick up a glass, or maybe he’s beginning to feel the effects of the first glass of wine he’d downed - but his hand knocks into the glass, sending it toppling forward onto your arms, sticky red liquid coating your skin. You jerk your arms back as though he’d burned you, watching him hiss as he reaches for the glass before it can spill any further onto you or the white tablecloth now stained with redness.
You swallow the urge to snap at him - that’s counterproductive, and it’ll blow your cover - so you merely inhale, willing the anger down as you reach for your napkin to begin to mop up the mess. “Should watch what you’re doing, honey -”
“My bad, darling - didn’t mean to -”
And the moment of you beginning to like Harry is gone as fast as it had begun, feeling the simmering anger that’s ever-present beneath your skin already beginning to bubble into existence. He’s looking at you with his eyebrows raised as if this is your fault that he can’t control his own glass, like you’re the nuisance, and your desire to retort snarkily is thwarted only as Vincent Carfield’s head turns just slightly to the side, and you can see him and his wife watching the pair of you in what’s clearly an attempt to be subtle.
You rest your palms on the table as Harry sets his glass back on the coaster, and you can feel the similar waves of annoyance rolling off of him that you’re sure you’re mirroring. “I’m going to go clean myself up,” you tell him. “Excuse me for a moment, sweetheart.”
“Take your time, princess.”
You resist the urge to roll your eyes as you push your chair back with a tight lipped smile, standing up and resting your napkin on the table before your seat as you push past the table towards the bathroom you’d passed when your host had lead you to the table.
The restrooms are nicely decorated, with large mirrors and sinks and two singular stalls - entirely too fancy for the thoughts racing through your mind as you lean over the sink, turning the faucet on and shoving your sticky arms beneath the flow of warm water. You’d managed to clean most of the wine with your napkin but you still just need - perhaps just a moment to yourself, without Harry’s eyes piercing into you in a way that makes it impossible to feel like he doesn’t want to throttle you.
And you want to throttle him, too. That’s why your relationship works because it doesn’t, because you hate him as much as he hates you - and yet, while you were drinking wine and messing around and pretending to be a couple you didn’t hate him. Not even a bit -
Until he spilled the wine. It’s a forcible reminder of why you want to shave off all of his hair when he sleeps, sometimes.
The water has gone cold on your skin when you finally shut the faucet off, picking up a small stack of paper towels to dry off your arms. When you’ve chucked your trash in the wicker-basket garbage bin you take a moment to simply stare at yourself in the mirror, black dress hugging your body just enough to leave very little to the imagination - you adjust the fabric to hide the bulge where you have your knife holstered to your thigh. The cut of the dress dips low into your cleavage - and then you recall how Harry’s eyes had briefly dipped downwards when you’d been talking earlier -
A smile twitches at your lips. You’ll have to remember to use that one against him later.
Just before you turn to leave you pause - stick your hand down the front of your dress to the small audio device you’d hidden in your bra. The bug is small, barely the size of your pinky nail, one side sticky enough to hold onto Vincent Carfield’s tan suit jacket -
You hadn’t thought too much about how you’d manage to subtly get the device on him, but there’s no time like the present, is there?
You leave the bathroom, then - nearly run into your waitress as she stares down at her notepad, and you’re not sure if you’re imagining the dirty look she shoots you - and climb the two short steps it takes to get to the private area you’d been seated in. Harry’s back faces you, curls looking particularly messy and head dropped forward to surely stare at his phone, and you can see Vincent leaning in to talk to his wife with narrowed eyes and a hushed tone.
You inhale and begin your walk over to the table, heels clicking on the tiled floor, and Harry’s head tilts to the side as he hears you coming. Vincent’s eyes rise to meet yours just as your heel slides a bit on the floor and you slip forward right beside their table, and the plan falls into action just as you’d planned in the thirty second walk it had taken to get from the bathroom to here.
Vincent’s arm sticks out instinctively to catch you, wrapped around your stomach for just a moment too long as his other hand rests on your back, and you use the opportunity to reach up and grab his shoulder as a way to steady yourself. Harry jerks around in his seat to watch you, and the concern in his eyes almost makes you revive your brief moment of liking him but it’s overpowered by the pride you feel - if he can’t immediately snuff out that the fall was a fraud, then it had clearly looked realistic enough that the Carfields wouldn’t be able to tell, your hand with the bug pressing to his shoulder
Boom. Planted. Your grip presses the bug against the back of his shoulder as he helps you to your feet, and you pretend not to notice the way his eyes trail up your body - his poor wife looks affronted at the clear display of attraction.
“I’m so sorry, sir,” you apologize, trailing your finger down his arm as he drops his hands back to the table. “I’m so clumsy sometimes -”
“No worries,” he assures you, and perhaps he would seem like a kind, well-adjusted man if it weren’t for the way his eyes zero in on your chest like a magnet - Harry shifts in his seat, watching the two of you, and his wife picks up her glass of wine and downs it in one sip. “Always glad to help a pretty girl in need.”
A blush works its way up your cheeks and before you can flirt back - it raises bile in the back of your throat to do it - Harry intervenes, leaning forward with a goddamn award winning smile and absolutely stomping on your chance to ensure some sort of relationship with Mr. Carfield as he says, “Did she wrinkle your suit at all? We’ll get the laundry bill, if she did.”
You grind your teeth together through a smile as Vincent shakes his bald head, sending Harry a warm smile which your partner gladly reciprocates. “It’s fine - are the two of you married?”
Didn’t he hear you two loudly celebrating your anniversary? Perhaps he just needs to confirm it - nothing wrong with it - but, God, he’s forward.
“Yes, we are,” you reply, and you step away from Vincent to walk back to your table - Harry reaches for your hand and pulls you to him, and you suspect the motion would look awkward if done by anyone else but it feels entirely too natural for you to be bothered. “It’s our two year marriage anniversary, actually. That’s why we’re here - on vacation.”
“That’s lovely,” Vincent says, and his smile stretches wider until it makes you uncomfortable to look at so you busy yourself gazing down at Harry’s head as though you’re so smitten you can hardly stand to look away. Then he holds out his hand, and you grab it, letting him shake it vigorously before he moves towards Harry. “It’s Vincent Carfield,” he tells you both, and Harry jumps in to introduce yourselves by your false names. “How long are you here?” “Just th’weekend,” Harry responds, nodding as Vincent does. “We’re staying downtown.”
“Really?” Vincent leans forward, and you lean your body back just a bit - not enough for him to notice, thankfully. “What hotel?”
And Harry gives him the name and Vincent acts as though it’s the wildest coincidence in the world that you both happen to be staying at one of the nicest, most popular hotels in London but you’re glad he overreacts, in a way. It’s important to establish some sort of relation between the two of you and maybe this’ll make Vincent feel like he’s destined to start some sort of affair with you - sure, it’s stupid, but he’s insecure and you’re ‘married’ and that should make him feel a bit more in control, knowing there’s a man waiting for you when you’re with him.
The thought could nearly make you gag. You hope beyond hope that it doesn’t have to get to it - that maybe the two of you could just sit and talk while Harry searches his hotel room - but, judging from the way he’s practically salivating as he stares up at you, you don’t think that’ll be the case.
After another moment of chatter your waitress arrives with a large plate of salad in each hand - you let go of Harry’s hand with one last departing wink to Vincent Carfield as you walk around the table to your seat, pushing your seat into the table just as your salad is placed before you.
Vincent’s wife glares at you - you’d feel bad in any other scenario. But - hey - at least they’re getting divorced already.
You pick up your fork, stabbing into a crouton and a few pieces of iceberg lettuce, and you raise it to your mouth, chewing thoughtfully on your food as Harry mirrors your actions. The two of you eat in silence for a minute or two, and you occasionally lift your wine to take a sip - he hadn’t poured himself a new glass, for which you are extremely grateful - before he leans in, curls flopping around his ears in a way that would be adorable if you didn’t have any sort of niggling annoyance for him still lingering.
“Good job, Mrs. Robinson,” murmurs Harry into a forkful of lettuce before shoving it into his mouth, and you scrunch your nose at his sloppiness.
“It’s what I’m best at,” you respond in earnest, and you relish in the way he rolls his eyes.
 ~~
 Harry takes forever in the shower.
It’s an indisputable fact at this point and one you should have gotten used to but it never fails to amaze you as your fingers type away at the headquarters-issued laptop resting on the carpet in front of you. He’s already been in the bathroom for nearly 20 minutes - you can hear his music playing, old hippie music that’s always blaring from his earbuds on plane and car rides, and steam billows out of the crack in the bottom of the door - and you’ve been picking up where he left up setting up the audio transmitter you’d attached to Vincent Carfield so you can hear what he’s saying, wired earbuds plugged into the computer preparation for when you start the audio.
Harry hadn’t done much at all to set it up - you can’t imagine what he was doing in the hotel room while you were showering if he wasn’t working on the mission, but you’d come out after your shower and hardly anything was done.
They should come up with better technology for this, you think as you drum your fingernails against your laptop, watching the small loading bar inch across the computer screen, transmitting the audio from next door to both your laptop and to Mark, back at headquarters. You’d texted him briefly to ask if he still wanted you to call him and he told you to merely connect the audio to him and there would be no issues - well, that’s fine by you, even if you’d largely counted on him coming between you and Harry when you’ll inevitably want to kill him later tonight.
The water shuts off. You roll your eyes for a good few seconds as you hear the shower curtain being shoved open from inside the bathroom, and you lean further into the computer before you, squinting at the loading bar that hasn’t progressed further since the last time you examined it. You sigh - push yourself off of the floor, arms stretched above your head and the sleeves of your t-shirt slide further down your shoulders. You’re simply donning a worn college shirt you’d gotten when you were in high school and still had dreams of attending a typical university - dreams that, evidently, you had squashed in the years to come - and a pair of sleep shorts, their waist just a tad too big on you and you’ve tugged them up further than they should rest.
It’s decidedly chilly in the hotel. The steam dissipating through the room from Harry’s shower serves as the only way to heat you up, humid air warm on your skin, and you hate the way you almost appreciate him for taking such a piping hot shower - but the thought doesn’t have to linger too long before the bathroom door opens with the force of a fucking bullet and Harry walks out, towel tied around his waist and hanging low on his hips, sopping curls brushed and resting on his shoulders, droplets from the strands rolling down his chest.
Your stomach flips. 
“Christ,” you say as a way of hiding the way your skin suddenly feels like there’s a fire lighting it from the inside out, burning your insides with it. “Don’t have any clothes to put on?”
He rolls his eyes - you swallow thickly, perching yourself on the edge of the bed as he takes a moment to stop and glance at the computer on the ground before turning back to you. “Changing in the bathroom is gross,” and - well, yeah, you have to agree with that. “Y’practically stripped naked in front f’me earlier, y’know.”
“You did it first,” you mutter, pulling your legs to cross beneath you as Harry crosses the room to the full length mirror mounted on the wall, fingers running through his wet curls, and you tear your eyes away from the water dripping onto his bare skin with only mild difficulty. “The audio is loading.”
“I saw that, believe it or not.”
Dick. You bite your tongue, though, and resist the urge to retort that he’d clearly not even started to set up the transmitter while you were showering, because the loading bar has moved nearly to the end of the screen while you’d been conversing with Harry. You climb off the bed, kneeling in front of the computer as Harry looks down at you, and you distinctly feel a drop from his hair land on the top of your head.
“S’done?” he inquires, and you glance up at him to reply but he’s already plopping down next to you, leaning over you to squint at the screen so you get a nice whiff of the hotel soap he’d used and his own distinct scent of shampoo - it’s fruity, mixed with something musky you can’t decipher - maybe tobacco? It’s hard to tell - he smells good. You wonder if he’s noticed how still you’ve gotten but then he pulls away, leaning back on his arm while you clear your throat and lean forward, tapping the mousepad on your laptop a few times in quick succession. “You’ve got it hooked to Mark?”
“‘Course,” you say, if only to regain your composure and keep your pretense of light annoyance with him. “Probably why it’s taking so long.”
“Ah.”
Then he stands, crossing to the entrance hall where his suitcase is opened, clothes folded meticulously because he’s nothing if not a freak for his clothes - out of the corner of your eye you see him pull out a pair of pajama pants and only a pair of pajama pants, and when his head turns to glance back at you, you’re quick to avert your gaze back to the computer -
Which has loaded. Hooray!
“It’s done,” you call to him, a decibel too loud and you’re quick to lower your voice with a small glance to the wall separating you and the Carfields. Earlier, you’d heard their door slam when they got home from dinner and you could make out their faint voices arguing if you focused hard enough - you don’t want them to hear you. “Get changed and we can listen.”
You pick up one of the earbuds connected to the laptop and shove it in your ear, fiddling with the volume buttons until it’s loud enough that you can hear their conversations as Harry ducks back into the bathroom. Clearly the coat with the bug has been folded in such a way that it muffles their voices but hell, it’s a strong bug, and you can still manage to hear them fine enough.
You send a text to Mark, and he confirms he can hear it too - you toss your phone to the side, letting it slide across the carpet as you lean in, adjusting the earbud in your ear.
Vincent’s voice is what you hear first - he’s talking fast, as though he’s in a rush, and your brows furrow.
“The new shipment isn’t set to come in until the first,” he says, tone hushed and soft, and you can’t hear his wife’s response after a moment of listening, and then he continues. “Think, you idiot! She’s trying to milk me for everything I’ve got - everything we’ve worked for -”
For a brief moment you wonder who she is, but after another few moments with no response you figure that he isn’t talking to his wife as you’d expected - he’s on the phone with someone, speaking of his divorce. A business partner - of course. The bathroom door opens, and your eyes shift to Harry’s figure as you hold out the available earbud for him.
Fuck. He’s gonna fucking kill you - not with his hands or with his gun but with those fucking pants, so low on his hips you can see the trail of hair leading beneath the plaid fabric, the tie done loose and casual. He’s not wearing a shirt, tattoos on full display for you to ogle if you had the time to, and you don’t, of course, but it doesn’t stop your eyes from roaming over his torso, throat feeling suddenly dry as he pads over to you on the ground, dropping to his knees beside you.
“Are you checking me out?” Harry questions, a soft smirk dancing on his lips and you roll your eyes, dangling the earbud for him to grab and he finally takes it, placing it in his left ear just as Vincent begins to speak again.
“Never,” you murmur, and if that isn’t the furthest from the truth you could get to you’re not quite sure what is. “Listen to him - I’m going to the bathroom.” And, as you push yourself to stand and walk towards the bathroom, you swear you can hear him murmur slacker beneath his breath but - well - you don’t need to respond to everything he says sometimes.
Truthfully, yes. You did have to pee. And when you’re done with that you turn on the faucet to wash your hands and you stare at the bathroom mirror that’s still damp from the steam of his shower, edges still frosted with the humidity, and it makes your reflection fuzzy as you look at yourself.
What the fuck? Seriously - what the fuck?
There’s a pressure in your lower stomach and a neediness between your thighs that you can only assign to Harry’s freshly-showered, no-shirt-low-pants appearance and it has shame bubbling under your skin mixed with some other feeling you don’t care enough to figure out. You’re feeling very strange things for Harry - things you’ve never felt for him, ever, in the entire year of knowing him - and you’re almost completely positive he doesn’t feel the same, doesn’t have the same desire to bend you over this sink -
Almost. But almost is very close to absolutely positive.
You feel embarrassed for yourself as you glance around the sink. His hairbrush sits on the counter, and there are so many assorted beauty products scattered across the surface that you can’t tell which ones are yours or his.
The lotion is his, you decide. You don’t use unscented lotion - but you reach for it anyway, squirting a dollop onto your palms and rubbing it in for a reason you’re not entirely sure of. When your hands are as soft as they’re going to get you glance at yourself in the mirror again, shirt baggy and long, the ends of your shorts peeking beneath the fabric.
You reach up, pulling the waistband of your shorts up until they aren’t visible beneath the ends of your shirt, exposing your legs until it appears you’re wearing no sleep shorts beneath the shirt. It’s more comfortable like that, anyway, you tell yourself, which isn’t quite true, before pushing the bathroom door open and walking back out to where Harry’s perched on the floor.
He turns to look at you, and you don’t miss the way his eyes crawl up your legs but he’s a bit more subtle about it than you’re sure you were - his bottom lip looks a deeper shade of red than the top and you wonder if he’d been biting it.
You decide not to repeat his retort about checking you out, even if you’re almost entirely sure he was.
“How’s it going?” you inquire, picking up your earbud to begin listening again. The wire connecting the two buds is short and you shift closer to him until the tip of your kneecap brushes his - you’d expected him to jerk away like you’d fucking stepped on him but he doesn’t, surprisingly. “Got anything juicy?”
“Jus’ vague references t’shipments and goods - they’re trying t’trace his call, see who he’s talking to.” You nod, resting your chin on your palm as Vincent drones on about exactly what Harry had said - the only substantial piece of evidence you have pointing to his business being a coverup for a drug trafficking scheme is references to obscene amounts of money he fears losing to his ex-wife that he would’ve never been able to obtain working at a privately-owned tailory. 
