#(holding you) FAMILY!!!!!

[chinelacanta]

i like to think that ever since they met it was mutually ON SIGHT bullying <3

they’re both losers (said with love)

[afterartist]

IVE DONE IT!! (not exactly sure what it is in this situation but it sure is done)

Rumble n Frenzy would bully screamer any chance they get

Soundwave on the other hand needs payed vacation because that man has to put up with so much crap

[insert-cephalopod-joke]

[laniidae-passerine]

don’t get how you can watch iwtv and be a sincere diehard lestat hater. like the world’s biggest lestat hater is louis and that man can’t even commit to it for more than five minutes before literally hallucinating lestat wearing a wedding ring and talking pretty to him. this show is about louis and every road leads back to lestat for that man

[envyenvys]

do you mind..?

[puppetmaster13u]

Prompt 261

“So is no one going to talk about the eldritch space child or…” 

“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…” 

“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-” 

[starry-bi-sky]

danyal al ghul memes because i don't think i've done those yet for this au.

(the jason one is in reference to the fanon headcanon/au that Jason and Damian potentially knew each other and interacted while jason was in the league. I've thought about it before in context of this au, but haven't thought about it enough to feel inspired or motivated to make a post exploring the idea)

(diablito means, as you can guess, 'little devil'. while i'm neutral to latino jason, i think the nickname is cute as fuck and was danny's main nickname from Jason. i don't wanna touch that timeline so im not gonna decide how old they were when Jason was there.)

Skulker: i am the ghost zone's greatest hunter! i capture and hunt creatures both rare and dangerous. Danyal: a poacher?? you're a poacher?? you poach animals??Skulker:...i sense i've made a mistake of some kind.

anyways that was the day that Skulker cemented himself as Danny's no.1 opp, and still remains there to this day even if he and Vlad are both viciously fighting for second. Out of everyone in the the AP rogues gallery, Skulker will be the first to be thrown under the bus in terms of 'o shit here comes phantom fucking RUN'.

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[1alchemistart]

sillies!!

[lunamugetsu]

Delivery!

Flash was currently being held captive in a black of ice. How he got like this he wasn't sure. All he remembered was that he was running across Central City keeping the peace until suddenly an ice beam shot out of nowhere and froze his feat to the ground.... and the rest of him.

"Alright you got me! Show your face!"

"Well I was going to regardless. No need to yell." Out pops Danny Phantom carrying a bag with him and holding out an envelope.

"What? Who are you?"

"My name's Phantom. Danny Phantom. I have a message for you. I couldn't get your attention earlier so I thought this was just the next best way to get you to stop." Danny said as he unfreezes the speedster.

"Uh, okay." Flash said as Danny gives him an envelope.

On the envelope there are drawing in crayon and stickers and in marker it says: to Flash.

"It's from Susie, she'd said you'd remember her."

He remembered a Susie, a little girl that he used to see in the children's hospital. She had leukemia. He spent any minute he could making sure the kid was smiling when he was there. He was heartbroken when the nurses told him that she had passed away before he could give her her birthday present. Flash examined the crayon written words, it was just like Susie's writing.

"How did you?"

"Just read it."

The letter reads:

Dear Flash,

I'm sorry, I wasn't there when you showed up for my birthday. I never got to tell you, but thank you for being at the hospital with me when I was scared of going to treatment or when I had to take my medicine. Thank you for making me smile even when I didn't feel well. Thank you for playing games with me when I couldn't go outside. Thank you for talking to my mom and dad at my funeral. That was really nice. I drew some pictures for you but I never got to finish them when I was in the hospital so I drew you some new ones. Danny says that he'll give them to you.

In the envelope was a series of different colored papers all with different crayon and marker drawings of Susie and him playing in different scenarios. One where she was a doctor and he played the injured patient. One where they were both superheroes. Another one where they were playing shadow puppets when she wasn't feeling well. Page after page were different drawings of them playing with the last one was covered in glitter with a big heart with a crayon drawing of him and Susie.

