#((or himself honestly))

[mangozic]

the wettest of cats

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[chloesimaginationthings]

You think William has heard Ballora’s FNAF song?..

[egophiliac]

finally got some time to finish these guys up! which is sort of ironic considering I started these because I wanted to draw Malleus with a Dragapult, and then I just didn't for a million years!

Malleus has the aforementioned Dragapult, except it's a super special non-canon color Dragapult (like an anime-only form that you could get in-game exclusively through some limited-time event where you have to show up in-person at a specific location in Japan) (it has some wacky overpowered exclusive move/form and the OT is listed as Malleus) (so like that kind of ridiculous specialness) (Leona is extremely salty about this). also hoards and hoards of Dreepy. Dreepy LOVE Malleus. they take naps on his horns inbetween begging him to throw them across the island at mach speeds.

Lilia has a Drampa and a bunch of Woobat that he hasn't actually caught, they just follow him around in swarms because they sense a kinship with him. (also breaking my own rule again to say that he had a Mawile in the past, because...I just really wanted to give him a Mawile...)

Sebek has Sandile for obvious reasons, and also a Pikachu that bullies him relentlessly. :(

Silver has a shiny Corvisquire; I really went back-and-forth on also giving him an Aegislash, but...hm. those pokedex entries though. he can stick with just one for now.

(I hadn't planned on the shiny for him, but after I'd decided on the Corvisquire line and was looking it up for reference, I realized that shiny Rookidee is gold and then turns silver when it evolves and I lost my entire goddamn mind)

[peanuttoffee]

imagine if Cal and Kanan met after the Purge

i like the headcanon that they were bros back in padawan days, messing around and giving a headache to everyone in the temple c::

[technically-human]

Edwin after the confession is a menace

Bonus Charles being normal about it:

[afterartist]

IVE DONE IT!! (not exactly sure what it is in this situation but it sure is done)

Rumble n Frenzy would bully screamer any chance they get

Soundwave on the other hand needs payed vacation because that man has to put up with so much crap

[mingyusbinch]

REST IN PEACE, DEAR MOONBIN (1998-2023)

[biboomerangboi]

The thing I think some people miss about Hua Cheng because he has this whole need to be the strongest to protect Xie Lian thing is that he is perfectly content to let Xie Lian fight his own battles and beat people up. Hell he gets a little kick out if. Like I think some people think he’s got this step behind me kitten booktok boyfriend behaviour and he doesn’t. He is more than happy to let Xie Lian go full martial god and cheer from the sidelines because he thinks it’s hot (see the entire Ban Yue arc) like as long as the whatever the threat is won’t actually hurt Xie Lian or Xie Lian won’t hurt himself he will canonically just be in the back trying on pretty outfits for his geges entertainment offering him advice and support and watching him kick ass with heart eyes because that’s the guy he fell in love with. He adores Xie Lian martial side and thinks it’s very cool and sexy of him.

[bastardlybonkers]

thinking about how marcille thinks that her feelings for falin are parental while the audience can see the attraction that she either cant see or doesnt want to see

parental doting, nagging her to use the stuff she bought her

this fucking cover. every single relationship pictured here being parent/caretaker and the one being taken care of.

how when marcille starts this matching scene its like a mother bathing her child, right up until falin rises over her and grasps her hand, to which marcille is very suddenly confronted with a cocktail of complicated feelings, attraction, fear, shock, confusion. this isnt just a horny scene guys Look at marcilles face, her eyes, the black background on their clasped hands. how marcille doesnt blush until the interaction is over, then slips right back into the comfortable dynamic of calling falin cute and small and inviting her into her bed

this is how marcille sees their dynamic. parental, caretaking. safe.

is it that kui genuinely meant it like this and we as an audience found a different interpretation? is it that marcille is dense to her own feelings, misinterpreting protectiveness for parenting? is it that marcille doesnt Want to understand her own feelings? is it that shes an elf, and elves generally infantilize shorter lived races? is it a conscious or subconscious method of self protection, denying herself the fact that shes in love with someone who wont even make it past her own young adulthood?

(also im gonna need you guys to be so fucking serious here if you even Think about making the claim or god forbid saying that Im making the claim that farcille is ""problematic"" because marcille has complicated and nuanced feelings for falin im going to combust)

edit for clarification: i meant if the attraction was intentional not the parental feelings lol just making sure cause i think some ppl mightve thought i meant it the other way around

[fanhoe]

I often think about Renee and Andrew discussing plans for a zombie apocalypse and Neil feeling bad about thinking he wouldn’t go back for anyone, just cut ties and run when danger comes for him, he actually thinks it’s his instinct, when just weeks before he went to Evermore and got tortured within an inch of his life to try to protect Andrew.