For ten minutes Vincent’s phone call remains as a bit of a drag and, truthfully, a rather large waste of time in your opinion - this is stuff you’d already known, including the shipment coming in a week’s time that you know headquarters will be able to intercept - and you’ve just begun to pull out your earbud to retreat to the bathroom once more to brush your teeth when Harry’s arm jerks towards you, fingers wrapping around your wrist and effectively preventing you from rising.
“Jesus hell,” you hiss, dropping back down onto the ground as you shove your earbud back in, “what -?”
But then Vincent is speaking again.
“ - look, buddy,” he says, voice suddenly dropped lower so that Harry reaches out, tapping the volume button a few times until you can hear him properly, “met this girl at dinner tonight, out with Bonnie. Real cute - body like a fuckin’ goddess.”
Your cheeks flush as a small smirk spreads across Harry’s face.
Vincent pauses, clearly awaiting his business partner’s response to this shocking bit of news, and when he speaks again he sounds more annoyed. “Fuckin’ done with Bonnie - I’m a free agent, Jules.”
You snap at Harry, but he’s already fishing for his phone, pulling up the notes app and jotting down the name Jules in a fresh page.
“Can fuck whoever I want to, now, and I swear, you’d die if you saw her.” You can practically picture the scumbag’s face as he says it, all smug and arrogant - as though you’d ever give him the time of a day if you weren’t being fucking paid for it. “Staying at the same hotel too, with her husband.”
Another pause. “Jules, do you think I give a shit about husbands? Remember Mia, in LA? The one married to that big fella? She was all over me.”
Your lips quirk up into a smile even as your stomach continues to churn in disgust, and Harry exhales softly, resting his phone on top of his knee. Clearly, Vincent’s conversation with Jules has turned from fighting for nearly fifteen minutes about shipments and payments to you and it’s entirely less important but it still piques your interest more. The gritty details of their shipping is for Mark to handle back at headquarters - you need to make sure you can distract Vincent long enough for Harry to search his room.
“ - and, man, you should’ve seen the eyes this girl was giving me - and her husband was all over her, too, checkin’ her out but she was still looking at me -”
You nearly choke at that, head whipping to the side to look at Harry, and he’s doing a sufficient job of furrowing his eyebrows and looking entirely confused at Vincent’s words but you don’t believe him for a moment. Checking you out - God, and you had the nerve to feel embarrassed for your desire for him. A month ago you may have been truly annoyed at Vincent’s observation but it only fuels the fire igniting in your core as Harry puts on his pretense of adjusting his earbuds, tips of his ears bright red as he pointedly avoids your gaze, and you bite your bottom lip to stop yourself from grinning.
“I’ll let you go. God, don’t sound so pretentious - didn’t you hook up with that French chick who was married to the boxer? - Yeah, that’s what I thought -”
You’re much less interested in Vincent’s conversations now, pulling your earbud out and standing up, arms stretched high above your head as Harry stays, leaning against the ground with one arm. After a moment, though, Vincent must have ended his phone call - Harry shuts the laptop and pulls his earbud out, standing up, and your gazes meet for a moment.
“Vincent’s an idiot,” he tells you, flush creeping up his neck, and you nod.
“Is he?’
“Y’know he was just saying that so he seemed cool, right?”
“Said what?”
Harry rolls his eyes, then, and you can’t stop the smirk from gracing your lips once more as he crosses across the hotel room, collapsing onto his back onto the bed, and you furrow your eyebrows as you watch him. “Didn’t check you out.”
“I didn’t say you did.” He doesn’t respond, and you sit yourself on the edge of the bed, glaring down at his slumped figure. “You’re not getting the bed.”
“‘Course I am. We fought it out, remember?”
“And we didn’t finish.”
“We absolutely did,” and then he pushes himself to sit up, leaning against the headboard, and it takes more willpower than you possess to keep your eyes from roaming his body but you resist with everything in you - you’ll just about die if he calls you out for checking him out. “I beat you. I had y’against the headboard.”
“That was inconclusive.”
“Get on the couch.”
You narrow your eyes at him and he narrows his right back, staring into his fucking soul because you’ll be damned if you sleep on the couch, even if it makes logistical sense because he is taller than you - but, no. You’re the one who could possibly have to fuck Vincent Carfield in all his glory. You deserve the bed, size be damned.
In the end, you blink first, and come bedtime, you’re nestled on the couch with blankets you’d found in the hotel wardrobe.
You hate Harry.
 ~~
 The couch is extremely uncomfortable. It’s what you’d expected but your back still aches in pain when you wake up at 3 in the fucking morning, blankets dangling off the edge of the cushions you’re bundled on top of, and the pillow your head was resting on has slipped off onto the ground.
The room is pitch black as you groan, the noise purposefully loud, reaching down until your fingers graze the edge of the pillow - but your grip is slow, tired, and as you pick up the pillow to throw it back behind your head it slips from your grasp, dropping onto the ground and bouncing against the carpet until it’s resting a solid six feet from the couch.
Do you really need a pillow? You’re not sure, but you desperately don’t want to have to get up and get it because you know your sleepiness will melt away before you can even think about it, and, more than anything, you desire going back to sleep in order to try and be well rested for tomorrow. 
You reach down and pull your clump of blankets back up over yourself, pulling your knees further against your chest so the entire area of the blankets coats your body. Your head rests against the flat cushion, pillow be damned, and you shift again until your back is rested flat against the cushion as well, legs sticking straight out in front of you, the couch creaking at the movement.
The blankets don’t cover your legs - you push one of them down until they’re situated onto your feet, collectively covering your entire body even if it isn’t necessarily warm. At least they’re blanketed to some degree.
After ten minutes of trying to go back to bed, you pointedly decide that yes, you really do need a pillow, and immediately. Your neck already aches with the uncomfortable position and your ears feel chilly without being pressed into the soft pillow you’d snatched from the bed Harry is currently sleeping on - the bastard. He’d practically suffocated you with his smug gazes before he fell asleep, curled on top of the bed that he’d (rightfully) claimed as his after an arm wrestle, rock paper scissors game, and a half-hearted second attempt at a wrestling match - you’d lost all three.
Whatever. You’d been determined not to sulk at your losses before returning to the couch, trying not to let Harry see you mope but now you wish you’d made a bigger show of your disappointment - perhaps he’d have caved and taken the couch, but you’re sure he’d have stayed firm no matter what.
You slowly push yourself off of the couch, creeping across the room towards where your pillow rests on the ground, and you pick it up, clutching it tight to your chest before returning to the couch. You press it against the cushion, punching it a few times to attempt to soften it before huffing softly, lying yourself back down and tugging your blankets tight back up against you.
The next ten minutes goes by much as the night had previously - you can’t find a good position, turning onto your side and your back and your stomach until you’re hardly sure which way you’re facing, at this point, face buried tight against your pillow. You long for not much more than a soft bed for your back to rest into and you’re sure you’ll be a sore, tired disaster tomorrow when you manage to find Vincent Carfield in the hotel.
You turn to your side, the couch squeaking beneath the shift in your weight, and your body tenses when you hear a soft groan from the lump wrapped in covers on top of the bed, his silhouette illuminated only by the moonlight streaming through the window into the hotel room.
“How much longer are y’gonna move?” Harry grunts, voice low and raspy and you swallow when you hear it - if you close your eyes and listen to him speak, you could almost imagine him sounding like that in a very different scenario - “Keepin’ me up.”
“I’m terribly sorry,” you retort, voice soft and crackling with your yearning to sleep. “If you’d like to take the couch so I stop tossing and turning, I’d much appreciate it.”
He exhales softly, the noise sounding so deep and pornographic it makes your stomach flip. “In your dreams.”
You narrow your eyes as you stare at him, duvet pulled up to his chest and head turned to the side towards you - in the dark you can’t tell if his eyes are shut or if he’s looking at you. For a moment you decide not to say anything, hands crossed over your stomach, and then you shift loudly onto your back, couch creaking, and Harry sighs just as you’d anticipated.
“Please,” he begins, tone low and pleading, and you cut him off before he can continue.
“Not my fault the couch is loud, Har.”
“You’re doin’ it on purpose.”
“Of course I’m not,” you tell him, shifting again so another noise permeates the air of the hotel room. “The couch is just noisy - and uncomfortable.”
There’s a rather pregnant pause after that and you keep your eyes on Harry, watching the way he shifts onto his back, opening up a rather small sliver of space beside him and your heart practically leaps at the sight but you don’t say anything else - simply roll back onto your side, the couch creaking as you do, and he sighs again.
It seems like he sighs a lot.
“If I invite you into my bed,” Harry begins, and a small smile begins tugging your lips upwards even if you want to groan at his usage of the word my, “you’ll promise t’be quiet an’ go t’sleep?”
God, he sounds like your mother. “Yes,” you tell him, clutching the blankets wrapped around your torso. “I promise.”
Another pause. “Then - then y’can come. We can share.”
You try not to look too eager. Masking your emotions is, perhaps, the most important aspect of your job and yet you’re sure you look just as excited as you feel, pushing yourself to your feet with your blankets wrapped around your body, pillow stowed beneath your arm. Your feet pad across the carpet, toes sinking into the plushness of the floor before you make it to the bed, and Harry’s staring up at you, face contorted in a mixture of emotions you can’t decipher.
“Not gonna scooch over, then?” you question, resting your pillow against the bed and hitting it a few times. 
“Y’have room, don’t you?”
And the answer is that you don’t, of course. When you lie yourself down on the bed your legs knock into Harry’s, head so close to his you can feel his curls grazing your face, and the duvet you pull up your chin smells like him, distinctly. His elbow juts into your side - your cold foot rests against his warm one - you don’t think you’ve ever touched him this much outside of a mission.
You drape your clump of blankets over your body, partially resting on top of Harry, smoothing your palms over the fabric with a contented sigh. Your back is thanking you for the switch in sleeping spots and your neck sinks into the pillow and mattress, aches already beginning to alleviate themselves.
“Still need me t’move?” Harry asks, and you shut your eyes, nearly missing the way his eyes lingered on you for just a moment longer than necessary before he rests himself back against the bed.
“No,” you murmur, and there’s another moment of silence before he mumbles his affirmation. Tomorrow you’re sure you’ll regret this - sleeping beside him, even if that’s all you do - feeling him pressed against parts of your body you’d never expected to feel his touch on.
Well, you’d rather deal with the tinge of embarrassment (and pride) than an achy back and lack of sleep - you smile slightly.
 ~~
 The next morning comes entirely too soon for your liking - sunlight peeking through the windows permeates your eyelids until you’re groaning awake, palm pressed against your eyes to block the light and face burying itself back into your pillow.
Your alarm hasn’t gone off yet. If your alarm doesn’t go off, then it’s not morning. Surely you have a few more hours of rest before you need to get up - even a couple more minutes will do -
Just as the thought crosses your mind your phone blares its alarm, the loud noise jolting you up like a bucket of ice water, and, from behind you, Harry grunts into his pillow.
Behind you.
You’re quick to silence your alarm - another nine full minutes of peaceful resting, if you’re lucky, before you’re disturbed again, though you’re sure you won’t get back to bed now that you’ve remembered the events of last night. 
Harry’s arm is heavy, draped over your midsection, the soft surface of his cheek buried intently into the crevice between your neck and shoulder - you can feel his soft breathing against your skin, the air a warm and gentle sensation. One of his legs has wedged itself between yours, thigh pressed entirely too high in the crevice between your thighs, and with every moment that passes you can feel the rise and fall of his bare chest as he snores behind you.
What a fucking sight, you think, sitting up slightly to look down at him. God, if he were awake, you’d tease him until he cries about what a position the pair of you had worked yourselves into but you have the foresight to see how that would backfire on you - technically, you’re just as to blame as he is, even if he’s the bigger spoon right now.
But you’re most decidedly not to blame for the hardness pressing into your lower back, tearing a sleepy groan from Harry’s throat when you shift in your position.
The bastard. He’s hard as a fucking rock from pressing against you while you slept, and a sleepy smirk spreads across your face as you glance down at him. In any other circumstance you think you’d poke him awake just to make him aware of it but there’s a certain air of desire you’re feeling as well that makes you feel - well, not as though you’re in the appropriate position to make fun of him for his boner.
Slowly, you disentangle yourself from his body. His leg drops to the mattress when you swing your own off the edge of the bed, his arm falling until it’s resting in your lap, palm pressed against a certain area that makes your breath hitch, furrowing your eyebrows as you glance down at his hand. There are still fading, pink indents from the rings he takes off every night and before every mission, save for the fake wedding band the two of you often have to don on missions, and you scrunch your nose as you admire it.
Married. You don’t think so. The only time you think of him with anything other than hatred is when he’s asleep, like this - or shirtless.
You stand up, shaking your head to wipe those thoughts from your mind. Harry’s hand drops onto the mattress and you can tell it’s the push he needed into consciousness - you glance back at him to see his eyes cracked open, and they shut when your gazes meet.
“‘Morning,” you tell him, voice louder than you’d intended, and he winces at the noise, shifting onto his back - it’s as though you can see the exact moment he realizes his little problem mixed with the realization that you would also know about it, pressed up against him during the night - his eyes widen ever so slightly, and he pushes himself to lean against the headboard, bundling his duvet onto his lap. 
“Um - g’morning,” Harry replies, voice raspy like it had been the night prior and your stomach turns - you shift on your feet. “Y’goin’ t’the bathroom?”
“You can go first,” you say, and he nods, bringing fists up to rub at his eyes. And then - because you just can’t help pissing him off when you have such a golden opportunity - you add, “Think you might need it a bit more than I do.”
His face reddens.
 ~~
 Earpiece. Knife. Boobs.
You go through the things you need on a mental checklist as you pick up your forkful of scrambled eggs, chewing thoughtfully on the bite. The hotel restaurant is nearly completely full, couples and families packed into the small tables as they feast on their complimentary breakfasts, chatter filling the section. You’ve been sitting eating (truthfully, delicious) breakfast for the better half of an hour, bringing your plate up to the buffet to refill your platter of eggs, fruit, and toast.
Realistically, you would have eaten and left had you not been waiting for a very specific somebody to walk in and catch your eye. You and Harry had plugged back into the bug in Vincent’s room to hear him planning to go down for complimentary breakfast - the only clue you had as to how he wanted to spend his day - and it was the only opportunity you had to find him. Get him out of his room - talking, if possible - so Harry can search it.
It’s such an easy plan, you could practically do it in your sleep.
“Is he there yet?” inquires a crackling voice from your earpiece, disguised as an earring dangling from your lobes.
“No,” you murmur, voice soft as a whisper, and you’re sure he can’t hear your response until he sighs.
“Takin’ his time, isn’t he?”
“Mhm.”
You pick up your glass of orange juice, raising the cup to rouge-stained lips as you take a sip. When you rest it back down on the table, there’s a light red stain on the glass - you wipe it away with a manicured thumb, leaning back in your seat, legs crossed. Your eyes scan the restaurant again, lingering on any newcomers leaning against the wall in case you can pinpoint the man you’re searching for - wide frame, untailored suits, bald head that shines in the artificial light.
(Complimentary breakfast ends at 10, and it’s 9:48. It’s safe to say that you’re getting nervous.)
Your nerves, however, are soothed just a bit when a familiar figure makes his way into the dining hall - tall and haughty, phone pressed to his sweaty head, Vincent Carfield is the image of a stressed businessman, recently divorced and searching for a young, married woman who’d given him eyes last night. His suit is baggy, buttons of the jacket undone and his white button up has sweat stains spreading from the armpits, visible with his arm lifted up to his ear. Instinctively your back straightens, tugging down the top of your lace top so that the top of your cleavage shows - it seems to be your greatest weapon, dealing with a man like Carfield.
You lower your gaze to your phone clutched in your hand but you can still sense exactly the moment his eyes land on you. In your peripheral vision you watch him straighten up, lips moving quickly before his phone is shoved into his pocket, weaving his way between circular tables until he’s standing beside you, and you pretend not to notice the way his eyes never meet yours - his gaze stays on a point eerily similar to your chest.
“Is he there?” Harry questions, and you clear your throat - it’s the symbol you’d decided on to mean yes if you can’t speak.
“Vincent,” you begin, faux smile spreading across your face, and a similar one lands on his features. He reaches for your hand and you give it to him, watching him press chapped, dry lips to the back of your palm, and the urge to scrunch your nose at the feeling is almost overwhelming. “It’s so good to see you.”
“And you,” he says, and you drop your hand back to the tablecloth resting on your table. “Can I sit?”
“Of course,” you reply, and he pulls out the empty seat across from you, resting with a soft grunt. “Breakfast ends in a few minutes, though - you’re welcome to have some of mine, if you’re hungry.”
He obliges, reaching to pull your plate to him, and you watch as he picks up your buttered toast, taking a large bite and smacking his lips as he chews. “I was hoping I’d run into you.”