"Susie said that her biggest regret was that she couldn't say thank you to her hero before she passed. So I bumped her up on my delivery list."

"What?"

"Oh yeah, I never fully introduced myself. I'm Danny Phantom, you can call me Danny. I'm the designated delivery person for the afterlife to the living realm. Any messages or special requests from the dead are delivered by me!" Danny hands him a business card all official.

And it does say: Danny Phantom special delivery service for those of the non-living variety!

"She also said she wanted to give you one last hug before moving on."

"What do you?" Flash is halted from saying anything else as he feels a pressure against his legs. He looks down to see a translucent small figure. She was a picture of what she looked like before the chemo. Susie gives him a smile and a hug before fading before his eyes.

Before Danny officially takes up the mantle of Ghost King he's trying to do a job that would have him interact with all of his citizens first so he could get a feel of it. Hence him making connections with both the living and non-living people (he went big-brain for this idea)

Extra scene:

"Oh that reminds me, I have a card for you from someone else."

"A card?" Flash opens the card only to get sucker-punched in the face. (like one of those cartoon boxing glove punches)

"A punch card." Danny said

Flash groans as he looks at the card that has the words: STOP MESSING WITH TIME! from CW

Obligatory Gotham Scene:

Danny standing in front of a beaten up Joker that has been tied to a chair.

"Just so you know I have a back order of a lot special requests for you. And since I can't exactly kill you, that would create so much political tape. I can let them make requests for certain actions. So right now I have over 50 requests for me to break your legs and over 30 to pull out your teeth and break your jaw. Some of them contradict each other because they want to make every word you say hurt you but others want me to curse you so you can't speak again. So I'll just have to get creative." Danny says winding his arm back and form.

He is for sure being completely professional about, he gets no personal gratification from beating up a crazy clown at all. (said nobody ever)

[bogdreamz]

korvo lost and farting 0 stars for you my boy

[tatsumiboobs69]

[call-me-strega]

Dc x Dp Prompt #24: The Midwest Prince(ss)

Danny is a Singer/Siren/Banshee au where he’s basically a Chappel Roan-type figure.( Also, I'm Dead on Main trash so Strangers-to-Friends-to-Lovers, Celebrity x Civilian romance for two of my favorite boys)

Danny’s Ghostly Wail develops into vocal manipulation bc he’s a siren or banshee. Ember teaches him to sing and control the power. He finds music is a good outlet for his emotions and decides to pursue music as Danny. It takes him a few years but he develops a style and brand that he bases off the Realms. However, he doesn’t anyone to connect him to Phantom so he uses parts of his ancestors’ names to become “Walker Gale”(shout out to my beautiful mutual @mirigold-mayflowers for helping me pick that name), ordinary small-town midwestern boy turned Music Icon. He hires Val as his personal bodyguard, Sam as his manager, and Tucker as his head stage tech.

He dresses in really campy clothes the low-key mimic his ghost form as well as other ghosts he’s met. The outfits change to match the vibe of the song. So a rock ballad with an outfit inspired by Ember, Show Tunes-Murder Mystery-type-beat with a costume for Amorpho, EDM-techno-hyperpop themed song styled after Technus or Skulker, etc. He just has a lot of fun experimenting with his appearance and he’s an icon for it. He even makes friends with Star and Paulina through this and they give him feedback and help with new looks. The eventually join the team as his PR and Styling team.

Since he’s a banshee/siren all his songs have this underlying despair/sadness even if they have a fun and bubbly beat. He also references his feelings about being/hiding as Phantom and being partially dead and shit but vaguely so no one actually knows or assumes it’s a metaphor. Many of the themes are actually things lgbtq people identify with, specifically trans and bi fans. He also references battles he’s fought and ppl assumes he’s talking about mental illness or abuse which attracts another category of fans altogether. Again inspired by Chappel Roan his first album his called "The Ascent and Downfall of a Midwest Prince" gaining him the nickname the "Midwest Prince".