It kills me a little bit

[biscuitsandwires]

In which Danny wakes up in a weird place.... again.

The thing about Danny, is that he often wakes up in really, really weird situations. Like way more than you'd think, way more than he'd even like, really. He doesn't get that much sleep, being y'know, half ghost, and with school work and having to fight "The Forces of Evil" half the time it gets kind of... tedious, balancing things like sleep and eating and even getting water in him.

It's not really a good thing, but he started carrying around a water bottle he can clip to his bag. It reminds him to at least drink something, when he doesn't have time to grab anything to eat.

But because of all that fun stuff, the not sleeping and not eating and things, he often finds himself taking... unplanned naps. Waking up on the floor, his bed, his desk, one time even in his locker, but that was before his growth spurt. He's a little too big for that now.

Of course, this might take the cake, in terms of weird places he's woken up. He's never been to Gotham, that he remembers, and he certainly has never been to the Wayne Manor. He'd remember that, he thinks, what with the grand architecture, the giant paintings of random people with pearl necklaces and suits... yeah he'd know if he'd been here before.

"Ah, you are awake."

He tries really, really hard not to react to the sudden, aged voice next to him. It sounds like a nice guy, mature and soft like a wool blanket. But he has no idea where he is, when it is, anything, so in one second he's still on the big bed (which it is a BIG bed) and the next he's... well.

Floating ten feet in the air with his fist raised.

To his credit, the older gentleman staring up at him merely blinks, then sighs. "Another enhanced fellow, I suppose. Of course you are."

It's enough to lower Danny's hackles, his confusion growing the amount of time it takes to slowly float back to the floor.

"Can I uh... Can I ask where I am?"

The older man gives him a look. "You, young man, are in the Wayne family home. I'll ask you not to touch anything until the young Master gets back."

That... didn't really clear anything up, if Danny was being real. So he tried again. "Can I ask, uh. Why I'm here, sir?"

Mama didn't raise a ruffian with no manners.

Another sigh, the older man looking like he wanted to go take a nap himself. "I am not fully sure, myself. Young Master Damian found you, I suppose, and brought you here. You have been unconscious for a day or so."

Well. That was concerning all on it's own. Who was Damian? Was he a Wayne? Why was Danny in Gotham at all, he didn't remember a field trip or anything involving Vlad.

He might have started panicking if there wasn't the sudden, entirely too enticing smell of pancakes suddenly under his nose.

"You're entirely too skinny, young man. It's breakfast time." The older gentleman said, holding a tray of wayyy too much food for one person in front of Danny, and really...

What was he gonna do? Deny the man?

He would have to figure out what the hell was going on, later. Right now he had a date with the nicest looking spread he'd ever seen.

"And young man, you may call me Alfred."

Danny grinned, gently taking the tray from him and setting it on a nearby table. "Danny. It's good to meet you."

"Hmm." Alfred mumbled. "I certainly hope so, Master Danny. I certainly hope so."

(pt 2 here)

[phlondsbian]

love that the question is not “did dan actually run philslion” but it’s “are dan and phil both lying to us or did dan never tell phil that he ran philslion”

[chloesimaginationthings]

you draw adult michael like he kisses boys daily instead of taking his meds but teen michael like hes homophobic and you're so real for that tbh

This is such a funny read but you’re sorta right too

[whatohitsonfirewelp]

You know what? I don’t WANT an awkward double date. I don’t WANT buck coming out and people having the ‘I know’ reaction or the ‘is it Eddie’ reaction.

You know what I do want?

I want Buck panicking over what to wear for the date. I want Buck flopping on his bed like very teenager after their first kiss all giggly and happy and touching his lips because he kissed a boy

I want Buck smiling every time he says Tommy’s name because maybe it isn’t forever and maybe he’s not even looking for forever anymore but he’s so happy and he’s so light and being with Tommy feels good

I want Tommy to keep calling him Evan, because before Buck was Buck he was Evan and Evan deserves to be happy to be treated so softly and lovingly and Evan deserves to be free.

I want Buck to be happy. To be happy and free and queer in the way we all deserve.

[asbestos-11]

life is dark and miserable but tiny aventurine makes it all disappear

would be so sexy and cool if y'all could reblog my art^^