You raise your eyebrows, leaning forward ever so slightly. “And why is that?”
“Couldn’t stop thinking about you,” Vincent tells you, and in your earpiece, Harry snorts at his words - you hope you didn’t jump too hard at his sudden noises in your ear. “I hoped I wasn’t getting the wrong idea at dinner, last night -”
“What idea were you getting?”
“That you were interested in me,” and you tilt your head to the side, tugging your bottom lip between your teeth - if Harry could see the act you’re playing right now, you’d be humiliated. At least he can only hear it. “I saw the eyes you were giving me - not even worried ‘bout your husband seeing?”
“He’s too dense to notice,” you say, a smile tilting your lips up as Harry groans - from his side of the earpiece you can hear bustling mixed with the sound of a door opening, and you assume he’s just entered Vincent’s apartment. He needs at least a half hour, Mark had told you - breakfast ends in nearly five minutes, and you need somewhere else to take Carfield. “You know, Vince - is it okay if I call you Vince?”
“I don’t think he cares what you call him,” mumbles Harry, so quiet you’re sure he’s hardly even intending for you to hear it, “as long as you have your hand down his pants in the next ten minutes.”
Your cheeks flush as Vincent smiles, leaning back in his seat as he finishes off your toast. “Call me whatever you want to,” he tells you, and you can practically hear Harry rolling his eyes through your earpiece.
“Alright, Vince - breakfast is ending in a few minutes, and I desperately hope we can keep talking.” He nods along with your words, leaning in as he pushes his plate to the center of the table - all that’s left is the fruit and the remnants of your eggs. “Do you think we could go up to my room? My husband is off visiting some family members across London - he won’t be home for hours.”
“Hours?”
“Hours,” you confirm, nodding as you take another sip of your orange juice - this time you don’t wipe the lipstick stain off of your glass, and you watch his eyes follow the mark as you lower the glass back to the table. “Can we go, Vince?”
Clearly he isn’t thinking clearly enough to question how curious it is that you’d had similar feelings for him without much trouble at all - instead, he smiles like a boy on Christmas morning. He practically knocks the table in his rush to stand up - you watch a red blush creep up his neck to his ears as he grabs it, steadying the wobbling surface, and you pretend you hadn’t noticed when he holds his hand out for you. You allow him to take your hand in his and he pulls you to your feet, wrapping a secure arm around your waist, palm stretched across your hips so his fingertips creep up the hem of your lace shirt.
“Are you going to our room?” questions Harry in your ear, and there’s a few scuffling noises on the other end that makes you internally cringe as Vincent begins weaving the pair of you between tables that are now emptying as complimentary breakfast reaches its end. “____? ‘Y’goin’ t’our room?”
You clear your throat once, and Vincent glances over at you with an amused glance on his face as the two of you make your way out of the restaurant. “Are you okay, darling?”
The pet name makes you cringe internally and you give him a soft smile as you approach the hallway full of elevators, available to take you to any of the available thirteen residential floors of the hotel - Vincent presses the button to go up, and you wait for the doors to open. “I’m great.”
“Make sure he doesn’t want to stop in his room,” Harry mutters, and you swallow, your smile not faltering. You want to tell Harry to make sure he’s completely quiet in his endeavors in Vincent’s room but you’re sure he already knows - you can’t risk Vincent hearing a strange noise while you’re attempting to distract him.
The elevator doors open, and Vincent pulls you inside with a grip on your waist like a vise. He glances at the array of buttons available to press, and looks at you with a raised eyebrow.
“It’s floor 13,” you tell him, and he smiles, pressing the button until it glows.
“Floor 13? That’s where I’m staying, too,” he says, and you nod in mock-surprise -
“What a surprise,” Harry snorts in your ear, and you can’t stop the smirk from spreading across your face.
 ~~
 There’s a thick thigh pressed between both of yours, sweaty palms slid beneath your lace top, and you don’t think you’ve ever found a man’s touch less desirable in your  life - and, for whoever may be keeping a record, this job has required you to get up close and personal with more skeevy men that you’d expected when you’d applied.
The only thing keeping a blissed out look on your face is your focus on the soft noises coming from the other end of your earpiece as Vincent lands wet, open-mouthed kisses to your throat, tongue laving over your skin - hearing Harry’s occasional quiet breathing and muffled noises as he searches the hotel room next to yours makes this entirely worth it.
Against your throat, Vincent moans, and the noise is throaty and loud - you can hear Harry stifling a laugh directly into your ear, and the noise sends a chill rolling up your spine. Clearly, Vincent thinks your involuntary movement was for him - his hands grasp on your tits entirely too hard to be pleasurable and you bite back the urge to tell him so. “Such a dirty girl,” he tells you.
You rest your head back against the wall he has you pressed against with a moan that sounds entirely fake from your throat. You can almost imagine how Harry’s going to make fun of this when he sees you next, and your stomach turns when you think about it for a reason you can’t quite decipher. “Fuck,” you say, forcing your voice to a near whine, and you swear you can hear Harry’s voice hitch through your piece but you’re not sure. “Feels - so good.”
The lie sounds natural off of your lips as Vincent’s knee jabs into your clit - the pressure is a pain rather than a pleasure and your breath hitches as you try not to cry out. He chuckles against your skin, clearly taking your soft sign of pain as an emblem of pleasure, and you shut your eyes as his teeth graze the veins in your neck.
“No way,” breathes Harry, and your ears perk up - had he found something in Vincent’s room? “S’he actually good at that?”
You want to snort at that. Of course he isn’t good but the thought of Harry listening spurs you on more than it should - you roll your hips against Vincent’s thigh with a soft moan, higher pitched than your last one, and the man on the other end of your earpiece exhales.
“That sounded fake,” Harry says, voice soft and light, and you want to slam your head into the wall so he knows that he’s starting to piss you off from next door. “So he’s not makin’ y’feel good?”
You practically freeze. If Vincent wasn’t tugging your shirt up to expose your tits to the cold air of your hotel room, you’re sure you would have forgotten where you were completely. Those words from Harry’s mouth mixed with an edge of venom isn’t what you’d expected him to say at all - on the contrary, you’d think he was fucking with you, trying to work you up to embarrass you if you couldn’t hear his little moans that he’s clearly trying to silence.
Is he worked up? Because you can work with that.
You drop your head back to whack against the wall with a loud moan as Vincent’s clammy lips press to the fabric of your bra. Your hand goes up to press to the back of his bald head, fingernails scratching against his sweaty scalp and you wish - not for the first time - that you were feeling thick, chocolate-toned curls beneath your fingers instead, tugging on them as his tongue lavished you. Though, in your mind, it’s more teeth and grit and anger because you’re sure you’d find a way to be angry with Harry even if his mouth were on your tits - it’s one of your special skills - in every fantasy you’ve had of your partner it’s violent and harsh.
“Fuck,” grunts a voice from your earpiece, and hardly a moment later Vincent groans a similar noise as you rock your hips against his thigh. Thankfully he seems to be getting a decent amount of pleasure just making out with your boobs like a teenage boy and - maybe, if Harry is quick enough in his search of his hotel room - you won’t have to fuck him at all. It’ll be a Christmas miracle (a month early, but a miracle nonetheless.) “Are y’fuckin’ him?”
You whimper, Harry’s voice shooting from your ear directly down to your cunt and your clit and you feel wetness soaking your knickers, pressed against Vincent’s thigh though it may as well be the arm of a couch for how it affects you - the only pleasure you get from Vincent’s hard body against yours is the urge to close your eyes and imagine it’s Harry.
“No, you’re not,” says Harry, and there’s a soft clatter in your earpiece - surely he’s dropped something from the room next door and you tense. Surely Vincent hadn’t heard it, teeth still gnashing against your bra, and he seems too distracted to pay attention to it. “M’hard as a fuckin’ rock, ____ - thinkin’ of you, gettin’ off on my voice, aren’t you?”
“Yes,” you exhale, and Vincent glances up at you, thick brows furrowed in confusion. You swallow, focusing on giving yourself a satisfied expression, and he turns back to your chest, seemingly convinced of your pleasure. “Yes - making me feel so good.”
Harry groans in your ear, and you wonder, suddenly, if he’s jerking off - if he’s leaning against Vincent Carfield’s bed, hand pumping up and down his cock as he listens to you. Maybe he’s in the bathroom, or leaning against the wall like you are, his breathing picking up as sweat drips down his forehead - 
“Gonna fuck you,” Vincent mumbles against your boobs, and you scrunch your nose. “Want me to fuck you?”
“Just -” you swallow, and Harry snickers in your ear, the soft laugh breathy and groaning. “Just wait, feels so good -”
“Don’t fuck him,” says Harry, and there’s a few more jostling noises on the other end mixed with another soft moan - you have a sudden image of him, digging through Vincent Carfield’s possessions with a firm hand around his cock and you feel the result of that imagery stricken straight down to your clit like a fucking lightning bolt until you’re crying out, and your orgasm is on you so embarrassingly fast you could sob in embarrassment. “I’m almost there -”
You’re not sure if he means he’s almost about to cum or if he’s almost found something to convict Vincent - you’re not entirely sure which interpretation you’d prefer. 
“I’m gonna cum,” you breathe, the words sour on your tongue as Vincent glances up at you with a wicked smile, jolting his thigh further up into your clit, and you furrow your eyebrows at the pain the motion brings. “Fuck, H - Vincent.”
“Y’were gonna say m’name,” Harry hisses, and you squeeze your eyes shut, embarrassment coursing through your veins. You almost fucked everything up. “Cum. Let Vincent think he made y’cum - go ahead - do it.”
And - fuck. Who are you to disobey? You grind your core down on Vincent’s thigh with a throaty cry, and your orgasm rushes over you with an embarrassing waterfall of pleasure and shame. Never have you cum so easily and it wasn’t even Harry’s touch - simply his voice, his groans as he listens to you come undone - and, in the end, the only thing to pull you from your high is Vincent’s eyes boring into yours, eyebrows raised and lips parted as he pulls his face from your chest with a most satisfied expression on his face.
You want to smack it off of him - if you hadn’t already cum, that look would’ve stopped you in your tracks. As it is, it slows the aftershocks of your release into dull nothingness while Harry moans in your earpiece, his noises a mere backdrop to the sudden growing sounds of scuffling and jostling, and his sharp gasp is loud enough for Vincent’s head to snap up.
“Did you hear that?” Vincent questions - Harry curses into your earpiece.
“I found something,” Harry tells you, voice dropped to a low whisper. “I found - s’under his mattress - m’calling Mark!”
A small smile spreads across your face at his words. It’s done. He’s found something worthy enough to convict Vincent Carfield, and that’s enough for you to press your palms to his chest, pushing him away from you so forcefully that he stumbles over the carpet, back slamming into the edge of your bed as he falls to the ground. His expression is so confuddled as he stares up at you that, for a moment, you marvel at his lack of self awareness - in an instant you’re reaching up the hem of your skirt to the knife in its holder strapped to your thigh, and you pull the blade out to point at Vincent Carfield, in your ear a myriad of Harry’s delighted cheers of, “I’ve found it!”
 ~~
 Wrapping up a mission isn’t nearly as speedy as you’d like - there’s debriefs and paperwork to complete once Vincent is done and arrested, phone confiscated along with the drugs found in his hotel room by your partner, and physical evaluations to determine whether you’d been hurt, and a long phone call with Mark where he congratulated the pair of you.
Not only for taking down Vincent Carfield, your boss had said, his voice booming and cheerful, but for making it out without killing each other.
If only he knew.
Your plane is set to leave tomorrow morning at the crack of dawn, and if you were more reasonable perhaps you’d heade Mark’s advice to go straight to sleep and set an alarm for 3 AM but you’ve never been too bright in that regard. You finish your last debrief in the hotel restaurant, Harry working diligently beside you, and it’s at nearly 9 PM that the pair of you pack up your work and begin to head upstairs.
The elevator ride is silent when Harry reaches to press the button for your floor. Your room had been closed for you to visit for the better part of the afternoon until Vincent’s had been properly searched, though Harry had gladly given the authorities everything he’d found without a moment of hesitation. Tiredness creaks at your bones but here - standing beside Harry, feeling his gaze boring into the side of your face - you desire nothing less than to go to sleep.
“Good work, Mr. Robinson,” you tell him, and he raises his eyebrows when you turn your head to look at him. “Fairly easy mission, wasn’t it?”
“For you,” he says, and you arch your eyebrow, frown tugging your lips downwards as the elevator begins to move up. “Gettin’ off on Vincent’s thigh was the hardest part - I had t’search the room.”
For a moment you wonder if he’s kidding and certainly he’s only teasing you but you still roll your eyes, crossing your arms over your chest as heat creeps up your cheeks. “Didn’t seem too difficult, moaning and crying ‘bout how hard you were. I bet I could’ve found the drugs in half the time it took you -”
“You couldn’t have,” Harry says, and you exhale sharply. 
“‘Course I could -”
“Wasn’t hidden in plain sight like everything you find.”
“So where were they?”
He pauses, and you smile down at your shoes - surely you’ve got him now. “Hidden in his computer,” Harry says, then, and your smile is wiped away in an instant. Shit, you wouldn’t have found them. “Not so smart now, are you?”
“Oh, you dick -”
The elevator doors open to your floor and Harry pushes himself off the wall, stalking out of the elevator and you jump to follow him, picking up the pace to walk beside him as he begins down the hall towards your hotel room. It’s entirely too easy, falling back into an arrangement of bickering with him as though nothing had happened - as though you hadn’t cum with his voice alone, and you’re nearly positive that he had, too.
He stops in front of your hotel door, digging in the pockets of his pants for the room key, and you cross your arms over your chest. “I don’t know why you’re actin’ so high and mighty,” he tells you, voice biting as he shoves the key card into the door’s slot - it beeps red, and he tries again. “As f’you didn’t cream your fucking pants jus’ listenin’ t’my voice.”
“I’m not acting high and mighty,” you retort, praying the burning sensation in your face isn’t visible to him but you doubt you’re that lucky. “You don’t have to be such a douche all the time - and, by the way, you came in your pants, too, didn’t you.”
It’s not a question, and Harry flings the door open, letting you walk in before he follows. In an instant, before you can march into the bedroom area to huff at how pissed he’s getting you - it is what he’s best at - there’s a tight grip on your wrist, turning you around so fast your head spins, and before you can object, Harry has you pressed against the door, hands caging you in on either side of your head.
His face is so close to yours you can smell the alcohol on his breath that he’d had while you two worked, mixed with the scent of his mint toothpaste and his shampoo, curls dropping into your face as he wedges his leg between both of yours, thigh pressed against your cunt. It’s just as Vincent had done but so different, so much better, and it tears a whine out of your throat right off the bat.
Your urge is to lean in, clash your lips together in a fury of tongue and teeth but you don’t want to make the first move - Harry can take the lead and you’ll follow, and that’s more than enough for you. So you simply drop your head back, breathing heavy as you stare into his eyes, nearly cross-eyed to meet his gaze. 
“Fuck you,” you tell him, and the words lack the venom you’d yearned for. It’s filled with more desperation and neediness than you’d anticipated, and you feel your stomach flip-flop at the smirk that spreads across Harry’s face. “Fuck you.”
His hands drop from against your head and for a moment you fear he’s going to pull away, that he’s doing this just to fuck with you but then his hands are on your legs, fingertips dancing up and down your outer thighs, fingering the hem of your skirt, and you jolt under him. “You’re so responsive,” he tells you, and you roll your eyes, dropping your head back against the door. “I love getting y’worked up.”
“Shut up,” you groan, feeling his fingers working your skirt up your legs, and the fabric brushes over the edge of your knife, still fastened to your thigh. 
“Like makin’ y’angry.”
“Shut up,” and finally Harry leans in, mouth slamming against yours until your teeth grind against his and your lips part with a shocked gasp. His tongue slips between your lips, your hands reaching up to bury in his curls and hold his face to yours. His palm slides up your thighs, pushing your skirt up around your waist and your cheeks burn as the cold hotel room air assaults your skin, goosebumps popping up in their wake. You whimper into Harry’s lips and he pulls away, palms smoothing up and down your thighs before you feel his fingers hook against the top of your knife, and he tugs the blade out of your holster.
You watch with wary eyes as Harry brings the blade up to his eyes, examining it with narrowed eyes, his other hand still resting on your thigh, fingertips rubbing circles into your skin harsh enough that you’re sure you’ll find bruises tomorrow in the shape of his hands. Your breath hitches in your throat as you watch him and his eyes turn to yours, smile tugging his lip up.
“Y’look a bit excited, there,” Harry says - an acute observation, because you’re practically creaming your fucking panties. “Like seein’ me with your knife?”
“Yes,” you breathe, and Harry flips the knife in his hands until the blade is just an inch from the spot between both of your eyes, your orbs crossing to see it. “What are you -”
Before you can finish the question Harry presses the knife forward, the sharp edge of the plate pressed to your cheek, and you inhale sharply, swallowing thickly as he increases pressure against your skin. Fuck, this shouldn’t excite you - he’s not half as good as you are with blades - and you’re sure if he keeps going he’s going to slice you either by accident or on purpose, and it disturbs you how much that thought turns you on.