He’s weird and unfiltered and full of emotion and he gains a few fans in the hero community too. Raven and Zatanna start a fan club for him, well aware he’s some type of banshee/siren but knowing that the extent of his powers are being used to deliver beautiful performances. The are staunch supporters of him and his music and spread it to their friends. The current fan club is Co-Presidents Zatanna + Raven, VP Greta(Secret, a.k.a: a ghost hero), Starfire, Bart, Cassie, Tim, Kon + Jon, Steph, Cass, and Billy.

His identifying features are a signature make-up look and white underdye (when the color is on the underside of the hair). He’s grown his hair longer so it’s not super visible when he has it down and not styled. He also looks different without make-up so he can totally go unrecognized in public and live life semi-normal (as normal as a half-ghost vigilante powerhouse superstar can be). He actually planned it to be that way so that he could still go to college and stuff even though he’s doing it mostly online. All this to say that Danny has low-key got a Hannah Montana thing going on. Also, let's mix it up a bit and say he's based in Star City.

One day Danny goes to a second-hand book store because he's looking for a cheap textbook when he bumps into an absolute hunk of a man who doesn't seem to recognize him. Jason had been in Star City to visit Roy and Lian. He stopped at a second-hand bookstore to see if he look for some older editions of books (one time he found a second edition copy of Persuasion so he likes to peruse) and ran into a super pretty boy who made his chest feel funny and doesn't realize he's a Wayne. They got to talking about started really connecting. They decided to exchange numbers and kept in touch, meeting up every now and then when they had the chance. Danny gave him his private social media accounts so Jason never learned much more beyond that Danny worked in the music industry but not his exact role in it.

Eventually Danny moves to Gotham, either bc he switched labels or to be closer to Jazz whose doing her doctorate thesis on reforms that need to be made in Arkham. He and Jason begin meeting up in person more frequently and start catching feelings. Danny really wants to ask him out but feels sleazy doing it without telling Jason about his past and superstar alter ego. However, he also doesn't want to lose the mostly normal friendship they have. On the flipside Jason wants to date Danny but doesn't want to drag him into the life of a vigilante or the life of a Wayne. Both of them Pine and Agonize over this. In the end Danny decides to bite the bullet and tell Jason who he is, every part of who he is. He invites Jason over for a movie night and tells him he's got something important to tell Jason.

That same day Starfire decides to introduce Walker Gale's work to the other Outlaws and Jason really resonates with his work. He identifies with the lyrics on a literal and physical level and recognizes the underlying emotions that usually only other ghosts or liminals can. Starfire overjoyed that her friend likes his music decides to show Jason some of his music videos and photos. Jason, not being blind or an idiot, recognizes not only the props and costumes but his crushes face under that (very well done) make-up.

Jason is stunned and conflicted: it’s not like Danny lied to him about who he was, but he was entirely truthful either. Did he assume Jason knew? Or did he just not trust Jason? Why did he even bother with Jason, a seemingly regular guy, if he had such a claim to fame? And Jason keeps listening to his music and it’s speaks to him the same way hanging out with Danny does, making him feel seen and connected. It makes him all the more sure that someone incredible as Danny doesn’t need someone like Jason. He heads to Danny’s place that night very subdued.

He gets to Danny’s place and the smile that greets him twists him up inside. He puts on a mask and tries to act normal but Danny can tell somethings up but persists as he has made up his mind to be clear with Jason. He sits him down and tells him there is something important he wants to tell Jason. He starts by letting Jason know that he cares about him very much and appreciates the normality and closeness of their friendship. He confesses that he doesn't normally get that bc well, he's the superstar "Walker Gale". Danny goes onto say that the reason he didn't say anything earlier was because he treasures the simplicity of what he had with Jason and the reason he's telling him now is because he couldn't continue a relationship that he wants more from without being completely honest.

Jason's heart thunders in his chest and he stares at Danny with a slightly constipated look. Danny asks Jason what's wrong and on an impulse Jason word vomits his feelings. That he actually found out through a friend earlier today, that he really connected to his music the same way he did with Danny, that he's never felt seen the way Danny sees through him, that he's never felt the same way as deeply before, that he's completely and utterly in love with Danny but was scared to say anything and get him involved with his crazy life and the Waynes. And Danny sits and listens shellshocked.