The blade drags down your skin, tracing along your jawline with pressure light enough to feel like a breath and hard enough to catch yours in your throat - Harry’s watching it with darkened eyes, watching as he lowers it down your throat, tracing it along your neck and the veins.
You drop your head back against the door with a thud, feeling the cool metal on your skin, sweaty from being pressed against him and the heat that encompasses your body until it’s all you can feel, and Harry’s just watching, watching the knife run across your skin.
Your eyes, fluttered shut, shoot open when a sudden burning sensation overtakes the top of your chest - you glance down to see Harry pulling the knife away from you, the tip decorated with just a smudge of dark, red liquid that’s mirrored on your collarbone.
“Did you -?”
“Oops,” Harry says as you bring your fingers to the small nick he’d given you, wiping away the drops of blood that spread on your chest. You raise your narrowed eyes to glare at him and you’re trying - trying so hard - to be furious with him, to get angry, to push him away and yell at him - but, fuck, feeling his thumb rub across the cut on your chest only increases the ball of pressure in your lower abdnomen as you look at him.
Your lips clash once more, more intense than before as you whine into his mouth - Harry’s free hand hoists your thigh around his waist, and when his lips move down to bite at your throat, the hand still clutching your knife pulls back before he slams the blade into the door next to you, surely taking a few of your stray hairs. You yelp, jolting your head back as you whip your head to the side to stare at the knife stuck in the door barely an inch from the side of your head, and Harry lifts his head with a smirk.
“You assho -”
Before you can finish Harry’s hand is wrapped around your throat, cutting off your ability to speak and you can’t help but moan at the pressure even if the noise is choked and gasping - Harry grins, moving his other hand down to your hips until he’s helping you to roll against his thigh, clit rubbing against the fabric of his pants. You tighten your thigh’s hold around his waist, pressing his torso closer to yours, and he, in turn, tightens his grasp on your neck.
“Y’like m’hand on your throat, hmm?” Harry questions, voice low and raspy like how it had been in the middle of the night except more, better and intense, and you whimper in affirmation. “Can’t even talk - can’t even say anything.”
When he finally loosens his hold on you, you gasp for air and bring your arm up to wrap around his neck again, fingers scraping through his scalp to tug his lips back to yours. Your other hand drops to the front of his pants, palm smoothing over his bulging erection before your shaky fingers begin tugging his zipper down.
“Can I tell you something?” says Harry, then, as you fumble to undo the button of his pants until you can shove your hand into the fabric, fingernails dragging along his cock through his boxers - his hips jolt into your hands.
“Yes,” you murmur in response, hand jerking up and down his dick and, even through a layer of fabric, he grunts into your lips.
“I didn’t cum,” he says, and you move your head from his, furrowing your eyebrows. “Didn’t cum, even when I heard y’with Vincent -”
“You -?”
“Didn’t wanna cum when I wasn’t buried in your cunt,” and you gasp sharply as his hand on your throat slides down your body until it’s shoved into your panties, cold fingertips dragging along your soaking folds that drip your ambrosia into his grasp. “Even f’you sounded so good, moanin’ for me - almost pathetic -”
You tighten your grip on his hair until he’s crying out, fingertips pinching your clit in your panties and you jerk your hips into his grasp at the sharp punishment. “Don’t call me that -” you moan, trembling hand pulling his boxers down over his cock while he smirks.
“Pathetic -”
“Fuck you, Harry -”
“Whimperin’ like a baby -”
You move your hand from his hair to his face, grip bruising as you grab his chin in your palm. Your fingertips squeeze his cheek as you force his head to stare at you - the lazy, cocky smile that adorns his features makes you want to throttle him, and your fingers flex against his face.
“What?” Harry questions, tone mocking and it fuels the anger in every crevice of your body as you glare at him. “Gonna hit me?”
Yes, you want to say - before you can even open your mouth, though, Harry leans in, teeth nibbling on your earlobe as he exhales, his words low and breathy, “Do it.”
Who are you to disobey him?
You bring your hand back and smack it down on his cheek with a satisfying slap that reverberates through your hotel room. His head is slapped to the side, exposing his side profile to you, and you smooth your palm over the red mark already blooming on his cheek in the shape of your handprint.
“You like to be hit, do you?” you inquire - for a moment, just a second, you feel some semblance of control over the situation, wrapping your fist around his cock once you’ve pulled his boxers down over his length. He hisses, dropping his head back, lips parted in a silent cry when your thumb sweeps over the weeping tip of his cock, precum dripping down his member. “Never would’ve guessed.”
And you do it again, bringing your hand up to slap his face and it tugs a louder grunt from his mouth, pressing his body further into yours until all you can feel is him, chests pressed together and cock rubbing against your cunt through the fabric of your lace panties. You bring your hand back to give him another slap but then his fingers are pulling your drenched knickers to the side, bulbous tip of his cock nudging through your folds for only a split second before he pushes himself inside of you, sheathing the entirety of his length until he bottoms out, balls pressed tight against your skin.
You can’t help but sob out. It’s, really, not your fault - you can tell how it spurs him on, but before he can keep fucking you like how you’ve dreamt of he’s pulling out completely, taking a half a step away from you, cock tall and leaking. The emptiness you feel is overwhelming, even if you’d only had him in you for a few seconds at best, and objections immediately rise in your throat.
“What the fu -?”
Then he’s grabbing your throat, using his grip as leverage to force you around, cheek smushed against the wooden door frame and back pressed to his chest. His palms smooth up and down the globes of your ass, pulling the cheeks apart until the pressure burns and you throw your head back with a cry. Then he pulls his hand back - lands it back against your ass with a cracking slap that makes you jump against him - and he doesn’t give you a second to beg him to fucking do it again before he’s sliding his cock back into your folds.
“Fuck,” he practically shouts, the noise crackling and broken with arousal practically dripping from the syllable, and you drop your forehead against the door with a cry. “Fuck, so tight - knew y’would be -”
“Move, please,” you beg, tone sobbing and desperate, and Harry obliges without another second to spare - pulls out and thrusts back in, pace brutal and desperate right off the bat until you’re quivering, legs trembling when he’s only been going for a half a minute.
Oh my god. Holy fuck, it feels so good, better than you could’ve ever pictured it, his hand smoothing over your ass before landing periodic slaps to the plump skin - his hand landing on you hardly overpowers the sound of his hips smacking against your ass, filling you until you’re crying for it before leaving you empty and diving back in. You can’t do much else other than stand there on quivering legs that feel incapable of handling your weight and take it, pushing your hips back into his with every thrust until you’ve worked yourselves into a rhythm that makes your fucking head spin.
“Harry -” you gasp as he grabs hold of your hips, pulling them upwards until his cock is slamming into the sweet spot buried inside of your walls that makes you sob out, cheek slamming into the door over and over with the force of his pounding. “Harry - God -”
“What?” he practically hisses, the word full of desire and contempt in the most delicious way possible, and your knees would give out if not for his bruising grip on your hips, keeping you flush against him. 
“Har - choke me, please, want you to - to choke me -”
He stutters a groan at that, moving one of his hands from your hips - he delivers one hard smack to your ass before he’s trailing his hand up your back and around to the front of your throat, squeezing your neck once experimentally just to hear the way you moan at it before he tightens his grasp. Your resulting whimper is caught in your throat, pressing your palms to the door you’re leant up against as Harry just fucking laughs from behind you, thrusting himself into you like he was fucking born for it.
“You’re fuckin’ filthy,” Harry says, then, and he almost sounds in awe as he squeezes your throat tighter, tight enough that your vision goes fuzzy and your head feels light. “So filthy - knew y’would be - an’ so - so - fuckin’ - tight -”
With every word he punctuates his meaning with a particularly hard thrust into your cunt, and the hand on your hip slithers around your body until he’s pressing two fingertips to your clit, rubbing shaking, hard circles against the sensitive nub that has you jolting, arms shaking as you attempt to keep yourself up. “Oh my god,” you practically cry, and the voice sounds far away as he briefly releases his hold on your throat - a firm slap is delivered to the side of your face as you’d given him, the motion forcing your head to the side, and you sob out harder. “Fuck - do it again, please -”
He obeys you, bringing his palm back to slap your cheek again before he wraps his hand back around your throat. “M’gonna cum,” he tells you, words throaty and laced with neediness - you push your hips back against his, a loud, long whine bursting from your throat as his fingers never give up on their assault to your clit. “M’gonna fill y’up - y’want that?”
“Yes!”
“Want me t’fill you up?”
“Yes, Harry, please -!” You come undone around his cock just as his hips stutter to a close - there’s a ball of pleasure that bursts in your core, spreading warmth and euphoria through your body like a wildfire attacks a forest. Your forehead slams against the door with a moan that borders on a scream, nails scratching against the wood as though searching for something to hold onto, to ground yourself, because surely you’re far away - in fucking space - because there’s no way on Earth you could feel this good.
Behind you, Harry’s hand on your clit wraps around your waist, holding your body taut to his as you feel him spurt ribbons of cum inside of you, his release filling you up and it only prolongs yours, aftershocks rolling through you mixed with his warmth spreading through your body. His head drops against the back of yours, breath ruffling the hairs at the back of your neck, and when you finally regain the ability to breathe you’re fucking heaving, gasping for air, the once-simple process labored and desperate.
“Fuck,” Harry groans, and then he pulls out of you - you can feel his cum beginning to trickle down your inner thighs, and that mixed with the sudden emptiness in your cunt makes you exhale a low whine. Your pussy flutters around the sudden air invading it, the loss of a certain appendage filling you up glaringly obvious, and you slump against the door. “Fuck.”
“Yeah,” you mumble, and your knees are shaking when Harry unwraps his arm from around your waist, leaving you to fend for yourself as you try and steady your body. “Fuck.”
You hear, then, Harry walking away - surely stalking deeper into your room, perhaps lying on the bed, kicking off his shoes and beginning to tug off his shirt. You feel sudden embarrassment and heat coursing through your body as you tug the bottom of your skirt down over your ass and the tops of your thighs, walking on shaking legs into the bedroom area of your hotel room -
(Your knife can stay in the door until morning. It is, for all intents and purposes, the least of your priorities when you can’t even think straight.)
Harry’s eyes are on you when you make your way into the bedroom section, leaning up against the doorframe to hide the quivering in your legs, and you hope it looks decently natural but you’re sure it doesn’t, judging by the way his lips tremble upwards as he glances down at the shoe he’s focused on untying.
“I’m gonna shower first,” you tell him. Your throat burns with the energy of speaking after screaming your lungs out and your voice is crackling and raspy - you cough into your elbow, hoping it makes your voice sound a bit less fucked-out than it is, but you’re sure you’re not that lucky.
“Fine by me,” Harry says, kicking his sneakers off onto the ground, and he collapses onto his back onto the bed with a sigh. His pants are still undone and are pushed down his thighs, boxers pulled up over his cock, and you feel - decidedly strange, watching him post-coital, at the way his eyes shut, limbs spreading out over the mattress with a grunt. “M’takin’ the bed, though.”
You huff, crossing your arms over your chest. “What -?”
“Y’can hardly walk from how hard I fucked you. I think I deserve it.”
And - well - you can’t quite argue with that logic.
~~
TAGLIST (crossed out urls meant they didn’t show up)
@nineteenfiftyone​ @harryslilkat​ @galacticferns​ @ficrecrry​ @morethanamelodyy​ @hoeeforstyles​ @bunny-munchkin-luvs-music​ @mintchipstyles​ @sstarkme​ @thecitiesintheseas @harry-styles-l​
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Radnewspaperroom back at it again! And I'm so sorry if I'm bothering you but I know you geek out about this game as much as I do and I love theories and your input on them!
Something struck me as kinda odd during lesson 66
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13 thinks compliments are flirting? Granted, with Solomon I feel they are toward MC. He showers them in compliments when they do well and is not shy about it at all
I think maybe its a hint toward Solomon background? Perhaps he was like this with a former student whom he was romantically involved with, kinda hard to imagine it though.
Or perhaps she's got some weird hang up about romance?
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But right here is where I get: 🤨
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Is it just me, or did 13 just lash out at MC on purpose?
Maybe the blocking in my mind is off, but I imagined the two groups being a few feet from each other. They're not shouting to be heard, but they're far enough apart to do casting and not directly harm one another
So unless Solomon dodged toward MC and then defended them, why would the GC#5 even be targeting MC? But with the way its worded
"You weren't supposed to dodge that! And then you threw yourself in front of MC!? Where do you get off!?"
As if...he was supposed to be hit, and then Mc was her secondary target?
If it had been worded differently or something maybe it'd been more clear to me, but when I think of someone throwing themselves in front of another, it's usually in a breakneck pace. Just in the nick of time kinda thing. It wouldn't really be throwing himself in front of them, if when he dodged the attack, he had landed beside them?
Then there's Solomon fawning over MC and stating it was a really close call.
Maybe she was Lashing out because of the flirting?
Given her antagonistic view of Solomon, I don't think she holds romantic feelings for him--but part of me wonders if they're going to make her a fellow Tsundere like Mammon and make us wonder "does she or does she not?"
Girl Tsundere types in manga and anime are usually more violent toward boys they like than the other way around, right? (Or at least in my experience in reading and consuming)
When I had the thought, the song "its not like I like you!" Came to mind where the girl in the video kicks and punches the boy she loves. A toxic mindset but kinda like when boys are little and are little shit heads and adults go, "aww, he's got a crush"
https://youtu.be/fjyc9XTtC2Q
But enough rambling outta me, I wanna know your thoughts on that little tid bit of the lesson! (Also, the fact that Lucifer was 100% just as taken back by the idea of Solomon and MC flirting)
So I don't think Solomon is flirting- he likes MC but I think his compliments are just compliments which was why he was shocked when Thirteen called it flirting too.
I think since MC and Solomon were fighting against each other they would have been a bit separate from the rest so the others wouldn't be caught in the crossfire. Close enough that they can hear each other talk but far enough that they can keep casting spells.
Thirteen's weapon has a wide range attack (it blew a hole in the side of the school) so when she fired it, no matter which one she was aiming at, it would have caught them both in the attack and so Solomon threw himself at MC to push them both out of the way
As to why Thirteen attacked, I don't think she has a crush on Solomon but:
She's highly volatile and I don't see her as the type of person to stop to process her emotions. Instead she acts first.
Seeing Solomon (who, till he met MC, didn't have any friends and wasn't very genuine in what he said) genuinely complimenting someone he should have been fighting against would have given her serious cognitive dissonance. For better or for worse, Solomon was supposed to be like her - alone and sly. Despite, what she says the two of them do have a weird type of friendship. But now to her it'd look like he's moved on and she really is on her own right now.
But saying all that would be too much for Thirteen, hell she might not have even processed all that so she jumped to action first and attacked and called it "flirting" because I don't think she could've identified what it really was (not that she doesn't know what compliments are but more like she doesn't understand why you would give a compliment and not have a hidden agenda or have something to gain from it)
I don't think she even knew who she was aiming at for sure, she just knew she wanted the two of them to stop
I think it's mainly all that^ plus the tsundere thing - we know Thirteen's gonna end up falling for MC and I think this is the first hint of that. She might have the smallest inklings of a crush - or more likely is intrigued by MC and her need to fight Solomon made her reaction to them "flirting" get blown out of proportion
At least those are my thoughts
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You Can Hear It In The Silence
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Summary: Sneaking around can be fun, but sometimes the silence is just too quiet, or falling in love with your best friend. 
Pairing: Spencer x Fem Reader (SMUT) MINORS DNI 
Word Count: 3.7K 
Warnings: Smut Minors DNI (It’s smut, nothing kinky but very romantic and soft) oral (both receiving), kissing, lovebites and tame scratching, penetrative sex, unprotected sex in a committed relationship(like last time, let me know if I missed anything) 
Author’s Note: Minors please DNI, I have a lot of other fluff pieces that are totally acceptable for you guys to read. I hope that this isn’t too schmaltzy because that just gives me agita. This is based off You are In Love by Taylor Swift and maybe a little bit of Dress
You Can Hear It In The Silence 
It’s a blurry line, going from best friends to dating. There’s nothing like playing that dangerous game of stolen glances and surreptitious touches in a dark room. Eyes ranking over figures decked out in soft cardigans and tweed blazers or black dress pants and silk blouses, desperately wanting to see more, touch more, taste more. The senses could only sated for so long before the desire for more bubbles to the surface. 
Across the table, Spencer watches as Y/N sips the red wine JJ brought over. It’s hard to not watch her; to not completely hone in on the way her eyes are light with laughter, or the way her hair cascades down her shoulder, blending into the dark green color of her dress. Spencer kills himself trying to not look at her because he knows if he does, he’s done. Or rather, he knows that if he lets himself love her openly, he’ll only end up hurting themselves. So, he sits there, in Derek’s backyard trying to pretend that he’s not staring at Y/N. The only thought that comforts him is holding on to the idea that Y/N is doing the same thing. He supposes that’s what happens to relationships that blossom from the shadows of secrecy. In their attempts to not hurt others, they end up almost destroying themselves. 
He decides to pretend to find Garica’s cuckoo clock fascinating. He stares at the wacky colored birds and swinging arms entirely too long. In the corner of his eye Spencer watches the next couple of moments unfold. JJ and Garcia drunkenly bounce over to Y/N; they put their arms around her in a fit of giggles and smiles. Garcia’s arm extends around JJ’s neck and she lets out a loud announcement for a “Selfie” or rather what Spencer can only assume is a photograph of the three of them. The phone, even though Spencer does have some disdain for the invention, sure does serve its purpose. In all the light rays bouncing around and the blinding flash, pure magic happens. Spencer is aware that it makes him sound like a total sap, but he’s jealous of the phone. He’s jealous that his eidetic memory may only allow him to remember the Y/N’s notes in the margins of her case file or the annual “Happy Birthday, Genius” on a Hallmark card once a year. What he would give to just be able to capture her in the light of company, not hanging on to fleeting memories in the shadows.
Lost in his thoughts, Spencer does not notice an unusually drunk Unit Chief wandering over to the empty chair next to him. All of his awkwardness, Spencer is not sure if he should acknowledge his drunken boss or stop staring at his secret girlfriend. It’s at time like these that Spencer resorts to reciting Crime and Punishment or 100 Years of Solitude either seem ironically appropriate. 
“Reid,” Hotch says, leans in close, far too close for the usual uptight and business-like Aaron Hotchner that Spencer has grown to know. 
“Hotch?” Spencer answers, his voice laced with trepidation and anxiety. 
“You gotta stop staring at Y/L/N. You’re gonna rat on yourselves if you don’t stop staring at her like that,” Hotch tells him, his breath might smell like whiskey, but his eyes tell Spencer that he’s a lot more sober than he seems. 
“Like what?” Spencer counters, choosing to play dumb at best as he could, or at least just slightly clueless. 
“That doesn’t work on me, Reid. You should stop looking at her like you love her,” 
Spencer looks at his boss, at Y/N, and back at his drink. Was he seriously that transparent? 
“I don’t know what you’re talking about, Hotch. Y/N and I are-” 
“Spence! Spencer!,” Y/N shouts as she practically runs over to where Spencer sits with Hotch, watching the rest of the team. 
It’s like Hotch isn’t even there anymore, it’s like no one is even there. God, it might sound sappy, but Spencer doesn’t care anymore. It’s going to kill him playing it like he doesn’t care about Y/N, especially considering he’s doing a mediocre job. 
“I have a really bad headache, Spence. And I need you to take me home,” Y/N asks him, and Spencer notices an eager glint in her eyes that tells him all he needs to know. 
“Keep this between us please, Hotch? Just until we figure it out,” Spencer almost pleads to Hotch who answers with a dismissive wave. He leaves them there to figure out their plans to sneak out of Garcia’s undetected. 
“Hotch knows? Of course you know,” Y/N says with a roll of her eyes and a quick wink at Spencer, whose growing embarrassment from the situation is only second to his excitement at the night to come. 
“Spence, go say goodbye for me? I’m going to head to your car. You really gotta sell that I’m feeling sick,” Y/N tells him, standing a little too close and dipping her hand a little too low on Spencer’s waist for this to be a friendly gesture to any of their friends that might pass by. She takes a peak around the room and reaches her hand into Spencer’s pocket. He gives her a startled glance, but they both know that the thrill of sneaking around like this is kind of worth it. 
As Y/N ducks out of the room, Spencer makes his way to where Emily, JJ, Garcia, and Derek sit at the kitchen table taking shots of a clear liquid Spencer thinks is tequila. Great, Spencer thinks. Him and his secret girlfriend, who as far as the team knows is his best friend, have to sneak out of Garica’s place in front of a pile of loud drunks. Spencer feels his phone buzz, altering him that there is a very impatient Y/N waiting in the car for him  
“Uh, Garcia, Y/N’s got a really bad headache. I think it’s an onset of one of her migraines that she gets from red wine,” Spencer lies through his teeth, completely terrified from the way Emily glares at him. It’s like she can see right through him.
“So you’re taking her home?” Derek asks, speeding along the process and for that Spencer considers himself forever grateful. 
“Yeah, you know we are neighbors after all,” Spencer reasons. 
The awkward silence in the kitchen is only interrupted by JJ’s quiet humming to the song that plays in the background. Derek and Emily share a knowing glance as Penelope starts pouring the next round of shots. 
“I’ll see you guys on Monday, Y/N is waiting for me in the car,” Spencer says without a further glance to his very perceptive colleagues. 
“You go take care of Y/N, Pretty Boy!” Derek yells as Spencer walks out of the apartment, slamming the door behind him, perhaps a little too eagerly. 
When Spencer gets to his car, he stops himself before opening the door. In the light from the lamppost, Spencer can see his reflection in the back window of his car. He runs a hand through his hair and attempts to fix the crookedness of his tie. Smiling to himself, Spencer gets into the driver’s seat of his car and is greeted by Y/N, who even in the dark makes him feel alive. 
“Hey,” he offers nervously. Even though they’ve been together loads of times, there is a tingle of intimidation that settles in his heart everytime she looks at him. 
Never the one to shy down from a confrontation, Y/N leans in and places her hand gracefully on Spencer’s neck and her face looms close to his ear. Her voice is low and seductive and Spencer swears he can feel himself melt at the feeling of her being this close and him able to touch her. He brings his hands up to rest, one on her upper thigh, placed bravely under the slip of her silk dress, and the other draws circles around her elbow.. 
“Spencer, I need you to drive us home,” Y/N tells him a voice that Spencer knows he could never deny. 
He doesn’t answer her, because the silence speaks for itself. They can hear all they need to know in the silence. The quiet way that their bodies seem to just gravitate to each other. Spencer’s hand cups Y/N’s thigh and her fingers graze the back of Spencer’s neck. It’s those quiet touches that tell the other what they are too afraid to say aloud. 
The quietness settles between them even as they pull into the parking spot. It’s like they’re dance partners, completely a routine of sneaking in the shadows effortlessly. Or like they’re actors in a play, pretending that they’re not dying to play the role in reality. It’s a dangerous game that they play. But all of that is forgotten, pushed to the side as Spencer opens the door and the curtain rises. 
Y/N initiates the kiss, pushing Spencer down on the couch. She straddles his waist, her silky green dress spills over her thighs and Spencer is in awe of how the color contrasts against her bare skin. He’s not an artist, but looking at her he’s sure he has laid his eyes on the most beautiful being he’s ever seen. He might not believe in magic, it’s all just science and mind tricks, but he’s nothing but transfixed at the women sitting in his lap. 
“Spencer, please get these clothes off,” Y/N commands in a voice that gives away how badly she wants him. 
“Wait your turn, Y/N” Spencer says in a teasing tone that brings out Y/N’s sly smile. 
“Then do something!” Y/N shouts, getting even more impatient than she was in the car. 
“You’re so beautiful like this, I-I mean you’re always so beautiful, but you’re just so-” Spencer stammers over his words, and the only thing he’s sure of is that his insecurity is the biggest turn off. But Y/N continues to surprise him each and everyday, and tonight is no less. 
“Slow down, baby. It’s just me. There’s no need to go so fast right now. We have all night,” Y/N soothes, craning down her neck to plant wet kisses down Spencer’s neck. She’s probably leaving marks, Spencer thinks, but his desire to be seen as her’s outweighs the teasing from Morgan on Monday. 
The fact that it’s Y/N perched in his lap, kissing down his neck and wiggling around in a way that she can feel everything does nothing to fend off the adrenaline that Spencer’s high off of. 
“I need to see your face,” Spencer says holding her by the shoulders. He reaches around her as she leans back to unzip her dress. She stands so it falls to the ground in a pool of dark green fabric. Her body is out in the open to him and Spencer’s flushed face must be on fire by now. 
“I need to see your face, Spencer,” Y/N says in a way that Spencer knows that he can’t disobey. 
There’s that silence again. That loud silence, filled with lines of unsaid love poems and quiet love songs. The silence that says the perfect things that Y/N deserves to hear, but Spencer is too scared to say. Three months too soon to say, I love you, Spencer tells himself. His mind spins so fast that he feels guilty for neglecting the naked woman standing before him. 
“If you’re gonna fuck me Spence, we’re gonna do it in a bed. I love you and all but this couch is not going to handle me when I get a hold of you,” Y/N says as she runs off into his bedroom, leaving Spencer dumbfounded in her wake. 
Spencer swallows down his fears and anxieties. He sheds his clothes off during his walk to the bedroom. Y/N lies down on his bed and Spencer won’t let the silence speak for him this time. 
“How are you this perfect, Y/N?” Spencer asks as he crawls in between Y/N’s legs. He rests his hands on her upper thighs and looks at her like expects her to answer his question. Spencer dips his fingers down to the place Y/N wants him the most. In the low light from Spencer’s lamp he can see how his fingers glisten. 
“You took too long at Penny’s Spence, I had to start without you,” Y/N explains, a slight flush to her cheeks reminds Spencer that she too is just as affected by him as he is by her. 
“You touched yourself in my car?” Spencer asks pressing a firm kiss on each side of Y/N hip bones. He dances his long fingers up to her stomach, where her own hands sit as if she’s shielding this part from him. 
“Yeah,” Y/N tells him, slightly breathless from the small kisses Spencer places on her stomach and back down to the softest part of her inner thighs. He tells himself that he’s got to slow himself down before he loses it at the site Y/N wriggling and moaning at his smallest touches. 
“I left you a present in your glove compartment, Spence,” 
“Huh, who knew I had such a naughty girl,” Spencer says with an unfamiliar bravery in his voice. Unsurprisingly, Y/N picks up on this and decides to see how far she can take it. 
“I have needs, Spencer. Do you think you can take care of them?” 
Spencer doesn’t respond, but ducks his head down to drag his tongue across her clit, feeling how wet she is. He refuses to break eye contact and realizes how obsessed he would get if she’d let him do this for the rest of his life. Spencer’s eyes carefully watch how Y/N’s facial expressions morph in intense pleasure. It’s like a science experiment. When he plunges his tongue into her, she closes her eyes. But when he blows softly on her inner thighs then leaves hot, wet kisses her fingers come up to latch onto his scalp. He peers at her and waits for the way she moans when he slips one, then two fingers in her. He curls them up in such a way that he knows drives her crazy. 
“Oh my God, Spencer! Please,” Y/N cries, twisting in the sheets. He continues at the pace he’s set, chasing the blissful feeling of her coming undone because of him. The moments leading up to her release, Y/N tears her hand away from Spencer’s head and connects her palm into his. Holding her hand, Spencer whispers praises and presses small kisses into her pussy. 
“Come here and kiss me now, baby. I need you,” Y/N whispers, grasping onto whatever parts of Spencer she could touch. Her fingers move to cup his face and she holds him like he’s made of glass. In between the soft sheets and even softer touches, Spencer knows what it’s like to feel precious. Y/N cranes her head forward to attack Spencer’s neck with kisses. She relishes in the soft and supple skin of his neck. Once again, Spencer finds himself not caring that she’s going to leave marks. 
“How are you this perfect, Spencer?” Y/N asks Spencer, who for the first time in his life does not have an answer for a question. 
He closes his and lets himself float around in the fuzzy feeling in his brain. All he can focus on is Y/N’s mouth. The way her praises make him believe in forever and the way her kisses litter his cheeks, eyes, chest. 
“You’re the perfect one, Y/N. I don’t even compare,” Spencer says as he watches Y/N twist underneath him and somehow maneuver herself so he lies beneath her. 
“None of that, Spencer” She tells him sharply. Y/N drags her nails down Spencer’s chest, not leaving scratches, just light discoloration. Her head and mouth is dangerously close to where his hardened cock lays leaking between his legs. 
She grasps around the base and just gingerly touches him that Spencer is sure he’s going to be blinded from the pleasure. Suddenly he feels almost self conscious. His anxiety is not unknown to Y/N, who lays a comforting hand in his, mirroring her earlier motion. 
“You don’t have to Y/N. I mean if you don’t want to. I don’t want you to think just because I’m your boyfriend and I did it for you-” Spencer rushes out, terrified of what Y/N’s reaction will be. 
“Look at me, Spencer. Do you want me to suck your cock, baby? Look at me,” Y/N says in a voice that Spencer doesn’t recognize and doesn’t dare ignore. 
“Yes,” he breathes out, his voice shakes as he feels Y/N’s mouth take in his tip. He hisses at the sensation. The smallest movements set him on fire. Spencer’s large hands come up to hover over Y/N’s shoulder blades.
“Don’t be quiet, baby. I want to hear you,” Y/N says before she deepens her hold of. She releases him to glide her younger down the side, sending shockwaves of pure pleasure in Spencer’s entire being. 
“You like that, Spencer. You like my mouth on your cock, baby?” Y/N eggs him on. 
Even though he’s lost the ability to speak, Spencer’s moans bounce around the room. He knows he’s a whimpering mess below Y/N, but he’s chasing the feeling of release shamelessly. 
“Y/N, Y/N. Baby, you gotta stop. Or I’m gonna cum right now,” Spencer chants, tightening his grip on Y/N’s hand. He forces himself to calm down to focus on Y/N, but it’s a little difficult when all Y/N is focusing on him. 
Spencer sat up, his back against the headboard, and he pulled Y/N forward so she rested in his lap. She grins up at him, and Spencer can feel his heart squeeze at the look. She’s going to be the death of him, but at least he’ll die a happy man. 
Much to Y/N’s pleasure, Spencer lets out a lewd moan as she grinds down, pressing her wet pussy to his throbbing cock. He feels a little ridiculous getting so worked up and she’s not even inside him yet. 
“Please, Y/N. I need you, I’m not going to last long,” Spencer utters. He says her name like a prayer, it’s a hymn to her ears. 
“I got you, Spence,” she tells him, sheathing his length into her. 
Spencer pulls Y/N in closer so that their chests are flush together. Among the chorus of moans and mumbles of praise, Spencer reaches down to hold Y/N’s hand. He’s not a believer in soulmates. He was sure that he’d never find his match. Never find the one person who’d share his dreams and become his dream. But sitting there, Spencer cannot deny that he’s tethered to Y/N. Their hands link together and mouths refuse to let go, searching for any exposed skin. 
“Spencer,” Y/N groans, leaning her forehead into his. She looks into his eyes and Spencer dares to wonder if her eyes are glassy because of him. It’s magic how someone like her can make a believer, a dreamer out of a man afraid of living. 
Spencer closes his eyes in pure ecstasy. Y/N sucks along the tender skin of his chest, causing him to flush at her ministrations. He can feel her tighten inside him, so he snakes his fingers down to stroke her clit, exciting moans and more fervent kisses along his chest and up to his ear. 
“Just like that, Spence. You’re so perfect my sweet boy,” 
“Y/N, cum on me, cum on me baby,” Spencer cries, finally able to let go as he feels himself come undone underneath Y/N.
Spencer’s whimpers and constant moans set Y/N over the edge. She mewled into Spencer’s shoulder, kissing and nipping the sensitive skin. As her orgasm rakes over her body, Y/N tugs on Spencer’s hair, suddenly quite happy he’s keeping it almost shoulder length. 
Both of them feel their bodies come back to life, their breathing steadies and their hearts seem to beat a little bit slower. Gone were the array of moans. Gone was the burning desire to chase their release. Gone was the sound of praise. All that stands between Spencer and Y/N is the silence. The silence that says quite enough for them. 
The silence that’s braver than Spencer. 
He’s quiet as Y/N flops to his side, entirely spent and tired from the company of friends and strenuous activities that just transpired. 
“I know what you’re thinking, Spence” She offers, turning to her side to look at him. He gives her a straight faced smile, unsure of how to approach the subject. He knows that she knows what he’s thinking about, sometimes even before he’s thinking about it. 
“I meant it, Spencer. I really do love you,” Y/N professes, finally breaking the silence. Spencer swallows as his eyes scan the girl before him. 
“You’re my best friend, Y/N,” Spencer says quietly, and suddenly realizes that it’s probably not what a girl who just confessed her love for you wants to hear. But he knows that Y/N understands-- she understands him. 
“What I mean is, I want midnight coffee nights with you. I want small talk and deep conversations and everything in between,” Spencer says quickly. “I want you in secret Y/N, but I want you in public too,” 
Spencer watches his confession settle into Y/N’s face. He’s scared for the rejection, for the daylight to break on his dream.
“I’ve waited for you to say that for so long, Spence,” She says, leaning in to close the gap between their naked bodies. Spencer pulls her in to rest his chin on top of Y/N’s head. It’s comforting being there, feeling her heartbeat in the tune of his own. He feels safe, wrapped up around in Y/N.