And the only thing Danny can think to do is kiss this incredible boy senseless and tell him that if he likes him back then they can figure it out.

[shima-draws]

I'm rewatching GF since the whole world seems to be into it right now (thank you Alex and the Book of Bill) and AGHHH I FORGOR about the body swap episode when the twins find the secret room and Stan picks up Ford's glasses and later we see him sitting on the couch looking at them wistfully...

Shut up shut UP that's NOT okay

[shorthaltsjester]

the mighty nein - critical role

this is a place where i don't feel alone. this is a place where i feel at home.

[strangersteddierthings]

Good People - Final Part

Part One🦇Part Two🦇Final Part

It is not often that Wayne is happy with the monotony of work. Tonight is one of those nights, if only because it allows him to think about where he went wrong speaking to Eddie. He had never meant to imply he thought Eddie was like Al; he'd meant the apple and tree comment to for Richard and Steve. However, he does acknowledge why Eddie drew the conclusion that Wayne might have thought Eddie would follow in Al's footsteps.

Wayne's being a hypocrite, applying the logic to one boy, but not the other. And even though he never, not once, thought that Eddie would become Al, he'll never be able to take that thought from Eddie's mind that he had. He can apologize until he's blue in the face, Eddie might even forgive him, but he's not sure Eddie will ever believe him. Not truly.

And how could Wayne expect him to?

No. That's a shame Wayne will take to the grave.

Next strike to Wayne's conscious; the misjudgment of Steve Harrington, and how it ties into the fact Eddie accused him of not trusting his judgement, and, moreover, Eddie being right. Wayne hadn't trusted in Eddie's trust of Steve.

He should have. It's been years since Eddie came home crying about a boy, but what father doesn't see their kid crying over their first heartbreak and doesn't grow protective? And with Eddie, it's even more terrifying. Getting mixed up with the wrong boy could mean bruised ribs, black eyes, or worse.

In a town like Hawkins, a boy would just have to claim Eddie made a sexual advance and his murder could (would) be justified.

Now add the manhunt and being suspected of murderer to that. Well, Wayne's scared for Eddie's life almost every minute of his day.

But it's no excuse. Or if it is, it's a poor one.

Wayne doesn't know the full story but he does know that Steve was with the group of people on Eddie's side; that he was there with the Henderson kid, the Buckley girl, and Nancy Wheeler, digging Eddie out of the rubble from the earthquake, getting him to the hospital as fast as they could.

Steve Harrington was part of the group that saved Eddie's life, and that should have meant more to begin with. Instead, Wayne's been waiting for a shoe to drop that very well isn't coming.

He's going to fix this.

He'll give Eddie his space to be angry with him, and he'll try again in a few days.

When Wayne gets home, around 6:30am, Eddie's van is gone. He's not surprised. He probably left shortly after Wayne did, not leaving sooner just to avoid him.

There is a note on Wayne's bed when he makes it there. Says he's at Steve, and instead of letting Wayne know when he'll return it just says the words 'be back' followed by a bunch of questions marks. He ends it with 'call if worried' and leaves a phone number that must be for the Harrington residence.

Another hurt Wayne can't blame on anyone but himself.

Wednesday passes. Wayne eats breakfast, goes grocery shopping, pretends to care about his shows before sleeping the afternoon away to prepare for another graveyard. Eddie has not returned when he wakes, and two short hours later, he's off to work.

Eddie's van remains gone.

Returns from work Thursday morning and repeats Wednesday. He replaces grocery shopping with laundry and cleaning out the leftovers for trash day tomorrow morning. Goes to work.

Friday morning he returns home. No Eddie. He waits for it to be a more appropriate time, a little before 10:00am to call the number Eddie left.

It rings, rings, rings, then, a voice he hasn't heard in years. Richard Harrington's voice sounds as cold as it always was as the answering machine recites, "You've reached the Harrington's. We are not available. Leave a message."