They’re sweaty and smell like sex, but Spencer doesn’t care. His hair is messy and he’s exhausted, but Spencer doesn’t care. His neck and chest are littered with lovebites and marks, but Spencer doesn’t care. After months of running around in the shadows, months of letting the unsaid say what he desperately wants to say, months of being patient but dying with anticipation, Spencer doesn’t care. Spencer doesn’t care because on Monday morning, Y/N won’t drop his hand when they walk into the bullpen. 
THANK YOU FOR READING!!
Taglist: @calm-and-doctor​ 
Comment or send in an ask if you’d like to be tagged (please specify if you don’t want to be tagged in NSFW, but make sure your age is in your bio)
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phoukanamedpookie · 3 years
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Unpopular opinion: Kylo Ren would've been a more compelling villain if the writers leaned into the White Male Rage(TM) aspect of his character.
I've said before that Kylo Ren reminds me of all those white guys with AR-15s on the news who turned to mass murder to work out their issues with people "inferior" to them, not to mention the song and dance that always happens in the aftermath.
One question that always gets asked is some variation of: How can a kid from such a good family turn bad?
In making Kylo Ren's fall to the Dark Side all about his personal beef with Luke, the sequel trilogy missed out on being a reflection on the rise of the alt-right and the type of people its ideologies appeal to.
How does a kid from a family of heroes become a villain?
It's highly conceivable that, throughout Ben Solo's childhood and adolescence, he was taught (if not outright told) that he was born more special than anyone else and that he has a special destiny because of who he's related to. You can imagine how that would feed a massive sense of entitlement. Why shouldn't he impose his will on others? Don't you know who his father/mother/uncle/grandfather is? You can imagine how that leads to acts of extreme acts of rage and violence when he doesn't get his way. Why shouldn't he destroy anyone who gets in his way? Compared to him, they don't really matter.
Snoke wasn't even necessary! This is a guy who found a Sith holocron without Snoke's help. He has the drive and resources to seek out knowledge that would make him more powerful in the Dark Side of the Force. Kylo Ren didn't need anyone pulling his strings. The sequel trilogy should've gone with the oldest character flaw in the book: hubris. Pure, unadulterated, textbook hubris.
That's why it would've been important that the people who resist and finally defeat him are "nobodies" like Finn and Rey. The Force is accessible to anyone, not just special people with special bloodlines. That would've been a helluva message to send in 2015-2019, especially with the rise of white nationalism in the US and elsewhere.
So what about the Knights of Ren and breaking Luke's spirit?
Luke almost attacking Ben Solo because of a vision of a possible future felt weird and out of place. It came off as, "We have to invent conflict for plot reasons."
If TLJ was more interested in fleshing out these characters and relationships than rushing from one plot point to the next, we could've gotten something more substantial to explain why Ben Solo fell to the Dark Side.
I wouldn't make it about one incident, but a gradual slide that happens almost without notice. First of all, it'd serve as a reminder about how insidious the Dark Side is, how easy it is to fall more and more out of balance with the Force if you're not paying attention. How easy it is to be seduced toward the Dark Side of the Force if when, as Yoda says, your mind is not on where you are and what you're doing.
Ben Solo's fall should not be about Luke's moment of weakness, but his own. Maybe Luke has to go somewhere for a diplomatic New Republic thing, leaving Ben in charge while he's away. Perhaps one of the students challenges his authority, and Ben reacts by Force-choking that student. The others might try to make him stop, but in his rage, he turns on them. They try to defend themselves, but they're no match for him.
Sensing a disturbance in the Force, Luke rushes back to find his school destroyed and students slaughtered. But Ben's still there. They face off. Luke manages to keep Ben at bay, but he can't bring himself to hurt him. He subdues Ben long enough to get away and goes into exile. That's how we get grumpy!Luke.
That's just what I would've worked better, though.
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oreoambitions · 3 years
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46 for agentreign please
Anon I'm sorry this took me a thousand years, but here you go. This gets wildly NSFW after the cut. Enjoy!
/// The first time it happens, Alex figures it's a fluke.
There are, after all, extenuating circumstances. She's not sure how many glasses of wine she's had because every time she turns around Sam has topped her off again, and maybe she should stop indulging but the wine is good and the company is better and this is the first day off off she's had for so long that it's hard not to let go a little. Kara's been keeping the showtunes coming all afternoon, a little louder than her old bluetooth speaker can really handle but it doesn't matter because Spotify is really just an excuse for Kara and Sam to sing at the top of their lungs. Alex is not participating, but she is appreciating. Appreciating because it's nice to see her sister laugh and smile like maybe things are getting better and maybe things are going to be okay. And also appreciating because, well, Sam. It's hard not to appreciate anything and everything Sam.
The activity of the afternoon is ostensibly the production of baked goods for a fundraiser related to Ruby's soccer team. Alex says 'ostensibly' because the reality is that it's been more than three hours and they haven't gotten the first batch of cookies into the oven yet. There's flour all over the floor, and she's pretty sure Kara got butter stuck to ceiling before Sam took the mixer away, but sometimes that's just the cost of a slightly raucous afternoon well spent, isn't it? And they'll have it all done in time anyway. In fact, Sam is just now finishing up the first batch of cookie dough in the confiscated kitchen aid when Alex, perhaps inebriated or perhaps just feeling emboldened by the domestic comfort of the whole affair, lunges for the beater.
This, it turns out, is either a mistake or the best decision she's ever made in her life. Her hand does contact the beater. She does come within a few seconds of pure raw cookie dough bliss. But Sam is faster, and in a flash Alex finds herself pinned between the counter and Sam's hips, one wrist wrapped up in Sam's fingers, the beater now soundly out of reach in Sam's other hand.
"Mine," Sam growls, but her eyes have dropped to Alex's mouth and for one disorienting moment Alex thinks she might be about to kiss her, thinks maybe the word 'mine' has nothing to do with the beater at all, that maybe they've crossed into some alternate dimension where there's a future for her and Sam that doesn't involve a lot of politely smiling and politely never mentioning one another's romantic entanglements or the absence thereof.
And the thing is, Alex thinks to herself, contemplating the heat of Sam's gaze and the fact that she literally cannot move beneath Sam's hips, this is... attractive. This is very attractive, in an immediate and throbbing sort of way that would be frankly embarrassing approximately half a glass of wine earlier in the afternoon. But that can't be right, because Alex doesn't like to be pushed around. Alex is the one who does the pushing. Isn't she? Sam's grip tightens around her wrist and Alex's lips part of their own accord and-
"Oh for heaven's sake," Kara says, snatching the beater out of Sam's hand. "It's mine, because you two are both being ridiculous." She rolls her eyes. "I hate being the only adult in the room."
It was a fluke. That's what Alex thinks to herself later that night when she wakes with a start from a just-dozing-off dream featuring the immovable nature of Sam's hips. They were drinking and it was a long afternoon and everyone was a little wound up and a little giddy and Alex has been single for a long time. That's it. That's all it was. That's all it has to be.
///
It's harder to write it off as a fluke the second time, but she manages.
James is in town and so it's game night. Not their monthly game night as scheduled, but an extra at-the-last-second game night, and Alex is on call. Which is fine. She can count on her fingers the number of times she's had to handle something in the middle of the night while on call for the DEO, and she's not particularly worried. But it's a problem because she can't be drinking, which means she's sober when Sam corners her in the kitchen.
It's been a long night. Not in a bad way. Just in the sense that things have been a little more risque than usual, what with Nia falling over herself trying to make it clear to Brainy that she'd like to sleep with him without actually making it clear, and Lena shooting those long smoldering looks at a characteristically oblivious Kara, and then there's Sam. Alex can't stop looking at Sam in that shirt where it sits a little too tight across the shoulders, can't stop tracing the line of that necklace to the place where it disappears just below her collar, can't stop following the meaningless movement of her fingers as she absently fiddles with a beer that wouldn't have an effect on her even if she drank the whole case. She wonders idly if it's for the aesthetic or if Sam just likes the taste of a craft IPA.
The trouble is that every time Alex catches herself looking at Sam, she also catches Sam looking at her. And so, upon dragging her eyes up once more from Sam's fingers to find Sam staring back at her, eyes dark and expression unreadable, Alex decides it's time for a drink after all. One beer won't hurt, even if the world decides to consider coming to an abrupt conclusion in the next hour or so and it turns out to be her responsibility. It's just that her mouth is suddenly dry, and the room is suddenly too loud, and she needs something to roll between her fingers the way Sam is rolling that IPA back and forth and back and forth and- Yeah. Just one beer will be fine.
She slips into the kitchen while Nia is yelling about how they should all do a TikTok together. It's quieter here, and a cool breeze through the window over the sink raises goosebumps across her arms. She pops the fridge open, pulls a beer at random, leans up against the counter. Maybe she doesn't want a drink after all. Maybe she just needs a minute.
"Aren't you on call, Ms. Danvers?"
Sam. Alex pouts. "What are you, the party police?"
Sam steps up close, takes the beer from Alex without so much as looking at it. "Aren't you the alien invader police?"
That's a dumb line and it doesn't remotely reflect Alex's actual job description, but she laughs anyway. "It's just one beer. Like 4%. I can handle it."
"I know," Sam murmurs.
Alex thinks she's forgotten how to breathe. Sam's eyes are on her mouth and those hips are pressing into her again and when Sam slips one arm around her waist and one hand into her hair a sound comes out of her that might have been a whimper. There's an inevitability to the way Sam leans in, to the way Alex's lips part as Sam tilts her head back with a firm tug. There's a moment of hesitation, a lingering, an opportunity to say no. Instead, Alex whispers, "Please."
Sam obliges. She kisses her slow, languid almost, holds her firm against the counter as she licks into her mouth and Alex is thinking that maybe she's going to come right here just letting Sam kiss her like this when Sam presses a thigh between her legs and she gasps, grinds down hard without meaning to.
Sam chuckles into her mouth, drags one hand around to her throat, traces feather light kisses along her jaw, tugs on her earlobe with her teeth. "Good girl," she whispers.
Alex isn't sure if it's the heat of Sam's breath, or the praise, or the way she's been casually immobilized, but she shudders, and Sam chuckles again, lips against her ear, and that only makes it worse.
"Fuck," Sam says. "If I had my strap with me I'd rail you right here."
Alex is pretty sure that would kill her. She's pretty sure just the thought of it is going to kill her. Just the pad of Sam's thumb dragging across her throat as she kisses her again, just the roll of those hips, that thigh pressing hard into her, that deep ache coiling tighter as Sam pulls back just far enough to meet her eyes and-
"Hey, Nia wants- Oh!" Lena stops short just inside the kitchen door. "I'll just." She plucks a bottle of wine from the counter. "Take this and tell her that you've uhm. That you're busy."
"We'll be right there," Sam says. She straightens Alex's shirt with a tug and a smirk. "Wouldn't want to miss the TikTok dance."
"Nope," Alex chokes out. "Wouldn't want to miss that."
It's a fluke. Alex takes a long shower when she gets home, and she takes care of the lingering ache that's now outlived not one but two TikTok dances, and she thinks about texting Sam. She falls asleep with her phone in her hand and if she has dreams about a tall, handsome, strong woman railing her against a kitchen counter, well. That happens sometimes. Could happen to anyone. Doesn't mean anything except that Alex has been single for probably too long . She downloads Hinge in the morning and considers explicitly mentioning in her bio that she's the one who wears the strap.
///
The Hinge profile lasts about three days. Alex scrolls through a ridiculous number of women, all of whom are... fine, before she comes to the conclusion that the problem is that none of them are Sam. She's sitting on this stupid app pedaling her stupid profile and all she wants is the woman whose attention prompted her to download a dating app in the first place. And she can't want Sam because it would never work. They're fundamentally incompatible. This bedroom ain't big enough for two tops. It's not going to happen.
But the words if I had my strap with me I'd rail you right here are as stuck in Alex's head as that Lady Gaga song Brainy won't stop playing over the speakers at the DEO. She can't stop thinking about it. Picturing it, even. Dreaming about it when her mind should be anywhere else, on anything else. And she'd just avoid Sam, just look the other way until her hormones sort themselves out, except that Sam is virtually impossible to avoid.
Kara doesn't make it any easier when she calls on Friday night to ask her about a movie night at Sam's apartment.
"Ruby's on a school trip, so it'll be just the four of us," Kara says over the phone. "I'll bring snacks, and we can order whatever you want for dinner. Please? Lena's never seen Star Wars; we have to do something."
Alex doesn't know how to say no. No, I won't come to what feels suspiciously like a double date movie night at Sam's apartment, because Sam's strap is at Sam's apartment, and I'm not sure that she isn't going to try to fuck me on the bathroom floor, and furthermore, I'm not sure that I don't want her to. Instead she says, "Any Star Wars? That's a crime. Which movie are we starting with?"
It's probably a safe bet anyway. Kara and Lena will be there the whole time; Alex and Sam will never be alone. All Alex has to do is make sure that she leaves when everyone else does and they can avoid the awkwardness altogether, and no that is definitely not anticipation she's feeling in the pit of her stomach, and she certainly does not spend an extra half an hour in bed on Saturday morning keeping herself busy with the thought of offering to stay and help clean up, of finding herself pinned against the refrigerator door while Sam takes her from behind. That absolutely does not happen because that would be ridiculous, undignified, untoplike behavior.
Alex is certainly feeling ridiculous, undignified, and untoplike standing outside Sam's door that evening, anxiously smoothing out her shirt with one hand, a case of that IPA from game night in the other. She's arrived a carefully calculated fifteen minutes late just to be absolutely sure Kara and Lena will get here first, but she didn't spot Kara's car outside, and so she isn't particularly surprised when Sam opens the door with a warm smile and welcomes her into an empty apartment.
"Kara and Lena?" she asks as Sam takes the proffered beer.
"Lena got held up at the office," Sam replies, already disappearing into the kitchen. "They're running late. An hour or so. Told them we'd wait. Do you prefer an IPA or a lager? I don't have any stouts in the fridge right now. Might be a decent sour in here somewhere."
Alex lingers in the entryway, that not-anticipation feeling thrumming through her veins. She could follow Sam to the kitchen. Kitchens do seem to be their Thing. But Sam returns with two lagers, her question unanswered, and nods her head towards the living room.
Well, now they're alone together after all and Alex is feeling awkward. She settles onto one end of the couch and tries not to read into it when Sam deposits the lagers on the coffee table and settles in next to her, legs folded under her, almost too close, instead of occupying the perfectly good cushion on the other end.
"Sam," Alex tries. They should talk about this. "We should talk about this."
"Hmm." A hint of a smirk flickers across soft lips before Sam schools her expression. "Talk about what, exactly?"
If Alex had bothered to rehearse this conversation in her mind, she still wouldn't have imagined it going this way. Her eyes drop to Sam's mouth and then she struggles to look elsewhere. The records on the shelf under the window. The blank television screen.
"I-" she starts, but the words don't want to come out. The lager on the coffee table. She doesn't reach for it. "I can't stop thinking about game night," she forces out, and then she looks back up at Sam to gauge her reaction.
Sam is smirking openly now, a hint of laughter in her eyes. She reaches out to tangle long fingers in the hair at Alex's nape, the same grip she used to pull her into a kiss just last week, and Alex's arousal is embarrassingly immediate. "Really?" Sam asks. "Game night, huh? You want to know what I can't stop thinking about?"
It's Alex's gaze that drops first, to Sam's mouth again, and this time she can't look away. "What?"
"Tonight," Sam replies, close enough that Alex's eyes flutter closed, close enough that she can almost feel Sam's answer on her lips. There's probably a coy response for this somewhere in the lesbian handbook but Alex is reaching and coming up empty. She presses a soft kiss to Sam's mouth instead and feels that anticipation - there's no denying now that it's anticipation - thrum again when Sam's tongue immediately presses into her, hot and demanding.
"What's so special about tonight," Alex mumbles as Sam kisses along her jaw to her neck.
"Mmm." Sam nips hard against Alex's pulse point, smiles into her skin when she gasps. "Well, that depends."
"On what?"
"Take your shirt off."
Alex hesitates. That isn't remotely the answer to her question, but now Sam is sucking on her neck and her capacity for rational thought is rapidly diminishing. She fumbles with the first shirt button, fingers trembling, and then the second. Three undone is enough for Sam to pull the offending garment over her head. The sports bra follows, and then Sam is tugging on Alex's hips to reposition her so that she's lying back on the couch, and Alex suddenly understands what everyone finds so attractive about kryptonians, because it's effortless the way Sam moves her. She has about a half second to be transfixed by the abs peeking out from under Sam's own blouse before Sam is kissing down her collarbone and over her breast, chuckling when Alex's hips jerk underneath her.
"You know," Sam says, "I was expecting more of a fight out of Alex But-I'm-A-Top Danvers."
Alex opens her mouth to let out a retort but Sam's tongue is working a circle around her nipple and rational thought is once again threatening to fail. "Is that what you want?" She manages, struggling to sit up. "You want a fight?"
"No." Sam pushes her back again, pins her arms over her head with one hand, brushes the fingers of the other across her ribs, frowns. "No, I like you better like this."
Alex flushes and has to remind herself not to squirm, not to look away as Sam studies her in silence, drops kisses across her shoulders, traces the lines of her hip and the inside of her thigh. And then Sam reaches under the couch for a box, the implications of which are momentarily as immobilizing as the hand still holding Alex's wrists down, because Sam planned for this, planned far enough in advance to stash supplies where they might be convenient.
Alex swallows hard when Sam's pants exit the scenario, and Sam's eyes flicker over her face as she opens the box.
"How do you feel about being strapped on the couch?" she asks.
It's such a blunt question that Alex flushes again. "Uhm. Okay?"
Sam stops with her harness halfway out. "Just okay? I'm gonna need a clear yes or-"
"Yes. God. Yes please," Alex says, flushing an even darker shade. She's going to let... this... happen, but she's not going to beg. Christ. Consent granted; please let's move on before things get awkward. Sam chuckles a little at her discomfort and presses a kiss to her brow.
"Okay. But if you want me to stop you just say the word."
Alex nods, not trusting herself to speak, eyeing Sam's fingers where they're tightening the harness. And then all at once she blurts out, "Kara and Lena could be here at any moment," which she hadn't realized might be a concern until it came out of her mouth but now she can't stop thinking about it, and how embarrassing that would be, and Kara can see through walls for heaven's sake, and-
Sam chuckles. "Baby," she says, sliding herself between Alex's legs, "You're not going to last long enough to be worried about that."
Sam is embarrassingly, excruciatingly not wrong. By the time the strap is working into her Alex is pretty sure she's wound tighter than she's ever been, and she'd crack some kind of joke about how it's clearly been too long since she's had anyone inside of her but this is really not the time. Sam is pressing inexorably deeper and it's all she can do to hold her breath because otherwise she's going to come altogether undone before they've even gotten started.
Sam gives her a moment when she's all inside, waits for Alex to exhale, waits for her nod before she starts to rock her hips, and the drag of the strap is so intense that Alex loses her breath and her self control in the same instant with a groan that only deepens Sam's smirk. Alex is kind of wishing Sam would give her back the use of her hands, but that's not in the cards. She squirms instead, hips bucking of their own accord, head thrown back hard against the cushion of the couch.
"Thought about this every night," Sam murmurs, and Alex thinks she'll say since game night but she says, "Since the day I met you," which is almost as mindblowing as the pleasure somehow, incredibly, continuing to build between Alex's hips. "Thought about how good you'd be under me."
Alex shivers at that and then comes, bucking hard into Sam to take as much of the strap as she can, half aware of Sam whispering something in her ear that might have been what a good girl you are if Alex had been cognizant enough to comprehend it. She comes back down to soft kisses across her face, and when Sam lets go of her wrists she wraps her arms around her and tries to remember how to breathe, how to pull all the pieces of herself back together, how to be a competent and capable, dignified and toplike partner.
Alex runs a hand absently through Sam's hair and hums. "Do you want me to return the favor?" she asks. She doesn't have a strap with her but, well, it's not like that was ever the best trick up her sleeve anyway. She opens her mouth to make a quip about how a good top is always prepared but Sam reaches out and casually tips an untouched lager onto her discarded shirt.
Alex splutters.
"Too late," Sam says brightly. "You'll have to ask me after dinner. Lena and Kara are here."
"Lena and Kara are what-"
And there's the knock at the door. The door not ten paces from where Alex is lying in a state of naked disarray on the couch where they are supposed to be watching Star Wars. There is a moment of absolute stillness before Alex begins to scramble for her clothes.
"Bedroom is the second door on the left," Sam says, sneaking in a last kiss while Alex reaches for the underpants peeking out from under the coffee table. "Clean shirts in closet. Do pick something nice; I've been dying to see you in my clothes."
Alex scurries down the hall in her socks quietly cursing and thanking every star in the sky. It's going to be a long night. If she's lucky.
147 notes · View notes
gohyuck · 3 years
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pairing: head knight!jeno x monarch!reader (reader has genitals attributed to those considered biologically female but no pronouns are actually used)
genre: fluff, mild angst (they discuss an oncoming battle they must prepare for), smut (it’s mostly smut)
word count: 6.5k
warnings & notes (nonsexual): mentions of war/battle, mentions of injuries retained from past skirmishes, jeno is as tall as you need him to be in order to rest your head against his chest without leaning down, it’s kind of cheesy tbh they are disgustingly head-over-heels in love with each other, also a peryton is a fantasy creature that’s essentially a stag + a bird, also i know y’all must be tired of royalty aus but i swear this is almost pwp (except there’s context so there’s plot) so give it a chance (if you’re legal) i guess
warnings & notes (sexual): oral (giving and receiving for both parties), fingering (reader receives), spit kink (lmao sorry), general messiness honestly, mild knife kink (no blood drawn, he just uses a dagger to tear apart clothing), gratuitous usage of the name ‘lionheart’, jeno has a big dick because i cannot stop myself from doing that to y’all for some reason, some choking
special thanks to @moonlit-jeno​ @domjaehyun​ @waithyuck​ for reading parts of it/all of it beforehand!
the soft hours of twilight have their holds on you, chilling you to your bones even as you pull the heavy fur cape tighter around your body. you should’ve pulled something over your thin nightgown, you suppose, something to act as a middle layer between silk and skin and peryton fur, but it’s too late for that. you’re already out on your private balcony, overlooking a kingdom you’d do anything to see the sun rise on day after day. 
far, far past the outskirts of your humble realm, barely visible to your own eye, an unsettlingly large camp of soldiers is finishing setting up camp for the night. you watch as tiny, tiny orange pinpricks - no doubt the fires they’d set to make food, to alert you of their presence - begin to get snuffed out. finally, they sleep.
if you were any worse of a person, of a ruler, you would send your army after them now, hours before the battle is set. perhaps, if you were any less selfish, you would do so regardless of keeping your status as a good and just monarch. if you were any less selfish, you would shake awake the love of your life and hand him his cape after shedding it from your shoulders. you would tell him to rouse his men and women, to arm them to their teeth, and to fight for what is right using means that are entirely wrong. 
as if privy to your thoughts, your head knight stirs in the too-large bed behind you. you turn just in time to see him sit up and twist his body left, right, left as he stretches to rid himself of sleep. it’s too late - or maybe too early - for either of you to be awake. maybe you should have stayed within his warm embrace rather than gotten out of bed to size up the army of the kingdom of crithage. 
even now, you can’t help but strategize, at least on a basic level. crithagians are unused to the cold of your beautiful - but often frigid - ekoria. they won’t expect your people to fall upon them from the icy cliffs that surround their camp, nor will they be able to see over the oncoming blizzard your royal sky-reader has predicted. she has not been incorrect in many, many years. ekorians have, over the years, grown accustomed to heavy snows, among other weather phenomenon, so your army’s visual acuity is not to be questioned. 
that, and your troops are in the hands of the best warrior ekoria has ever had.
jeno. your jeno. your lionheart. you rein your thoughts in just as he pulls open the balcony door, closing it behind him with a soft click as he steps over the threshold separating in from out and warm from cold. goosebumps rise across his bare flesh the moment his skin meets air, and you don’t hesitate to slide his cape off and thrust it towards him, knowing full well that his arms will provide more than enough heat for you. he fastens it with ease, seeming slightly amused at how you’d been using it as a blanket, and gently grabs ahold of your wrist before pulling you into his chest and wrapping an arm around your waist. with his other hand, he takes a corner of his cape and wraps it around you, leaving you enveloped in both his hot-to-touch skin and the comforting fur. 
“they’re out in the valley, aren’t they?” he finally murmurs, leaning to place his mouth against your ear. jeno’s voice is thick and sleep-ridden, still raspy in a way that settles around you, inside you, within you. you lean back slightly, raising a cold hand to rest against the tattoo of a lion that adorns his left pectoral, mane stretching up to his collarbone and encroaching on his bicep. the lion has a scar on its right cheek. you pull away more, eyes landing on the thin discolored line underneath your lover’s same eye. 
it had been a longsword, meant to slash across your throat. jeno, with the speed of a star falling from grace and enough adrenaline to fuel a hundred men, had leapt across you in order to take it across the face. for crown and for country, bard’s songs later regaled of him. for you, he’d whispered to you that same night as you’d stitched him up, using the threading tactics you’d learned from the castle medic as a child. for you. always for you.
“my love?” jeno prods, and you realize you haven’t given his rhetorical question any acknowledgement. you hum, meeting his eyes with your own, and watch as he allows one corner of his mouth to turn up. 
“they only just put out their fires.” you finally respond, moving to be against his chest again. you rest your head against the intricate ink against jeno’s skin, finally letting out a breath of what one might consider worry. the air that leaves your lungs manifests into wisps out in the cold world that surrounds you. your lionheart pulls you ever closer. 
“you need not stress.” he says simply, and an outsider to your relationship would see no cohesion between your statement and his. still, you know precisely what jeno means, why he’s said what he’s said. you turn, pressing your lips against the lion’s forehead. above you, your own lion brushes his lips against your temple. 
“i have an army, a kingdom, even, to worry about, and yet i only fear tomorrow for whatever outcome befalls one man.” you whisper, and even you are surprised to find tears catching in your throat. you do not cry easily, not when you know firsthand how cruel the world can be. 
you only reign because your parents no longer breathe. 
tomorrow’s battle could easily bleed into next year’s war, and while your kingdom is prepared for such a thing, your heart may not be. your people are not belligerent, and neither are you. crithage had been the one to throw the first stone, had sent word that if you refused to relinquish your throne and bow your head, they would aim the first arrow, draw the first blood. no tears had been shed then, not even when you’d paced around your bedchambers, reading and rereading the note signed with blood red ink until jeno had physically pulled it out of your tight grasp. you hadn’t cried, not even when he’d said that he was willing to die if it meant keeping crithage out of ekoria, out of the kingdom you’d both built from ground up after the war that had taken your parents, out of the home you’d created together. 
“wherever you take us, i will follow. wherever you need me, i will lead.” he’d murmured the words against the lobe of your ear, standing beside and slightly behind your throne as you’d written out your reply to crithage in a room full of your advisors. nobody else had moved a muscle then, not even as you closed the envelope with hot wax and the royal seal. 
you’d sent back a much, much shorter letter than their own in response. 
a time and date for battle. nothing more and nothing less.
that had been so many months ago, so far away that the concept of time dissipates when you attempt to organize it in your harried mind. with a hostile army on your doorstep, everything suddenly feels far more real than it has before. your people have been evacuated, your troops have been trained. your lionheart is unafraid to the world, standing tall and proud at your side as he always has.
a sigh that starts from deep in jeno’s chest brings you back to the present. tomorrow is it, you’re reminded. crithage has seiged almost every other state between themselves and your beloved ekoria. if they get to you, they’ll have your head, raised high on a stake they’ll erect outside of the gates they’ll install to the place you call home. if they get to you, it means they’ll have gotten through jeno.
you can’t live in a world without him. it’s a dangerous attachment for a ruler to have, you’re well aware. if other kingdoms find out that your weakness is a person, one that lives and breathes, you’re not likely to ever see your love again.
it’s little comfort that jeno can’t live in a world without you, either. 
“i worry about not being here, at the castle, to protect you,” he mumbles into your hair. “i know that you are perfectly capable, and that you’ll have your own faction of our knights with you, but i- it feels as if i’m about to open my chest and leave my naked heart unguarded, right there for any arrows to pierce.”
jeno’s confession is simple, beautiful in the way the most ornate of daggers are: that is, you feel as if he’s just dragged a sharp edge down the length of your sternum, taking you apart piece by piece. his words cage you in, force you deeper into your own head in a way you can’t afford, not right now. 
“eloquent,” you hum, unable to resist teasing him even as the moment does not call for it. it’s to save yourself from your heavily beating heart. “it isn’t too late to make you my poet laureate, you know. no need to wield a sword tomorrow then.”
“and who would be your head knight then, hm? the current laureate? you want renjun to lead the charge against the crithagians? to be your lionheart?” your lover draws back to ensure that you can see his eyes, glimmering with mirth. renjun is an able man, and one of your best friends, but he is not the warrior jeno is. 
nobody is the warrior that jeno is. 
“such a foolish thing to say,” you smile up at him, lips folding from joking to earnest within moments. the merriment fades a little from jeno’s eyes at recognizing the change in your expressions. “you’re my only lionheart. always have been and always will be, even when you’re too old and gray and slow to be my head knight.” 
“someone seems confident of that happening.” he says quietly, raising the hand at your waist to come up and rest over your own hand that lies against his chest. you swallow, your own spit feeling too heavy for you to stomach, your throat dry and scratchy. 
“who else can have confidence of a victory rather than a monarch?” you ask, a smile that isn’t quite sad - but isn’t quite self-assured either - resting on your lips. jeno raises your hand to his lips, pressing one, two, three chaste kisses to the back and then repeating the pattern against your palm. he does not let go.
the two of you stand there for a stolen moment. you lay your head back against his chest, listening to the thundering of his heartbeat below the ink and skin and muscle and bone. he is real, and he is here. 
he is real. he is here. 
“the monarch’s lionheart, of course,” he murmurs, finally dropping your hand to reach back and push open the balcony door. “we only have four more strokes of time until i must go, my love. is this truly how you want to spend it?”
it’s evident that jeno no longer wants to mull over the what-ifs, not when he prefers living in the present more than anyone you’ve ever known. unsurprising, you suppose, for someone whose livelihood involves strategizing away his own mortality. you allow him to pull you back into your bedroom, immediately more comfortable when the door closes behind you, keeping you in with the body heat of your lover and the warmth of the crackling fire on the hearth in the corner of your room. jeno sheds the cape, draping it over the nearest chair, before bringing you back to his chest by placing his large hands against your waist.
it takes feeling his fingers against your skin through the thin silk of your slip to remember that jeno has nothing on. he’s always preferred to sleep naked, unlike you. though you hardly have any undergarments on, you at least wear a sheer gown most nights. 
you’d ridden him passionately before bed, tiring both of you out in order to get any semblance of sleep. as your lionheart pulls you flush against him, though, it’s difficult to avoid the way his cock hardens against your hip once more. you want to quip about how jeno’s insatiable, but he trails a hand up, up over your body to swipe a thumb over one of your hardened nipples, and you can’t help the sigh that escapes through your prettily parted lips. 
“will you get on the bed for me, love?” jeno’s voice is smoother now that he’s more awake, though you can’t help but miss the low growl that had come with the earlier rasp. he may be asking you a question, but you know that it’s an order in disguise. wordlessly, you step back, back, back until the wood of your bedframe presses against the soft plushness of the back of your thighs. jeno has not moved, choosing to stay put and appraise you instead. his eyes are hooded now, and as his gaze trails from your neck - he’d marked it up earlier, the kiss-bitten bruises not yet having faded from your skin - down to the curve of your chest, over the expanse of your thighs, he can’t help but reach one hand down to his dick, swiping two fingers over its head to collect his precum on his skin. 
jeno says nothing else, makes no other move. it’s to give you an illusion of control, you suppose. not that you need one. 
“should i rid myself of this, lionheart?” you ask, the words coming out breathier than intended. the nightgown leaves absolutely nothing to the imagination, and you’re sure he can even see the slick wetness that’s pooling against your inner thighs. jeno adores seeing your body more than anything, but the gown does not inhibit that. 
it’s no surprise, then, when he shakes his head no, instead finally moving to stand at the edge of the bed, slotting himself between your thighs as they naturally move apart to fit him in. his clean hand slides up under your gown, resting just above your cunt, as he raises his other hand to your face. 
“lie back, and open.” jeno states, no air of leniency about him anymore. you oblige, and your love leans over you, his dark gaze centered on your parted lips. 
he lays his two precum-coated fingertips against your tongue, pressing in and then down and revelling when you don’t gag but instead run your tongue over his fingers, cleaning them off for him. you haven’t gagged in a long time, your reflexes getting used to him in the way the rest of you is. when he withdraws his hand, your mouth stays open, and jeno can’t help himself as he leans over you and, after gathering it in his own mouth for a moment, allows his own spit to fall from his own tongue and onto yours. 
your eyes go wide at the action, and you know that he notices it even as he does not acknowledge it. even so, you don’t miss the smirk that crosses his face upon hearing your breath hitch. jeno has you in his palm.
satisfied, he stands, and you close your mouth and swallow a part of him with a part of you. jeno’s no longer looking at your face, but you can’t bring yourself to care, not when he’s ruching up your nightgown with growing hunger, not when he’s kneeling on the stone ground just to make himself eye-level with your pretty, pretty pussy. 
“i took you hardly any time ago,” he murmurs, breath hot against your skin as his mouth nears where you so desperately need him. “and yet here you are, laid open once more, all for me. only for me.”