"This is Wayne Munson. I just wanted to make sure Eddie's- that's he's alright. Let him know that I called. Checked on him. He doesn't need to call back but I'd appreciate it."

He hangs up the phone, lump in his throat. He misses his boy, and he wants to make his right, but he can't force that. Eddie has to always want to make it okay between them.

He's usually off Fridays, but he asked to pick up a shift. He can't face Linda without having fixed this. He spends the morning and afternoon doing all the small fixes he'd been putting off. Anything to keep him busy. He goes to sleep at his usual time, and wakes up two hours before his shift like normal.

Check's his answering machine but if anyone called while he was asleep, they didn't leave a message. There's still no van when he heads to work.

The plant tells him to leave an hour early. He tries to argue to stay but he's just waved off, told to go get some sleep because he's been looking a little worse for the wear.

He gets back to Forest Hills around 5:40am and finds there is another car parked at his home. Not Eddie's van, but the sleek maroon BMW that belongs to Steve Harrington parked where the van usually is.

When he pulls into his spot, the headlights of his truck light up Steve, sitting on his steps, wrapped in a coat. It can't be more than 50℉ outside right now.

Steve stands as Wayne cuts the engine and climbs from his truck. He gets to the front of his truck and Steve speaks.

"Eddie's okay," Steve says, hands shoving deep into his pockets, "I tried to get him to call you back yesterday but, well, you know Eddie."

Wayne nods, because he does know Eddie. "I appreciate you tellin' me. But you coulda just called."

"I could have."

They look at each other for a moment, and just as Steve opens his mouth, probably to tell Wayne he's going to go, Wayne speaks first, "you wanna come inside and have a cup of coffee to warm up?"

Steve tilts his head slightly to the left before he says, "are you sure?"

"I'm sure."

"Alright," and then Steve steps away from the stairs so Wayne can climb them and let them into the trailer. Steve follows behind silently but with familiarity. He's spent so much of his time here since spring break- the shame crawls through Wayne again. He'd assumed, once upon a time, that Eddie and Steve spent more time here than at Steve's because why would Steve want the trailer park boy in his big fancy house? Now, though, he wonders if it's because this place felt more like a home, even with Wayne's cold shoulder.

Steve sits at their little kitchen table, a luxury they didn't have before because there was no room in the single wide, one bedroom they'd had before. The new double wide (with three bedrooms) offered them a bit more space for a dining area.

Wayne's still suspicious of the government's offer to replace their destroyed home, but he wasn't foolish enough to deny the offer when it was made to him by Jim Hopper (newly returned from the dead back then).

"How do you take your coffee?" Wayne asks, once the machine finishes filling the carafe.

"Oh, I can fix it-"

"Nonsense," Wayne waves him back to sitting, "just tell me."

"I like it with just enough milk to take the scalding heat out of it," Steve says, and while Wayne's not sure just how much that it, he tries anyway.

He sets a cup in front of Steve before taking a seat across from him. "I really do appreciate that you came to tell me Eddie's okay. I want to give him his space but...."

Steve sips his coffee before shooting his cup a small smile. Wayne must have got the ratio right. Then, he looks to Wayne and the smile drops, a more serious expression taking its place and he says, "Eddie wouldn't really tell me what your fight was about, other than, uh, me and that you... overheard some of what I said last time I was here. I don't, like, want to come between you and Eddie, but I'm not, I'm not going to let you scare me away. So, just tell me what I have to do to get Eddie to believe we're cool, and I'll do it. Anything, except for getting out of Eddie's life. 'Cause I won't."

"I would never ask you to do that," Wayne says. Steve squints at him, a look of suspicion now. Completely warranted, given what Steve has known of Wayne thus far. "I owe you an apology, Steve. For how I've been treatin' you."

Steve's eyes go wide, "Oh. What? Why?"

"You've been nothin' but good to Eddie. For Eddie. And I refused to see that. I made a judgment about you without knowin' anything but your name." Steve let's out a soft 'oh' at that, but Wayne plows on, "And that weren't fair, and it weren't right. I can't undo it, but I want you to know I regret it. I'm sorry."

"Okay," Steve says, after a moment. "I forgive you."

It's Wayne's turn to be surprised. He's a bit speechless. So much so, he takes a page right out of Eddie's book and asks, "are you sure?" which is a question he's never asked after having an apology accepted before, but one Eddie had asked a lot when he first came to live with Wayne, and they were learning to co-exist.

"Yeah. I get it."

He doesn't like that answer. Doesn't like the he contributed to the mind set that gave Steve that answer. "You're allowed to be mad at me for it."

"I think Eddie's mad enough for both of us."

It doesn't feel like closure. It doesn't feel like forgiveness, but Wayne doesn't know what to say. He can't just start sprouting all the bad things he thought about Steve; there's no reason Steve should have to listen to that. But without hearing it, Steve doesn't even know what he's forgiving Wayne for. "I'll be honest with ya, Steve. It feels like you shouldn't."

Steve frowns at him. "Why?"

Why? Why? For all the reasons Eddie yelled at him, and all the things Linda said, and all the agony he's felt these last few days. The guilt and the shame that still eat at him, even as Steve Harrington says he forgives him. "It's too easy."

Those three words have Steve leaning back against the chair. His eyes dance around Wayne's face before taking in the whole of him. Or, what Steve can see of him with from across the table. When Steve meets his eye again, Wayne sees recognition there. "If you can't forgive yourself, I get that. I do. I-I've spent most of my life as one big apology. And I'm not saying that I, like, don't still feel like- what I mean to say, is that, I forgive you. I'm not, like, gonna hold it against you that you were just trying to look out for Eddie, man. Like, two years ago your fears would have been justified, so."

"Don't make it right," Wayne argues, but he doesn't know why.

"No," Steve agrees, "but I'm forgiving you anyway. You think you're the first person to hear the name Steve Harrington and assume you know everything you need to know about me already?"

Steve's words sound like they could be confrontational, but his tone is light. Teasing? Wayne says, "no. Suppose I'm not."

"Every person I love has done that," Steve says, and the ease of which he says that has Wayne feeling some sort of way. Eddie's words echo in his mind 'you made me help him feel that way'. How many other people have made him feel like he's a bad person? "Even- even Eddie. He made a point, during spring break, to, uh, well, he didn't apologize for anything because there was nothing to apologize about, but he made a point to tell me I was very 'metal' and a 'cool dude' so.... I know my name comes with, like, a shadow or a curse or whatever. I think it will for as long as I live in Hawkins, but that's," Steve flaps his hand in the air, as if that fills in for the word he can't find, and it's a move so reminiscent of Eddie. "Anyway, if you aren't actually, like, ready to accept an apology, you shouldn't be making one."

Wayne sits in that for a moment. There's a lot more to Steve Harrington than he'd ever thought. So much he doesn't know, actually, but he thinks he's okay with learning more. This boy told Eddie he was half-way in love with him earlier this week, and while Wayne never heard Eddie say it back, he knew anyway. It's why he was so protective. "You're pretty wise for your age."

Steve grins and shakes his head. "Nah, that last part was all Robin. She says it all the time to me."

"Well, then you best stop apologizing when you ain't ready to accept the forgiveness," Wayne parrots back the words.

Steve throws his head back and laughs.

They finish their coffee with silence and small talk. Steve tells him about how he never thought he'd miss his job at the video store but working at Melvald's is making him long for the days when the biggest complaint was late fees. Apparently, there's so many more things to complain about in retail.

Wayne talks about working at the plant and how the tasks are repetitive and a bit labor intensive, but the graveyard pay is worth it. Steve asks him a few more questions about working at the plant that Wayne's happy to answer and the more Steve asks, the more Wayne becomes aware that Steve might be looking for a change of occupation. He makes a mental note to put in a good word to Floyd, just in case.

Steve leaves with the promise of returning with Eddie, as soon as possible. As he was heading to the door, Wayne asked why he showed up so early.

"Eddie can't stop me if he's not awake," was Steve's answer, a mischievous grin on his face.