“always you, jeno, please - ” you can’t get any more words out, the air being pulled out of you as he dives in and circles your clit with his tongue, bringing his two spit-soaked fingers up to press into you with almost no resistance. your reaction is instantaneous, walls clenching like a vice around his fingers as he lays a filthy kiss against your bundle of nerves, hips jumping up only to be kept down by jeno’s other hand, pressing down against the bottom of your stomach. 
“patience.” he pulls off of your clit just to growl the word out against the skin of your inner thigh, and the wet heat of his mouth directly against your flesh has you practically gasping out. when jeno sinks his teeth into your thigh as he’s often wont to do, you let out a full-bodied whine, the kind that starts in the back of your throat and rises up through the inner column of your neck, meant only for your lover’s ears. jeno laves his tongue over the marks he’s just created, as if to wash the pleasurable pain from your body. 
he does not reattach his mouth to your core, choosing instead to fall back and watch, eyes trained, as he scissors you open. with hardly any warning rather than his gaze jumping up to meet your own momentarily, jeno presses his thumb into your clit, using your slick wetness to eliminate any raw friction as he rubs slow circles against your nerve endings. he’s never failed to bring you to the edge with ease, and now is no different. you’d be embarrassed at how easily you fall apart just from his simple simultaneous motions, in and on you, but it’s jeno, and he knows your body maybe even better than he knows his own. 
keening, a loud, gasping wail, falls from your lips only for jeno to rise from his place in between your thighs and swallow your sounds with his open mouth, his clean hand coming up to cage you in against your sheets. the way you raise your arms to loop them around his neck is akin to the way a drowning man would grab on to a lifeline, and once he rises you pull him back into a longer, filthier kiss, where your teeth click against his and his tongue opens up your mouth the same way it feels like his touch opens up your body. 
you feel as if you’re being flayed, as if hellfire is the only thing comparable to the heat against your skin. jeno steps closer, just by the tiniest bit, and you feel his hand - the one shining with your arousal - brush past your hip before he uses it to wet his cock with one, two, three firm strokes. copious amounts of precum arise from the tip before being pulled down against his flesh with expert downstrokes. your mouth waters as you watch.
“my mouth, lionheart, please?” you finally gain the courage to ask what is on your mind, sitting up on your elbows as you begin to slowly find your strength. your love raises an eyebrow, and not without reason: jeno is a big man, making even you - a literal monarch - feel small at times, and this does not end with his personality or his person: you have never been able to take all of him into your mouth. the ache borders on painful, frankly, and jeno himself refuses to harm you in that way. 
“this, now, is about you.” he responds, and your heart cracks as you register that as a ‘no’. still, you speak again. you need him in your mouth, suddenly. it isn’t just a want. something has to anchor you to the here and now, it may as well be the head of his cock, heavy against your tongue.
“what is about me is about you as well,” you respond, and before he can lay his refusal down out flat, you slide onto the floor - warmer than expected - and tuck your heels behind your bare ass. “i need this. please.”
you’re directly in front of him now, face parallel to his strong thighs. jeno strokes up, squeezes tighter just below his frenulum, and you watch, struck, as precum beads at the tip and then splits into two streams, half sliding down his hard dick and the other slowly-but-surely falling to the ground, hardly a quarter of a step from one of your knees.
“give me your hand, then,” your knight murmurs from above you, drawing your gaze from his leaking cock up past the dainty curve of his lip to his hard eyes. “now.”
when you raise your hand up, you only put it up limply, unsure of what he means to do with the limb he’s asked for. your eyes must be swimming with questions, because jeno gives you a hint of a sweet, reassuring smile before allowing his expression to become stoic again… right before he grasps your given hand and straightens it out, gentler than expected from such a great warrior but harsher than he truly ever treats you. 
he’s passionate. this demonstrates it. 
before you can react, your body following your hand up off of your heels, though only slightly, as he yanks up your hand, jeno leans down and licks up your hand, from the bottom of your palm to the top, all while maintaining eye contact with you. he lets go, though you keep your hand raised, your gaze obviously dumbfounded. 
“a dry hand would rub me raw,” he explains, though the smirk that’s tugging at one corner of his mouth shows that he finds your wide-eyed expression at least mildly amusing. “we do not want that, do we?”
it’s amazing how easily he can get you under his thumb when you give out orders that hold his life in the balance on a day-to-day basis. maybe that’s why he finds taking charge in private so easy. maybe it’s his way of evening your dynamic out. even now, as he asks you an innocent question with no hidden meaning or reaction, you find yourself shaking your head along enthusiastically. no, of course you don’t want to rub him raw. of course you and him don’t want that. 
you raise the hand now deemed ‘not dry’ up as jeno watches, finally, finally wrapping your hand around it. your thumb and middle finger do not meet, no matter how tight you squeeze. your lover lets out a fulfilled groan at finally feeling a touch other than his own on his hard cock, and it’s a beautiful sound. you want more of it. you want more of him. 
as if mesmerized, you lean closer, darting out your tongue to lick experimentally at his slit. he holds his breath, a large hand coming to rest lightly against the back of your head and base of your skull, waiting. you take this as a sign to stretch your lips wider, engulfing the entire tip of his cock in your hot mouth. his grip tightens in your hair, and, in return, you clench around nothing. 
as you struggle to take more of jeno in your mouth, you do your best to stroke the rest of his cock with a tight enough grip to make him feel everything, but not tight to the point where you’re hurting him. regardless of how little you can take on your tongue - not your fault, by any means - jeno seems happy, barely able to stop himself from bucking up into the back of your throat. at this point, you’re essentially just warming his cock, so you pull off with a slick pop to look at him with slightly watery eyes. a string of precum and saliva connects your bottom lip and his tip, and when it breaks, you’re acutely aware of the mixture dripping down your chin and onto your nightgown. it’s no matter.
jeno’s thumb runs over your scalp, just above the bottom of your skull. you close your eyes momentarily to take in a deep breath. 
“you can force yourself down my throat, you know,” your voice is raspy when you speak, eyes fluttering open almost drearily. “i’m not too delicate for it.”
there’s something simultaneously raw and pure about the way you speak, and jeno recognizes that your headspace has changed, just a little. your need truly is all-encompassing now. he must tread more delicately than usual.
there’s so much love, so much adoration in your wide-eyed gaze. he only wishes to return it with the same intensity and double the care. 
“i know, love,” jeno responds, finally moving his hand in order to place two fingers under your chin. he tilts your face up, taking note of the way your eyes run over his tattoo before looking at his chin, then his jaw, then his nose, then his forehead, until, finally, you land on his eyes. you’re a tad bit unfocused, full of need, but that’s okay. you’ll always come back to him. he continues speaking. “you’re so strong. always so strong for me. that’s why you deserve to be rewarded, yes?”
“rewarded?” you’re confused, to say the least, though you do not dislike the direction jeno is suddenly moving towards. he only smiles, gentle and kind and good and yours. all yours. 
“on the bed, (name).” he tilts his own head, jutting his chin towards the bed you’d slid off of earlier. you don’t hesitate to follow, pushing yourself up onto your feet and all but scrambling backwards to be seated against the soft mattress. the blankets are all haphazard and the pillows aren’t straight, but that’s the least of your worries right now. jeno gives no other orders, only stepping closer and, without warning, winding his arms underneath your thighs and propelling you backwards, causing you to land, back flat, in the center of your bed. 
it had always felt inescapably large when you’d slept in it alone. now, it feels welcoming. safe. 
“you’re ready for me, yes?” the tone of voice jeno uses is soft, even as his rough palms push apart your thighs. you nod, murmuring a small ‘yes’ once you realize he’s waiting for you to verbalize your thoughts. this is all jeno needs to climb onto the bed and move in between your spread legs, settling back on his calves as his hands smooth over your hip bones and waist. it’s evident that he’s bent on taking his time with you tonight, likely under the illusion that that is what you want. 
it is not what you want. it is most definitely not what you need. 
“i need you within me, lionheart,” one of your hands clutches at the sheets beneath you while you stretch the other towards your lover, imploring. “soon. now. please.”  
“absolutely impatient,” jeno only chuckles in return, drawing an indignant whine forth from the base of your throat. he looks over your barely covered body once more before finally - almost in slowed motions as if to tease you further - rising up onto his knees. his hands stop moving against your skin, finally circling around the soft meat of your upper thighs. swiftly and fluidly, jeno pulls your body towards his, wrapping your legs around his own waist. his wet cock lies heavy against your pelvis, leaving slick precum against the apex of your thighs and the bottom of your stomach. he smirks. “is this what you wanted?” 
the motion of being pulled into your knight had forced the air from your lungs in a surprised yelp, and the feeling of his warm skin - he’s always supplied so much heat, it baffles you to no end - against your own momentarily blanks your mind. jeno repeats his question twice, cocky grin growing with each utterance, before you nod vigorously and sputter out something vaguely affirmative. yes. yes, this is exactly what you wanted, exactly what you want. 
you’ve been growing steadily wetter the longer your foreplay had drawn out, but jeno, ever-caring, still pulls back - his cock sliding against your thigh has you moaning - to slip two thick fingers into you, adding a third when he’s absolutely sure that you can take it. in no time at all, you’re grinding your clit against his rough palm, the friction absolutely heavenly. jeno makes no move to stop you, only gently forcing his fingers in deeper. 
a fourth finger is added just as your abused clit can’t take anymore, and you spasm on his hand as you fall past the point of no return. your second orgasm of the night washes over you, and you can’t help the muted but harried gasps you let out as your hips buck up, driving your head back into the mattress. jeno draws his fingers out slowly, licking your essence off of them with practiced ease. once your body has calmed down, you can only let out a small whimper, still basking in the intensity you’ve just experienced. 
jeno knows your limit, and knows damn well that you haven’t reached it yet. it’s because of this that, even as your walls are still clenching around nothing due to aftershocks that wrack your body, he places the fat head of his cock against your hole and slowly but surely slides in. the hands on your thighs move up to wrap around the sides of your waist, and his grip is bruising as he pushes deeper and deeper. even as he goes at a snail’s pace, you feel as if you’re being pulled apart only to be pieced back together again. you hold your breath.
jeno is halfway in when he realizes you still aren’t quite wet enough. he shifts slightly, carefully moving one of your legs up just a little bit higher, before swiping over your raw clit with a thumb he’s wetted with his own tongue. a moan flies forth from your mouth immediately, and a gush of wetness coats jeno’s cock anew as he circles over your bud with abandon. he’s finally free to surge forward and bury himself within your warm walls without fear of repercussions on your own body… so he does. the breath you’d been holding in is punched out of you, replaced with an honest-to-god wail. tears bud at the corners of your eyes at the stretch, falling as he pulls out almost entirely and slams into you again. 
jeno does everything in his life in order to live up to the name you’ve given him: lionheart. he is just and loyal and thoughtful as an advisor, and analytical and fearsome and ruthless as a warrior. sex is where both sides of him meet. it is where he is not just the kingdom’s bravest knight, or the crown’s right-hand man. it is where he is your lionheart, and yours alone, where your souls intertwine at the place your bodies meet. 
he notices how your hands come up to reach for him, leaning down so you can place one hand against his heart - against his tattoo - and throw the other one over his other shoulder. jeno’s nose is almost touching yours, though your bodies shift continuously as he keeps drawing back and driving his hips into yours with force.
he never ceases to make you feel full. 
your walls grip his cock tightly, amplifying every movement jeno indulges you in. the slide is slick and wet and perfect, but it is not easy. the head of his dick catches on your clenched walls every time he pulls out just to slam back in, forcing you to feel him with everything you have. it’s exactly what you want. 
he slows down his thrusting for a moment as he moves forward slightly, leaning closer still as he places one forearm against your head and raises his other hand to fondle your chest over your sheer clothing. somehow, this is no longer enough for you. jeno’s cock is fully sheathed within you as he swipes a thumb over one of your nipples, and the feeling of his skin pushing the cloth against one of your most sensitive areas has you shuddering in a way that causes you to squeeze even tighter around him. his hips stutter slightly, driving him impossibly deeper into you.
“jeno,” you rasp out, tongue heavy and dry. “my pillow. beneath my pillow.”
his eyes go wide as he processes what you’ve just said, his shallow thrusts slowing down. jeno gulps audibly. 
“your- love, your dagger?”
“need you to touch me.” you respond, holding his gaze and watching it clear up from confused to comprehending you entirely. he pushes himself up from his forearm to his hand, sliding out of you in the same movement. you whine sadly at the loss of contact, but jeno mutters a good-natured ‘be quiet’ almost immediately. 
“you know,” he starts, voice teasing, even as he pulls your dagger - black steel, quillions and hilt encrusted with blue jewels, black tempered glass at the pommel - out from beneath your pillow using the hand that had been fondling you earlier. he moves back down to his prior position, and your breath hitches as he presses the apex of the knife against the collar of your nightgown. “i’m already touching you.”
“more,” you moan out, the end of your word coming out almost breathlessly. one of your hands slides against his tattoo once more, as if feeling the lion will make it roar to life. “touch me more.” 
jeno chuckles, albeit darker than he had been earlier, and digs the dagger into the cloth in front of it without any further ado. you hold your breath willfully this time, not wanting to actually nick yourself on the blade, as he moves down your body, cutting the sheer gown open down its direct center. your lionheart dots his lips against your flesh in a trail in his wake, scraping his teeth against your skin as he sees fit. 
he leaves a quick, but filthy, kiss against your clit for good measure, eyes lighting up as you attempt to close your legs around his head on impulse, only to have them pushed apart even farther than before by his strong hands. once he gets to the hem of the slip, he throws your dagger somewhere on the stone floor - neither of you pay any heed to where it clatters - and rips it apart with his bare hands, hardly able to bear not feeling you around him for much longer. 
before you can do anything or say anything or even think anything at all, your lover surges forward and presses himself back into you with a grunt that sounds almost like a growl. his hands knead at your thighs as he finds his rhythm with ease, pounding into you with practice as if you’re an art medium and he’s a skilled master. he’s everywhere, all around you and inside of you and in the air and in your skin, and it’s all you’ve ever wanted.
“touching - ha - touching you enough now?” he asks, resolve crumbling bit by bit as he fights to keep himself from tumbling over the cliff’s edge before you do. you can’t dignify him with a response, unable to do anything but claw at his back and pin yourself further against his chest as if it’ll make even more room for you in his heart than there already is. he doesn’t need a response, anyways. jeno already knows. 
he knows just how close you are, too. just as close as he is. it’s because of this that jeno moves a hand up to curl around your throat just as he circles your clit with two fingers of the other hand, continuing to fuck into you at the same rate as best he can. with a sharp cry and the arching of your back off the bed, you clench around him for one final time before he comes to a halt, barely holding himself up over you as he releases within you with a shuddering, gasping groan. 
moments pass, stretching into longer than they typically are. jeno takes care as he slides out of you, climbing onto the bed and flopping down next to you right after. the feeling of his release, sticky and wet against your inner thighs, is unpleasant at best, but you can’t bring yourself to clean up just yet. instead, you turn your head to your side, your nose immediately brushing against jeno’s sternum as you realize that he’s turned his entire body towards your own. he lets out an airy laugh at the sensation, pushing half of the sliced cloth off of your body in order to run a wide open palm down your naked side. 
“good?” he speaks first, asking an arbitrary question. ‘good enough to make you forget?’ is what he means, knowing full well that you could never lose thought of what awaits the two of you. the sentiment is what’s important, though, and you let out an agreeable hum as a reply. the sex itself was great, of course. he’s well aware. 
“sleep, lionheart,” you say just as silence attempts to cloak the two of you. “we must be ready soon, as it is.”
jeno gives you no response, and you do not require one from him. instead, he pulls you even closer into his chest as if doing so will protect you from the crithagians across your kingdom. his entire world rests between his arms. you are both tired enough that sleep forces your eyelids closed swifter than expected, and as you fall asleep to your lover’s slowed breathing and muted heartbeat, you can’t help but, just this once, allow your worries to slip off your body as your torn nightgown does. 
just before the rise of the sun, jeno will have to get out of bed and clean you up as best he can before donning his clothing, his armor, and his cape. you’ll put his helmet upon his head, pull his visor down over his face after sharing a kiss that could be your last. it is always like this. jeno will rouse the army, you will dress and arm yourself, and meet with your own private troops. 
as the sun begins to take its place in the morning sky, luckily opposite your gaze, jeno will lead his people into battle, riding his steed far, far from you. you will watch him go, but he will not look back. doing so is unfortunate luck at best. you’ve ingrained this into his mind. 
you do not know whether he will be back or not.
you desperately need him to come back.
all of that will happen in due time, but now, you drift to dreamland, safe in the arms of the man you’ve sworn to be with until the end. he tightens his hold around you, and that is how you spend the night before battle, in total comfort and full of love. no matter what tomorrow brings, at least you have this now. at least you will always have this moment. 
the lionheart and his liege. your lionheart and his love. 
for now, you are at peace in the calm before the storm.
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