Wayne watches from the porch as Steve backs out. Steve shoots him one last little wave with his fingers before heading away.

He goes back inside and washes the dishes. Even dries and puts them away, a feat usually done once a week; he and Eddie have no qualms with using dishes directly from the dish drainer. His only other chore for the day is leaving for work a bit early so he has time to stop at the gas station and fill up the truck.

Grabbing the remote from its spot on the coffee table, Wayne plops onto the couch to spend his day as mindlessly as possible with some TV.

He goes to sleep at his usual time and wakes up at 7:43pm according to his alarm clock; a little over two hours before his shift is to start. It's time for more coffee, he thinks as he dresses for work before heading to the kitchen.

He jerks to a stop when he sees Eddie and Steve sitting on the couch, leaned close and talking softly. He's not about to repeat a past mistake, so he makes his presence known. "Evenin' boys."

Eddie pops up from the couch quick as lightning, taking a few steps towards Wayne before stopping. "I don't like being mad at you."

Wayne nods, "I don't much like you bein' mad at me, either. For what it's worth, I am sorry."

Eddie closes the distance between them, then, and pulls Wayne into a tight hug. Wayne returns it instantly, how can he not? He hears Eddie say, softly, "it's worth an awful lot, you terrible old man."

They part, and Eddie speaks first, "but if you ever pull shit like this again, I won't be so quick to forgive."

"I won't," Wayne says, at the same time Steve says, "he won't."

Both Munsons look at Steve, who grins back at them.

"You think you know my uncle that well already, from one shared cup of coffee?" Eddie asks, sounding amused.

Steve shrugs, "no. I just, uh, plan to stick around, y'know. Kinda hoping there's no dude after me for him to be an angry dad about. I would appreciate it, though, Mr. Munson, if you'd skip the shovel talk bit of all this?"

Eddie sucks in a breath and Wayne's a bit shocked by what Steve's implied. What Steve's admitted, really, out loud in front of another person. Wayne wonders if any boy Eddie's ever liked before would have done that.

"What good's a shove talk when you've already told me you ain't goin' anywhere?" Wayne says, hoping his tone is as light and teasing as he wants it to be.

"Glad we're on the same page," Steve agrees, "but, uhh, do you want me to go? So you can have a real talk?"

"No," says Eddie.

"No," says Wayne, at the same time.

"Oh. Okay. Uh, in that case, you got anything to drink here besides coffee?"

Wayne nods and they all pile into the kitchen to get a beverage before settling in the living room. There will be time to talk later, Wayne realizes. He's going to apologize properly.

Later, though, when he'll really be ready to accept Eddie's forgiveness, because there's no doubt Eddie'll forgive him. So, he's going to sit in the living room and chat with his boys until he has to go to work.

By the time Friday comes around again, he'll be able to tell Linda she was right, everything's going to be okay one day, and maybe ask her on a date he's been putting off asking for since high school.

Done!! I hope the ending is sufficiently cheesy.

I'm so sorry if I missed you! There were a lot of people asking to be tagged haha

@i-less-than-three-you @nburkhardt @afewproblems @skepsiss @unclewaynemunson @kaij-basil-lionelli88 @swimmingbirdrunningrock @mugloversonly @limpingpenguin @krazyperson @acrolius @salisbury-at-the-stake @littlebookworm86 @savedbytheirmusic @wxrmland @myownworstenemyyy @thelittleclare @awkotaco24 @djohawke @wrenisflying @croatoan-like-its-hot @actualwakingnightmare @krowepoison @jamieweasley13 @yourmom-isgay @irregular-child @oldwitcheshat @abstractnaturaldisaster @wishiwasacasualfan @vinteraltus @zerokrox-blog @warlordess @stevesbipanic @steveshairspray @slowandsteddie @samsoble @waelkyring @just-a-tiny-void @saramelaniemoon @halfadoginatank @nightmareglitter @scarletyeager @hellfireone @rovia2312 @munsonslure @a-little-unsteddie @soaringornithopter @eddiethehunted @starlight-archer @dryptid @inkjette